1994 A Change Of Place FULL HOT MOVIE
Kim Jameson is a student at a prominent university while Kate Jameson also known as Dominique, Kim's twin sister, is a troubled model working for the House of Shambertin in Paris. Kate is a drunkard, in desperate need for rehabilitation.
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Short filmTranscript
00:00:00Okay. The Renaissance was a time of rebirth and rediscovery. A time when artists took
00:00:10a fresh look at the world in which they lived. Now these artists helped to rekindle a sense
00:00:14of adventure and romance as they struck out to discover things about themselves and the
00:00:19world that they had never taken a close look at before.
00:00:27Now during this period, each city had a school of art with its own style and approach. But
00:00:34all were dedicated to a feeling for the individual, the personal emotions, and beauty. Now this
00:00:41can best be seen in the work of Tizianello, a contemporary of Veronese and Tintoretto.
00:00:48All of these painters explored light and dark with their use of color and composition. They
00:01:17were trying to illustrate the diversity of human nature and human individuality, the way in which
00:01:22all of us have a light side and a dark side to our nature. Oh, that sounds a little pretentious.
00:01:28Okay. That's the right idea. Just try and not be so serious about it. Okay. Lady in reflection
00:01:35illustrates that essential quality. It also reminds us that the face we show the world is
00:01:43often different from our true self. Now, despite the impression of vanity, Tizianello's interest
00:01:51was in showing the true beauty comes from within. Miss Jamieson, the rest of the campus is under
00:01:56the impression it's summer break. The rest of the campus don't have a doctoral thesis to deliver
00:02:01this fall. And besides my lectures, I have about three dozen research papers to read, not to
00:02:06mention your texts. What kind of a summer is that? My dear, you are without a doubt our brightest
00:02:13graduate student. Your scholarly instincts are remarkable. But a work of art depends as much on
00:02:20what we bring to it as what the artist gives us to look at. Art is only a reflection of life, Miss
00:02:28Jamieson. It is necessary for us to have a life before we can truly appreciate it. You need to
00:02:37show your true face to the world. Maybe after I have my PhD. Well, right now, I need you to join
00:02:48the class outside. Oh, not another group picture. Just say cheese. Sorry, I forgot to advance the film.
00:02:59I hate having my picture taken. Now, now, Miss Jamieson, leave us not be thirsty. This is my
00:03:06end-of-term portrait. And you, more than anyone, should appreciate the photographic process.
00:03:11Smiles, everyone. There. All right, now. Ready? Cheese.
00:03:41I thought it might be you. Kate! Oh, it is so good to see you. I just got in from Paris. Mmm, duty-free. I
00:03:55know I couldn't count on you for anything stronger than tea. Welcome home. How did you get in? What do
00:04:06you think? I told the doorman I forgot my key. He said that he liked your new look. Oh, that old game.
00:04:12Fun as it ever was. Yeah, it was fun when we were kids. That's right. You haven't liked playing it
00:04:20since, um, what was his name? It's Peter Robinson. Mmm. God, I have missed you, Kate. Mmm, the name is
00:04:32Dominique now, remember? What? You all right? You look tired. Yeah. You just haven't seen me in a while.
00:04:48Four years isn't a while. Has it been that long? Mmm, even longer since you've seen Mom and Dad.
00:05:01Well, they must be happy with all your degrees. I think that they're proud of both of us, Kate.
00:05:08Well, so we should celebrate. Put on your party dress, because I am taking you dancing. No, I don't think that...
00:05:16Mmm, thinking is not required. What is required is something black and sexy. I've got one you can
00:05:23wear. I came in town to do a favor for a friend. I may as well do you a favor and get you out to it. Come on.
00:05:31I can't wait to tell Mr. Arnold how fabulous this is.
00:06:00Anything for a jacket?
00:06:09Could you take care of my sister, please? Oh, sure.
00:06:13Rebecca!
00:06:21Come on, please. Let the ladies through.
00:06:30What were you doing? This really isn't my style, Kate. Come on. You're gonna go have a good time, whether you want to or not.
00:06:54Rock the rocks.
00:07:00I can't believe you get paid for this. We just put this dump on the map.
00:07:13Hey, Dominique, care to dance?
00:07:30Ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh
00:08:00I said you better see for yourself
00:08:02Doesn't matter what they say
00:08:04You're free to be yourself
00:08:06Can't pitch haters where you stay
00:08:08Your freedom is meats of steel
00:08:10Doesn't matter what they say
00:08:12You're free to be yourself
00:08:14Can't pitch haters where you stay
00:08:16You're on your own, better not act up.
00:08:18Live it up, live it up, live it up, baby.
00:08:20Go ahead and go down.
00:08:21Go down.
00:08:22Go down.
00:08:23Go down.
00:08:24Go down.
00:08:25Go down.
00:08:26Go down.
00:08:27Go down.
00:08:28Go down.
00:08:29Star up.
00:08:29Go down.
00:08:30Go down.
00:08:31Go down.
00:08:33Thanks, Dominique.
00:08:35I'll let Jack know what a hit you were.
00:08:37Anything for Jack.
00:08:39Come on.
00:08:40Sorry.
00:08:42It's been a long day, but jet lag finally hits.
00:08:47Look at her.
00:08:52Take it easy.
00:08:57Woo!
00:08:58Ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha.
00:09:01Oh, man.
00:09:03Oh.
00:09:06Maybe you should just lay off.
00:09:08Oh, if I need it, I take it.
00:09:10If I don't, I don't.
00:09:12You've been drinking all night.
00:09:15Why don't you get a life, Kim, so you don't envy mine?
00:09:18Because I don't envy alcoholics, Kate.
00:09:21I work hard.
00:09:22It steadies my nerves.
00:09:24By now, you ought to be steady enough to climb Mount Everest.
00:09:27Cut the sarcasm, Kim.
00:09:28It doesn't suit your image.
00:09:30The way falling down drunk suits yours?
00:09:37God, Kate, I'm so sorry.
00:09:39Look, I'm in trouble, OK?
00:09:40Are you satisfied?
00:09:42I arrive late at photo sessions.
00:09:45I can't walk straight sometimes.
00:09:48God, I need one of these, or I can't even
00:09:50remember where I'm supposed to be.
00:09:56I want to stop, but I'm not strong enough.
00:09:58Well, you don't have to do this alone.
00:10:00There's a good rehab center here.
00:10:02I can't.
