Deadly Force (1983) Action Thriller
A Hard Boiled Cop named Stoney Cooper returns to Los Angeles when a serial killer strikes close to home. Cooper vows to catch the murderer and win back his estranged wife.
Transcript
00:00:00Radio time now 7.27 Here are the news headlines, full news report at 8.
00:00:28Fire department officials stated today that the loss in last night's fire at a furniture
00:00:32warehouse in downtown Los Angeles is estimated at over one and a half million dollars.
00:00:38The city council will meet in a special session later this morning to decide whether Councilman
00:00:42Daniel Mitchell will be asked to resign.
00:00:46Police Captain Otto Hawksley says there are still no new suspects in the ex-murder case.
00:00:51The only good news is that after 15 related homicides in the past nine weeks, this is
00:00:56the 13th straight day of quiet.
00:00:58It's a busy Wednesday morning on the freeways, and at 7.33 here is Scott White, Traffic and
00:01:04Weather Central, with an update.
00:01:06Good morning, sis.
00:01:07A sick alert is still in effect for that overturned tractor-trailer that continues to block the
00:01:11two and three lanes of the Ventura Freeway, eastbound that's right over the San Diego.
00:01:15Now we suggest strongly you use either Ventura Boulevard or Burbank Boulevard as an alternate
00:01:20route.
00:01:21Now the weather's going to be mostly fair today, sunny this afternoon with a high of
00:01:2578, low 67.
00:01:28Santa Ana wind conditions will continue through the weekend, currently at 71 beautiful degrees.
00:01:34Now at 7.41, here's more music from KMS Radio, the best in the west for your listening pleasure.
00:01:55This rat's dancing just for you.
00:02:17Try it up, put it down, pick it up.
00:02:20Let's go.
00:02:21No more bets.
00:02:22No more bets.
00:02:24All right, it's cool.
00:02:25Look, if I lose, I pay, and the name tomorrow is right away.
00:02:28How come he never goes into odd numbers?
00:02:33That figures.
00:02:34I knew it.
00:02:44How you doing?
00:02:545052.
00:02:56Yo, Juliette, this is Romeo.
00:02:58Well, hello, Romeo.
00:03:00Listen, your wife's lawyer called two more times about those divorce papers she was supposed
00:03:04to sign, and I beat you because of Mr. Sam Goodwin just called from LA.
00:03:08Says it's an emergency, so you better call him right back.
00:03:24Two more, Harry.
00:03:27You don't know how much I hate to fly.
00:03:36Where you going this time, Philly?
00:03:39Uh, LA.
00:03:42Five hours in thin air, Harry.
00:03:47Phillies.
00:03:48Yeah, he's here.
00:03:50Stoney!
00:03:54Stoney, it's a guy named Sal.
00:03:56He says he's got a job for you.
00:03:57You in?
00:03:58No, no, Harry, uh, tell him I'm on a plane, all right?
00:04:02He's on a plane.
00:04:06He says he's on a plane.
00:04:11He says he ain't hanging up.
00:04:13He says he ain't hanging up.
00:04:20This is it, your lucky day.
00:04:21You got it.
00:04:24Sal.
00:04:25Stoney, I got a Puerto Rican revolutionary wrapped up in dynamite,
00:04:30and a million bucks in machinery ready to go boom any second.
00:04:33Stoney, please.
00:04:34Sal, I can't do this.
00:04:35Listen, I'm on a plane.
00:04:37Tell the bomb squad.
00:04:38Bomb squad?
00:04:39With what I got in that warehouse?
00:04:41After they arrest him, they'll arrest me.
00:04:43Look, I'm on your way to the airport.
00:04:45What'll it take you?
00:04:46All right, all right.
00:04:4820 minutes, $20,000 in cash.
00:05:02Right on time, beautiful.
00:05:11So, hotshot, another flight, another six strings, huh?
00:05:16Hey, hey, Stoney, look at this.
00:05:20Grandson number 11, Jason Scott Nadelman.
00:05:24Jason Scott.
00:05:26Whatever happened to nice names like Isidore?
00:05:29Hey, you want to go to heaven, asshole?
00:05:31Up yours.
00:05:34So, Stoneler, you're going home for a little, uh,
00:05:37schmanky-panky with the ex-wife, huh?
00:05:40Hey, she's not my ex-wife.
00:05:42We are temporarily disengaged.
00:05:45What time is your flight?
00:05:47Well, I got to stop by Astoria first.
00:05:49I got to do a, uh, little job there,
00:05:51and then we'll go to the airport.
00:05:52Stoney, why are you stopping to play with bullets?
00:05:55You could get shot.
00:05:56I could miss my plane.
00:05:58Okay, wise guy.
00:05:59So what's out in Los Angeles if not the ex-wife?
00:06:02There's some maniac out there.
00:06:04Gus, he's a son of a bitch.
00:06:06He threw my friend's granddaughter
00:06:07off a seven-story balcony.
00:06:09And they say New York is crazy.
00:06:12Come on, get out of the way.
00:06:13Come on, you figure it.
00:06:14Get out of here.
00:06:15Get out of the way.
00:06:16Look, get out of the way.
00:06:23Where the hell he been?
00:06:24The place could be ashes by now.
00:06:26Just calm down, will ya?
00:06:28Calm down, he says.
00:06:30Look, I hope you're sober,
00:06:31because this shithole's gonna blow the place up.
00:06:34I'm like a rock, Sal.
00:06:36What's his name?
00:06:37What do I know from names?
00:06:38Chico, Paco, Groucho.
00:06:40What are they picking on me for?
00:06:42He's in there now.
00:06:43I've been good to them.
00:06:44You're a real humanitarian, Sal.
00:06:46You want to get him back?
00:06:48Yeah, come on, get out of the way.
00:06:50Get out of here, I said.
00:06:51What's that all about?
00:06:52I'm gonna call the cops.
00:06:54No, no cops.
00:06:55Don't call no cops, no.
00:07:08Te tengo niendo, pendejo.
00:07:11Ven, sube.
00:07:13Deja que te agarre, pendejo, maricón.
00:07:17Ven, sube.
00:07:18Why don't you come mess with me, Sal, huh?
00:07:20Because you're afraid?
00:07:21You chicken shit.
00:07:23Cobarde.
00:07:24Ven, jode conmigo, viejo sucio, maricón.
00:07:28Hijueputa.
00:07:38Come on, Sal, you big fat son of a bitch.
00:07:43Ven, jode conmigo, Sal.
00:07:46I'm gonna blow your shit to hell.
00:08:03I hear you, Sal.
00:08:05I hear you, Sal.
00:08:07Come up.
00:08:08I hear you down there.
00:08:10Come up.
00:08:11I'm gonna blow your place to kingdom come, man.
00:08:14I'm gonna blow your junk business to hell, Sal.
00:08:17You old fat fruit.
00:08:19Viejo aqueroso.
00:08:21Sucio viejo cagón.
00:08:23Come up, Sal.
00:08:25I heard you.
00:08:26Sube, hijueputa.
00:08:28Sube.
00:08:29Sube.
00:08:31I'd say it looks like a Mexican standoff.
00:08:34I'm a Puerto Rican, man.
00:08:36And this is real dynamite.
00:08:38Well, I'm French, German, and Italian.
00:08:40This is a real gun.
00:08:44What are you looking at, man?
00:08:46Is that a Japanese plunger?
00:08:48So what?
00:08:49We're in a lot of trouble.
00:08:52I seen one of those go off in a hostage situation,
00:08:54accidentally.
00:08:56Blew some guy's butt to bits.
00:08:58Accidentally.
00:09:00Blew some guy's butt to Brooklyn, his mind to Cuba.
00:09:02You know what I'm saying?
00:09:04You hear me?
00:09:06No shit?
00:09:07No shit.
00:09:11Well, so what, man?
00:09:13I'm gonna die anyways.
00:09:15Don't you understand the game?
00:09:17You blow this place up, who gives a damn?
00:09:20Sal, he calls the insurance company.
00:09:22Either way, you're dead.
00:09:23Either way, you're the loser.
00:09:28He was doing my old lady, man.
00:09:32He was doing my old lady!
00:09:36I got my pride, man!
00:09:38No!
00:09:42I gotta blow this place, man.
00:09:44Well, how about I blow up your car?
00:09:46You got it, man!
00:09:48Are you fucking crazy with that shit?
