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00:00How many sanatoriums have we already called?
00:09Well, to all those in the province of Toledo and Madrid.
00:11Don't move, huh?
00:12What are you doing? No, no, no, what are you going to do?
00:14Yes, a little water.
00:15Ah, ah, ah.
00:16The most important thing is that he has transmitted his interest in putting us in contact with the Mogó warehouses.
00:22Please, what he told you were lies, exaggerations.
00:24If Gemma loves you madly.
00:26I'm going to leave you.
00:27Again.
00:29I love you madly.
00:30I love you too.
00:31Your role in today's scene has been from an actress from Hollywood up.
00:34Come on, what a way to expose arguments, my God.
00:37I've been thinking about Maria's pregnancy for days.
00:40The doctor who treats her is in Madrid and I would like someone close to watch her.
00:44I can't do like you and father.
00:46I can't accept that my wife doesn't love me and continue with her.
00:49And I don't know if someone in the family and also a man is the right person to do that kind of monitoring.
00:55I want to marry you.
00:56What?
00:59I love you.
01:01They told me that my mother has been infected with asiatic flu.
01:04Don't tell me that.
01:28I love you.
01:29I love you.
01:30I love you.
01:31I love you.
01:32I love you.
01:33I love you.
01:34I love you.
01:35I love you.
01:36I love you.
01:37I love you.
01:38I love you.
01:39I love you.
01:40I love you.
01:41I love you.
01:42I love you.
01:43I love you.
01:44I love you.
01:45I love you.
01:46I love you.
01:47I love you.
01:48I love you.
01:49I love you.
01:50I love you.
01:51I love you.
01:52I love you.
01:53I love you.
01:54I love you.
01:55I love you.
01:56I love you.
01:57I love you.
02:02I love you.
02:04I love you.
02:05I love you.
02:22Do you know Patricia Llambert?
02:24It's in a lot of magazines.
02:28Well, today she's coming to visit the factory.
02:30And then she's coming to eat at this house. What do you think?
02:33Good, I guess.
02:35I've organized Marta to see if we can open a market in France.
02:40You can see that woman has a lot of hands there.
02:46So it seems that the family of the queen is entering the most important social circles through the big door.
02:54And what can I say? I hope you come to that meal, of course.
02:57Yes, in principle, yes.
02:58Very well.
03:01I'm sorry about last night, Begoña.
03:04I'm very worried about my mother.
03:07And don't you understand me ...
03:08I understand you. Of course I understand you.
03:11But if I stay firm in my position, it's for you.
03:14She is well taken care of there. Now you are the one who is exposed ...
03:17My mother needs me.
03:19And until I see her in person, I'm not going to stay calm.
03:22I don't want her to feel abandoned.
03:24I feel terribly guilty.
03:26But how are you going to be guilty that this damn epidemic has spread everywhere?
03:30But if my mother had stayed at home, she wouldn't have been infected.
03:33Well, maybe she wouldn't have been infected, but maybe she would have escaped again and with fatal consequences.
03:37But Jesús, don't you realize that this flu is killing older people?
03:41And in terms of health, how many dead are there now?
03:43I don't know. Hundreds, I think.
03:44No, that's what they tell us.
03:46But I've been following the news on the radio and there are thousands all over Europe.
03:50It's a good thing that he hasn't arrived in La Colonia yet.
03:53Don't worry.
03:54Luz has been warned in case the first cases appear so that the production doesn't get in the way.
03:59Reason no more for you to be careful, Begoña.
04:01I'm your husband.
04:02So what?
04:03You're not going to stop me, Jesús.
04:05Not this.
04:06I'm going to see my mother, even if I have to go over you.
04:13Begoña, please, be reasonable.
04:15As a nurse, you know better than anyone the very high risk you run.
04:18As a nurse, I'm going to take all the precautions because I'm the first one interested in not bringing that virus home.
04:23Jesús, if I go with my car, it won't take more than an hour.
04:26It's just a moment. I just need to tell you that you're not alone.
04:29Please, be calm.
04:30I don't want anything to happen to you.
04:34If I go out now, I'll be able to come back in time for lunch with Patricia Lampera.
04:38Don't make this harder for me, please.
04:43Okay.
04:45Thank you.
04:46But first, let's go down to have breakfast.
04:47No.
04:48No, no, no.
04:49I don't want to waste a minute.
04:50I'll tell Dina to make me something to eat.
04:52Darling, I'm not convinced at all.
04:54But I am.
04:55Please, don't worry about anything.
04:56And focus on preparing that food.
04:59You can't miss the food.
05:01I promise.
05:12Thank you.
05:14I honestly didn't expect to see you again.
05:18I thought everything had been more than clarified.
05:24Well, Mario, we wanted to thank you for your sincerity.
05:31And we also wanted you to know that we would never,
05:35neither before nor after, dare to judge you or our father.
05:39Gervasio was a special person.
05:43An extraordinary man to whom I am honored to have met.
05:49It was all very difficult for us.
05:54We both suffered what is not written.
05:58First, before recognizing what we felt,
06:03and then,
06:04when we decided to accept it.
06:08Well, forgive me.
06:09Forgive me.
06:11No, no, no.