00:10:03My career would be over in a week.
00:10:06Come on.
00:10:06Recovery's a status symbol.
00:10:08Everybody who's anybody is coming back from surgery.
00:10:10Everybody who's anybody is coming back from something.
00:10:21This is Jacqueline Kim, Little Miss Young and Ruthless.
00:10:27She wants to be the next Chamberton cover girl.
00:10:31If they found out I was drying out, she'd take my place.
00:10:34And once you're off the cover, you never get back.
00:10:37We're talking about your life, Kate.
00:10:39This is my life.
00:10:42Without it, I don't have anything.
00:10:45I wish I could take your place.
00:10:51What did you say?
00:10:54I said it's too bad I can't fill in for you.
00:10:59No.
00:11:00Yes.
00:11:02No.
00:11:04Yes.
00:11:06Take my place.
00:11:07Kate, don't be crazy.
00:11:08I told you that I'd never.
00:11:09It would work, Kim.
00:11:11But you saved my career and my life.
00:11:15No.
00:11:18Please.
00:11:20It's the only way.
00:11:24You check into rehab?
00:11:27Yes.
00:11:31I can't do the things that you do.
00:11:33I don't have your grace or your style.
00:11:35I'll teach you.
00:11:37Kim, it would work.
00:11:38People always got us confused.
00:11:40But we're from different worlds now.
00:11:42I could never be as free as you are.
00:11:44I don't have your strength.
00:11:46You call this strength?
00:11:49It would never work.
00:11:51You want to bet?
00:12:01Get rid of that ponytail.
00:12:09So?
00:12:10What do you think?
00:12:12This is too crazy for words.
00:12:18But I'll try if you'll try.
00:12:24That's better.
00:12:26Good.
00:12:30Come on back.
00:12:331, 2, 3, 4, 5, 6, 7, 8, 9, 10.
00:12:381, 2, 3, 4, 1, 2, 3, 4.
00:12:42Kate, this will never work.
00:12:44I can't do this on a runway.
00:12:46So you won't have to.
00:12:47We only do the big runway shows when we're debuting the new lines.
00:12:51The Chambertin line doesn't debut for six weeks.
00:12:53You said I only had to be in the clinic for four.
00:12:56Yeah, but I still have to act like a model.
00:12:59You'll only have a few private showings scheduled at the salon.
00:13:02Henri will be so happy I'm not bumping into the customers.
00:13:05He won't notice your technique.
00:13:07Henri Chambertin, of the house of Chambertin.
00:13:16Actually, I should draw you a floor plan.
00:13:18Paul is his doorman.
00:13:20You have a nodding acquaintance with the sales girls.
00:13:22And Marie is the chief fitter.
00:13:25I helped her out of a jam a little while ago.
00:13:26So if you need her, you can count on her.
00:13:30Now, who's he?
00:13:31Philip Claremont.
00:13:32He's an American.
00:13:33He's Henri's new partner.
00:13:34He bought a controlling interest in the company last year.
00:13:37He's not bad looking.
00:13:38Yeah?
00:13:39Well, he doesn't have much use for me.
00:13:41He would love to fire me, but he can't.
00:13:44Why not?
00:13:45Because I'm a star.
00:13:48The question is, am I?
00:13:51This will tell you about everyone and everything you'll need to know for the next month.
00:13:55What about the man that you opened the club for?
00:13:56Jacques Arnault?
00:13:58He's gone to Hong Kong for a month, so you don't have to worry about him.
00:14:01Is he someone special?
00:14:02No.
00:14:04He owns some nightclubs.
00:14:05He sort of designs the scene.
00:14:06Just forget about him.
00:14:11It's almost three.
00:14:13Well, let's get ready and get out of here.
00:14:18Before I change my mind.
00:14:26Kate, relax.
00:14:28Fair Oaks has a great reputation.
00:14:30They're among the best in the world, and they are very discreet.
00:14:40I know this is hard, Kate, but you're doing the right thing.
00:14:45Maybe you should just phone and tell them you don't know where I am.
00:14:48I'll figure out something later.
00:14:50No, it'll work out.
00:14:52Just leave it to me.
00:14:54And concentrate on getting better.
00:14:59Miss Jameson?
00:15:01I'll take you up and register you now.
00:15:03The doctor will be along later.
00:15:06And don't worry.
00:15:08We're here to help you through this.
00:15:10Do not judge what brought you to us.
00:15:13I'll call you as soon as I can.
00:15:15I'm sorry.
00:15:16There are no calls or visits allowed for the first three weeks.
00:15:19It's best for all concerned.
00:15:24I love you, Kate.
00:15:26And don't worry about a thing.
00:15:56Mademoiselle Dominique?
00:16:11Mademoiselle Dominique?
00:16:12Monsieur Arnault requested we hit your plane.
00:16:16Oui?
00:16:17He felt the world should know Dominique had returned to Paris.
00:16:23Come on!
00:16:24Come on!
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00:19:46Let's go!
00:19:57Welcome home.
00:20:00I'm sorry I had to send a limo instead of meeting you in person.
00:20:03Do you like the flowers?
00:20:11Yes, thank you.
00:20:21I thought that you had business in Hong Kong.
00:20:24Yes, I made my business arrangements more quickly than I expected.
00:20:29The new club owner said you were wonderful.
00:20:37I'm glad.
00:20:42Perhaps it's time to discuss another type of performance.
00:20:51Excuse me?
00:20:55I told you when I came back from Hong Kong, I wanted to discuss an important matter.
00:21:04Don't tell me you've forgotten, chérie.
00:21:08Actually, I'm a little tired.
00:21:12Would you mind if we discussed it later?
00:21:14Fair enough.
00:21:16But we can't leave it too long, can we?
00:21:22Let's have dinner at Tour d'Argent this week.
00:21:25That would be fine.
00:21:26Don't forget to dream of me.
00:21:27I'm sorry.
00:21:28I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry,
00:21:56I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry,
00:22:25I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry,
00:22:54I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry,
00:23:23I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry,
00:23:52I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry,
00:24:21I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I
00:24:52And the gown look better with more of me in it
00:25:00What are you seeing I
00:25:05Think if the gown fits we should let her wear it. Well, thank you, if you'll excuse me. Murray's waiting
00:25:21Carmen, you are in the solids.
00:25:26Jacqueline, you are in the polka dots.
00:25:29Polka dots make me look like a child.