00:09:52You ought to be locked up somewhere, man.
00:09:54You see?
00:09:56Dying is one thing, but pain is a whole other subject.
00:10:03And I'll tell you what.
00:10:05I'm very sorry that Sal is doing your wife.
00:10:09But he is paying me to take you out of here,
00:10:11whether you're breathing or not.
00:10:15So what do you say you and I make a little deal, all right?
00:10:18How about I pay you, uh...
00:10:21I pay you $2,000.
00:10:24And you walk out of here with me, hand in hand,
00:10:26and we walk out alive.
00:10:33Um, $10,000, man.
00:10:35Huh?
00:10:37$10,000.
00:10:38Four. Top offer, asshole.
00:10:41Seven.
00:10:42How much? How much?
00:10:44Okay, wait.
00:10:45How much?!
00:10:46Kate!
00:10:47Okay, make it a flat five.
00:10:49How much?
00:10:50Goddamn it, talk to me.
00:10:51Okay, man, make it four!
00:10:53Four!
00:10:55Say it.
00:10:56Four. Four, it's okay.
00:10:58Relax your hand.
00:11:00Take your hand off the goddamn plunger.
00:11:02Take it off.
00:11:06You're crazy, man.
00:11:07Oh, yeah.
00:11:13Hell of a way to spend a morning, ain't it?
00:11:17What's your name?
00:11:19Antonio.
00:11:21Well, Tony, you just relax, all right?
00:11:24We're gonna get you through this with no sweat.
00:11:26No cops out there, nothing.
00:11:43Quesadilla, amigo.
00:11:45Here you go, Sal.
00:11:47One huaco, complete with dynamite.
00:11:49Hey, Tony, goddamn it, he's still alive!
00:11:51Sal, you paid me to get him the hell out, not defuse him.
00:11:54I'm on a plane, what can I tell you?
00:11:57Oh, shit.
00:12:18Sam. Sam.
00:12:20Tony!
00:12:22Hi.
00:12:23What are you doing?
00:12:24What are you doing? Are you early? I didn't expect you.
00:12:26You're coming early, huh?
00:12:27Yeah.
00:12:28How are you? How was the flight?
00:12:30Uh, terrified.
00:12:32You look terrific.
00:12:33How are you doing?
00:12:34Fine.
00:12:35Sam.
00:12:36You're fine.
00:12:38Yeah, no, it's so fun.
00:12:40Hey, it's good to see you.
00:12:42Thanks for coming.
00:12:44Yeah, I'll take you back.
00:12:47Did they feed you on the plane?
00:12:49No, they tried, but it wasn't interesting.
00:12:51I got some snakes.
00:12:52How was the flight?
00:12:54Then you beat Captain Hoxley.
00:12:58I wanted to bury her tomorrow.
00:13:00They won't release the body.
00:13:0416 people as creep kills.
00:13:0616.
00:13:09Why did they have to pick on my Beverly? Why?
00:13:11Don't do this to yourself.
00:13:16All right, now, look, uh,
00:13:18what's the LAPD got so far?
00:13:20Walls, they got.
00:13:22This freak kills anything.
00:13:24Men, women, kids, old ladies.
00:13:26And the whole city's kicking in.
00:13:28The reward's a quarter of a million bucks.
00:13:32I mean, she was the best.
00:13:34But ever since you left,
00:13:36she's been the only reason I've...
00:13:38I've kept straight.
00:13:45Sam!
00:13:46Oh, damn it!
00:13:49Welcome to L.A.
00:13:58How you doing, Lopez?
00:14:01That good, huh?
00:14:09Got a license for this?
00:14:10Yeah, yeah.
00:14:13Lockpick!
00:14:15Who told you to get out?
00:14:20You still hang around with old cons, Cooper?
00:14:24You just relax, Sam.
00:14:26Lopez here needs to play his Sergeant Preston routine.
00:14:29Just walk. Don't talk.
00:14:32Walk!
00:14:43Good news travels fast, huh, Lieutenant?
00:14:46You're not good news.
00:14:50And it's Captain.
00:14:53Captain?
00:14:54Jesus, Hoxley, I'm real proud of you.
00:14:56That's great.
00:14:57You broke your word, Cooper.
00:14:59You came back.
00:15:01Yeah, well, let's just, uh...
00:15:03Let's say this is a condolence call, all right?
00:15:06Look, the day I took your badge
00:15:09was the last time I ever wanted to see your face.
00:15:12You don't like the way the system works.
00:15:15Well, nothing's changed.
00:15:17We still do things that way,
00:15:19strictly by procedure.
00:15:21Strictly by procedure.
00:15:24Well, you're right, Captain.
00:15:26The day you took my badge
00:15:28was the day I stopped playing your system.
00:15:30You get involved in this investigation,
00:15:33and I'll put you away so far
00:15:35they'll have to airmail in light.
00:15:40Well, that's a little too far for me,
00:15:42you know what I mean?
00:15:44I'm sorry.
00:16:08This is Captain Hoxley with a code 5.
00:16:10Stoney Jackson Cooper is back in town.
00:16:13After the expert reports, stay on him.
00:16:15So, Sam, let's, uh...
00:16:17Let's go to Spring Street, all right?
00:16:19Stoney...
00:16:21You said you were gonna bunk in with me.
00:16:23Now, why do you wanna start that all over again, huh?
00:16:25You know, Eddie said she don't want you no more.
00:16:27So how much are you charging for these sessions, Dr. Goodwin?
00:16:30I say, okay, I'll stop at Spring Street, okay?
00:16:32I'll stop, and, uh...
00:16:34You'll call her, okay?
00:16:36No, I'm not calling my own wife.
00:16:39That was your problem from the beginning, Stoney.
00:16:42If you got a good woman, you gotta treat her like a queen,
00:16:44like I did my Harriet.
00:16:46May she rest in peace.
00:16:48You took Eddie for granted, and you know it.
00:16:50Today, women want a life of their own.
00:16:52So do men, Sam.
00:16:56Should've called first, I'm telling you.
00:16:58Uh, Stoney, I'll park up front.
00:17:12♪
00:17:43Joey was working camera on an interview,
00:17:45and when we both got back to the station,
00:17:47there was a pink slip waiting for him.
00:17:49There'll be lots of changes in the news department
00:17:51before they're done.
00:17:53What are you gonna do?
00:17:54What is anybody gonna do?
00:17:56What?
00:17:57What is anybody gonna do?
00:17:59He owes me money already, you know?
00:18:00He owes me money, too.
00:18:02And he told me he paid you.
00:18:04When did I...?
00:18:06Diego, please don't play with that.
00:18:08It reminds me of something.
00:18:10Please don't play with that.
00:18:12It reminds me of my husband.
00:18:14Oh, Jesus.
00:18:17Stoney, absolutely not.
00:18:21You kept the Bosendorfer.
00:18:24That's great, Ed.
00:18:26Great hell, that's the only thing you left me
00:18:28worth more than ten bucks.
00:18:30Edwina, I'm gonna get back to the station.
00:18:32I'll call you back later, and we'll talk about the new format, okay?
00:18:34Diego, sit down. Stoney was just leaving.
00:18:36Diego?
00:18:37Diego.
00:18:38Diego, how you doing?
00:18:40Stoney Cooper, uh, Eddie's husband?
00:18:42Not anymore.
00:18:46I better get back to the station.
00:18:47I have to help Dave with the tapes.
00:18:49I'll call you back later.
00:18:50Diego, you don't have to go.
00:18:51I'm sure you two have a lot to catch up on,
00:18:53so you don't need company right now.
00:18:55Anyway, I think Juan is sick,
00:18:56and I have to go out on location
00:18:57to run the sound for the 11 o'clock news spots.
00:19:00So I'll call you when I get back, okay, Edwina?
00:19:04Edwina?
00:19:09Stoney, hit the pike.
00:19:15Uh, didn't you get my card?
00:19:17I sent you a card.
00:19:23You look great, Ed.
00:19:25Did you lose weight?
00:19:27Stoney, why didn't you sign the divorce papers my lawyer sent you?
00:19:31So, uh, hi.
00:19:34How are you?
00:19:35What are you doing?
00:19:38Are you still, uh, writing copy for the $100 a year, guys?
00:19:41No, I've graduated.
00:19:43If you'd taken the time to write a letter,
00:19:44you'd know I was now reporting the news, Stoney.
00:19:48What are you doing here?