06:12That I speak like this in front of you,
06:14maybe...
06:15Mario, Mario.
06:16It's okay.
06:17It's okay.
06:19None of us can choose how we are, right?
06:23I thank you.
06:25Our words.
06:28In a way,
06:29our words,
06:32in a way,
06:34help me reconcile with myself.
06:37I'm glad.
06:45We also thought that...
06:52that you should have the letters.
06:56My father would have loved it.
07:00I hadn't slept so well in a long time.
07:03You told me.
07:07We did a good workout yesterday.
07:12Did you like it?
07:18So much that I was thinking that maybe you could go to the office a little later.
07:22I'm getting sleepy again.
07:30What is this?
07:31I don't know.
07:32Open it.
07:34Is it a gift for me?
07:36More like a gift for our son.
08:00Andrés, it's beautiful.
08:02I got it from my father when he was a child.
08:06But together, it was something that brought us together a lot.
08:09And I want our son to have it.
08:15I'm more and more excited about our baby's arrival.
08:20I know he's going to get the best out of you,
08:22of me,
08:24of us.
08:29And I...
08:31I'll get the best out of you.
08:35You know what, honey?
08:39And together, we'll learn to be the best parents in the world.
08:43I'm sure, honey.
08:49Have you spoken to Jaime?
08:51Yes, yes.
08:52And when is the first check-up?
08:54I want to be there.
08:56From now on, I'll never leave you alone.
09:00Coffee for the sleepyheads.
09:03Thank you, aunt.
09:05Dina, is there any left of the cake you made yesterday?
09:08Or is it over?
09:09I think it's my first craving.
09:11Don't tell me.
09:13I'm so sorry.
09:14Don't touch your face,
09:15or any visible part of your body.
09:17If there's a stain on the creature because of the craving,
09:20why?
09:21There's no cake left.
09:22What a mess.
09:24I'm sorry.
09:25I gave the last piece to Begoña,
09:27who ran to the sanatorium to see her mother.
09:30Did you let the doctors see her?
09:32Didn't you know?
09:33Poor Mercedes has contracted the Asian flu.
09:36Begoña left without even knowing if they'd let her in to see her.
09:40Poor Begoña.
09:42How's her mother?
09:44She was already in a delicate state.
09:46Just imagine.
09:47What a tragedy.
09:48What a tragedy,
09:49and a bit irresponsible on her part to go see her right now.
09:52Andres, from now on,
09:53we'll have to keep our distance from her.
09:55Until we know if she's infected.
09:58Begoña is a nurse.
09:59I think...
10:00That's precisely why I'm afraid.
10:03We'll be away from her for a few days.
10:05Don't worry.
10:07I recommend the same to you, Dina.
10:10I thought Begoña was more sensible.
10:13Very well.
10:20Thank you,
10:21but I can't keep them.
10:25I can't risk my wife or any of my children finding them.
10:30Then you'd better burn them.
10:33Yes.
10:34But first,
10:36I'll read them again,
10:37and I'll relive for a few days the great affection I feel...
10:42Well,
10:44that I still feel for your father.
10:49I assure you that...
10:50what unites us
10:53is eternal,
10:55and goes far beyond a few
10:59letters of love.
11:02At least that's what I've always wanted to think,
11:04so I can move forward.
11:10Not everyone is lucky enough
11:11to be able to live a love like that.
11:14It's true.
11:15And even if we try,
11:17we can't avoid it.
11:19But I don't regret it.
11:21You know,
11:23having met
11:25your father
11:27is one of the best things that has ever happened to me.
11:33I'll never be able
11:35to tell my children, but...
11:38I'm glad
11:39to have met you.
11:41Thank you.
11:43I'm glad
11:44to have been able to talk to you about my dear friend.
11:48Well, maybe I should.
11:50Because he has helped us
11:54to meet our father.
11:55Right, Joaquín?
11:57And to understand him better.
11:59I'm not ready.
12:02Vario,
12:04how did you
12:07continue with your life?
12:09And didn't you give up?
12:10And didn't you give up?
12:11Looking forward.
12:13And being clear that
12:15the best thing in my life
12:17I've already lived it.
12:19That you know
12:21my secret
12:23better kept in the background
12:25frees me
12:26and comforts me.
12:29You have helped me
12:31to face it.
12:33I thank you.
12:41I...
12:43I should...
12:45I should start.
12:46It's my turn.
12:47I'm very sorry.
12:49Yes.
12:50If you want, I'll go with you to the door of La Colonia.
12:52No, thank you.
12:53If you don't mind,
12:55I'd rather be alone for a while and...
12:58take a walk
13:00and say goodbye to this place forever.
13:03Of course.
13:04We wish you all the best.
13:06I also wish
13:08that you live happily for a long time.
13:13And that you always remember your father
13:16as the great person he was.
13:19That's what we'll do.
13:21And after meeting you and knowing the whole truth,
13:25it will be much easier.
13:28I'm sorry.
13:30I'm sorry.
13:32I'm sorry.
13:35Thank you, Mario.
13:37You're welcome.
13:57Yes, come in.
13:59I'm sorry, Mr. Damián, but the secretary wasn't here.
14:02Come in.
