Bolji Zivot S1E19
Bolji Zivot S1E19
Category
🎥
Short filmTranscript
00:00♪♪
00:10♪♪
00:20♪♪
00:30♪♪
00:40♪♪
00:50♪♪
01:00♪♪
01:10♪♪
01:20♪♪
01:30♪♪
01:40♪♪
01:50♪♪
02:00♪♪
02:10♪♪
02:20♪♪
02:30♪♪
02:40♪♪
02:50♪♪
03:00♪♪
03:10♪♪
03:20♪♪
03:30♪♪
03:40♪♪
03:50♪♪
04:00♪♪
04:10♪♪
04:20♪♪
04:30♪♪
04:40♪♪
04:50♪♪
05:00♪♪
05:10♪♪
05:20♪♪
05:30♪♪
05:40♪♪
05:50♪♪
06:00♪♪
06:10♪♪
06:20♪♪
06:30♪♪
06:40♪♪
06:50♪♪
07:00♪♪
07:10♪♪
07:20♪♪
07:30♪♪
07:40♪♪
07:50♪♪
08:00♪♪
08:10♪♪
08:20♪♪
08:30♪♪
08:40♪♪
08:50♪♪
09:00♪♪
09:10♪♪
09:20♪♪
09:30♪♪
09:40♪♪
09:50♪♪
10:00♪♪
10:10♪♪
10:20♪♪
10:30♪♪
10:40♪♪
10:50♪♪
11:00♪♪
11:10♪♪
11:20♪♪
11:30♪♪
11:40♪♪
11:50♪♪
12:00♪♪
12:10♪♪
12:20♪♪
12:31We brought you a husband, sir.
12:33Excuse me, ma'am, please.
12:35Open the door so I can see.
12:37Good morning, ma'am.
12:39Good morning.
12:41Watch him.
12:43What's wrong with him?
12:45He's not well.
12:47He just can't stand on his feet.
12:49How can't he stand?
12:51He's sick, sister.
12:53Let's take him to the ma'am.
12:55He needs to go to the room.
12:57Come on, let's go.
12:59Let's go.
13:01Let's go.
13:03Let's go.
13:05Let's go.
13:07Let's go.
13:09Please tell me what's wrong with him.
13:11What's wrong with him?
13:13Ma'am, he's fine.
13:15Nothing's wrong with him.
13:17Nothing's wrong with him.
13:19Don't worry, Zezdra.
13:21It just looks like he swallowed himself.
13:23Actually, he didn't.
13:25Thank you.
13:27Did he drink so much?
13:29Excuse me, ma'am, please.
13:31We never count glasses or bottles,
13:33or how much we eat.
13:35And we don't count women, either.
13:37Excuse me, who are you?
13:39What?
13:41We're friends.
13:43I'm Tikomir Pavlović's friend.
13:45My name is Jagodinac.
13:47Or maybe my name is Čuran.
13:49Nice to meet you.
13:51Miroslav Milovanović, nicknamed Mikan.
13:53Sit down, Mikan.
13:55Ristić, nicknamed Vile the Dog.
13:59Mr. Džuki.
14:05Just let him sleep well.
14:09It's uncomfortable, Oleg.
14:11We have to turn him around.
14:13No, we'll do it.
14:15We're here because of Varele.
14:17Now we'll fix him.
14:19Come on.
14:21It's uncomfortable, Oleg.
14:23It's a little harder now.
14:25We'll fix him.
14:31Now he'll sleep well.
14:33Like a baby.
14:35Like a lamb.
14:37Just give him...
14:41Lemon.
14:43And sour milk.
14:45Vile!
14:47Sour milk, please.
14:49Let's go.
14:53Why did he drink so much?
14:55He's not in a good condition.
14:57He didn't train.
14:59Why should he train?
15:01He should train for the bar.
15:03Don't say that, ma'am.
15:05You need discipline for the bar.
15:07Look at me, darling.
15:09Your husband is very lazy.
15:11You need order.
15:13She's not my wife.
15:15How do you know?
15:17Goodbye.
15:19Let's drink.
15:21Come on.
15:23Goodbye.
15:25Goodbye.
15:27Goodbye.
15:29Excuse me, ma'am.