00:25:32You want me to tell Henri you think his collection is childish?
00:25:39Your rail is there, Dominique.
00:25:43Sorry I'm late.
00:25:47How was your mysterious weekend?
00:25:51Uneventful.
00:25:53Jacqueline was hoping you'd fall in love and never come back.
00:25:57Oh, I'm sure Dominique would never let her heart interfere with her career.
00:26:01In fact, I heard she had it removed, so it couldn't...
00:26:10Your sister must be an excellent cook.
00:26:13My sister? The one you went to visit?
00:26:17Why don't you put this on? It's wider in the hips.
00:26:23All right, everybody.
00:26:25Everybody else is free to leave for the day. Thank you.
00:26:43Who are you?
00:26:45I know Dominique's body, and this is not it.
00:26:51Are you her twin?
00:26:53Yes.
00:26:55Where the hell did she send you? Where is she?
00:27:02She's in a rehab centre.
00:27:04Oh, well.
00:27:07Has she finally admitted she has a problem?
00:27:11You are a model.
00:27:13I'm an art history student.
00:27:16You are as crazy as she is. You know you'll never get away with this.
00:27:20She needs to get well. I'm only going to cover for her for a month.
00:27:24A month? Oh, no.
00:27:26The new line debuts next Saturday.
00:27:29Saturday?
00:27:30Yes.
00:27:31She told me that it doesn't...
00:27:32No, no, no, no, no, no.
00:27:33Philippe brought the date forward to break the competition.
00:27:35This is our most important runway show in years.
00:27:38I can't fake a big fashion show.
00:27:40No, of course you can't.
00:27:42We're just going to have to go to Philippe and tell him the truth.
00:27:44No, no, no, no, no. Saturday's almost a week away.
00:27:47We could... I could take lessons. You could teach me.
00:27:49No, I couldn't.
00:27:50Philippe would find out immediately.
00:27:52And if you were found out on the runway, we'd all be finished.
00:27:56Oh, this is insane.
00:27:59Dominique told me that she helped you out of trouble once.
00:28:02So?
00:28:03So, maybe it's your turn to help her out.
00:28:08Please, Marie.
00:28:10She loses her career. She'll never get sober.
00:28:15That's true.
00:28:19Oh, all right, all right.
00:28:22I guess I owe her that much.
00:28:25You just save your thanks until we know that this works.
00:28:28Okay.
00:28:31And lose those few pounds.
00:28:41Don't do this to me.
00:28:44Don't do this to me.
00:28:47Don't do this to me.
00:29:11Don't do this to me.
00:29:15Don't do this to me.
00:29:19Don't do this to me.
00:29:23Don't do this to me.
00:29:26Don't do this to me.
00:29:29Don't do this to me.
00:29:40I trust you know where these go.
00:30:10Don't do this to me.
00:30:40Don't do this to me.
00:30:43Don't do this to me.
00:30:47Don't do this to me.
00:30:50Don't do this to me.
00:30:53Don't do this to me.
00:31:00You know, you and your sister have more in common than you think.
00:31:03Yeah?
00:31:05Come and sit down for a while.
00:31:07No, I've got to go for a run.
00:31:09Oh, there's no need to push yourself so hard.
00:31:12Besides, Philippe said he likes you with your new curves.
00:31:16I don't know how Kate does this.
00:31:18Who's Kate?
00:31:19Oh, that's my sister's real name.
00:31:21You know, I always thought that she lived this soft life.
00:31:23A lot of parties, a lot of boyfriends.
00:31:25Oh, she has a few.
00:31:27Jacques Arnaud?
00:31:28Never struck me as her type.
00:31:30Well, she came home to do him a favor.
00:31:32But he seems to expect something more.
00:31:34Will you be careful?
00:31:36He may be a charmer.
00:31:38He has all the charm of a cobra.
00:31:46I can't thank you enough for all you've done for us.
00:31:51Your sister has a lot of faults.
00:31:53But she helped me when I desperately needed money.
00:31:57I was very selfless of her.
00:31:59That seems to run in your family.
00:32:03Yeah, Kate sure can mess things up.
00:32:05But she has spirit.
00:32:08Now, that is the attitude you need for the runway.
00:32:11That spirit.
00:32:12A body is just a body.
00:32:14The very best models, they do it all up here.
00:32:19Up here?
00:32:22It's the ultimate structure stuff, yes?
00:32:25Yes.
00:32:26You have to believe that you are the most beautiful woman in the world.
00:32:31If you believe it, they will.
00:32:38I love you.
00:33:24Slurs.
00:33:50Good.
00:33:53You will be perfect.
00:33:55Believe it.
00:34:09Don't stumble tonight, Dominique.
00:34:32Okay.
00:34:38What's the matter with her?
00:34:48Bravo!
00:35:08Bravo!
00:35:20You don't know if you can.
00:35:39She's a genius.
00:35:47You set out the line.
00:35:49I hope so, Henri.
00:35:51For both our sakes.
00:36:09Just a couple questions, please.
00:36:22Just a couple questions, please.
00:36:38Just a couple questions, please.
00:37:08Just a couple questions, please.
00:38:08I love you!
00:38:10I love you!
00:38:12I love you!
00:38:14I love you!
00:38:16I love you!
00:38:18I love you!
00:38:20I love you!
00:38:22I love you!
00:38:24I love you!
00:38:26I love you!
00:38:28I love you!
00:38:30I love you!
00:38:32I love you!
00:38:34I love you!
00:38:36I love you!
00:38:38I love you!
00:38:40You were inspired!
00:39:08Actually, I was scared stiff.
00:39:10And how are you now?
00:39:12Exhausted.
00:39:14My dear!
00:39:16You were superb!
00:39:18Everybody wants to meet you!
00:39:20Everybody!
00:39:22Well done, my child.
00:39:24Nice work.
00:39:26Come get a hug.
00:40:02Let me take you home.
00:40:04I don't want to.
00:40:07Excuse me.
00:40:19You don't know how much I appreciate this.
00:40:21It's very romantic, you know.
00:40:30Well, good...
00:40:33Are you capable of undressing on your own?
00:40:36Yes, I'm quite capable of undressing on my own.
00:40:40You're wearing Henri's merchandise.
00:40:43Oh, sorry.
00:40:45I should drop you back inside.
00:40:48Oh, and thank you for getting me out of there,
00:40:50because I...