14:03Come in, Antasio.
14:05You're always welcome.
14:07I was at the dock and I got the message that you wanted to see me.
14:10Yes.
14:12Well, I wanted to know how things are going for you.
14:15Well, as always. And now, starting the day.
14:17Great.
14:19Let's see.
14:20When we can,
14:21we'll escape to the countryside again
14:23to shoot some cartridges.
14:24What do you think?
14:25Yes.
14:26You tell me.
14:28But smile, man. We're in confidence.
14:31Well,
14:33besides, I called you
14:35because I want to give you a gift.
14:38A gift for me?
14:40Yes.
14:41Yesterday,
14:42I thought you were upset
14:45because we couldn't be together
14:47and because Andrés was with me.
14:51Let's see,
14:53facts speak louder than words.
15:01Mr. Damián,
15:04don't tell me you went to the tailor
15:06and ordered the shirts.
15:08Well, no, exactly.
15:10They're not new.
15:12These are my shirts
15:14that I don't use anymore,
15:15but they're of excellent quality.
15:18I see.
15:20I thought you could give them a good use.
15:24But of course, when I thought they were new,
15:26I realized that maybe it wasn't right.
15:30Although it would be a shame to waste them.
15:34Mr. Damián, I don't even know if we have the same size.
15:36Well, you have a complexion.
15:39You're a young man.
15:41I've lost some weight, but
15:45I guess María del Carmen can fix them for you.
15:48Carmen doesn't sew well.
15:52Well, I didn't think
15:56that the fact that they were mine,
15:59your father's,
16:01would be an added value.
16:04But, well, if you don't like them,
16:08give them to me.
16:09No, no, Mr. Damián.
16:11I'll keep them and thank you very much.
16:13You're not going to be elegant at mass on Sundays, are you?
16:16Or when you go for a walk to Toledo with your wife.
16:18Of course, of course.
16:20I'm leaving. They're waiting for me to unload a truck.
16:23Yes, I won't be the one to entertain you.
16:26Thank you for remembering me.
16:28You're welcome.
16:39You're welcome, son.
16:41You're welcome.
16:43Hey, Mateo, thank you very much for the picnic the other day.
16:45And for helping me pick the flowers for the funeral.
16:49It's the least I can do after saving me from a poisonous viper.
16:54What a laugh my father had to make up there with you.
16:58Well, yes.
16:59Pass me the tonics.
17:01Besides, I think I'd be very proud of you.
17:04Really?
17:05Yes, because, look,
17:07the snake might not have killed me,
17:10but if it weren't for you,
17:12what it would have done
17:13is the panic attack it would have given me.
17:16I give faith.
17:17Hey, and you owe me one.
17:19Really?
17:20Man.
17:22Do I owe you my life?
17:23Of course, naturally.
17:24And don't think I'm not going to charge you.
17:26I'm going to charge you.
17:27Ah, and how are you going to charge me?
17:30Well, I'll tell you.
17:31But of course I'm going to charge you.
17:32Ah.
17:33Ouch.
17:34Ouch.
17:35Don't you see I was going down?
17:36Well, well, you forgive me.
17:37My God, you have a very hard head.
17:39You do have a hard head.
17:41Yes, yes.
17:42A little respect for the priest, right?
17:44What are you doing here?
17:46I came to bring you some donuts.
17:47Well, I have to go.
17:49Goodbye.
17:52Mom, thank you very much for bringing me the donuts,
17:54but I told you not to visit me at work.
17:57You're working, what a pleasure, come on.
18:01Weren't you going on an excursion to Alcazar?
18:02Yes, and I see that Mr. Cura has come on an excursion to see you.
18:06Well, I really appreciate you bringing me the donuts,
18:09which are also the ones I like,
18:11but please, can you leave before Mrs. Marta comes?
18:15What are you bringing with the priest?
18:17What am I bringing?
18:19Claudia, we know each other.
18:21You only laugh when you like a boy.
18:24But what are you saying?
18:26Please, don't you remember how you laughed
18:28when the son of Tomasa threw you off the train at school?
18:30Was he your first boyfriend?
18:32No, Mom, we were two kids, come on.
18:34And Mateo is my friend.
18:36Well, Mateo Cura.
18:38That's why, Mom.
18:39If it weren't for him, I'd be clapping my ears.
18:42Come on, Mom, what nonsense are you saying?
18:44Come on, I won't have problems to get into another one.
18:46I hope you have a good time in Alcazar.
18:49Bye.
19:20Who do you think you are?
19:24Mario Garcés, yes.
19:27The queen's lover.
19:30It's been a long time.
19:32Yes, more than 20 years.
19:37What are you doing here?
19:38I had some work issues nearby
19:41and I've come to remember old times.
19:44Curious.
19:46What memories can you have,
19:48apart from that enlargement reform?
19:51I don't think I have to give you any explanation.
19:54Rather, the opposite.
19:58What do you mean?
19:59That it was you
20:01who never explained to me why and with what weapons
20:04you got Gervasio to sell you his share of the queen's perfumes
20:08just before he committed suicide.
20:10Yes.
20:13Gervasio sold me his share because he wanted to,
20:16and in full of his faculties.
20:19And look how surprised I am.