15:31Sour milk, please.
15:33Goodbye.
15:35Goodbye.
15:37Is this a meeting?
15:39No.
15:41Regular consultations.
15:43Who made this object?
15:45Who made this object?
15:47Who made this object?
15:49Problems of import
15:51and disparity of prices.
15:53Excuse me.
15:55Let me see.
16:01This is not mine.
16:03This is not my style.
16:05I didn't make this.
16:07Druze and Ataganac.
16:11I made this object.
16:13Excellent, my friend.
16:15I'm very satisfied.
16:19I need to add some more elements.
16:23But we'll talk about that later.
16:27It was a very expensive object.
16:29I only get such things.
16:33Why?
16:35Kostke, Druze and Ataganac.
16:37Until I run out of money.
16:39Objects are divided by numbering.
16:41I'm sorry.
16:43This is a very good object.
16:45Stylish, uniform.
16:47I'm very satisfied.
16:49My friend...
16:51Stankovic.
16:53My friend Stankovic.
16:55Come to the office.
16:57Yes.
16:59Do you want to sit down?
17:01No.
17:03I want to know
17:05why we don't paint
17:07that balsam in the corner
17:09with a helmet on the head
17:11and remove
17:13the working place
17:15of this capable and smart girl.
17:17Because that girl is
17:19undisciplined, bold and stubborn.
17:21Like everyone else.
17:23Since she drank coffee and cognac
17:25at your office,
17:27she's gone crazy.
17:29Do you think my coffee
17:31works so stimulatively?
17:33I don't know.
17:35I didn't have a chance to drink it.
17:37I didn't know
17:39that you cared so much.
17:43I don't mix my duties
17:45with my desires.
17:47And not during working hours.
17:49And after working hours?
17:53Always.
17:55Well,
17:57it would suit you more.
18:01I asked you something.
18:05I'm confused.
18:07Why are you confused?
18:11I'm a woman.
18:13If you haven't noticed it yet.
18:15I noticed.
18:19And when you're confused,
18:21you're very nice.
18:25Thank you.
18:41Good afternoon.
18:43This is your client, Dragiša Popadić.
18:45The will, if you remember.
18:47Yes, three conditions.
18:49Yes.
18:51Yes, yes.
18:53Yes, yes.
18:57If I could come to you...
18:59No, it's not a will.
19:01We fulfilled it.
19:03Thank you.
19:05Thank you.
19:09No, it's about divorce.
19:13She filed a complaint.
19:15Yes.
19:17And I did too.
19:19Today at five?
19:21Yes.
19:23Great.
19:25Thank you.
19:27Boss,
19:29can I help you?
19:31You should come on time.
19:33It's ten o'clock.
19:35I had to take the kids to the kindergarten
19:37to buy them something to eat.
19:39How much do I know you haven't had children?
19:41I haven't had anyone.
19:43I don't know what I'm going to do with myself.
19:45At least I don't have to worry about the kids.
19:47To put them in kindergarten.
19:49From tomorrow you can put Branković in kindergarten.
19:51After this,
19:53the decision is for the other one.
19:55Give me six copies, please.
19:57Boss,
19:59aren't you going to sign this?
20:01Yes, but the disciplinary commission is not a kindergarten.
20:03I would say it's a zoo.
20:05A zoo, that's what it is.
20:07Six copies.
20:19Hello,
20:21my friend Dara.
20:23Hello, my friend Branković.
20:25How are you?
20:27I'm fine, thank you.
20:29Do you know that I dreamed about you last night?
20:31How?
20:33Very nice.
20:35I usually don't
20:37dream about people.
20:39Why?
20:41The dream was so nice
20:43that I don't have words to tell you.
20:45You know,
20:47I was wearing a red dress.
20:49But it was so red,
20:51like the sun was shining.
20:53So I wanted to ask you,
20:55what does this dream mean?
20:57It must mean something nice today.
20:59Do you believe in dreams, Branković?
21:01I do.
21:03When I dreamed that they stole my vacuum cleaners from Mercedes,
21:05two days didn't pass.
21:07Mangupi stole them.
21:09They were drying their hands on Lopovska Street.
21:11And Kurčubić punished me
21:13for not waking up at the workplace.