00:19:50Jesus, Ed.
00:19:51Uh, let's see.
00:19:52Um, I came back to L.A.
00:19:54just to see how my lawyer was doing,
00:19:56and I got a call from Ed.
00:19:58I came back to L.A. just to see how my old enemies are doing, all right?
00:20:04So how you doing?
00:20:07I'm not your enemy.
00:20:08No.
00:20:09I'm not.
00:20:11I just don't like you anymore.
00:20:13Anyway, you came back for the ex-murders.
00:20:21Uh, number, uh, 16,
00:20:23the girl thrown off the balcony this morning?
00:20:26Sam's granddaughter, Ed.
00:20:27I know.
00:20:29I tried to call him.
00:20:33All right.
00:20:34Look, uh,
00:20:36I'd like to visit.
00:20:42The Bosendorfer, huh?
00:20:47What the hell's the matter with you?
00:20:48It's 18 months, Ed.
00:20:4918 months, I come by to say goddamn hello.
00:20:51Where are you staying?
00:20:52You're not staying here.
00:20:53Where are you staying?
00:20:54I don't want to stay here.
00:20:56I'm staying at, uh, Sam's.
00:20:58Look, Stoney,
00:20:59I stopped being your wife over a year ago.
00:21:01I've got a life of my own.
00:21:04And I like it.
00:21:05That's great.
00:21:07You just can't walk in here and take over again.
00:21:09You can't do that.
00:21:10Lookit.
00:21:12You're not super cop anymore.
00:21:19Stoney, I can't go another ten rounds.
00:21:21Well, you've, uh,
00:21:23fixed the place up, haven't you?
00:21:27Looks pretty good.
00:21:28Stoney, please go.
00:21:32How long you been on this?
00:21:34Since it started.
00:21:35They assigned it to me, Stoney.
00:21:36No, wait a second.
00:21:37Why didn't you tell me?
00:21:38Do you have any leads?
00:21:39Does the guy use the same M.O.?
00:21:40What?
00:21:41No, sometimes he uses knives.
00:21:43Sometimes ice picks, strangulation.
00:21:45I didn't say I'd help you on this.
00:21:47Didn't say?
00:21:48Goddamn it.
00:21:50Now, this is not for me.
00:21:53This is for Sam.
00:21:56♪
00:22:06♪
00:22:16♪
00:22:26Hey!
00:22:27Hit him!
00:22:28Cool it, old man!
00:22:34Mr. Ashley would like you to be a nice guy,
00:22:37get on a nice airplane,
00:22:39and go back to your nice big apple.
00:22:41Man!
00:22:57Hey, you want to throw up?
00:22:58Yeah.
00:22:59You want to throw up?
00:23:01Yeah.
00:23:07Where's my gun?
00:23:09He threw it in there.
00:23:15Who the hell were those guys? You know them?
00:23:17Yeah.
00:23:19Had a slight difference of opinion once with their boss.
00:23:22With their what?
00:23:24Their boss, Sam.
00:23:26I'll take care of it.
00:23:45Stoney.
00:23:47Well, I should pick the lock.
00:23:49Sam, why don't you park the car and stay in it, all right?
00:23:53It'll be about ten minutes.
00:23:55All right.
00:24:23Come on.
00:24:46No, no, no. You get back.
00:24:49Back your ass out of here.
00:24:51That's right. Out.
00:25:21Oh.
00:25:45Oh. Oh, hello, young man.
00:25:47You must be looking for my boy.
00:25:49He's upstairs. First door to the right.
00:25:52The top of the stairs.
00:25:54But I'm not sure he's alone.
00:25:56But I guess it's all right.
00:25:58I'm alone a great deal.
00:26:00When we lived in Albuquerque, I wasn't always alone.
00:26:10My father once took me to Chicago.
00:26:12And I always remember that
00:26:14because that's where I met his sister
00:26:16who crocheted so lovely.
00:26:18Have you ever been into him?
00:26:28Hi.
00:26:30You a friend of Ashley's?
00:26:32Intimate.
00:26:34You'd like me to wake him, sugar?
00:26:36Very gently.
00:26:38Ashley, baby.
00:26:40Lucy, honey.
00:26:42Goddamn, you leave me alone.
00:26:44Watch a friggin' movie.
00:26:49Lucy, honey.
00:26:55You're dead.
00:26:57Don't bother me.
00:26:59Ashley, old boy, I need a favor.
00:27:01Like you out of my face for three weeks.
00:27:04What do you say?
00:27:06You must think I'm getting senile.
00:27:08I spent 20 months on that bullshit you called a bust.
00:27:11I owe you some trouble, sweetheart.
00:27:13All right, you and I, if we stop waltzing right now,
00:27:16Now, I need some noise on this ex-killer.
00:27:18I get the killer, we split the reward.
00:27:25Every badge in L.A. is out looking.
00:27:28Hoxer's gonna run for office on this bust.
00:27:31You give him his way,
00:27:33he'll bury you deep in elephant shit.
00:27:35I don't carry a badge anymore, remember?
00:27:38And as you well know, I deliver.
00:27:41You got two weeks.
00:27:44I tell my people.
00:27:47But then your sweet little old ass belongs to me.
00:27:50Terrific.
00:27:5799.
00:27:59Don't push your luck, honey.
00:28:0599.
00:28:0799.
00:28:0999.
00:28:21They're gay.
00:28:23Whenever times are, baby.
00:28:27Right.
00:28:29Good night.
00:28:39We gotta find these victims.
00:28:41Who's banging who, who's important, who's not?
00:28:43We need a lot of talks, Sam.
00:28:45Promise them money, deals, bribe them, whatever.
00:28:47It doesn't matter.
00:28:49We gotta make some connection fast.
00:29:02I'll keep them while you bail.
00:29:04Yeah, well, it doesn't stop me from trying, now, does it?
00:29:08Well, I wouldn't count on it if I was you.
00:29:11Make a list and leave them at my front door,
00:29:13and I'll try to pick them up later.
00:29:15No, I can't leave.
00:29:17I'm here with my friend Stoney.
00:29:19Stoney Cooper from New York City.
00:29:21I'm not divorced.
00:29:23I can't leave here now.
00:29:25What?
00:29:27What I'm calling you about are these murders.
00:29:29Just listen to me.
00:29:31The murders that are taking place.
00:29:33I got Hoxley on my ass.
00:29:36I want to make another stop, Sam.
00:29:38Okay, but that's enough. It's tomorrow already.
00:30:05Oh.
00:30:07Oh, Jesus.
00:30:11Oh!
00:30:13Oh!
00:30:15Oh!
00:30:17Oh!
00:30:19So cold!
00:30:21So cold!
00:30:26N-A-N-D-E-Z.
00:30:28Okay, we have where she lives.
00:30:312224 Alvarado Street.
00:30:332224 Alvarado Street.
00:30:35Otto, I checked the bus schedule.
00:30:37They leave every half hour.
00:30:39You couldn't just be here more than an hour.
00:30:41Tony, Tony.
00:30:49Don't touch, don't look.
00:30:51Get on the other side of the police line
00:30:53with the rest of the civilians.
00:30:55Right.
00:30:57Do you grandstand me on this one, Cooper?
00:30:59And I'll write a new law.
00:31:01I'll put you away personally.
00:31:03I told you there'd be no goddamn problem.
00:31:05Now, why don't you just back off, Hoxley?
00:31:07Who in the hell do you think you're talking to?
00:31:09Move out!
00:31:17Okay, we know she's been through a lot.
00:31:19Could you just ask if she can stick around
00:31:21just for a few minutes? I know she's a little upset.
00:31:23Please tell Ina.
00:31:25Tony, I'm working.
00:31:27Great. What do you got so far?
00:31:29Exactly nothing. Diego, could you ask her
00:31:31maybe if we could do the interview?
00:31:33Just against a mural, just two seconds.
00:31:35That's all it's gonna be, I promise.
00:31:37Is that all right?
00:31:39Diego, how you doing?
00:31:41Fine. Great.
00:31:53Ow! Who the...
00:31:55Son of a bitch!
00:31:57Stone man! Zeus, how you doing?
00:31:59Good. How you doing?
00:32:01What's who you come up from, badass?
00:32:03You still working the crowd, aren't you?
00:32:05Hey, man. Once a picker, always a picker.
00:32:07You freelancing? Yeah, I guess...
00:32:09I guess you could say that.
