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00:01:20I think I want him to leave that.
00:01:22No, I want him to leave.
00:01:24I know, what do you say about that?
00:01:48Now listen.
00:01:49Get out of the way so I can pack this trunk.
00:01:51I told you, you're not going to leave here.
00:01:52And I told you who I am.
00:01:54Did you think I was kidding?
00:01:55Don't you have no reason for leaving me?
00:01:57I think I have a very good reason.
00:01:59You're acting like a child.
00:02:01Where did you think the money came from to live as we live?
00:02:03From the jewelry store?
00:02:05Yes, I thought so.
00:02:06That's why it's such a shock to realize I'm married to a crook.
00:02:09You always seemed willing enough to take whatever I gave you
00:02:11without worrying where the money came from.
00:02:13I didn't ask you for furs and clothes.
00:02:15No, but you took them.
00:02:17Now you're not willing to run a little risk for having them.
00:02:19I'm not willing to go to prison for the pleasure of owning a fur coat.
00:02:22Who said anything about you going to prison?
00:02:25You don't see any bars in front of my face.
00:02:28Well, not now, but they'll be there.
00:02:31Well, you'd better not have anything to do with putting them there.
00:02:40Who is this?
00:02:42Oh, just a moment, I'll switch you over.
00:02:47You'd like to see me in prison, wouldn't you?
00:02:49Oh, you know that isn't true. All I want is to get away from here.
00:02:53Let go, you're hurting me.
00:02:56Try squealing on me and see what that gets you.
00:02:58Oh, I won't tell the police. You know me well enough for that.
00:03:02Will, aren't you going to answer the phone?
00:03:07Hello?
00:03:09Yes, Vic.
00:03:11Who?
00:03:13Myra's sister's on the phone.
00:03:15She's at the station. She wants to talk to Myra.
00:03:17Yeah, you take it. I'm busy.
00:03:21Who is it?
00:03:23Did you invite your sister to come here?
00:03:25Yes, I did.
00:03:27I've told you I don't want any of your family here.
00:03:30Well, when I found out about you, I wrote and told her not to come, but the letter was returned.
00:03:34She'd already started, I guess.
00:03:36Not only that, she's arrived.
00:03:38She's at the station now.
00:03:40Then that was Gloria. Why didn't you let me talk with her?
00:03:42Because I won't have her hanging around here.
00:03:44We can't leave her waiting down at the station. I'm going down to get her.
00:03:46Oh, no, you're not.
00:03:48You're not going anywhere.
00:04:06But she's my sister.
00:04:08I'm so lonesome here. No friend, nobody to talk to.
00:04:12Oh, please let her stay a few days.
00:04:14Yeah, just what I thought.
00:04:16You want to talk to her and then let her tell the police.
00:04:18Oh, don't be a fool, Clark.
00:04:20Do you think I want my sister to know I'm married to a crook?
00:04:22I know women when they start to blab to each other.
00:04:24You've got to get rid of her.
00:04:26Send her back home.
00:04:28I'll go back home with her. I'm going to the station right now.
00:04:30Oh, no, you're not.
00:04:32You never let me see anyone.
00:04:34I'm not taking any chances on your giving me away.
00:04:36I'll not be the one to do that.
00:04:38You'll give yourself away.
00:04:40They'll never get me.
00:04:42I found out about you. You gave yourself away to me.
00:04:44You'll slip up again.
00:04:46You don't know what you're talking about.
00:04:48Yes, I do.
00:04:50Every crook gets caught sooner or later.
00:04:52And you'll get yours.
00:04:54Shut up. Don't talk like that. It's bad luck.
00:04:58You're afraid.
00:05:00Like every other criminal, you're a coward at heart.
00:05:10Clark.
00:05:12What are you going to do?
00:05:18I...
00:05:20I'm not afraid of you.
00:05:22You can't do anything to me.
00:05:26Don't be a coward, will you?
00:05:28You are a coward. That's why I'm not afraid of you.
00:05:30That's why I...
00:05:36See the wonders of San Francisco from an easy chair, folks.
00:05:38Embarcadero Fisherman's Wharf,
00:05:40Barbary Coast and Chinatown.
00:05:42The largest oriental settlement outside of China.
00:05:52All for the price of one dollar the round trip.
00:05:54Leaving immediately, folks, but if you hurry, you can make it.
00:05:56Here's one of them sightseeing buses, Herbert.
00:05:58Step right in, folks. You're hitting it right on the nose.
00:06:00Oh, you go to Chinatown?
00:06:02We don't miss a single chopstick.
00:06:04Wouldn't you rather go to a movie, Bula?
00:06:06Shoot, no.
00:06:08We can do that in Muscatine.
00:06:10I want to see something exciting.
00:06:12I'll show you scenes that'll make your blood run cold.
00:06:14The main thing I want to see
00:06:16is one of them open things.
00:06:18Well, I can't promise you one for a dollar,
00:06:20but I can put you in touch with a good hatchet man.
00:06:22Step right in. That'll be two dollars.
00:06:24I don't know, Bula. It don't sound safe.
00:06:26Sure, Herbert.
00:06:28If we don't see a little wickedness when we're away from home,
00:06:30when will we see it? Come on.
00:06:32No.
00:06:34I promised on the altar to protect you,
00:06:36and my conscience won't consent.
00:06:38Oh, Phil, you and your protection.
00:06:40I bet you'll take me
00:06:42to see another museum.
00:06:44Step right up, folks.
00:06:46Chinatown, a dollar a round trip,
00:06:48the thrill of a lifetime.
00:06:50Bus going right out, ladies and gentlemen.
00:06:52Hurry, hurry, hurry.
00:06:54Hurry? I've been sitting in that place 45 minutes.
00:06:56Well, just keep your seat, lady.
00:06:58The bus will be filled in a minute.
00:07:00Here's a nice seat somebody can have.
00:07:02Oh, but lady.
00:07:04I'm only taking this trip so that I can lecture
00:07:06about it to my pupils.
00:07:08I can't sit here all day.
00:07:10I have to see everything in San Francisco
00:07:12by 8 o'clock.
00:07:14Give me my money.
00:07:16Well, all right.
00:07:18But you'll regret this all semester.
00:07:20Step right up, ladies and gentlemen.
00:07:22The thrill of a lifetime.
00:07:24Barbary Coast and Chinatown.
00:07:26The wonders of San Francisco,
00:07:28explained by a guide who knows all the answers,
00:07:30a wide awake and alert chauffeur.
00:07:36All for the price of one dollar a round trip.
00:07:40All the wonders of San Francisco,
00:07:42a dollar a round trip.
00:07:44Excuse me.
00:07:46Chinatown, the largest oriental settlement
00:07:48outside of China.
00:07:50Is that far from here?
00:07:52Oh, it's about a mile.
00:07:54See the notorious Barbary Coast,
00:07:56Fisherman's Wharf, a dollar a round trip.
00:07:58A mile?
00:08:00Yeah, pretty long walk with that suitcase.
00:08:02You better take a cab.