20:23This company was his life.
20:26He raised it with effort and hard work.
20:30But I was the one who gave it the necessary economic growth.
20:33Yes,
20:34selling his prodigious perfumes.
20:38I never understood it.
20:40I still don't understand it.
20:43What did you do?
20:46Either you leave my factory right now,
20:50or everyone will find out that you're an investor.
20:53What?
20:55What are you saying?
20:58Well,
20:59you come here threatening me,
21:01saying
21:03I don't know what strange insinuations,
21:06and you're offended because I say something like that.
21:08But who do you think you're talking to?
21:13Leave,
21:15or I'll fulfill my threat.
21:19Sooner or later,
21:22the truth,
21:23all the truth,
21:25will come to light.
21:27It may take years,
21:30but I assure you it will.
21:32I could tell you the same thing.
21:35I'm afraid
21:37to know where the exit is.
21:59Good morning.
22:00Good morning, Father.
22:01Father,
22:02God didn't grant you the gift of punctuality.
22:05I have obligations, Ramona.
22:07We're going to organize the mass, my Juan Felipe.
22:09First thing, will there be a choir?
22:11The ones who sing at mass are very pious women,
22:13but they only come on Sundays.
22:15Ah, well, you have to tell them that on the day of the mass they have to be there.
22:18I'll talk to them, but of course,
22:20that will require an extra effort on their part.
22:22They have children, grandchildren and many chores.
22:25Again talking about the pecuniary,
22:26I thought that with the contribution he had made to His Holiness,
22:28everything was already included.
22:29I asked for the least and always voluntarily,
22:31but if you want a spectacular mass, then...
22:33We'll have to bathe without a choir.
22:36Well, the important thing is that it is a beautiful mass
22:38and that the memory of Juan Felipe lives in us.
22:42Very good, Father.
22:43I'll put what I always do, a cup of tea.
22:45A coffee.
22:46A coffee, Gaspar.
22:47Very good.
22:48By the way, Mrs. Ramona,
22:50did your daughter like the bun?
22:52Not even a friend left.
22:54Anyway, you know where I am.
22:56Thank you.
22:57Thank you.
22:59Well, this year everything has to come out of the blue.
23:02Well, you have the official opportunity to have the mass here,
23:05in a city like Toledo, which is religious,
23:07with its own archbishop and with you,
23:09who has so much experience, so much preaching.
23:12Well, not like that Mateo,
23:13who was the one my daughter wanted to have the mass.
23:16Those two get along very well.
23:18Yes, I noticed.
23:20They were even about to get married.
23:22What?
23:23I guess your daughter told you.
23:25What are you telling me?
23:26How is my daughter going to marry a priest?
23:28Mateo had not yet ordered himself,
23:29but as Claudia had become pregnant,
23:31he was a heroic act,
23:32but absurd, he wanted to save her honor.
23:34Wow.
23:35But fortunately, the two agreed.
23:38Mateo overcame his crisis of faith
23:40and took the vows, as he always had to do.
23:43And they forgot about such madness.
23:45Yeah, of course, but there's always something left.
23:49What do you mean?
23:51Luckily, all the employees of the factory
23:53who had symptoms similar to those of the Asian flu,
23:56have turned out to have common colds.
23:59Even so, we should be careful.
24:02Jaime, are you okay?
24:04It's this damn blurry vision.
24:07Let me check your pupils.
24:19They are the nervous connections.
24:21The tumor must be pressing the optic nerve.
24:24Why don't you rest for a while?
24:25You haven't stopped since you arrived.
24:27I prefer to have my head busy, really.
24:30Look, that's it.
24:31That's what happened to me.
24:34And apart from this,
24:36is there anything else that worries you?
24:38Well, look, yes, there is a family issue
24:40that has me a little out of place.
24:43It turns out that Andrés asked me to follow up
24:45on Maria's pregnancy.
24:47Here, in the dispensary,
24:48doing tests, weight control.
24:50The usual, come on.
24:51Yes, especially taking into account
24:53that she has her own CETRA in Madrid.
24:55In Madrid?
24:56How impractical.
24:57A little far, yes.
24:59You'll see how we have to take care of the delivery here.
25:02And besides, some analysis will have to be done in the dispensary,
25:05at least to control the glucose.
25:07Well, Maria refused in a roundabout way.
25:09Really?
25:10Yes.
25:11She hid it a little because Andrés was in front,
25:13but when he left, she confessed it clearly.
25:16And did she give you any reason?
25:17Because I could have sat you down badly.
25:19What's the matter?
25:20That the rich can only be attended to by doctors in Madrid?
25:23No, she says that, well, she feels a little uncomfortable
25:25that, being her brother-in-law,
25:26I do some gynecological check-up.
25:29But this girl doesn't know that doctors are busy.
25:32We only see patients, not men or women.
25:36Besides, you wouldn't give her any recognition.
25:38You're not a gynecologist.
25:39I think what really bothers her is that she's a man.
25:43Her CETRA in Madrid is too.
25:45I don't think that's it.
25:46Well, in any case,
25:47I wanted to ask you to do the follow-up.
25:49You're a woman and I'm sure she feels more comfortable with you.
