Ángela Cap 2
Ángela Cap 2
Transcript
00:00Oh
00:19Is a complaint in Diaz desde la desaparición de la joven arquitecta
00:22The canelope
00:24¿Y qué es lo que ha pasado con el canelope?
00:26¿Trabajaba con vosotros, no?
00:28¡Mami, mami! ¡Ha picado otro!
00:30¿Todo esto habéis pescado?
00:32¿No había roto esta mierda?
00:34¿Qué te pasa?
00:36Han reventado el coche. Todo el capo ha bollado.
00:38Ángela, que yo no denuncié a Gonzalo. ¿Cómo te lo tengo que decir?
00:40Yo ya no sé cómo decírtelo.
00:42No fui yo, Gonzalo.
00:44¿Esto es para ti? ¿No te acuerdas de mí?
00:46¿Y tú? ¿Eduardo Silva?
00:48Que no voy a follar contigo porque te dé pena.
00:50Gonzalo quiere matarte. Me contrató a mí para que lo hiciera.
00:53Si vuelve a pasar, ¿qué hacemos?
00:55Ángela, ¿todo bien?
01:22¿Estás bien?
01:52¿Estás bien?
02:22¿Estás bien?
02:38Chicas.
02:46¿Irati?
02:48¿Maya?
02:50Chicas.
02:56Chicas, ¿qué hacéis? ¿Dónde estáis?
03:21Hola, soy Gonzalo.
03:23En este momento no puedo atenderte.
03:25Por favor, deja tu mensaje.
03:29Si hay emergencias, ¿en qué puedo ayudarle?
03:31Hola, llamo porque mis hijas no están.
03:33Si me puede decir su nombre, por favor.
03:35Sí, Ángela, a recarte.
03:37De acuerdo, Ángela. A ver, ¿qué sucede?
03:39No lo sé, no lo sé. Es que no están.
03:41Creo que se las han llevado.
03:43¿Quién?
03:45Su padre.
03:47¿Que su marido se ha llevado a sus hijos?
03:49Hola.
03:51Gonzalo.
03:52¿Dime?
03:53¿Dónde estás?
03:54¿Dónde voy a estar, Ángela?
03:55¿Dónde están las niñas?
03:56En el barco, conmigo.
03:58Ay, muy bien, y no me dices nada.
04:00Pero si te lo dije ayer.
04:01No, no me has dicho nada, Gonzalo.
04:03No me has dicho nada.
04:04Ángela, que lo hablamos ayer en la cena.
04:06Que me las iba a llevar a pescar.
04:07No.
04:08Pero si te dije que vinieras.
04:09¿No te acuerdas?
04:10Me dijiste que no, que mejor nos veíamos después en la comida,
04:12en el puerto.
04:14Ángela.
04:16¿No te acuerdas?
04:18¿De verdad me lo dijiste?
04:48Sí.
05:18¿Qué tal?
05:31Me alegro mucho de que me hayas llamado.
05:32Sabía que lo harías antes o después.
05:34Ah, sí, ¿lo sabías?
05:35Sí.
05:36Pues yo no, la verdad.
05:38¿Sabes qué me ha pasado, Ed?
05:40Que acabo de llamar a emergencias porque creía que mi marido
05:42había secuestrado a mis hijas y no entiendo por qué me estás
05:44haciendo esto.
05:46¿Has estado con él entonces?
05:47Sí, claro.
05:48Me he levantado y le he dicho buenos días, amor.
05:50¿Es verdad que quieres matarme?
05:52Vale.
05:53O sea, que sigues sin creerme, ¿no?
05:55¿Quién eres?
05:57¿Pero cómo que quién soy?
06:01Ángela, necesito el dinero.
06:02Mi hermana está enferma, ¿no entiendes?
06:05Por eso acepté el trato.
06:07No soy un hijo de puta, joder.
06:10Créeme, por favor.
06:12Sigue.
06:19Soy de Barrica, en realidad.
06:20Mi familia es de allí, de siempre.
06:22¿De Barrica?
06:23Sí.
06:25Esa casa es lo único que tenemos.
06:28Y Gonzalo y otros cabrones aparecieron un día de repente
06:30y nos dijeron que de eso nada.
06:33Nos enseñaron un montón de papeles y de mierdas y nos
06:35dijeron que allí necesitaban construir, que eso era suyo.
06:38Que no teníamos ningún derecho a extrair.
06:43¿Tú le destrozaste el coche?
06:46Porque cuando lo vi allí con su traje y su cochazo me dieron
06:48unas ganas de reventarle la cabeza.
06:51¿Tú sabes lo que me dijo?
06:54Que si tantas ganas tenía de matar, que por lo menos lo hiciera
06:56por pasta.