00:40:53Fading fast.
00:41:01Now, take yourself home.
00:41:17I thought the show went quite well.
00:41:21I was concerned what effect a drunken model would make on the customers.
00:41:28Hey!
00:41:29I am not drunk, I'm exhausted.
00:41:32I worked my behind out for this show.
00:41:34Then get some sleep.
00:41:35We have a photo shoot first thing tomorrow.
00:41:56Yes!
00:41:59Perfection!
00:42:03Enough.
00:42:05Thank you, my dear.
00:42:07That's all for today.
00:42:09Dominique, we do the covers now,
00:42:11but first we change the lighting, so take a break.
00:42:41Do you like it?
00:42:44Yeah, it shows less linear emphasis on his early work,
00:42:47and his use of light and color is much more confident.
00:42:53You certainly know what you're talking about.
00:42:57Forgive me for assuming you'd had too much to drink last night.
00:43:02It's not like I haven't given people that impression.
00:43:08Yes, I'm right.
00:43:10I'm reading a book on it.
00:43:11I get my thoughts down and I compare them with the books at home.
00:43:16Is Venetian Renaissance art your specialty, or do you have broader tastes?
00:43:21Such as?
00:43:23Favorite work?
00:43:25Actually, it's something that I've never seen.
00:43:29What is it?
00:43:31It's a bronze in the private collection of the Marquis de Bellevaux.
00:43:34Really?
00:43:37Dominique, nice to see you.
00:43:40Jacques?
00:43:42Congratulations on last evening.
00:43:44Your string of triumphs continues.
00:43:49Monsieur Clermont,
00:43:52it seems our friend has assured that Chambertin will survive one more season.
00:43:57The house of Chambertin is as solid as ever,
00:44:00Monsieur Arnault.
00:44:02Taste is a fickle commodity.
00:44:05No one knows that better than I.
00:44:09Or I.
00:44:13I believe the museum is closed to the public for the day.
00:44:17Yes, so I understand.
00:44:19I, however, came to see Dominique.
00:44:27Excuse me.
00:44:33I made a reservation for this evening.
00:44:36Eight o'clock, all right?
00:44:39Dominique?
00:44:41Eight, uh, sure.
00:44:43Um, if you'll excuse me, Jacques, I have to get back to work.
00:44:47Don't be late.
00:44:49Your career may depend on it.
00:45:03As she changed since she came back,
00:45:07or is it just me?
00:45:10No.
00:45:12She's not the same woman.
00:45:14Not at all.
00:45:33Hi.
00:45:35Hi.
00:45:38In the 16th century, the Marquis de Bellevaux
00:45:41came to my family to borrow money to buy works of art.
00:45:44Came to your family to borrow money to buy works of art?
00:45:47Yes.
00:45:49And what did he say?
00:45:51He said,
00:45:53I don't know.
00:45:55He said,
00:45:57I don't know.
00:45:59He came to my family to borrow money to buy works of art.
00:46:02Came to your family? I thought that you were American.
00:46:05Well, yeah, I mean, for the last couple of hundred years, sure,
00:46:08but, uh, before the Revolution,
00:46:10we Clermonts, Counts, Dukes, whatever you want.
00:46:12I had no idea that I was talking to royalty.
00:46:16Well, hardly.
00:46:18But you did say they had a sculpture you wanted to see.
00:46:23I've never seen so many beautiful sculptures.
00:46:31Look at this place.
00:46:34And no one here to enjoy it.
00:46:36Makes it a privilege to show it to somebody who will.
00:46:41I come here a lot by myself.
00:46:43Yeah, right.
00:46:45It's true. I do.
00:46:48For a thousand years before the Revolution,
00:46:50we Clermonts were patrons of the yards.
00:46:52Something I'd always wanted to get back to.
00:46:54Oh, is that why you invested in the fashion business?
00:46:57Well, yeah, I'd always wanted to return to Paris
00:47:00and fashion in its way as an art form.
00:47:02So I'd been led to believe
00:47:04the House of Chambertin could be profitable.
00:47:06Well, it's not?
00:47:08Well, Henri is a great artist,
00:47:10but his business sense is non-existent.
00:47:13We needed a very good season.
00:47:16Needed?
00:47:19We're about to launch the new season now.
00:47:24This morning, somebody broke into Henri's office
00:47:26while we were doing your cover shots.
00:47:29Some sketches and their Muslim patterns were stolen.
00:47:33Why would anyone steal his work?
00:47:36Well, it happens from time to time in this business.
00:47:38Mass marketers in the Far East use them as patterns.
00:47:41Before we can even break this line,
00:47:43Henri's creations could be in hundreds of stores.
00:47:46Did you call the police?
00:47:49Publicity like this could ruin us.
00:47:52Do you have any suspects?
00:47:55Has to be somebody inside the firm.
00:47:58Also, I think they're working for Jacques Arnault.
00:48:01Arnault?
00:48:03Because of his clubs, he has access to all the right people,
00:48:05not all the wrong ones.
00:48:08You don't think that I had anything to do with it?
00:48:11Not unless you can be in two places at once.
00:48:14Nope.
00:48:18Oh.
00:48:20That is more beautiful than I expected.
00:48:26You know, I feel like I'm just getting to know who you are.
00:48:29Yeah. Know what you mean.
00:48:35Want to go out for dinner?
00:48:38I can't. I already have plans.
00:48:41Can't cancel them, huh?
00:48:43I want to.
00:48:46Maybe I can persuade you.
00:48:49Um...
00:48:51Could you take me home?
00:48:54Why?
00:48:56There's someone I have to see.
00:48:59Sure.
00:49:13Bye.
00:49:44Oh, no. Mineral water, please.
00:49:49Watching my weight.
00:49:51You look enchanting already,
00:49:53and no life is worth living without champagne.
00:49:56I know.
00:50:00I should have known the paparazzi would be here.
00:50:03Dominique is on top once again.
00:50:07It would be a shame if this fame were fleeting.
00:50:16Did you get the sketches?
00:50:18The sketches?
00:50:20I'm disappointed.
00:50:22I heard there was a problem at Chamber 10 today.
00:50:24I was hoping that you'd finally come through for me.
00:50:27This is what you wanted to discuss?
00:50:30Don't play innocent.
00:50:32You weren't that drunk when I first told you about this.
00:50:35And we both agreed that friends should do each other favours.
00:50:40Didn't we?
