Heeramandi Netflix New Series full Episode No. 6 Full Video In HD 2024 new Series All new episodes
Heeramandi Netflix New Series full Episode No. 6 Full Video In HD 2024 new Series All new episodes
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Heeramandi is a historical drama series directed by Sanjay Leela Bhansali, set in the vibrant and culturally rich district of Heeramandi in Lahore. The series explores the lives of courtesans, their artistry, and their influence during the pre-independence era. Through intricate storytelling and lavish sets, "Heeramandi" delves into the complexities of love, betrayal, politics, and survival in a world where beauty and talent were both celebrated and commodified. The series promises a visually stunning portrayal of a bygone era, blending music, dance, and drama in classic Bhansali style.
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Heeramandi is a historical drama series directed by Sanjay Leela Bhansali, set in the vibrant and culturally rich district of Heeramandi in Lahore. The series explores the lives of courtesans, their artistry, and their influence during the pre-independence era. Through intricate storytelling and lavish sets, "Heeramandi" delves into the complexities of love, betrayal, politics, and survival in a world where beauty and talent were both celebrated and commodified. The series promises a visually stunning portrayal of a bygone era, blending music, dance, and drama in classic Bhansali style.
Transcript
00:30It was a time when you used to bring jewellery from the Nawab's gathering, as well as a
00:48cottage.
00:49And today, you have left the realm to Baloch.
00:54You are not able to control your own children, sister.
00:58You are not able to control your own children, sister.
01:04You are not able to control your own children, sister.
01:08You are not able to control your own children, sister.
01:12You are not able to control your own children, sister.
01:16You are not able to control your own children, sister.
01:20You are not able to control your own children, sister.
01:24You are not able to control your own children, sister.
01:27You are not able to control your own children, sister.
01:38You are not able to control your own children, sister.
01:46This is Amrudh Kothi.
02:03My late mother had named me here.
02:06Now I will stay here.
02:11Oh, Mr. Tajdar.
02:14Greetings.
02:15Look, Mr. Tajdar has come.
02:17Why are you making so much noise?
02:19Who has come?
02:20Mother, Uncle Taj has come.
02:24Oh, Taj.
02:25Mr. Tajdar.
02:26Bless you.
02:27Oh, Mahujaan.
02:30You have come on the next day of Eid.
02:32Today is also Eid for us.
02:34Yes.
02:36Alam, come.
02:40Come.
02:49What is her name?
02:50She is Alamzeb.
02:52She is our guest.
02:53She will stay with us.
02:56Has Qudsia Begum and Ashfaq Bhaija allowed her to stay here?
03:01Then,
03:02with what relation will she stay here?
03:04Come.
03:10All of you go inside.
03:17Mr. Tajdar,
03:18you are very fond of studies.
03:21Why don't you get married?
03:23Because without marriage,
03:25people who live in other houses
03:27are called guests in London.
03:29In India, people like her
03:31are called something else.
03:32And people who insult guests
03:34are called something else.
03:38Mr. Gurbaksh,
03:41take Alamzeb to the guest house.
03:44This is your house.
03:47But know this,
03:49if this girl comes inside,
03:51we will go out.
03:54If this is your decision,
03:56then we will not stop you.
04:03This is the guest's room.
04:05What kind of guest
04:06breaks his wife's house?
04:09This is not a brothel,
04:10this is the room of a brothel.
04:12Don't you like it
04:13that there is also a servant's room?
04:15Behind the brothel.
04:16Do you want to go there?
04:18Ms. Gurbaksh,
04:20Qudsia has taught us
04:21to respect the servants.
04:23And you respect the guests.
04:25Don't forget your manners.
04:27And what about your manners, Mr. Tajdar?
04:29You threw uncle out of the house.
04:31That too for the sake of another girl.
04:34Please forgive me.
04:36And why doesn't Mr. Gurbaksh
04:37say something?
04:39That is not the fault of the heart.
05:00Let's go.
05:26Here are some jewelry
05:27and some cash.
05:28Long live the revolution.
05:32Let's go.
05:43Poor sister.
05:45He gave you the keys.
05:47He trusted his children
05:48more than his sister.
05:51And she turned out to be a thief.
05:53We stole for the right reason.
05:58Why don't you do it for the wrong reason?
06:00In charity,
06:01neither the Lord takes the money
06:03nor the keys.
06:29What happened now, auntie?
