After finishing his training at a ninja academy, an army veteran travels to the Philippines. Eventually, he assists his friend in safeguarding the latter's property from the Filipino land mafia.
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Short filmTranscript
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00:13:42Please review for me the nine levels of power.
00:13:46Rin.
00:13:48Strength of mind and body.
00:13:53Pyo.
00:13:54Direction of energy.
00:13:58To.
00:14:00Harmony with the universe.
00:14:05Sha.
00:14:06Healing self and others.
00:14:10Kai.
00:14:11Premonition of danger.
00:14:15Jin.
00:14:16Knowing the thoughts of others.
00:14:20Retsu.
00:14:21Mastery of time and space.
00:14:25Zai.
00:14:26Controlling the elements of nature.
00:14:31Zhen.
00:14:33Enlightenment.
00:14:37You have done well.
00:14:39You have passed every test.
00:14:42♪
00:14:56This scroll is your license as master of ninjutsu.
00:15:02It contains the wisdom of every generation of ninja that has passed before you.
00:15:09Years from now, you will add your knowledge to this scroll and pass it on to your closest student.
00:15:17♪
00:15:35To the new ninja!
00:15:37Kampai!
00:15:38Kampai!
00:15:39Kampai.
00:15:46You did not drink, Hasakawa.
00:15:48He is no ninja.
00:15:51He has earned the right, Hasakawa.
00:15:53No!
00:15:54You are not to say anything more.
00:15:56Let him speak, Master Kimura.
00:16:02My ancestors were samurai from Iga.
00:16:05I come from great warrior family.
00:16:08Cole has come all the way from overseas to study with us.
00:16:10He has mastered ninjutsu.
00:16:12He is a ninja.
00:16:14He is no ninja.
00:16:20You will stay in the Philippines long?
00:16:22Long enough to visit a friend.
00:16:24And then?
00:16:25I like to keep moving.
00:16:27No matter where you go, you must always hold your power.
00:16:31It is very easy to go wrong like Hasakawa.
00:16:35He is bitter and frustrated.
00:16:37I am sorry about what happened yesterday.
00:16:40Master Kimura, why is Hasakawa so frustrated?
00:16:44Because it is the 20th century.
00:16:46In Japan, there is no samurai, no ninja.
00:16:50In a different time, Hasakawa would have been a great warrior.
00:16:54I understand.
00:16:56You have been a good teacher, Master Kimura.
00:16:59Cole, always be strong enough to avoid bitterness.
00:17:04And use your strength to help the least fortunate.
00:17:08I will do my best.
00:17:29This is the nearest service to home.
00:17:31Please leave your party at the central terminal.
00:17:35Taxi service to downtown Manila is available in front of you.
00:17:59Thank you.
00:18:23Stop!
00:18:24Right there.
00:18:30The bag.
00:18:32Put it down.
00:18:41Find anything interesting?
00:18:51Son of a bitch! How the hell are you?
00:18:54Bastard!
00:18:57Nice meeting you.
00:18:59How the hell are you?
00:19:02Frank, good to see you.
00:19:04How about a drink?
00:19:06Yes, something cold and wet.
00:19:08Do you have to have a drink? You just got up.
00:19:12I don't have to.
00:19:14I just choose to.
00:19:17I don't have to.
00:19:19I just choose to.
00:19:21I don't have to.
00:19:23I just choose to.
00:19:32I guess I should have mentioned that Cole was coming.
00:19:35He and I go back a long way.
00:19:37Don't we?
00:19:39Yeah.
00:19:41Enough of late to wake up.
00:19:45So, how's Mary life?
00:19:47Two years of absolute bliss.
00:19:50Does she always greet your friends with a shotgun?
00:19:52Always.
00:19:56No, I don't drink alcohol.
00:19:58Yes, as well.
00:19:59Perhaps you'd like to have a glass of cold orange?
00:20:02Yes, thank you.
00:20:06I take it you'll be joining us for dinner?
00:20:11Do I have a choice?
00:20:15Frank, show your friend where he can clean up
00:20:19before we eat.
00:20:24To the old days.
00:20:29Are you sure you won't have a liqueur?
00:20:31It's good for the digestion.
00:20:34All right.
00:20:39So, what were you doing in Japan, Cole?
00:20:42Studying Yesha girls?
00:20:44Studying Kung Fu, more likely.
00:20:46Kung Fu, my ass. I know him.
00:20:49I'm sorry I hurt you.
00:20:52And it wasn't Kung Fu.
00:20:54Whatever it was,
00:20:56maybe you should give Marianne a few lessons.
00:21:02Maybe he should.
00:21:05She's got a lot of spirit to her, doesn't she?
00:21:08I love her for that.
00:21:10Thank you.
00:21:13Okay, Frank, what's the problem?
00:21:15What problem? What are you talking about?
00:21:18You sent a cable.
00:21:20I haven't seen you in a long time,
00:21:23and I missed you.
00:21:25Come on, Frank.
00:21:27You never send cables unless you got a problem.
00:21:31It's the land, Cole.
00:21:33They want to take it away from us.
00:21:36What do you mean, they want to take away the land?
00:21:39They want us to sell.
00:21:43Then sell it. Make a profit for yourself.
00:21:46I can't do that.
00:21:48Marianne loves it here.
00:21:50It's her whole life.
00:21:52Okay, then don't sell it.
00:21:54That's the problem.