00:50:43Yeah, but it's too risky.
00:50:45Philip already suspects me because of our friendship.
00:50:48He does, does he? Maybe we should tell him the whole story.
00:50:52My dearest Dominique.
00:50:55What would he think
00:50:57if he knew that your wild evenings at my club
00:51:00could destroy the reputation of the house of Chamber 10?
00:51:04All by themselves.
00:51:08I doubt that he would listen to what you have to say.
00:51:11True.
00:51:13But he will believe his own eyes.
00:51:23Some may call that pornography.
00:51:25I prefer to think of it as art.
00:51:28Quite a night, wasn't it?
00:51:32Imagine how these would look
00:51:35in one of those magazines or on Philip's desk.
00:51:40They're fakes.
00:51:42My dear, we both know that you've lost entire days to the bottle.
00:51:47And I was always there, sweetheart,
00:51:49scraping you up off the floor when you couldn't move.
00:51:54I don't remember.
00:51:56Perhaps you were too drunk to remember what you were doing.
00:51:59Perhaps not.
00:52:01Get me the sketches and muslin, chéri.
00:52:05When I get them, you get these.
00:52:10And I am prepared to bring you down along with the house of Chamber 10.
00:52:27Fair Oaks Clinic.
00:52:29Yes, Kate Jamieson, please. It's an emergency.
00:52:32I'm sorry. There's no contact allowed for the first three weeks.
00:52:35But if you'd like to leave a message...
00:52:37No, no, no, no. That's too complicated.
00:52:39Please just get her to call her sister as soon as she can.
00:52:46Where's Marie?
00:52:48Being questioned by Henri.
00:52:50His designs have been stolen.
00:52:53Speaking of which, have you seen Jacques Arnaud lately?
00:52:56Don't blame me, Jacqueline. I'm not in the mood.
00:52:59From the screaming, it sounds like Marie is about to confess,
00:53:02whether she did it or not.
00:53:04I don't think so.
00:53:06I don't think so either.
00:53:08I don't think so either.
00:53:10I don't think so either.
00:53:12I don't think so either.
00:53:14I don't think so either.
00:53:16I don't think so either.
00:53:18Good. Maybe we'll get a cheap fitter who won't put me in polka dots.
00:53:24How can you treat her like this?
00:53:27All right, Marie, we'll speak to you later.
00:53:34That woman has given her life to the house of Chamber 10.
00:53:37Yes, she also just bought herself a new apartment.
00:53:40So?
00:53:42He was a civil servant who never made enough money in his lifetime to buy a car,
00:53:46let alone an apartment.
00:53:48And that's enough to assume she destroyed the only company she's ever worked for?
00:53:52But she just found an apartment and somebody else paid for it.
00:53:56I paid for it.
00:54:00You?
00:54:01Yes.
00:54:02But what didn't she say?
00:54:04Why should she?
00:54:07Why should I?
00:54:09I don't know.
00:54:12How was your dinner?
00:54:14I heard you and Arnaud were together all night.
00:54:20I have done nothing to hurt the house of Chabertin.
00:54:30That woman.
00:54:32One day you want to fire her,
00:54:34the next she's every passion you want to associate with your designs.
00:54:40Henri, I think we should risk the publicity and go to the police.
00:54:44We'll explain. These become the patterns to your creations, kind of a blueprint.
00:54:48This is not a blueprint.
00:54:50This is a vision, a one-of-a-kind stroke of genius, irreplaceable.
00:54:55We have to replace them. We have no choice.
00:54:58We can't stay in business unless we market a full line of designs this season.
00:55:03Oh, yes. Have another vision.
00:55:06It's easy for you to say.
00:55:08No, no, no.
00:55:10No, it's the fate of the artist.
00:55:13I will go seek my muse. You just pray that I find her.
00:55:25Henri, why didn't you tell them that Dominique gave you the money?
00:55:29I thought it would make them suspect her.
00:55:32You probably would have been right.
00:55:34They know that I didn't steal the designs.
00:55:37I don't know how deeply Dominique was involved.
00:55:40Meaning?
00:55:41Arnaud has photos of her.
00:55:43The kind of photos that make you a little more than notorious.
00:55:46No.
00:55:47She would have agreed to do anything to keep them from being seen.
00:55:50And the way he saw it, it was obvious he thought she'd done it for him.
00:55:54I've always thought that man was dangerous. He's a street thug with money.
00:55:58You know, there's a rumor there is bad blood between him and Philippe.
00:56:03Whatever's going on, I just lied to Philippe to cover for Kate.
00:56:08Oh.
00:56:10You're very attracted to him, aren't you?
00:56:13Me? No. Of course not.
00:56:16Oh, good. That's one less thing to worry about.
00:56:20Okay, there is a little attraction.
00:56:23But it's not me that he sees. It's Dominique.
00:56:27Oh.
00:56:29I knew we shouldn't have played that game again.
00:56:31What game?
00:56:34When I was 17, I met this boy, Peter Robinson.
00:56:38He was the first boy I ever had a crush on.
00:56:41He asked me out, but I had a term paper to deliver, so Kate took my place.
00:56:46And what happened?
00:56:48She was her usual boisterous self, and he fell in love with her.
00:56:52Oh, that girl.
00:56:54After that, we never played the game again.
00:56:57This is an exclusive original.
00:57:00You want to catwalk like this?
00:57:02There is no catwalk. You walk among the guests.
00:57:10Oh, Jacqueline.
00:57:12You want to wear this?
00:57:14Trying to impress Philippe with your restraint?
00:57:31Oh, look. Philippe brought a lady with him.
00:57:39Lovely, isn't she?
00:57:47Turn around, please.
00:57:53What do you think, Mimi?
00:57:55It's not really my style, Philippe.
00:57:58Thank you, Dominique.
00:58:03Dominique, I want you to meet Mimi.
00:58:06Actually, I'm on my way out.
00:58:09Pleased to meet you, Dominique.
00:58:12I can never wear clothes the way you do.
00:58:15Not even when there's just one of me.
00:58:18Dominique, my sister, Mimi Dupre.
00:58:22Your sister?
00:58:24Hi there. It's nice to meet you.
00:58:27You look like a Rafael Madonna. When are you due?
00:58:30Two weeks, but it might just as well be two months.
00:58:33Philippe tells me you're quite the art expert.
00:58:36Oh, hardly.
00:58:38I'm sure he's also told you that our families had a long relationship with the arts.