06:32This is Rehana's file.
06:34The old woman gave it to me
06:35years ago.
06:37I thought I'd open it
06:38and take a look.
06:39When I saw it,
06:41it had all the evidence
06:42against Mallika.
06:44If you really had this file,
06:46why didn't you use it?
06:48Mallika kept on
06:49showing me her dreams.
06:52I thought
06:54I should also
06:55be present
06:57at my brothel.
06:59Anyway, Faridan,
07:01this file is being handed over to you.
07:04Deliver it to Cartwright.
07:08You're leaving without
07:09the papers of your dreams?
07:11Leave it, Faridan.
07:13Forget about the dreams.
07:15Just
07:17destroy Mallika for me.
07:19Son, look at this.
07:201,000 containers, London.
07:21Mr. Muneem,
07:23why are all the mangoes
07:24in our orchard going abroad?
07:25Because, son,
07:26we're getting a better price.
07:28When I was a kid,
07:29I heard that you get
07:30the fruit of hard work.
07:31But here,
07:32the fruit of hard work
07:33is going abroad.
07:36Cancel all the orders,
07:37Mr. Muneem.
07:39These mangoes
07:40will only be sold
07:41in the markets of India.
07:43But, Taz Baba,
07:45I don't think
07:46that's a good idea.
07:48Mr. Muneem.
07:59The people of Heera Mandi
08:00are very well-educated.
08:02They play with dolls
08:03in their childhood
08:04and with boys in their youth.
08:06Whatever you say,
08:07Taz Baba
08:08loves him very much.
08:10What's wrong with him?
08:12He'll put a new sheet
08:13on his bed for a few days
08:14and then let it go.
08:16Taz Baba,
08:18I think it's going to rain.
08:20Let's go back.
08:22Alam, let's go.
08:47Look at me once
08:54Make me crazy
09:01Look at me once
09:07I am ready to burn
09:13Make me crazy
09:20Look at me once
09:33Look at me once
09:41Kartarbi.
09:43Yes, coming.
09:46Kartarbi,
09:47call Alam to have dinner.
09:49He's not coming down today.
09:51We ate alone today.
09:52He has a fever.
09:54Send a car.
09:55Call a doctor.
09:57What's the doctor going to do?
09:59He has a fever of love.
10:01He won't die so soon.
10:10Kartarbi,
10:11call a doctor.
10:12He has a fever of love.
10:13He won't die so soon.
10:14He has a fever of love.
10:15He won't die so soon.
10:16Kartarbi,
10:17call a doctor.
10:18He has a fever of love.
10:19He won't die so soon.
10:20Kartarbi,
10:21call a doctor.
10:22He has a fever of love.
10:23He won't die so soon.
10:24Kartarbi,
10:25call a doctor.
10:26He has a fever of love.
10:27He won't die so soon.
10:28Kartarbi,
10:29call a doctor.
10:30He has a fever of love.
10:31He won't die so soon.
10:32Kartarbi,
10:33call a doctor.
10:34He has a fever of love.
10:35He won't die so soon.
10:36Kartarbi,
10:37call a doctor.
10:38Kartarbi,
10:39call a doctor.
10:40Kartarbi,
10:41call a doctor.
10:42Kartarbi,
10:43call a doctor.
10:44Kartarbi,
10:45call a doctor.
10:46Kartarbi,
10:47call a doctor.
10:48Kartarbi,
10:49call a doctor.
10:50Kartarbi,
10:51call a doctor.
10:52Kartarbi,
10:53call a doctor.
10:54Kartarbi,
10:55call a doctor.
10:56Kartarbi,
10:57call a doctor.
10:58Kartarbi,
10:59call a doctor.
11:00Kartarbi,
11:01call a doctor.
11:02Kartarbi,
11:03call a doctor.
11:04Kartarbi,
11:05call a doctor.
11:06Kartarbi,
11:07call a doctor.
11:08Kartarbi,
11:09call a doctor.
11:10Kartarbi,
11:11call a doctor.
11:12Kartarbi,
11:13call a doctor.
11:14Kartarbi,
11:15call a doctor.
11:16Kartarbi,
11:17call a doctor.
11:18Kartarbi,
11:19call a doctor.
11:20Kartarbi,
11:21call a doctor.
11:22Kartarbi,
11:23call a doctor.
11:24Kartarbi,
11:25call a doctor.
