Salon De Te La Moderna - Capitulo 101
Transcript
00:00It can't be! It can't be!
00:02Help! Help!
00:06Matilde, let's go inside.
00:08I've prepared a canvas for you.
00:10I'm sure it will ease your nerves.
00:12I saw Mrs. Carla.
00:14I had stayed with Cesar to go together.
00:16She was a few meters away from me
00:18when I realized that Lieutenant Lorenzo
00:20and other police officers were following me.
00:22And I had to turn around.
00:24I didn't know what to do.
00:26I didn't know what to do.
00:28The police were following me.
00:30I had to make a decision.
00:32I turned around
00:34so that...
00:36so that he could escape.
00:38I'm not going to say anything.
00:40But I'm not doing it for you.
00:42I'm doing it for Mr. Fermin.
00:44Very well.
00:46To tell you the truth,
00:48it's not the first time I've seen her.
00:50Mrs. Carla.
00:52A few days ago,
00:54I saw her in the meadow on the stairs.
00:56We have to be happy, because the Cupid plan works.
00:59And I want to continue.
01:01Well, it's true that it's working,
01:03but we could also take it a little more calmly, right?
01:06Not at all, no, no, no, no, no, no.
01:07We have to continue until the end,
01:09because now I'm already living a life without lies,
01:12without, without falsehoods.
01:15Do you think you can do anything?
01:16Because here, apart from a partner,
01:18you have someone you can always count on.
01:21You know that, right?
01:22I can't imagine a friend better than you.
01:26Yes.
01:28What do you have with Sarbu?
01:31I've seen you talking to him once, or twice, or more than twice.
01:36No, no, not me, nothing, not Sarbuta, no,
01:39we talk every now and then, to pass the time,
01:41and because we work together, but...
01:43but that's it, nothing more.
01:45And what are these tickets for?
01:47They're to watch a movie.
01:48Sometimes an apology is not enough.
01:51I appreciate that,
01:53I have a business to open and sometimes an apology is not enough.
01:58How did you start, the bookseller, and you? I haven't heard from you for a long time.
02:01Me neither.
02:02But we were talking about Antonio and Pietro's wedding gift.
02:06Yes, yes, but the wedding is to your liking, Trini. So start telling us. Get out, please.
02:11What were you doing yesterday? Where were you going with a suitcase?
02:17Lieutenant, I don't know anything.
02:19Don't be frank, Miss Inés. We have the border police on alert. It's a matter of time before we get to him.
02:25I can't get the goodbye from yesterday out of my head.
02:33I'm sorry. It won't happen again.
02:35If I didn't like the goodbye, I would have let you know. It was very pleasant for me.
02:39Stop treating me with condescension. I know what I saw and I saw Carla.
02:44But where are you going at this hour?
02:46I'm going for a walk. Why can't I stand it here anymore?
03:02Are you going through your business list?
03:05Yes. I'm organizing my schedule to meet with them. I don't want my work to accumulate.
03:11Yes, sometimes it's hard to concentrate.
03:16Yes. I have my head in another matter.
03:22And I see you're tired. You didn't sleep well last night.
03:27Everything you can sleep in these circumstances.
03:33My love, allow me.
03:37I can't be like this with you.
03:40Everything I told you was to clear the air.
03:44Forgive me. I didn't want to bother you.
03:49I know.
03:51I should also apologize.
03:53My reaction was a bit exaggerated and the slap I gave was more.
03:58Look, regarding what you said to see.
04:04It's impossible, my love, because Carla's body has been identified.
04:10And really, I believe you. I know you've seen something, really.
04:13But there has to be a logical explanation for all this, because...
04:17Carla can't be.
04:19I ask you not to talk to me like that.
04:21I'm sorry.
04:22And that you don't treat me like a child.
04:25And that you tell me that I didn't see something when I'm sure I did.
04:28The sight hasn't played a bad trick on me, Iñigo.
04:31Carla was there.
04:32My love, I believe you.
04:34But there has to be a rational explanation for all this.
04:40I'm late for school. I don't have time for breakfast.
04:42No, no, no, no.
04:44You can't go to school.
04:45No, no, no, no.
04:46You can't go to school.
04:47You can't go to school.
04:48You can't go to school.
04:49You can't go to school.
04:50No, no, no, no, no.
04:51You can't leave with an empty stomach.
04:54I'm not hungry.
04:56Well, I'll have some milk.
05:01Matilde?
05:03Yes?
05:06No, nothing.
05:09Clarita, I know you and I know you want to ask me something.
05:13Come on, ask me.
05:15Since when does a Garcés turn around to ask for something?
05:20Do you remember the letter we received from Pablo and Aunt Concha?
05:25Yes, and it was very nice.
05:29Pablo and Aunt say they really want to see us.
05:36And the two of us, them?
05:39Matilde, I'd like to go to Jerez.
05:45I miss you a lot.
05:47That's what I wanted to tell you.
05:58To Jerez?
06:01To spend a few days with Pablo and Aunt Concha.
06:08But...
06:11But you're going to miss class again and it's a very long trip.
06:16To do it alone.
06:18Please.
06:20But aren't you okay with us?
06:23It's not that.
06:25I miss you a lot.
06:36Very well.
06:38Very well. I'll prepare the trip.
06:41I'll talk to Aunt, okay?
06:46Thank you.
06:49Come on, finish the milk. We're going to school.
06:59Come on, I'll go with you.
07:08Honey, I'll take these things to you.
07:11No, I won't need them today.
07:14I'll work at La Moderna.
07:16Okay.
07:46I love you.
07:48I love you.
08:16I love you.
08:47I LOVE YOU
09:05Wow, sleepyhead.
09:07It looks like you slept well in your new bed.