06:57Y entonces me ofreció 200.000 euros por matarte.
07:01¿200.000?
07:02¿200.000?
07:05¿Qué?
07:08Que sigues sin creerme, ¿no?
07:12Cuéntame tu plan, Edu.
07:13¿Cómo ibas a hacerlo?
07:15Pues mira, Gonzalo quería que lo hiciera en vuestra casa.
07:18Pero yo no me fiaba de él un pelo.
07:20Así que cambié de sitio.
07:22Quería un lugar en el que estuviéramos solos.
07:26¿Y me llevaste a casa de tu amigo por eso?
07:34Vaya.
07:37Es raro que tampoco lo hicieras allí porque te lo puse
07:39bastante fácil, ¿no?
07:45Sí, la verdad.
07:48Me lo pusiste muy fácil.
07:51Pero no pude, no fui capaz.
07:57No te creo nada, Edu, nada.
07:59Ángela.
08:00No me sigas.
08:01Ángela, espera.
08:02¿Cómo coño ibas a haber hecho tantas cosas sobre tu vida?
08:04Piénsalo un momento, piénsalo.
08:05Por favor, cualquiera sabe cosas de mi vida.
08:09Estuvimos él y yo horas al teléfono hablando de ti.
08:11Horas.
08:12Tiene que estar registrado en algún sitio.
08:13Las llamadas, los detalles, algo.
08:15No me vas a convencer de que Gonzalo es un asesino.
08:17Bueno, vale, vale, muy bien.
08:18Pero haz una cosa, mírale el teléfono.
08:21Mírale el móvil.
08:22Confía en mí, joder.
08:24No te quiero ver más.
08:25Mírale el teléfono, Ángela.
08:27El teléfono, míraselo, por favor, hazme caso.
08:57¿Y chí?
09:05Hola.
09:08Ya, ya, ya lo sé, perdona, perdona.
09:10Es que las peques se pusieron malas.
09:12Sí.
09:13Te lo prometo, te prometo que la próxima cena de chicas no me la pierdo.
09:19No, te llamaba porque me he acordado de ti.
09:23Sí.
09:25Por cierto, ¿ha preguntado alguien por mí en el pueblo?
09:31No, cosas de cuando éramos pequeñas, del instituto, no sé, algo así.
09:36No, ¿verdad?
09:38No, no, no, todo bien.
09:41Amor, ¿te importa que te llame luego?
09:43Es que...
09:44Sí, te llamo luego, perdona, ¿eh?
09:46De verdad, da besos a todas, es que tengo...
09:48Sí, ahora te llamo.
10:02¿Arrepentida de las clases de Mela?
10:06Pues sí.
10:08Pero bueno, a mi hijo le gusta este deporte, ¿qué le vamos a hacer?
10:12Son un poquito estiradas, pero bueno, hay algunas buenas gente.
10:17Pues aguántala tú.
10:19A mí solo me interesa una, pero está enfadada conmigo.
10:31¿De verdad no pusiste la denuncia?
10:33Yo no he denunciado a Gonzalo.
10:35Ángela, te lo voy a repetir mil veces, hace falta.
10:40Y me conoces muy bien, yo nunca pondría una denuncia anónima.
10:46Está bien.
10:47No, no está bien.
10:49Era una denuncia por malos tratos.
10:52¿Qué está pasando?
10:53No está pasando nada, es un malentendido.
10:55Venga, Ángela, no me jodas, que nadie pone una denuncia por malos tratos por una equivocación.
10:59Esther, Gonzalo tiene muchos enemigos, hay mucha gente que le tiene envidia, lo sabes de sobra, de verdad.
11:04Es una tontería.
11:06Aquí lo único que importa es que mis hijas no se enteren de nada, por favor.
11:10De verdad.
11:12Lo que sea, cuando sea, me llamas, por favor.
11:15O si quieres te pasas por mi bufete y hablamos tranquilamente, ¿ok?
11:19¡Ángela!
11:21¡Voy, Vicente!
11:23Te llamo esta semana para un café.
11:25Más te vale.
11:27Hasta luego.
11:29Mira.
11:30¿Qué tienes ahí?
11:31Mira qué maravilla.
11:33Pero bueno.
11:35Entra para aquí.
11:36Te voy a enseñar cómo se prepara.
11:38Sí, porque yo no sé.
11:43Esto está chupado.
11:45Comandar en dice.
11:46Mira, lo primero.
11:48Sacas todas las tripas.
11:50Así.
11:52Cuidado que no se te reviente la tinta que te pones perdida.
11:55Le quitas la espina.
11:57Y ahora, la madre del cordero.
12:00Mira, cojas así.