11:26Kartarbi,
11:27call a doctor.
11:28Kartarbi,
11:29call a doctor.
11:30Kartarbi,
11:31call a doctor.
11:32Kartarbi,
11:33call a doctor.
11:34Kartarbi,
11:35call a doctor.
11:36Kartarbi,
11:37call a doctor.
11:38Kartarbi,
11:39call a doctor.
11:40Kartarbi,
11:41call a doctor.
11:42Kartarbi,
11:43call a doctor.
11:44Kartarbi,
11:45call a doctor.
11:46Kartarbi,
11:47call a doctor.
11:48Kartarbi,
11:49call a doctor.
11:50Kartarbi,
11:51call a doctor.
11:52Kartarbi,
11:53call a doctor.
11:54Kartarbi,
11:55call a doctor.
11:56Kartarbi,
11:57call a doctor.
11:58Kartarbi,
11:59call a doctor.
12:00Kartarbi,
12:01call a doctor.
12:02Kartarbi,
12:03call a doctor.
12:04Kartarbi,
12:05call a doctor.
12:0615 more days,
12:08Mallika Jan's destruction is confirmed.
12:13This file,
12:15your statement,
12:18our passion,
12:21and our beauty.
12:27Our beauty.
12:36Our beauty.
13:06And that poor Alam.
13:07All three will be in danger.
13:11Let's go, Umesh.
13:20What are you doing here?
13:22I just came to give you tea.
13:24You go, I'll be back.
13:31Forgive me, brother Balraj.
13:33But there's no line between love and rebellion.
13:37There's no difference between love and revolution.
13:40But don't worry.
13:42We won't come in their way.
13:46We won't come to this room again.
13:59What's your temperament?
14:03Mallika, we asked you something.
14:06We're going back to Lahore.
14:07Why?
14:09You called us here so that we don't have to worry about the royal palace.
14:14And you leave us alone and go hunting.
14:18And today you came empty-handed.
14:21Not empty-handed.
14:23Today's hunt is especially for you.
14:29Farid and Satyan?
14:32They sold Farid to them 20 years ago.
14:35These Satyans got him married to Iftikhar Ahmadi of Rawalpindi.
14:41At the age of 12.
14:44It wasn't two years after the marriage.
14:46Iftikhar died.
14:50They say Faridan poisoned him.
14:53Oh God.
14:55A murderer at the age of 14.
14:57Murderer.
15:00And at the age of 16.
15:03What do you mean?
15:05A broker took him to Gulfam's house in Awadh.
15:09Where she was named Jahara.
15:12From there he trapped his next victim, Mohammad Ameen.
15:17She burnt the house and ran to Delhi with him.
15:21And this?
15:23Mr. Chaudhary.
15:24Oh.
15:26He lives in Khuabga.
15:29I became a star in Benaras and traveled from his kitchen to his bed.
15:35This girl who is showing you her eyes.
15:38There are police cases against her in every city.
15:41It's a calamity that can't be avoided easily.
15:45Unfortunately, this talent is not in any of our daughters.
15:54Oh.
16:11Ma'am. Smile, please.
16:14Mrs. Faridan.
16:16You won't believe who has come to meet you.
16:19The queen from the royal palace.
16:21You're a very cunning old woman.
16:24You figured out where the file is pretty quickly.
16:27A little here, a little there.
16:28What do we do now, ma'am?
16:29Should we send it back?
16:30No.
16:32Tell them to wait.
16:33Okay.
16:35And tell me one thing.
16:37How do our feet look?
16:39Aunt is going to massage my feet.
16:42They should look beautiful.
16:44Your feet are beautiful, Farida.
16:47But tell me one thing.
16:49Your neck is more beautiful.
16:53Thank you, aunt.
16:55Tell me, how did you come here?
16:57I just thought of you.
17:00Smile a little, ma'am.
17:01Are you taking a picture?
17:03Yes.
17:04But where is the place to put your picture in the dream world?
17:09These pictures are not for the dream world.
17:12They are for the royal palace.
17:15Where your mother's picture could not survive.
17:19How will your picture survive there?
17:22I have heard that this black box pulls the soul, not the picture.
17:27You heard it right.
17:29But you don't have to be afraid.
17:32Your soul is already dead.
17:36If you don't believe me, then come and take a picture with us and see for yourself.
17:41Let's go.
17:44Anything for you, my love.
17:46Humera.