09:10Yes, I didn't know lizards were always so pretty.
09:13The mattresses are so comfortable.
09:15Yes.
09:17And having the living room so close.
09:19You don't have to go down the stairs at night.
09:21Well, and they have so many windows that it looks like we're in a skyscraper hotel.
09:25But we won't get used to it, okay?
09:27This is only as long as the construction works last.
09:29Well, but you tell the workers not to be in a hurry either.
09:33What we have to tell the workers is if we need something from home so they can bring it to us.
09:38I don't think I've left anything.
09:40That's the good thing about being in a hotel.
09:42You get everything in one hand.
09:49And all these telegrams, Antonia?
09:52Do you think this is all mail?
09:54They're from my family.
09:55They tell me which train they're going to take, or which hotel they're staying at.
10:03The illusion you're going to get is to find them.
10:06Well, yes.
10:07The truth is, I'm a little nervous, huh? I haven't seen them in a long time.
10:11Do they all come here?
10:12Well, I don't know if all of them, because there are some who haven't answered me.
10:16The ones from people who are going to be at the wedding, Antonia.
10:18Relatives, all the staff from La Moderna.
10:22Well, not all of them, huh?
10:24I haven't invited Mrs. Alacrán, and Teresa neither.
10:27You haven't invited Teresa?
10:29No, no.
10:30It's not that we have anything against her, neither Pietro nor I, but...
10:33We were wondering who else was going to be there, and she's not.
10:38Good morning.
10:39Good morning. What are you doing here? Shouldn't you be at the lab?
10:42I don't have good news.
10:45Pietro, what happened?
10:46It's about the snack, Antonia.
10:48The one we booked a few days ago?
10:50Yes. It seems they didn't take a good note of the date.
10:53But... but I saw perfectly how you wrote it down.
10:56I know, I know.
10:57It's just that this morning I was walking around to confirm something about the cake.
11:02About how they would come to pick it up, and...
11:06It turns out they didn't take a good note of it.
11:09Well, that's a relief that you noticed in time, Pietro.
11:12No, Marta.
11:13The problem is that the snack is taken up every hour on the day of the wedding.
11:18There's no room for us.
11:20But then where are we going to celebrate the wedding?
11:22I don't know, Antonia. I don't know.
11:23We have to find another place.
11:25And it shouldn't be so expensive.
11:27Because we can't pay for a banquet hall.
11:30Where are we going to find a place now, three days before the wedding?
11:33It's just that I'm more and more aware that they haven't looked us in the eye,
11:37but they have looked at us, and looked at us again.
11:42Well, and here you have your tila, Miguel.
11:46Double, as you asked.
11:48Now, if it's not an indiscretion...
11:50Elia, if I had to forgive you for all your indiscretions, it wouldn't be enough.
11:53Yeah, but you're always coffee, you're not tila.
11:56And now you're giving me double.
11:57How can you be so nervous?
11:59It's...
12:00It's the love I feel for Trini.
12:02I can't control my feelings.
12:05I'm so in love with Trini that...
12:07that I even get tachycardia.
12:09Wow, I didn't know you were so passionate, Miguel.
12:12Sure, this must have been hidden in the priesthood for so long,
12:16accumulating, accumulating, accumulating,
12:17and suddenly there's a day that, boom, it explodes.
12:19Yes, it does.
12:20A cholon.
12:21But a cholon.
12:22Well, what do you say about Cañete?
12:24This virtue he has as Celestino?
12:26Because you have to see what eye he had when he saw what you had with Trini.
12:30Yes, you should have noticed it all, Elia.
12:32It's just that what I have with Trini seems sudden,
12:35but my feelings come from far away.
12:37Yeah?
12:38Well, man, I must have guessed something, but I haven't really noticed.
12:41I'm telling you, I haven't.
12:42And look, I have a good eye for these things.
12:44Very good, yes.
12:45Yes, yes.
12:46Well, thank goodness Cañete noticed and saw it coming.
12:48You have to see what a heart of gold.
12:50It's an honor to have him as a friend.
12:57Mr. Ruiz.
12:58Elías.
12:59Mr. Peñales, can I help you with something?
13:02Yes, I was looking for Matilde.
13:04I don't know if you've seen her.
13:06No, I haven't seen Mrs. Peñales all day.
13:09Are you sure?
13:10Because she told me she was going to come here to work on La Moderna
13:13to finalize her last details of the project.
13:15Well, she hasn't arrived yet.
13:17I can assure you of that.
13:20Well, I must have misunderstood.
13:22Well, since I'm here, I'd like to talk to Pietro
13:25to find out how many guests are going to be exactly
13:28for the celebration of his farewell in Madrid-Cabaret.
13:30Ah, well, if that's the reason, we don't have to bother Mr. Pietro.
13:34I, as the head of the marriage link celebrations
13:37between Pietro and Antonia,
13:39I am trained to solve the guest list
13:41and to receive and give any information that is necessary.
13:51Wait.
13:57Excuse me, Mr. Fermin.
14:00Can I ask you what is it that interests you so much?
14:03Because since you arrived, you haven't taken your eyes off the newspaper.
14:06It's... well, the news in general.
14:09It's just that everything that's happening is so exciting that...
14:14Do they say anything about the elections?
14:16It's just that this morning I came very quickly.
14:18I wanted to finish the accounts.
14:20The truth is that I couldn't even read the headlines.
14:22Yes, yes, yes, here it is, here it is.
14:24The results of the elections to constituent courts.
14:27Look.
14:30Let's see.
14:31It seems that no...
14:34No, there have been no big surprises.
14:37No, there haven't been, no.
14:40Well, everyone says they've won.
14:43Or they feel they've won.
14:46Well, these are things of politicians.