12:02Cojas así.
12:04Y le das la vuelta.
12:06Como un calcetín.
12:08Lo pasas por agua, metes el relleno y ya está.
12:10Chirpón.
12:12Mira.
12:13Ahí está tu trigo.
12:15Lo contenta es que iban esta mañana las niñas con su padre.
12:28¡Mamá!
12:29Hola, mi amor.
12:33Hola, mi vida.
12:35Hola.
12:36¿Qué habéis hecho?
12:37Muchas cosas.
12:39¿Sí?
12:40Mira, había otra tras de repuesto.
12:43La he atado yo sola.
12:45¿Tú sola?
12:46Sí, con un nudo aguetinte.
12:48Se dice vallestrinque.
12:50Tú calla, que al menos sé hacerlo.
12:52¿Ya le ves con toda mamá lo que hemos visto?
12:54¿Qué hemos visto?
12:55¡Delfines!
12:56¿Cómo eran?
12:57Eran enormes.
12:58Estaban por los lados.
12:59Eran muy, muy grandes.
13:01Gonzalo, el arpón y las niñas.
13:03¿El arpón?
13:04¿El arpón, dice?
13:05¿Qué arpón?
13:06Esto es un tridente.
13:07¿Quién es papá?
13:08Poseidor.
13:09¡El rey de los mares!
13:11Venga, vamos a comer.
13:13A ver esos pies.
13:15A ver.
13:18Venga.
13:20Bien.
13:21El otro.
13:24Ángela.
13:27Ayúdame a vaciar la bodega.
13:38A ver.
13:43Esto ya está.
13:44La siguiente.
14:06¿Qué hace?
14:08Nada.
14:09¿Qué hablas tanto?
14:10Ay, no te puedo creer.
14:12Desde la regata aquella,
14:13lleva Laura diciéndome que se había dejado el pañuelo aquí.
14:15¿Y yo qué no o qué no?
14:16Y mira.
14:17Pero es de Laura.
14:18He dicho Laura, ¿no?
14:21¿Qué te pasa hoy?
14:23Venga, va.
14:24Vamos a comer.
14:26Te lo juro, ha movido los ojos.
14:28¿Qué pares?
14:29Es verdad, ha movido los ojos.
14:32¿Qué pares?
14:33Mamá.
14:34Mamá ya dice que está vivo.
14:36No te vaciles.
14:41¡No!
14:42¡No!
14:43Chicas.
14:44¿Qué pasa?
14:45¿Qué pasa?
14:46¿Qué pasa?
14:47¿Qué pasa?
14:48¿Qué pasa?
14:49¿Qué pasa?
14:50¿Qué pasa?
14:51¿Qué pasa?
14:52¿Qué pasa?
14:53¿Qué pasa?
14:54Chicas.
14:55Ya está bien.
14:56Venga, sentaos.
14:57Dame la mano y yo a ti.
14:58No, la otra.
14:59Que has tocado el pescado.
15:00Ahora te vas a tocar el pelo.
15:02Perdona, cariño.
15:03He ido al coche a dejar las cosas.
15:05Me he encontrado con Fernando y Laura
15:07y me he liado.
15:08¿Con Laura?
15:09Qué pintón, ¿no?
15:11¿Le has dado el pañuelo?
15:12Oye, qué bonito esto.
15:14¿La ves?
15:15¿Hacemos una foto?
15:18¿Qué si le has dado el pañuelo a Laura?
15:20Claro.
15:21¿Por?
15:22Por nada.
15:23Chicas, esa sonrisa.
15:27¿Qué tal?
15:30Un poquito seco igual, ¿no?
15:37¿Tenéis hambre?
15:39Sí.
15:54¿Qué haces?
15:57Me los regaló Vicente y me daba pena congelar.
16:02¿Te molesta?
16:04Que no lo estás haciendo bien.
16:06Deja que lo hago yo.
16:07No.
16:08Mejor baja a la bodega y trae vino.
16:10Que le va a sentar bien.
16:16Blanco.
16:18¿Qué haces?
16:19Blanco.
16:50¿Te están llamando, cariño?
16:52¿Para qué tocas?
16:54Te lo iba a llevar.
16:58Mira cómo está.
16:59Perdona. Toma.
17:01La verdad que...
17:06Lo siento.
17:10Corka, dime.
17:14Corka.
17:16Corka.
17:17Corka.
17:21¿De verdad, chicas?
17:22¿Todos los días perdemos la mochila?
17:25¿Están aquí?
17:37Ángela.
17:38Sí.
17:39¡Id bajando, que no llegamos!
17:41Mañana tenemos la fiesta.
17:42Llévalo al Tinte.
17:43¿Se lo digo a Bego?
