Sex-romance-ActionRough-Cut-1980-Hollywood movie

  • 2 months ago
**Title:** Rough Cut (1980)

**Genre:** Romance / Action

**Description:**
"Rough Cut" is a high-stakes blend of romance and action that takes audiences on a thrilling ride through the underworld of diamond heists and deception. Directed by Don Siegel, this 1980 Hollywood classic stars Burt Reynolds as Jack Rhodes, a suave and charming thief who specializes in stealing priceless jewels. Rhodes is at the top of his game, living a life of luxury funded by his criminal exploits.

Everything changes when he crosses paths with Gillian Bromley, played by the enchanting Lesley-Anne Down. Gillian is a sophisticated and cunning diamond thief in her own right, and their initial meeting sparks an intense and fiery romance. The chemistry between Rhodes and Gillian is electric, pulling them into a passionate love affair that blurs the lines between their professional and personal lives.

However, their budding relationship is complicated by the arrival of a dogged detective, Chief Inspector Willis (David Niven), who is determined to bring both criminals to justice. Willis is not just a lawman; he's a strategic mastermind who understands the psychological nuances of his adversaries, making him a formidable opponent.

As Rhodes and Gillian plan their most ambitious heist yet—a daring diamond theft that could set them up for life—they must navigate a labyrinth of trust, betrayal, and cunning moves. Each twist and turn in their plan tests their loyalty to each other and their ability to outwit Willis. The film's action sequences are riveting, with meticulously planned heists, high-speed chases, and edge-of-your-seat moments that showcase the brilliance and audacity of the protagonists.

"Rough Cut" is not just an action-packed thrill ride; it's also a deep exploration of romance underpinned by the characters' complex motivations and desires. The film's dynamic interplay of romance and action, combined with strong performances from the lead actors, creates a captivating and enduring cinematic experience.

**Hashtags:** #RoughCut #RomanceAction #1980sCinema #BurtReynolds #LesleyAnneDown #DiamondHeist #ClassicHollywood #HighStakesRomance
Transcript
00:00:30To my lovely bride, on our first anniversary!
00:01:00To my lovely bride, on our first anniversary!
00:01:30To my lovely bride, on our first anniversary!
00:01:53To my lovely bride, on our first anniversary!
00:02:23To my lovely bride, on our first anniversary!
00:02:42To my lovely bride, on our first anniversary!
00:03:12To my lovely bride, on our first anniversary!
00:03:32To my lovely bride, on our first anniversary!
00:03:52To my lovely bride, on our first anniversary!
00:04:07To my lovely bride, on our first anniversary!
00:04:37To my lovely bride, on our first anniversary!
00:04:52To my lovely bride, on our first anniversary!
00:05:07To my lovely bride, on our first anniversary!
00:05:22To my lovely bride, on our first anniversary!
00:05:37To my lovely bride, on our first anniversary!
00:06:07To my lovely bride, on our first anniversary!
00:06:37To my lovely bride, on our first anniversary!
00:06:52To my lovely bride, on our first anniversary!
00:07:07To my lovely bride, on our first anniversary!
00:07:22To my lovely bride, on our first anniversary!
00:07:42To my lovely bride, on our first anniversary!
00:08:02To my lovely bride, on our first anniversary!
00:08:22To my lovely bride, on our first anniversary!
00:08:32To my lovely bride, on our first anniversary!
00:08:42To my lovely bride, on our first anniversary!
00:08:52To my lovely bride, on our first anniversary!
00:09:02To my lovely bride, on our first anniversary!
00:09:12To my lovely bride, on our first anniversary!
00:09:22To my lovely bride, on our first anniversary!
00:09:32To my lovely bride, on our first anniversary!
00:09:42To my lovely bride, on our first anniversary!
00:09:52To my lovely bride, on our first anniversary!
00:10:02To my lovely bride, on our first anniversary!
00:10:12To my lovely bride, on our first anniversary!
00:10:22To my lovely bride, on our first anniversary!
00:10:32To my lovely bride, on our first anniversary!
00:10:42To my lovely bride, on our first anniversary!
00:10:52To my lovely bride, on our first anniversary!
00:11:02To my lovely bride, on our first anniversary!
00:11:12To my lovely bride, on our first anniversary!
00:11:22Lovely evening for it.
00:11:24I got it!
00:11:25Good.
00:11:26I got it.
00:11:34Why don't we just work our way up to you being down there?
00:11:48You've got mirrors on the ceiling.
00:11:50Naughty, naughty boy.
00:11:56Oh, they go all the way round.
00:11:58You must be very happy, Pev.
00:12:00Oh, what a sensational view.
00:12:03Where is it?
00:12:04It's my apartment.
00:12:06Good idea.
00:12:09What do you like, Pev?
00:12:11Tell me, what would you like?
00:12:13What would you like?
00:12:19Well, I think a new shirt would be fine.
00:12:29Why don't we go slower?
00:12:31You know, by the numbers.
00:12:33I think it'd be much more fun.
00:12:36Nice.
00:12:38Do you sleep here?
00:12:41No.
00:12:42I sleep up there.
00:12:45Oh.
00:12:48Then we'll stay here.
00:12:53Hold it.
00:12:55I mean, don't move.
00:13:07Come on.
00:13:37Come on.
00:14:08Hello.
00:14:10What are you doing here?
00:14:13Robbing you.
00:14:16Oh.
00:14:20Don't go away.
00:14:32Checkmate.
00:14:33Right.
00:14:34I thought I heard voices.
00:14:36Of course you did.
00:14:37That was you and I.
00:14:41Because there's nobody else here.
00:14:44Right?
00:14:45Right.
00:14:47There's nobody else here.
00:14:51Well, good night.
00:14:53Thank you for a perfect evening.
00:14:56Was I good?
00:14:57Wonderful.
00:14:59I only just got here.
00:15:01I only just got here.
00:15:04Did you?
00:15:06I think so.
00:15:08I had too much to drink, didn't I?
00:15:11You don't like that, I know.
00:15:14That's all right.
00:15:16Give me another chance.
00:15:18Let me throw up.
00:15:20How sweet.
00:15:22You don't have to do that for me.
00:15:24Really.
00:15:27Waldo.
00:15:28Waldo.
00:15:29I'm terribly sorry, darling.
00:15:31I wouldn't be any good to you.
00:15:32Pardon me, sir?
00:15:33I'm not talking to you, Waldo.
00:15:34Would you send me one of your better taxis?
00:15:36Thank you, sir.
00:15:37Thank you.
00:15:38What do you mean?
00:15:39I was injured in the war.
00:15:41Not many people know about it.
00:15:43Oh, darling.
00:15:44Yes.
00:15:45Bit of a sticky wicket, but somehow I managed.
00:15:51I can help you.
00:15:53Let me try.
00:15:54No, no, no.
00:15:55It wouldn't be any good.
00:15:56You see, I...
00:15:57I have to strap things on.
00:15:59Besides, all my batteries are dead.
00:16:01It'd be a mess.
00:16:02Well, I have to go.
00:16:04Will you call me?
00:16:05I bless.
00:16:06Of course, I'll call you every day.
00:16:07Every day.
00:16:08Bless you.
00:16:09Bless you.
00:16:15Well, I'm going to Nufford.
00:16:28Bye.
00:16:42Are you decent?
00:16:45Would you be so kind as to hand me a shirt?
00:16:48I take it she's left.
00:16:49Yes.
00:16:50Gone off to join a monastery.
00:16:53Would you like to step outside,
00:16:54or do you want me to get a couple of chairs
00:16:55and come in there with you?
00:17:02I don't want to seem ungrateful.
00:17:05How did you get in?
00:17:06A skeleton key.
00:17:08Ah.
00:17:09You just walked past the doormen, I assume.
00:17:12Doormen are always asleep.
00:17:14Mm, poor Waldo.
00:17:16He died about three years ago.
00:17:18We haven't had the heart to tell him.
00:17:22Did you find what you were looking for?
00:17:24Oh, I wasn't looking for anything special.
00:17:27Just so long as it cost a fortune
00:17:30to even score, you might say.
00:17:32I see.
00:17:35Perhaps you were looking for this.
00:17:39How did you do it?
00:17:40Cigarette.
00:17:43Where are the diamonds?
00:17:44Little black box.
00:17:46Second drawer.
00:17:47Left-hand side.
00:17:48Secret compartment.
00:17:50How do I know you're not lying?
00:17:51You don't.
00:17:54What is your game, Mr. Rhodes?
00:17:55No, no, no.
00:17:56It's my place, my bed, my questions.
00:17:59What's your game?
00:18:01I steal things.
00:18:03You're with the Acme Robbery Company?
00:18:06I just take things, that's all.
00:18:08Why?
00:18:09Because it's exciting and dangerous.
00:18:13Not for the money?
00:18:15No.
00:18:16Oh.
00:18:20You're a kleptomaniac.
00:18:23How brilliant.
00:18:25That's very common.
00:18:26I'm terribly sorry, it's not more stylish.
00:18:29You know why you do it?
00:18:31Well, I have...
00:18:34This is going to be long.
00:18:37It's love you really want.
00:18:41Attention, tenderness.
00:18:44You steal to compensate, to fill a void in your life.
00:18:48Void?
00:18:49Yes, void.
00:18:50It's a classic syndrome, but I think it can help.
00:18:54Well, maybe I'll just go and steal a good book on the subject.
00:19:02You can't go yet.
00:19:05Blackmail.
00:19:06Only as a first resort.
00:19:08When will I see you again?
00:19:10When's good for you?
00:19:11Tomorrow night.
00:19:13Friday's better.
00:19:14I was going to get married Friday, but I can put it off a couple of weeks.
00:19:18Dinner?
00:19:20Lunch would be easier.
00:19:22Lunch would be fine.
00:19:24I'll pick you up around noon, okay?
00:19:26You won't forget my corsage?
00:19:28It can be your treat.
00:19:32You want good food or just expensive?
00:19:34Both.
00:19:37Oh.
00:19:38And you might find that you need this.
00:19:43Tweed jacket, inside pocket.
00:19:44One of the first places we look.
00:19:46Good night again, Mr. Rose.
00:20:13Hello.