00:58:42Yes.
00:58:44Mimi spends much of her time raising money to restore damaged paintings.
00:58:48I thought if I could get you to host one of our fundraisers, it might draw some attention.
00:58:54Oh, um...
00:58:56Well, you know where Dominique goes, the press follows. It really would help.
00:59:00Um...
00:59:02Join us for dinner tomorrow night?
00:59:04My husband Stephan and I are staying with Philippe in the city until the baby's born.
00:59:08Please say yes.
00:59:11Yes. Yes. Okay. I would be glad to help.
00:59:15Um... tomorrow evening.
00:59:24Okay.
00:59:55Oh, no.
01:00:05What do you want now, Jacques?
01:00:07What I've always wanted, chérie. I have customers who are getting anxious.
01:00:10Now, where are those sketches?
01:00:12I told you, I don't have them.
01:00:20Don't lie to me.
01:00:25Now, I will give you one more day.
01:00:30Or your career might not be the only thing I bring to an end.
01:00:35Okay.
01:01:06Wow. This is a stunning building.
01:01:09It's one of the last private houses in Paris.
01:01:12So how long have you lived here?
01:01:14Well, I lived here as a child, but my father was unhappy here, so we had to leave.
01:01:21Can't you imagine not being happy here?
01:01:42Hi.
01:01:43Hi.
01:01:45Dominique. Remember, nice to meet you.
01:01:48Thank you for coming. I hope you feel at home.
01:01:50Thank you for having me.
01:01:51Of course. She'll be dazzled by the meal I've prepared.
01:01:54This is my husband, Stéphane. He likes to help in the kitchen.
01:01:58I had to pay my cook extra for the privilege.
01:02:00It's a pleasure to meet you.
01:02:02Nice to meet you. Your home is magnificent.
01:02:06The last Count de Clermont had it built in 1770.
01:02:09Our father bought it and had it restored.
01:02:11Ah, Philip told me that it was only a drafty old house.
01:02:15In France, understatement is everything.
01:02:19Come on, let me show you around.
01:02:30If I'd said, come to our home with everything our terribly important family has ever bought,
01:02:35you'd have turned me down for sure.
01:02:37Mimi, your humility is showing.
01:02:39It comes from inbreeding and living too far from Versailles.
01:02:43Who is she?
01:02:45Our grandmother.
01:02:47I can see the resemblance.
01:02:49Do you have a painting of your mother?
01:02:53I do in my home, but...
01:02:55Stéphane, I'd say we go get a nice bottle of wine, huh?
01:02:58I'll ask the butler to.
01:03:00I'd rather do it myself.
01:03:03Oh, oh, oh.
01:03:05Are you all right?
01:03:07Yes. Sorry.
01:03:10The baby's just restless.
01:03:14Don't let Stéphane know. He fuzzes.
01:03:17Okay.
01:03:18And Philip is even worse.
01:03:20Yeah, you two seem to be very close.
01:03:22Yeah.
01:03:23I'm sure he'll be fine.
01:03:25I'm sure he'll be fine.
01:03:27I'm sure he'll be fine.
01:03:29And Philip is even worse.
01:03:31Yeah, you two seem to be very close.
01:03:34Yeah.
01:03:36We had to learn to stick together.
01:03:41Our father brought the family to France when we were kids.
01:03:44He wanted to move back permanently.
01:03:49Then Mother left him for another man.
01:03:52I'm sorry.
01:03:55Dad immediately took us back to the States.
01:03:59It was an awful time.
01:04:04Philip has never really trusted a woman since.
01:04:08Surely there must have been someone.
01:04:12Yeah, he's had girlfriends.
01:04:15But no one he's ever given his heart to.
01:04:25All right, you two.
01:04:26The cook says my first course is ready to serve.
01:04:29Great.
01:04:30Now we use the pregnant lady as a guinea pig.
01:04:43Clement used to be one of the most famous and respected titles in all of France.
01:04:47We still didn't keep our ancestors from losing their heads during the Revolution.
01:04:52When Amy wanted to marry me, her family was astounded.
01:04:54I'm just a mutt.
01:04:56But a very rich one.
01:04:58Would you like some more coffee, Dominique?
01:05:00Oh, no, thank you. Everything was delicious.
01:05:03I'll compliment the chef.
01:05:13I guess what I'm asking you to do is show me my own etchings.
01:05:17Well, I doubt that I can teach you anything about your own art.
01:05:21Well, you might be surprised.
01:05:28These brushstrokes evolved into a figure.
01:05:33So you're saying the artist was just feeling the composition as he went along?
01:05:37Yes. The best don't really paint a picture, they make you feel it.
01:05:41When you sense that rush of emotion, you know that you're in the presence of great art.
01:05:46Yes, you do.
01:05:49What a great place to grow up in.
01:05:53Oh, I think the beauty was lost on me then.
01:05:57My childhood is not something I remember fondly.
01:06:01Mostly I remember being alone.
01:06:08You're very beautiful.
01:06:25Stéphane says it's time to put the pregnant lady to bed.
01:06:28Thank you so much for...
01:06:30Mimi! Mimi!
01:06:32Oh, my God. Get her onto a chair.
01:06:34No, no, no. Leave her here. Get her a pillow.
01:06:37Is Mimi okay?
01:06:39Oh, God.
01:06:40Okay, call the doctor.
01:06:42I'll get the car.
01:06:43No, call the doctor now.
01:06:46Hold her.
01:06:49What?
01:06:50Just relax.
01:06:54Stéphane!
01:07:11They are both going to be okay.
01:07:14Can we see her?
01:07:16We three are all going to the hospital for the night.
01:07:19We'll be here if you need anything.
01:07:21The baby would never have made it without you.
01:07:23Thank you. Thank you.
01:07:32It was quite the night.
01:07:34You were amazing. I've never met anybody quite like you.
01:08:43Fresh croissants from the local bakery.
01:08:45And the coffee?
01:08:47I always win.
01:08:49Smells like heaven.
01:08:54You smell like heaven.
01:08:56Yeah?
01:08:58Have you always been this beautiful?
01:09:01Philip, I want you to care about me for who I am.
01:09:05I want that, too.
01:09:07I want to know all about you. I want to know all about your life.
01:09:09I want to know all about your family.
01:09:11Why did you choose modeling when art is obviously the thing closest to your heart?
01:09:17Why did it take me so long to find out how incredible you are?
