Heeramandi Netflix New Series 1 Episode No. 3 Full Video In HD 2024 new Series All episodes
Heeramandi Netflix New Series 1 Episode No. 3 Full Video In HD 2024 new Series All episodes
#heeramandionnetflix #heeramandithediamondbazaar #heeramanditrend #trendingseries #trendingpost #trendingonnetflix #Netflix #netflixseries #Netflix2024 #2024series #2024Viral #SanjayLeelaBhansali #netflixmovies #trendingseries #HD #episode3 #AllEpisodes #FullVideo
Heeramandi is a historical drama series directed by Sanjay Leela Bhansali, set in the vibrant and culturally rich district of Heeramandi in Lahore. The series explores the lives of courtesans, their artistry, and their influence during the pre-independence era. Through intricate storytelling and lavish sets, "Heeramandi" delves into the complexities of love, betrayal, politics, and survival in a world where beauty and talent were both celebrated and commodified. The series promises a visually stunning portrayal of a bygone era, blending music, dance, and drama in classic Bhansali style.
#heeramandionnetflix #heeramandithediamondbazaar #heeramanditrend #trendingseries #trendingpost #trendingonnetflix #Netflix #netflixseries #Netflix2024 #2024series #2024Viral #SanjayLeelaBhansali #netflixmovies #trendingseries #HD #episode3 #AllEpisodes #FullVideo
Heeramandi is a historical drama series directed by Sanjay Leela Bhansali, set in the vibrant and culturally rich district of Heeramandi in Lahore. The series explores the lives of courtesans, their artistry, and their influence during the pre-independence era. Through intricate storytelling and lavish sets, "Heeramandi" delves into the complexities of love, betrayal, politics, and survival in a world where beauty and talent were both celebrated and commodified. The series promises a visually stunning portrayal of a bygone era, blending music, dance, and drama in classic Bhansali style.
Transcript
00:00:00There's a room left at the door.
00:00:05You'll go by yourself?
00:00:07What'll happen if I go alone?
00:00:09I'll help you.
00:00:10Jean-Loup will go get those papers.
00:00:19There's going to be no
00:00:23Sign this, and we'll leave.
00:00:26Sign what?
00:00:28Rihanna Abba left two mansions in her property.
00:00:32If you get the royal palace,
00:00:34then the dream house should be ours.
00:00:37When the right time comes,
00:00:38the dream house will be yours.
00:00:41I promise.
00:00:43And what if you break your promise?
00:00:46Look, Zulfi.
00:00:48This is the result of our good deeds.
00:00:51You don't trust your sister.
00:00:54She was Rihanna Abba's sister.
00:00:56She killed her and left us as her servants.
00:00:58Waheeda, you're crossing the line.
00:01:01Sign it, Abba.
00:01:04What if I don't?
00:01:06We're the witnesses of Rihanna Abba's murder.
00:01:09You and your queen will both be hanged.
00:01:18You're threatening me.
00:01:19I'm not threatening you.
00:01:21I'm giving a statement to the police.
00:01:24Sign it.
00:01:31You hit me?
00:01:33You're a traitor.
00:01:40I've only given you a wound today.
00:01:44Next time you mention Rihanna's murder,
00:01:46I'll kill you.
00:02:19Iqbal!
00:02:21Waheeda's dead.
00:02:23Your prayers have not been answered, Abba.
00:02:26I'm alive.
00:02:27Mashallah.
00:02:28Come on in.
00:02:30I have something to tell you before I come in.
00:02:32Hurry up.
00:02:33We're not going on a walk.
00:02:34We're going to the court.
00:02:35This is the last time.
00:02:36I'm going to the court with you.
00:02:39Promise me, Abba.
00:02:40The judge's decision is final.
00:02:43I promise.
00:02:45I'm going to the court with you.
00:02:47Promise me, Abba.
00:02:48The judge's decision is final.
00:02:50I promise.
00:02:52If you don't come with us now,
00:02:54neither will Khuabga belong to you,
00:02:56nor to Nawab Sami's widow,
00:02:58nor to his son.
00:03:00Khuabga's real rightful owner is back.
00:03:05Faridun?
00:03:06Who else?
00:03:07Come on.
00:03:11Iqbal!
00:03:13Let's go.
00:03:23Your Honor, this woman is as immoral and immoral as she looks.
00:03:29Under the guise of the royal palace,
00:03:31she sells women.
00:03:34Through these women,
00:03:35she traps decent and respectable men
00:03:38and forms physical relations with them.
00:03:41Then, when the time comes,
00:03:42she takes their property.
00:03:44Objection, My Lord.
00:03:45Let it be, Mr. Siddiqui.
00:03:47Let him make the accusation.
00:03:49Allah knows that we are innocent.
00:03:53We are sinners.
00:03:54My Lord,
00:03:55we are not well.
00:03:57I request you
00:03:59to extend the date of this case.
00:04:02No, My Lord.
00:04:04With this trick,
00:04:05he has dragged this case for 15 years.
00:04:08The hearing of the case should take place today.
00:04:10We also want this case to go on for a lifetime.
00:04:13Come on.
00:04:14Give me a chair so that I can sit and breathe.
00:04:18Give her a chair.