00:20:16Hello.
00:20:18No, it's perfectly all right.
00:20:21How did it go?
00:20:24Lunch on Friday?
00:20:26Oh, lovely.
00:20:27What a wonderful start.
00:20:29You'd better pop round tomorrow.
00:20:31Ten-ish?
00:20:33Yes, I want to hear all the details.
00:20:36I'm very pleased, my dear.
00:20:38Very pleased and very grateful.
00:20:40Very pleased and very grateful.
00:20:43Good night, my dear.
00:20:51Rather late for someone to be calling us.
00:20:54Rather an exceptional situation, dear.
00:20:58She sounded beautiful.
00:21:01I'm sorry she woke you.
00:21:04Is she?
00:21:05Beautiful?
00:21:06Beautiful?
00:21:08More like stunning, I'd say.
00:21:13I was dreaming when the phone rang.
00:21:16It was the middle of August.
00:21:20We were in the south of France.
00:21:22You'd take me on holiday.
00:21:25Lovely, was it?
00:21:26Not really. It was pissing down rain.
00:21:30Did you read that article in the paper today?
00:21:33Which one was that?
00:21:35It said if you don't use it, you'll lose it.
00:21:39Can't have that, can we?
00:21:41No, dear.
00:22:00PHONE RINGS
00:22:06Come in.
00:22:09Ah, good morning, Miss Brumley.
00:22:12No calls, Pilgrim?
00:22:13Yes, sir.
00:22:14Unless it's major, of course.
00:22:15Somebody telephones the Queen and starts breathing heavily, that sort of thing.
00:22:18Yes, sir.
00:22:20I must say, the sight of you cheers me, my dear.
00:22:24I can only say that I feel every bit as well as you look.
00:22:27Whereas I feel cheap and slimy.
00:22:31Ah, yes, well, police work can do that to you.
00:22:34My first year at it, I almost scrubbed my hands raw.
00:22:37I'm not with the police.
00:22:39Just so long as you're not against us, that's all we ask.
00:22:42Now, tell me, how did it go with Rhodes?
00:22:44I told you on the phone, it went exactly as you planned.
00:22:47He introduced himself at the party and we're going out.
00:22:50On Friday?
00:22:51Absolutely.
00:22:52Splendid.
00:22:53About one week together should do it, I would think.
00:22:55You do presuppose, of course, that he will want to see me again.
00:22:59Modesty is boring.
00:23:01False modesty puts me in a coma.
00:23:04Jack Rhodes has always been attracted to beautiful women.
00:23:08Now, your very considerable looks, plus your wit and style,
00:23:11should rivet him for quite a time.
00:23:13Long enough for him to be mine.
00:23:15You may fail.
00:23:16I refuse to entertain that possibility.
00:23:19You see, for the whole of my adult life, I have been a policeman.
00:23:23But soon, as comes to all who serve, I should be turned out to pasture.
00:23:28Mandatory retirement, a sort of capital punishment for the old.
00:23:32But I would go without a whimper if I could bag the one man
00:23:35who has always eluded my reach.
00:23:38Oh, I've come close, I've come tantalizingly close.
00:23:41But he's always been one step ahead.
00:23:43Jack Rhodes is brilliant.
00:23:45He's smooth.
00:23:47But he is also, I'm quite convinced,
00:23:49the most successful diamond thief at large today.
00:23:53And the thought of being forced to retire before I bested him...
00:23:58Oh, forgive me, I have run on.
00:24:00Helps to have a captive audience.
00:24:04I prefer to think of you as a cooperative one.
00:24:07Oh, yes, I forgot.
00:24:08When the police turn the screws, it is called cooperation.
00:24:13Turning the screws?
00:24:14Has anybody yet told your father?
00:24:16Turning the screws?
00:24:17Has anybody yet told your father that his daughter's light-fingered proclivities
00:24:21may jeopardize his position in the government?
00:24:24Haven't I kept mum about your long string of indiscretions?
00:24:29Nice to see you, Inspector.
00:24:46Bye.
00:25:09Do your parents live in America?
00:25:12They died before I was born.
00:25:14I never forgave them for it.
00:25:17Bye.
00:25:23Are we anywhere near the end of the runway yet?
00:25:47Oh, dear, what a nuisance.
00:25:55Better pull over, you could lose your license.
00:25:57I don't have a license.
00:26:01Cost you a lot of money.
00:26:02Cost me a lot more if they find out it's a stolen car.
00:26:06You stole this car?
00:26:07Yes.
00:26:09You stole this car?
00:26:10Yes.
00:26:11You stole this car?
00:26:12Yes.
00:26:13You stole this car?
00:26:14Yes.
00:26:18To fill a void in my life.
00:26:35Excuse me for mentioning it, but we're about to become a hood ornament for a truck.
00:26:38I don't think so.
00:26:43Did I scare you?
00:26:45No.
00:27:11How am I doing?
00:27:13Swell.
00:27:18Excuse me.
00:27:33Heads up!
00:27:34Jack!
00:27:37Were you trying to get rid of me or the car?
00:27:44Jack!
00:27:53Well, I don't need lifts.
00:28:13Does he wait?
00:28:15He waits.
00:28:22You wait.
00:28:23Right, Gardner.
00:28:29Oh, my goodness.
00:28:30It's a huet.
00:28:31Yes.
00:28:35Very nice of you, but quite unnecessary.
00:28:37Yes, it is.
00:28:38You all right?
00:28:39No.
00:28:41I think I hurt my titty.
00:28:43I'm not surprised.
00:28:44How much do you weigh?
00:28:46Eight stone three.
00:28:48You never know.
00:28:53Beautiful house.
00:28:54Thank you.
00:28:55Is he yours?
00:28:56Mm-hmm.
00:28:57Where'd you steal it?
00:29:00The key's under the mat.
00:29:02Oh.
00:29:04That's a terrific hiding place.
00:29:05No one would ever think of looking there.
00:29:11Want me to come in and help you turn out a bed?
00:29:15I don't think so.
00:29:16I could lay out your jammies.
00:29:18I don't wear pajamas.
00:29:20I could lay out your nightgown.
00:29:23I don't wear a nightgown.
00:29:26You don't wear anything.
00:29:28Oh, God.
00:29:29I think I have to come in and take a cold shower.
00:29:40Good night.
00:30:01Good night.
00:30:11Good night.
00:30:23Same time tomorrow?
00:30:25Yes.
00:30:26Good night.
00:30:38But on the other hand, we say tomato and you say tomato,
00:30:41yet you don't call a potato a potato.
00:30:44No.
00:30:45No, that would be stupid for you to say potato.
00:30:47Silly.
00:30:48Yes?
00:30:49What would you like?
00:30:50Ah, um, a thin slice of that one, please.
00:30:53A thin slice of that one.
00:30:54And some gooseberries.
00:30:55And some gooseberries.
00:30:58Oh, and one of those meringue tart things.
00:31:01And one of those meringue tart things.
00:31:04And for you, sir?
00:31:05Nothing for me. I'm driving.
00:31:08You sure that's all you want?
00:31:09Mm-hmm.
00:31:11You know why you ordered so many desserts?
00:31:15Starved for love.
00:31:18Join the club.
00:31:25Six.
00:31:27Thirteen.
00:31:32Eighteen.
00:31:36Seven.
00:31:37Seventeen.
00:31:42Nine.
00:31:43Nineteen.
00:31:52Twenty.
00:31:54Twenty.
00:32:20Ben?
00:32:22Excuse me, sir.
00:32:23Have we got a little more out of Dr. Chivers this morning?
00:32:27Uh, he's told us nearly everything.
00:32:30The only thing is,
00:32:31we don't know where he's buried his wife's left leg.
00:32:34Well, stay on it,
00:32:35because it would be a big help
00:32:36if we could put Mrs. Chivers back together before the trial.
00:32:38Yes, sir.
00:32:43Chief Inspector Willis's office.
00:32:46It's your call to Miss Bromley, sir.
00:32:47Mm-hmm. Get the file.
00:32:48Yes, sir.
00:32:49Yes, sir.
00:32:53Good morning, my dear.
00:32:55All goes well, I trust?
00:32:57Yes?
00:32:58Yes?
00:33:00And tonight as well?
00:33:02Well, that's perfect.
00:33:04Ben, I think we'll move on to the next phase.
00:33:06There is a time factor here, after all.
00:33:08That's right. You're already halfway there.
00:33:11Goodbye.
00:33:13Bilbo, be ten years younger.
00:33:15Yes, sir.
00:33:16Ten more years of this sort of power.
00:33:20Good shot, sir.
00:33:31They let you cook here?
00:33:33They have to.
00:33:34I own the joint.
00:33:37Enjoy the food.
00:33:39My teeth are applauding.
00:33:41Quite remarkable, aren't you?
00:33:43Only quite.
00:33:45You'd love Chinese food,
00:33:46so you'd buy a Chinese restaurant.
00:33:48That makes sense. A good investment.
00:33:50You have to work very hard not to work for a living.
00:33:53You don't like work?
00:33:55I saw enough of it when I was a kid, watching my folks.
00:33:58I thought you were an orphan.
00:33:59I was one of the lucky ones. I had parents.
00:34:02Of course, I never told them they were adopted.
00:34:05You don't like being pinned down about your past, do you?
00:34:08The past bores me.
00:34:10I'm only interested now.
00:34:12Right now.
00:34:14What about your parents?
00:34:16You have the usual, one of each?
00:34:18My mother was lovely.
00:34:20She died five years ago.
00:34:22My father, he's not quite so lovely.
00:34:24He's very cold.
00:34:26Except to strangers, of course.
00:34:28Does Daddy do?
00:34:30He's in the government.
00:34:32High up.
00:34:34Very high up.
00:34:36He's not the queen, is he?
00:34:40Shall we?
00:34:42You have to say something.
00:34:45What?
00:34:49No.
00:34:55Not tonight, all right?
00:34:57All right.
00:35:09Still on for tomorrow?
00:35:12Lunch at Les Eyes.
00:35:15Can we make it dinner?
00:35:16Sure.
00:35:18It's better.
00:35:20I like the nights.
00:35:22They're all yours.
00:35:23Only all of them?
00:35:25All of them.