00:08:04How much would it cost to go there in your bus?
00:08:06Listen, lady, this is a sightseeing bus.
00:08:08All the wonders of San Francisco,
00:08:10a dollar a round trip.
00:08:12But I don't want to see the wonders of San Francisco.
00:08:14I just want to go to Chinatown one way.
00:08:16Take me there for 50 cents?
00:08:1850 cents? Oh, listen, lady.
00:08:20Hey, hey, wait a minute.
00:08:22Wait a minute. Bus going right up.
00:08:24Hurry, hurry.
00:08:26Okay, lady, get in.
00:08:30I suppose I may have my choice of seats.
00:08:32Yeah, just shop around.
00:08:34Then I'll sit up front with the driver.
00:08:36It's too lonely back there.
00:08:44On our way, bus. Where is he?
00:08:46Oh, bus full.
00:08:48They're hiding behind the seats.
00:08:50Oh, I think we can squeeze in a couple more.
00:08:52Bus charged for a private tour of San Francisco.
00:08:54Remember, I can only pay to see Chinatown.
00:08:56Well, there's no extra charge
00:08:58for looking out the window on the way.
00:09:12World-famous Market Street.
00:09:14The main artery for the lifeblood
00:09:16of San Francisco's traffic.
00:09:18Do you think those things up,
00:09:20or is it all written out for you?
00:09:22I'll give you a little help
00:09:24from the Chamber of Commerce on the side.
00:09:26Hey, McGillicuddy. What's that?
00:09:28Is it a statue?
00:09:30No, it's a guy with a beard.
00:09:32Oh, is that a new version of an old game?
00:09:34Yeah, we play it every time
00:09:36to see who buys the beer.
00:09:38And he always wins.
00:09:40After a few beers,
00:09:42I can't say McGillicuddy.
00:09:44Does any beard count?
00:09:46Any set of whiskers down to here
00:09:48is a McGillicuddy,
00:09:50it's a guy with a muffler.
00:09:52Is, as you may have gathered,
00:09:54a Hassenfechter. That counts six beers.
00:09:56What about one down to here?
00:09:58Oh, that's twelve beers.
00:10:00I suppose you call him Santa Claus.
00:10:02No, there ain't no Santa Claus.
00:10:04Any guy with a beard longer than his necktie
00:10:06is a Hottentot Potentate.
00:10:08What? Hottentot Potentate.
00:10:10Well, it don't make no difference.
00:10:12We ain't never seen one anyhow.
00:10:14You can see plenty out where I come from.
00:10:16Where's that? Salt Lake City.
00:10:18That's where I was.
00:10:20Oh, is that the new bridge
00:10:22across the Golden Gate?
00:10:24No, that's the one to Oakland.
00:10:26The other one's up further.
00:10:28I love this bit of high bridges.
00:10:30I got ten days for that watch.
00:10:34Come all the way from Salt Lake
00:10:36just for the chop suey?
00:10:38No, to visit my sister.
00:10:40I know a lot of sisters in Chinatown.
00:10:42Who's yours?
00:10:44I doubt if you know Myra.
00:10:46His name is Duryea. Know him?
00:10:48No, I don't.
00:10:50Who did you say?
00:10:52Duryea. Clark Duryea.
00:10:54Why, do you know him, Puss?
00:10:56Oh, no, no. I know where the store is.
00:10:58It's on a side street up ahead.
00:11:00That's right. Nanking Street.
00:11:02We're now coming up to the Embarcadero
00:11:04where ships from the seven seas come to rest.
00:11:06Well, I'll go further. I'll make it eight seas.
00:11:08It's all right with me if you make it nine.
00:11:10Yeah, and I'll throw in the Atlantic and Pacific.
00:11:12So your sister's married to one of the Duryea boys?
00:11:14Yes, the older one.
00:11:16Myra hasn't been home since she's been married,
00:11:18so I've never met them.
00:11:20If you were my sister, I'd have met you at the station.
00:11:22Well, she meant to.
00:11:24My train was over an hour late,
00:11:26so I guess we missed each other.
00:11:28Well, you'd get bored.
00:11:30Oh, I did. Couldn't get her, though.
00:11:32So I'm going on out anyway.
00:11:34Say, isn't that truck going to get out of the way?
00:11:36Oh, never worry. When I'm driving...
00:11:38Hey, look out. Pull over.
00:11:40We nearly hit him.
00:11:42I knew he was yellow.
00:11:46I smell fish.
00:11:48It ain't me. That's intuition.
00:11:50We're now approaching Fisherman's Wharf,
00:11:52home of every variety of seafood. You hungry?
00:11:54I can hold out till Friday.
00:11:56I'll buy you some shrimps.
00:11:58They sell them in a bag like peanuts.
00:12:00It's all the same to you.
00:12:02I'll take the peanuts.
00:12:04Over there you see all the Portuguese fishing boats,
00:12:06just in from the morning's catch.
00:12:08What nationality are the Seagulls?
00:12:10I never got close enough to see,
00:12:12but I'll find out for you.
00:12:14Here's my card,
00:12:16Eddie Barton.
00:12:18It's printed. Don't rub your fingers over it.
00:12:20I won't.
00:12:22If I call up and find out when you want to go,
00:12:24who will I ask for it?
00:12:26You must be specific. Ask for Mrs. Duryea's sister.
00:12:28Which one?
00:12:30I give in. Ask for Gloria Watkins.
00:12:32There's the Royal Hawaiian.
00:12:34Yeah, that's where Puss will buy me seven beers.
00:12:36I'll meet you at Plattentown Horton Street.
00:12:42Folks, we are now entering Chinatown,
00:12:44the largest oriental settlement outside of China.
00:12:48I wonder why it is we think all Chinese run laundries.
00:12:50Oh, probably for the same reason
00:12:52we think the English have no sense of humor.
00:12:54What's that building?
00:12:56That's the Chinese Theater.
00:12:58The place is six hours long,
00:13:00and you smoke punk in your clothes for days afterwards.
00:13:02Three husks and pippers.
00:13:04Oh, now, you know pictures don't count.
00:13:08You get off the next corner after this.
00:13:10I'm afraid you lost money on me.
00:13:12I never had such a long ride for 50 cents.
00:13:14For how much?
00:13:16Oh, well, what's money?
00:13:18Inflation's just around the corner.
00:13:20It's been a swell sightseeing tour.
00:13:22Hey, uh, the gillicuddy.
00:13:24And no picture.
00:13:26That's practically a hassenpfeffer.
00:13:28I know it, but I couldn't remember it.
00:13:30Anyway, I couldn't hold six beers.
00:13:32You could collect them in installments.
00:13:34Yeah, for Royal Hawaii.
00:13:36You're a babble on demand.
00:13:38That's good to know.
00:13:40Well, thanks for some thrilling driving, Mr. Oldfield.
00:13:42My gap is your name. Just call me Puss.
00:13:44I used to know a man named Katz.
00:13:46Oh, no relation.
00:13:48Well, here's the 50 cents, and thanks a lot, Mr. Barton.