17:47Bring jam for aunt.
17:49Yes.
17:50I have not even drunk the water of the enemy's house.
17:52Jam is a distant thing.
17:54Are you doubting me?
17:56I doubt my own shadow.
17:59You should.
18:00After all, the shadow is yours.
18:02It must have gone to you.
18:03You talk very well.
18:06Our file?
18:08Yes, it is exactly your file.
18:11I was crazy looking for it.
18:13I sleep with it in my heart.
18:17There are some papers in it that I want to read again and again.
18:21As soon as Mr. Cartwright returns from Karachi, I will hand it over to him.
18:26And we will not go to jail for seven years.
18:28Oh God.
18:31But if this picture is caught by the police, you will be sentenced to death.
18:35Ramalpindi ki noor, abat ki anokhi, Banaras ki tara, Delhi ki jahar.
18:51Photo kheech.
18:53Agar aapko apni jaan pyaari hai, toh humari wo file police tak nahi pohnchegi.
19:05Aur photo achhe aaye, toh humare yaan bhijwa dijiye.
19:13Motorma, smile please.
19:24Hume aane mein thodi der ho gayi.
19:26Moi nahi saadi mili nahi rahi thi.
19:28Cartwright sahab aaye nahi ab tak.
19:32Fatima.
19:33Ji.
19:35Zara wo file lana.
19:40Kya hai isme?
19:41Suboot.
19:42Malika ke uniyon ki nishan aur officer ka bayaan ki Rehana aapa ne khud khushi nahi ki.
19:49Acha?
19:51Dikhaiye toh.
19:59Yehi tujhe...
20:01Suboot ka sir nahi hai is file mein.
20:05Fatima.
20:07Dekho toh hum bhi kis bewaqoof ki baaton mein aa gaye.
20:11Haan.
20:13Bewaqoof toh hum hai hi.
20:15Hume laga tum Malika se hume bachaogi.
20:17Aisa aksar hota hai humare saath.
20:20Jehre par ek baar chaku chala.
20:22Roop par behisaab.
20:25Dhoka dene walon ki fairist mein, ek aur naam sahi.
20:30Kehte hai jiski dua kabool nahi hoti, unki baddua zarur kabool hoti hai.
20:44Satto fatto.
20:46Hum sochh rahe the ki agli jume raat ko shahi mahal ki mehfil humari shama sachayegi.
20:52Huzoor hum...
20:54Kyon?
20:55Aap Waheeda ki beti hai aur humare bhi bachi hui na?
20:59Aap hume huzoor banayenge?
21:01Chup kar mar jaaniye.
21:02Alam zeb ke wapas lotne tak.
21:04Bas.
21:05Hain na huzoor?
21:07Aaj se inke kapde, zevraat sab humari zimmedaari hongi.
21:11Huzoor, hume aapse baat karniye.
21:15Aur haan, kapdo ke astine choti honi chahiye.
21:19Aaj kal astino mein saab palne lage hai.
21:24Aap...
21:26Kuch kehna chahate hain aapse?
21:28Aap se kahe hain ki hum inka chhera bhi nahi dekhna chahate hain.
21:39Aap keh sakte hain?
21:43Us khambat Faridun ki baaton mein aage hain hum.
21:47Hum se bohot badi galti ho gayi aapa.
21:51Humi maaf kar diti.
21:54Zandagi bhar aap galtiya karte aarein aur hum aapko maaf karte aarein.
21:59Badi bain ke saath jo kiya, choti bain ke saath karenge toh hum tanha ho jayenge nahi.
22:05Chaliye...
22:07Maaf kiya aapko.
22:10Baba...
22:16Shukra guzaar hain aapke.
22:19Allah aapko har khushi se naba se.
22:21Arre Sattu Fattu, achanak mausam badal gaya nahi?
22:24Garmi badh gaya hai.
22:28Shukra...
22:44Yeh dekhiye.
22:46Chin ka khaas silk.
22:49Khoob jachega view aap.
22:50Aacha?
22:52Garara sharara, jo ji chahe banaye.
22:55Tara roshni mil ke dekhte hain.
22:59Toh yaan chhipe hain aap.
23:02Rosh sahab.
23:04Aadab.
23:07Kab se aapko tund rahe hain, Shama.
23:10Aacha hua bahar buggy dikh kayi aapki.
23:13Aayiye, chaliye humare saath.