25:52Sure, no problem.
25:54Now, we just need Maria not to expose us either.
25:58Do you think if I go to the big house
26:00and try to talk to her,
26:02I can take the voltmeter and calm her down a bit?
26:05I appreciate it.
26:07It's just that Andrés asked me and, I don't know,
26:08I don't want to look bad to him.
26:10You can't look bad to anyone.
26:17We also have these soaps that have a bit of rosemary
26:20and smell wonderful.
26:21Claudia, where's the last Albarán?
26:23I don't know, Fina, ask Carmen.
26:25No, because I need it now.
26:27If the soap supplier comes,
26:28they won't be able to give me the quantities.
26:31Claudia, we need to talk.
26:34We also have these glycerin soaps.
26:36They don't smell much,
26:37but they leave a very strong scent on the skin.
26:39I don't know if they're good,
26:40but I don't want to smell them.
26:41I don't know if they're good,
26:42but I don't want to smell them.
26:43We also have these glycerin soaps.
26:44They don't smell much,
26:45but they leave a very strong scent on the skin.
26:47What about you getting married to Father Mateo?
26:50Daughter, if it's not a good time...
26:52No, no, no, don't worry.
26:54Mother, I'm working.
26:55You don't care that I talk to my daughter, do you?
26:58It's a matter of life or death.
27:00I'll be back at another time.
27:02No, no, no, don't worry.
27:03I'll take care of you.
27:04You know, things between mothers and daughters.
27:10What's wrong?
27:11Where there was fire, now there's ash, right?
27:13No, of course not.
27:14Mother, Mateo is my friend
27:15and he just wanted to help me get married to me.
27:17Help you get married?
27:18He's a man of the church.
27:19But doesn't he know that marriages
27:21have to do with the act of marriage?
27:23Well, of course he knows.
27:24Hey, Mom,
27:25but what's it to you?
27:26Do you want me to marry Joselito?
27:28What worries me is that between that priest
27:30and you there's something.
27:31What are you saying, man?
27:32What you hear.
27:33Not happy with staying single
27:35makes you want to date a priest.
27:37What you want is to kill more disgust.
27:38Well, come on, you to me.
27:40What?
27:41Isn't the priest the father of the child
27:44and Tassio the head of the church?
27:46No, Mom.
27:47Tassio is the child's father
27:49and Mateo is just my friend.
27:52Don't be silly.
27:53Men and women can't be friends.
27:56There's always an interest for one of the two.
27:58Well, not in this case.
28:00Do you think I've fallen asleep
28:02because I've seen how he looks at you?
28:04That boy drinks the winds for you.
28:06Don't be silly.
28:07Well, Eva, another one.
28:08You like him too, don't you?
28:11Come on, answer me.
28:13Look, Mom.
28:14Leave me alone.
28:15I'm working.
28:19I can't take it anymore.
28:28We're here.
28:29Just in time.
28:30How are you?
28:31Perfect.
28:34I called Begoña to tell you how her mother is.
28:37No.
28:38I just hope she has time for lunch.
28:40Will Patricia Lambert be as shocking as they say?
28:42We'll find out soon enough.
28:46She's here.
28:47Let's go, let's go.
28:49This way.
28:51What about your Americans?
28:54Doesn't matter.
28:57And here we have the rest of the management team.
29:00Gentlemen,
29:01I have the honor to introduce you to Mrs. Patricia Lambert.
29:05Jesús de la Reina.
29:07Nice to meet you.
29:09Although we French are very protocol-oriented,
29:12I don't forget my Spanish roots.
29:14We can be friends.
29:15Thank you.
29:16It's a pleasure, Patricia.
29:17I'm Andrés de la Reina, the little brother.
29:19And I'm Luis Merino.
29:21Our cousin.
29:22Nice to meet you.
29:23Everything is at home.
29:25Later we will go into detail about what position we each occupy.
29:29The factory seems magnificent.
29:31Well, we have been dedicating ourselves to this for years.
29:33We have the latest in machinery.
29:35Yes, of course, I don't doubt it.
29:37But I'm used to the French industry.
29:40You would have to see the factory that Guilain has in Chantilly.
29:43I see.
29:44Patricia, I have no choice but to praise the workshop.
29:47Is that how you say it?
29:48Workshop.
29:49Workshop.
29:50That you have put on very chic.
29:52Of course.
29:53Spanish, French, like me.
29:56In addition to being a perfumer, you know about fashion.
29:59It is simply that for my work I have a special sensitivity for everything beautiful.
30:03And a good suit, in a good coat, it is.
30:08Let's sit down, please.
30:10Let's go.
30:19I'm not for anyone.
30:22May I?
30:24Father, excuse me.
30:26I am very busy and I am not to attend to anyone.
30:33I think it will be very good to talk about everything if you are so upset.
30:37Can I ask you why?
30:39I've had a little unpleasant meeting, nothing more.
30:42I'm all ears.
30:44Maybe it's a good time to confess.
30:46It's been a long time since you've been to the confessional.
30:49I have nothing to confess.
30:51I have nothing to confess, Father.
30:53In fact, I'm having one of the happiest moments of my life.
30:57There is always something that the mind does not have.