00:21:56They won't take no for an answer.
00:22:01They? Who?
00:22:03This is where I like to spend most of my time,
00:22:06with the workers.
00:22:08I want you to meet my old friend, Cole.
00:22:11He'll be staying with us for a while.
00:22:13Welcome.
00:22:15Sir, do you want me to set up a cart fight for your guests?
00:22:18We'll win today, boss.
00:22:20Bet your ass we will.
00:22:22Here, put 200 pesos on it.
00:22:24200 pesos?
00:22:26Tena, tena.
00:22:28Get your bats off here.
00:22:30Come on.
00:22:32Let those suckers down.
00:22:34Come on, you.
00:22:36Come on, you.
00:22:38Fight, fight.
00:22:40Kill it, kill it.
00:22:42Fight, fight.
00:22:44We're winning it.
00:22:46Let's do it, baby.
00:22:48Let's do it.
00:22:50Come on.
00:23:01Morning.
00:23:03Morning.
00:23:07I'm going into town.
00:23:09Do you want to come?
00:23:11Okay.
00:23:14Okay.
00:23:35This is my first stop.
00:23:37I have to pay the workers today
00:23:39and pick some money up at the bank.
00:23:42If you want to look around the town,
00:23:44I'll pick you up in half an hour.
00:23:46All right.
00:24:09Good day.
00:24:13Look at this.
00:24:21Good morning to you, Mr. Horton.
00:24:23Morning.
00:24:25Morning.
00:24:27Morning.
00:24:30You in town?
00:24:32The name's Dollars.
00:24:34Like some dirty pictures?
00:24:36Or maybe you're the religious type.
00:24:38Look at these.
00:24:41Gold.
00:24:43I'll make you a hell of a deal.
00:24:45This one's even cheaper.
00:24:47If you got dollars, it's 20 bucks.
00:24:49Make it 10.
00:24:51What the hell's that about?
00:24:53I told you to give me the money now.
00:24:55I usually charge for information.
00:24:58But this one's on the house.
00:25:00He's called the Hook for obvious reasons.
00:25:04When he had both of his hands,
00:25:06he was a real son of a bitch.
00:25:08Now he's a lot worse.
00:25:10God help me.
00:25:12Thank you.
00:25:14You're a very nice man.
00:25:16Thank you.
00:25:18It looks like the problem has been solved.
00:25:20What nice man?
00:25:22If you are late again...
00:25:24The Hook!
00:25:26Next time, you pay on time!
00:25:29I wouldn't if I were you.
00:25:32Some businessman, huh?
00:25:34You better believe it.
00:25:36He comes down on my business, too.
00:25:39Boy, I'd like to see him get his.
00:25:42So tell me.
00:25:44What do you think of our town?
00:25:47Well, you got some people that play pretty rough, I'll say that.
00:25:50I know.
00:25:52It wasn't like that when we came.
00:25:55You're lucky you live out of town.
00:26:00Oh, my God, they're back!
00:26:02For God's sake, leave him alone!
00:26:05I said leave him alone!
00:26:36You okay?
00:26:38I am now.
00:26:43Mrs. Landers!
00:26:45Yes, Pee Wee.
00:26:49We are all leaving.
00:26:51We cannot stay.
00:26:54No, I know.
00:26:56I understand.
00:26:58After all you've been through.
00:27:00Can we have our money now?
00:27:03Yes.
00:27:05Yes, of course.
00:27:08Yes, of course.
00:27:31Do you see?
00:27:33Now we've got three boys left.
00:27:38Can I help?
00:27:43Have you ever been a farmer?
00:27:45Nope.
00:27:47No? Neither have I.
00:27:49Not till I came here.
00:27:51Do you know this plantation's been here for 200 years?
00:27:55Some of the workers.
00:27:57The ones that left today, they were families.
00:28:00They were born here.
00:28:02It's a great pity.
00:28:05How long has Frank been like this?
00:28:08The drinking?
00:28:10Since the problem started.
00:28:13This place has become a haven for criminals.
00:28:16And it's getting worse and worse.
00:28:19Maybe he doesn't care anymore.
00:28:21But I care.
00:28:23I love it here.
00:28:25It's become my home.
00:28:27And nobody, nobody is going to drive us away.
00:28:35You see?
00:28:37I'm stubborn.
00:28:39So I've noticed.
00:28:41Hyah! Hyah!
00:29:05Morning, Fred.
00:29:07Did you change your mind?
00:29:09I still got that watch.
00:29:11I see you know Dollars, our minister of information.
00:29:14He tried to sell me a watch.
00:29:16Probably stole it off a corpse.
00:29:18If you're looking for your wife, I know where she is.
00:29:22Tell me.
00:29:23Money talks.
00:29:25Put it on the house account, Dollars.
00:29:28Alberto's bar.
00:29:30She's looking for workers.
00:29:33Come on, Cole.
00:29:35Let's get a morning drink.
00:29:37Up.
00:29:41Up, two, three, four.
00:29:43Come on.
00:29:45I've worked on plantations all my life.
00:29:47Thank you.
00:29:48Mr. Trinidad, can you tell me how old you are?
00:29:50I'm 65 years old.
00:29:52Yes, good morning to you.
00:29:53Good morning.
00:29:54How's everybody this morning?
00:29:55It's terrific to see you all.
00:29:58Did you find any live ones?
00:30:00They're all frightened.
