Heeramandi Netflix New Series 1 Episode No. 5 Full Video In HD 2024 new Series All episodes
Heeramandi Netflix New Series 1 Episode No. 5 Full Video In HD 2024 new Series All episodes
#heeramandionnetflix #heeramandithediamondbazaar #heeramanditrend #trendingseries #trendingpost #trendingonnetflix #Netflix #netflixseries #Netflix2024 #2024series #2024Viral #SanjayLeelaBhansali #netflixmovies #trendingseries #hd #Episode5 #AllEpisodes #FullVideo #NetflixHindi #fypシ゚ #viralpost2024 #viralvideoシ #viralseries #virals
Heeramandi is a historical drama series directed by Sanjay Leela Bhansali, set in the vibrant and culturally rich district of Heeramandi in Lahore. The series explores the lives of courtesans, their artistry, and their influence during the pre-independence era. Through intricate storytelling and lavish sets, "Heeramandi" delves into the complexities of love, betrayal, politics, and survival in a world where beauty and talent were both celebrated and commodified. The series promises a visually stunning portrayal of a bygone era, blending music, dance, and drama in classic Bhansali style.
#heeramandionnetflix #heeramandithediamondbazaar #heeramanditrend #trendingseries #trendingpost #trendingonnetflix #Netflix #netflixseries #Netflix2024 #2024series #2024Viral #SanjayLeelaBhansali #netflixmovies #trendingseries #hd #Episode5 #AllEpisodes #FullVideo #NetflixHindi #fypシ゚ #viralpost2024 #viralvideoシ #viralseries #virals
Heeramandi is a historical drama series directed by Sanjay Leela Bhansali, set in the vibrant and culturally rich district of Heeramandi in Lahore. The series explores the lives of courtesans, their artistry, and their influence during the pre-independence era. Through intricate storytelling and lavish sets, "Heeramandi" delves into the complexities of love, betrayal, politics, and survival in a world where beauty and talent were both celebrated and commodified. The series promises a visually stunning portrayal of a bygone era, blending music, dance, and drama in classic Bhansali style.
Transcript
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00:30little bit of it and then I'm going to play a little bit of it and then I'm going to play
00:55a little bit of it and then I'm going to play a little bit of it and then I'm going to play a little bit of it and then I'm going to play a little bit of it and then I'm going to play a little bit of it and then I'm going to play a little bit of it and then I'm going to play a little bit of it and then I'm going to play a little bit of it and then I'm going to play a little bit of it and then I'm going to play a little bit of it and then I'm going to play a little bit of it and then I'm going to play a little bit of it and then I'm going to play a little bit of it and then I'm going to play a little bit of it and then I'm going to play a little bit of it and then I'm going to play a little bit of it and then I'm going to play a little bit of it and then I'm going to play a little bit of it and then I'm going to play a little bit of it
01:25but I think...
01:31I don't know how to answer that.
01:36Don't you really love me?
01:41I want you to do something for me.
01:46It's possible.
01:51But I do want you to do something for me..
01:55She was an anarkali ke mazaaf.
01:58Hum nahi aaye the.
02:02Galti hamaari.
02:03Kesha toh kya naam tak nahi pooche.
02:06Hum ek aur baar kehte hain hum tawaif nahi hain.
02:09Heera mandi mein humaari na tutarai nahi hui hain.
02:12Baida yeh shudh par vrish toh hui hain na.
02:16Ab jahan se aaye hain wahi par lot chahiye.
02:18Dekin hum nahi lot sakte.
02:22Aur aap yaha bhi nahi reh sakte.
02:26Humare saath toh mazaak hua hain.
02:30Aur humare saath fareeb.
02:33Khuda hafiz.
02:48Bibi.
02:50Faridan Bibi.
02:51Aapko pata chala Shahi Mahal mein.
02:53Aapko pata chala Shahi Mahal mein kya ghazaab ho gaya.
02:56Nat utarai se pehle saari shamaayin bhuja di gaye.