30:59And it is not in vain to get rid of old fears.
31:02And if I've heard it once, I can do it again.
31:05And so appease your soul.
31:08You see, Father.
31:10Maybe something to save my family is the economic disaster.
31:17Something that has weighed me down all my life.
31:20Something horrible, Father.
31:22Horrible.
31:23God knows that man is weak with faith.
31:26I...
31:29I gave life to Dina and her children.
31:33Why?
31:34Why?
31:38Because I caused my good friend Gervasio to take his own life.
31:44The sin of suicide is only the responsibility of the one who commits it.
31:47No, Father.
31:48Gervasio never committed suicide.
31:52He did not do it for me.
31:56When I became widowed, I stopped taking care of the business.
32:01And he wanted to associate himself with others.
32:04Does that mean that Gervasio betrayed him?
32:06He did not intend to.
32:11But I discovered his secret.
32:15And I threatened to make it public.
32:20He had a sexual weakness, Father.
32:28He was a pervert.
32:32I forced him to deny me all his actions.
32:36And I invited him to commit suicide.
32:39So that he would not have to give explanations to his family.
32:45It's my fault, Father.
32:49I left my children without a father.
32:54I left them with everything.
32:59I will hide for life the woman I love with all my being.
33:05Her life, Dina.
33:09You have heard the awkward conversation I had with that guy at the factory.
33:13Am I wrong?
33:15It has been a little unpleasant, really.
33:18Because that guy seems to know what happened.
33:23Maybe, but he has no proof.
33:27The only one who really knows what happened is you.
33:30And I hope I can trust that it will not come out of your mouth.
33:34Please.
33:35That confession was between you and the Lord, Damien.
33:38And so it will be for the centuries of the centuries.
33:42That's why he comes to remind me of that thorny matter from time to time.
33:46Damien, I'm just here to calm your soul.
33:50Those fears are only in you.
33:52My mouth is sealed by the secret of confession.
33:56And tell me, what is the reason for that happiness and fullness that you were talking about?
34:01You will find out very soon, Father.
34:04Very soon, about my word.
34:05Of course.
34:06Let me be part of your blessings.
34:08I am always at your disposal.
34:11Thank you.
34:16The Queen's brand combines the best of tradition with avant-garde trends.
34:21And for this we have a perfume alchemist like Luis Merino.
34:25You will see very soon.
34:28Luis, would you mind giving Patricia the special edition of our star product?
34:32We have it prepared for her.
34:34Well, I love being so foresighted.
34:36Knowing where I was coming from, today I have not put on my usual perfume.
34:41It's a special fragrance.
34:47Each woman smells different.
34:51Oh, it's an exquisite fragrance.
34:56With clear influences of Master Guilam.
34:58But with its own personality, right?
35:00Tout à fait.
35:02Implicit.
35:04I love it. Thank you very much.
35:06You're welcome.
35:07If you like, we will visit the rest of the facilities and the laboratory of essences before lunch.
35:12Our house is open to you.
35:14I am at your disposal.
35:16Please.
35:34Mom?
35:37I'm already here.
35:42I entertained myself a little with the doctor because I wanted him to tell me in detail how you were.
35:47If you need anything, I'll be at your service.
35:50Thank you.
35:51Thank you.
36:06What a joy to see you.
36:10You know they didn't want to let me in?
36:12I came at dawn, but so far I haven't convinced them.
36:15I told them I wasn't leaving until I saw you.
36:19How are you?
36:21Mom?
36:23Mom, it's me, Begoña.
36:33Honey.
36:35Honey.
36:39Yes.
36:43Yes, mom.
36:45Again.
36:46How are you?
36:52Fine.
36:55I've missed you so much.
36:59I've missed you a lot too.
37:03If I hadn't brought you here ...
37:11How are you?
37:13Fine.
37:15Fine.
37:18I'm fine.
37:22You're sad.
37:30You're right.
37:34I'm sad because life ...
37:36Life is not how I wanted it to be.
37:40You're here.
37:43You came with your husband.
37:46Andres.
37:48Andres.
37:49Andres.
37:54No, my husband ...
37:58Andres couldn't come.
38:03He loves you.
38:07Someone ...
38:09Someone who looks at you with those eyes.
38:12Like the moon.
38:16It's so beautiful to see you together.
38:19Mom.
38:24You're wrong, mom.
38:26Andres is not my husband.
38:31And he and I will never be able to be together.
38:34To have that certainty is ...
38:38It's very hard.
38:41And seeing him every day makes me unbearable.
38:44Why isn't he your husband?
38:50Because fate wanted it that way.
38:54No, no, no, no, mom, don't be sad.
39:01You're burning.
39:02Nurse!
39:04Nurse, please.
39:05My mother is burning.
39:08It's done, my love, it's done.
39:10Come on, mom, come on.
39:12Come on.
39:20They are already here with Mrs. Lambert.
39:22You open, Digna will be in the living room, naturally.
39:25Don't worry, Maria, I think I'll know how to do it.
39:32Doctor.
39:33Good morning.
39:34Digna, I come to see Mrs. Maria.
39:36Is something wrong, Luz?
39:38It's not about a medical matter related to her.
39:40Let's go.
39:43Maria.