01:09:22I know why.
01:09:27Mimi.
01:09:30She told you about her.
01:09:32Her mother.
01:09:36She was very beautiful, too.
01:09:39But it was her sole reason for being.
01:09:43The day she left, she put her arms around me and said,
01:09:48I love you more than anything in the world.
01:09:53And then she walked out and never came back.
01:09:57I love you.
01:10:07You're the first person I've ever told that to.
01:10:11Philip, there's something I have to tell you.
01:10:16What?
01:10:19Come on.
01:10:25Okay.
01:10:28You give up easily?
01:10:30Sure.
01:10:48People said people talk when we show up together.
01:10:52I don't care.
01:10:54Mademoiselle Dominique.
01:10:56Monsieur Arnaud asked me to get this to you right away.
01:11:02What is it? What is it?
01:11:04Just come on.
01:11:06What is it?
01:11:07Give it to me.
01:11:14She can open it.
01:11:16No.
01:11:20What is it?
01:11:22Let's just go upstairs, okay?
01:11:26Is there something I shouldn't see?
01:11:38Philip.
01:11:46Where is she?
01:12:09Where is she?
01:12:16Up here, shall we?
01:12:18Can I get you a drink or are you still dieting?
01:12:21What did you hope to accomplish by sending me those photos?
01:12:25Just a reminder. I gave you fair warning.
01:12:28The next one will go to the press.
01:12:30Well, your little reminder was almost seen by Philip.
01:12:37I would have given anything to have seen that little aristocrat's face if that had happened.
01:12:41Why is that?
01:12:43I hate all his kind.
01:12:45Making people fawn over them and do their bidding just because they have money.
01:12:49Well, I hope that there's more to this than that.
01:12:53My family worked their fingers to the bone for the Clermont.
01:12:57And they tore us apart.
01:12:59And?
01:13:01I don't need you to believe anything.
01:13:03I'll give you until tomorrow night to deliver those sketches.
01:13:06After that, I can't be held responsible for the consequences.
01:13:14Your time has run out, my sweet.
01:13:17Well, you can do whatever you want with the photographs because I'm going to the police.
01:13:21Don't forget to tell them you took the sketches.
01:13:24And I have a witness.
01:13:26If you want to tell them about her.
01:13:28What witness?
01:13:30The newspapers will have a field day.
01:13:32Those lurid photographs.
01:13:34Top model brought down by her biggest rival.
01:13:38Jacqueline.
01:13:40This will give her everything she's always wanted.
01:13:42You're trapped.
01:13:50It's the flip side of the party, Dominique.
01:13:55Now go and get me what I ask for.
01:14:09If what you say is true,
01:14:12this is the end of the house of Chambartin.
01:14:15It's unbelievable.
01:14:17All this history ruined by some sordid little story.
01:14:21Could Jacqueline have stolen it from her?
01:14:24She's a hungry one.
01:14:26I've never seen anyone want a magazine cover like she does.
01:14:29But no one would stoop that low.
01:14:32Was she a friend of Arnaud's?
01:14:34No. No. She was a friend of mine.
01:14:36Was she a friend of Arnaud's?
01:14:38No. No. She never goes to the clubs.
01:14:40Her career is everything.
01:14:42So what's going on with her and Dominique?
01:14:45You'll have to ask your sister.
01:14:48I can't. The clinic called.
01:14:50She checked herself out and they don't know where she went.
01:14:53Oh, that girl.
01:14:55Well, maybe she didn't know that these things were going to happen.
01:15:00And maybe I don't know my sister at all.
01:15:03And maybe you should go back to your own life.
01:15:06These are not your problems.
01:15:08I can't.
01:15:10I mean, finding out the truth is the only thing that's going to save her from Arnaud.
01:15:14And maybe save you and Philippe.
01:15:18There's not much chance of that.
01:15:25Henri, what are you thinking?
01:15:27The new collection.
01:15:28No, no. I mean, are you going somewhere?
01:15:30Why are the drawings out?
01:15:31Well, because I've been working on the new collection.
01:15:33They are beautiful, yes?
01:15:35Yes, they are. I just hope we're the ones who get to sell them.
01:15:37You know, you're practically inviting someone to come in and steal these.
01:15:40Oh, don't be ridiculous, Philippe.
01:15:43A true artist cannot function in an atmosphere of paranoia.
01:15:48Besides, I'm in a rush.
01:15:50I have tickets for the opera.
01:15:52And you know, I hate to miss the Overture.
01:15:55So I go.
01:15:58Henri!
01:16:17Wait here, please.
01:16:41Hello there.
01:16:43I'm looking for Jacqueline Leclerc.
01:16:47Mama!
01:16:54What are you doing here?
01:16:56We need to talk.
01:16:58Wait for me in the front room.
01:17:04Mommy needs to talk to this lady.
01:17:09Come on. Let's go to your room, okay?
01:17:13Your son's a beautiful little boy.
01:17:16What do you want?
01:17:18We have something which belongs to Henri.
01:17:21What makes you think that?
01:17:23Jacques told me.
01:17:25Why would you do something like this?
01:17:27Don't pretend you don't know.
01:17:29I don't know!
01:17:31You had told your father.
01:17:33I don't know.
01:17:35I don't know.
01:17:37I don't know.
01:17:39You don't know?
01:17:40I don't know.
01:17:42You had told him about my past.
01:17:44He's blackmailed me ever since.
01:17:46I never told him anything.
01:17:55Does he have something like that on you?
01:17:59He's playing us off of each other.
01:18:02Yes. He finds your weakness and exploits it.
01:18:05With you, it was your drinking.
01:18:07With me, it was what I became to care for my son.
01:18:10There were so many men offering money.
01:18:13And my son needed food.
01:18:15I was all alone.
01:18:22I'm sorry.
01:18:24I'm sorry.
01:18:26I'm sorry.
01:18:34I was desperate.
01:18:36I thought if I took the drawings and told Jacques you had them...
01:18:40That it would finish my career.
01:18:42I thought maybe that would be the end of it.
01:18:45He'd have beaten Philip. That's what he really wants.
01:18:47Why?
01:18:49His parents worked for the Clermonts
01:18:51until Philip's mother ran off with Jacques's father.
01:18:54Without his father, Jacques's family sank into poverty.
01:18:57He's always blamed the Clermonts for what happened.
01:19:00You have to return these.