00:35:28Except one.
00:35:30Why except one?
00:35:32It's a very long, boring story.
00:35:37I used to see a man named Maxwell Levy
00:35:42for a rather long, wonderful time,
00:35:44and then it ended,
00:35:46mainly because his wife didn't think it was so wonderful.
00:35:48Max's senior partner with Levy & Levy,
00:35:51the big diamond firm in Hatton Garden.
00:35:54Several times a year,
00:35:56Max sends up to a million pounds worth of rough stones to Antwerp
00:35:59for cutting along with all the other diamond houses.
00:36:02One of Max's couriers takes the stones
00:36:06to some central place where they join the others.
00:36:09But the idea is to keep the whole thing very secret
00:36:11so no one is ever told what time or indeed day
00:36:16the shipment is due to take place.
00:36:20You're right.
00:36:22It's a long, boring story.
00:36:25What's it got to do with us?
00:36:27Max always calls me
00:36:30the night before the shipment is due.
00:36:33He considers sleeping with me good luck.
00:36:36Well, it certainly wouldn't hurt him.
00:36:38He wouldn't settle for a rabbit's foot.
00:36:57Lucky man, Maxwell Levy.
00:37:02All those diamonds.
00:37:05That's not what I meant.
00:37:07I won't sleep with him. I'll only see him.
00:37:11Good night.
00:37:15Maybe I should sleep with Mrs. Levy.
00:37:21Good luck.
00:37:37Ah, Miss Bromley. I'd hoped to catch you in.
00:37:40I thought I'd pop round for a progress report.
00:37:43How nice of you to call. Do come in, Inspector.
00:37:50You once described yourself as a captive audience.
00:37:54Turnabout is fair play.
00:37:56Now it is I who am that to you.
00:37:59Well, I told him your tale of Maxwell Levy,
00:38:02whoever in God's name he is,
00:38:04the shipments to Antwerp, the lot,
00:38:06and he couldn't have cared less.
00:38:08Well, he could hardly have reacted with enthusiasm.
00:38:11That would have been the same thing
00:38:13as admitting that he is what I know him to be.
00:38:15I'm certain that he isn't what you know him to be, Inspector.
00:38:19Certain?
00:38:21He has everything anyone could possibly want.
00:38:23Oh, that's quite beside the point.
00:38:25I told you before, of all the world's thieves,
00:38:28this one is the most gifted.
00:38:29He not only knows how to steal superbly,
00:38:32but, even more important,
00:38:34he knows how to fence successfully.
00:38:36I don't quite see why being able to fence them
00:38:38is more important than stealing them.
00:38:41The world is crammed with light-fingered ladies and gentlemen
00:38:45who never realise more than a fraction of the value
00:38:48of the merchandise they so painstakingly purloin.
00:38:51Jack Rhodes is an exception.
00:38:53With his contacts, he gets full value for his exploits.
00:38:56He really is the most gifted.
00:38:57I'm sure he's not interested in committing any crime.
00:39:01Great masters don't quit at the peak of their powers.
00:39:04The man is not yet 40.
00:39:06There's a string of successes behind him.
00:39:08There's no way that he's laid down his bow
00:39:11or pushed aside his pallet or bronzed his baton.
00:39:14No.
00:39:16What I think will happen is that, very soon,
00:39:18he will enquire whether you haven't heard
00:39:21from your old friend Mr Levy.
00:39:23And isn't it about time he called?
00:39:24When that happens, we'll know he's taken the bait.
00:39:27I will let him run with the line
00:39:29because I will give you the date
00:39:31of the next shipment to Antwerp.
00:39:33You will pass it on to Rhodes.
00:39:35He will then spring into action.
00:39:37His action, of course, triggering my own.
00:39:42Yes.
00:39:47Listen, I did what you asked.
00:39:49I fed him the information you wanted.
00:39:51You go and get him to rob the coast.
00:39:52Rob the coast?
00:39:54Oh, my dear girl.
00:39:56Knowing what he would then know,
00:39:58do you think Rhodes would settle for a kidney
00:40:00when he can have the whole pie?
00:40:02Once he has that date,
00:40:04the man is bound to go for the entire diamond shipment.
00:40:06They're dealing with a master,
00:40:08and I'm setting him a goal worthy of his stature.
00:40:12With all the police and the security,
00:40:14he's never going to try it.
00:40:16I have the greatest faith in him,
00:40:18as indeed I do in you, my dear.
00:40:19Doesn't trouble you that blackmail
00:40:21is in fact against the law?
00:40:23Policemen are constantly breaking the law.
00:40:25It's one of the many ways we have of upholding it.
00:40:28But I give you my word.
00:40:30Help me with Rhodes,
00:40:32and we'll wipe the slate clean.
00:40:35You want to be careful with those eyes.
00:40:37They could be assault with a deadly weapon.
00:40:49Mm.
00:41:10Hello.
00:41:12Hello.
00:41:14It's the lady that sleeps naked.
00:41:15She sleeps naked.
00:41:18I thought we had a date this evening.
00:41:20Oh, we did. But something came up.
00:41:24See, there's this woman I know.
00:41:27And the night before she races her greyhound, she rings me up.
00:41:32And I talk dirty to her on the telephone.
00:41:37Brings her luck.
00:41:38Touché.
00:41:41Are you busy tomorrow?
00:41:43No, I'll be free.
00:41:44Oh, terrific.
00:41:46Sensational.
00:41:48Pick you up around one o'clock?
00:41:49I'll be waiting.
00:41:51By the way, I'm glad you called.
00:41:53Of course you are.
00:41:56Toodle-oo.
00:41:57Toodle-oo.
00:42:13CONTESTANTS' SERVE
00:42:32Contestants' serve. First game, first set.
00:42:43CONTESTANTS' SERVE
00:42:56You like some strawberries and champagne?
00:42:58CONTESTANTS' SERVE
00:43:07What's the matter?
00:43:09Did I say anything was?
00:43:12No, but you're a loud thinker.
00:43:14It was just a mood. They come and go.
00:43:17This one coming or going?
00:43:19Going.
00:43:21I think we ought to have this lance.
00:43:27Jack. Jack Rhodes.
00:43:30Hello, Ronnie.
00:43:31Centre court, aren't you?
00:43:32Yes, I told you it was there.
00:43:34Gillian Bromley, Ronnie Taylor.
00:43:36Hello.
00:43:37Gillian Bromley, Jack Rhodes. I'd like you to meet Maxwell Levy.
00:43:40Miss Bromley.
00:43:41Mr. Levy.
00:43:43Mr. Rhodes.
00:43:44Great pleasure.
00:43:46I'm told you own the best restaurant in London, Mr. Rhodes.
00:43:49That's what I tell everybody.
00:43:50Why don't you two do a swap?
00:43:52One Chinese dinner for an order of diamonds to go.
00:43:55Great idea.
00:43:56We were just thinking of strolling over to court number six,
00:43:59see how young Tracy Austin's getting along.
00:44:01Why don't you two come along with us?
00:44:04You go ahead. I'll join you.
00:44:06Great.
00:44:08Do you play tennis, Miss Bromley?
00:44:11No. No, I don't.
00:44:13No, I don't either.
00:44:28Beautiful. That was just beautiful.
00:44:30I can see why women find him attractive.
00:44:33He's very handsome, I hear.
00:44:34What?
00:44:35I said I see why women find him attractive.
00:44:38No, you said you hear.
00:44:41Right.
00:44:42What do you mean, you hear? You've just met him.
00:44:45Did I?
00:44:46We are talking about Maxwell Levy.
00:44:49I was.
00:44:50Well, you just met him with that friend of yours, Ronnie Taylor.
00:44:53No, no, no, no.
00:44:55You met Maxwell Levy.
00:44:57I met Peter Pritchard.
00:44:59Lovely guy, Peter. Failed actor by trade.
00:45:02Never quite made it.
00:45:03Ronnie said he was born a has-been.
00:45:05An actor?
00:45:07Both of them. They've been married for years.
00:45:09They don't have any children, as far as I know.
00:45:11It's a shame. They've tried so hard.
00:45:15Don't be ridiculous. Of course you didn't hire him to play the part.
00:45:19Oh, yes, I did.
00:45:20Fifty pounds and the use of my body.
00:45:22After I'm dead.
00:45:26How did you know I didn't know him?
00:45:28When you told me that story about jumping in the sack with him for luck, I...
00:45:33I hoped it wasn't true.
00:45:38Well, Gillian?
00:45:43Do you know a man called Chief Inspector Willis?
00:45:46Why?
00:45:47Because he knows you extremely well.
00:45:55He's been on to me for some time, but he never did anything about it.
00:45:59He tried to arrest me from time to time, but I thought he was toying with me.
00:46:02I didn't know what he wanted.
00:46:03It's called policeman's foreplay.
00:46:06He certainly looks positively spiritual when he discusses you.
00:46:12Anyway, about a month ago, he told me he was arranging for us to meet.
00:46:16He knew you were going to be at the Lloyd Palmer party.
00:46:19How'd he get you there?
00:46:21Lloyd Palmer and my father are old friends.
00:46:24They share a lot of the same insensitivities.
00:46:27It was easy for me to be invited.
00:46:28Stealing the diamonds upstairs?
00:46:30I did that on my own.
00:46:31I see.
00:46:34What makes Willis so sure on what he thinks I am?
00:46:37Lots of things. Your whereabouts.
00:46:39You appear and suddenly diamonds disappear.
00:46:42Your success in business.
00:46:44Your money coming from no traceable source.
00:46:49Is there anything I can say that you'll believe from now on?
00:46:52Why should I?
00:46:54You haven't been honest with me about anything.
00:46:57The way I feel about you is honest.
00:46:59Oh, sure. Your mouth is crazy about me.
00:47:01It's your mind that wants to send me to prison.
00:47:02Don't be silly. That's the last thing I want.
00:47:04Where the hell do you think Willis wants to send me? To summer camp?
00:47:08Now what?
00:47:10You tell your friend, Mr. Willis,
00:47:12that I never mentioned another word about Haddon Garden.
00:47:15Then?
00:47:16And then he tells Daddy about your problem.
00:47:19And you go directly to jail.
00:47:23Charming right to the end.