00:30:02I'm glad you dressed for the occasion.
00:30:04We were jogging all morning.
00:30:05Do you see who's here?
00:30:06Yeah, I see him.
00:30:07Scrum, your usual mistake.
00:30:09What about you, sir?
00:30:11Lemonade.
00:30:12Lemonade?
00:30:13That stuff will kill you, Cole.
00:30:15Look, could we just choose some people?
00:30:16I'd like to get out of here.
00:30:19Hey, what about my lemonade?
00:30:21Look, please, listen to me.
00:30:23Listen.
00:30:24We're looking for people to work for us.
00:30:27We pay well, you'll have good quarters,
00:30:30but we need you to stay for at least a year.
00:30:33Now, who will work for us?
00:30:49Please, don't leave, please.
00:30:51Mrs. Landers, you cannot work your land without help,
00:30:55so you will have to sell it.
00:30:58We will find help, and we will not be selling.
00:31:02Excuse me.
00:31:03Does that happen to be stainless steel?
00:31:07Alberto, it's time for another iced tea.
00:31:10Excuse me, mister.
00:31:12Are you looking for a job with Sam?
00:31:17So what are you doing in here?
00:31:21Having a drink.
00:31:22Ah.
00:31:25Oh, I'm sorry, I'm terribly sorry.
00:31:27Why don't you do your drinking somewhere else?
00:31:30What did you say?
00:31:32You hurt me.
00:31:37Gentlemen.
00:31:38Gentlemen, let's be reasonable.
00:31:40Why don't we talk?
00:31:43I thought we were gonna talk.
00:31:47Come on, give it to him.
00:31:52No, no, he's terrific, he can handle it.
00:31:57Go ahead, baby, give it to him.
00:31:59Right, right, get off.
00:32:20Sorry about your friends.
00:32:27You should be more careful swinging this thing around.
00:32:33It's stainless steel, Frank.
00:32:36Oh, Frank, let's get out of here.
00:32:38We must find some workers.
00:32:45Hang around, I'll be back.
00:32:58You wait here.
00:33:01Hello, girls, hello.
00:33:05The figure should exceed 37 million euro dollars.
00:33:08Hello, hello.
00:33:09Awaiting your reply, et cetera, et cetera.
00:33:13And my usual closing.
00:33:15And Mr. Venores wants copies to Frankfurt, Zurich and Sao Paolo.
00:33:19And of course, our office in Berlin.
00:33:21I'm sorry, I'm sorry.
00:33:23And Mr. Venores wants copies to Frankfurt, Zurich and Sao Paolo.
00:33:26And of course, our office in Riyadh.
00:33:35Mr. Sutt?
00:33:36Yes, sir.
00:33:37Were my conclusions on the Landers property correct?
00:33:40A thousand percent, sir.
00:33:42The oil potential is incredible.
00:33:45Mr. Parker, I do hope Siegfried has good news for us.
00:33:49I do too, sir.
00:33:51Well, Siegfried, do you have good news for Mr. Venores?
00:33:54Not exactly, Mr. Venores.
00:33:57Don't address Mr. Venores directly.
00:34:00I'm sorry.
00:34:02Mr. Parker, see if Siegfried understands our problem.
00:34:06You see, Mr. Venores...
00:34:07I told you not to speak to him.
00:34:11Yes, sir.
00:34:12Mr. Parker, you know I'm a logical man.
00:34:15Isn't that correct, gentlemen?
00:34:17Everyone knows you're a logical man, Mr. Venores.
00:34:19Then why can't a simple piece of business be accomplished without all this aggravation?
00:34:24But you see, Frank Landers refuses to sell his land, Mr. Venores.
00:34:29Mr. Parker!
00:34:34Oh, Mr. Glickman.
00:34:35Yes, sir.
00:34:36Is Siegfried still on our payroll?
00:34:38Yes, sir. Mr. Siegfried Schultz is still on our payroll.
00:34:42Then I ask you, Siegfried, what is the problem?
00:34:45The problem is a man.
00:34:48A stranger.
00:34:49What stranger?
00:34:52He's a friend of Frank Landers.
00:34:54Then get rid of him.
00:34:56It's... it's not that easy.
00:34:59Not that easy?
00:35:02No, I need more men. Better men.
00:35:06This friend of Mr. Landers is difficult.
00:35:10We must have Landers' property!
00:35:12I want it!
00:35:13What will it take to get it?
00:35:15More men.
00:35:17Very well. Then you will have them.
00:35:21But this time, I will personally choose them for you.
00:35:37Good afternoon, Mr. Venores, Mr. Parker.
00:35:40I think we will find the quality and the quantity of men needed for this job, Mr. Venores.
00:35:44However, be careful in your choice.
00:35:46Some are not to be trusted, Mr. Venores.
00:35:52Good morning, gentlemen. Mr. Venores is very pleased to see you all.
00:35:57Unfortunately, we can't use all of you.
00:36:01However, we do need ten good men.
00:36:06Men who take pride in their work.
00:36:09Now, how many of you think you're qualified?
00:36:14I'm on it right here, man.
00:36:17I am gratified.
00:36:20To see that there are this many good men here today.
00:36:23This man works for me.
00:36:26Do you think he's a good man?
00:36:30He looks like a fat tub of lard to me.
00:36:36And what is your name?
00:36:38Preacher.
00:36:40Oh? And what do you preach?