01:19:02I can't. It was hard enough getting them out.
01:19:05No, it's impossible.
01:19:06Yes, you can. You just walk in there,
01:19:08you put them back, and you walk back out again.
01:19:10I can't fight him.
01:19:17Wait.
01:19:19This won't stop him.
01:19:21I'll handle Jacques.
01:19:24I'll handle him.
01:19:40Hi, Paul.
01:19:42I'm just locking up, Miss Dunwoody.
01:19:44I forgot my earrings.
01:19:46Just a second.
01:19:48All right.
01:19:54I'll be right back.
01:19:57I'm returning the sketches.
01:20:00Having taken the opportunity to copy them,
01:20:03I'm afraid you'll have to do it again.
01:20:06I'm sorry.
01:20:08I'm sorry.
01:20:10I'm sorry.
01:20:12I'm sorry.
01:20:14I'm sorry.
01:20:16I'm sorry.
01:20:18I'm sorry.
01:20:20I'm sorry.
01:20:22I'm sorry.
01:20:24Having taken the opportunity to copy them, no doubt.
01:20:27No.
01:20:29I'm returning the sketches for someone who took them
01:20:31and regretted taking them afterward.
01:20:36Who?
01:20:40I can't say.
01:20:42No, of course not.
01:20:44Tell me, how much is your friend Jacques paying you to do this?
01:20:47Philip, I didn't steal them.
01:20:49Stop lying to me.
01:20:51I'm not lying to you.
01:20:53When did you decide to use me in your little game?
01:20:56Was it while we were waiting to see if Mimi and the baby would live?
01:20:59I didn't mean to hurt you.
01:21:24Hello, Dominique.
01:21:28This café has inspired artists for centuries.
01:21:31All the greats.
01:21:33It's fitting you should choose it for my latest trial.
01:21:35I've never really thought of you as an artist, Jacques.
01:21:38You are the clay in my hands, Dominique.
01:21:41Now, where are those designs?
01:21:43Show me. My talents have not been wasted.
01:21:45Blackmail isn't an art.
01:21:47It's an art.
01:21:49Show me. My talents have not been wasted.
01:21:51Blackmail isn't an art.
01:21:53It's a crime.
01:21:55Such ugly words from such a beautiful woman.
01:21:58You disappoint me.
01:22:00Why? Because I'm not afraid of your photographs or your threats?
01:22:04Because I'm not afraid of a low-life pimp?
01:22:10Don't tempt me, Dominique.
01:22:12Give me those sketches or I will ruin your career.
01:22:15You see, I don't think it's the sketches that you really want.
01:22:19Because that's not interesting enough for you.
01:22:22Jacques...
01:22:26You want to use me, at least give me the satisfaction of knowing why.
01:22:34I want to see Philippe's face when all he has left are his title and his arrogance.
01:22:39I want to see him drowning in your betrayal.
01:22:42You are unbelievable.
01:22:46Now give me those sketches. My buyer is waiting.
01:22:49My photographs.
01:22:51Jacqueline's photographs, with negatives.
01:22:54Now, I ask myself, why would you help her?
01:22:57She hates everything about you.
01:22:59Well, that's the deal.
01:23:01You don't have them.
01:23:07Now, it's not very nice being threatened, is it?
01:23:11You want to get Philippe?
01:23:13Then you play by my rules.
01:23:31Stay out of my life.
01:23:34Come on.
01:23:41Dominique!
01:23:44Hurry the hell up.
01:23:45Dominique!
01:23:47Dominique!
01:23:49You're finished! Do you hear me? You're finished!
01:23:56Don't tempt me, Dominique.
01:23:59Give me those sketches or I will ruin your career.
01:24:04Dominique, come in.
01:24:06Jacqueline has just told me everything.
01:24:10I couldn't let you take the blame.
01:24:12Thanks.
01:24:13You were both of you very foolish not to tell me what was going on.
01:24:17I always look after my girls.
01:24:20And if Arnaud had made any trouble, well,
01:24:23I think my contacts with the press are more powerful than his.
01:24:27I am owed a great number of favors.
01:24:30Well, I think that this will help.
01:24:34Jacques admitted everything.
01:24:36Dominique, where are you going?
01:24:39You have to give Philippe the news.
01:24:42I think he'd rather hear that from you.
01:24:58Who's there?
01:25:00Take him.
01:25:02Oh.
01:25:04Looking good.
01:25:06It suits you.
01:25:07What are you doing here?
01:25:09And why did you leave the clinic?
01:25:11I read about the new line in the paper,
01:25:13and I didn't want you to deal with Arnaud,
01:25:15so I came back to take over.
01:25:17Well, it's too late.
01:25:19He was here all along.
01:25:21It's okay.
01:25:23We'll talk about it later.
01:25:25How are you doing with the program?
01:25:28Let's just say that I had some time to look at who I'd become.
01:25:36I'm sorry.
01:25:38Promise me you'll continue treatment.
01:25:41I've already looked into a clinic here, and I start next week.
01:25:48Anyone find us out?
01:25:50Only Marie, but she covered for us.
01:25:53Well, if there's one thing I've learned these past few weeks,
01:25:56it's that I have to be honest about who I am.
01:25:59So tomorrow, we'll go in, and I'll tell them the truth.
01:26:03No, I, uh...
01:26:05I'm going to call and thank Marie,
01:26:07but I'm taking the first flight out of here.
01:26:10Is she what?
01:26:12She's going home to America.
01:26:14I could not talk her out of it.
01:26:16What time is she leaving?
01:26:18I don't know, but she said she had time for me.
01:26:21She said she had time to say goodbye to Paris?
01:26:44Oh, Dominique. You can't leave.
01:26:47Philip.
01:26:48You've got to give me a chance to apologize.
01:26:50I need you.
01:26:51Look, I know that night in my apartment meant something to both of us.
01:26:54Oh, Philip, you better stop right there.
01:26:56I am not the woman that you think I am.
01:27:08Hey, buddy, look where you're going.
01:27:10Damn, Richmond.
01:27:21Hey.
01:27:30Dominique told me what you did.
01:27:32I was crazy not to trust you.
01:27:34Yeah, you were.
01:27:41See, it's just like I told you, huh?
01:27:43French. Man like us.
01:27:46I know.
01:27:50You know what?
01:27:52You're going to have to marry me so we can work on this every day.
01:27:55Don't you think you need to know the name of the girl before you marry her?