00:47:29I'm sorry.
00:47:54Why didn't you go to bed with me?
00:47:56I beg your pardon?
00:47:57I'm sure Willis suggested it.
00:47:58It was always implicit in what he said.
00:48:00It would have suited him right down to the ground.
00:48:02Then you laid down on the job.
00:48:04Or rather, you didn't. Why?
00:48:07Because I can't do that unless I care.
00:48:09And you don't.
00:48:11Willis used me because he knew of your weakness for women.
00:48:15Fondness.
00:48:16Fondness?
00:48:18I had no intention of being added to what must be an extremely long list indeed.
00:48:23I did the best I could.
00:48:26All things considered,
00:48:28I think you'd better come in now.
00:48:43Oh, my God, that's better than speeding.
00:48:49Does it have its high points, though?
00:48:51It certainly does.
00:48:53Will you tell me something?
00:48:55Sure.
00:48:57If that dreadful Carrie Grant approach hadn't worked,
00:49:02did you have another one up your sleeve?
00:49:04Of course.
00:49:05I have my fail-safe approach.
00:49:07What's that?
00:49:08Well, if I spot a woman at a party that's really beautiful,
00:49:13not as beautiful as you,
00:49:15beautiful,
00:49:16I kind of sidle up to her and I say,
00:49:20excuse me, but I couldn't help but notice,
00:49:23you've never really been sexually fulfilled, have you?
00:49:26Well, she says, oh, boring, and walks away.
00:49:29Then a few minutes later I walk up to her and say,
00:49:31you know, I mean, have you ever fainted?
00:49:35And then I walk away.
00:49:37Well, a few minutes go by,
00:49:39pretty soon her curiosity's kind of peaked
00:49:41and pretty soon she kind of comes up to me and says,
00:49:43what do you mean, fainted?
00:49:45And I say, well, I mean, at the end of this sexual exercise,
00:49:51do you faint?
00:49:53Because with me,
00:49:55they always, always faint dead away.
00:50:01Well, I didn't faint.
00:50:04Well, it's the first time.
00:50:07Wouldn't Inspector Willis absolutely adore this?
00:50:15Yes.
00:50:17I think we owe him something.
00:50:20You know, for bringing us together,
00:50:23something special.
00:50:25What do you suggest?
00:50:27Patton Garden.
00:50:30You're mad.
00:50:32No, I'm not.
00:50:33The only reason I haven't taken a run at those diamonds before
00:50:35is because I never did know the exact date
00:50:37they were being shipped to Antwerp.
00:50:40I don't know why I didn't think of asking Scotland Yard.
00:50:44You're exactly what he said you were, aren't you?
00:50:47Only a little better.
00:50:49I'm a collector of diamonds.
00:50:51Especially diamonds that other people have already collected.
00:50:55And you've never been caught?
00:50:58Rolled 12.
00:51:00Police.
00:51:03Zero.
00:51:07Who are you calling?
00:51:09Willis.
00:51:10You're calling Willis?
00:51:13You're calling Willis.
00:51:15Why am I calling him?
00:51:17Why are you whispering? You haven't dialed yet.
00:51:20Why am I calling him?
00:51:23Tell him that I mentioned the name Maxwell Levy.
00:51:27Right out of the blue.
00:51:30It's ringing.
00:51:31Good.
00:51:33In a sense, I won't be lying, will I?
00:51:36Only in a sense that you won't be telling the truth.
00:51:38It's still ringing.
00:51:41You can never get a cop when you want one.
00:51:45Yeah, and we don't need this one. I'm not going to go through with it.
00:51:49I need that date.
00:51:51Well, then get it yourself, because I'm not going to do something
00:51:53that's going to put you in jail forever.
00:51:55And besides, I do not wish to be electrocuted.
00:51:58You can't be electrocuted from just six bullets.
00:52:02Besides, if you've got such a charge out of stealing two diamond earrings,
00:52:06just think of the charge you'll get when you steal
00:52:09$30 million worth of diamonds.
00:52:23So yesterday, Rhodes finally asked about Mr. Levy.
00:52:27I never said so.
00:52:29It's perfectly obvious from your mutinous expression.
00:52:32All right, he asked.
00:52:34But you'll have to catch him yourself, because I'm finished.
00:52:39I see.
00:52:40Well, then you leave me no alternative but to have a word with the...
00:52:44Oh, yes, my father.
00:52:45I've come to a conclusion, Inspector.
00:52:47I really don't think the government and he would miss each other that much.
00:52:51So I think it would be a jolly good idea if you did tell him about me,
00:52:55and then we can wipe the slate clean.
00:52:58I'm sorry, but that's the way I feel about it,
00:53:00because I have absolutely no intention of passing on the date of that shipment.
00:53:04Well, let me put it another way.
00:53:07Do the names Halliday, Hornfield, Kinnersley and Drampton mean anything to you?
00:53:13Uh, no, I don't follow you.
00:53:16They're all women's prisons.
00:53:18Well, there's a fairly large selection of them available in this country.
00:53:22But I think I should point out that they do have one thing in common.
00:53:27They are all poisonously unpleasant.
00:53:33I'll manage somehow. Others have.
00:53:35Yes.
00:53:36Well, let me draw a persuasive little picture for you.
00:53:40Where you will be going, they have the oddest notions of hospitality.
00:53:45First, they shave your head.
00:53:47Then they delouse you,
00:53:49feed you with something that a ravenous crocodile would pass up.
00:53:53Then lock you up for the night with unfriendly lesbian companions,
00:53:58and you have your own private little chamber pot under the bed.
00:54:02Oh, it is very unpleasant, I know.
00:54:04That's why I urge you to think again and reflect
00:54:07whether you shouldn't save yourself all that misery
00:54:10by passing on the date to Rhodes.
00:54:15Well, take your time. Reflect well.
00:54:20I've taken my time, and I've reflected well.
00:54:23And?
00:54:24I've decided to save myself all that misery. I'll pass on the date.
00:54:28Splendid.
00:54:31When is it?
00:54:32You'll get it in a day or two.
00:54:35Run along now.
00:54:43Oh, Inspector, I thought I might send you a little present.
00:54:47A kitten.
00:54:48They're ever such a lot of fun if you strangle them right.
00:55:02Jack, I must say I don't see the point of poring over all these maps and charts.
00:55:06We're never going to pull it off because we don't have the date.
00:55:08It's as simple as that.
00:55:10Do you really think I don't know that?
00:55:12Do you really think I don't know that?
00:55:16In any case, I'm getting a little old for all this thievery.
00:55:19Nigel, after this one, we'll quit for keeps.
00:55:22Marry nice girls, have kids, grow fat, drink port.
00:55:26I like port.
00:55:30Jack, we'll need a million dollars, maybe more.
00:55:33So what?
00:55:34We're going to make 30 million dollars, maybe more.
00:55:38But look, don't you see there's absolutely no...
00:55:41Do you mind getting the door?
00:55:44Do you mind?
00:55:55Ah, Nigel Lawton.
00:55:58Yes.
00:55:59Gillian Bromley, hello.
00:56:01I've heard a lot about you.
00:56:03Well, I've heard absolutely nothing whatever about you.
00:56:06Hello, beauty.
00:56:07Hello.
00:56:08Like another bubble bath?
00:56:09I love one.
00:56:11Did it go all right?
00:56:13Yes, it was fine.
00:56:17Oh, excuse me.
00:56:21What were you talking about?
00:56:23Oh, I know.
00:56:24The date.
00:56:25Miss Bromley's going to get us the date.
00:56:28You are going to get us the date, aren't you?
00:56:32Yes, I am.
00:56:33Yes, she is.
00:56:34And where are you going to get it from?
00:56:36Hatton Garden, I suppose?
00:56:37No, Scotland Yard.
00:56:39All right, don't tell me then.
00:56:43You see, I have this great admirer in Scotland Yard,
00:56:46and he's going to go fishing.
00:56:48The date is the bait, and I'm the fish.
00:56:52Jack, I read the other day about a chap in America
00:56:55who used a computer to embezzle 10 million dollars
00:56:58from various people's accounts into a Swiss bank.
00:57:01There's some already made in the kitchen.
00:57:03You listening?
00:57:04Yes.
00:57:05When he got the money, he took it to Russia,
00:57:07and bought 10 million...
00:57:08Do you want some coffee?
00:57:09Yes, please.
00:57:1010 million...
00:57:11Black, no sugar.
00:57:1210 million dollars' worth of diamonds.
00:57:14When he got the diamonds back on the open market...
00:57:16Sandwich, a biscuit?
00:57:17When he got the diamonds back on the open market,
00:57:19he found they were worth 13 million, so far so good.
00:57:21Then he tried to convert the diamonds back into cash,
00:57:24and that's when they got it.
00:57:26See?
00:57:27Yes.
00:57:28We'll need passports.
00:57:29You haven't listened to a single word I've been saying, have you?
00:57:32All right, passports, what name?
00:57:35Something exotic.
00:57:36Oh, Jack, you're not going to do another of your accents, are you?
00:57:39Jase.
00:57:41All right, what else?
00:57:42Radio man.
00:57:43Well, what about your friend Ferguson,
00:57:45the chap you were in the signals corps with?
00:57:47He's been out of the trade for about 10 years.
00:57:50He's a tough cookie, though.
00:57:51Pilot?
00:57:53Ernst Miller.
00:57:54Last I heard, he was flying Cubans into Africa.
00:57:57I wonder if Castro knows he's a Nazi.
00:57:59Thank you.
00:58:00Well, who cares? He's a damn good pilot.
00:58:03I need someone who knows Amsterdam really well.
00:58:06It shouldn't be too hard.
00:58:08This may be a silly question, but if we are successful,
00:58:11how do we then go about converting the stones into cash?
00:58:15Oh, that's exactly what Jack's best at.
00:58:18Not as far as I'm concerned.
00:58:21Thank you.
00:58:27Could we get back to work, please?
00:58:32Thank you.
00:59:00Hello?
00:59:01Hello, this is your world traveler from Germany.
00:59:03How are you?
00:59:04A lot better since the phone rang.
00:59:06Holy cheese and crackers.
00:59:08I called you as soon as I could.
00:59:10No, I meant the call before yours.