00:13:50Make it any, after all we've been through together.
00:13:56Well, so long.
00:13:58If I ever enlist in the Foreign Legion,
00:14:00I'll see you.
00:14:06Goodbye!
00:14:12You know, Puss...
00:14:14Yeah, I know.
00:14:16She's got my head going around the same way, but not as fast.
00:14:18She's just what my first wife thought she was.
00:14:20Hey, don't you think somebody ought to take this wheel?
00:14:22Hello.
00:14:26Hello, baby.
00:14:28Want a nice ride in your penny?
00:14:30No, he wants a dime.
00:14:32Oh, see you payday, mink toy.
00:14:38Now, everyone should think about the future.
00:14:40Now, if you take this policy,
00:14:42your future will be thinking for you.
00:14:44How?
00:14:48Well, that's what I'm supposed to say
00:14:50to the people that I hope are going to take out the insurance.
00:14:54What does that mean,
00:14:56the future will be thinking for you?
00:15:04Well, you see,
00:15:08it only goes to show,
00:15:10records prove...
00:15:14Let me tell you about our 20 payment endowment.
00:15:16Does the future think for me in that one?
00:15:18Well, it's a very attractive policy.
00:15:20Then you take one.
00:15:22May I help you?
00:15:24Finish with your customer.
00:15:26No, he's no customer.
00:15:28I'm his, he thinks.
00:15:30You better take another course before you come back.
00:15:32Oh, gee, thank you.
00:15:38Glad to have met you.
00:15:40Good day.
00:15:44The future will be thinking for you.
00:15:46The future will be thinking for you.
00:15:48The future will be thinking of you.
00:15:54Well, I'm not a customer either.
00:15:56I'm Myra's sister, Gloria.
00:15:58Oh, how do you do?
00:16:00I'm Victor, Clark's brother.
00:16:02So we're relatives.
00:16:04So we are.
00:16:06Myra told me about you in her letters.
00:16:08Well, I wish she told me more about you.
00:16:10Is Myra home?
00:16:12I telephoned her, but we were cut off, I guess.
00:16:14It's right this way.
00:16:18I haven't seen Myra since early this morning.
00:16:20I suppose she's up there.
00:16:22Will it be all right to leave this door?
00:16:24Sure, for a minute.
00:16:28Hasn't she got wonderful eyes, Puss?
00:16:30One of them was good. I didn't see the other one.
00:16:32It was all right, too.
00:16:34You know, Eddie,
00:16:36I like a girl with two good eyes.
00:16:44Hello, Clark.
00:16:46Oh, hello, Vic.
00:16:48Clark, this is Gloria, Myra's sister.
00:16:50Oh, yes. Come right in and make yourself at home.
00:16:52Uh, Vic,
00:16:54better get back down to the store.
00:16:56Sure. Oh, Gloria,
00:16:58why don't you have lunch with me?
00:17:00Why, yes, thanks,
00:17:02if Myra has no other plans.
00:17:04Oh, swell.
00:17:06Right this way.
00:17:08Look out for my brother.
00:17:10He's a fast worker.
00:17:12Oh, he's nice.
00:17:14I'm so sorry no one was at the station to meet you.
00:17:16Didn't Myra go down?
00:17:18I thought we missed each other.
00:17:20Oh, this is a little embarrassing.
00:17:22To tell the truth,
00:17:24Myra and I had a sort of row.
00:17:26Nothing serious, of course,
00:17:28but, well, you know how married people are.
00:17:30We're just trying to get along.
00:17:32Oh, yes, that's right.
00:17:34Myra and I had a sort of row.
00:17:36You know how married people are.
00:17:38We're just from hearsay.
00:17:40I suppose they're all alike.
00:17:42One says something thoughtless and the other resents it,
00:17:44and then, before you know it, there you are.
00:17:46But where is she?
00:17:48Do you mean Myra isn't here?
00:17:50She walked out on me and hasn't come back.
00:17:52But she knew I was coming.
00:17:54I had a letter from her asking me to visit her.
00:17:56I know, I know. That's why I'm so embarrassed
00:17:58that Myra should be treating you this way.
00:18:00Well, when do you think she'll be back?
00:18:02I don't know.
00:18:04You see, we quarreled night before last,
00:18:06and I went to sleep at a hotel.
00:18:08When I came here yesterday
00:18:10to patch things up with a little present,
00:18:12an emerald bracelet that Myra had wanted,
00:18:14she was gone.
00:18:16But your brother Vic said he saw her this morning.
00:18:18Oh, did he?
00:18:20Good, good.
00:18:22Then perhaps she came back to get some of her belongings.
00:18:24You see, I was out on business all morning.
00:18:26I don't know what to do.
00:18:28Myra invited me here to spend a couple of weeks.
00:18:30That's quite all right.
00:18:32You stay right here in her room.
00:18:34I have to run down to Sacramento on business for a few days,
00:18:36but my brother Vic will be glad to show you around.
00:18:38I don't know whether he'd want to.
00:18:40I just met him.
00:18:42Oh, he'll be glad of the opportunity.
00:18:44Besides, Myra may be back any moment.
00:18:46That's true, but...
00:18:48Oh, now, don't worry about anything.
00:18:50Just make yourself comfortable.
00:18:52I'll get this trunk out of your way.
00:18:54It's going into storage anyway.
00:18:56Oh, don't bother.
00:18:58Suppose I just go to a hotel,
00:19:00I won't get into any trouble.
00:19:02Well, then Myra will be angry when she comes back.
00:19:06Well, you're sure it won't inconvenience you?
00:19:08Now unpack and get ready for your luncheon date.
00:19:12Make Vic take you to someplace fancy.
00:19:14Well, the only place I know is the Royal Hawaiian.
00:19:16Well, it isn't far from here,
00:19:18and it's amusing.
00:19:20I know.
00:19:26Have you any idea where Myra might have gone?
00:19:30I don't know.
00:19:32Well, you see, she has so many friends
00:19:34here in San Francisco and Del Monte,
00:19:36but you promised not to worry about it.
00:19:38All right, I won't.
00:19:40Tell your brother I'll be right down.
00:19:42Don't hurry.
00:20:00♪ Hawaiian music playing ♪
00:20:02♪ Hawaiian music playing ♪
00:20:28You know the worst thing a guy can do?
00:20:30Make the mistake of falling for one dame at a time.
00:20:32What should he do?
00:20:34Wait for the quintuplets to grow up and then fall for them all at once?
00:20:36That'd take too long.
00:20:38Never wait for women.
00:20:40Hey, you ain't ready for that fourth beer I owe you, are you?
00:20:42Sure, but I'm not a bit thirsty.
00:20:44Hey, what should a guy do?
00:20:46Fall for about three dames at once?
00:20:48Oh, no.
00:20:50Two's enough if you pick two good ones.
00:20:52Now I make a parley with a blonde and a brunette
00:20:54and then play one against the other.
00:20:56Does it work?
00:20:58Hey.
00:21:18Think a gander would gut a perch over there.
00:21:22Hey, boy, there's your answer to knee action.