14:50In the end, everyone interprets it in their own way.
14:52In cases that no one will ever accept that they have lost.
14:55Yes, the important thing is that the people, with their votes, have spoken.
14:58Look, there is a 90% coincidence
15:01between the results of the elections and the provisional government that we had.
15:06And, well, despite everything that is happening in the country,
15:10there is a certain excitement for the new times that are coming.
15:13Well, you never know when something that excites you is going to happen.
15:17Right?
15:20Good morning.
15:22If you'll excuse me.
15:31So?
15:33Can you tell me why you're here? Because I don't remember calling you.
15:38Yes.
15:40I wanted to talk about how the wedding of Pietro and Antonia
15:43affects the order of the shifts.
15:45Because there are a lot of employees...
15:47I'll leave that to you, Teresa.
15:48I'm convinced that it's going to be the best solution for everyone.
15:52As you wish.
15:55One moment.
15:56Well, since you're here, let's talk about more urgent issues.
16:00How is the refrigerator that I ordered for the opening of the gramophone store?
16:06There are only a few hours left and I don't want them to be delayed because of us.
16:11Everything is ready. There won't be any delay.
16:14I hope so.
16:15Is there anything else you want to tell us?
16:18I don't know. The last time I spoke with you,
16:20I had the feeling that you wanted to tell us something, Mr. Fermin.
16:23What is it that you wanted to tell us, Teresa?
16:27Nothing. Nothing. You can wait.
16:29I'm going to take care of the refrigerator for the opening.
16:32I don't want any problems.
16:34Very well.
16:42Look, Mrs. Lázara.
16:44There is also a review in the newspaper of the last premiere of the circus.
16:49Well, I've heard that this woman is a prodigy.
16:52Yes.
16:53And I was thinking of going to one of the performances of these days.
16:57Really?
16:59And well, if you feel like it and want to accompany me ...
17:06Really?
17:09Well, I would love to be able to see Margarita Circus and much more in her company.
17:13Well, then ...
17:15But no ...
17:16No, it won't be possible, Mr. Fermin.
17:20I have to reject the invitation. Excuse me.
17:22Wow.
17:24And that?
17:25Why?
17:26Well, for ... for many reasons.
17:30You have to take care of the modern one,
17:33there is the opening of your niece's store,
17:36and I have to remind you that you are Pietro's wedding godfather.
17:39No, no, no, no.
17:40Well, I'm sure if I get organized, I'll find a gap in the agenda.
17:44So ...
17:45Yes, yes, yes, Mrs. Lázara, I insist.
17:47If you want, the circus is waiting for us.
17:51Well, fine, I accept, but ... but on one condition.
17:54I'll take care of the tickets.
17:56I don't want to take up any more time.
17:58Perfect. As you prefer.
18:15There it goes! I can't believe it!
18:17There it goes! I can't believe it!
18:19I forgot one of the most important.
18:21Oh, yes, I'm a nail and flesh.
18:24Mr. Fermin!
18:25What?
18:26Mr. Fermin!
18:27Besides being my boss, he's the wedding godfather.
18:30I forgot to tell him I was invited.
18:32Well, gentlemen, I'll leave you.
18:35Elías, please, if you see Matilde, tell her to call me.
18:38Yes, of course, I'll tell her.
18:39By the way, how is she?
18:41Because after what happened yesterday in the gallery ...
18:45Good.
18:46She is very well.
18:48Good.
18:51No, it's just that I also know something about these things.
18:54Because my grandfather, Jeremías III,
18:56the whole town laughed at him,
18:58that everyone accused him of being crazy.
19:00Because whenever he crossed a bridge, he saw a ghost.
19:02A lady.
19:03Until it was proven to be true.
19:06Was it proven that there was a ghost?
19:08No, Miguel, it was proven that my grandfather was a little crazy.
19:12Good morning, gentlemen.
19:14Elías, how many things do you have to learn from Mr. Fermin
19:17to be quiet, for example?
19:39Tomorrow my friends have organized a mass for you.
19:44For my soul?
19:46How kind.
19:48Since you have had the detail, I cannot miss it.
19:51I have to leave the house at six.
19:54And the service?
19:57I will order them to accompany me.
20:00And if there is time, I give them the afternoon off.
20:04Therefore, you have the house empty for you.
20:13I will destroy you.
20:17This has only just begun.
20:31But hey, Uncle Fermin.
20:34Thank you very much for all the soda you have prepared.
20:38The truth is that everything looks great.
20:40It is the luck of having the owner of La Moderna as a partner.
20:44So let's toast to the new business,
20:48which we hope will give us a lot of joy.
20:51Well, it has already given us the first joy,
20:53because this call has been a success.
20:56By the way, Mr. Fermin, I am curious.
20:59What is your opinion on the result of the elections?
21:02Well.
21:03Yes, tell us, because I already know the answer.
21:05Well, I'm very happy,
21:07because I think this result can bring us universal suffrage.
21:10It seems to me that you are in a bit of a hurry, Miss Ceria.
21:14I have to tell you that I am very happy that the situation has calmed down.
21:18Many hoped that the world would collapse with the change of regime,
21:23and it is not like that.
21:25But you know what?
21:26You can't be afraid of change,
21:28because that means turning your back on the future.
21:30And the future is already here.
21:32I'm here too.
21:34Ines, you came!
21:36I couldn't miss it.
21:38I love the party.
21:40You can see the dedication you have put in.
21:42Well, our dedication, but also the help of Uncle Fermin.
21:45Without him it would not be possible.
21:50Wow, it looks like someone is self-invited.
21:53Congratulations, ladies.
21:55I'm sorry to contradict you, but I was invited.
21:58Your other partner got me an invitation.