00:59:12My friend finally called,
00:59:14and he wants to see me on the 28th at 11 o'clock.
00:59:18On the 28th?
00:59:20He's got a lot of confidence in me.
00:59:21That's one week.
00:59:22Do you think that you can do it?
00:59:24Of course I can do it.
00:59:26Jack?
00:59:27Yes?
00:59:28I do miss you.
00:59:29Are you in bed?
00:59:31Yes.
00:59:33No nightgown?
00:59:35No.
00:59:37No jammies?
00:59:39Neither.
00:59:41Why don't you meet me in Paris tonight?
00:59:43Plaza Artenay.
00:59:44Really?
00:59:46Nine o'clock.
00:59:48I'll be there.
00:59:50Gillian?
00:59:51Yes?
00:59:52Come as you are.
00:59:53Absolutely.
00:59:56Bye-bye.
00:59:59Bye-bye.
01:00:29Rhodes.
01:00:31Rhodes, my friend.
01:00:33Good to see you.
01:00:34Good to see you.
01:00:36If it is Rhodes, it must be Diamonds, yeah?
01:00:39Still smart as a vip.
01:00:41When is the job?
01:00:42Soon.
01:00:43London.
01:00:44It is London?
01:00:45It starts in London,
01:00:46and you fly over the Channel.
01:00:47You know how many times I fly the Channel?
01:00:50Oh, many times.
01:00:52But this time you won't be carrying any bombs.
01:00:54It won't be nearly as much fun,
01:00:55but then you'll go a lot faster.
01:00:57If we dropped more bombs last time,
01:00:59different story.
01:01:01Well, you can't win them all.
01:01:03We don't win any of them.
01:01:08You gotta promise not to strafe any civilians.
01:01:10Always the jokes, huh?
01:01:12What do I fly?
01:01:13HS-125.
01:01:15HS-125.
01:01:16Nice plane.
01:01:17Alone?
01:01:19I need a radio man.
01:01:20No, no.
01:01:21I am very good with radio.
01:01:24I don't know how to tell you this, Rhodes,
01:01:26but you have a German accent.
01:01:28What German accent?
01:01:30I already have another man.
01:01:33Okay, okay.
01:01:34Whatever you say.
01:01:38Who else have you found?
01:01:41Nigel Lawton.
01:01:42Good man.
01:01:44Please, one more question.
01:01:49Three million dollars.
01:01:51That is my share.
01:01:52That is your share.
01:01:54Three million?
01:01:55You serious?
01:01:56Yes.
01:01:58I have no words.
01:02:00I need you in London tomorrow.
01:02:02Tomorrow?
01:02:03I will already be there one day.
01:02:26You can't go wrong.
01:02:27You can't go wrong.
01:02:28You can't go wrong.
01:02:29You can't go wrong.
01:02:30You can't go wrong.
01:02:31You can't go wrong.
01:02:32You can't go wrong.
01:02:33You can't go wrong.
01:02:34You can't go wrong.
01:02:35You can't go wrong.
01:02:36You can't go wrong.
01:02:37You can't go wrong.
01:02:38You can't go wrong.
01:02:39You can't go wrong.
01:02:40You can't go wrong.
01:02:41You can't go wrong.
01:02:42You can't go wrong.
01:02:43You can't go wrong.
01:02:44You can't go wrong.
01:02:45You can't go wrong.
01:02:46You can't go wrong.
01:02:47You can't go wrong.
01:02:48You can't go wrong.
01:02:49You can't go wrong.
01:02:50You can't go wrong.
01:02:51You can't go wrong.
01:02:52You can't go wrong.
01:02:53You can't go wrong.
01:02:54You can't go wrong.
01:02:55You can't go wrong.
01:02:56You can't go wrong.
01:02:57You can't go wrong.
01:02:58You can't go wrong.
01:02:59You can't go wrong.
01:03:00You can't go wrong.
01:03:01You can't go wrong.
01:03:02You can't go wrong.
01:03:03You can't go wrong.
01:03:04You can't go wrong.
01:03:05You can't go wrong.
01:03:06You can't go wrong.
01:03:07You can't go wrong.
01:03:08You can't go wrong.
01:03:09You can't go wrong.
01:03:10You can't go wrong.
01:03:11You can't go wrong.
01:03:12You can't go wrong.
01:03:13You can't go wrong.
01:03:14You can't go wrong.
01:03:15You can't go wrong.
01:03:16You can't go wrong.
01:03:17You can't go wrong.
01:03:18You can't go wrong.
01:03:19You can't go wrong.
01:03:20You can't go wrong.
01:03:21You can't go wrong.
01:03:22You can't go wrong.
01:03:23You can't go wrong.
01:03:24You can't go wrong.
01:03:25You can't go wrong.
01:03:26You can't go wrong.
01:03:27You can't go wrong.
01:03:28You can't go wrong.
01:03:29You can't go wrong.
01:03:30You can't go wrong.
01:03:31You can't go wrong.
01:03:32You can't go wrong.
01:03:33You can't go wrong.
01:03:34You can't go wrong.
01:03:35You can't go wrong.
01:03:36You can't go wrong.
01:03:37You can't go wrong.
01:03:38You can't go wrong.
01:03:39You can't go wrong.
01:03:40You can't go wrong.
01:03:41You can't go wrong.
01:03:42You can't go wrong.
01:03:43You can't go wrong.
01:03:44You can't go wrong.
01:03:45You can't go wrong.
01:03:46You can't go wrong.
01:03:47You can't go wrong.
01:03:48You can't go wrong.
01:03:49You can't go wrong.
01:03:50You can't go wrong.
01:03:51You can't go wrong.
01:03:52You can't go wrong.
01:03:53You can't go wrong.
01:03:54You can't go wrong.
01:03:55You can't go wrong.
01:03:56You can't go wrong.
01:03:57You can't go wrong.
01:03:58You can't go wrong.
01:03:59You can't go wrong.
01:04:00You can't go wrong.
01:04:01You can't go wrong.
01:04:02You can't go wrong.
01:04:03You can't go wrong.
01:04:04You can't go wrong.
01:04:05You can't go wrong.
01:04:06You can't go wrong.
01:04:07You can't go wrong.
01:04:08You can't go wrong.
01:04:09You can't go wrong.
01:04:10You can't go wrong.
01:04:11You can't go wrong.
01:04:12You can't go wrong.
01:04:13You can't go wrong.
01:04:14Hey, it's been a while, Jack.
01:04:15Been a while and a half.
01:04:16How do you like Paris?
01:04:17Ah, the people are cool.
01:04:18I'm all right.
01:04:19Can't complain.
01:04:20You're barely leaving them for a while, come to London.
01:04:23Any special place in London?
01:04:25Cotton Garden.
01:04:27Somehow if you're going to lose a bit of inventory?
01:04:33All of them.
01:04:34Ain't misbehavin'.
01:04:37Very ambitious, this guy.
01:04:39Man's gotta grow.
01:04:40Who else is in on the gig?
01:04:42Nigel.
01:04:43Nigel.
01:04:44Lovely.
01:04:45Lovely.
01:04:46Ernst Mueller.
01:04:47Do I know him?
01:04:48You were in the German Army, weren't you?
01:04:50I flunked the Gullah test.
01:04:54How about it? You in?
01:04:55Tell me about the wages.
01:04:59I'll give or take a few, Bob.
01:05:02Thirty million dollars.
01:05:04You get ten percent.
01:05:06I'm misbehavin'.
01:05:09You provide lunch?
01:05:10You got it.
01:05:11All right.
01:05:12Give me a phone call.
01:05:15The man's a natural high, huh?
01:05:17Absolutely.
01:05:18Yeah.
01:05:20You've known him a long time.
01:05:22Mm-hmm.
01:05:23Why has he never been called?
01:05:24Because he's too damn smart.
01:05:28What would happen if, um...
01:05:31somebody crossed him?
01:05:34I hate to even think about that, baby.
01:05:37Excuse me.
01:05:39Sam, I thought I told you never to play that song.
01:05:42Sorry, boss.
01:05:43Gotta catch a plane to Amsterdam.
01:05:44Call Nigel. He'll give you all the details.
01:05:46Grab your coat.
01:05:47And grab your hat.
01:05:50Beautiful city, Amsterdam.
01:05:52It's where all the light bulbs come to have a vacation.
01:05:55Nigel says it's de Gouillet.
01:05:57He's the best driver in Europe, and he really knows the city well.
01:06:00Well, what about me? I'm fast.
01:06:02I know, I know. You'd like to drive.
01:06:04No offense, but you're just a little too kamikaze for me.
01:06:07Why don't we just leave the job to a professional?
01:06:12Oh, don't the shops stay open late here?
01:06:15Don't let the red lights throw you.
01:06:16All they have here are massage parlors, leather whips, bondage, French lessons.
01:06:23It's kind of a home away from home.
01:06:25Ah, here we are.
01:06:28You know what always surprises me?
01:06:30Some of these girls are really very chic and elegant and fat.
01:06:33Is de Gouillet in?
01:06:34Come in and sit down.
01:06:45I wouldn't sit there. You might catch something.
01:06:49You don't know where that couch has been.
01:06:51Hello.
01:06:52Hello. Can I help you?
01:06:53Oh, just waiting.
01:07:04You want to see me?
01:07:06De Gouillet?
01:07:08You want to have some business here?
01:07:10Someone for you both, or to watch, or what?
01:07:14No, something a little different, actually.
01:07:16Whatever you like. If you show us once, we can do it.
01:07:22I'm Jack Rhodes.
01:07:25Good.
01:07:28Sit down. We'll talk.
01:07:31Couldn't we go somewhere a little more private?
01:07:34They can't here, and she's dead above the waist.
01:07:37So, you need a driver.
01:07:40Right.
01:07:41We're talking about a lot of money.
01:07:44Yeah.
01:07:45Do you need anything else? Like making people disappear?
01:07:48Either temporarily or permanently, I can do both tricks.
01:07:52You do that a lot, I bet.
01:07:54I like it.
01:07:56What about terrorist work? You like that too?
01:07:58Terrorist is a dangerous word. I prefer mercenary.
01:08:02So, what do you think?