03:00Bahot bura hua sach ji.
03:02Kya bura hua ustaad ji.
03:04Waqt waqt ki baat hai.
03:06Pichli chaand raat humare kote par andhera tha.
03:10Aaj raat khala jaan ke aaye.
03:13Sach bata na.
03:14Kahin sab mein aapke koi chaal toh nahi.
03:18Allah maaf farmaaye.
03:20Itne berehm nahi hain hum.
03:23Chaliye Malika jaan ke shikas ka jashn manate hain.
03:26Itne saare logon ke saamne mehfil sajaayenge aap.
03:29Wali sahab bura maan jaayenge.
03:31Aaye habibi.
03:34Yeh mehfil nahi hain ustaad ji.
03:36Dawat hai, dawat.
03:38Angrezi mein ise party kehte hain.
03:40Samjhe.
03:42Aur aaj ke baat khwabga mein sirf tawaife nahi naachenge.
03:46Nawab bhi naachenge.
03:48Aur angrez bhi.
03:50Bibi.
03:51Yeh mat hone deechega.
03:53Yeh sab naachenge.
03:55Toh tawaife ka kya hoga.
03:57Yeh sab khatam ho jaayenge.
03:59Agar bakt ke saath badlenge nahi.
04:01Toh tawaife waise bhi khatam ho jaayenge.
04:04Ammi jaan.
04:05Humme lagta hai police...
04:07Yeh aap kya kariye?
04:09Ammi jaan.
04:11Humare ek sonar chacha hua karte the.
04:14Kehte the.
04:15Sonar jab aag me tabta hai.
04:18Toh hi gundan banta hai.
04:20Lekin.
04:21Gundan ki kheemat har koi nahi samajh baata.
04:27Ammi.
04:29Ammi.
04:31Koi itna khubsurat kaise ho sakta hai?
04:34Aaj toh maar hi daalogi bibi.
04:38Faridun.
04:40Wali sahab.
04:42Kitni der laga diya aapne?
04:44Kab se aapka intazaar kar rahe hain.
04:46Intazaar sirf hamara tha.
04:48Toh mehfil mein itne zare log kiyon.
04:49Tauba.
04:51Aap Faridun mehfil sirf aapke liye sajaayegi.
04:54Is na cheez ne toh sirf ek party rakhi hai.
04:57Sher ke tamam raees, Nawab, Angrez sab aaye hain.
05:01Khaas aapki shaan mein.
05:03Faridun.
05:04Humme yeh sab dikhawa pasim nahi.
05:05Yeh aap chaliye toh sahi humare saath.
05:06Aayi.
05:08Ladies and gentlemen.
05:10Jinka hum sabko besabri se intazaar tha.
05:12Woh aachuke hain.
05:14Lahore ke sabse dilkash.
05:16Sabse khubsurat.
05:17Sabse dildaar.
05:19Wali sahab.
05:20Humare Wali sahab.
05:24Hum police ko ittalla karte hain.
05:26Nanana.
05:28No, no, no.
05:29No, no.
05:30No.
05:31No.
05:32No.
05:33No.
05:34No.
05:35No.
05:36No.
05:37No.
05:38No.
05:39No.
05:40No.
05:41No.
05:42No.
05:43No.
05:44No.
05:45No.
05:46No.
05:47No.
05:48Deepho jaan.
05:51Deepho jaan.
05:57Wali sahab ke liye party rakhi hai.
05:58Aaja hiye.
06:01Arre Khaala jaan.
06:02Aap bhi aayi.
06:04Aapko humare naey dose car tribe se milwaate hain.
06:07Aapki yaha shama bujh gayi hain.
06:10Lekin humari raat toh ab khili hain.
06:16♪
06:46Let's go. We'll drop you off at the Heera Mandi.
06:48So that my mother can make me some medicine.
06:58I told you that I won't go to the Heera Mandi.
07:02Did I tell you that I'm taking you to the Heera Mandi?