00:21:28♪ Hawaiian music playing ♪
00:21:46Hey, do you see what I see or have I got an attack of the visions?
00:21:48Will you step this way, please?
00:21:52Let's go to the bar and have a drink before we eat.
00:21:54Say, you're all right. I'm going to enjoy showing you the town.
00:21:56She's come over here.
00:21:58Yeah, that's a good sign, isn't it?
00:22:00Well, it all depends.
00:22:02If I could just see one McGillicuddy for luck.
00:22:06Oh, the alcoholic rendezvous.
00:22:08I hoped I'd find you here.
00:22:10We've been hoping to be found.
00:22:12Mr. Duryea, these are the friends I was telling you about.
00:22:14Oh, so I imagined. Hello. How are you?
00:22:16This is Eddie Barton and this is Pussy.
00:22:18Yeah, he knows me.
00:22:20Does he? That's fine.
00:22:22Yeah, just swell.
00:22:24Will you have a drink with us before we find a table?
00:22:26Oh, this is on me.
00:22:28I owe Miss Watkins a drink.
00:22:30You owe me six drinks.
00:22:32It was almost a Hassenpfeffer.
00:22:34That's right. Six beers for the young lady.
00:22:36Well, I'll settle for one. I don't like beer very well.
00:22:38Oh, this is very mystifying to me.
00:22:40Well, this is just a little game we let Miss Watkins in on.
00:22:42Oh, I see.
00:22:44May I suggest a Royal Hawaiian special?
00:22:46They're very good here.
00:22:48You mean I ain't buying?
00:22:50Hey, make mine the same with a double shot of whatever goes in it.
00:22:52I'll take the specials. And what for you, Mr. Barton?
00:22:54Beer. I'm trying to learn to like it.
00:22:56Well, did you find your sister all right?
00:22:58Why, uh, no.
00:23:00She wasn't there.
00:23:02She went...
00:23:04Could you come over to the jewelry store this afternoon?
00:23:06Sure. I'm off at five for a couple of hours.
00:23:08There's something I want to talk to you about.
00:23:10Okay, I'll talk about anything but the election.
00:23:12It's a date.
00:23:14It's a date.
00:23:44It's a date.
00:24:00Sorry to rush Miss Watkins away,
00:24:02but we'll have to have lunch and get back to the store.
00:24:04Sure. Hey, don't forget our date.
00:24:06How could I when I'm the one who made it?
00:24:08There's something in that.
00:24:10Well, goodbye, Mr. Barton. Thanks for the drink.
00:24:12Hey, nice to see you again.
00:24:14Yeah, wonderful.
00:24:16Sorry we can't stay long enough to sing Sweet Adeline.
00:24:18Waiter.
00:24:28You gotta be careful of a dame with a sense of humor.
00:24:30Stay away from that one.
00:24:32I'll stay away from her till five this afternoon.
00:24:34You better make it a year from this afternoon.
00:24:36Why?
00:24:38She not only cracks wives, but she's related to them Duryea brothers.
00:24:40It's legal about either one of them.
00:24:42They're two of the biggest crooks in this town.
00:24:44What? You know that jewelry store?
00:24:46Yeah. Well, that's a front.
00:24:48That's a fence for the hottest stuff in this town.
00:24:50Hey, how do you know?
00:24:52Oh, listen, pal, I ain't been a bus driver all my life.
00:24:54I can tell that by your driving.
00:24:56Hey, I've had dealings with that mob.
00:24:58Then the cops caught up to me.
00:25:00I'm only out now on good behavior.
00:25:02Are you trying to tell me that Glory is mixed up with those crooks?
00:25:04Sure I am.
00:25:06At least her sister is, and if she ain't now, she will be.
00:25:08You keep as far away from that store as you can get.
00:25:10I'm not gonna wait till five.
00:25:12As soon as I get rid of these rubbernecks,
00:25:14I'm going over there and tell her what kind of a joint she's got herself into.
00:25:16Okay, it's your own funeral.
00:25:18I'll make it a double feature.
00:25:20You're going with me.
00:25:30Well,
00:25:32did you have a nice time?
00:25:34Yes, we had lunch at the Royal Hawaiian,
00:25:36and Victor drove me up to Twin Peaks afterwards.
00:25:38Have you heard from Myra?
00:25:40No, not yet,
00:25:42but she'll turn up any minute now.
00:25:44Gloria, why don't you run on upstairs,
00:25:46and I'll be up after a while to see if there's anything you want.
00:25:48All right.
00:25:50Clark.
00:25:56Well?
00:25:58What is it?
00:26:00She's worried about her sister.
00:26:02Did Myra really leave you?
00:26:04Then why don't you want Gloria to see her?
00:26:08Listen, Vic,
00:26:10you might as well know
00:26:12Myra got wise to our racket.
00:26:14That's why she left me.
00:26:16Now, I don't think she'd squeal on us,
00:26:18but if those two get together,
00:26:20the kid might find out.
00:26:22So I'm taking no chances
00:26:24until we get all the hot stuff out of the store.
00:26:28Then we better not let her
00:26:30keep her date this afternoon.
00:26:32What date?
00:26:34Well, we ran into Puss McGaffey and a friend of his
00:26:36over at the Royal Hawaiian.
00:26:38She knew them.
00:26:40They gave her a lift down here this morning in their bus.
00:26:42McGaffey have anything to say?
00:26:44No, but she asked the other guy
00:26:46to come and see her this afternoon.
00:26:48I don't know what about.
00:26:52Better show her around the town
00:26:54and forget to bring her back on time.
00:26:56What if she wants to wait for him?
00:26:58Tell her he phoned. He couldn't make it.
00:27:02Hey.
00:27:10That's him now.
00:27:12He's early.
00:27:14I'll get rid of him.
00:27:16Show Gloria the view
00:27:18from the roof instead.
00:27:28Good afternoon.
00:27:30Is Gloria here for you?
00:27:32Yeah, you can show me how to find Miss Watkins.
00:27:34She asked me to meet her here.
00:27:36Oh, yes, yes. She left a message for you.
00:27:38She said she was sorry, but she wouldn't be able to keep her appointment.
00:27:40Well, that's funny.
00:27:42She said she had something important to tell me.
00:27:44It couldn't have been very important.
00:27:46She went out shopping with her sister this afternoon.
00:27:48I believed you till you pulled that one.
00:27:50Come on, I want to talk to her.
00:27:52I've told you she won't be able to see you today.
00:27:54Don't give me that about her being with her sister.
00:27:56I happen to know her sister isn't here.
00:27:58You can avoid it by getting out of here.
00:28:00Maybe you can see her tomorrow.
00:28:02I'd rather see her today.
00:28:04How do you get up to her apartment?
00:28:06Now, take it easy.
00:28:08Customers aren't allowed in the back room.
00:28:10I'm not a customer. Let go, mister.
00:28:12Do you know who you're talking to?
00:28:14I don't know who,
00:28:16but I got a pretty good idea of what.
00:28:18Why you...
00:28:28Hey!