00:04:20Thank you.
00:04:28So, Khureshi,
00:04:30what were you saying?
00:04:32I was saying, My Lord,
00:04:33that this despicable woman
00:04:35has used this trick
00:04:37to take over the mansion
00:04:39of the late Nawab Sami,
00:04:40the father of Amar Khan.
00:04:41Objection, My Lord.
00:04:42Mr. Siddiqui,
00:04:43please sit down.
00:04:44We are present here.
00:04:46We have no objection, My Lord.
00:04:48Please ask.
00:04:49You are not only a good Tawaif,
00:04:52but also a good actor.
00:04:54By the way,
00:04:55how long have you been in Ramandi?
00:04:56My Lord,
00:04:58I am in a lot of pain.
00:05:00If you allow me,
00:05:02can I take some medicine?
00:05:05Yes.
00:05:07Give it to me.
00:05:16Please ask.
00:05:17You are a good Tawaif,
00:05:19that is why you are drinking like this.
00:05:21My Lord,
00:05:22now she has an objection to my medicine.
00:05:25If you don't believe me,
00:05:26then see for yourself
00:05:27whether it is medicine or alcohol.
00:05:29And the one you call a Tawaif,
00:05:33I am a good actor.
00:05:35People call me a troublemaker.
00:05:41People call me a looter.
00:05:46People are right.
00:05:47She has robbed Khwab Gah as well, My Lord.
00:05:50Mr. Siddiqui,
00:05:51will you take the objection or should I?
00:05:54I object, My Lord.
00:05:56She didn't rob,
00:05:57she robbed.
00:05:59Nawab Sami Sahab
00:06:00did a great job on Rehana Apa,
00:06:02My Lord.
00:06:04He was happy and gave her as a reward.
00:06:07He loved Rehana Apa.
00:06:09Ask his widow.
00:06:16And after Rehana Apa's death,
00:06:18being her heir,
00:06:21Khwab Gah and my younger sister
00:06:24got married to Waheeda.
00:06:26Wow!
00:06:27You have divided the mansion among yourselves.
00:06:29We all know what happens in Hira Mandi
00:06:31under the guise of acting.
00:06:33We all know.
00:06:34It looks like a civilized fair.
00:06:35False love is nurtured.
00:06:37Women are taught to respect.
00:06:40The body is sold.
00:06:41Waheeda!
00:06:45Remove the mask and show me your face.
00:06:56Did you see, My Lord?
00:06:58Today we want to show the real face of Hira Mandi.
00:07:03She has a scar.
00:07:05It fills my eyes
00:07:07when I see her.
00:07:10Mine too.
00:07:13Sit down, Waheeda.
00:07:15I understand your pain.
00:07:19This wound is a gift from a Nawab.
00:07:23You are not asking for it back.
00:07:26But you are asking for Khwab Gah back.
00:07:29My Lord, she is wasting the court's time
00:07:31with these nonsense.
00:07:33Answer the question directly.
00:07:36I will answer the question directly.
00:07:40My Lord, we have the keys to the mansion.
00:07:44If they have a will, please show it to us.
00:07:47And also tell us
00:07:50if she is a legitimate daughter of Nawab Sami.
00:07:54My Lord!
00:07:55What are you doing?
00:07:56Leave her.
00:07:57Leave her.
00:07:58Leave her.
00:07:59Leave her.
00:08:00Leave her.
00:08:01Leave her.
00:08:02Leave her.
00:08:03Leave her.
00:08:04Leave her.
00:08:05Leave her.
00:08:07Leave her.
00:08:08Leave her.
00:08:28So many of them?
00:08:29After so many years, my wish has been fulfilled.
00:08:32I have found my dream.
00:08:35Distribute the rest. I have to pack my things.
00:08:38I'm thinking of going to my dream tonight.
00:08:45Maida.
00:08:51What is she doing here, sister?
00:08:53Her son insulted you so much.
00:08:56I won the case because of his misbehavior.
00:09:04From today, the dream is yours.
00:09:06What are you doing, sister?
00:09:09You gave me the dream.
00:09:11And I kept my promise.
00:09:14You were the owner of the dream for a day.
00:09:17For a day?
00:09:20I couldn't bear to see him in pain.
00:09:24That's why I'm returning his right.
00:09:26But for free.
00:09:34How can I thank you?
00:09:36Enough.
00:09:37Before I change my mind, you can go.
00:09:41That's better.
00:09:44Thank you, sister.
00:09:47Don't cry, Maida.
00:09:52Legally, the dream belongs to Farid.
00:09:55If he files a case against us, we won't be able to win.
00:09:59And we can't bear to lose.
00:10:02Whatever your motive is, sister.
00:10:04Why is it always about us?
00:10:08Because in chess, there are rules to be followed.
00:10:11You didn't just kill Rihanna.
00:10:14You killed our dreams, too.
00:10:41Wow.
00:10:43Who put sugar on Alamzeb's tongue?
00:10:46She's such a good singer.
00:10:49She's not Alamzeb.
00:10:51She's our Saima.
00:10:54Praise the Lord.
00:10:57The maids are ahead of the daughters.
00:11:00Have some sweets.