07:16♪
07:46♪
07:48♪
07:50♪
07:52♪
07:54♪
07:56♪
07:58♪
08:00♪
08:02♪
08:04♪
08:06♪
08:08♪
08:10♪
08:12♪
08:14♪
08:16♪
08:18♪
08:20♪
08:22♪
08:24♪
08:26♪
08:28♪
08:30♪
08:32♪
08:34♪
08:36♪
08:38♪
08:40♪
08:42♪
08:44♪
08:50Your Highness.
08:52What a day I have brought for you.
08:54Anyway we can go to Heera Mandi.
08:56But the English won't like it.
08:58There are Sage's like these.
09:04Your Highness.
09:06Your Highness.
09:08Your Highness.
09:12♪♪
09:22♪♪
09:32♪♪
09:41You stay here tonight.
09:45And before you go to sleep, lock the door from inside.
09:49Good night.
10:05Would you like something to eat?
10:11Hmm.
10:15What are you looking at?
10:18Nothing.
10:20Hurry up, I'm sleepy.
10:33What now?
10:35Not so fast.
10:37It's not good for your health.
10:41Hmm.
10:46What?
10:48Well...
10:50If someone sees you before you leave in the morning,
10:54tell them you're my friend Sarfaraz's sister.
10:57And what's Sarfaraz's sister's name?
11:01Ah...
11:03Alamzeb.
11:06How will it be?
11:09Very good.
11:11Be ready to leave in the morning.
11:14Where do they send you?
11:18Anywhere.
11:35Mom, did you find out anything?
11:37Zulfiqar, Zaha, police, Mushtande,
11:41they're all looking for Alam.
11:44Lahore is a small city.
11:47Where will she go?
11:49I think it's Farid's plan, sister.
11:52It's just a matter of time.
11:54But don't worry.
11:56We'll turn Lahore upside down.
12:00If she was here, she was safe, Alam.
12:03The outside world will tear her apart.
12:07But what can she do?
12:09You've kept her at peace...
12:11Will you shut up, auntie?
12:14Mom, I'll go to the mosque.
12:18You must know where Alam is.
12:21If I knew, I'd have told you.
12:23You're his confidant.
12:25He tells you everything.
12:27He must have told you about love.
12:31You need freedom to love, mom.
12:34And rebellion for freedom.
12:37The one I considered my heart,
12:43she rebelled against me.
12:47Go.
12:49Pray.
12:52Saima is also missing, sir.
12:54Find her, too.
12:56Keep her safe.
12:58She's our daughter.
13:01Alam will return.
13:03We'll find her.
13:05Lahore is a small city.
13:08Where will she go?
13:10Sir...
13:19Lahore is a small city.
13:22We'll find her.
13:24Where will she go?
13:26Lahore is a small city.
13:28Where will she go?
13:32Let's go inside.
13:36Oh, God! We're getting so much after so many days.
13:39Our bones have aged before us.
13:43Good morning, Kutia.
13:45Don't say good morning, say thank you.
13:47Your guest was about to leave without telling us.
13:49We stopped her.
13:51We laughed and talked a lot.
13:54We took a walk in the garden.
13:56It was wonderful.
13:58If you had left without telling us,
14:00what would you have said to Sarfaraz?
14:02Tell me.
14:04Who is Sarfaraz?
14:06Our brother.
14:08Who else?
14:10Saz.
14:12We all call him Saz.
14:17He had to go to Rawalpindi last night
14:20for some government work.
14:24He's a government officer.
14:26And the city is in such a bad state...
14:29How would you know about the state?
14:31These scoundrels...
14:33He'll be back by this evening
14:36and we'll take him with us.
14:38Why?
14:40We can't let a problem go in one day.
14:42How can we let such a beautiful girl go?
14:44Tell Sarfaraz
14:46to finish his work and come back.
14:49Sarfaraz?
14:51I've never heard of him before.
14:54Oxford?
14:56He was with us in Oxford.
14:58He's a new friend.
14:59Then it's decided
15:01that the girls will stay with us for a few more days.