22:01Thank you, Mr. Fermin.
22:02And now, if you allow me,
22:04I would like to toast with you for your new business,
22:07to which I wish you a great future.
22:09Thank you.
22:12I already apologized to you,
22:13but I don't mind apologizing whenever I need to.
22:16I behaved ...
22:18What I did was a little thing.
22:20Yes, it was.
22:21But don't think about it anymore.
22:22It seems to you that the one who is behaving like a little girl is you.
22:26If you'll excuse me.
22:32Take the report.
22:34Don't pay too much attention to me.
22:36You already know that I speak from ignorance.
22:39But I have written down a couple of suggestions.
22:42They will seem ridiculous to you.
22:44You already know that my knowledge of finance is little,
22:47not to say zero.
22:49I'm sure all your suggestions will be very sensible.
22:52You master these subjects better and better.
22:55I have good professors.
22:57And from what I see,
22:58a great mind for finance.
23:00You just had to activate it.
23:02Well, you haven't told me anything about the elections yet.
23:07What do you think?
23:08Me?
23:09That we have to accept the democratic game.
23:11And therefore the result, whatever it is.
23:15I trust that this will help achieve stability and prosperity for our country.
23:21I see you are very optimistic, Fabio.
23:23Although I don't know if so much as to consider going back to politics.
23:26No, no, no.
23:28No, no, no.
23:29I am clear that no.
23:32Although going back to diplomacy,
23:35look, I already have my doubts there.
23:38And why do you tell me that?
23:41I haven't had time to tell you,
23:43but they have contacted me to...
23:45to test me with a diplomatic position.
23:49And the destination is tempting.
23:51London.
23:53And are you going to think about the proposal?
23:56Well,
23:57with the smile I see on your lips, I see that you have already done it.
24:01And once again, dear Barbara, you are right.
24:04Yes, yes, I have thought about it.
24:06London is a destination that I have always aspired to.
24:09You know it.
24:10Imagine it.
24:11London.
24:26You have to be optimistic, Inés.
24:27Everything is going to be fine.
24:28But being optimistic would be a way to deceive myself.
24:31No, no, no.
24:32It's not that.
24:33I have been consulting with an expert and he has confirmed to me
24:35that with discipline and sacrifice, yes,
24:37miracles can be made.
24:39Well, then I see it complicated.
24:41Because I understand singing, but I don't know how to pray.
24:44Don't worry, Inés.
24:45There are solutions.
24:46I thought my sister's optimism was inexhaustible,
24:49but yours is not short.
24:52If you excuse me, I'm going to get a drink.
24:56You have a special power.
24:59I get that talking to my sister makes me in a good mood.
25:02So you get the opposite effect,
25:05because you get angry when you see me.
25:07Before, when I saw you,
25:09I thought I was going to throw the glass in your face.
25:12Don't think about it, I've thought about it.
25:14But then I thought it might be better to kick your ass.
25:17Laura, your glass.
25:19Thank you.
25:21Gentlemen, I beg you for a moment of silence.
25:25First of all, thank you for attending the inauguration
25:28of this new gallery store.
25:31I have said store, in singular,
25:33I would still have to have used the plural,
25:35because it will not only be a gramophone store,
25:38as it has been so far,
25:40but also a photographic studio
25:42and sometimes an advertising agency.
25:45As you can see, a multidisciplinary business,
25:48as are the two new partners
25:51with whom I have the good fortune to count.
25:54My niece, Laurita Balbuena,
25:57and the illustrious photographer Celia Silva.
26:00So, please, I would like us to welcome
26:02these two new and young businesswomen
26:05with a round of applause.
26:11Excuse me, I'm going to put it down.
26:13Give me your hand.
26:19Here you go.
26:22And now, if you come with me,
26:24I can show you where they give you
26:26abundant meals at a good price.
26:28Here you go.
26:35No, I didn't expect it, really.
26:38I didn't know that my name
26:40was among those who were fighting
26:42for the embassy in London.
26:44Have you already given an answer?
26:47No, not yet.
26:49What do you advise me?
26:51No.
27:07Well, if you are so excited
27:10to be an ambassador in London,
27:12then do the job.
27:15Although, if I tell you like this,
27:18I would be lying to you.
27:20Lying?
27:21Yes, lying.
27:23Because, actually,
27:25I would like you not to accept it.
27:28Because if you do,
27:30you are going to break my heart.
27:32I no longer understand in my life
27:34if it's not with you by my side.
27:37Every morning I wake up with you.
27:46I was the one who was lying.
27:48I would never accept that position.
27:50Because I wouldn't want to be apart from you.
27:53Fabio, you don't have to make that sacrifice for me.
27:56No, no, I wouldn't leave you alone.
27:58Especially not at this moment.
28:00With Carla's loss
28:02and in charge of the company Morcuende.
28:05You don't know how grateful I am.
28:08I love you.
28:14Well, now that we have solved this matter,
28:18it would be best if we go.
28:20The mass in honor of Carla is about to begin.
28:23Yes, let's go.
28:26I know what I've said now may seem frivolous,
28:29but after the mass we are going to have dinner at a restaurant.
28:32The reservation is already made.
28:34I will not accept a no in response.
28:37But if I am of rigorous mourning.
28:40So what?
28:41Even so, she will be the most beautiful woman in the whole restaurant.
28:47Let's go.
29:06Let's go.
29:37Esperanza, Antonia has already told me
29:40that maybe you have solved the problem with the snack.
29:43Oh, that's what I'm on now.
29:46It's just that this of that godmother is very tired.
29:49It never ends.
29:50With the snack.
29:52I couldn't buy Antonia a gift yet.
29:55And I couldn't even talk to Don Fermin,
29:57that we have to agree on many things.