00:11:02Sweets? For whom?
00:11:04Our new neighbor.
00:11:06Your new neighbor?
00:11:09She's distributing sweets all over the neighborhood.
00:11:11Sister Safina.
00:11:13Salute.
00:11:15The Lord gave you a new home.
00:11:17Now find yourself a new home.
00:11:22Greetings, Lord.
00:11:24The old woman is saluting.
00:11:26Accept it.
00:11:29Don't be like that, Lord.
00:11:31You should see the blessings of your good deeds.
00:11:39Accept it, Lord.
00:11:41Congratulations on your new home.
00:11:43Thank you very much.
00:11:53I forgot to tell you the name of the new neighbor.
00:11:55I'm sorry.
00:11:57I'm sorry.
00:11:59I'm sorry.
00:12:01I'm sorry.
00:12:03I'm sorry.
00:12:05I'm sorry.
00:12:07I forgot.
00:12:11Faridun.
00:12:23Ma'am, someone's here to see you.
00:12:31Yes?
00:12:33God bless you.
00:12:36May no one cast an evil eye on you.
00:12:38What can I do for you?
00:12:40My aunt told me to come, ma'am.
00:12:42Faridun is coming to our house after a long time.
00:12:44Oh, so it's you, ma'am.
00:12:46Yes.
00:12:48I've heard you're the newspaper of Hiramandi.
00:12:50I've already called for the newspaper.
00:12:52So let me hear the headlines.
00:12:54Good deeds and gossip.
00:12:56Tell me.
00:12:58The latest news is that you stole a gold coin from the queen.
00:13:00Wrong.
00:13:02She stole it.
00:13:05We just took it back.
00:13:07No doubt.
00:13:09We found the gold coin.
00:13:11I've heard Mr. Chaudhary gave it to you.
00:13:13Are you here to give the news or take the news?
00:13:15To give the news.
00:13:17The queen is dreaming of making her younger daughter Alamzeb the king.
00:13:19But this girl doesn't want to be the queen.
00:13:21She doesn't want to be the queen.
00:13:23She doesn't want to be the queen.
00:13:25She doesn't want to be the queen.
00:13:27This Alamzeb will be useful.
00:13:29She doesn't want to be the queen.
00:13:31She doesn't want to be the queen.
00:13:33Tell me, do you have any enemies?
00:13:35I do.
00:13:37That Englishman.
00:13:39He bit me.
00:13:41Cartwright.
00:13:43He's new in this city.
00:13:45And you too.
00:13:47He wants to destroy the queen.
00:13:49And you too.
00:13:51And you too.
00:13:55Thank you for the great headlines.
00:14:03Thank you for the great headlines.
00:14:33Thank you for the great headlines.
00:14:35Thank you for the great headlines.
00:14:37Thank you for the great headlines.
00:14:39Thank you for the great headlines.
00:14:41Thank you for the great headlines.
00:14:43Thank you for the great headlines.
00:14:45Thank you for the great headlines.
00:14:47Thank you for the great headlines.
00:14:49Thank you for the great headlines.
00:14:51Thank you for the great headlines.
00:14:53Thank you for the great headlines.
00:14:55Thank you for the great headlines.
00:14:57Thank you for the great headlines.
00:14:59Thank you for the great headlines.
00:15:01Thank you for the great headlines.
00:15:03Thank you for the great headlines.
00:15:05Thank you for the great headlines.
00:15:07Thank you for the great headlines.
00:15:09Thank you for the great headlines.
00:15:11Thank you for the great headlines.
00:15:13Thank you for the great headlines.
00:15:15Thank you for the great headlines.
00:15:17Thank you for the great headlines.
00:15:19Thank you for the great headlines.
00:15:21Thank you for the great headlines.
00:15:23Thank you for the great headlines.
00:15:25Thank you for the great headlines.
00:15:27Thank you for the great headlines.
00:15:29Why are you locking the door?
00:15:30It's my shop. It's my choice.
00:15:32I'm going out for some important work. You can come tomorrow.
00:15:34You're going? But you must have a servant.
00:15:37Ma'am, you?
00:15:39Yes.
00:15:40Oh, you must have come to meet my servant.
00:15:43Yes, the one who gave us Rs. 3.12 last time for our books.
00:15:48He's just come to return it.
00:15:50He was joking with you that day.
00:15:53He came to buy books.
00:15:55But he's not a servant. He's a spoiled son of a great Nawab.
00:16:01Anyway, I'm getting late. I'm leaving.
00:16:04By the way, where will we find these Nawabs?
00:16:06Where do you find Nawabs?
00:16:08At feasts, clubs, gatherings.
00:16:15Oh God, how will we find your Nawabs in Lahore?
00:16:19I'm sure we'll find them.
00:16:22We are Indians.
00:16:24We have even honored our hospitality.
00:16:27But we won't make the same mistake again.
00:16:30You people are awake.
00:16:32The people are awake.
00:16:34They understand that this World War was never ours.
00:16:38Who's taking bullets in the chest in a foreign war?
00:16:41We are.
00:16:43Who's starving in Bengal?
00:16:46We are.
00:16:48To whom are all these landlords and Nawabs supplying ration?
00:16:53To the British government.