00:28:40If you make a move, I'll get you, too.
00:28:44Oh, I'm sorry.
00:28:46But it only goes to prove
00:28:48that you should always give a thought to the future.
00:28:54What's the trouble here?
00:28:56Why, these bandits tried to hold up the store.
00:28:58I shot one of them when they tried to make a getaway.
00:29:00What? We're not bandits.
00:29:02Hey, get a doctor for push.
00:29:04Shut up.
00:29:06We'll have plenty of time to listen to your story.
00:29:08I don't recognize you, officer.
00:29:10You're not on the Chinatown detail, are you?
00:29:12I'm off the Stockton Street beat.
00:29:14This is my first day on the force.
00:29:16Where's your phone? Right here.
00:29:18I passed here on my way home
00:29:20and saw those two fellas hang around out in front.
00:29:22This one of their gang?
00:29:24I don't know.
00:29:26Why, no, Mr. Drury.
00:29:28I just came back to tell your brother
00:29:30what your future will be thinking
00:29:32for you means.
00:29:34137, 9 King Street.
00:29:36Send the wagon around.
00:29:38Couple of stick-up men.
00:29:40It's an ambulance you need, not the wagon.
00:29:42And Drury ain't the guy you want to pinch.
00:29:44Pipe down.
00:29:46Better send an ambulance around.
00:29:48One of them stopped a slug.
00:29:50Well, I might as well go
00:29:52if nobody wants to take a policy.
00:29:54Wait a minute. Don't let him go.
00:29:56He's the only one that saw what really happened.
00:29:58Drury ain't shot puss when he came in to help me, didn't he?
00:30:00I'm kind of nearsighted.
00:30:02We'll find out down at the station
00:30:04whether you saw anything or not.
00:30:06You're coming along as a material witness.
00:30:08But listen, I told my wife I'd try and sell this policy
00:30:10and come right home.
00:30:12And my wife gets awfully unhappy
00:30:14if I don't come home when she expects me.
00:30:16And when she's unhappy,
00:30:18it makes me unhappy.
00:30:20Look. Over there's Goat Island.
00:30:22And you can see Berkeley.
00:30:24Don't you think we should go downstairs and see what's going on?
00:30:26Oh, we'll go down in a little while.
00:30:28I want you to see everything while you're up here.
00:30:30It'll soon be time for Eddie.
00:30:32I'm going down in the store and wait.
00:30:34Boys, are you hurt bad?
00:30:36No.
00:30:38Make a run for it when I give you the chance.
00:30:40Come on. Break it up, you two.
00:30:42Get out.
00:30:44Give me a lift, Flatfoot.
00:30:46Come on.
00:30:48Beat it, kid.
00:30:52Go to him. I'll get this.
00:30:54What's up here?
00:30:56Arrest the guy inside and hold a witness.
00:30:58I'm gonna get him.
00:31:18Thank you.
00:31:24Is that the only ship sailing tonight?
00:31:26All right.
00:31:28Reserve an outside stateroom,
00:31:30first class, for Mr. Stephen Allenby.
00:31:32No, no.
00:31:34Mr. Allenby will not share the stateroom with anybody.
00:31:36Sole occupant.
00:31:38214 B deck?
00:31:40Thank you.
00:31:42Mr. Allenby will pay the purser
00:31:44when he comes aboard.
00:31:46Thank you.
00:31:54Well, hello.
00:31:56You missed a lot of excitement.
00:31:58What happened? We heard shooting.
00:32:00I should say you did.
00:32:02Two hoodlums tried to hold up the store.
00:32:04Fortunately, we always keep a gun behind the counter
00:32:06for just such emergencies.
00:32:08I managed to hold them off until the police arrived.
00:32:16There he goes.
00:32:42There he goes.
00:32:46There he goes.
00:32:56Looks like your friend isn't going to show up.
00:32:58Oh, he'll be here.
00:33:00Something must have happened to make him this late.
00:33:02Well, there's no use wasting the evening.
00:33:04Let's go up to the Mark Hopkins and have some cocktails
00:33:06before dinner. Leave word for him to join us.
00:33:08No thanks. I'd rather wait.
00:33:10Well, maybe he won't show up at all.
00:33:12Well, I'll wait just the scene.
00:33:14Besides, Myra might come back or phone,
00:33:16and I'd like to be here when she does.
00:33:18Hello, Pacific Transfer Company?
00:33:20Will you send a truck over to pick up some baggage?
00:33:24137 Nanking Street.
00:33:28Yes.
00:33:30One truck and several suitcases.
00:33:32A man will be here to tell him where to take them.
00:33:36About half an hour?
00:33:38That'll be fine.
00:33:44That'll be fine.
00:33:54That'll be fine.
00:33:56That'll be fine.
00:34:14That'll be fine.
00:34:38Oh, having dinner, Mr. Barton?
00:34:40No, I just want to use your phone.
00:34:44Thank you.
00:35:00China, 47303.
00:35:02Do you hear me?
00:35:12Do you hear Jewelry Company?
00:35:14Yes, speaking.
00:35:16Oh, hello, officer.
00:35:20I just caught the bandit that got away.
00:35:22Well, that's excellent work, officer.
00:35:24Yeah, I just thought you'd like to know.
00:35:26Yeah.
00:35:28Oh, well, isn't that dandy?
00:35:30I didn't expect no reward.
00:35:32Well, you're certainly entitled to it, officer.
00:35:34They're dangerous criminals.
00:35:38Sure, sure, anything I can do to help.
00:35:42Well, is that necessary?
00:35:44I know, but...
00:35:46can't you do it yourself?
00:35:50Well, I'll come right over.
00:35:54What's wrong?
00:35:56Oh, that dumb rookie cop wants me to come over to the station...
00:35:58and sign a complaint against those guys.
00:36:00Are you going?
00:36:02I'll have to.
00:36:04We don't want the Chinatown bulls back here...
00:36:06asking a lot of questions before we're ready for them.
00:36:08Do you think McGaffey's likely to squeal on us?
00:36:10Suppose he does.
00:36:12His words no good.
00:36:14They have his record.
00:36:18We'll keep them both out of trouble for a long time.
00:36:22I wish I had your nerve.
00:36:24Your nerve?
00:36:26Not nerve, brains.
00:36:28By the way, I phoned the transfer company to pick up Myra's trunk.
00:36:30If they come before I get back, ask them to wait.
00:36:32I won't be long.
00:36:34Isn't it about time to close up?
00:36:36Yes, but don't leave before I get back.
00:36:38Why don't you take Gloria out to dinner somewhere?
00:36:40Oh, swell.
00:36:42Say, does Myra know she's here?
00:36:44No, I didn't tell her.
00:36:46Well, it's getting dark.
00:36:48Better turn on the window lights.
00:36:54Oh, my God.
00:37:24Oh, my God.
00:37:54Oh, my God.
00:38:16Didn't frighten you, did I?
00:38:18A little.
00:38:20I came down to see if Eddie had called.
00:38:22Don't you think you'd better break that date
00:38:24and let me take you out to dinner?