15:03You inform them.
15:05Go on, call them.
15:07Tajdar.
15:09Yes.
15:10Go on.
15:18Here you go.
15:20Go ahead, Balraj.
15:22You're here, Bibhojan?
15:24Alam is with Tajdar, right?
15:26Yes, we're coming from Baloch mansion.
15:27Alam is very happy.
15:29He's getting along well with Tajdar's grandmother.
15:32You're worried for no reason.
15:34I am worried.
15:36Alam has never gone out alone since he was a child.
15:39Let's go.
15:41Shafiq?
15:43No, we're going to the shrine to pray.
15:45Alam has found his mansion,
15:47now he can find his home.
15:49Goodbye.
15:50Shafiq?
15:56Have you thought about
15:59what you'll tell Iqbal
16:02when he comes back from the lake
16:04and asks you where Saima is?
16:12A man
16:14can't bear
16:16the betrayal of his beloved.
16:19He can't bear the helplessness of his beloved.
16:23That's why, in Iqbal's eyes,
16:25let Saima
16:27remain unfaithful.
16:31Mashallah.
16:33I'm so lucky.
16:35It's all because of this
16:37that the complaint has been lodged.
16:39All the witnesses
16:41were again in the guild.
16:43To complain to aunt
16:45that if this mansion is not locked,
16:46the rest of the mansions will be.
16:50What else can you do
16:52other than complain?
16:54Is this what you came to tell me?
16:56No, madam.
16:58I came to tell you
17:00that the saint is upset with you.
17:02You won't find such a noble Nawab
17:04in the whole of Lahore.
17:06He worked so hard to bring you here.
17:08And you told him
17:10everything in front of him.
17:12So what?
17:14Don't worry.
17:16He'll come back.
17:18Madam, you should convince him.
17:20He'll come back himself.
17:22Once we sleep with Faridun,
17:24he'll never sleep alone again.
17:26That's why I said
17:28that even if the saint is upset,
17:30he'll send you the salary.
17:32Madam, I've counted it.
17:34It's all there.
17:37By the way,
17:39I don't see anyone in front of me.
17:41Where did everyone go?
17:43They're worried about Alam's escape.
17:44Any news of the girl?
17:46No.
17:48I wonder
17:50where she flew off to.
17:57Oh, dear.
18:01Mr. Tarzar,
18:03can I come in?
18:05Come in.
18:07Can I get a pen and paper?
18:09Why?
18:11Do you want to send a letter to your family?
18:12No.
18:14Sometimes I write something
18:16to cheer them up.
18:18For example?
18:20For example,
18:22poetry.
18:27You can write poetry?
18:29Yes.
18:31Will you read a poem for me?
18:33Some other time.
18:36All right.
18:37All right.
18:40I'll read it to you.
18:44Go ahead.
18:47Look at me once.
18:50Make me crazy.
18:53I'm ready to walk.
18:55Make me fly.
18:59How did you like it?
19:04Move aside.
19:05Move aside.
19:07Your grandma is more interested in poetry than you are.
19:10She says I'm going to be a great poet one day.
19:13Can I make a request?
19:15Yes.
19:17Don't get too close to her.
19:19She'll be very upset when you leave.
19:21But I didn't talk to her much.
19:23Look, Appu was asking when Sarfaraz would come to pick you up.
19:26I turned him down this time, but I won't be able to next time.
19:29But there's no one named Sarfaraz.
19:31He'll come.
19:33Have you ever wondered where Alam will go when Sarfaraz comes?
19:40No matter what happens, we won't go back to Hiramandi.
19:44Alam.
19:50Hold it properly, Bipboja.
19:54Fix my anklet.
19:57We're performing after a long time.
20:00That too, for the British.
20:02We'll sing so well that General Henderson will become our slave.
20:06Yes.
20:08You stay here for your Nawabs.
20:10We'll go to London with the British.
20:26Cheers, everyone. Drink up.
20:32Cheers.
21:02Cheers.
21:32Cheers.