00:32:11Now, look at me and tell me what you can tell me
00:32:13about the, uh, dead meat over there
00:32:15and why he's so deep in the barrio.
00:32:17Hey, man, maybe he come down for some tacos, you know?
00:32:19Tacos, huh? Tacos.
00:32:21Well, how much to, uh,
00:32:23find out if he liked the food or not?
00:32:25Hey, man, that didn't happen here.
00:32:27He was dumped on us.
00:32:29Well, you do me a favor, all right?
00:32:31You find out who, when, where, and how.
00:32:33All right.
00:32:35I owe you maybe one. How many?
00:32:37I think you owe me a little more than just one.
00:32:39All right, all right, look.
00:32:41I've been hanging out at La Cocina.
00:32:43Catch me there on Friday.
00:32:45Lay me a five-o, and I see what I can come up with, all right?
00:32:47You be there. Yeah.
00:32:49No, no, you be there. All right!
00:32:51Good to see you again.
00:33:07How you doing, Jeff?
00:33:09How you doing?
00:33:11I haven't seen you in a while.
00:33:13What do you say you and I go talk, huh?
00:33:15No, I'm gonna try again.
00:33:21John, I want you to take this $10.
00:33:23You got my phone number?
00:33:25Okay, I'll give you the phone.
00:33:31You know what you're afraid of? Afraid of Huxley.
00:33:33Hey, listen, listen. Everybody's afraid.
00:33:35Listen, he could have my badge. You understand that?
00:33:37He could have my badge. No, no.
00:33:39First time in my life I did something like that.
00:33:41That's why this son of a bitch is after me. You know it.
00:33:51Come on!
00:34:21Come on!
00:34:51Come on!
00:35:07Wait, wait, wait.
00:35:09Willie, Willie, how you doing, huh?
00:35:11You and me are looking for joy, all right?
00:35:13I don't want to fight with her!
00:35:15Come on!
00:35:17Hey, you listen!
00:35:19I'm not gonna bust you!
00:35:21You got it? Huh?
00:35:23All right, Holly.
00:35:25Holly, come on.
00:35:27Look at me. Tony, I never busted you.
00:35:29I saw Eddie yesterday.
00:35:31Yeah? Has she got anything?
00:35:33Nothing. Nothing but a bunch of crank calls
00:35:35from every crazy in town.
00:35:37Look, let's, uh, check Law Casino
00:35:39one more time, all right?
00:35:41Okay.
00:35:43What we got so far
00:35:45is exactly zero.
00:35:47Zero plus one.
00:35:49Pesos.
00:35:53Who's the old dude?
00:35:55Hey. This is, uh, my dad.
00:35:57No shit. You got a dad?
00:35:59No shit. Get in.
00:36:03So what do you got?
00:36:07All right, chick's name is Maria.
00:36:09Some $20 whore. She works by the church
00:36:11off 6th and Main.
00:36:13The trick's name was, uh, Warren Stugo.
00:36:15Don't pay him yet.
00:36:17Hey, Seuss, talk to me.
00:36:19Hey, man, you asked for a name.
00:36:21What the hell you want, the freakin' almanac?
00:36:23Yeah, I want the almanac. You want the money?
00:36:25All right.
00:36:27Look, man, word on the street is that
00:36:29she tricked the dead meat and she took him home.
00:36:31Hey, maybe she, like...
00:36:33Smartass.
00:36:35Come on, come on. It only takes a minute.
00:36:45Hey.
00:36:49Hi. You want a date?
00:36:51Good-looking? Well, um,
00:36:53we were thinking maybe, uh,
00:36:55we'd take us both home for $100.
00:36:57Yeah. How are you with miracles?
00:36:59Well, that's why we're going to the church, baby.
00:37:01Maria can make the bed rise.
00:37:07Does that mean you up?
00:37:09Step into my view, baby.
00:37:11I'm coming.
00:37:15Ready.
00:37:19So, Maria,
00:37:21why don't you tell me about Warren Stugo?
00:37:23Shit, man, you're cops.
00:37:25Come on, guys, I need a break, okay?
00:37:27I don't carve no eggs in your dudes.
00:37:29He paid me $20 to go home
00:37:31and watch me change my pants.
00:37:33Don't touch me. I don't touch him.
00:37:35Maria, tell me about, uh...
00:37:37Let's talk it over with the immigration.
00:37:39Oh, no, mi niño, my baby.
00:37:41He's inside. Don't take me now, please.
00:37:45You got a baby upstairs?
00:37:47Let's go see your baby.
00:38:15Maria,
00:38:17Stugo was a regular, right?
00:38:19Couple times.
00:38:21He works near here.
00:38:23He pass. I say hello.
00:38:25I got the baby.
00:38:27I got to make a living. I don't kill no tricks.
00:38:29Right, right.
00:38:31You tell me the truth.
00:38:33Tell me the truth.
00:38:35Tell me the truth.
00:38:37Tell me the truth.
00:38:39Tell me the truth.
00:38:41Tell me the truth.
00:38:43Did Stugo ever say to you
00:38:45that somebody was after him,
00:38:47somebody wanted to kill him?
00:38:49And don't lie.
00:38:51He was a weird guy, you know?
00:38:53He was clean, no?
00:38:55He paid cash, no food stamps,
00:38:57sold cars or something.
00:38:59He never say much.
00:39:01He was no important guy.
00:39:03No?
00:39:05Why don't you answer the question?
00:39:07Trip back to Mexico will refresh your memory.
00:39:09I swear I don't remember.
00:39:11I don't listen to no tricks.
00:39:13I'm just trying to make a living
00:39:15for my baby.
00:39:31Let's get out of here, son.
00:39:41Let's go.
00:39:49Let's go.
00:40:11[♪ singing in Spanish ♪
00:40:18[♪ singing in Spanish ♪
00:40:25[♪ singing in Spanish ♪
00:40:31[♪ singing in Spanish ♪
00:40:37[♪ singing in Spanish ♪
00:40:43[♪ singing in Spanish ♪
00:40:49[♪ singing in Spanish ♪
00:40:54Don't start with me.
00:40:56Stoney, you have no right barging in here like this.
00:40:59You said you'd call first.
00:41:01I just wanted to come by and tell you
00:41:03you don't ever have to get dressed up for me.
00:41:05Oh, very funny. I've got a date.
00:41:07A date?
00:41:09No, come on. We're going to play some one-on-one
00:41:11just like we used to do in the old days, all right?
00:41:14Forget the old days, Stoney.
00:41:16Right.
00:41:19Where are you going?
00:41:21I've got a date.
00:41:23A pre-interview dinner date with Joshua Adams
00:41:25at the Canfield Institute.
00:41:27Stoney, don't be here when I get back, all right?
00:41:29All right.
00:41:32Bats.
00:41:34And make sure the door is locked.
00:41:36Bats.
00:41:38Did you the best favor of your life
00:41:40when I had you neutered, didn't I?
00:41:42Yes.
00:42:00Most of us live the precise life
00:42:04that we are given,
00:42:06dictated by society,
00:42:08our physical surroundings,
00:42:10and our families,
00:42:12not realizing that we have the strength
00:42:15to reach inside ourselves
00:42:19and bring forth the power to change.
00:42:28Will you stand up, sir?
00:42:32And you, ma'am, will you stand up?
00:42:35Thank you.
00:42:37What do you do, sir?
00:42:39I'm in ladies' shoes.
00:42:41And you, ma'am?
00:42:43I'm a quartz stenographer.
00:42:45Do you have an arthritic condition, sir?
00:42:48No.
00:42:49Why, then, do you stand like a cripple?
00:42:53Do you realize the signals you're sending?
00:42:56I'm frightened. I'm in pain.
00:43:00You are insignificant, sir!
00:43:04Only because you believe
00:43:08you are insignificant.
00:43:11And what are you going to do about it?
00:43:16And you, ma'am, you have great beauty,
00:43:19and you hide it.
00:43:21Everything about you says,
00:43:23I will not succeed!
00:43:26What are you going to do about it?
00:43:28Find the power.
00:43:30What power?
00:43:31The power to change!
00:43:33What power?
00:43:34The power to change!
00:43:35What power?
00:43:36The power to change!
00:43:37What power?
00:43:38The power to change!
00:43:39What power?
00:43:40The power to change!
00:44:07Fire!
00:44:37Fire!