23:15Maaf kichega.
23:16Lekin aaj hum aapke saath nahi aayenge.
23:21Pichle ek mahine se yeh hi sun rahe hain.
23:24Shahi mahal se baar baar naam uraat mikhalte hain.
23:29Aaj toh aapko saath lekar hi jaayenge.
23:32Aur bohot waqt hua.
23:34Shama parwane ka khel nahi hua.
23:37Hoga bhi nahi, Firoz sahab.
23:40Ab Shama ki law aapki aukaad se zyada upar ho gayi hai.
23:44Hamari beti,
23:46Shahi mahal ki honewali huzoor hai.
23:49Shama huzoor banenge?
23:52Lajjo aapa guzar gayi.
23:54Alamzeb bhaag gayi.
23:55Bipbo jaan murchha gayi.
23:56Aur humne yeh khwab dekhne chhod diye.
23:58Toh huzoor kaun?
24:00Hamari Shama.
24:02Oh.
24:04Toh saare bair bhulaakar,
24:06Ek ho gayi tono.
24:08Khoon khoon hota hai, Firoz sahab.
24:10Haan, logon ke paon me jhooti kaatti hai.
24:13Hum jhooti se bach gaye.
24:15Churab ne kaat liya.
24:17Ab bari dukaan me tamasha karenge aap?
24:20Hum tamasha dekhte nahi.
24:22Dikhate hai, Firoz sahab.
24:23Chaliye, Shama.
24:25Bibhi yeh sab kapde?
24:27Shahi mahal mein bhej dena.
24:29Rukao haram zaadiyo.
24:31Ha gayi apni aqaat par tamayaf?
24:33Humne tum dono ko yaha mithaya hai, yaha.
24:36Kya, Firoz sahab?
24:38Ab aadhi minute ka bhi hasan jataenge aap.
24:46Aapko kuch dikhao, Faraz sahab?
24:49Chin ka khaas singh?
24:50Tera wajan batta janda, kurta khulda janda.
24:55Laha.
24:57Anna me pehre, lagda hi jive aswaan hi roh rahe hao.
25:01Zaroor kisi sache da dil tootiya hoga.
25:20Balli!
25:22Sattu!
25:24Balli!
25:45Saima kithe hai?
25:47Chappi leta ke, ghar mahe jaayegi.
25:50Kaise ho?
25:54Ye harbani, huzoor.
25:56Angrezo ne bade kede ilzam lagaye thi tum par.
26:00Isli tumhe,
26:02Reha karane mein thoda waqt lag gaya hai.
26:06Humme maaf kar do.
26:08Galti tha meri hi hai ji.
26:10Huzoor,
26:12Menu Saima de naal vyaah karanda,
26:15Ek mauka hor de do.
26:17Rab di saun mein sare paise le aawanga.
26:20Menu pata hai,
26:22Aap sabne meri wajah se bahut takleev ho hi hai.
26:25Takleev toh hi uss raat.
26:29Ek tumhare pakde jaane ki, aur doosre hi,
26:32Saima ki bhaag jaane ki.
26:36Tumne ishq kiya,
26:38Aur wo intazaar bhi nahi kar payi.
26:41Uss raat hi bhaag gayi.
26:43Aur jaate jaate,
26:46Ye chhod gayi.
26:51Ek baal,
26:53Khudgarz logon par aasu nahi baate.
27:05Alam!
27:07Ji?
27:09Darwaza kholiye,
27:11Humme aap se kuch baat karni hai.
27:13Wo hum masroof hai,
27:15Jo bhi kehna hai, wahi se kahiye.
27:17Na hum aapke kamre mein aayenge,
27:18Na aap humare kamre mein aasakte hai.
27:21Aap ab tak us baat ko dil se lagaye baithi hai,
27:24Ek baar milenge bhi nahi.
27:26Hum apna faisla kar chuke hai.
27:29Hum chand dinon ke liye bahar jaa rahe hai,
27:31Ab bhi darwaza nahi kholenge.
27:35Khuda hafiz.
27:49Ek baar dekh liye,
27:51Diwana bana diye,
27:54Jalne ko hai tayyar hum,
27:57Parwana bana diye.
28:07Khuda hafiz.
28:15Aap isthani hai,
28:17Aap isthani mein ek aurat,
28:19Rapat likhwana chahe bhi toh kaise,
28:21Jab afsar hi zulmi ho.