39:44Dr. Borrell has come to see you.
39:46What a surprise.
39:47Thank you, Digna.
39:48I'll stay with her.
39:51I come on behalf of Dr. Berenguer.
39:53I'm sorry, I can't see her right now.
39:55We are waiting for a very important visit.
39:57I'll just steal a moment.
39:59Dr. Berenguer has told me his reticences
40:01so that he is the one to monitor the pregnancy.
40:04It's just that I already have my doctor.
40:05I know.
40:07But wouldn't it be nice to do an analysis and take his attention from time to time?
40:10Maybe it's more comfortable between women.
40:12Well, look, no.
40:13I'm not more comfortable.
40:15This seems like an old age.
40:16It's a normal pregnancy and everything will be fine.
40:19Without a doubt.
40:20So why is he here?
40:22Because I wanted to take his attention and fill out a medical file
40:25with some simple questions,
40:27such as when was his first miscarriage.
40:29My doctor knows those things.
40:32Taking his attention will only take a few seconds.
40:36I don't know, I don't know.
40:37They have put that device on me more times.
40:39Well, if you think it's good,
40:41another day he can go through the dispensary.
40:43There we can weigh it and do an analysis.
40:46Shall we start with the questionnaire?
40:54On the contrary, I loved it.
40:56All the dissertation your cousin has done on aromas
41:00is impressive.
41:01The truth is that it is a safe value.
41:03I will tell you that there are things that are no longer seen in France.
41:07Let's see if you're going to want to steal our best perfumer now.
41:11The truth is that I have nothing more to congratulate you for the facilities.
41:15Well, they are not as big as Chantilly's, but hey.
41:18Yes, yes, but come on, nothing negligible.
41:20And the qualification and efficiency of the staff.
41:24Come on, you are a great example for the sector.
41:27Thank you.
41:28Thank you for your words and your evaluations, Patricia.
41:30They are very important to us.
41:33The revelations that this company causes us to lead
41:35become satisfaction when we listen to you.
41:38I'm glad.
41:39But I'm very honest.
41:42Excuse me for a moment.
41:45Tell me.
41:46Jesús, it's me.
41:47Listen, I have to take care of some business in the store.
41:50See you in half an hour to go home?
41:52Of course, I close a couple of things and we go.
41:54Please excuse me with Patricia.
41:58My sister, who has to take care of a work matter
42:00and will join us when we go to eat.
42:04There will be, I hope, Spanish delights.
42:06I'm looking forward to eating ham.
42:08I have weakness.
42:09I imagined it.
42:10And I myself have taken care of ordering it
42:12in the best charcuterie in Toledo.
42:14Do you mind?
42:15Yes.
42:20What was I going to tell you?
42:21If you have detected any process that we can improve,
42:25we are all ears to your recommendations.
42:28Or if something has aroused your interest or your curiosity,
42:33you just have to ask.
42:36About the recommendations?
42:39Does it also include what I can visit in Toledo?
42:42Look at her, do you want to do tourism?
42:45Well, Toledo is a city with so much history,
42:48with so much art.
42:49I also love the Greek.
42:51Me too.
42:53Well, there goes a direct question.
42:59Would you come with me to, I don't know, visit something?
43:02And maybe dinner later?
43:08After the first quarter, Sara,
43:11how many kilos have you put on in the pregnancy?
43:13A couple.
43:15Just a couple?
43:16That's not much.
43:17But hey, your constitution is thin.
43:20Have you had any bleeding?
43:22No, please, of course not.
43:24It's normal.
43:25Sometimes it happens and you don't have to give it much importance.
43:28When was your last check-up in Madrid?
43:30A few days ago and everything is perfect.
43:33Are we done?
43:34No, just a couple more questions.
43:37Have you suffered pelvic pain or leg swelling?
43:40Look, I'm fine, really.
43:41And this is a nightmare.
43:44I won't bother you anymore.
43:46If you want, you can give me the phone number of your obstetrician
43:48and I'll talk to him directly.
43:50That way we can save ourselves this nightmare.
43:53Are you taking me for a fool?
43:55Or for a child?
43:56Look, I trust my doctor perfectly
43:58and he's the one I tell things to, not a...
44:01These are just courtesy questions without the intention of offending.
44:05But I see that this is not a good time.
44:07I've already told you.
44:11Doctor, I'm sorry.
44:12I'm really sorry. I feel like I'm losing my voice.
44:16My condition makes me nervous and you know that
44:20mood swings are typical in pregnancies.
44:22I see.
44:24Good morning.
44:26Goodbye.
44:27Goodbye.
44:33I thought, I don't know, that you had other plans.
44:37Well, no, I've come to spend all my time with La Reina.
44:42There's a restaurant right next to my hotel.
44:45Yes.
44:46It looks really good and I'd love to go there.
44:50I see.
44:51And your husband doesn't want to go with you or what?
44:55He went to Paris yesterday.
44:58I'm alone.
44:59Oh my God.
45:01Well, in that case, my husband and I will be delighted to accompany you
45:05and show you the jewels of our city.
45:08I had thought of something a little more...
45:11petit comité, how do you say it in Spanish?
45:13Intimate?
45:15Yes.