29:59Well, calm down, because there are three days left.
30:01Oh, don't make me nervous.
30:03Think of something else.
30:04But how am I going to think of something else
30:06if all you do is ask me about the wedding?
30:08And why do you want me to ask you?
30:09Because the result of the elections ...
30:11Oh no, not that.
30:12Because we can't even vote.
30:15Besides, we, being poor, what else do we give?
30:19What one sends or what the other sends.
30:22Live to work and work to live, well, to survive.
30:26You have risen more to vinegar than the crystals.
30:29You have risen more to vinegar than the crystals.
30:33Good afternoon.
30:34You tell me.
30:36I came to have a coffee,
30:37but seeing that you are the ones responsible for such a labor,
30:41I didn't want to miss the opportunity to approach you
30:43and thank you.
30:45What was missing?
30:46And what does that come from giving us the grace?
30:49That gives me that you have the same funny thing as Tunante.
30:53Well, I don't insult Tunante,
30:55because you belong to the Tuna, right?
30:57Yes, that's right.
30:58So, Tunante, what do you come to thank us for?
31:01For having the cleanest crystals in the gallery.
31:05That even hurts the eyes to look at them.
31:07Ah, well, since you haven't told us how you see the crystals,
31:11I'm going to tell you how I see you.
31:15You are a smartass who wants to take advantage of Marta, of course.
31:18It's just that all the Tuna are the same.
31:21Sorry, but I think you are wrong about me.
31:23No, no, the one who doesn't find out is you,
31:25because you've been deaf since you played the bandurria so much.
31:27Let's see, you have nothing to do here with the girls, right, Marta?
31:31Nothing.
31:33Well, you already have a lesson learned today.
31:36In a sea that is not yours, you cannot fish.
31:39As far as I know, the sea has no owner,
31:42and I don't like fishing, but if I had to do it,
31:46I would fish a beautiful mermaid.
31:48A jellyfish is what you are going to fish.
31:50But I would set her free,
31:52because mermaids must swim free
31:54so that we can all hear her voice
31:57and enjoy her beauty.
32:00Vinegar.
32:03What did you say?
32:04That if what you want is to clean the crystals from the bookshop,
32:07use vinegar.
32:09And now, please, if you excuse us, we would like to continue cleaning,
32:12because here some of us are not the owners' daughters,
32:14and if we don't work, they fire us.
32:19Ea, throw the hook somewhere else.
32:22Air.
32:37Here is the latest edition of the newspapers,
32:40as Teresa asked me.
32:41Well, thank goodness, because the clients are
32:44killing each other for the newspapers,
32:46with this election thing.
32:48And how many more?
32:49Well, look, more for us.
32:51Yes, and that a little more and we both come out on today's cover.
32:55A couple who has been lying for a long time,
32:57finally caught in their ambush.
32:59As if we had no experience in lying.
33:01Lucky that Cañete is able to sell any whore.
33:04Saved at the last moment.
33:06Well, let's look at the good side.
33:08Now everyone has found out about our relationship
33:11and they have believed it.
33:13Well, yes.
33:14And with the good sight of Esperanza and Elias,
33:16my goodness,
33:17the news runs faster on the radio.
33:20Well, phase one of the Cupid plan,
33:23successfully completed.
33:25Don Fermín.
33:26What?
33:27Just now I was commenting with Trinidad
33:30the success that the inauguration of the new store has had.
33:33Congratulations on the part it touches.
33:35Exclusive merit of my niece and her friend Celia.
33:37But yes, yes, it has been a success.
33:39Now we just have to wait for the business to be.
33:42Well, here is the new edition of the newspaper,
33:45in case you are interested.
33:46Yes, yes, I'm interested,
33:48although I don't think the news I would like to confirm
33:50comes to the newspapers.
33:52I don't know if I'm explaining myself.
34:01Let's toast.
34:02For the success of the inauguration.
34:08It has gone very well, hasn't it?
34:10Well, yes, the truth is that
34:12more people have come than we expected.
34:14That store is going to be a success, girls, I assure you.
34:17Well, on the first day we have already sold two radios and several records.
34:20And I haven't stopped taking pictures in the studio all morning.
34:24Of course, we have been so busy
34:26that I have not been able to go through the printing.
34:28To see the brochures of La Moderna
34:30and I have to give them to the guy tomorrow.
34:31Well, you'll see, everything will be fine.
34:33Yes, I know.
34:34But I would have liked to check at least one.
34:37If it is not how to work blindly,
34:39as if you were taking pictures without looking through the viewfinder.
34:42I don't think the guy will turn down your services
34:44because he doesn't like how a brochure has turned out.
34:46Well, I hope so.
34:47Because I need my job as an advertiser.
34:50The salary is good for us to invest in promotion
34:52or in store items.
34:54Laura, we have already talked about it.
34:55If at some point you are very overwhelmed
34:57to have to combine your work in La Moderna
34:59with the day-to-day of the store ...
35:00No, don't worry, that's not going to happen.
35:03Yes, but if it happens, let me know and period.
35:05You are the important thing,
35:07money that we are going to make or stop making.
35:09Thank you, Celia.
35:11You are the best partner you can have.
35:14And we are also going to toast
35:15because I finally wanted to go out.
35:18Really?
35:19Yes.
35:20Well, thank you very much for the effort.
35:22I couldn't miss the inauguration.
35:25And in passing, I give a little work to my spies.
35:33No, no, I don't think I'm explaining myself.
35:36Anyway, a certain rumor has reached my ears
35:39and since I am not at all a friend of gossip,
35:42I am going to face it directly.
35:44Is there anything you want to tell me, Trinidad?