00:36:42My sermon for today is do what the man wants done.
00:36:46Very good.
00:36:48Would you kill him for me?
00:36:49What? Hey.
00:36:51I said, kill him.
00:36:55Murder him.
00:36:57Smash him. Waste him.
00:36:59Consider it done.
00:37:01Fast off, get down on your knees and pray.
00:37:06I think he got my point.
00:37:19Now, how many good men do I have?
00:37:21Now, how many good men do I have?
00:37:29Thank you, gentlemen.
00:37:32Mr. Parker.
00:37:36Now then.
00:37:38In order to save time,
00:37:40Mr. Venarius would like you to form pairs.
00:37:42Decide amongst yourselves who's going to work for us.
00:37:46All right, sir.
00:37:48Roberto Regulli sends it up front,
00:37:50backed by Bobby Villa.
00:37:57Villa loses control and Rodrigo Pola sends it back the other way.
00:38:02Special on that play.
00:38:04Villa sends it up front,
00:38:06backed by Bobby Villa.
00:38:09Roberto Regulli sends it up front,
00:38:11backed by Bobby Villa.
00:38:14Special on that play.
00:38:16Villa sends the ball up.
00:38:19It's picked up by Tom Lelas.
00:38:21Goal.
00:38:22Find out about the gentleman with Landers.
00:38:27Find out everything there is to know, Parker.
00:38:32Three minutes to go in the third check.
00:38:35Hernandez has the ball.
00:38:37He shoots it to...
00:38:39No, Pola hooked his mallet and once again Villa has the ball.
00:38:44Why did you play?
00:38:46Are you kidding me?
00:38:48I haven't been on a horse in over a year.
00:38:50I haven't done anything lately.
00:38:52Didn't you see me sitting there on my ass,
00:38:54telling the Lombardos,
00:38:56when you wiped those guys out?
00:38:59I lost it, Cole.
00:39:01Whatever it was, I've lost it.
00:39:03Hey, Frank.
00:39:05What about Africa?
00:39:06What about Africa?
00:39:08That was a hundred years ago, Cole.
00:39:12Yeah.
00:39:14I'm gonna wet my whistle.
00:39:41Come on.
00:39:49Hang in there, buddy.
00:39:55You're gonna be all right.
00:39:57Easy, baby.
00:39:58Easy.
00:39:59There we go.
00:40:12Boss?
00:40:14We're back.
00:40:16Pee-wee.
00:40:17Pee-wee.
00:40:19And my banker.
00:40:20My banker is back.
00:40:22And Maria?
00:40:23Maria is back.
00:40:25Hey, Pedro.
00:40:27Jose, Jose.
00:40:28How good to see you.
00:40:29All of you.
00:40:30Wonderful.
00:40:31Let's have a cockfight.
00:40:34Let's go.
00:40:36Over here, everyone.
00:40:37Around, around in a circle.
00:40:39Come on, everyone.
00:41:04Don't panic.
00:41:05Stay where you are.
00:41:06Stay where you are.
00:41:09Wait a minute.
00:41:13Mr. Landers.
00:41:15Your workers have foolishly gone against the wishes of the union.
00:41:18What the hell are you talking about?
00:41:20They don't belong to any union.
00:41:22They don't?
00:41:24So?
00:41:25I will organize one for them.
00:41:27All you're gonna do right now, mister,
00:41:29is get your goons off my property
00:41:31before I have them thrown off.
00:41:33I told you not to come back.
00:41:36Now I must teach you a lesson.
00:41:39Get away from him, you son of a bitch.
00:41:42Let go of me!
00:41:44Stay where you are!
00:41:45Stay where you are!
00:41:46Get away!
00:41:47Get away!
00:41:48That's the thing!
00:41:51What's going on?
00:41:52What is it?
00:41:53What's wrong with you?
00:41:54Come on!
00:41:55That's that thing!
00:41:56Get away!
00:41:57Get away!
00:41:59Get away, away!
00:42:08No!
00:42:12Go, go, go, go, go, go, go, go, go, go, go, go, go, go, go, go, go, go, go, go, go, go, go, go, go, go, go, go, go, go, go, go, go, go, go, go, go, go, go, go, go, go, go, go, go, go, go, go, go, go, go, go, go, go, go, go, go, go, go, go, go, go, go, go, go, go, go, go, go, go, go, go, go, go, go, go, go, go, go, go, go, go, go, go, go, go, go, go, go, go, go, go, go, go, go, go, go, go, go, go, go, go, go, go, go, go, go, go, go, go, go, go
00:42:42What are you doing? Get him!
00:42:44Schwein!
00:43:02Frank!
00:43:04Frank!
00:43:12Leave my arm! You're breaking my arm!
00:43:15Leave my hand!
00:43:21You bastards!
00:43:23Hey, you forgot something.
00:43:32That's not my last word!
00:43:43Well, Siegfried,
00:43:45what do you think of my work of art?
00:43:49Which one, Mr. Benarius?
00:43:51My living mobile.
00:43:53Which one?
00:43:55The one in the pool, you moron.
00:43:58Oh, it's wonderful. It's a real masterpiece, Mr. Benarius.
00:44:03Oh, I don't know. I'm just not so good today.
00:44:07No, you're not so good.
00:44:09Mr. Parker, I must rest.
00:44:14What is happening with the Lander's affair?
00:44:16He says he needs more men, sir.