00:16:55And who's tolerating this atrocity?
00:16:57We are.
00:17:00Not anymore.
00:17:03We look like sand.
00:17:06But we are like a bomb.
00:17:10Now it's time to set fire to this bomb.
00:17:14Anyone of you who has a problem with taking lives...
00:17:19...can leave.
00:17:28This is what we expected from you people.
00:17:31Be strong.
00:17:34We will inform you of our next step.
00:17:37Goodbye.
00:17:40This is our leader, Hamid Mohsin Ali.
00:17:43Come, let's meet him.
00:17:45We have already met him.
00:17:47He saved our lives.
00:17:49Balraj!
00:17:59Faridan Bibi.
00:18:01Bibi Faridan.
00:18:03I have brought an army of dancers for you.
00:18:05Look at them.
00:18:07I have brought diamonds.
00:18:09They dance and sing too.
00:18:11They don't even let me sleep.
00:18:16These two are in the kitchen.
00:18:19And these three will warm the beds of our special guests.
00:18:23Anything else?
00:18:26Goodbye, Ustadji.
00:18:29May God protect you, Bibi.
00:18:32You will earn money in the diamond market.
00:18:34All this doesn't work here.
00:18:36Faridan is here.
00:18:39Everything will work out.
00:18:41Let me sleep, Ustadji.
00:18:44Seher.
00:18:45Yes.
00:18:46Take the girls inside.
00:18:48Come, ladies.
00:18:50Come, let's go.
00:18:52Bibi.
00:18:54I have brought a gift for you.
00:18:58It will not only help you sleep, but also wake you up.
00:19:01Tajdar Balaj.
00:19:03The only heir of Ashfaq Balaj.
00:19:06He is also in the eyes of the queen.
00:19:09For Alamzeb's redemption.
00:19:11Now you are my savior.
00:19:13Let him be in Alamzeb's fate.
00:19:16Bibi.
00:19:18For a man like him,
00:19:20he can even kill his own mother.
00:19:22And you...
00:19:23I will stab him.
00:19:25In my aunt's chest.
00:19:28Just wait and watch.
00:19:31How?
00:19:33When Alamzeb and Tajdar meet, there will be love.
00:19:37And where there is love, there is destruction.
00:19:40How many pieces will you break?
00:19:43As many as we are.
00:19:46So who will be your master?
00:19:51Wali Muhammad.
00:19:53But he is Bibo's master.
00:19:56That's why...
00:19:58You will bring lightning to the royal palace.
00:20:03We will wreak havoc.
00:20:08On you.
00:20:11But Bibi, what are you doing?
00:20:13What are you doing?
00:20:14Bibi, leave me.
00:20:15Why are you being shy with us?
00:20:33Sister.
00:20:34Yes.
00:20:35I wanted to talk to you.
00:20:36But if you are busy, can we come later?
00:20:40Tell me, Alam, what is it?
00:20:42There is a big feast at Mr. Wali's house.
00:20:45I heard the whole of Lahore is coming.
00:20:47Every year when his wife leaves,
00:20:49there is this feast.
00:20:51In the glory of our Bibo.
00:20:53Can I come with you this time?
00:20:55How long have you been fond of feasts?
00:20:58No, I was just thinking that new people will meet,
00:21:01make new friends.
00:21:02And you get Nawabs at such feasts.
00:21:04Right?
00:21:06Which Nawab?
00:21:07Tell me, tell me.
00:21:08Let us also know which Nawab.
00:21:10No, no one.
00:21:11Bibo, congratulations.
00:21:13Youth is knocking on Alam's door.
00:21:16Oh, Alam.
00:21:18Oh, youth.
00:21:19Oh, Nawab.
00:21:21If you keep bothering us like this,
00:21:23we will not go to the feast.
00:21:24Don't bother Alam.
00:21:27We will take you to the feast.
00:21:29But maybe you will get the Nawab of your dreams.
00:21:33Right?
00:22:00Mother.
00:22:03What are you doing?
00:22:05There are so many people and you are just looking at us.
00:22:09I can't take my eyes off you.
00:22:11What should I do?
00:22:12Mr. Wali, I greet you.
00:22:14Look who I have brought to meet you today.
00:22:17Faridun.
00:22:18Usually, I don't go anywhere without being invited.
00:22:20But I said, relationships are made in such parties.
00:22:23She came.
00:22:24Relationships are not made by Faridun.
00:22:26Stories are made.
00:22:28You won't believe it, Mr. Wali.
00:22:30I came to meet you especially from Benaras.
00:22:33You turned out to be much more beautiful than I had heard.
00:22:38My heartbeats have increased.
00:22:41I can't believe it.
00:22:44See for yourself.
00:22:48Oh, God.
00:22:49His heartbeats have increased.
00:22:51And yours has stopped.
00:22:54My aunt is not just a sister.
00:22:57She used to write stories in her childhood.
00:22:59And I used to erase them.
00:23:00Do you remember?
00:23:03And she used to bring toys in her childhood.
00:23:07And I used to snatch them.
00:23:10Do you remember?
00:23:12So, today you are planning to steal my husband.
00:23:16This is not a theft, my love.
00:23:18This is a robbery.