00:45:08Stoney was the only one who was surprised
00:45:10when his grandstanding got him busted from the force.
00:45:13It became impossible to live with someone who was separated.
00:45:15Were there other women?
00:45:17I don't think so.
00:45:19I'm supposed to be interviewing you,
00:45:21and you're getting my life story.
00:45:23Maybe that's because listening is a lost art.
00:45:25In my profession, I have to be good at it.
00:45:28Really?
00:45:30Listen, I do have a few questions.
00:45:32It says here in your biography
00:45:33that you appeared out of nowhere.
00:45:35And founded the Canfield Institute on a shoestring.
00:45:38Then you became one of the driving forces
00:45:40in the, uh, success training field.
00:45:43Where is nowhere exactly?
00:45:46Nowhere is where everybody is from
00:45:49until they become somebody.
00:45:51And then they're allowed by precedent
00:45:53to lie about their origin.
00:45:56So you still know more about me than I know about you.
00:46:00You're far more interesting.
00:46:03And maybe this air of mystery will rate me another interview.
00:46:07I hope so.
00:46:09♪
00:46:19♪
00:46:50Well, what the hell happened here?
00:46:52♪
00:47:16Somebody tried to kill me.
00:47:18Don't look at me.
00:47:20Though it's crossed my mind.
00:47:23You'll live.
00:47:26Would you say I'm on to something?
00:47:28You can't live like this again.
00:47:30I cannot live like this again.
00:47:36Okay.
00:47:38I'm out on the streets.
00:47:39This wacko knows I'm looking for him.
00:47:43I got him scared.
00:47:44God damn it, I got him scared.
00:47:46And so what does he do?
00:47:47He follows me here.
00:47:50I'm sorry about the loft, all right?
00:47:53How many people in this town would like to see you dead?
00:47:56Maybe more than ten?
00:47:58More than a hundred.
00:48:00Huh? How many?
00:48:01Only Ashley.
00:48:03Only Ashley.
00:48:04And he doesn't have the guts.
00:48:07Rub a little lower.
00:48:11Stoney, stop it.
00:48:12What?
00:48:13Stop it. Just stop it.
00:48:14How can I?
00:48:16Stoney.
00:48:18I'm not.
00:48:19I wouldn't think of it.
00:48:25Don't come near me.
00:48:32Come here.
00:48:39Stoney, come on.
00:48:45Come here.
00:48:51I got you.
00:49:15I got you.
00:49:45I can't fight it.
00:49:47You got a hold on me.
00:49:51Tearing me apart.
00:49:54You got me by the heart.
00:49:57Oh, I can't fight it.
00:50:04No.
00:50:06No.
00:50:09I can't fight it.
00:50:15Oh, I can't fight it.
00:50:46Who's there?
00:50:47Why don't you children go do that somewhere else?
00:50:50Scaring people like that.
00:50:53Go now.
00:51:16Aah!
00:51:20Her name was Janine Strand.
00:51:22Maid of the hotel.
00:51:23What the hell is going on here?
00:51:25Come on. Move it back.
00:51:26Back. I told you to move back.
00:51:30Back. Move it back.
00:51:32Jesus, Cooper.
00:51:35I understand we had a shooting at your place.
00:51:37I know.
00:51:38The city's not safe anymore.
00:51:39Well, I want you to tell your glory boy
00:51:41that he has worn out his welcome in a very short time.
00:51:44Why does going from a black and white to a gold badge
00:51:46in four months make him a glory boy captain?
00:51:48I think it makes him the best cop
00:51:49you've ever had in your department.
00:51:51You just tell him that I'll have a warrant
00:51:53out for his arrest in 48 hours.
00:51:56Maybe you hate him for doing what you couldn't do yourself.
00:51:59Not couldn't, Mrs. Cooper.
00:52:01Wouldn't.
00:52:02There's a difference.
00:52:03If you can't be his wife, at least be his friend.
00:52:06Have him on the plane tomorrow.
00:52:07If I get him out of town,
00:52:09can I have a story on this one?
00:52:11She's dead.
00:52:13You're a real charmer, Hoxton.
00:52:15A real charmer.
00:52:17Come on, Lopez. Just one picture.
00:52:19Come on. Come on.
00:52:20Listen, Hoxton said he'd shoot this. It's all right.
00:52:22He did?
00:52:23Yeah.
00:52:26Come on, Diego. I gotta pull this one off.
00:52:29Let's go. Hurry.
00:52:37Don't do that again.
00:52:39I'll make a deal with you.
00:52:41I give you what I got for what you got.
00:52:43Deal?
00:52:44I don't have that much.
00:52:45Stugo was a car salesman.
00:52:47Lived alone.
00:52:48He had no police record.
00:52:50He had his barbering license, but I don't think he practiced.
00:52:53Janine Strand, she was a night maid at the Bonaventure Hotel.
00:52:56Last six years.
00:52:57But her husband's in Soledad Prison
00:52:59serving 20 years for armed robbery.
00:53:01She's clean.
00:53:02I got no motives.
00:53:04I got nothing.
00:53:05Ed, you know what's wrong?
00:53:07What's wrong is this whole thing is random.
00:53:09I mean, it's scattered.
00:53:11I mean, psychos use patterns.
00:53:13That's how they talk to the world.
00:53:15So, look, maybe our crazy isn't as crazy as we thought.
00:53:18I mean, maybe this guy just wanted some of the victims killed.
00:53:23So he killed off all the rest just to cover his tracks.
00:53:25Is that what you're saying?
00:53:26Absolutely.
00:53:27I mean, look at it. It makes sense.
00:53:28He's thrown everybody off.
00:53:29Nobody knows where to look.
00:53:30I've been through every file with a fine-tooth comb.
00:53:33Well, then, here's what we do, Dan.
00:53:34We start at the beginning, all right?
00:53:36We get, uh...
00:53:38Perfect.
00:53:39We get Sam to break into Hoxley's office
00:53:42and rip off the files on every victim and suspect
00:53:44they've drugged in since day one.
00:53:46Hold on a minute. Excuse me.
00:53:48Hello?
00:53:49Debra Rhonda.
00:53:50Yeah, put her on.
00:53:51Do you remember me?
00:53:52Yeah, Debra. Sure, I remember you.
00:53:53I have to talk to you.
00:53:54Can you talk now?
00:53:55I called earlier. You didn't answer.
00:53:57Well, wait a minute. I wasn't in.
00:53:59Miss Cooper, I can't talk now.
00:54:00I left you a message.
00:54:01What message?
00:54:02Debra, don't hang up. Wait a minute.
00:54:03Meet me in the security office
00:54:04of the Hollywood Pacific Studios.
00:54:05You will?
00:54:06No, please.
00:54:08Wow.
00:54:09Damn.
00:54:10Who is that?
00:54:12Want to come with me?
00:54:15Terrific.
00:54:16Where?
00:54:37Debra?
00:54:41Debra Rhonda?
00:54:49She's not here.
00:54:51Perfect.
00:54:52I'm going to take a look around.
00:54:53Wait a minute, Stoney.
00:54:54Wait a minute.
00:54:55No.
00:54:56Look, you wait in the car.
00:54:57Why don't you wait in the car?
00:54:58I'm the reporter and this is my story.
00:55:00Story.
00:55:02Now, I'm going to see if I can find her.
00:55:04Goddamn stories.
00:55:06Ed.
00:55:08Debra.
00:55:10Wow, Stoney, look at this.
00:55:22Stoney.
00:55:35Hey, sailor.
00:55:36You're new in town.
00:55:48Maybe it's Debra, maybe it's not,
00:55:49but somebody's here.
00:56:04Who's there?
00:56:35Wait here.
00:56:56Debra.
00:56:58Debra.
00:57:00Debra.
00:57:01Debra.
00:57:02Debra.
00:57:04Stoney, I'm sorry.
00:57:05It's just a cat.
00:57:20Stoney.
00:57:26Stoney.
00:57:30Stoney, are you all right?
00:57:34Stoney.
00:57:38Stoney, please help me.
00:57:39Eddie.
00:57:40Please, Stoney.
00:57:41All right.
00:57:42Oh, this is it.
00:57:43Stoney, help me, please.
00:57:44Come on.
00:57:45Climb over me.
00:57:47Oh, Stoney, she's dead.
00:57:48All right, come on.
00:57:49Oh, she's dead.
00:57:50Come on.
00:57:51Oh, she's dead.