17:44No, no, a Bego no.
17:45La última vez se encargó ella y fue un desastre.
17:48Voy a por un café.
17:51Vamos abajo.
17:59Oye, un beso.
18:01¿Dónde vas?
18:06Adiós, mami.
18:09Maya, espera.
18:11La mano.
18:12Venga.
18:13¿Sí?
18:15Una cosita.
18:16Muy importante.
18:17Esta tarde quedamos aquí, ¿de acuerdo?
18:19Y nadie se mueve hasta que yo no llegue.
18:21Vale.
18:22¿Está claro?
18:23Sí.
18:24Muy bien.
18:25Adiós.
18:26Adiós.
18:27Adiós, mi amor.
18:28Buen día.
18:37¿Qué haces aquí?
18:39Asegurarme de que estés bien.
18:41Eres mi guardaespaldas ahora.
18:43Ángela.
18:44Gonzalo won't stop until I get him.
18:46If I see you again, I'll call the police.
18:48Do it.
18:49There must be someone else to do it.
18:51I swear I'll call the police, Edu.
18:54Five months earlier
19:12The fascination of humanity for crime,
19:14for finding out who commited it,
19:16and above all, why he did it,
19:18is something that has always been present throughout history.
19:21In this podcast we will analyze the usual reasons that lead a person to commit a murder.
19:27And we will make special emphasis on those known as serial killers.
19:47Yes, who is it?
19:48Who is it?
19:49Okay, perfect.
19:50Well, tell my mother that I'm going to see her, but that I'll be a little later than I told her.
19:55Don't be scared.
19:57Thank you, Maribel.
20:01Thank you, huh?
20:02You're welcome.
20:03Here.
20:09And how's your mother? How is she doing?
20:11Well, she started a therapy with dogs, they just assigned one to her.
20:15With dogs?
20:16Yes, I thought that was only done with horses.
20:19And how is it?
20:20Does it work?
20:21Well, let's hope so, as it just started.
20:24Well, that's great, I'm so glad.
20:27Hey, Gonzalo gave you back the handkerchief, right?
20:31Let's see ...
20:32The handkerchief ...
20:36The one you left in our boat.
20:39The handkerchief I left in your boat.
20:41Well, I don't know what handkerchief.
20:43No, no, forgive me.
20:46It's from Rocío.
20:47Forgive me, I have a terrible head.
20:48It's okay.
20:50I'm the same.
20:51Well, now that we're with the reform, I won't even tell you.
20:54The other day, I took Luca to school, I gave him a kiss and I realized that my poor boy was wearing the shoes from walking around the house.
21:01Don't tell me.
21:02I'm telling you.
21:04Oh, wait.
21:05I'm going to get some pastas that you're going to love.
21:07Come here.
21:14Handsome.
21:16How handsome my boy.
21:18Oh yes.
21:22Oh, how nice.
21:25Hello mom.
21:29Hello mom.
21:30Hello.
21:31Look at those little eyes, look at those little eyes.
21:34Mom.
21:35Look, I look the same as when you were little.
21:38Mom.
21:40Mom.
21:41Yes.
21:43Would you come on a trip with the girls and me?
21:46And Maribel?
21:47And Maribel too.
21:51We could go south to Malaga or Almería, something like that.
21:54Do you want to?
21:56But why are we going to Almería with that heat?
22:00What you have to do is bring the girls here.
22:02So many boats and so much fog.
22:05Yes.
22:06Come with me.
22:32Come on.
23:02Come on.
23:20Irati.
23:21Come on.
23:25There's no one left here.
23:27And my daughters?
23:28I don't know.
23:29Do you want me to help you find them?
23:30Yes, please.
23:32Come on.
23:41Irati?
23:43Maya?
23:47Where are they?
23:52Irati?
23:53Maya?
23:54Ana, have you seen my daughters?
23:55No, I haven't seen them.
23:56Don't worry, they'll be playing around here.
23:58Where are they?
24:03Where are they?
24:04Where are they?
24:05I can't find my daughters.
24:10Where are they?
24:11Where are they?
24:14Angela, we're looking for them.
24:16Don't worry.
24:17What do you mean I'm not worried?
24:18Jenny, where are they?
24:19Are you sure they're downstairs?
24:20No, I'm not sure.
24:21Jenny, have you lost the girls?
24:22Don't worry.
24:23No, no, no, please.
24:24Have you really lost the girls?
24:26Mom!
24:29Please.
24:30Where were you?
24:33You scared me.
24:39Don't ever leave with anyone.
24:41Okay?
24:42With anyone.
24:43Just me, okay?
24:44Irati wanted to go to the bathroom.
24:47Okay, it's okay.
24:48I'm sorry.