35:48Well, I would have to be a little more specific
35:52with this rumor
35:53because you know that gossip is very treacherous
35:56and there are people who have a lot of imagination.
36:00Well, it has reached my ears that you two are a couple.
36:03Is that true?
36:04Yes, yes, yes.
36:06We are a couple, yes.
36:09Sudden.
36:10Recent.
36:11Recent, yes, yes.
36:12Thank you.
36:13I am grateful, Mr. Fermin,
36:14for putting in front of me the most beautiful of all women.
36:18You didn't know it,
36:19but when I gave Trinidad the job in this room,
36:24I made a decision that changed my destiny.
36:26It will be less, Mr. Ruiz.
36:28No, no, no.
36:29It will be less.
36:30Anyway, since I am not a friend of gossip,
36:32I just wanted to confirm the news,
36:34congratulate you and hope you are happy.
36:37We are happy.
36:38We are, we are.
36:39Trinidad is an excellent worker and a better person.
36:43And I can only say positive things about you.
36:45Now, I'm going to dare to give you just one piece of advice.
36:48Go slowly, please.
36:50No rush.
36:52Little by little.
36:53Well, little by little.
36:55Or fast, right?
36:56Because that's fine too, right?
36:57I mean, every relationship is a world
36:59and each world has its own speeds, right?
37:03In the case of feelings,
37:04I don't know if rushes are good advice,
37:07but anyway, you are adults and sensible
37:09and you will act in the most convenient way.
37:16Well, I'm going, I'm going, I'm going.
37:18I'll be back later.
37:20Okay.
37:21And I'm going back to the library.
37:22Good afternoon.
37:23Mr. Ruiz, please stay a moment
37:25because now that we are alone,
37:29I would like to talk to you seriously.
37:33Well, what do you have to tell me alone?
37:36You are not a kind of Don Juan, are you?
37:39One of those who seduces women as entertainment.
37:43Me?
37:44I am a man of a single woman.
37:46My heart has been occupied by Trini for a long time.
37:49Well, not for so long,
37:50because I still remember that not long ago I was courting Teresa.
37:54Ah, that.
37:55Well, but that was something temporary.
37:57Temporary?
37:58I don't think my client considers him temporary.
38:00No, I assure you that nothing serious happened.
38:04He just got into a relationship, he was a magician.
38:07She can confirm it herself.
38:09We were not made to be a couple.
38:11And how do you and Trini know?
38:16Because she is the woman of my life.
38:18It's a man, you know?
38:20Trinidad is the person I want to spend the rest of my life with.
38:25And that's a good person, you can see it in her face.
38:28Well, I'm just going to tell you something that I already warned you when Teresa ...
38:32I appreciate my workers a lot, a lot.
38:35So I hope Trini is happy and that they take care of her.
38:38If so, she will have a friend in me.
38:40But if it is not so ...
38:43Let's hope you never have to see me angry, Mr. Ruiz.
38:48Let's hope.
38:50Don Fermin, let's hope.
38:54Let's hope.
38:58What do you mean by giving work to your spies?
39:01It's just that going to the galleries, I felt that several people were following me.
39:07Inés, what are you saying? Have they done anything to you?
39:10No, no, just follow me.
39:12But I know very well who gave them the order.
39:14Lieutenant Lorenzo.
39:16Oh my God, that man doesn't give up.
39:18No, and I don't know how to make him understand that I have no idea where César is right now.
39:23But let's see, are you okay? Are you afraid?
39:25Well, of course I'm afraid.
39:29I don't know, I understand that feeling spied on is not a very pleasant feeling, right?
39:33No, it's not. It's not, but I'll have to hold on until all this is over.
39:37Or not. Maybe we can ... I don't know, talk to Uncle Fermin.
39:42But what would we gain from that?
39:44I don't know, maybe he can intervene and stand up to him.
39:47No, look, I prefer to keep him out of it because it would be less of a concern for him and for me.
39:52Are you sure, Inés?
39:53Yes, I'm sure, Laurita.
39:55Besides, I'm already quite nervous. I'm waiting for the results of the throat tests.
40:00I'm going to prepare something to eat.
40:16You are very quiet today, Salvita.
40:18Not to mention that that plumber has a great ally in you.
40:20He's never going to get dirty, because he doesn't even touch the dust from the shelves.
40:25Yes, yes, the plumber.
40:28Do you have any ideas, Salvita?
40:30Yes, the plumber, I'll pass.
40:32No, the plumber who can see you from afar, you.
40:35What do you mean? That I don't like to work?
40:37No, you don't need to say that.
40:40But there is one thing that you really like.
40:42The modern one. You've been using it a lot lately.
40:47It has very good coffee.
40:49And besides, you always tell me that I don't fall asleep at work, right?
40:52Well, I'll have to do something.
40:54Something tells me that it's not precisely because of the coffee,
40:57because you go to that tea room a lot.
40:59Rather, I would say it's because of Marta.
41:04I didn't know that hobby of yours, gossip, Miguel.
41:08Look, observation capacity.
41:09From this same glassware, I have been able to see how you looked for it yesterday and how you looked for it today.
41:15Does that mean that yesterday I left the glasses very clean?
41:18And more than I'm going to leave them from today, because before they gave me advice to do it.
41:22With vinegar.
41:24I'll give you another piece of advice.
41:26I don't think you have much future with Marta.
41:29Doesn't it seem that the girl is very happy when she sees you?
41:31At least this is what I perceive from here.
41:33Don't talk about Marta for nothing.
41:36That if there is something good about being in this bookshop, it is that the girl makes me happy in the mornings.
41:40Well, let's see if you take note of her, who is very hardworking.
41:43Let's see if by looking at her so much, something stays with you.
41:48The account of the 6, Teresa.