00:57:52No, no, don't lose her now.
00:57:54We got her.
00:57:55Oh, no.
00:58:04Hang on.
00:58:06Now, stay down.
00:58:17What about Debra Rondo lying back there in the net?
00:58:19I don't think she's in a traveling mood.
00:58:21Do you know what I mean?
00:58:33Come on.
00:58:52Stoney, you're not a cop anymore.
00:58:54I don't need a badge.
00:58:55I hit him.
00:59:04Look, you're weaving all over the road.
00:59:06I told you I hit him.
00:59:07Why don't you let the cops just handle this?
00:59:09Right.
00:59:10Like they handle this so far?
00:59:11You know, God damn it, Ed, I take it very personally
00:59:13when somebody tries to kill me.
00:59:16Where'd he go?
00:59:17I lost him.
00:59:23There he is, Stoney.
00:59:26Oh, my God.
00:59:27That's the Canfield Institute.
00:59:28That's it.
00:59:29That's it.
00:59:30That's it.
00:59:31Oh, my God.
00:59:32That's the Canfield Institute.
00:59:34Shit.
00:59:48Okay, see you next Tuesday.
01:00:04Oh, my God.
01:00:09Look, I just chased the ex-murderer over your wall,
01:00:11all right?
01:00:12You want to relax?
01:00:13Joshua.
01:00:14Come on.
01:00:15Eddie!
01:00:16What happened?
01:00:17What are you doing?
01:00:18No, no, no.
01:00:19Get these people back, all right?
01:00:20You got the ex-murderer loose on your property.
01:00:22I'll call the police from the house.
01:00:23Come inside.
01:00:33Come on.
01:00:52This is incredible.
01:00:54Do you always run around the streets at night
01:00:56finding dead bodies?
01:00:58Only with my husband.
01:01:00Dynamic personalities always attract trouble.
01:01:12He's a lucky man to have a wife so well suited to his extremes.
01:01:16He's not, and he doesn't.
01:01:18Thanks.
01:01:19Here.
01:01:29You stay here, Eddie.
01:01:59Shit.
01:02:05Ah!
01:02:06Ah!
01:02:07Ah!
01:02:08Ah!
01:02:09Ah!
01:02:10Shit.
01:02:30I didn't have time to think.
01:02:32I just, just fired.
01:02:36I heard her cry out.
01:02:37I came into the room, and she was standing over her.
01:02:41Just fired.
01:02:42I didn't think.
01:02:44Just fired.
01:02:59Just fired.
01:03:30Garbage they put in.
01:03:43Funny.
01:03:44I told you he might have been missing a finger or two.
01:03:47Always the same act.
01:03:49Never two full sets of prints.
01:03:51Captain Huxley.
01:03:52Were those tears for real?
01:03:53Yeah.
01:03:54I don't think so.
01:03:55I don't think so.
01:03:56Let's just, let's get out of here, all right?
01:03:57I can't leave.
01:03:58Harvey Benton murdered 20 people.
01:04:00I want to know why.
01:04:09This is important to me.
01:04:11What's the matter with you?
01:04:13It's a reward, isn't it?
01:04:14You're all bent out of shape because you didn't capture him.
01:04:18Right?
01:04:20Hey.
01:04:21Let me tell you something.
01:04:23I put six months in on this case.
01:04:25You walk in with your fuck you attitude
01:04:28and think the reward money is yours.
01:04:30Well, I got news for you.
01:04:33My report says the reward money goes to Joshua Adams.
01:04:38And I'm telling you the truth.
01:04:40I'm telling you the truth.
01:04:42I'm telling you the truth.
01:04:44I'm telling you the truth.
01:04:46I'm telling you the truth.
01:04:47I'm telling you the truth.
01:04:50All right.
01:04:52Hey.
01:04:53By the way, I understand there's a certain scumbag hood
01:04:57who might be a little pissed off
01:04:58about some reward money you promised him.
01:05:01Oh, that's too bad, Cooper.
01:05:03Hey.
01:05:04If you think you have a problem, why don't you call a cop?
01:05:10Who's the scumbag Huxley was talking about?
01:05:12Ashley Maynard.
01:05:13You remember old Ashley?
01:05:15So what'd you do to him this time?
01:05:16I didn't do nothing.
01:05:17I made a deal with the guy.
01:05:18Everything's fine.
01:05:20He might be a little upset
01:05:21when he finds out about the reward money,
01:05:23but I can handle the guy.
01:05:25Get him.
01:05:26Oh, God, no.
01:05:43Huxley called Ashley Maynard.
01:05:44God damn it.
01:05:49Get out.
01:05:57I can't lose him, Eddie.
01:05:58Get out, honey.
01:06:06He's gaining on us.
01:06:07Get out!
01:06:08You gave me two weeks, Maynard.
01:06:10Time's up, boy.
01:06:14Ah!
01:06:16Johnny!
01:06:17We're gonna hit the son of a bitch.
01:06:18Just hold on.
01:06:19Get out, God damn it!
01:06:21Okay, cowboy.
01:06:23You did me one time, Cooper,
01:06:25but you ain't gonna do me again.
01:06:28Eddie, would you get out?
01:06:29God damn it!
01:06:32Damn you.
01:06:39We're gonna lose him over the bridge, you understand?
01:06:41Come on, baby.
01:06:42Don't fail me now.
01:06:47Ah!
01:06:53God damn it!
01:06:56Stay down! Stop!
01:07:07God damn, Cooper.
01:07:08You don't even know where you're going.
01:07:10This is crazy!
01:07:11Johnny!
01:07:12No, we're not gonna make it!
01:07:14We're not gonna make it!
01:07:15We're not gonna make it!
01:07:17Ah!
01:07:47My God, Sam, did you look through the lens
01:07:49when you shot this stuff?
01:07:50No, I had time.
01:07:51I cramped, I took.
01:07:53I left to find an all-night photo lab.
01:07:55What's the difference?
01:07:56The guy's dead, you said.
01:07:58I wish I could get my hands around his neck.
01:08:04What's bothering you?
01:08:08Heartburn.
01:08:10Uh-huh.
01:08:11Take a swig.
01:08:12Come on, Sam.
01:08:13The damn thing's too easy.
01:08:14It's too simple.
01:08:15And the guy takes a shot in the skull.
01:08:19Police get prints up the kazoo,
01:08:20everything matches,
01:08:21everything's great in the world,
01:08:23and I feel like a run-over dog shit.
01:08:25I'm sorry.
01:08:26Here, take a swig.
01:08:27I'm telling you it'll help.
01:08:28I don't want it.
01:08:29Don't listen to him, Sam.
01:08:32When he gets into these moves,
01:08:33he's totally hopeless.
01:08:35No, no, look, look.
01:08:36When that guy was climbing over the wall,
01:08:38you didn't see the look in his eye.
01:08:39To me, it didn't look like he was running somewhere.
01:08:42It looked like he'd already got where he wanted to be.
01:08:44What for?
01:08:46A little too late for success training.
01:08:49Wait a minute, wait a minute.
01:08:50Why would a guy run to public grounds with security guards?
01:08:55What's with you two?
01:08:57Unless Joshua Adams was Ben's next victim.
01:09:00Oh, no, that's good.
01:09:01That's good.
01:09:03All right, what else?
01:09:06Here.
01:09:10Working man, Warren Stugo, Janine Strand,
01:09:12husband's doing 20 years in Soledad.
01:09:17Harvey Benton, former guard at Soledad Prison,
01:09:2167 through 72.
01:09:23There's been 10,000 people in prison
01:09:24since Benton was a guard there.
01:09:26Okay, Sam, what else?
01:09:27Well, listen to this.
01:09:31What the hell is the matter with Oxley?
01:09:34Stugo, Benton, the hotel maid's husband.
01:09:37We got three known connections to Soledad.
01:09:39There's probably more we don't even know about.
01:09:42So maybe Oxley's already working on it.
01:09:44Working on it?
01:09:45You know what that guy's working on?
01:09:47He's running for councilman.
01:09:48So?
01:09:49So, uh, first thing in the morning we go to Soledad.
01:09:53Yeah?
01:09:54Wait a minute, I want to go.
01:09:56No.
01:09:57Stoney, it could be a story.
01:09:59You are a story.
01:10:13Soledad Prison.
01:10:14I never wanted to see that place again.
01:10:16Well, I never wanted to be in an airplane again,
01:10:18but it's the only lead we got.