00:23:21Stop me if you can.
00:23:28Now, if you are done, may I take Mr. Wali?
00:23:33The rest of the guests are waiting.
00:23:35Let's go.
00:23:41My love, the arrow has hit the target.
00:23:44And the hand too.
00:23:50You were saying that I can't see.
00:23:54Faridun has removed it.
00:23:56But, my love, you...
00:23:58What nonsense, Ustad.
00:24:00I made so many promises and only got one Nawab to meet me.
00:24:03At least, make me pay for this sari.
00:24:05I will make you pay.
00:24:06For now, look over there.
00:24:08Relax.
00:24:10Mallika's younger one.
00:24:13Your next target.
00:24:22Give it to me.
00:24:27You are Alamzeb, right?
00:24:30Didn't recognize me?
00:24:32I am your sister Faridun.
00:24:35Mashallah.
00:24:37Your eyes are so beautiful.
00:24:40By the way, whose eyes are you yearning to see?
00:24:43What?
00:24:44No.
00:24:45Are you looking for them?
00:24:53How did you know?
00:24:54Faridun knows everything.
00:24:57I also know that you love him.
00:25:02Come, let's meet.
00:25:03Yes, we have already met.
00:25:05Then, let's meet again.
00:25:07We have met twice.
00:25:09Once in poetry.
00:25:12And the second time in the library.
00:25:14You have given your heart in two meetings.
00:25:17Yes.
00:25:19And the handkerchief too.
00:25:24Do one thing.
00:25:25Go to the shrine tomorrow.
00:25:27But pray to God with a pure heart.
00:25:30When you open your eyes, he will be in front of you.
00:25:33And what if he doesn't come?
00:25:35Then change my name.
00:25:37Ms. Faridun.
00:25:40Meet you.
00:25:41Nawab Alibaksh.
00:25:42Greetings.
00:25:43Greetings, Rawalpindi.
00:25:44This is his property.
00:25:48Greetings.
00:25:49By the way, can I say something, Mr. Alibaksh?
00:25:51I came from Benaras specially to meet you.
00:25:54I am so excited.
00:25:56I can't believe it.
00:25:58See for yourself.
00:26:08Today, I can ask God for anything.
00:26:17By the way, where did you disappear on the day of the riot?
00:26:20I was in Delhi.
00:26:22Do you have so much sympathy for every stranger in your house?
00:26:25Yes.
00:26:26That day, you saved a stranger's life.
00:26:30You are very brave.
00:26:32You didn't get hurt much, did you?
00:26:35I got hurt.
00:26:37But I got hurt in the deepest part of my heart.
00:26:42Madam, coincidentally, this is our third meeting.
00:26:45Yes.
00:26:46But we don't even know each other's names yet.
00:26:52I know your name.
00:26:54Then tell me, what is my name?
00:27:01Taj.
00:27:05You wrote the name on the palm of my hand.
00:27:08By writing on the palm of your hand,
00:27:10the name becomes destiny.
00:27:13Then tell me your name.
00:27:15Let's write it on our palms.
00:27:17Let's write it on our foreheads.
00:27:18Let's write it on our chests.
00:27:20Excuse me, ma'am.
00:27:21Your sister is calling you.
00:27:23Yes.
00:27:24Give me permission.
00:27:25I will give you permission, but...
00:27:28First, tell me your name.
00:27:31Leave some things for the next meeting as well.
00:27:34And when will that be?
00:27:36That...
00:27:37Leave it to God.
00:27:40Goodbye.
00:27:44Goodbye.
00:27:52First, love, then passion,
00:27:54then magic.
00:27:58It's something else, isn't it?
00:28:01Yes.
00:28:02You?
00:28:03Fareedan.
00:28:05I came from Benaras a few days ago.
00:28:07I'm a newcomer.
00:28:08I'll tell you tomorrow when I see your face.
00:28:13Interesting.
00:28:14Excuse me.
00:28:15A handkerchief.
00:28:17I can hear some poetry.
00:28:20Some fallen books.
00:28:22Unfinished meetings.
00:28:28Then tell me, when will the next meeting be?
00:28:31Tomorrow.
00:28:32At the temple of Heeramandi at Maghrib.
00:28:35At the temple of Heeramandi at Maghrib.
00:28:38What work does he have in the neighbourhood of the Tawaif?
00:28:42Who is a Nawab and who is a Tawaif in the sight of God?
00:28:45Every prayer that is asked at the temple of Heeramandi is accepted.
00:28:49Try it.
00:28:51Madam, here is your drink.
00:28:53Thank you.
00:28:56It's a bad habit.
00:28:57Leave it.
00:29:06How long will you make Alam wait?
00:29:09Your Tarzar hasn't come yet.
00:29:11Where will he come now?
00:29:13Shut up.
00:29:15I don't know what Fareedan has put in your head.
00:29:18And you're listening to the enemy.
00:29:20I'm not listening to the enemy.
00:29:21I'm listening to my heart.
00:29:23And my heart says that he will definitely come.
00:29:25The poor thing has been waiting for a long time.
00:29:29I had fed this pigeon.
00:29:32Why hasn't he come down to the courtyard yet?
00:29:35Alam, let's go home.