01:08:05I think I don't like you.
01:08:07I've only known you a few minutes, but already I don't like you for years.
01:08:11Let's go.
01:08:14You came here to insult me?
01:08:16No, it just worked out that way.
01:08:19Move.
01:08:22Or what?
01:08:23I don't want to have a fight in a whorehouse window.
01:08:26It would cause a lot of commotion.
01:08:28You don't want to be with this boy, do you?
01:08:30Don't push your luck.
01:08:32Incredible face, you know.
01:08:33If you worked for me, I could retire.
01:08:42Cyril! Hurry up!
01:08:45Your breakfast is getting cold, as usual.
01:08:48Cyril, I don't like your tie.
01:08:50You gave it to me, dear.
01:08:51That's no excuse.
01:08:54Cyril, look at the newspaper.
01:08:56Something in it?
01:08:57The date.
01:08:59That made the front page again.
01:09:01That's the 25th. Six more days and you'll finish at the yard.
01:09:05Hopefully in a blaze of glory.
01:09:07My final case, the capstone of my career.
01:09:10What difference would it make?
01:09:12It has to do with the fact that I'm a woman.
01:09:14What difference would it make?
01:09:16It has to do with something sacred.
01:09:19Cyril, you're making no sense, as usual.
01:09:22This is about the sanctity of property.
01:09:24Of all the crimes of which man is capable,
01:09:26the one that really rankles my soul
01:09:29is the violation of property.
01:09:31Or there is your murder, of course.
01:09:33Rape, kidnap, wife beating.
01:09:35Ridiculous.
01:09:36But life, however precious, life perishes.
01:09:39It's only property that lives on and on.
01:09:41Now, the man I intend to arrest
01:09:43has the presumption to usurp for himself
01:09:46that which we consider to be the most valuable property of all.
01:09:50Diamonds.
01:09:51The dearest, noblest, most direct link we have
01:09:55with the very core of the planet itself.
01:09:58It's a filthy bugger.
01:10:00Yes, dearest.
01:10:02I'll answer it.
01:10:08A3.
01:10:10A3.
01:10:12Oh.
01:10:14Hold on a moment.
01:10:16It's Pilbro.
01:10:18He says it's a matter of some importance.
01:10:24Hello, Pilbro.
01:10:26What?
01:10:28That's not possible.
01:10:30Tell them I'll come at once.
01:10:32I'll meet you there.
01:10:34Trouble, dear?
01:10:36Trigatastrophe.
01:10:37I'm afraid it's final, Inspector.
01:10:40The Diamond House has decided to make the shipment
01:10:42on the 10th of next month rather than the 28th.
01:10:45May I remind you, sir,
01:10:46of the many anonymous tips we've received in the past?
01:10:49We were never this close to a shipment.
01:10:51And never so specifically Hatton Garden.
01:10:53What exactly did the caller say about the 28th?
01:10:56Well, he merely said to watch for trouble at that time.
01:10:59I mean, that's good enough for us.
01:11:00Let me assure you, sir, but nothing, nothing at all will happen.
01:11:04I personally will stay with the shipment
01:11:05until it's safely on its way to Luton Airport.
01:11:08Then I'll fly on ahead to Antwerp and cover its arrival there.
01:11:12Well, why would you not fly all the way with them yourself, Inspector?
01:11:15Because I want to make quite sure
01:11:16that the Belgian police have taken all possible precautions at their end.
01:11:21But I hope you're not taking this too lightly, Inspector.
01:11:23I must urge you, sir, most strongly, not to alter your date.
01:11:27Once you do that, from then on,
01:11:28Diamond House will have its timetables dictated by tipsters.
01:11:36Give us one hour.
01:11:41Inspector Willis.
01:11:42Yes, Cooper?
01:11:44We've just had a call from Diamond House, sir.
01:11:46Oh?
01:11:47At the 28th, it is.
01:11:49Ah, ah.
01:11:51Are you pleased, sir?
01:11:52Of course I'm pleased.
01:11:53I'm just not able to applaud at this particular moment.
01:11:57But have you any idea, sir, who might have given them the tip?
01:12:00Yes, I have.
01:12:02I did.
01:12:03You, sir?
01:12:04How else can we get the massive security we need?
01:12:07You're a genius, sir.
01:12:08An out-and-out genius.
01:12:10In a few more days, I may be a retired out-and-out genius.
01:12:13Sir?
01:12:14No more villains to hunt.
01:12:16No more midnight oil being burnt, stalking the prey.
01:12:21From now on, it's the slippers and the pipe,
01:12:24and listening to the chimes of that bloody clock in the mantelpiece,
01:12:26and to Mrs. Willis, of course.
01:12:29But before that happens,
01:12:30I'm going to get Rhodes.
01:12:32The thought of him rotting in jail
01:12:34might make my rotting at home slightly more bearable.
01:12:38Yes, quite so.
01:12:39But what is he up to?
01:12:40Now, we know he's been in Germany and Paris,
01:12:42and seen Muller and Ferguson,
01:12:44but I don't understand what he would want
01:12:46with an engineer and a piano player.
01:12:48The answer to that question is absolutely nothing.
01:12:51But he might want a great deal from an ex-pilot
01:12:53and an ex-air traffic controller.
01:12:55Don't answer it.
01:12:59It's been so long since I've had you to myself.
01:13:06Now, then.
01:13:07I'm too old to play the cat,
01:13:09and you're far too pretty for a mouse.
01:13:11You promised to leave me alone.
01:13:12I intend to keep that promise.
01:13:14I meant that you'd stop breaking it.
01:13:16Exactly.
01:13:17So you gave Rhodes the date?
01:13:19Yes.
01:13:20And you promised to give him the money.
01:13:22So you gave Rhodes the date?
01:13:24Yes.
01:13:25And?
01:13:26There is no and.
01:13:27That was the end of it.
01:13:28The subject never came up again?
01:13:30It did not.
01:13:31Immediately thereafter,
01:13:32he just started hopping from country to country?
01:13:37How did you know that?
01:13:39Because Her Majesty's police
01:13:41and Her Majesty's immigration
01:13:43both happen to work for the same majesty.
01:13:46Why did he go to Germany?
01:13:47I don't know.
01:13:49Do you have any idea
01:13:50why you joined him in Paris, in Amsterdam?
01:13:52He is supposed to find me attractive.
01:13:54Remember?
01:13:55Oh, yes.
01:13:56Where did you go in Amsterdam?
01:13:58I went to the Red Light District.
01:13:59I found an extremely nice little place.
01:14:02Where was Rhodes during all this art appreciation?
01:14:06He was with me.
01:14:07All the time?
01:14:08Yes.
01:14:09You're lying, you know.
01:14:10Please yourself.
01:14:12Still mutinous?
01:14:14Well, in case you need to boaster
01:14:15your flagging enthusiasm for our little project,
01:14:18let me assure you
01:14:19women's prisons have not altered one whit
01:14:22since we last talked about them.
01:14:25One more turn of the screw.
01:14:30Well, I don't think you can catch him anyway,
01:14:32so I might as well tell you.
01:14:36He went to these countries to try to recruit help.
01:14:40I don't know who he saw
01:14:41because I waited behind to get the date from you.
01:14:43How does he plan to steal them?
01:14:49Hello.
01:14:50Hello.
01:14:52Shall I come back?
01:14:53No, you're just in time to meet someone.
01:14:57Hello.
01:14:58Chief Inspector Willis.
01:15:00Jack Rhodes.
01:15:01Ah, Mr. Rhodes.
01:15:02Chief Inspector.
01:15:03Oh, inspector's quite sufficient.
01:15:04Chief always strikes me as somewhat tribal.
01:15:08The inspector is an old friend of the family.
01:15:11I've known Gillian ever since she was a little girl,
01:15:13stealing around the house.
01:15:18Just visiting our country, Mr. Rhodes?
01:15:20No, I'm a permanent resident, actually.
01:15:23Really?
01:15:25What is it, the damp and the drizzle that dazzles you?
01:15:27No, I'm one of England's foul-weather friends.
01:15:30That's very good.
01:15:31Lots of exciting challenges over here.
01:15:33You enjoy a good challenge, do you?
01:15:35If the prize is right.
01:15:37I like him.
01:15:38I knew you would.
01:15:39Well, I'm afraid I must get back to the yard.
01:15:42Your work must be very exciting.
01:15:44Oh, it's routine, mostly, but it does have its rewards, though.
01:15:47At least it did.
01:15:48I should be retiring in just a few days.
01:15:50Mandatory, unfortunately.
01:15:52Why is that?
01:15:53Well, it seems that I had the bad taste to age rather than die on them.
01:15:58Well, that hardly seems fair, does it?
01:16:00I mean, your side has to retire,
01:16:02and the other side just becomes the low, rich bad guys.
01:16:05That's right.
01:16:06Not very fair on me, either.
01:16:07I have to retire at a most measly little pension.
01:16:10But I shall miss it all.
01:16:11The criminals, the immorality, the deception.
01:16:14All the things that make life worthwhile.
01:16:17Well, I mustn't complain.
01:16:18I've achieved pretty much what I set out to do.
01:16:21Lots of heads on the wall?
01:16:23One always felt there was room for just one more.
01:16:26Well, I hope to see you again.
01:16:27Oh, I'm sure you will.
01:16:28Would you be my guest?
01:16:31How kind.
01:16:32Your restaurant?
01:16:33People say the food's good enough to eat.
01:16:35I might just take you up on that.
01:16:37Now, if you should find yourself in the vicinity of Scotland Yard before the week's out,
01:16:41one never knows.
01:16:42Oh, well, I'd love to see it.
01:16:44I'd love to show it to you.
01:16:45Goodbye.
01:16:46Inspector.
01:16:48I'll show it myself.
01:16:49Oh, and give my very best to your father.
01:16:58Did he dust your entire body from my fingerprints?
01:17:01God, don't joke about it.
01:17:02You don't seem to appreciate how much he wants you.
01:17:05Oh, I do.
01:17:06I'm looking forward to seeing him again.
01:17:08Do you know what?
01:17:11I want you.
01:17:13When?
01:17:15Now.
01:17:16Where?
01:17:18Wherever.
01:17:34I have to make a phone call.