41:52Any news with Mrs. Lázara?
41:55Why do you ask me that? Have you seen anything?
41:57What I have seen is that you are still going back to the matter.
42:00Do you still believe that it was she who urinated everything to stay locked up all night with Don Fermín?
42:05Man, I have it clear as water, come on.
42:08And she doesn't try very hard not to cut it either.
42:11What I have seen is that you are still going back to the matter.
42:14And what I have seen is that you are still going back to the matter.
42:15And she doesn't try very hard not to cut it either.
42:17What I have seen this morning, come on.
42:19I have realized that she is able to use all her charms to seduce Don Fermín.
42:25But have you caught her in a committed situation?
42:29Well, not committed.
42:31But everything will work out, you'll see.
42:34The trick is that she didn't have us.
42:37Well, I've had her locked up for a long time.
42:39And that's why she wants to kill you with me.
42:41Well, yesterday she told me, well, she told me to cheat on Mario.
42:47What did she say?
42:48What were you talking about? Why would she say something like that?
42:52None of your business.
42:53Well, I'm going to turn you around.
42:59Well, in that thing about Mario, she was right.
43:02Because, come on, how stupid I was.
43:05Now they don't catch me in anything else.
43:07In matters of love, it's already fleshed out, but well.
43:10Here.
43:13Well, I'm still counting on you, right?
43:17Are you counting on me?
43:19Well, let's see, I need an accomplice.
43:21Someone who is an eyewitness in all this matter of Mrs. Lázaro and Don Fermín.
43:25Ah, that. Yes, yes, of course.
43:28Ah, by the way.
43:29Is it true, that rumor that is going around among the colleagues,
43:31that you have made Celestino between Trini and Miguel?
43:35Ah, well.
43:37Well, yes.
43:38It is seen that ...
43:40Well, the thing goes with me, I didn't even realize it.
43:42But when it comes to seeing love between two other people,
43:45I catch it at first sight.
43:47Ah, well.
43:49Well, I don't know.
43:51I don't know.
43:53I don't know.
43:54But when it comes to seeing love between two other people,
43:56I catch it at first sight.
43:58Teresa, for God's sake.
43:59Do me a favor and help me.
44:01But hey, what voices are these?
44:03What's wrong with you?
44:04It's just that I need to talk to Don Fermín as soon as possible.
44:07It's just that since his office has been closed,
44:09no one has come in there.
44:10Well, if it's a work matter,
44:12you know you don't have to tell me first.
44:14No, it's not about work.
44:15It's about Antonio and Pietro's wedding.
44:17Look, what day are we on,
44:18and we still don't have a place to celebrate the invitation.
44:21Well, that's a job.
44:23And of course, you will understand that being the godmother,
44:26I have to talk directly to the godfather, Don Fermín.
44:30Come on, even in the Vatican,
44:31they give hearings with the Pope more easily.
44:34Well, being Lady Lázara in the way,
44:36I don't know how I can help you.
44:39And when do you think I can catch Don Fermín
44:42without the vampire in the way?
44:45Well, daughter, I don't know.
44:46I don't know.
44:47Well, I'm still here.
44:49Oh, Cañete, now that I'm seeing you,
44:51I had to tell you something.
44:53Oh, what was it?
44:54Oh, wait, I look at it in my godmother's notebook,
44:56I have it all written down here.
44:58Oh, yes.
44:59Accommodate an assistant in the church.
45:01You told me you were going to help me, right?
45:04Do I still trust you?
45:05Yes, I already told you yes, Esperanza.
45:07You don't have to ask me again.
45:08Man, I'm asking you, of course I'm asking you.
45:10Because you are a man and those things are easily forgotten.
45:13So, accommodate an assistant, Cañete.
45:17I'll put the cross on you.
45:18Are you okay at eight?
45:20At eight, for what?
45:22Man, to think between the two of us where we sit people.
45:25Of course, it is still a matter of great responsibility.
45:29Because it is not the same to sit friends,
45:32than to work colleagues, than to family.
45:35Or, for example, where do you sit the godmother?
45:42Don Salvador, good afternoon, how are you around here?
45:45Good afternoon.
45:47I'm on my way, I'm not going to entertain you much.
45:51I wanted to take advantage of the fact that I was here
45:53to ask you about the progress of my son Salvita.
45:57Great progress, Don Salvador.
46:00Salvita is making great progress.
46:04He is a perfectionist, tenacious, he is an inexhaustible boy.
46:09With telling him that I had to take this pen out of his hands
46:12so that he could rest a little,
46:13right now he was telling me that he wants to clean the glasses with vinegar.
46:18Vinegar?
46:19Are you kidding me, Miguel?
46:21No, no, no, it seems that vinegar is the best.
46:24That's not it.
46:26He is telling me that in the few days that he has been with you,
46:29Salvita has become like this, from night to morning,
46:32in a formal and hardworking boy.
46:35Incredible, right? It's just that he's a boy who puts a lot of effort into it.
46:38Well, what I was missing for today, that they take me for a fool.
46:41Salvita, it is clear that I have to take you to another bookstore
46:45where the manager does not have to lie to me in order to get rid of you.
46:48Well, Don Salvador, you will excuse me.
46:51Maybe I haven't chosen the best words.
46:53You know that hyperboles are my favorite literary figures.
46:56Well, look, Miguel, I'm leaving.
46:58One thing I have clear.
47:01I have to make a decision.
47:06Did you have to exaggerate so much?
47:08Because I don't want to go to another bookstore.
47:10I have to stay in this one.
47:11Close to the modern one, close to the ...
47:14Look, I'm going to look for my father and see if I can fix what you were spoiling.
47:22If you always open your mouth, Miguel.
47:29And will you bring me some souvenirs?