00:44:18More men? What happened to the ones I gave him?
00:44:20What did he do with them?
00:44:22It's not what I did with them. It's what he did with them.
00:44:25He? One man?
00:44:28We are afraid of one man?
00:44:31Yes, we are.
00:44:33We are afraid of one man.
00:44:36We are afraid of one man?
00:44:38Yes, he's like an army. He's like a whole army.
00:44:43Mr. Parker, maybe we should recruit this army.
00:44:46It's difficult. It's very difficult. Tell him.
00:44:51Mr. Parker, I am so tired.
00:44:55Please tell this toad that he no longer works for us.
00:45:03Thank you, Mr. Benarius. Thank you.
00:45:07Mr. Parker, please.
00:45:11Please, you take care of this for me.
00:45:14Certainly, sir.
00:45:18Girls, from the top.
00:45:20Yes, Mr. Benarius.
00:45:22Are you ready for my supreme creation?
00:45:25We obviously have a problem
00:45:27and suggest an immediate meeting to reach an understanding.
00:45:32Who's the note from?
00:45:34There's no signature on it.
00:45:36Who gave it to you?
00:45:38No one gave it to me.
00:45:40A jeepney driver wanted to know where you were and I showed him the way.
00:45:43Yeah, and who gets the tip?
00:45:45Not him.
00:45:47So what do we do now?
00:45:49Well, you're not going.
00:45:51Not to meet that bloody hook again.
00:45:53Listen, the hook doesn't mean a thing.
00:45:55He's just a fat little pig working for someone else.
00:45:59He's just a fat little pig working for someone much bigger.
00:46:02A sinner.
00:46:04Exactly.
00:46:06You're not going?
00:46:08Marianne, I think you should go.
00:46:13Hmm?
00:46:17I've got to do this, Marianne.
00:46:25You take care of him.
00:46:28Let's go.
00:46:30Wait.
00:46:32Easy does it.
00:46:34Like in Angola, right?
00:46:40Frank.
00:46:44You asked me to bring him, I brought him.
00:46:50Where are you taking me?
00:46:52You'll see when you get there.
00:46:55I'll give you exactly three seconds to tell me where the meeting is
00:46:59or I break your neck.
00:47:06Fort Santiago.
00:47:13Okay, let's go.
00:47:16Mister, you're not going anywhere.
00:47:25I gave him three seconds.
00:47:27He took five.
00:47:29Anyway, I don't like guns.
00:47:31Take him with us.
00:47:55Should I wait for you, mister?
00:47:57Yeah. Why don't you do that?
00:48:01No. Only Mr. Landers.
00:48:08Psst. Hey.
00:48:20What do you want?
00:48:22What do you want?
00:48:31You know how to use this?
00:48:33Try me.
00:48:35Up there. Keep your eyes open.
00:48:40Stall. Play for time.
00:48:52Fuck.
00:49:23Oh, Mr. Landers.
00:49:25So glad you could come.
00:49:31Who are you?
00:49:33That's not important. I've been instructed...
00:49:35Instructed? By whom?
00:49:38That's also unimportant.
00:49:40Our offer for your land is very generous.
00:49:44You could be paid in cash.
00:49:46Anywhere in the world.
00:49:49You could be paid in cash.
00:49:51Anywhere in the world you wish.
00:50:18How much are we talking about?
00:50:20We're talking about well over seven figures, Mr. Landers.
00:50:25Hmm. Seven figures.
00:50:27I must admit, that's a very interesting proposal.
00:50:31But I'm afraid I have one small problem.
00:50:34I'm sure we can overcome any small problem you may have.
00:50:42You see, you have no time.
00:50:44No time?
00:50:46How much time are you willing to give me?
00:50:49My employer insists on an immediate answer.
00:51:04I'm not selling.
00:51:06Oh, but, Mr. Landers, you must.
00:51:09You see, you have no choice.
00:51:17Where are the men I ordered?
00:51:19There should be 20 of them around here somewhere.
00:51:21Excuse us a moment.
00:51:27Where are the other 14?
00:51:31Just one minute.
00:51:47We have a problem.
00:51:49I've seen the problem.
00:52:03Gentlemen.
00:52:05I believe these belong to you.
00:52:07Thank you, sir.
00:52:10Gentlemen.
00:52:12I believe these belong to you.
00:52:25They're covered, Mr. Parker.
00:52:27Drop that gun or you're a dead man.
00:52:32My friend doesn't like guns.
00:52:34They make him nervous.
00:52:36They make him nervous.
00:52:38So why don't you put them down?
00:52:40Now!
00:52:45All of you!
00:52:53Okay.
00:52:55The odds are even.
00:52:59Get them.
00:53:06Come on.
00:53:37Hyah!
00:53:47Hyah!
00:54:07I missed my old man when he was alive.
00:54:10He was never there for me.
00:54:12Maybe that's why I'm afraid to have kids.
00:54:17What about Marianne?
00:54:19I don't know.
00:54:21We never really talk about it.
00:54:27Don't get me wrong, Colt.
00:54:29She's a very sexy lady.
00:54:31She wants it all the time.
00:54:33But the problem is I can't get it up for her lately.
00:54:37And for Christ's sake, Colt,
00:54:39she deserves more than that.
00:54:41Don't you think?
00:54:43Anyway, we were terrific tonight.
00:54:47You know what I want to do right now
00:54:50is just get stoned out of my mind.