22:02Cheers.
22:32Cheers.
23:03Cheers.
23:27Bipboja!
23:29Stop!
23:30Bipboja, stop!
23:34Bipboja, stop!
23:36You were absolutely first class.
23:38Fantastic.
23:40Bipboja, stop!
23:42Bipboja, stop!
23:46Bipboja!
23:52I don't want to see my happiness from anyone.
23:55Bipboja, you scoundrel.
23:56You scoundrel.
23:58How dare you talk to me like that?
24:01We'll perform now.
24:05Bipboja.
24:13Where is the owner of this hotel?
24:15Call him.
24:17Open room number 316.
24:19Right now.
24:21This is not a hotel.
24:23This is a bigger brothel than Hiramandi.
24:24Here, prostitutes sleep with men.
24:27This is what happens in this hotel.
24:29Are you listening?
24:31This is the life of these prostitutes.
24:33Alam has run away from this life and come to you.
24:36If you send Alam back to Hiramandi,
24:38he will become a part of that filth.
24:49Alam Bibi, you'll celebrate Eid with us, right?
24:52Maybe.
24:54Alam.
25:00Alam, are you inside?
25:02Chote Nawab, we are also here.
25:04Think before you speak.
25:07Your brother, Sarfaraz, has sent a letter.
25:12Are you listening?
25:14Yes.
25:16He will come after a month.
25:18You can live here in peace.
25:24Listen.
25:27Yes.
25:29Can you write a letter to Sarfaraz and ask him?
25:33What?
25:35Can we live here in peace for two months?
25:41Yes.
25:43Of course.
25:47This is Turok's wife.
25:50This is a useless wife.
25:54We will live here now.
25:58We have opened an orphanage and we don't know about it.
26:03We are not joking, Farida.
26:05We will destroy Mallika Jan with you.
26:17Can you see? The whole community is here.
26:20Why are you opening your mouth in front of everyone?
26:22Come inside.
26:24Come.
26:32What happened that you brought the sack and bed with you?
26:35Mallika Jan is the descendant of the devil.
26:37She can't see anyone's happiness, Farida.
26:40First your mother swallowed it.
26:42Now she is preparing to swallow us.
26:45Will you tell me what happened?
26:48Mallika snatched my husband from me and gave him to my daughter.
26:51And that Mallika's daughter, Bibbo.
26:54We are sitting on the criminal after so many years.
26:57We were going to have an Englishman.
26:59That Henderson.
27:01That scoundrel Bibbo snatched away that happiness from us.
27:05Everyone knows that they are mother and daughter.
27:08What will you do now?
27:10I will take revenge.
27:12You call your Cartwright.
27:14I will testify.
27:16I am also a witness, aunt.
27:18But after so many years, a witness is a right.
27:21We need evidence.
27:22There are leaves scattered inside.
27:24It's our life.
27:26Now you go.
27:28Don't leave the house on such a small thing.
27:30Is the murder file of Rehana sister enough for evidence?
27:33We have that file.
27:36The police are looking for it.
27:38Mallika Jan and you too.
27:42Where is that file?
27:45In this box?
27:47In the royal palace.
27:49We have kept it safely.
27:50Then go and get it soon.
27:52Till then we will put your luggage in the room.
27:58Come soon.
28:00We will be waiting for you impatiently.
28:02Ours or the file?
28:06Aunt, you are feeling bad.
28:13Come on, Mr. Tarza.
28:15Take out the car.
28:16Sorry.
28:19The driver will take you.
28:21I don't have time right now.
28:25I am sorry.
28:27No problem.
28:29But you go.
28:31Grandma will also feel good.
28:33We too.
28:35All that is fine.
28:37But I have told you a million times.
28:39Stay away from Kuchha.
28:41When you leave, her heart will break.
28:44But you have thrown her in the mirror.
28:47Why do you always talk to me so indifferently?
28:51I trouble you.
28:54Then why do you trust me so much?
28:57I am not troubled by you.
28:59I am troubled by the situation.