45:17More than anything, in case we start talking about work, your wife...
45:22Oh, look.
45:23What?
45:24Nothing, you had a motorcycle in your impeccable jacket.
45:31Don Jesús.
45:32Tell me, Isabel.
45:33He asked me to remind him that he has to sign these contracts before lunchtime.
45:37Sure, bring them to me.
45:38I won't entertain you anymore.
45:40I'm going to stop by the store before lunch.
45:43I hope you don't overwhelm me with more gifts.
45:46Sure, Isabel, if you can accompany her to the store, please.
45:49Patricia, I'll pick you up in five minutes with my sister.
45:52Perfect.
45:53See you later.
45:54Au revoir.
46:00Do you need anything else?
46:03Absolutely nothing.
46:05Very well.
46:22What is this?
46:23Well, you'll see.
46:26So coming home because your head hurt was for this?
46:31To pick up your things?
46:33Yes.
46:34It doesn't make any sense that I lie to you now.
46:37And you didn't even think of saying goodbye?
46:40It's just that...
46:42that goodbye thing is hard for me.
46:46Especially with you, who is like a second mother to me.
46:48Don't say that.
46:50And I'll leave it here. You're not going to say goodbye. I'll leave it here.
46:55It's just that I feel incapable of saying goodbye.
47:01How could you get to this point? How?
47:03It's all my fault.
47:05Don't cry.
47:07But don't leave me.
47:08Calm down.
47:09But...
47:10Come, come. You can't leave like this.
47:12Sit with me for a while.
47:20Honey.
47:23This is very sad.
47:26And there's nothing to do.
47:29That's why I can only take my bags and go to Benavente.
47:33I never thought I'd see myself in these.
47:37Don't give up.
47:38And what do I do?
47:40You tell me what I'm going to do with my eyes closed. What do I do?
47:45I don't know what to tell you.
47:47I don't know what to tell you.
47:49I don't know what you can do.
47:52What I can tell you from the bottom of my heart
47:55is that no matter how painful my son is, he loves you.
47:59He loves you very much.
48:01And get over it.
48:03Listen to me.
48:05Hold on a little.
48:06I can't.
48:08If only my presence bothers him.
48:11So even if it's so that he doesn't suffer, I have to go.
48:13I have to go.
48:16Have you decided?
48:19Can you wait a little?
48:23I want to tell you something, the three of you.
48:26Joaquín and Luis are on their way.
48:29What does he have to tell us?
48:30If you want to know, you have to go later.
48:34And you have to see him.
48:35Please, Reina.
48:37Hello.
48:38Hello, son.
48:40Mother, he just gave me this letter from prison.
48:43It comes from Brazil.
48:44From Brazil?
48:45Yes.
48:46Have you opened it? Is it from your brother?
48:47No, it comes in his name.
48:50It must be from Valentín.
48:57It's...
48:58It's written on the machine.
48:59It's not from your brother.
49:00It looks like an official document.
49:03Give me a kiss, Vázquez.
49:05Give me a kiss, Vázquez.
49:12Mother, what's going on?
49:13What is this?
49:15What is this?
49:16What do you mean, Mother?
49:17What is this?
49:19I don't know what it says.
49:20What is this?
49:21I certify that the citizen of Spanish nationality,
49:23Mr. Valentín Merino Vázquez, passed away on March 26 in the city of Buenos Aires.
49:27Help me, help me, Luis.
49:28Calm down.
49:29I'm scared.
49:30It's a hostage.
49:32I'll support you.
49:33I'll support your head.
49:34Mother, Mother.
49:35Be careful.
49:36I'm going to call the dispensary.
49:39Digna, Digna, please.
49:42Look at me, look at me.
49:43Please, Digna.
49:45Come on.
49:46Your mother is not reacting, Luis.
49:48She's communicating.
49:49She's not reacting.
49:50Please, do something.
49:52I'm going to ask for help.
49:53Hurry up.
49:54Digna, please.
49:56Digna.
49:57Listen to my voice, please.
49:59Open your eyes, please.
50:00Digna.
50:02Please.
50:03Please, Digna.
50:05React.
50:07My mother has received bad news and she has fainted.
50:10What are you doing with the savings card in your hand?
50:12You left it in the kitchen.
50:13Whatever it is, I'm going to tell the cashier.
50:15If we don't want to hurt each other anymore, it's better that we respect that space you asked me to go to.
50:19If I were the one who proposed it, it would be you or Begoña who would do it.
50:22This safe seems like a jewel to me.
50:24For its aesthetics, for its concept, and also for its quality-price relationship.
50:30Besides, we're all here, the whole family.
50:33Please, apologize to them.
50:35And what do you want me to tell them?
50:37I don't know, that I don't want to infect them with the Asian flu, for example.
50:40You don't know how sorry I am.
50:46Uncle Pepe's murder.
50:47Where are Joselito and Joselito's family going?
50:51So, between Morcon and Morcon, I resume contact.
50:54My fees would be 5% of the sales in France.
50:59You've never loved me!
51:01Nurse!
51:02Get out of here!
51:03Please, I beg you.
51:04Bad daughter!
51:05Don't call me here for a while. This is a very delicate matter.