24:49I'm sorry, I scared you.
24:50I'm sorry.
25:03Dad!
25:06Dad.
25:09Dad.
25:11Girls.
25:13Dad! Dad!
25:15Dad!
25:17Dad!
25:18Girls, your bags.
25:32I'm going to go to the other side of the room and I'm going to go to the other side of the room and I'm going to go to the other side of the room and I'm going to go to the other side of the room and I'm going to go to the other side of the room and I'm going to go to the other side of the room and I'm going to go to the other side of the room and I'm going to go to the other side of the room and I'm going to go to the other side of the room and I'm going to go to the other side of the room and I'm going to go to the other side of the room and I'm going to go to the other side of the room and I'm going to go to the other side of the room and I'm going to go to the other side of the room and I'm going to go to the other side of the room and I'm going to go to the other side of the room and I'm going to go to the other side of the room and I'm
26:02going to go to the other side of the room and I'm going to go to the other side of the
26:32room and I'm going to go to the other side of the room and I'm going to go to the other
26:47side of the room and I'm going to go to the other side of the room and I'm going to go to
27:00the other side of the room and I'm going to go to the other side of the room and I'm going
27:29to go to the other side of the room and I'm going to go to the other side of the room and
27:30I'm going to go to the other side of the room and I'm going to go to the other side of the
27:31room and I'm going to go to the other side of the room and I'm going to go to the other
27:32side of the room and I'm going to go to the other side of the room and I'm going to go to
27:33the other side of the room and I'm going to go to the other side of the room and I'm going
27:34to go to the other side of the room and I'm going to go to the other side of the room and
27:35I'm going to go to the other side of the room and I'm going to go to the other side of the
27:36room and I'm going to go to the other side of the room and I'm going to go to the other
27:38side of the room and I'm going to go to the other side of the room and I'm going to go to
27:39the other side of the room and I'm going to go to the other side of the room and I'm going
27:40to go to the other side of the room and I'm going to go to the other side of the room and
27:41I'm going to go to the other side of the room and I'm going to go to the other side of the
27:42room and I'm going to go to the other side of the room and I'm going to go to the other
27:43side of the room and I'm going to go to the other side of the room and I'm going to go to the
27:44other side of the room and I'm going to go to the other side of the room and I'm going to go
27:45to the other side of the room and I'm going to go to the other side of the room and I'm going
27:46to go to the other side of the room and I'm going to go to the other side of the room
28:07and I'm going to go to the other side of the room and I'm going to go to the other side
28:08of the room and I'm going to go to the other side of the room and I'm going to go to the
28:09other side of the room and I'm going to go to the other side of the room and I'm going
28:10to go to the other side of the room and I'm going to go to the other side of the room
28:11and I'm going to go to the other side of the room and I'm going to go to the other side
28:12of the room and I'm going to go to the other side of the room and I'm going to go to the
28:13other side of the room and I'm going to go to the other side of the room and I'm going
28:14to go to the other side of the room and I'm going to go to the other side of the room
28:15and I'm going to go to the other side of the room and I'm going to go to the other side
28:16of the room and I'm going to go to the other side of the room and I'm going to go to the
28:17other side of the room and I'm going to go to the other side of the room and I'm going
28:18to go to the other side of the room and I'm going to go to the other side of the room and
28:19I'm going to go to the other side of the room and I'm going to go to the other side of the
28:20room and I'm going to go to the other side of the room and I'm going to go to the other
28:21side of the room and I'm going to go to the other side of the room and I'm going to go
28:22to the other side of the room and I'm going to go to the other side of the room and I'm
28:43going to go to the other side of the room and I'm going to go to the other side of the
29:12room and I'm going to go to the other side of the room and I'm going to go to the other
29:13side of the room and I'm going to go to the other side of the room and I'm going to go
29:14to the other side of the room and I'm going to go to the other side of the room and I'm
29:15going to go to the other side of the room and I'm going to go to the other side of the
29:16room and I'm going to go to the other side of the room and I'm going to go to the other
29:17side of the room and I'm going to go to the other side of the room and I'm going to go to
29:18the other side of the room and I'm going to go to the other side of the room and I'm going
29:19to go to the other side of the room and I'm going to go to the other side of the room and
29:20I'm going to go to the other side of the room and I'm going to go to the other side of the