00:38:26Maybe I will.
00:38:28Wonder why Myra didn't take her trunk with her.
00:38:30Oh, Clark's sending it to her.
00:38:32Then he does know where she is.
00:38:34Why didn't he tell me?
00:38:36At least that's what I suppose.
00:38:38Or perhaps Myra's
00:38:40sending someone for it.
00:38:42Oh?
00:38:44Who's Stephen Allenby?
00:38:46Allenby? I don't know. Why?
00:38:48His name's on Myra's trunk.
00:38:52Oh, Allenby.
00:38:54Oh, he handles lots of business for us.
00:39:02I'll go and get ready to go out.
00:39:04Take your time. I can't leave
00:39:06till Clark gets back anyway.
00:39:08Where did he go?
00:39:10He went down to the police station
00:39:12to sign a complaint against the bandits.
00:39:14Oh.
00:39:22What do you want?
00:39:24Open up.
00:39:26Who are you, the transferman?
00:39:28Yeah.
00:39:30Oh, why didn't you say so?
00:39:32Come on in.
00:39:34Oh.
00:39:36Oh.
00:39:38Oh.
00:39:40Oh.
00:39:42Oh.
00:39:44Oh.
00:39:46Oh.
00:39:48Oh.
00:39:50Oh.
00:40:20Oh.
00:40:36Gloria.
00:40:38Gloria!
00:40:46Eddie!
00:40:48I'm so glad to see you.
00:40:50So am I.
00:40:52Oh, I was afraid
00:40:54you wouldn't come.
00:40:56You know, I did have a little trouble getting here.
00:40:58Hey, you haven't changed a bit.
00:41:00Changed?
00:41:02You know, I haven't seen you for about three whole hours.
00:41:04Oh, well, it's harder to realize that I never saw you at all
00:41:06before noon today.
00:41:08Well, that's long enough.
00:41:10Say, have you heard from your sister yet?
00:41:12Oh, no, and I'm terribly worried.
00:41:14Her husband said she left two days ago,
00:41:16this morning. I don't know what to think.
00:41:18They're both a couple of crooks.
00:41:20One of them shot Puss and then told the cops we were hold-up men.
00:41:22Shot him?
00:41:24You mean he's dead?
00:41:26No, but he might be badly hurt. They've got him in jail now.
00:41:28Well, Clark told me the store was held up, but I had no idea it was you and Puss.
00:41:30And look.
00:41:32I found this letter
00:41:34on the floor.
00:41:36And listen to this part.
00:41:38I'm sending my trunk on ahead.
00:41:40Don't worry, Mother,
00:41:42but I'm half afraid Clark may try to keep me from leaving.
00:41:44What do you make of that?
00:41:46Whose trunk is that in the hall downstairs?
00:41:48It has a tag on it addressed to Stephen Allenby,
00:41:50but it's Myra's.
00:41:52It has her initials on it.
00:41:54Whose trunk is that in the hall downstairs?
00:41:56It has a tag on it addressed to Stephen Allenby,
00:41:58but it's Myra's.
00:42:00It has her initials on it.
00:42:24Come on, let's get out of here.
00:42:26As soon as Durie finds out the cops didn't call him,
00:42:28he'll be back.
00:42:30I'm afraid I've gotten us both in trouble.
00:42:32We're in trouble, all right, but I don't believe that about you being afraid.
00:42:34I would be if you weren't here.
00:42:36Say, if I think I hear a burglar,
00:42:38I want to hide under the bed.
00:42:40I'll bet you'd grab him by the foot.
00:42:42Wait a minute.
00:42:52Wait a minute.
00:42:54If we try to run away, they're liable to arrest you.
00:42:56Wouldn't it be better if we went down to the police station
00:42:58and told them the truth about everything?
00:43:00What if they still believe Durie?
00:43:02They'll hold me and let him get away.
00:43:04That's right.
00:43:06Of course, we don't really know anything has happened to Myra.
00:43:08I'll feel easier when I see her and know she's all right.
00:43:12Poor Eddie.
00:43:14I'm so sorry to have dragged you into this mess.
00:43:16I kind of like it.
00:43:18Puts me closer to you.
00:43:20Even if we did just meet today,
00:43:22we're pretty old friends, aren't we?
00:43:24You don't know how glad I am I took your bus today.
00:43:26Me too.
00:43:28Say, I wasn't going to let you get away from me
00:43:30if I had to carry you all over California for 50 cents.
00:43:32So now we know where we stand with each other.
00:43:34Yeah.
00:43:36It's a swell place to stand.
00:43:38Shh.
00:43:40What is it?
00:43:42Didn't you hear something over there by the dresser?
00:43:44Say, quick.
00:43:46Start the phonograph.
00:43:48Play dumb.
00:43:50I'll hide behind the dresser.
00:43:52Maybe we'll find out something.
00:44:08Now, now.
00:44:10Don't get excited.
00:44:12Someone locked the door to the store,
00:44:14and I had to use the back entrance.
00:44:16Oh, I'm not excited.
00:44:18I'm just surprised to see there's a secret passage there.
00:44:20Just like in the mystery stories.
00:44:22Yes, yes.
00:44:24It's left over from the old days.
00:44:26This building used to be a Chinese gambling house
00:44:28before we rebuilt it.
00:44:30You're not leaving us, are you?
00:44:32Oh, no.
00:44:34I'm not leaving you.
00:44:36You're not leaving us, are you?
00:44:38Oh, no. That is, uh...
00:44:40Well, I thought I'd go back home
00:44:42if I don't hear from Myra soon.
00:44:44Aren't you comfortable here?
00:44:46Can't be comfortable anywhere until I know where she is.
00:44:48I think you're making quite a lot
00:44:50out of an unimportant quarrel.
00:44:52It was important enough that she left here
00:44:54even though she was expecting me.
00:44:56You'll see her, all right.
00:44:58Where's my brother?
00:45:00I don't know. Isn't he down in the store?
00:45:02I'll see. The front door is locked.
00:45:04You know, uh,
00:45:06if Myra hadn't intended to come back,
00:45:08she'd have taken her clothes with her.
00:45:10Look.
00:45:12They're still in the closet.
00:45:14Are they? I hadn't noticed.
00:45:20Let me out of here!
00:45:22It's just a closet, and there's no secret passage there.
00:45:24You've done something to my sister.
00:45:26I know you have.
00:45:28Well, if you ever want to see her again, you'd better shut up.
00:45:34Don't worry, honey.
00:45:36I'll get you out.
00:45:48Vic!
00:45:50Vic, where are you?
00:45:56Who are you?
00:45:58Transfer man.
00:46:00Oh, come on.
00:46:02Transfer man.
00:46:04Oh, come in.
00:46:06I come for the baggage.
00:46:08Yeah.
00:46:10Right back here. There's only one trunk to go.
00:46:14I'll have you out in a minute.
00:46:18There it is.
00:46:20Take you to Pier 45, the Brazilian iron docks.
00:46:22Pier 45.
00:46:24Yes, and you haven't got too much time before the boat sails.