29:01The place where I used to hate,
29:04I have fallen in love with the girl there.
29:09I didn't say that.
29:11But I heard this.
29:16What?
29:26Will this bag fit you, Ustad?
29:28Oh, man.
29:30Even fifty won't fit in such a small bag.
29:32Show me that.
29:34What will you do with such a big bag?
29:36I will hit it on my head, man.
29:38I had prayed in the shrine
29:40that this time I will get a big Eidi.
29:42But God will be upset
29:44seeing your useless bags.
29:46Because of the protest of the revolutionaries
29:48and because of the police,
29:50new stuff is not coming.
29:52God knows when this situation will get better.
29:55Put it on me.
29:57You scoundrel.
30:13Ashfaq.
30:14Look at the gifts for Eid.
30:17This Lucknowi kurta is for our Taj.
30:20And this is for my beloved Alam.
30:23Diamond bangles.
30:25And saris for us.
30:27And for us?
30:29Bill.
30:32Go.
30:35By the way, there is a pocket watch made of gold.
30:38For you.
30:41I didn't know that our time is so precious.
30:45Mother.
30:47Didn't you bring anything for Mr. Sarfaraz?
30:50Your brother
30:52is coming for Eid, right?
30:54Yes, he is a little busy, but...
30:56What kind of busyness is this?
30:58You said two days,
31:00but it's been a month.
31:02Next week is Eid.
31:04Yes, he wrote in his letter
31:07that he will come in a month.
31:09And he might not get a holiday on Eid.
31:12I will write a letter to his officer.
31:14He will get a holiday.
31:16You bring that letter.
31:18Mr. Sarfaraz will know about it.
31:20Yes.
31:22Go and bring it.
31:24Yes.
31:25Taj.
31:27What happened?
31:29What happened?
31:31How did you get hurt?
31:33Mother, the way he is walking,
31:35he gets hurt.
31:37Tell him that these are not wounds,
31:39but scratches.
31:41If you get hurt,
31:43you might even lose your life.
31:48Wait, Taj.
31:52I am your father.
31:54I can forgive you.
31:57The British will not forgive you,
31:59nor will they forgive us.
32:04And if you don't rebel,
32:07the British will not forgive you.
32:09Have you lost your mind?
32:12Yes.
32:18The wind in which he is flying,
32:22it won't take long for him to change his direction.
32:25Then you tie those winds with a rope.
32:28Talk to Sarfaraz about Alam and Tajdar's relationship.
32:32When the girl will wait for him at home,
32:35the boy will also come on the right path.
32:37The wound is very deep.
32:38This wound is the price of freedom.
32:42But unfortunately, no one in this house understands.
32:45We understand.
32:48You want freedom from the British.
32:52And we want freedom from Hiramandi.
32:55The only difference is that
32:57your wounds are visible.
32:59We can apply ointment on them.
33:02And our wounds.
33:09You are the evening,
33:12full of love.
33:18You are the evening,
33:21full of love.
33:31Look, I am your companion,
33:33I am your evening.
33:41Look, I am your companion,
33:44I am your evening.
33:47The entire Hiramandi is bright,
33:49except for the royal palace.
33:51How long will this go on, sir?
33:54We are thinking that from now on,
33:56if we decorate the palace with candles,
33:58how will this dress look on them?
33:59Until we find Alam Zib,
34:01we will not decorate the palace.
34:03Until then, we will not decorate the palace.
34:05Pupi has sent a message from Banaras.
34:08There are police raids in the courtyards.
34:11Some medicines are supporting the rebels.
34:14What do we care?
34:16There is no one like that in our royal palace.
34:19We are loyal to the British government.
34:22It's good that you made that Henderson your boss, Bibo.
34:25He will be useful.
34:26It's good that you made that Henderson your boss, Bibo.
34:28He will be useful.
34:30I agree, sir. I agree. I agree.
34:33What is the matter, Ustad?
34:35You look different today.
34:37Why not?