29:41room and I'm going to go to the other side of the room and I'm going to go to the other
30:10side of the room and I'm going to go to the other side of the room and I'm going to go
30:11to the other side of the room and I'm going to go to the other side of the room and I'm
30:12going to go to the other side of the room and I'm going to go to the other side of the
30:13room and I'm going to go to the other side of the room and I'm going to go to the other
30:14side of the room and I'm going to go to the other side of the room and I'm going to go
30:15to the other side of the room and I'm going to go to the other side of the room and I'm
30:16going to go to the other side of the room and I'm going to go to the other side of the
30:17room and I'm going to go to the other side of the room and I'm going to go to the other
30:18side of the room and I'm going to go to the other side of the room and I'm going to go
30:29to the other side of the room and I'm going to go to the other side of the room and I'm
30:30going to go to the other side of the room and I'm going to go to the other side of the
30:31room and I'm going to go to the other side of the room and I'm going to go to the other
30:32side of the room and I'm going to go to the other side of the room and I'm going to go
30:33to the other side of the room and I'm going to go to the other side of the room and I'm
30:34going to go to the other side of the room and I'm going to go to the other side of the
30:35room and I'm going to go to the other side of the room and I'm going to go to the other
30:36side of the room and I'm going to go to the other side of the room and I'm going to go
30:57to the other side of the room and I'm going to go to the other side of the room and I'm
30:59going to go to the other side of the room and I'm going to go to the other side of the
31:00room and I'm going to go to the other side of the room and I'm going to go to the other
31:01side of the room and I'm going to go to the other side of the room and I'm going to go
31:02to the other side of the room and I'm going to go to the other side of the room and I'm going
31:03to go to the other side of the room and I'm going to go to the other side of the room and
31:04I'm going to go to the other side of the room and I'm going to go to the other side of the
31:05room and I'm going to go to the other side of the room and I'm going to go to the other
31:06side of the room and I'm going to go to the other side of the room and I'm going to go to the
31:08other side of the room and I'm going to go to the other side of the room and I'm going
31:09to go to the other side of the room and I'm going to go to the other side of the room
31:10and I'm going to go to the other side of the room and I'm going to go to the other side
31:11of the room and I'm going to go to the other side of the room and I'm going to go to the
31:12other side of the room and I'm going to go to the other side of the room and I'm going
31:13to go to the other side of the room and I'm going to go to the other side of the room and
31:14I'm going to go to the other side of the room and I'm going to go to the other side of the
31:15room and I'm going to go to the other side of the room and I'm going to go to the other
31:16side of the room and I'm going to go to the other side of the room and I'm going to go
31:27to the other side of the room and I'm going to go to the other side of the room and I'm
31:40going to go to the other side of the room and I'm going to go to the other side of the
32:07room and I'm going to go to the other side of the room and I'm going to go to the other
32:36side of the room and I'm going to go to the other side of the room and I'm going to go to
32:37the other side of the room and I'm going to go to the other side of the room and I'm going
32:38to go to the other side of the room and I'm going to go to the other side of the room and
32:39I'm going to go to the other side of the room and I'm going to go to the other side of the
32:40room and I'm going to go to the other side of the room and I'm going to go to the other
32:41side of the room and I'm going to go to the other side of the room and I'm going to go to the
32:42other side of the room and I'm going to go to the other side of the room and I'm going to go
32:43to the other side of the room and I'm going to go to the other side of the room and I'm going
32:44to go to the other side of the room and I'm going to go to the other side of the room
33:06I'm sorry.
33:07I'm sorry.
33:08I'm sorry.
33:09I'm sorry.
33:10I'm sorry.
33:11I'm sorry.
33:12I'm sorry.
33:13I'm sorry.
33:14I'm sorry.
33:15I'm sorry.
33:16I'm sorry.
33:17I'm sorry.
33:18I'm sorry.
33:19I'm sorry.
33:20I'm sorry.
33:21I'm sorry.
33:22I'm sorry.
33:23I'm sorry.
33:24I'm sorry.
33:25I'm sorry.
33:26I'm sorry.
33:27I'm sorry.
33:28I'm sorry.
33:29I'm sorry.
33:30I'm sorry.
33:31I'm sorry.
33:32I'm sorry.
33:33I'm sorry.
33:34I'm sorry.
33:35I'm sorry.
33:36I'm sorry.
33:37I'm sorry.
33:38I'm sorry.
33:39I'm sorry.
33:40I'm sorry.
33:41I'm sorry.
33:42I'm sorry.
33:43I'm sorry.
33:44I'm sorry.
33:45I'm sorry.
33:46I'm sorry.
33:47I'm sorry.
33:48I'm sorry.
33:49I'm sorry.
33:50I'm sorry.
33:51I'm sorry.
33:52I'm sorry.
33:53I'm sorry.
33:54I'm sorry.
33:55I'm sorry.
33:56I'm sorry.
33:57I'm sorry.
33:58I'm sorry.
33:59I'm sorry.
34:00I'm sorry.
34:01I'm sorry.
34:02I'm sorry.