00:46:26Just take you to the pier and wait for me.
00:46:28How long?
00:46:30I'll be right down there. 15 or 20 minutes.
00:46:32Here.
00:46:36Hey, that's a tense spot.
00:46:38It's yours.
00:46:40Watch that trunk until I get there.
00:46:42I sure will. Must have the crown jewels in it.
00:46:44Well, I'll give you another five at the docks.
00:46:46But be sure you go straight there and wait for me.
00:46:48Check.
00:46:50For 15 bucks, I'll let you strap it on my back.
00:46:52Here.
00:46:58Hey, it's heavy, ain't it?
00:47:00Yes. Yes, books. Mostly books. Law books.
00:47:02I didn't think they had enough laws to weigh this much.
00:47:12Come on.
00:47:22Come on.
00:47:52Hey.
00:47:54Hey.
00:48:02Who tied you up?
00:48:10McGaffey's friend.
00:48:12He's upstairs.
00:48:14I might have known he was the one that made the phony call
00:48:16to get me down at the police station.
00:48:18And what's the idea of taking all the cash?
00:48:20Are you trying to run out on me?
00:48:22Oh, you know me better than that, Vic.
00:48:24Oh, no, I don't. Things are happening pretty fast around here.
00:48:26Well, it'll happen a lot faster
00:48:28if we don't stop that kid
00:48:30before he gets out of here.
00:48:32Come on. Let's go.
00:48:38Now, be very quiet and don't make a sound.
00:48:44Are you hurt, Eddie?
00:48:46No.
00:48:48Are you hurt at all?
00:48:50Me?
00:48:52I got goose pimples the size of duck eggs all over me.
00:48:54So have I.
00:48:56It'd be fun, though, if I wasn't so worried about Myra.
00:49:00What is it?
00:49:02Is that a mouse?
00:49:04Yeah. Yeah, about the size of a police dog
00:49:06and probably just as hungry.
00:49:12She's locked in here.
00:49:14What did you do that for?
00:49:16The dirty rat's taken the hinges out.
00:49:18They probably saw you come in through the panel
00:49:20and have gone out that way.
00:49:22Here, take this gun and go after them.
00:49:24What do you expect me to do?
00:49:26Keep them from getting to the police.
00:49:28Where are you going?
00:49:30Back to see if they're hiding under the stairway.
00:49:32Hurry up.
00:49:34Oh, they're probably out by now.
00:49:36Not if they went that way.
00:49:38The door at the end of the passage is locked.
00:49:40Yeah, so is the closet.
00:49:42Yeah, well, I'd like to see anybody
00:49:44but the battering ram.
00:49:46Go on.
00:49:48Wait a minute.
00:49:50Don't you try to double-cross me.
00:49:52Why, Victor, what do you mean?
00:49:54Do I have to tell you?
00:49:56You just took all the dough out of the safe, didn't you?
00:49:58Which reminds me.
00:50:00What happened to those diamonds in the black pouch?
00:50:02You told me to keep them undercover.
00:50:04Well, I did.
00:50:06Where nobody'll find them.
00:50:08Well, all right.
00:50:10Now take care of that kid.
00:50:12Ouch!
00:50:14Oh, wish I had a flashlight.
00:50:16Maybe it's just as well
00:50:18we can't see what this place looks like.
00:50:20Whew!
00:50:22Hasn't been any ventilation in here
00:50:24since the white man first came to California.
00:50:26What's that?
00:50:28It's the phantom
00:50:30of an old Chinese opera.
00:50:32I don't mind ghosts.
00:50:34It's these vermin that turn my blood to ice water.
00:50:36Oh!
00:50:42There's gotta be a door here somewhere.
00:50:44Drury came in this way.
00:50:46I wonder what sort of place this was.
00:50:48Looks like Dracula's dining room.
00:50:52Maybe it's part of the old Chinatown
00:50:54before the earthquake.
00:50:56What earthquake? You mean the fire.
00:50:58You see any more of those overstuffed rats?
00:51:00No.
00:51:06What happened?
00:51:08Just a little cave-in.
00:51:10Probably have to dig our way out.
00:51:30This would be a great place for a Halloween party.
00:51:32It's a great place
00:51:34to get out of in a hurry.
00:51:36Yeah, let's try this way.
00:51:48This must be the door.
00:51:50Can you open it?
00:51:52Trying to find the knob.
00:51:54Oh, a ball of tough brakes.
00:51:56What's the matter?
00:51:58It's locked, and worse than that, it's steel.
00:52:00What are we gonna do?
00:52:02Go back, we're in a trap.
00:52:04Here, give me your hand.
00:52:08I'm not saying Drury ain't bumped off his wife.
00:52:10She just ain't anywhere to be found.
00:52:12Listen, guys.
00:52:14Honest, I'm not trying to pull anything over on you.
00:52:16How could I and me in here?
00:52:18Well, what are you trying to do?
00:52:20I'm just trying to make you guys go over to that jewelry store
00:52:22and grab those guys.
00:52:24How do you know that store's a fence?
00:52:26Oh, never mind. All you'll have to do is take a look around.
00:52:28You'll find jewelry in that store hot enough to curl your hair.
00:52:30If you're lying, McGaffey, it'll be just too bad.
00:52:32You've done one stretch already.
00:52:36Why do I have to argue with you guys?
00:52:38They may be putting that girl on the spot right now.
00:52:40Don't forget, it was this guy that tripped me up
00:52:42and let his buddy get away.
00:52:44Did he get away?
00:52:46I chased him through every alley in Chinatown,
00:52:48but I'll pick him up yet.
00:52:50Come on, shall we go over and check or not?
00:52:52Won't do any harm to run down there.
00:52:54Okay, fellas, you'll probably get promoted for this.
00:52:56You'll use all your influence, won't you?
00:52:58Come on.
00:53:00They said I could go home.
00:53:02And you don't want to go?
00:53:04Yes, I want to go, but I have to walk
00:53:06all the way back to where I parked my car
00:53:08and my feet hurt.
00:53:10You mean you've been parked on Nanking Street all this time?
00:53:12Yes, sir.
00:53:14That's a 45-minute parking zone. I'll have to give you a ticket for that.
00:53:16Come on, General Butler.
00:53:20Do you ever think about the future...
00:53:22No, I'll ask him once.
00:53:28Someone is following us.
00:53:30That's what I was afraid of, but I didn't like to mention it.
00:53:32What now?
00:53:34You go back there out of sight. I'll jump him,
00:53:36and when I do, you run up through the store and call the cops.
00:53:38Go on.
00:53:40Handle him alone?
00:53:42If he doesn't turn out to be another Max Schmelly.
00:53:44Into your corner.
00:53:48Shh, be quiet. Here he comes.
00:53:50Come on up, wherever you are.
00:53:52Stick him up. I got you covered.
00:53:56Beat it, Mario. Now's your chance.
00:54:14Eddie.
00:54:16Eddie.
00:54:46Eddie.
00:55:16Eddie.
00:55:24Hold on there.
00:55:26Where are you going?