00:55:03Oh, my God.
00:55:33© BF-WATCH TV 2021
00:56:04Mmm. I feel terrific.
00:56:06Just absolutely sensational, boy.
00:56:08I slept like a baby last night.
00:56:10I haven't felt this good.
00:56:12I can't tell you what a good fight does for your appetite.
00:56:15Thank you.
00:56:17It's just absolutely sensational.
00:56:19A few more fights like that, Colt,
00:56:21and I'm going to be in wonderful condition.
00:56:23Did you see the left hook I gave him?
00:56:25Just absolutely amazing.
00:56:27Knocked him right across the floor.
00:56:29Mmm. I feel in power this morning.
00:56:31What was the name of that guy in the Belgian Congo?
00:56:34Remember him? Kind of a lean-faced, mean-looking guy.
00:56:37I mean, he really came on to us so rough.
00:56:40Remember how we laid him out?
00:56:42It was in that bar in the Belgian Congo.
00:56:48Thank you.
00:56:50Don't you ever get tired of the sound of your own voice?
00:56:54God knows I do.
00:56:56What's the matter with you, Marianne?
00:56:59Didn't you get enough sack time last night, huh?
00:57:10Anyone for tennis?
00:57:1620 men? He got rid of 20 men? That is impossible!
00:57:20Impossible or not, sir, he took care of them all.
00:57:23This is due to one man?
00:57:25Not an ordinary man, sir.
00:57:27A ninja.
00:57:30A what?
00:57:32Someone who has studied ninjutsu.
00:57:34I made some notes.
00:57:37Ninjutsu, the ancient Japanese art of assassination.
00:57:41The ninjas were the private killers for the ancient Japanese clans.
00:57:44That's preposterous.
00:57:46This is 20th century Manila, not feudal Japan.
00:57:49Well, preposterous or not, sir,
00:57:51we're dealing with a highly disciplined person
00:57:54who, like in ancient times, excels in martial arts,
00:57:57swordsmanship, archery and poisons.
00:57:59These men are able men in many parts.
00:58:01And these men are still available in modern Japan?
00:58:04Oh, yes, sir.
00:58:06Well, some are teachers, doctors, lawyers,
00:58:08with superior discipline and power.
00:58:10But nowadays they only use it for self-discipline.
00:58:12And this ninja is working for Landers?
00:58:15Well, I want a ninja.
00:58:18Find me a ninja who believes in the old ways, Mr. Parker.
00:58:24I'll have to go to Japan, sir.
00:58:26Then why are you still here, Mr. Parker?
00:58:40I have all the actors.
00:58:42I have opera singers, acrobats, whatever you want, Mr. Parker.
00:58:46But, Mr. Masuda, you don't seem to understand.
00:58:49Of course I understand.
00:58:51You want acrobat swordsman.
00:58:54Not exactly. You're close.
00:58:57Well, I have the man.
00:58:59He very good make five pictures with Mr. Kurosawa.
00:59:03He played samurai.
00:59:06Also make picture here with Robert Mitchum.
00:59:10He can ride horseback.
00:59:12He's best swordsman in Japan.
00:59:14Mr. Masuda, do you represent a ninja?
00:59:18Do I what?
00:59:20A real ninja.
00:59:22Oh, ninja.
00:59:26No more ninja here in Japan.
00:59:28Ninjas here hundreds of years ago.
00:59:31What about you?
00:59:35I want a ninja.
00:59:37A professional ninja.
00:59:41You want ninja.
00:59:44I find ninja.
00:59:51You are certain your needs are for good cause?
00:59:55Most certain, Master Komori.
00:59:58We have great problems with violence in our little town.
01:00:02We need help.
01:00:04Then I think I have the right man for you.
01:00:09Hasegawa.
01:00:11Gentlemen, please.
01:00:20♪
01:00:51♪
01:01:17Excellent.
01:01:20♪
01:01:35Gentlemen, I will now deal as agent for ninja Hasegawa.
01:01:50♪
01:02:20♪
01:02:46Who sent you?
01:02:48Who sent you?
01:02:50Venerius, Charles Venerius.
01:02:52Why?
01:02:53He didn't tell me.
01:02:55Where do I find him?
01:02:57Where do I find him?
01:02:59The penthouse, 814 Rojas Boulevard.
01:03:08Give him a message for me.
01:03:10Yeah, what message?
01:03:12I don't like to be followed.
01:03:18Never mind. I'll tell him myself.
01:03:48♪
01:04:18♪
01:04:49Mr. Parker speaks highly of you.
01:04:52Thank you, sir.
01:04:56When will you do this, uh, job?
01:04:59At once, sir.
01:05:02And if you fail?
01:05:04Then I do not wish to live.
01:05:19You fellas interested in art?
01:05:24Not bad.
01:05:26Step inside, fellas. I'll make you one hell of a deal.
01:05:29Look at that. Pretty.
01:05:31Come on. Did you ever see a musician like that, huh?
01:05:42Look at this one.
01:05:44That's my friend.
01:05:46This girl is free!
01:05:55Hey, maybe we can use these.
01:05:57Yeah?
01:05:59Come on.
01:06:17There.
01:06:21Four months and he's killing me.
01:06:23He still does no job.
01:06:47What a crazy office this is.
01:06:50I wouldn't mind taking a dip.
01:06:55Boy, is this guy loaded.