34:03I'm sorry.
34:04I'm sorry.
34:08Let's go this way.
34:11Okay.
34:29What are we doing here?
34:31I'm scared.
34:32Angela.
34:34I feel really bad.
34:38I swore it wouldn't happen again.
34:49Does it hurt?
34:55It's okay.
34:56Of course it's okay, Ángela.
34:58Of course it's okay.
35:01We can't go on like this.
35:04It's okay.
35:11You're nervous.
35:13It's an important day.
35:17I need you to forgive me.
35:23Please, forgive me.
35:34Yes.
36:04I'm sorry.
36:05I'm sorry.
36:06I'm sorry.
36:23Hello, hello, good evening.
36:24Well, ten years of this architecture studio.
36:27Congratulations to all of you.
36:28And especially for this last year,
36:30which is a great year, isn't it?
36:33A rollercoaster.
36:34I'm going to tell you about it.
36:36The thing is, I play with advantage.
36:39I cheat.
36:41Because I have by my side
36:43the most wonderful woman in the world.
36:46Ángela, my love.
36:47Thank you very much.
36:49I know I'm not always easy,
36:52but you make me a little better every day.
36:55And my success is your success.
36:57Thank you.
37:02Well, well.
37:03Let's see who else we have here.
37:06Jaime, my partner.
37:08I can't think of a better partner than Jaime.
37:11I love you very much, my friend.
37:13Likewise.
37:14Thank you.
37:15And who else do we have?
37:17Javier, the magician of numbers.
37:20Thank you very much.
37:22Well, I could keep saying names,
37:25and it would never end,
37:27but allow me to say
37:29one more.
37:30Nekane.
37:31We miss you very much, partner,
37:34and hopefully we'll hear from you soon.
37:38And well, congratulations to all of you
37:42and for another 10 years.
37:44Thank you very much.
37:59Training hard.
38:00I'm good at swimming and cycling,
38:02but I'm good at running.
38:03We'll see if I can get over the wall.
38:05What wall?
38:06The one they say goes between 30 and 33 km.
38:09It's like your strength fails and you stay there.
38:12Are you telling me that you do all this for pleasure?
38:15Anyway, the one who runs very well and likes it is Ángela.
38:19Right, honey?
38:20Really?
38:21It relaxes me a lot, yes.
38:23I'm going to get something to eat.
38:25I'm getting hungry.
38:26Do you have food in Ikei?
38:27I ordered it, I know you like it.
38:34Champagne, please.
38:40Ángela?
38:41Come, the guys want to say hello.
38:43Yes, of course.
38:45The party was great, huh?
38:47Juan, Javier.
38:49Ángela, where are you going?
38:51Congratulations, guys, for everything.
38:53Thank you very much.
38:54Thank you.
38:55I didn't know Necane, but I'm very sorry about what you're going through.
38:59Yes, sometimes it's a little difficult to work
39:02seeing your chair empty.
39:05Have you kept your job?
39:07Yes, the police took his computer, some papers.
39:10We haven't touched anything.
39:12We've left everything the same, in case one day...
39:14He's not coming back, Juan.
39:15Don't say that.
39:17Well, I've left the imitation of my wedding on his table.
39:20She's with the wedding.
39:22Excuse me.
39:23See you later, Ángela.
39:51Come on.
40:52The party was great, huh?
40:54Yes.
40:56Did you like my speech?
40:59Very much, yes.
41:05No, no, no!
41:06Let's go to the hotel.
41:07Yes.
41:08The phone.
41:09The phone.
41:10The phone.
41:11The phone.
41:12The phone.
41:13The phone.
41:14The phone.
41:15The phone.
41:16The phone.
41:17The phone.
41:18The phone.
41:19The phone.
41:20Yes, take it.
41:21The phone.
41:22Come on, the phone.
41:23The phone, damn it!
41:24Take the bag off.
41:25The bags!
41:27Enough, enough, please.
41:28It's ok.
41:29It's ok.
41:51I love you.
42:13Are you crazy?
42:15You attacked us yesterday with a real razor.
42:17I wasn't going to use it, Ángela.
42:18No, calm down, calm down. I told you I was going to help you, right?
42:21Help?
42:22Yes, help, yes. For this.
42:25A colleague has managed to unlock it. It's not stupid, huh? There's nothing. No messages, no calls, nothing.
42:29I told you.
42:30But there's one thing I haven't taken into account.
42:34Erase the messages from the receiver.
42:35Message received on June 12 at 23.07.
42:41Gonzalo, stop sending me messages, please. It's over. I'm going to leave the studio.
42:45Forget about me, please.
42:48To listen to the message again, press 1. To delete the message, press 2.
42:52Is that my cable?