00:55:28Hey, this is the one that got away.
00:55:30Oh.
00:55:36...and broke in again. How's that for brass?
00:55:38Don't fall for that gag again. He's lying to cover something up.
00:55:40I'm no bandit.
00:55:42I catch him robbing my safe, and he's no bandit.
00:55:44He's trying to bluff you.
00:55:46There's been a crime committed here.
00:55:48What kind of a crime?
00:55:50Well, I don't know exactly, but a woman disappeared from here.
00:55:52What woman?
00:55:54Well, this guy's wife.
00:55:56You see, I know her sister, and...
00:55:58Hey, where's the girl that called you fellas?
00:56:00What girl?
00:56:02Well, the girl who...
00:56:04Didn't you see a girl with big blue eyes that...
00:56:06Didn't she...
00:56:08I better go take a look for her.
00:56:10Come back here.
00:56:12The sister of the woman who's disappeared.
00:56:14Now she's disappeared.
00:56:16What's all this about disappearing dames?
00:56:18Do you know?
00:56:20I haven't the slightest idea what he's talking about.
00:56:22Say...
00:56:24Which one of you guys is lying?
00:56:28Well, you missed your boat.
00:56:30What do you want?
00:56:32He missed his boat.
00:56:34What boat?
00:56:36Where were you going?
00:56:38I don't know what he's talking about.
00:56:40Drunk.
00:56:42Drunk?
00:56:44Is that any way to talk to a pal?
00:56:46I'm no pal of yours.
00:56:48Sure you are.
00:56:50Didn't you give me a tent spot to haul your trunk to the dock?
00:56:52Only a pal would do that.
00:56:54What's all this about?
00:56:56What trunk and what dock?
00:56:58Well, he's either crazy or he's confusing me with my brother.
00:57:00Where is your brother?
00:57:02He's back in the secret passage.
00:57:04I'm not asking you.
00:57:06So your brother's sailing somewhere tonight.
00:57:08Well, yes. Yes, he hoped to get away.
00:57:10But if this man says that he...
00:57:12Was you.
00:57:14Think hard, pal.
00:57:16You said to take the trunk to...
00:57:18Never mind.
00:57:20I'm sure my brother intended for you to wait at the pier until he showed up.
00:57:22Don't you see what this guy's doing?
00:57:24He's trying to pass it off on his brother so he can make a getaway.
00:57:26Will you pipe down?
00:57:28What about this brother of yours?
00:57:30Where is he sailing for?
00:57:32A vacation trip.
00:57:34Honolulu, I think, unless he's changed his plans.
00:57:36Something got us mixed up.
00:57:38You don't look much alike.
00:57:40Wasn't it you I was talking about, the trunk being so heavy?
00:57:42And you said it was full of law books.
00:57:44Oh, you must remember me.
00:57:46Of course I don't remember you.
00:57:48I never saw you before.
00:57:50Oh.
00:57:52What pier did you take the trunk to?
00:57:54Pier 45.
00:57:56That's not the Matson line.
00:57:58I know it.
00:58:00It's the Brazilian line.
00:58:02Brazil, huh?
00:58:04Why do you suppose he's leaving for South America?
00:58:06You seem to be doing all the talking.
00:58:08You tell me why.
00:58:10Well, I don't know why, but...
00:58:12Wait a minute.
00:58:14He's trying to get rid of that trunk for some reason.
00:58:16If he shifts it somewhere, there's always the danger of tracing it back to him.
00:58:18Did you check it under his name at the pier?
00:58:20I didn't check it any place.
00:58:22It's outside on my truck right now.
00:58:26I'll go and see if it is my brother's trunk.
00:58:30Hey, stop that guy!
00:58:32Wait a minute!
00:58:34Get out of the way!
00:58:48Hey, that's my car!
00:58:52Go find that brother.
00:58:54Hunker a secret passageway.
00:58:56I'll get the squad car.
00:58:58Yeah, but there's hardly no gas in it.
00:59:00Hey, no!
00:59:02There's no insurance!
00:59:06There's no insurance!
00:59:08What?
00:59:10There's no insurance!
00:59:30There's no insurance!
01:00:00There's no insurance!
01:00:02There's no insurance!
01:00:04There's no insurance!
01:00:06There's no insurance!
01:00:08There's no insurance!
01:00:10There's no insurance!
01:00:12There's no insurance!
01:00:14There's no insurance!
01:00:16There's no insurance!
01:00:18There's no insurance!
01:00:20There's no insurance!
01:00:22There's no insurance!
01:00:24There's no insurance!
01:00:26There's no insurance!
01:00:28There's no insurance!
01:00:30There's no insurance!
01:00:32There's no insurance!
01:00:34There's no insurance!
01:00:36There's no insurance!
01:00:38There's no insurance!
01:00:40There's no insurance!
01:00:42There's no insurance!
01:00:44There's no insurance!
01:00:46There's no insurance!
01:00:48There's no insurance!
01:00:50There's no insurance!
01:00:52There's no insurance!
01:00:54There's no insurance!
01:00:56There's no insurance!
01:00:58There's no insurance!
01:01:00There's no insurance!
01:01:02There's no insurance!
01:01:04There's no insurance!
01:01:06There's no insurance!
01:01:08There's no insurance!
01:01:10There's no insurance!
01:01:12There's no insurance!
01:01:14There's no insurance!
01:01:16There's no insurance!
01:01:18There's no insurance!
01:01:20There's no insurance!
01:01:22There's no insurance!
01:01:24There's no insurance!
01:01:26There's no insurance!
01:01:28There's no insurance!
01:01:30There's no insurance!
01:01:32There's no insurance!
01:01:34There's no insurance!
01:01:36There's no insurance!
01:01:38There's no insurance!
01:01:40There's no insurance!
01:01:42There's no insurance!
01:01:44There's no insurance!
01:01:46There's no insurance!
01:01:48There's no insurance!
01:01:50There's no insurance!
01:01:52There's no insurance!
01:01:54There's no insurance!
01:01:56There's no insurance!
01:01:58There's no insurance!
01:02:00There's no insurance!
01:02:02There's no insurance!
01:02:04There's no insurance!
01:02:06There's no insurance!
01:02:08There's no insurance!
01:02:10There's no insurance!
01:02:12There's no insurance!
01:02:14There's no insurance!
01:02:16There's no insurance!
01:02:18There's no insurance!
01:02:20Man overboard!
01:02:30Send some police!
01:02:32Policemen right away!
01:02:36Never mind!
01:02:38Here they are! Thanks!
01:02:40Hey!
01:02:42Oh, yeah!
01:02:51Do you need help?
01:02:53They fell into the water!
01:02:55Throw it in!
01:03:00Get in the truck, O'Connor!
01:03:02We'll get them out!
01:03:07Joe, come here!
01:03:09See what I found!
01:03:17The boy was right!
01:03:19Close it up!
01:03:25We've opened your trunk, Mr. Duryea!
01:03:37McGillicuddy!
01:03:41Hey!
01:03:43There's nobody to prove it to!