28:24I can help you with that.
28:26Tell me,
28:28How can the imperial police,
28:31Best serve you?
28:33Likhiye,
28:35Ek afsar hai, jo humein bahot pareshan karne hain.
28:38Talkies mein leh jaane ka wada kiya tha,
28:41Lekin kaam mein itne masroof rehte hain,
28:43Ki humein khud aana pada.
28:47What is it, Watson?
28:49Oh, stay.
28:51I am sorry, sir, but it's urgent.
28:53Yes.
28:55The army has shipped a fresh batch of Enfield rifles and bombs from Ishapur as requested.
29:00Good.
29:02Sell them in the northern barracks of the cantonment.
29:05I don't want any lapses in security.
29:08So choose your best men for guard duty.
29:11I want them on two different shifts,
29:13The switch being at 8.30pm.
29:16Yes, sir.
29:46Alam,
29:48Aap ab bhi us baat pe adhi hui hain?
29:51Jab tak aapka farz poora nahi hota,
29:53We adhi hi rahein ke.
29:56Aana toh aapko padhega.
29:58Toh yeh bachkani baatein chhodiye,
30:00Aur upar aayi, hum aapka intazaar kar rahein.
30:07Assalamu alaikum.
30:09Khabar pakki hai.
30:11Asla warood cantonment paunchne wala hai.
30:13Alhamdulillah.
30:14Hamid sahab hum tayyaar hai.
30:16Aap bas hokum keeche.
30:18British cantonment pe hamle ka matlab samajhte ho,
30:20Jaan bhi jaa sakte hai.
30:23Jaante hain.
30:25Lekin is baad jaan dene ki nahi,
30:27Lene ki tayyaari hai.
30:29Allah hafiz.
30:32Ji?
30:34Alam,
30:36Tawanda khat.
30:38Alam khat kyu nahi aaye dene?
30:40Kehndi ho kadhi nahi aayegi tawade kamre ch.
30:44Ab haas ki rahe ho.
30:46Dasoge ki karna hai.
30:51Kya kaha unhone?
30:53Hamari khat ka jawab diya?
30:55Aile, aaye phad.
30:57Aaye jawab ditte hain.
30:59Yeh kya Gurbaksh bhi?
31:01Hum jaante hain ki aap humi pasand nahi karte,
31:03Lekin yeh karne ki kya zarurat thi?
31:05Main nahi phadiya hai.
31:07Ki mere te parosa nahi hai,
31:09Toh upar jaake puchle unhanu.
31:11Lekin hum kaise jaaye unke kamre mein?
31:15Hamara yeh khat,
31:17Aapne phadaya hai Gurbaksh bhi ne?
31:21Humne phadaya hai.
31:23Isse phad ke aapne hamara dil toot diya hai.
31:27Aur aapne jo hamare kamre mein na aane ki kasam khayi hai,
31:30Hamara dil bhi toota.
31:32Lekin...
31:34Lekin mautarma, aapka dil dil,
31:36Aur hamara dil kuch nahi.
31:38Yeh toh galat baat.
31:40Aap samajh nahi rahein janaab.
31:42Hum is kamre mein isliye nahi aa rahein,
31:44Toh rukawan mat ban liye,
31:46Hum safar ban jayiye.
31:48Nikah kar liye hamse.
31:51Kya kaha aapne?
31:54Humne kaha nikah kar liye hamse.
32:02Hum soch ke batate hain.
32:11Soch ke...
32:12Hum batate hain.
32:19Humne soch liya.
32:21Aur?
32:24Hum aapse nikah...
32:26Kar denge.
32:28Lekin aap hi ek baar soch nijiye.
32:30Hum ek khaana banana nahi aata.
32:32Naashte mein shir aur khaane mein ghazal pesh karenge aapko.
32:36Kabul hai.
32:40Kabul hai.
32:42Kabul hai.
32:53Yeh kam tournament ka naksha hai.
32:55Har raat 8.30 pehra badalta hai.
32:57Yaha asla aur barood ki godam pe sirf 6 minute ke liye koi sipahi nahi hota.
33:01Toh jo karna hai aapko sirf 6 minute ko karna hoga.
33:04Hamid sahab.
33:06Hum is darwaza se andar jayenge aur pehra badalne se pehle,
33:09Yaha aur yaha attack karke,
33:10Peeche ke rastar se nikal jayenge.