42:54It disappeared.
43:01I don't know what to do.
43:03You'd better go to the police.
43:04Me?
43:05Yes, take it. Take Gonzalo's cell phone and use it as evidence.
43:10Is there anything here that could hurt you? That, I don't know, could relate to you?
43:16Are you worried about me now?
43:18Edu, please.
43:22It's nothing, don't worry.
43:45I don't know what to do.
43:46I don't know what to do.
43:47I don't know what to do.
44:15Hello.
44:16Ángela?
44:20What are you doing here? I thought you were in the office.
44:22I came for the complaint. And you?
44:25Well, because it's going to be the same thing. How did it go?
44:28Well, imagine, these people are useless.
44:31Well, you don't have much to throw either.
44:33No, my phone has the locator, it's pretty accurate.
44:36What happens is that she doesn't want to do her job, which would be to go door to door.
44:40In the end, I'm going to have to do it.
44:42Come on, I have an appointment with Fernando, who is going to help me.
44:47What a scare yesterday, huh?
44:49Yes.
44:50But hey, the important thing is that we are fine.
44:52Yes.
44:53I'll see you at home.
44:55See you.
44:56See you.
45:16Hello.
45:46Hello.
46:17We've already seen this three times.
46:19Because it's very cool.
46:22Yes, one that I had seen at Alain's house. It's very cool.
46:25I'm sure you'll love it.
46:26Girls, we have to decide, it's getting late.
46:29Okay?
46:31How are you?
46:32Hello.
46:33How are you?
46:34I'm fine.
46:35And you?
46:36I'm fine.
46:37And you?
46:38I'm fine.
46:39And you?
46:40I'm fine.
46:41And you?
46:42I'm fine.
46:43And you?
46:44I'm fine.
46:46Have you found it?
46:47No.
46:48I should have taken a walk, I don't know where to find it.
46:51In the end, I bought this one.
46:52Do you like it?
46:53Yes.
46:54If you want, tomorrow we go to porn for you.
46:56Sure.
46:57We were going to see a movie.
46:58Do you want to?
46:59Yes.
47:00I'm going to make popcorn.
47:15We'll be right back.
47:16Okay.
47:17Wait.
47:26Who are you?
47:27Who are you?
47:28Don't scare me, Angel.
47:30Are you crazy?
47:31How did you get here?
47:32I don't know, but it's important.
47:34Gonzalo's at home.
47:35I know.
47:36I've followed you to the police station, you haven't done anything.
47:39Why are you going to tell them?
47:41No, for one thing.
47:43You didn't do anything.
47:44He was in there.
47:46I know. He saw someone.
47:49He was with a friend.
47:50He wasn't a friend. I assure you.
47:53He was trying to calm his pulse. We have to do something.
47:55Do what? What are you planning to do?
48:01Anything.
48:04No, no, no.
48:05Listen to me. It's important that you listen to me.
48:08You cannot stay alone. Do you hear me?
48:10If you stay alone, you'll be killed.
48:13Understood?
48:14Yes, go, go, please.
48:16Don't be alone, please.
48:18Okay, go, go, please.
48:43Go, go, go, please.
48:58Palomitas!
49:05Pancho!
49:13Shit, I have to go to Madrid tomorrow.
49:17To Madrid?
49:19Yes, but only one day.
49:21At most two, I don't think more.
49:27Did you hear that, Pancho?
49:29You're coming home!
49:33Did you hear that, Pancho? You're coming home!
49:44I never ask you for anything, never, just today.
49:47Do you think I'm going to Madrid because I want to?
49:49Because I'm an idiot and I like to take planes just because.
49:53Mom, are you okay?
49:57Gonzalo is a manipulator and he won't stop until he gets it, and you know it better than anyone.
50:01Edu, please, you're asking me to kill my daughters' father.
50:04So I don't kill you.
50:06Edu, he's going to do it today, he's going to do it today.
50:09As you know, her husband wanted to kill her.
50:11It shouldn't be so easy to kill someone, right?
50:13Edu, don't do it. This is crazy, please, don't do it.
50:16Do you know who Eduardo Silva is?
50:18Eduardo Silva?
50:20I'm going to take the girls, I'm going to go to the police and I'm going to tell them everything.
50:23What are you saying?
50:24I'm his lawyer.
50:25Later.
50:26It was Gonzalo, it was a trap.
50:27There was no corpse in the garden.
50:28How can there be no corpse if I saw him there, he was lying on the floor face down.
50:32Please, he killed a man.
50:34He killed his father, he was full of work, I didn't leave my daughters with him.
50:37Ángela, do you realize that right now there is nothing that certifies what you are telling us?
50:42I only know that I'm telling the truth.