01:10:20I just hope Lester Strand feels like talking.
01:10:42I smell a cop.
01:10:46You're an Ocon.
01:10:48That's easy.
01:10:52What do you want?
01:10:54How are you doing?
01:10:55What's the matter?
01:10:57I'm a cop.
01:10:58I'm a cop.
01:11:01I'm a cop.
01:11:02I told you, I'm a cop.
01:11:04You're not a cop.
01:11:05You're not a cop.
01:11:06I'm a cop.
01:11:07I'm a cop.
01:11:08I'm a cop.
01:11:09I asked you, what do you want?
01:11:13I just want the son of a bitch who killed her, Lester.
01:11:17We got TV.
01:11:19They got the dude that stabbed Janine.
01:11:22He was a screw-in here.
01:11:26Suppose it wasn't him.
01:11:30I don't know what you're talking about.
01:11:35Suppose it wasn't him.
01:11:42Say what?
01:11:44What if they got the wrong guy, Lester?
01:11:50Talk to me about Warren Stugo.
01:11:57Stugo.
01:12:04White dude. Civilian.
01:12:07He cut hair in here when they shipped Mickey the barber.
01:12:11Same guy that killed him killed your wife.
01:12:16People dying all the time.
01:12:20Harvey Benton.
01:12:26The dude was a screw. 70, 71.
01:12:30Didn't like him.
01:12:33That ain't no reason to kill Janine.
01:12:36Come on, Lester. Tell me something I don't know.
01:12:45Benton got to be buddies with a con called Fulton.
01:12:49Said he's the cat. He had kind of his own machine.
01:12:52Warren didn't even let him alone.
01:12:54Said he made model cons out of all the hard-ass he seen.
01:12:58So this Fulton, he was a jailhouse preacher, right?
01:13:01Oh, hell no, man.
01:13:03The dude had control.
01:13:06Had screws running errands, crap like that.
01:13:10If you didn't cop to his program, like cleaning up the sales,
01:13:14going to the library, one night one of his boys visit you.
01:13:18And zip!
01:13:32I can't believe the cons would let him stay alive.
01:13:36Yeah.
01:13:39They got to his ass one night.
01:13:43Poured 200-proof raisin brew all over him.
01:13:47Lit up like a Christmas tree.
01:13:52Benton split right after that.
01:13:55Couple of cons were transferred.
01:14:00That's it.
01:14:02No, no, no, that's not it.
01:14:07You recognize anybody else there?
01:14:10One blind man.
01:14:15Yeah.
01:14:17That's Warren the barber.
01:14:22That's the old dude that used to come down from Salinas.
01:14:26Plumbing around here.
01:14:31That's Janine.
01:14:34Married me.
01:14:36Anybody else?
01:14:38No, man, that's it.
01:14:41You sure?
01:14:43Look, man, I don't know nobody else.
01:14:49Yeah.
01:14:51Open up.
01:14:55Hey, Lester, I am sorry about your wife.
01:15:16He's dead.
01:15:18I know, but I'm still interested.
01:15:20Look, we got to have more.
01:15:22Sam, you got any friends left up here?
01:15:25Sure. Where are they going to go?
01:15:48Where the hell did you guys get this stuff?
01:15:50Oh, the world is full of thieves, Jack.
01:15:52No, he's wrong. Let's see, uh, Fulton.
01:15:57Okay, now the composite, Jack.
01:16:01All right, lose the beard and the mustache.
01:16:08All right.
01:16:10And give me a chin.
01:16:16There you go.
01:16:18No, more square.
01:16:27How's that?
01:16:29Good. All right, now let me see some hair.
01:16:38No, no, no, bushy, bushy, wavy, more forehead, you know?
01:16:43There you go.
01:16:45Goddamn.
01:16:47He is good.
01:16:49Sam, ten more years of lines on that face and who do you have?
01:16:52Son of a bitch.
01:16:56Adams.
01:17:00A little more drink, a little less ice.
01:17:13Sonny.
01:17:19I called the station,
01:17:21and they said that Eddie is on some kind of assignment in the cornfields.
01:17:26So what do you want to do, launch this stuff into Hoxton?
01:17:29Hell no. Eddie gets this story.
01:17:31You sure you're ready for this after last night?
01:17:35We need a script ready for tomorrow's on-camera interview.
01:17:40I'm fine, thank you. Thank you for asking. It's more than some people did.
01:17:44What we got so far is Adams is Fulton, right?
01:17:47But Fulton is dead.
01:17:49A con gets a release ticket signed by guard Harvey Benton,
01:17:53who checks out a burned body. You follow?
01:17:55Yeah, I follow.
01:17:57Now, the next day, he quits his job at Soledad Prison.
01:18:02Ten years passed. Ten years, Sam.
01:18:05Joshua Adams got a thriving business,
01:18:08but a lot of people who knew his prison identity
01:18:11are starting to turn up very dead, right?
01:18:14And innocent people are dying also in order to throw the cops off.
01:18:18It's simple.
01:18:19Discover that power in you.
01:18:23Convince yourself, and you convince others.
01:18:29Oh, excuse me. Sorry.
01:18:33Electronic reporting.
01:18:36Listen, we better get you to bed. Give me a kiss. I'll drive.
01:18:42What we'll do is, uh, we'll wait for Eddie to get back from the cornfields,
01:18:46put this whole thing together, put a cherry on top,
01:18:49and get it to Hoxley. I cannot wait to see this man's face.
01:18:55Hey, Sam? Yeah?
01:18:57It's not cornfield. It's Canfield.
01:19:00She said Canfield.
01:19:02Well, he doesn't know anything. She'll be all right.
01:19:04Are you kidding? With her mouth, she probably told him we were at Soledad.
01:19:07Get in.
01:19:13You admire strength, don't you?
01:19:16Yes, I do. I admire strength.
01:19:19Not necessarily the physical type.
01:19:21Like your husband?
01:19:23Sometimes he overmatches it, like you're doing right now.
01:19:28Look, this morning, he had this wild, brilliant hunch,
01:19:31and he took off without me like I was some idiot child
01:19:34that couldn't play in the adult world.
01:19:36Which you certainly are not.
01:19:40You're wonderful, Eddie.
01:19:43Cheers.
01:19:48Come on, come on.
01:19:50You go first.
01:19:55Jesus, give me a hug.
01:19:58Shh, there's a guard.
01:20:21I'm gonna take his gun.
01:20:27Come on.
01:20:53Come on, God damn it, Sam.
01:20:57It's a tough one.
01:20:59Everybody lies for a good cause.
01:21:02Women lie when they put on makeup.
01:21:05Churches lie when they offer salvation.
01:21:08Prisons lie when they promise rehabilitation.
01:21:13That's a very strange analogy.
01:21:16Were you ever in prison?
01:21:20We're all in prison, Eddie.
01:21:23That's why my seminars are so successful.
01:21:28Shh.
01:21:31It's all right. I'll be right back.
01:21:43Get ready.
01:21:50Mr. Cooper.
01:21:52Why didn't you ring the night bell?
01:21:54Sorry, I haven't had the pleasure.
01:21:56Mr., uh, Sam.
01:21:58Sam.
01:22:00Tell me, was it necessary for you to break in?
01:22:04Or did you think that Eddie was in some sort of danger here with me?
01:22:07Stein, I don't believe this.
01:22:09I could just kill you for this.
01:22:11I mean, here she is, doing her job.
01:22:14And there you are, acting the fool.
01:22:17Oh, no, he's not acting.
01:22:19He is.
01:22:21What are you two doing here?
01:22:23What are we doing here?
01:22:25Yeah.
01:22:26Mr. Adams, this is kind of personal, you understand?
01:22:29I just need a minute with my wife alone.
01:22:31Tony, would you just leave, please? Just leave.
01:22:33Now, why don't you just come over here, talk to me,
01:22:36before I break your arm?
01:22:38Excuse me, Joshua.
01:22:40Thanks.
01:22:44Now, you are going to listen to me for the first time in your goddamn life.
01:22:47What we are going to do is, uh,
01:22:49apologize to Adams,
01:22:51and then you, Sam, and I are going to walk the hell out of here.
01:22:53All right.
01:22:54No, no, no arguments. I'll explain later.
01:22:56All right. Just like that, I'm supposed to forgive and forget.
01:22:58What are you doing here?