33:12Is nakshay ko achhe se yaad karlo.
33:15Angrezo ko jadon se ukhaar phekenge.
33:17Marenge nahi.
33:19Marenge nahi.
33:21Rawalpindi se hat gole aur pistole bhi aa chuke hain.
33:23Aayiye.
33:29Alam kaise hai?
33:33Unse kahiye unki aapa unko yaad karti hai.
33:38Khush toh hai na?
33:41Behat khush hai.
33:48Agli jum mein hum nita kar rahe hain.
33:58Welcome, John.
34:00How are you?
34:01Very good.
34:02This is Balraj.
34:03Balraj, John.
34:05Amritsar is quite far from Lahore.
34:07It took us like 2 hours to get here.
34:082 hours to get here.
34:10I'm sorry about that.
34:11But this is where I live now.
34:13Humare abu aur mohabbat ke aapas mein nahi bante hain.
34:16Aayi isliye yeh ghar badal liya.
34:18Abhi abu ko toh badal nahi sakte hain.
34:21True.
34:22Anyway, this farmhouse is beautiful and charming.
34:24Thank you.
34:25Why don't you go have a look around?
34:26Enjoy yourself.
34:27I think I'll do just that.
34:31Tum theek toh kar rahe hain na?
34:32Dushman ko ghar mein daavat de kar.
34:34Daavat nahi, dhoka de rahe hain yaar.
34:37Tum khud socha.
34:38Angrez kabhi maanenge?
34:40Ek Nawab jo agli hafte nikah kar raha hain.
34:42Aaj bagawat mein shamil hoga?
34:44Never.
34:45Ah, Mr. Cartwright.
34:47Cantonment jaane ki tehari ho gayi hain.
34:49Humein hine chakma de kar asla barood churane chal se chal nikalna ho ga.
34:53What a pleasure to see you here, Cartwright sahab.
34:55The pleasure's mine.
34:56Welcome, brother.
34:57Dada.
34:59Cartwright sahab, yeh toh Tajdar miya hai na,
35:01bade aasan paramosh nikli hai.
35:03Jo mohabbat humari bajal se parwan chadi,
35:05uske jashna mein humein nahi bulaya.
35:08Aapko kaise bol sakte hain?
35:10Aapke ek jood se hamara sapna sach ho gaya.
35:12Alam se nikah ka.
35:14Waise hai kaha humari alam zid?
35:16Dikhayi nahi de rahe hain?
35:18Hum poore Heera Mandi ki taraf se
35:20unhe duaye dene aaya hain.
35:23Yehi aongi?
35:25Mehmano ke saath?
35:27Hum milaate hain.
35:30How are you, handsome?
35:32Good, right?
35:33Let's do it.
35:34Thank you so much for coming.
35:48Alam zid?
36:03Okay.
36:22Chaldi, chaldi, chaldi.
36:25Zakir miya, zarur bade toh gole chala dena.
36:33Chaldi, chaldi.
37:04Sambhala.
37:27Aapke paas sirf 6 minute hain.
37:29Dildi hasna baroodi katha kijiye.
37:31Shukriya.
37:32Hum saan hum zindagi bhai nahi boorenge.
37:34Chalo, chalo.
37:35Uder jaye.
37:36Jaldi, jaldi.
37:50Chor kam karo.
37:54Chalo, chalte. Chalo.
37:57Yara?
38:00Bashir bhai?
38:02Bashir?
38:33There's only one way out.
38:35Get up.
38:36Get up.
38:37Nawaz, let's go.
38:38Come on.
38:39Get up.
38:46Keep this jewelry safe.
38:48We're going down.
38:52Alam?
38:53Farida, you?
38:54We've been looking for you.
38:56What are you doing up here?
38:58My eyes longed to see you.
39:00May God bless you with every happiness.
39:02May your wedding take place soon.
39:06Are you upset with me?
39:08I trusted you.
39:10And you betrayed me.
39:13That letter wasn't from Arza.
39:15You wrote it.
39:17So what?
39:18You're settled now, aren't you?
39:22Goodbye, Farida.
39:24You'll forget Farida's mistake, Alam.
39:27But you'll never forget what Farida did.
39:57Go, go, go!
40:21Mr. Cartwright?
40:24Sir, the rebels attacked the cantonment.
40:26What?
40:27We have to go.
40:39I'll have to leave.