21:15When I was dreaming about him that night,
21:17I broke my leg
21:19and broke my head.
21:23Hello, Branković.
21:25Hello.
21:27It's good that you came.
21:29Good?
21:31Yes.
21:33What's good about it?
21:35The commission made its decision.
21:37And what's good about it?
21:39It's good that it's over.
21:41And how did it end?
21:43Unfortunately, it's bad.
21:45Bad?
21:47For whom?
21:49For you, Branković.
21:51And for me, for God's sake.
21:53For you?
21:55I'm sorry.
21:57Yes, Branković, I'm sorry.
21:59I'm sorry that you called your bosses thieves,
22:01that you threatened the director with a knife,
22:03that you poured whiskey on your business friends
22:05and that's how they made me
22:07save your head, man.
22:09And now you want to take my head off?
22:11It would be better for you to take it off
22:13and replace it with another one.
22:15Because of that, you are broken
22:17and excluded.
22:19Yes.
22:21Excluded?
22:25I'm sorry.
22:27I beg you, Dara.
22:31What was that, Branković?
22:33A conditional reflex, Kurčuvić.
22:35I reported the decision to the commission.
22:37Did you?
22:39How does it sound?
22:41Excluded.
22:45Excluded, right?
22:51They kicked me in the ass.
22:59Well, Popadić,
23:01what is it to you?
23:03How did you do it?
23:05Who else in this country
23:07is a man on sick leave?
23:09I'm not on sick leave.
23:11Why not?
23:13Because of people like him?
23:15How dare he
23:17come to work
23:19and you're still judging him?
23:21What's the point of this jury?
23:23Are our nobodies just
23:25dead words on paper?
23:27Branković.
23:29Jupče.
23:31Jupče.
23:33Come to my office.
23:37Take it easy.
23:45What was that, Dara?
23:47You asked me
23:49before the decision, so don't ask me now.
23:53Listen, Jupče,
23:55according to the regulations,
23:57you're obliged to open the hospital
23:59and get medical treatment.
24:01And according to the same regulations,
24:03you owe me 40 percent of your income
24:05I know, but there are
24:07real regulations.
24:09Did you go to work?
24:11Yes.
24:13So you'll get 100 percent of your income.
24:15How?
24:17I'll take care of it.
24:19You?
24:21Of course.
24:23I'm in charge of all the regulations.
24:27For me?
24:29Of course.
24:31I'm sorry, Kurčubić.
24:33I have to write something down.
24:35Just a moment.
24:41Popadić, Savić.
24:45Here you go.
24:47Excuse me, what's the date today?
24:49The 7th.
24:51Thank you.
24:53From the 7th, Kurčubić,
24:55for me.
24:57What's that to you?
24:59Until the 5th,
25:01against me,
25:03from the 7th,
25:05for me.
25:07That's it.
25:09Listen, Jupče,
25:11maybe I'm acting
25:13a bit harsh, but you should know
25:15that I'm an honest man
25:17and, basically,
25:19I follow the law.
25:21Kurčubić,
25:23from the 7th,
25:25follows the law.
25:27What's that to you?
25:29Memoirs, Kurčubić,
25:31so that I don't forget some things.
25:33Jupče, you better
25:35write a complaint to the council.
25:37A complaint?
25:39And that's urgent.
25:41And that you come to the council.
25:43Like this?
25:45So that everyone can see
25:47what state you're in.
25:49Listen, I can't write well,
25:51but if I come and tell them,
25:53and you know I can't...
25:55I know, that's why you come,
25:57and I'll tell the council.
25:59Daro, I'm famous.
26:01He hired two of his assistants
26:03to vote for me.
26:05And I was against that decision.
26:07I'm the only one.
26:09Now he's rubbing my nose.
26:13Are you listening to what he's saying?
26:15What you're saying to me,
26:17you should've said it to him.
26:19To him?
26:21Yes, to Kurčubić.
26:23Right in the face.
26:25Yes.
26:27We'll tell him.
26:29Right in the face.
26:31Right now.
26:35Isn't that right, Kurčubić?
26:37How dare you, Popadić?
26:39Don't you see I'm drinking coffee with a man?
26:41I'm sick of you drinking coffee.