01:23:00You're supposed to be at Soledad Prison till tomorrow.
01:23:03Terrific.
01:23:04Stoney, just go.
01:23:07Now, I don't think Mr. Fulton would like us to leave right now.
01:23:10Would you, Roger?
01:23:11I'm sorry, but this is breaking and entering.
01:23:14I'll have to have that gun.
01:23:15Stoney, what are you doing?
01:23:17Shut up, Ed.
01:23:19You're behaving irrationally, Mr. Cooper.
01:23:21There's a guard behind you,
01:23:23and there's another one in back of your friend.
01:23:25Would somebody just please tell me what's going on here, Sam?
01:23:29What's going on here? I don't get it.
01:23:31He's Roger Fulton.
01:23:33Who's Fulton?
01:23:35Roger Fulton died in prison.
01:23:37No, no, no. Somebody died, but it sure as hell wasn't you, was it?
01:23:40I'm afraid I'm going to have to insist on that gun.
01:23:44This is my house, and I have a right to protect it.
01:23:48I feel sick.
01:23:54Marty, I think you should relieve Mr. Cooper of his gun.
01:23:59And check his friend, too, please.
01:24:03Marty, take the goddamn gun.
01:24:06Go on, make one step, Marty,
01:24:08and I'll blow a hole in this man's head the size of a cantaloupe.
01:24:11He's academic.
01:24:14The jealous husband breaks in and shoots his wife.
01:24:17One of my men shoots him.
01:24:19How do you explain Sam?
01:24:22Sam gets to go home and go to bed.
01:24:26Sam is an accomplice, of course.
01:24:30My God, you are smooth, aren't you?
01:24:33Now put the gun down.
01:24:35You're busted.
01:24:38Don't do it!
01:24:41You had no right resurrecting Roger Fulton.
01:24:44I put too much hard work into killing him off.
01:24:48Sam, you okay?
01:24:50Why don't you go look for your phone?
01:24:52No phones. I want the scumbag for myself.
01:24:55I'm going to kill you.
01:24:57I'm going to kill you.
01:24:59I'm going to kill you.
01:25:01I'm going to kill you.
01:25:03I'm going to kill you.
01:25:05I want the scumbag for myself.
01:25:08He's got Eddie.
01:25:10He's got me, Sam.
01:25:12I'll make him a trade. You stay right there.
01:25:36Fulton!
01:25:38It's exciting to kill, isn't it?
01:25:41Especially a little at a time.
01:25:46How many people have you killed, Stoney?
01:25:49Ten? Twenty?
01:25:51More than the ex-murderer?
01:25:53How will you feel when you kill your own wife?
01:25:56Stoney!
01:26:01Very good shot, Stoney.
01:26:04Don't think I didn't hit where I am before.
01:26:16Aah!
01:26:34Aah!
01:26:46Aah!
01:26:48Quick reactions.
01:26:50I like a good adversary.
01:26:52It's not going to make me happy to see Eddie die, though.
01:26:55Such a waste of a classic woman.
01:26:57You sick bastard.
01:26:59Either way you look at it, you're dead meat.
01:27:02Please, Stoney, no police idioms.
01:27:05They make you sound unintelligent.
01:27:07Now!
01:27:11Good shot!
01:27:14You play well.
01:27:16We could prolong this all night, Stoney.
01:27:19It's very private here.
01:27:23Think of how little there'll be left of you.
01:27:26And what I'll be doing with your wife after you're dead.
01:27:32Aah!
01:27:38Aah!
01:27:48Stoney!
01:27:50Stoney!
01:27:52Come and get her, Stoney!
01:28:02Aah!
01:28:18Come on, Fulton.
01:28:21It's just you and me.
01:28:25Come on, genius!
01:28:33You can put on your $1,000 suit, you hear me?
01:28:37Go to your fancy parties and ass-kiss society,
01:28:42but you're never going to be one, you hear me?
01:28:44You're never going to be one of them!
01:28:50Well, you got the cards.
01:28:52Deal them.
01:28:54You'll come around when you understand the program.
01:29:02You see, once the Canfield Institute was created,
01:29:07certain key people had to be eliminated.
01:29:11You can see the reasoning, can't you?
01:29:15Where's my wife?
01:29:19Where is she?
01:29:27Are you okay?
01:29:30Don't worry, all right?
01:29:34I'm going to make a deal, right?
01:29:38We're too of a kind, Mr. Cooper.
01:29:42We understand the use of violence as a means to an end.
01:29:48Now give me your gun.
01:29:55Do it.
01:29:58Oh!
01:30:18Tony, no!
01:30:23Oh, my God!
01:30:28Oh, God damn it!
01:30:30Just help me, or leave me alone!
01:30:53Oh, my God!
01:30:58Tony!
01:31:00Oh, my God! Oh, my God!
01:31:09Oh!
01:31:15Oh!
01:31:20Tony!
01:31:28Fire!
01:31:54Cooper!
01:31:58Cooper, where do you think you're going?
01:32:01Anybody want to go with Hoxley?
01:32:03I want to get you to a hospital.
01:32:05Sam?
01:32:06I'm hungry.
01:32:07What happened here?
01:32:09All right, let's pick up the reward,
01:32:11take an ambulance to Baja and fish for margaritas.
01:32:14That's it, glory boy, your final warning.
01:32:17You're not going anywhere until I find out what happened here.
01:32:23You leave L.A. and I'll have your ass.
01:32:26Oh, shut up, Hoxley.
01:32:29It's the walk of the lonely in the dark of the night
01:32:33It's the face on the shadow got you in his sight
01:32:37The thief on the pawn, the cat with the gun
01:32:41He's the victim and you're the one
01:32:47Keep on fighting, keep on fighting
01:32:50Gotta keep on fighting, justice will rise
01:32:55Keep on fighting, keep on fighting
01:32:58He's a race to the finish, he's been driving, driving
01:33:02Keep on fighting, keep on fighting
01:33:06The love of the river gonna keep you alive
01:33:17It's the beat of the thunder, the blade of the knife
01:33:21In the heat of the city, it's a run for your life
01:33:25It's the sting of the bullet, the blood on your hand
01:33:29The stain on your heart that no one understands
01:33:35Keep on fighting, keep on fighting
01:33:38Gotta keep on fighting, justice will rise
01:33:42Keep on fighting, keep on fighting
01:33:45He's a race to the finish, he's been driving, driving
01:33:50Keep on fighting, keep on fighting
01:33:53The love of the river gonna keep you alive
01:34:20Keep on fighting, keep on fighting
01:34:23Gotta keep on fighting, justice will rise
01:34:27Keep on fighting, keep on fighting
01:34:30He's a race to the finish, he's been driving, driving
01:34:35Keep on fighting, keep on fighting
01:34:38Keep on fighting, keep on fighting
01:34:41The love of the river gonna keep you alive
01:34:45Keep on fightin', keep on fightin', keep on fightin', keep on fightin', keep on fightin', keep on fightin', keep on fightin', keep on fightin', keep on fightin', keep on fightin', keep on fightin', keep on fightin', keep on fightin', keep on fightin', keep on fightin', keep on fightin', keep on fightin', keep on fightin', keep on fightin', keep on fightin', keep on fightin', keep on fightin', keep on fightin', keep on fightin', keep on fightin', keep on fightin', keep on fightin', keep on fightin', keep on fightin', keep on fightin', keep on fightin', keep on fightin', keep on fightin', keep on fightin', keep on fightin', keep on fightin', keep on fightin', keep on fightin', keep on fightin', keep on fightin', keep on fightin', keep on fightin', keep on fightin', keep on fightin', keep on fight
01:35:15keep on fightin', keep on fightin', keep on fightin', keep on fightin', keep on fightin', keep on fightin', keep on fightin', keep on fightin', keep on fightin', keep on fightin', keep on fightin', keep on fightin', keep on fightin', keep on fightin', keep on fightin', keep on fightin', keep on fightin', keep on fightin', keep on fightin', keep on fightin', keep on fightin', keep on fightin', keep on fightin', keep on fightin', keep on fightin', keep on fightin', keep on fightin', keep on fightin', keep on fightin', keep on fightin', keep on fightin', keep on fightin', keep on fightin', keep on fightin', keep on fightin', keep on fightin', keep on fightin', keep on fightin', keep on fightin', keep on fightin', keep on fightin', keep on fightin', keep on fightin', keep on fightin', keep