00:29:37You've put a blanket on the shrine twice.
00:29:39I'm thinking of doing it for the third time.
00:29:41What do you say?
00:29:42You do whatever you want.
00:29:45You go home.
00:29:46I'll be back.
00:30:03What happened?
00:30:09No matter how much you try to stop your mind,
00:30:11it pulls your heart.
00:30:32I'll be back.
00:31:02I'll be back.
00:31:32I'll be back.
00:31:41Sister Fareedan, he hasn't come yet.
00:31:44Why did you lie to me?
00:31:46Neither the lines nor Fareedan lie.
00:31:50And we can't be wrong in the matter of the heart.
00:31:54Humera.
00:31:55Yes.
00:31:56Where is our binoculars?
00:31:57Give it to me.
00:32:02Give it to me.
00:32:09Come here.
00:32:12Look at that.
00:32:20See.
00:32:21I told you he would come.
00:32:25Where are you going?
00:32:26To meet him.
00:32:27We'll meet next week.
00:32:29We'll meet him today.
00:32:32Go.
00:32:34Try it.
00:33:00Hello.
00:33:03Hey, Fareedan.
00:33:05Fareedan.
00:33:07Are you ready?
00:33:09Come on.
00:33:10We have to go.
00:33:11What happened, Ustad?
00:33:12Why are you making so much noise?
00:33:14We're going to meet an English officer,
00:33:16not the British king.
00:33:17There will be noise,
00:33:19Cartwright and you,
00:33:21Malika's two best enemies.
00:33:24We'll write the date of his destruction today.
00:33:26By the way,
00:33:27it's not right to make Mr. Cartwright wait so long.
00:33:30He's a very stubborn man.
00:33:34Tell me what's in our fist.
00:33:37How would we know?
00:33:39It's empty for now.
00:33:41When we return,
00:33:42it will be Cartwright.
00:33:45I'm going to die.
00:33:56I'm going to die.
00:34:01You are the light of Heeramandi.
00:34:03You are the life.
00:34:05Fareedan.
00:34:06Tell me.
00:34:08How can I help you?
00:34:10Help?
00:34:11In front of everyone?
00:34:14Ustad.
00:34:15Yes.
00:34:16Our cigarette is in the buggy.
00:34:17Can you get it for me?
00:34:20Yes.
00:34:21Yes.
00:34:46I'm sorry.
00:34:48But that won't happen.
00:34:52I'm sorry.
00:34:55You were so small
00:34:56when that woman sold us.
00:35:00Malika ruined our lives
00:35:02and you did nothing.
00:35:13Please don't cry.
00:35:22We'll try to find that file.
00:35:26We have more to tell you.
00:35:30If you can come home one night,
00:35:32we'll tell you everything.
00:35:38Tell you what, sir.
00:35:39There's only one uncle in the neighborhood.
00:35:41The one with the yellow coat.
00:35:43He spends all his time with Mr. Tabal.
00:35:46And Mr. Tabal
00:35:47is flirting with Mr. Degbal.
00:35:50Sir.
00:35:51Mr. Zulfiqar is here to see you.
00:35:53Right now?
00:35:54Yes.
00:35:55Should I call him?
00:35:56Yes.
00:35:58See?
00:35:59This man doesn't leave us alone.
00:36:03You're right, sir.
00:36:05God have mercy.
00:36:08Come, come.
00:36:09Mr. Nawab.
00:36:11Greetings, Malika.
00:36:12Greetings.
00:36:13How did you think of us today?
00:36:16Please sit.
00:36:20Is everything okay?
00:36:24It's not just okay.
00:36:28I've heard that Farid and Cartwright
00:36:32are trying to get the file of Rehana's murder
00:36:34back together.
00:36:37Jalal Jaleel, Mardood Peera, Gharbhosh.
00:36:41Don't worry.
00:36:43They won't be able to harm us.
00:36:45That's what I hope.
00:36:47Where is the file?
00:36:49File?
00:36:50The file that we gave you 25 years ago
00:36:53to keep safe.
00:36:56The file
00:36:57that contains all the secrets of Rehana's murder.
00:37:02That file
00:37:03that if Cartwright gets hold of it
00:37:05you and I will be ruined.
00:37:10Remember?
00:37:11That file.
00:37:13We've kept it safe somewhere.
00:37:15We'll get it back.
00:37:19If we don't get that file as soon as possible
00:37:23you'll end up
00:37:26floating in this whirlpool.
00:37:30You must be joking.
00:37:34Are you relaxing?
00:37:36Sir.
00:37:38Do you suspect us?
00:37:42I do.
00:37:45I do.
00:37:55Sister.
00:37:56Did you call for us?
00:37:57Yes.
00:37:59But why here in Tehkhani?
00:38:0125 years ago we gave you something.
00:38:03That's what we're looking for.
00:38:0525 years ago?
00:38:07You've given me nothing but humiliation and deceit.
00:38:11Stop spouting poison
00:38:13and give me back Rehana's file.
00:38:16You haven't given me any file.
00:38:20Malika never says anything.
00:38:22Sir.
00:38:23Not this file?
00:38:26I've told you a thousand times
00:38:28the red file with the brown paper.