01:17:37Do you need permission?
01:17:38Cute.
01:17:45Nigel.
01:17:49I have to talk fast, Nigel.
01:17:52I need a vehicle.
01:17:56Did you arrange that?
01:17:57Good.
01:17:59I have a driver.
01:18:02The best.
01:18:05What about the Pakistani and Arabian situation?
01:18:09You know, Turan Bey and Maria Montez.
01:18:12Excellent.
01:18:15Call you back, Nigel.
01:18:17Something just came up.
01:18:42Hello, Jack.
01:18:45Hello, Nigel.
01:18:47Morning, Miss Bromley.
01:18:48Hello.
01:18:53Ta-da.
01:18:54Aha.
01:18:55How are they getting along?
01:18:56Muller and Fergie?
01:18:57Yeah.
01:18:58Muller loves him.
01:18:59I think it must be his dog, Fergie.
01:19:01I don't think so.
01:19:02I don't think so.
01:19:03I don't think so.
01:19:04I don't think so.
01:19:05I don't think so.
01:19:06I don't think so.
01:19:07I don't think so.
01:19:08I don't think so.
01:19:09I don't think so.
01:19:10I think it must be his dog, Glasses.
01:19:13You have enough decals?
01:19:15Yes, plenty, I should think.
01:19:18Radio.
01:19:19Yep, in here.
01:19:27Any problems getting the plane?
01:19:29No, one has one's friends.
01:19:31Here's the lease.
01:19:33You'll be pleased to see that we're a Panamanian corporation.
01:19:37Based in Beirut?
01:19:38With a Liechtenstein charter.
01:19:40Did you remember to write in diamond thieves?
01:19:43No, no, I put dope smugglers.
01:19:44Didn't want to arouse suspicion.
01:19:45Very sensible.
01:20:01Hello, Fergie.
01:20:02Hey, Jack, how are you?
01:20:03How do you like the plane?
01:20:04Excellent.
01:20:05Beautiful.
01:20:06It's a Steinway.
01:20:07Good to see you.
01:20:08Remember Jillian?
01:20:09Hello, Miss Bromley, we meet again.
01:20:10Yes.
01:20:11Ernst Muller, Jillian Bromley.
01:20:12Hello.
01:20:14He doesn't talk much.
01:20:16Jack, when are you going to tell us the date?
01:20:19The day before the caper.
01:20:21That's not very sporting of you.
01:20:23What's the matter, don't you trust us?
01:20:24You're right.
01:20:26It's the 28th.
01:20:28Good.
01:20:29God, that's tomorrow.
01:20:30Well, that's the day before the caper.
01:20:32Miss Bromley is in, she's with us?
01:20:36Without Miss Bromley, there'd be no zest to be in.
01:20:39Ah, so.
01:20:40We never gone in with Miss Bromley.
01:20:44Oh, absolutely.
01:20:48What did he say?
01:20:50I think he wants to jump you.
01:20:53British Overseas Airline, flight number 76 now arriving from London.
01:20:58Welcome to Antwerp.
01:21:01Levo numero 76 de la British Overseas Airline arrive maintenant de Londres.
01:21:07Soyez les bienvenus Antwerp.
01:21:20Monsieur Sharma?
01:21:22Yes sir, I'm Mr. Sharma.
01:21:23Yes sir, can I help you sir?
01:21:26Monsieur, what?
01:21:28This is my wife, this is my wife, yes sir.
01:21:30She lower the veil.
01:21:34You lower your veil, my dear.
01:21:36She's shy to the point of modesty.
01:21:44Thank you for the excellent stamping of my passport.
01:21:48Merci monsieur.
01:21:49Good day.
01:21:55That was the worst Peter Sellers I have ever heard.
01:21:59I wasn't doing Peter Sellers, I was doing Peter Sellers doing Omar Sharif.
01:22:07Yes, I'm ready.
01:22:08Thank you.
01:22:39Inspector Willis, this is Inspector Vanderbilt.
01:22:43The people you suspect are under strict surveillance.
01:22:46My men have followed the couple to L'Hotel Splendide.
01:22:49Now, why should we not arrest them?
01:22:51Because as yet there's no evidence against them.
01:22:54If the diamonds are taken anywhere, my guess is it will happen in Antwerp, somewhere between the airport and their arrival in the city.
01:23:01But why should you think the diamonds are in danger?
01:23:04Do you have some inside information?
01:23:06Have you perhaps had a tip of...
01:23:07Instinct, Inspector.
01:23:09The best part of a policeman, which allows him to think like a criminal.
01:23:12Now, I'm only asking your permission for me to be in on the case.
01:23:16In on the case?
01:23:18But if, as you say, there is no evidence, well, there is no case.
01:23:22Of course, I simply mean that I'd like to be in on the case, just in case there is one.
01:23:25A case, if you follow my thinking.
01:23:27Oh, dear.
01:23:29Look, once I'm quite sure that the diamonds are safely on their way from Hatton Garden,
01:23:34I will fly on ahead to Antwerp and meet you at the airport before they arrive.
01:23:38Do I have your cooperation?
01:23:40Rest assured, we shall do everything possible to make sure that the shipment is safe.
01:23:45Always a pleasure to talk with you, Inspector.
01:23:48The man is a lunatic. Good night.
01:24:04Another shipment ready to go.
01:24:06Be the normal routine for loading.
01:24:08Yes, sir.
01:24:34I don't mean to be rude, but what exactly are we doing here?
01:25:03Well, we're in Holland.
01:25:06I thought I'd show you a windmill.
01:25:09You've seen one, you've seen them all.
01:25:13Right.
01:25:19What's this supposed to be?
01:25:21This is what you drive to get us into the airport.
01:25:24And hopefully out.
01:25:26How did it get here?
01:25:28Nigel arranged it.
01:25:29Oh, he's a handyman.
01:25:31Smart, too.
01:25:33If we botch this up, he'll still be alive.
01:25:36From this moment on, it starts to get a little sticky.
01:25:39So if you want out, now's the time to say so.
01:25:45When you say out, what do you mean?
01:25:49You tell me.
01:25:52What's my share in this?
01:25:54Charming.
01:25:56Right to the end.
01:25:57You haven't told me anything about it.
01:25:59I don't know what's going to happen.
01:26:01I never tell anybody everything.
01:26:03Never?
01:26:05If I told you everything, I'd scare the hell out of you.
01:26:07I doubt it.
01:26:11One more thing.
01:26:13What?
01:26:19I love you.
01:26:27I love you, too.
01:26:58The diamonds are being loaded at this very moment.
01:27:03I'll see you shortly.
01:27:08All secure, sir.
01:27:11Our people are in position, ready and waiting.
01:27:13Very good.
01:27:15We're going to get out of here.
01:27:17We're going to get out of here.
01:27:19We're going to get out of here.
01:27:21We're going to get out of here.
01:27:23We're going to get out of here.
01:27:25We're going to get out of here.
01:27:27I just spoke to Inspector Vanderbilt.
01:27:29Our couple is still under surveillance in the hotel.
01:27:31Excellent, sir.
01:27:32Well, I'm on my way to Antwerp.
01:27:34Good hunting, sir.
01:27:58Just take it easy.
01:28:00Plenty of time.
01:28:02You don't have to drive to the airport fast.
01:28:04Don't panic.
01:28:27Golf, Bravo, Bravo.
01:28:29Golf, Bravo, Bravo.
01:28:31Golf, Bravo, Bravo.
01:28:33Golf, Bravo, Bravo.
01:28:35Golf, Bravo, Bravo.
01:28:37Golf, Bravo, Bravo.
01:28:39Golf, Bravo, Bravo.
01:28:41Golf, Bravo, Bravo.
01:28:43Golf, Bravo, Bravo.
01:28:45Golf, Bravo, Bravo.
01:28:47Golf, Bravo, Bravo.
01:28:49Golf, Bravo, Bravo.
01:28:51Golf, Bravo, Bravo.
01:28:53Golf, Bravo, Bravo.
01:28:55Golf, Bravo, Bravo.
01:28:57Romeo, Tango.
01:28:59Loud and clear, Nigel.
01:29:01Loud and clear.
01:29:03Golf, Bravo, Bravo.
01:29:27Untangle!
01:29:44Mother's in the maternity ward.
01:29:46Did you say mother?
01:29:48I said mother.
01:30:09Mother's expecting twins.
01:30:18Mother's on the way to delivery room.
01:30:48Romeo Tango ready for take-off.
01:31:06Romeo Tango clear for take-off. Surface wind 05513 knots.
01:31:12Romeo Tango rolling.
01:31:17Mother's given birth.
01:31:27V1. VR. V2.
01:31:30V1 rotate. V2. Gear up. Gear up. Gear up. Gear up.
01:31:48V3. V4.
01:31:54V3. V4.
01:32:01V3. V4.
01:32:06V3. V4.
01:32:12We're getting close to the midway point.
01:32:34We've got to be near him when London switches him over to Antwerp.
01:32:37He's somewhere here.
01:32:40There's only one sky to be missed.
01:33:10Golf, Bravo, Bravo, Romeo, Tango, this is Antwerp.
01:33:28Antwerp, this is Golf, Romeo, Tango.
01:33:30Romeo, Tango, this is Antwerp.
01:33:32We have an emergency.
01:33:33The airfield is closed.
01:33:35Divert to Amsterdam.
01:33:36Antwerp, this is Golf, Romeo, Tango.
01:33:39We are diverting to Amsterdam.
01:33:42Give me a heading for Amsterdam.
01:33:43That's the fourth time in the last three months they've diverted us.
01:33:47Your new course is 067.
01:33:50Amsterdam, this is Golf, Bravo, Bravo, Romeo, Tango.
01:33:54We are diverting from Antwerp.
01:34:02You're going to have to hustle if we're going to make Antwerp before they groove in on Amsterdam,
01:34:14eh?
01:34:15What would I do?
01:34:16Oh, jeez.
01:34:47Drive to the far side of the field.
01:35:10Bonjour, Inspector.
01:35:13Bonjour.
01:35:14The shipment is safely on its way.
01:35:17Outstanding.
01:35:18We're almost halfway there.
01:35:19Right on time.
01:35:20What do we do now?