40:41We had laid a trap at the cantonment.
40:43And still, those rebels stole the ammunition.
40:47And they've left no clues.
40:54But we have a clue.
40:57Okay, so do.
40:59But we have a condition.
41:06We have withdrawn our complaint in the mother's case.
41:10To show it to Mallika.
41:12But you will continue to investigate her and Zulfiqar.
41:17You will give them a severe punishment.
41:20Tell me.
41:22Yes, yes, I promise.
41:24Now tell me.
41:29I hope you're right.
41:51You're going to die tied up.
41:53Tajdar Baba will bring the priest.
41:55They're going to die after the wedding.
41:57It's very cold there.
41:59Where are the warm clothes?
42:00We're thinking of taking Taj to Barojkoti.
42:04After the wedding, father will be less angry.
42:07Maybe he'll accept us.
42:11Taj must have brought the priest.
42:13Where are you going?
42:14Wait here.
42:15Bride and groom don't sit together on the day of the wedding.
42:18Make tea quickly.
42:20The priest is here.
42:34Police?
42:39What are you doing?
42:45What's going on?
42:47This is an imperial police raid.
42:52The evidence has to be here somewhere.
43:17Police!
43:32Stop!
43:34Stop!
43:47Stop!
44:03Who told the British about our attack?
44:07Someone must have told them.
44:09Did Pippo deceive us?
44:10Are you in your senses?
44:13You know...
44:15Pippo can do anything to inform us.
44:18There's no need to doubt her patriotism.
44:24Open the door.
44:26It's me, Harijwan.
44:32The police raided Amrutkoti a while ago.
44:35They've arrested some Alam with evidence.
44:38What nonsense.
44:40The house is ours.
44:42The evidence is ours.
44:43How can they arrest Alam?
44:47No, Balraj.
44:50Will our father die for his mistake?
44:53Will our grandmother die?
44:56No.
44:57It's wrong.
44:58It's wrong.
44:59Think with a calm mind.
45:01Our goal can be in danger.
45:03Don't be stupid.
45:05You can't do anything.
45:06Why can't we?
45:07We can accept it.
45:08We can accept it.
45:10But why can't we let Alam go?
45:12We were shot for that.
45:14We were murdered.
45:16Leave me.
45:18Leave me.
45:22Tazdar.
45:28Answer a question.
45:32Love or country?
45:42Yes.
45:45Both are the same.
45:48Love or country?
45:53The country won't be free from sacrifice.
45:58You'll have to sacrifice your loved ones.
46:04Mr. Balraj.
46:06I can't believe
46:08this girl is with the evidence.
46:12And you say Tazdar has nothing to do with it.
46:16I assure you, Mr. Cartwright.
46:18Tazdar has nothing to do with this case.
46:22Tazdar will tell us whether he has anything to do with it
46:25when Alam comes to the fore.
46:28Go get the girl.
46:32If this girl doesn't accept this allegation today
46:35then your friendship and loyalty to the Crown
46:38will be of no use.
46:41I won't be able to help either.
46:44Do you know General Henderson's stand on the rebels?
46:49Anyway.
46:51How did you get hurt?
46:53I got hurt when I went hunting.
47:05Tazdar.
47:28Tazdar, you know her, right?
47:31She was arrested with this pistol
47:34along with the cantonment blueprint
47:37and the imperial police memos from the Yoramrodkoti.
47:42I hope you know this is a serious crime
47:46to rebel against the British rule.
47:49Trust me, Mr. Cartwright.
47:51Our Taz is innocent.
47:52Let him speak for himself, Mr. Balraj.
47:56How can you be innocent, Tazdar?
47:58Your house.
48:00Your room.
48:02But our belongings.
48:05Tazdar didn't know anything about them.
48:13I asked Tazdar, not you.
48:29Have you found your answer yet, Tazdar?
48:34What do you want me to tell you, Mr. Cartwright?
48:38We were busy with our hotel business.
48:41We didn't know what she was doing in our absence.
48:45But you were going to marry her.
48:54Marry her?
48:56Marry her?
48:59You don't marry a prostitute.
49:01Right, dad?
49:06Did you hear what Tazdar said?
49:11Do you have anything to say?
49:17Look at me once.
49:22Make me crazy.
49:26I'm ready to burn.
49:30Make me a firefly.
49:37Go ahead.
49:55Go ahead.
50:25Go ahead.
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