01:06:59Got bad taste in paintings, though.
01:07:05It's the strangest office I've ever seen.
01:07:08I don't know what to do.
01:07:11Now, I know what to do with this guy.
01:07:14Not bad.
01:07:16I'll do the job.
01:07:18You do?
01:07:20Uh, you're in the chief's office.
01:07:23Yes, sir.
01:07:25You're in the chief's office?
01:07:27Yes, sir.
01:07:28Then you're in the chief's office.
01:07:30Yes, sir.
01:07:32What's going to happen to this guy?
01:07:34If he can't do this job,
01:07:36he'll be the chief's deputy.
01:07:38Now, I know why Venarius wants Frank's land.
01:07:41It's worth a fortune, according to this geological report.
01:07:44What?
01:07:46Oil.
01:07:49Hey, they got blue movies here.
01:07:52Oh, I hope this is one I haven't seen.
01:08:01What the heck's this?
01:08:09Look at that guy with the bow and arrow. What's he up to?
01:08:17Is this for real?
01:08:20Looks like...
01:08:23Looks like some kind of a thriller.
01:08:31Man, that guy's a mean son of a bitch.
01:08:38Who?
01:08:45Hasegawa.
01:08:46Who?
01:08:51Just who the hell is that character?
01:08:54Someone I went to school with in Japan.
01:09:38I don't know.
01:10:05Where's Cole?
01:10:06I'm not sure. I think he went into Manila.
01:10:10You like him, don't you?
01:10:14Yes.
01:10:16Yes, I do. Very much.
01:10:18He's quite a guy, isn't he?
01:10:22Something wrong, Frank?
01:10:25You know, when we first came out here,
01:10:28we used to have a little table.
01:10:30And we sat practically on top of each other.
01:10:33Now you're a million miles away.
01:10:37You know what?
01:10:40You look much better.
01:10:41Clean-shaven.
01:10:42I think you should do it more often.
01:10:44It suits you.
01:10:45Or maybe I should just grow a mustache.
01:11:07You know, Marianne,
01:11:09there are times when I...
01:11:11when I wake up in the morning
01:11:13and I look at this guy in the mirror and I say,
01:11:17what the hell are you doing with your life, Frank?
01:11:21And you know something?
01:11:24Son of a bitch never answers me.
01:11:28I think you're being a little hard on yourself.
01:11:31Unnecessarily so, I think.
01:11:33Maybe I just played out my hand.
01:11:38Frank.
01:11:40Please.
01:11:43I don't know anymore, Marianne.
01:11:46I just don't know.
01:11:48Ah!
01:11:49Oh!
01:11:53Wait!
01:11:54Marianne! Be careful!
01:11:57Wait!
01:11:58Marianne! Be careful, please!
01:12:00It's all right, Frank.
01:12:02Guards!
01:12:03Marianne, wait until the guards come!
01:12:06Guards!
01:12:10Guards?
01:12:12Is anybody out there?
01:12:16Marianne, wait for me!
01:12:17Where's my goddamn pistol?
01:12:26Marianne!
01:12:44Marianne, where are you?
01:12:50Where's everybody?
01:12:56Marianne!
01:13:03Marianne!
01:13:07Frank!
01:13:26Marianne!
01:13:42Marianne!
01:13:46Marianne, answer me!
01:13:57Ah!
01:14:14Ah!
01:14:16Ah!
01:14:27Ah!
01:14:41Marianne!
01:14:56Marianne!
01:15:07I'm sorry, Marianne.
01:15:09I'm sorry.
01:15:10Forgive me.
01:15:13I'm sorry.
01:15:26I'm sorry.
01:15:52Where are the guards?
01:15:56Where is everybody?
01:16:17This really is too much, Mr. Parker.
01:16:20I think we should activate our visitor from Japan.
01:16:24I have already, sir.
01:16:27He should be well into his work by now.
01:17:24Come on.
01:17:25Let's go.
01:17:53Come on, let's go.
01:18:24Ah!
01:18:37Cover me.
01:18:38You've got it, Twinkle Toes.
01:18:39Keep running and leave it to me.
01:18:44Oh, listen to this.
01:18:46The war is over.
01:18:47The goddamn war is over.
01:18:49What do you say?
01:18:50What are you going to do now?
01:18:52I'm going to find myself a good woman and live to be a hundred.
01:18:57What about you?
01:18:59I don't know.
01:19:00Find another war, I guess.
01:19:08Marianne!
01:19:20Marianne!
01:19:50Marianne!
01:20:21Door.
01:20:22Door.
01:20:31It's locked.
01:20:39Wow.
01:20:40Wow.
01:20:41Wow.
01:20:42Wow.
01:20:43Wow.
01:20:44Wow.
01:20:45Wow.
01:20:46Wow.
01:20:47Wow.
01:20:48Wow.
01:20:49Wow.
01:20:50Wow.
01:20:51Wow.
01:20:53Shh, shh, shh.
01:20:54Shh, shh.
01:20:55Shh, shh.
01:21:20Jimmin, Jimmin, Jimmin, Jimmin.
01:21:22You want to?
01:21:23You want to?
01:21:24You want to?
01:21:25You want to?
01:21:26No.
01:21:27Crucify him!
01:21:28Crucify him.
01:21:30Crucify him!
01:21:37Claire, Claire, Claire.
01:21:43Yeah, yeah, yeah.
01:21:47Oh my god.