01:35:21We wait.
01:35:22Good.
01:35:23Good morning, Antwerp.
01:35:40This is Golf, Bravo, Bravo, Romeo, Tango.
01:35:43Romeo, Tango, Roger.
01:35:45Run away to six right.
01:35:47Wind is southwest at nine knots.
01:35:50Gear down.
01:35:51Gear down.
01:35:52Green, green.
01:35:53So far, so good.
01:35:54Now, we are halfway there.
01:35:55Three greens.
01:36:04So far, so good.
01:36:07We are halfway there.
01:36:25We're almost there.
01:36:55We're almost there.
01:37:25We're almost there.
01:37:45We're almost there.
01:37:55We're almost there.
01:38:25Gear down.
01:38:28Three greens.
01:38:35All right, here we go, beauty.
01:38:56Three greens.
01:39:09What the hell is this?
01:39:11Looks like some kind of security check.
01:39:13Yeah, we've never stopped here before.
01:39:15I don't like it.
01:39:26What's going on back there?
01:39:31Move, move, move, move!
01:39:41Was anyone hurt?
01:39:43Just their pride.
01:39:44What?
01:39:46I'm only a little stoned.
01:39:48You ready to take your driver's test, Miss Bromley?
01:39:51Jolly well bet your bottom I am.
01:39:55Jolly well bet your bottom I am.
01:40:26So, Inspector,
01:40:28affairs seem to have been for naught.
01:41:25What is wrong?
01:41:26Quartz. They are all quartz.
01:41:28Absolutely worthless.
01:41:32Mad!
01:41:56We're coming up to a fork in the road.
01:41:58I want you to go right.
01:42:00Mr. Rhodes, I haven't said this before,
01:42:03but I do love you.
01:42:07Ever such a lot.
01:42:10Thank you, darling.
01:42:12Now hang a right.
01:42:26They're down to their last rubber.
01:42:32We're almost home, babe.
01:42:34What a pity. I was just getting into this.
01:42:37Shoot!
01:42:38Maybe they're here.
01:42:51Just past your driver's test.
01:42:53Bet your ass I did.
01:42:57Woo-hoo!
01:42:59Okay, head for heaven!
01:43:24BELL RINGS
01:43:35Going out?
01:43:37Yes.
01:43:41With all that?
01:43:42I'm not coming back.
01:43:44You can get in touch with my lawyer.
01:43:47You mean you're leaving?
01:43:49What an amazing deduction.
01:43:52Might one inquire what made you decide so suddenly?
01:43:55It's not sudden.
01:43:56Why should I stay with you now that you're an ex-chief inspector
01:43:59who's the laughingstock of the whole country?
01:44:01Charity, perhaps?
01:44:03Charity begins abroad.
01:44:05BELL RINGS
01:44:12Registered letter for the chief inspector.
01:44:15Ex-chief inspector.
01:44:17Sorry to hear about that, Mrs. Willis.
01:44:19Ex-Mrs. Willis.
01:44:26Your Royal Highness.
01:44:29Bye, Cyril.
01:44:50BELL RINGS
01:44:56A toast to us.
01:44:59And the late Inspector Willis.
01:45:02How he must have felt when they opened that box at Antwerp.
01:45:05Just quartz.
01:45:10It is so beautiful, darling.
01:45:13It must be nearly as big as the Star of India.
01:45:20BELL RINGS
01:45:32That was the...
01:45:35dumbest, most moronic thing any man has ever done.
01:45:40Quartz.
01:45:42What?
01:45:44The whole lot was quartz.
01:45:46Everything we took from Amsterdam.
01:45:48It was quartz.
01:45:52I have a question, but you must give it to me very gently.
01:45:57The packet in Antwerp was quartz, right?
01:46:01Right.
01:46:03The packet we picked up in Amsterdam was quartz?
01:46:07Right.
01:46:09Then here is my question.
01:46:11Where are the diamonds?
01:46:19DOOR OPENS
01:46:22Hello, Kirk.
01:46:24How's your trip?
01:46:26Best starts all the way.
01:46:28Any problems with customs?
01:46:30No, I had no problems.
01:46:32I've still got my Scotland Yard ID card.
01:46:34You remember Miss Bromley?
01:46:36Oh, Miss Bromley. How nice to see you again.
01:46:41I was trying to explain, Miss Bromley, who has the diamonds.
01:46:45Ah, yes.
01:46:47Well, I have the diamonds. He has the diamonds.
01:46:49I'm here to sell them to Mr. Rhodes.
01:46:52You have the diamonds?
01:46:54A Scotland Yard chief inspector in charge of shipments
01:46:56has ample opportunity to switch things around.
01:47:00He's pulled off the perfect crime, except for one thing.
01:47:04He doesn't know who to sell the diamonds to now.
01:47:07That's right.
01:47:08If I'd gone looking for a fence,
01:47:10they'd have been delighted to turn me in, of all people.
01:47:14I don't believe this.
01:47:19How much do you want for the diamonds?
01:47:22Well, uh...
01:47:26Would you think that, um, one million dollars is fair?
01:47:32No.
01:47:33I don't think one million dollars is fair.
01:47:37I think three million dollars is fair.
01:47:41Well, let me say this.
01:47:43I prefer your definition of fair.
01:47:49I thought you would.
01:47:53Then you two have been conspiring together all the time.
01:47:57No, we've never actually conspired.
01:47:59You could call us non-conspiring conspirators.
01:48:03For instance, he knew there wouldn't be any diamonds in Antwerp.
01:48:07I wish you could have seen my expression of mortification and humiliation.
01:48:12But I did it rather well.
01:48:13Yes, I bet you did do it rather well.
01:48:15You tailed me rather well.
01:48:17And discovered everything you wanted me to discover.
01:48:20The pilot, the wizard radio operator,
01:48:22in other words, the second plane.
01:48:25And Amsterdam.
01:48:27It is the only other city on the diamond run.
01:48:30Darling, what was it that made you aware of what was going on?
01:48:34Well, first of all, there was his obsession with catching me,
01:48:38blackmailing you, trusting that you wouldn't double-cross or report him,
01:48:41and that boring, boring story about Maxwell Levy.
01:48:47You caught on fairly soon, eh?
01:48:49Roughly how soon?
01:48:50No, roughly immediately.
01:48:51It paused soon.
01:48:55Then you two were exchanging signals in my flat.
01:48:58Yes.
01:48:59Would you like some champagne?
01:49:01Oh, thank you.
01:49:02Oh.
01:49:05Ah.
01:49:07So the fact that the inspector went to Antwerp
01:49:11told you that he wanted you to get away with it in Amsterdam.
01:49:15And that is why you were almost positive that the diamonds we stole would be fakes, right?
01:49:21Wrong.
01:49:22I was absolutely positive.
01:49:24Unidentified parties, steals, fakes.
01:49:27Everyone assumes they're diamonds, but
01:49:30they'd already been stolen.
01:49:31Sheer perfection.
01:49:32I've always had this stout fondness for sheer perfection.
01:49:35God, you've gotten away with stealing $13 million.
01:49:39Yes, but $30 million won't buy what it used to.
01:50:02$30 million.
01:50:03$30 million.
01:50:04$30 million.
01:50:05$30 million.
01:50:06$30 million.
01:50:07$30 million.
01:50:08$30 million.
01:50:09$30 million.
01:50:10$30 million.
01:50:11$30 million.
01:50:12$30 million.
01:50:13$30 million.
01:50:14$30 million.
01:50:15$30 million.
01:50:16$30 million.
01:50:17$30 million.
01:50:18$30 million.
01:50:19$30 million.
01:50:20$30 million.
01:50:21$30 million.
01:50:22$30 million.
01:50:23$30 million.
01:50:24$30 million.
01:50:25$30 million.
01:50:26$30 million.
01:50:27$30 million.
01:50:28$30 million.
01:50:29$30 million.
01:50:30$30 million.
01:50:31$30 million.
01:50:32$30 million.
01:50:33$30 million.
01:50:34$30 million.
01:50:35$30 million.
01:50:36$30 million.
01:50:37$30 million.
01:50:38$30 million.
01:50:39$30 million.
01:50:40$30 million.
01:50:41$30 million.
01:50:42$30 million.
01:50:43$30 million.
01:50:44$30 million.
01:50:45$30 million.
01:50:46$30 million.
01:50:47$30 million.
01:50:48$30 million.
01:50:49$30 million.
01:50:50$30 million.
01:50:51$30 million.
01:50:52$30 million.
01:50:53$30 million.
01:50:54$30 million.
01:50:55$30 million.
01:50:56$30 million.
01:50:57$30 million.
01:50:58$30 million.
01:50:59$30 million.
01:51:00$30 million.
01:51:01$30 million.
01:51:02$30 million.
01:51:03$30 million.
01:51:04$30 million.
01:51:05$30 million.
01:51:06$30 million.
01:51:07$30 million.
01:51:08$30 million.
01:51:09$30 million.
01:51:10$30 million.
01:51:11$30 million.
01:51:12$30 million.
01:51:13$30 million.
01:51:14$30 million.
01:51:15$30 million.
01:51:16$30 million.
01:51:17$30 million.
01:51:18$30 million.
01:51:19$30 million.
01:51:20$30 million.
01:51:21$30 million.
01:51:22$30 million.
01:51:23$30 million.
01:51:24$30 million.
01:51:25$30 million.
01:51:26$30 million.
01:51:27$30 million.
01:51:28$30 million.
01:51:29$30 million.
01:51:30$30 million.
01:51:31$30 million.
01:51:32$30 million.
01:51:33$30 million.
01:51:34$30 million.
01:51:35$30 million.
01:51:36$30 million.
01:51:37$30 million.
01:51:38$30 million.
01:51:39$30 million.
01:51:40$30 million.
01:51:41$30 million.
01:51:42$30 million.
01:51:43$30 million.
01:51:44$30 million.
01:51:45$30 million.
01:51:46$30 million.
01:51:47$30 million.
01:51:48$30 million.
01:51:49$30 million.
01:51:50$30 million.
01:51:51$30 million.
01:51:52$30 million.
01:51:53$30 million.
01:51:54$30 million.
01:51:55$30 million.
01:51:56$30 million.