00:38:31The brown paper file?
00:38:34Sister, I burnt it the moment you asked me to.
00:38:40You burnt it?
00:38:43And I thought you were angry with Zulfiqar
00:38:48so I hid the file.
00:38:51Thank you so much.
00:38:54Zulfiqar didn't do anything wrong.
00:38:58He didn't get angry.
00:39:01But he's loyal to you.
00:39:04And he will always be.
00:39:06Amen.
00:39:13The length of the kurta is 30.
00:39:15Sister, I've brought such news
00:39:18that you'll fill my mouth with pearls.
00:39:21There's a ruckus in the royal palace.
00:39:24Someone's looking for the file
00:39:26and Malika's blood has dried up.
00:39:30Aren't you happy?
00:39:32Of course I am.
00:39:34But first tell me
00:39:35which color will suit me for my husband's outfit?
00:39:38Sister, all colors suit you.
00:39:40Yes.
00:39:41If you give me the measurements from so far away
00:39:44I don't want to bother you.
00:39:46No man has ever touched me.
00:39:49How can a tailor touch me?
00:39:51I see.
00:39:53So Mr. Chaudhary robbed you of everything
00:39:55without even touching you?
00:39:57Goodbye, ma'am.
00:39:59And you gave him away so easily?
00:40:01I've raised Mr. Chaudhary with hope.
00:40:04He's a slave to me
00:40:07until I let him touch me.
00:40:08You're too much, ma'am.
00:40:12Listen,
00:40:14spread the word about our Nathutrai
00:40:16to every Nawab and every rich man
00:40:18along with Wali Muhammad.
00:40:21First of all...
00:40:23First of all,
00:40:25we'll send your aunt.
00:40:32Ma'am.
00:40:38Ma'am.
00:40:50Are you happy?
00:41:08Yes, I am.
00:41:14Last week
00:41:16we solved all the problems.
00:41:19So what's the problem now?
00:41:22The problem is
00:41:24Farida wants to keep her Nathutrai.
00:41:27She's still a child.
00:41:29She's returned after many years.
00:41:31Let her have some fun.
00:41:33Let her be Nathutrai.
00:41:34Aunt,
00:41:36there are certain rules in Hiramandi.
00:41:39Nathutrai is only for unmarried girls.
00:41:42And we sent her
00:41:44to Sattan's house.
00:41:46You didn't send her.
00:41:48You sold her.
00:41:50You sold a nine-year-old girl.
00:41:53I admit I sold her.
00:41:55But how do unmarried girls come back?
00:41:57Once the neck is under the sword,
00:41:59it comes back cut.
00:42:01Right?
00:42:02Aunt,
00:42:04a sword should have a neck.
00:42:06And poor Sattan.
00:42:08Every child of his had a different face.
00:42:11If not him, then it must be someone else.
00:42:14You must have gone through a lot.
00:42:17I don't know how many people
00:42:19have signed this book.
00:42:21Let's open the book and see.
00:42:23Zohra,
00:42:25take her inside.
00:42:27Why inside?
00:42:29Whoever wants to see,
00:42:31come and see in front of everyone.
00:42:33Haidam,
00:42:35we are not unmarried.
00:42:37Then the decision is made.
00:42:39According to Hiramandi's tradition,
00:42:42you cannot be Nathutrai.
00:42:44We will break this tradition.
00:42:46We will break it in front of you.
00:42:50Our Nathutrai will be in front of Mujra Shahi Mahal, aunt.
00:42:54Tell them
00:42:55to stop us if they can.
00:42:58Wow.
00:43:00That's great.
00:43:02Two swords clashing is like a war.
00:43:05It will be fun
00:43:07when two swords clash again.
00:43:09There will be a celebration in Hiramandi.
00:43:19God bless you.
00:43:21You look so good.
00:43:22But
00:43:24wear this in your last Mujra.
00:43:29Why last, mom?
00:43:31People want to hear our voice.
00:43:34They want to make a record of it.
00:43:36And you are taking that away from us.
00:43:38Farida is performing her Nathutrai Mujra.
00:43:41She is not in Hiramandi.
00:43:44And the Nawabs
00:43:46don't like old
00:43:48and old customs.
00:43:50We have decided
00:43:52that you will have your last Mujra that night.
00:43:55Every Nawab Shahi Mahal will come
00:43:58to salute you.
00:44:00And this will be Farida's defeat.
00:44:03What about our master?
00:44:06Master Mali will be upset.
00:44:08And your last Mujra should be like
00:44:11that which never happened in Hiramandi.
00:44:23What's going on?
00:44:25It's such a celebration in Hiramandi today.
00:44:28There are swords on both sides.
00:44:31This is Bibbo Jaan's Mujra
00:44:33and that is Farida's.
00:44:35Mujras are held every day here.
00:44:37But today is Farida's Nathutrai.
00:44:40It will be.
00:44:42But you know
00:44:44that the first Mujra is bigger than the first.
00:44:46That's why it's called the last Mujra.
00:44:48Last?
00:44:50Whose?
00:44:52Farida's.
00:44:58Mr. Nawab.
00:45:00Greetings.
00:45:02This is Mrs. Farida's room.