26:43I drank.
26:45Let me go.
26:47Easy, Jupče, easy.
26:49And you stay and talk.
26:51I told him,
26:53I'm sick of you.
26:57Let me hear, Popadić.
26:59What is this new game?
27:01Sit down.
27:03I won't sit, I won't drink coffee, I won't smoke.
27:05Do you want to lower the tone?
27:07I want to know what is this
27:09concern for Branković?
27:11First of all, it's not a concern for Popadić.
27:13My concern for respecting the law
27:15and the law is permanent.
27:17That's first.
27:19And second, I'm not the boss,
27:21I'm a man.
27:23And you, Popadić, are not a porter
27:25who plays for the gossip, but a lawyer
27:27who obeys the law.
27:29But I'm not a magician, Kurčubić.
27:31You put two of your muffus in my commission
27:33to vote for me.
27:35Now you're pissing me off.
27:37I want to know what's going on here.
27:39Popadić, it's like they let you live.
27:41That's right.
27:43You take your freedom and turn it to you,
27:45and you've become a non-agent.
27:47He can't when he takes Motika.
27:49He's got his mother on his back,
27:51and you're worrying about him.
27:53He's got to get you out of here.
27:55Good day.
27:57Where did you get those muffus from?
27:59You got drunk with Branković here.
28:01It's like you're both crazy.
28:03It's like your brains were drunk
28:05by your mother.
28:07The whole country is in a mess.
28:09The companies are in shit.
28:11You took Branković like a drunk man
28:13until he was thrown in the gypsum.
28:15Just so you know,
28:17Branković is a tough nut to crack.
28:19Your Pandur isn't even a muffus.
28:21You've underestimated him.
28:25Did I ever tell you
28:27that my dreams are coming true?
28:29What happened?
28:31Kurčubić is playing his sister
28:33as if he's been pulled out of a train.
28:35But he doesn't care.
28:37From now on, he'll be dreaming of me.
28:39That's your Red Riding Hood.
28:47I'm sorry.
28:57I almost noticed you.
29:01I thought you wouldn't come.
29:03I was just passing by
29:05because I have the impression
29:07that someone is following me.
29:09Take off your glasses.
29:11Why?
29:13I want to look into your eyes.
29:15Then you have to take off yours too.
29:21I want to kiss you.
29:23Good day.
29:25Two coffees, please.
29:27You're hiding too.
29:35My dear,
29:37either something will change
29:39or our relationship
29:41will become trivial and comical.
29:45Thank you.
29:53What's that?
29:55My colleague is going on vacation.
29:57He left me his apartment.
30:01Do you think that will solve the situation?
30:05At my place,
30:07it becomes dramatic.
30:09As if he's going home every hour.
30:11At my place, it's already broken.
30:13Now he's asking for a divorce
30:15and that's my fault.
30:17Do you hear me?
30:19My fault.
30:23Because of mistrust and prejudice.
30:27A fault is a moral and psychological category.
30:31What will you write in the verdict?
30:33It doesn't matter.
30:35I know, but he's going to delay the verdict
30:37for the rest of his life,
30:39like you have in your awards.
30:41I'm leaving three children.
30:45As far as I know,
30:47the children have already left you
30:49and divorced.
30:51Yes, children can leave their mother,
30:53it's natural,
30:55but a mother can never leave her children.
30:57She must always be pure and true.
30:59Talk to her.
31:01How?
31:03Openly.
31:05Like with the father of your children,
31:07like with a man.
31:11Like a man.
31:29Good afternoon.
31:31It's done.
31:35Come in.
31:37It's done for today.
31:39We only have 14 hours.
31:41Excuse me,
31:43can I ask you something?
31:45What do you want to ask?
31:47We just came to hear your verdict.
31:49We won't give anything
31:51after 14 hours.
31:53Sir,
31:55can you just tell us
31:57if his request for a local is fulfilled
31:59and we'll leave right away?
32:01It's up to you.
32:03I have to find books,
32:05look at your number,
32:07then I'll compare it to the protocol.
32:11Can you get up
32:13and open the door?
32:15I can,
32:17but only after 15 hours.
32:19And only with a screwdriver.
32:21With a screwdriver?