01:21:50Stay where you are, mister.
01:22:10Pity he wasn't Japanese.
01:22:12He might have enjoyed his harakiri then.
01:22:16You didn't have to kill half our guards, you know.
01:22:18Mr. Venoris is expecting you.
01:22:21Come on. I'll take you to him.
01:22:29Interesting outfit. Who's your tailor?
01:22:48Sus. Unlock the gate.
01:23:13Where is he?
01:23:15He's waiting outside in the car, sir.
01:23:16He killed Elliot and a couple of guards back at the office.
01:23:19Why didn't he kill you?
01:23:21Oh, he doesn't want me, sir. I've got a message for you.
01:23:23Oh, really?
01:23:25Yes. He says he'll kill you if you don't release the girl and leave her property alone.
01:23:29Is that so?
01:23:31Well, bring him in to me, Mr. Parker.
01:23:34I am a reasonable man.
01:23:36Sir.
01:23:47Mr. Venoris!
01:23:50Mr. Venoris!
01:23:53Sir!
01:23:55Sir, he's gone. He's killed all the guards and the boss didn't even disappear.
01:23:58No. No.
01:24:00He's here.
01:24:02Oh, yes.
01:24:04He's here.
01:24:06He's here.
01:24:08He's here.
01:24:10He's here.
01:24:12He's here.
01:24:14He's here.
01:24:16He's here somewhere.
01:24:22You are here, aren't you, Ninja?
01:24:26Ninja?
01:24:29Ninja?
01:24:31Show yourself.
01:24:33I'm ready to talk.
01:24:47Well, don't just stand there!
01:24:50Find him!
01:24:52Mr. Parker!
01:24:54Bring me that woman!
01:24:56And where the hell is our Ninja?
01:24:58Sir!
01:25:17Hmm.
01:25:33Cheat.
01:25:39What's this jazz?
01:25:41I don't know, brother.
01:25:46God!
01:26:16What's that?
01:26:46You!
01:27:16You!
01:27:24Ninja?
01:27:26Ninja!
01:27:30Ninja!
01:27:31Ninja!
01:27:45Ninja! I told you I was ready to talk!
01:27:55Mr. Parker!
01:27:56I want my black Ninja and I want him now!
01:28:10Ninja!
01:28:12I've got to go!
01:28:15I'll shoot her if you don't show yourself now!
01:28:19Just one moment, Mr. Parker.
01:28:23Ninja?
01:28:25Ninja?
01:28:27Listen.
01:28:29I really do want to talk to you.
01:28:32And I don't want to kill a girl.
01:28:40Don't let her go!
01:28:43I think I've been heard, sir.
01:28:55Ninja!
01:29:08So there you are.
01:29:10Perhaps we better give in, sir.
01:29:14Now we can talk.
01:29:18If you want your Mr. Parker alive, you better listen to me.
01:29:22Who said I wanted Mr. Parker alive?
01:29:25Oh!
01:29:29But, sir...
01:29:32Oh!
01:29:34Now, wait, wait, Ninja, wait.
01:29:37Why don't we speak like civilized men?
01:29:41You are Ninja, a hired assassin.
01:29:46Why don't you come to work for me?
01:29:49My position has become vacant.
01:29:52I'm not for hire.
01:29:54Then what were you doing working for Frank Landers?
01:29:58He was my friend.
01:30:00You... You killed him.
01:30:02And now I'm going to kill you.
01:30:25Marianne!
01:30:28Are you all right?
01:30:37Oh!
01:30:44Hasegawa.
01:30:54Hasegawa.
01:31:25DOOR SLAMS SHUT
01:31:46Go home.
01:31:49What about you?
01:31:51I'll see you later, I hope.
01:31:54I'll see you later.
01:32:24DOOR SLAMS SHUT
01:32:54MUSIC PLAYING
01:33:25DOOR SLAMS SHUT
01:33:37DOOR SLAMS SHUT
01:33:50DOOR SLAMS SHUT
01:33:54GRUNTING
01:34:10GRUNTING
01:34:20GRUNTING
01:34:24GRUNTING
01:34:33GRUNTING
01:34:43GRUNTING
01:34:46GRUNTING
01:34:54GRUNTING
01:35:08GRUNTING
01:35:18GRUNTING
01:35:24GRUNTING
01:35:30GRUNTING
01:35:36GRUNTING
01:35:44GRUNTING
01:35:45GRUNTING
01:35:56You have won with honour.
01:36:01Allow me to die with honour.
01:36:09Cut the dick.
01:36:12GRUNTING
01:36:16GRUNTING
01:36:20GRUNTING
01:36:22GRUNTING
01:36:32SLICING
01:36:44SLICING
01:36:51SLICING
01:36:54Here, let me take that.
01:37:07Sure you won't change your mind?
01:37:10I have to stay.
01:37:12I owe it to Frank.
01:37:18Will you write?
01:37:21I'll be back.
01:37:52So, who are you going to kill next, Mr Ninja?
01:37:58My dear friend, a true ninja doesn't kill.
01:38:02He eliminates, and only for defensive purposes.
01:38:07Are you looking for Bartok, mister?
01:38:18But there are exceptions.
01:38:19EXCEPTIONS
01:38:49EXCEPTIONS
01:39:19FLOOFY
01:39:29FLOOFY
01:39:34FLOOFY
01:39:44FLOOFY THE FRAMELESS