00:45:05Tell Farida
00:45:07that we will come there
00:45:09after saluting Bibbo Jaan.
00:45:11Greetings.
00:45:16Mr. Sahil,
00:45:18do you remember that today is Farida's Nathutrai?
00:45:20I remember, sir.
00:45:22But I can't forget the tradition.
00:45:24Please forgive me.
00:45:26This evening is in the name of Bibbo Jaan.
00:45:33Greetings.
00:45:38Greetings.
00:45:40Greetings.
00:45:42Greetings.
00:45:50Greetings.
00:46:01What a game Malika Jaan has played.
00:46:04The first Mujra's bath
00:46:06and the last Mujra's funeral.
00:46:10Farida.
00:46:13You don't want this looted wealth
00:46:16and the real wealth won't come.
00:46:18Why won't it come?
00:46:20Because on the last Mujra's funeral,
00:46:23all the Nawabs go to bid her farewell.
00:46:25And today
00:46:27is Bibbo Jaan's last Mujra.
00:46:33Congratulations.
00:46:50music plays
00:47:20music plays
00:47:50music plays
00:48:21Why is the brothel so empty, Farida?
00:48:24Your first Mujra
00:48:26and no Khadardaan has come.
00:48:28It's a matter of shame.
00:48:32You want to be a Tawaif
00:48:34and you don't even know that
00:48:36before the Khadardaans come to the gathering,
00:48:39you don't come and sit on the throne.
00:48:41Anyway, don't be disheartened.
00:48:44I may not be a Khadardaan, but I am.
00:48:47You dance.
00:48:49Today's game is in your name.
00:48:52Tomorrow's game will be in my name.
00:48:55Where you are today,
00:48:58I will be tomorrow.
00:49:00It's impossible, my love.
00:49:02The seed of victory and defeat
00:49:05is a long way off.
00:49:07You won't be able to decide that.
00:49:10music plays
00:49:18music plays
00:49:19music plays
00:49:21music plays
00:49:22music plays
00:49:46To win a game
00:49:48you made Bippo's last Mujra.
00:49:52Does that mean I'm scared of you?
00:49:54I'm not scared of God, either.
00:50:00Only time will tell.
00:50:05By the way,
00:50:07there's a stain of my mother's blood on your arm.
00:50:12And coincidentally, I'm the one who got hurt today.
00:50:16This is Mallika Jaan's arm.
00:50:19Her thirst won't be quenched by this little bit of blood.
00:50:26It was your first time.
00:50:29I came to pay my respects.
00:50:37Goodbye.
00:50:38Yes.
00:58:38I'm sorry.
00:58:39I'm sorry.
00:58:40I'm sorry.
00:58:41I'm sorry.
00:58:42I'm sorry.
00:58:43I'm sorry.
00:58:44I'm sorry.
00:58:45I'm sorry.
00:58:46I'm sorry.
00:58:47I'm sorry.
00:58:49I'm sorry.
00:58:50I'm sorry.
00:58:51I'm sorry.
00:58:52I'm sorry.
00:58:53I'm sorry.
00:58:54I'm sorry.
00:58:55I'm sorry.
00:58:56I'm sorry.
00:58:57I'm sorry.
00:58:58I'm sorry.
00:58:59I'm sorry.
00:59:00I'm sorry.
00:59:01I'm sorry.
00:59:03I'm sorry.
00:59:04I'm sorry.
00:59:05I'm sorry.
00:59:06I'm sorry.
00:59:07I'm sorry.
00:59:08I'm sorry.
00:59:09I'm sorry.
00:59:10I'm sorry.
00:59:11I'm sorry.
00:59:12I'm sorry.
00:59:13I'm sorry.
00:59:14I'm sorry.
00:59:15I'm sorry.
00:59:17I'm sorry.
00:59:18I'm sorry.
00:59:19I'm sorry.
00:59:20I'm sorry.
00:59:21I'm sorry.
00:59:22I'm sorry.
00:59:23I'm sorry.
00:59:24I'm sorry.
00:59:25I'm sorry.
00:59:26I'm sorry.
00:59:27I'm sorry.
00:59:28I'm sorry.
00:59:29I'm sorry.
00:59:31I'm sorry.
00:59:32I'm sorry.
00:59:33I'm sorry.
00:59:34I'm sorry.
00:59:35I'm sorry.
00:59:36I'm sorry.
00:59:37I'm sorry.
00:59:38I'm sorry.
00:59:39I'm sorry.
00:59:40I'm sorry.
00:59:41I'm sorry.
00:59:42I'm sorry.
00:59:43I'm sorry.
00:59:45I'm sorry.
00:59:46I'm sorry.
00:59:47I'm sorry.
00:59:48I'm sorry.
00:59:49I'm sorry.
00:59:50I'm sorry.
00:59:51I'm sorry.
00:59:52I'm sorry.
00:59:53I'm sorry.
00:59:54I'm sorry.
00:59:55I'm sorry.
00:59:56I'm sorry.
00:59:57I'm sorry.
00:59:59I'm sorry.
01:00:00I'm sorry.
01:00:01I'm sorry.
01:00:02I'm sorry.
01:00:03I'm sorry.
01:00:04I'm sorry.