32:23I can't even pull my nose.
32:25Do you hear me?
32:27I don't need
32:29your nose.
32:31I need the number.
32:33The number.
32:35I won't argue with you.
32:37I'll sue you.
32:39Don't.
32:41He's sick.
32:45You're a man.
32:47I've never sued anyone,
32:49but I'll sue you.
32:51We'll see each other again.
32:55Sir,
32:57please be clear.
32:59Three cases.
33:01One for the archive,
33:03the second for the protocol,
33:05and the third for FIOK.
33:07Spasoje!
33:09Spasoje, is that you?
33:11Wait.
33:13Pile?
33:15Pile!
33:17Spasoje!
33:19Spasoje!
33:21Spasoje!
33:23Spasoje!
33:25Wait, Pile.
33:27Why are you angry?
33:29It's for the people.
33:31Good afternoon.
33:33Good afternoon.
33:35I'm looking for Dragiš Popadić.
33:37Private or official?
33:39Private.
33:41He just left.
33:43Is this his table?
33:45Yes.
33:47I'll wait for him.
33:49I'm not a stranger.
33:51I'm his wife.
34:01He's taking a break.
34:03I'll have to leave you.
34:05Would you be so kind as to look for him?
34:07I really don't know where he is.
34:09Secretaries usually know everything.
34:11They usually pretend to be secretaries.
34:13Believe me,
34:15sometimes they know more than spouses.
34:17Yes.
34:19I'll tell you if I see him.
34:21Thank you.
34:31Good afternoon.
34:33Good afternoon.
34:35Excuse me.
34:37Where is this woman?
34:39She just left.
34:41I'll wait for her.
34:43Excuse me.
34:45Where is this woman?
34:47She just left.
34:49I'll wait for her.
34:59I hope you don't mind.
35:01I don't.
35:03But they say it's customary
35:05for a stranger to wait in the hallway.
35:07I'm not a stranger.
35:09I'm her husband.
35:13May I?
35:15Of course.
35:17Would you like one?
35:19No, thank you.
35:21Excuse me.
35:23Who are you waiting for?
35:25My husband.
35:29Excuse me.
35:31Are you his wife?
35:33I'm Dragiša Popadić's wife.
35:35I see.
35:37Then I'm probably waiting in vain.
35:39I don't understand.
35:41I don't understand either.
35:43What do I look like?
35:45Like a plane.
35:47What are you talking about?
35:49I thought you were a shovel.
35:51But now I see you're a cat.
35:53I don't understand
35:55why your husband is looking for you.
35:57You're probably drunk.
35:59Why are you insulting me?
36:01I'm giving you compliments.
36:03I don't understand
36:05what you're talking about.
36:07I'm talking about your husband.
36:09He's here and who knows where.
36:11If I were in his place,
36:13I wouldn't dare insult another woman.
36:15You can't be in his place.
36:17Not even in theory.
36:19In practice,
36:21theories are often denied.
36:23Unpredictable things happen in practice.
36:25What will happen to you
36:27is easy to predict.
36:29As soon as my husband comes in,
36:31you'll be thrown out.
36:33Wherever your husband comes in,
36:35he throws me out.
36:37A lawyer, a judge,
36:39I don't care.
36:41And your husband,
36:43he just knocks on the door
36:45and he's already in.
36:47I don't care about your type.
36:49You're the type
36:51who only cares about his salary.
36:53Let him live a comfortable life.
36:55No matter who he sleeps with.
36:57Either you leave,
36:59or I leave.
37:01He has two wives, two apartments,
37:03and me, Ljuba Ljupce,
37:05I don't care about your insinuations.
37:07What insinuations?
37:09I've had enough of them.
37:11Oh my God.
37:36I want more.
37:40I want better.
37:43I want everything.
37:46But how will it be?
37:49What's the point
37:51if I don't fall into that dream?
37:53Because life
37:55wants better people.
38:00I want life.
38:04Everything or nothing.
38:07I want the main thing.
38:10It happens that way.
38:13That's my motto.
38:16But I'm going to
38:19do something
38:21I don't want to do.
38:23Life
38:25is not a lottery.
38:35Life is not a lottery.
38:39Life is not a lottery.