34:39Eid is the day after tomorrow,
34:41but we will take Eid today.
34:43Why, sir?
34:45This time, we are not celebrating Eid, Ustad.
34:47And what if we introduce you to the Eid dance?
34:51Why not?
34:53Do visit Nawab Ashfaq Baloch's palace the day after tomorrow.
34:58You will get to see both Eid and Eid dance.
35:14Eid Mubarak, mother.
35:16Eid Mubarak, son. Sit.
35:18Eid Mubarak, mother.
35:22Children, do you know what we asked for this year's Eid?
35:27Oh God, send us a marriage proposal for K.L. Sehgal.
35:32Yes, mother.
35:34And what about our Eid?
35:36What should we give to the one who has the moon?
35:39You are the moon of Eid for us.
35:42Madam.
35:44Queen has come from the diamond temple.
35:46If you say, we can bring her in.
35:48Today is Eid. Everyone is welcome.
35:49Send her in.
35:51Nawab sahab, Eid Mubarak.
35:53Madam, Eid Mubarak.
35:55Eid Mubarak, mother.
35:57Eid Mubarak, son.
35:59Ashfaq, the guests were already here.
36:01But the fun has just begun.
36:03Thank you.
36:05Please forgive us.
36:07We came without informing you.
36:09But what can we do?
36:11I saw Nawab sahab in my dream.
36:13He looked very worried.
36:15And he said that he has been betrayed.
36:17That is why we came to inform you.
36:19But don't worry about being betrayed with us.
36:22Ashfaq Baloch counts on a flying bird.
36:26That is true, Nawab sahab.
36:28But it is said that dreams seen in the third eye are often true.
36:33And betrayal is not a flying bird.
36:36Betrayal is given by a bird that has landed in the courtyard.
36:40Oh.
36:42I have never seen her before.
36:44She is our Alamzeb.
36:45Alamzeb?
36:49She seems to be from a noble family.
36:52Yes.
36:54Her brother is a high government officer.
36:56Sarfaraz.
36:58Mashallah.
37:00If her brother is a government officer,
37:02her father must be no less than a minister.
37:05And her mother must be a queen.
37:16Mallika jaan, I did not understand this style of yours.
37:19What are you trying to say?
37:22That you should have fallen on the bird that landed in your courtyard.
37:27It is a long story.
37:30I will tell you straight away.
37:33I don't have a friend named Sarfaraz.
37:37Alamzeb is Mallika jaan's daughter.
37:41She is from Hiramandi.
37:43But she is not a Tawaif.
37:46And I love her immensely.
37:50Did you see, Nawab sahib?
37:52Our dream came true.
37:54Betrayal has happened.
37:56With all of us.
37:58Tajdar.
38:00You betrayed Qudsia.
38:04If someone else had betrayed her, I would have lost my faith.
38:09But your lie has broken my heart.
38:15Why?
38:17I lied because
38:21truth does not give a chance for love.
38:24Even I will not give you a chance.
38:26Let's go, Alamzeb.
38:28Alamzeb has left Hiramandi.
38:30Hiramandi is not a habit that can be left.
38:33Hiramandi is destiny.
38:36And destiny cannot be left.
38:38But it can be changed.
38:40You will change your destiny.
38:42Those who hate Hiramandi and fall in love with the girl from Hiramandi.
38:47You will change your destiny.
38:51Qudsia Begum.
38:54We respect you a lot.
38:57Otherwise, we would have dragged this girl away.
39:07Let's go, Mr. Tajdar.
39:08Mr. Tajdar.
39:10Give your love a chance.
39:13Now we will see
39:15whether you make her the daughter-in-law of the Baloch family
39:19or we make her the princess of the royal palace.
39:25Goodbye.
39:32Child.
39:34We pray that you stay happy and prosperous.
39:39But we know the consequences of love.
40:04There are sons in the family.
40:08Not the sons-in-law of the tyrants.
40:14You are on the path of destruction.
40:19Go home safely.
41:04Goodbye.
41:10Goodbye.
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