47:31Of course.
47:33Pablo and Aunt Conchita have told me that they will take me to the beach of La Caleta, in Cádiz.
47:38I will bring you all the shells I find.
47:40How nice.
47:42Hi, Clarita.
47:43Hi, Susana.
47:44Hi, Marta.
47:45Marta, you don't know what.
47:47I'm going to Jerez to see Pablo.
47:49To Jerez?
47:50And how do you know you're going to Jerez?
47:52Pablo is going to teach me how to ride a motorcycle.
47:55He told me.
47:56Well, he will be there to teach you how to ride a motorcycle, having a leg like he still has.
48:01Let's go see the works.
48:03Come on.
48:11Is that true? Are you going to Jerez?
48:13Yes.
48:14Clarita misses Pablo and Aunt Conchita a lot.
48:18So she's going to spend a few days there.
48:20I don't.
48:21Because I wouldn't miss her wedding for anything in the world.
48:26Well, I can see that they are installed.
48:28I really like to see this house alive again.
48:30Well, it's a provisional thing, huh?
48:32It's a detail of Don Braulio's children.
48:34And what are you doing around here?
48:38Well, it's for Petra, the neighbor.
48:40Serena's wife?
48:41Yes.
48:42She told me that today she was leaving for Puerto Real in Cádiz.
48:45And it's the same train that passes through Jerez.
48:47So I asked her if it was okay for Clarita to accompany her.
48:51It's very sudden and I don't know.
48:53But it's the best.
48:54Well, it's very good because the girl is not going alone, it's a very long trip.
48:57If it weren't for Petra, I would take her.
48:59Now she stays with her and then Iño comes and picks her up to take her to the station.
49:03Well, will your Aunt Conchita be notified?
49:06Yes, she will wait for her there.
49:08Matilde, I'm going to Jerez for ten days.
49:11Because Marta says she doesn't believe it.
49:13Of course, you're leaving for ten days.
49:15You see? Ten days.
49:17If I go back with Andalusian accent and everything.
49:21Ten days, right?
49:22Aren't you going to miss a lot of school days?
49:24I don't know.
49:25But Clarita needed it and...
49:29Besides...
49:31Besides what?
49:32Well, I couldn't deny it, Antonia.
49:34Can't you see how happy she is?
49:36Yes, she looks very happy, but she has so much.
49:39What's wrong?
49:41You can tell me whatever you want, you know that, right?
49:45Here you go.
49:47I think this obsession you have with the fabric is not good.
49:51I'm telling you.
49:52It's double.
49:53Honey, I think you should look at the medical books,
49:56the ones you have in the library,
49:58to see if so much fabric is good.
50:00And that would be the last book I would look at in that library.
50:03Because I see myself in the street, Trini.
50:05Don't be so dramatic.
50:06With the time you've been working there
50:08and the consideration Don Salvador has for you...
50:10Honey, I've never seen Don Salvador biting dogs like that.
50:14And between this and the fabric, I'm going to the street.
50:18No, you won't.
50:19You'll see how, for now,
50:21we've sorted out all the problems that life has put in front of us.
50:25I haven't sorted Salvita out much, let's say.
50:27Rather, I've collided with him head on.
50:30You'll see how good it will be.
50:31You know why?
50:32Because we're together.
50:33And you and I get along.
50:35And there's no one who can beat us.
50:37Yes, you and I are together in love.
50:40And in lies.
50:41And in sickness, too.
50:42Because these nerves are going to end my health.
50:45I wish Antonia and Pietro had the marriage we have.
50:49Because, you know what?
50:50I'm more in love than on the first day.
50:52I'm also more in love.
50:54Nervous, but very in love.
50:57A kick?
50:58No, how can it be a kick?
50:59They're gases, Miguel.
51:01Come on, come here.
51:02Come here, you're more stupid.
51:08What's wrong?
51:09I've lost the button.
51:12What are you looking at?
51:13Nothing, the button.
51:14It fell.
51:16The button.
51:18Both buttons.
51:21Is it because of what they say happened at the gallery that you saw...
51:24Mrs. Carla.
51:26Yes.
51:27Do you think I'm out of my mind?
51:28How could I think that?
51:29Don't be silly.
51:30Well, Antonia, I know it's impossible.
51:32But I swear, it was so real.
51:36A guitar and a flamenco suit.
51:38I'll bring you all that.
51:42Nothing, Clarita.
51:43I'm fine with some chestnuts.
51:44Besides, you're not going to take such a big suitcase
51:46to bring a lot of things back.
51:49But well, I don't want to bore her.
51:51With my things.
51:54It's been a long time since I saw her so happy.
51:58I don't know.
51:59It breaks my heart.
52:00They owed it to her.
52:01I don't know, I think I failed Clarita.
52:03What are you saying?
52:04How are you going to fail your sister?
52:05If you fall for her...
52:06Yes, but I have the feeling that I haven't helped her
52:08get used to this new situation.
52:10And I feel guilty.
52:11I can't help it.
52:12Guilty?
52:13But she did everything she could.
52:16And in your situation, with everything you've been through,
52:18I wouldn't have done it better.
52:19If I had done it better,
52:21Clarita would have been more affectionate with me.
52:26I don't know.
52:27I have to go.
52:29Thanks for everything.
52:30See you.
52:31See you.
52:35Hey, Clarita.
52:40I have to go.
52:42You go to Petra's house.
52:43Do you remember where it is?
52:44Yes, it's that one up there.
52:46Then Iñigo will come to pick you both up.
52:49I'm going to La Moderna to do some management,
52:51but I'll do everything I can to get to the station on time, okay?
52:54Yes?
52:56But if it wasn't possible,
52:59I want to tell you that I'm going to miss you a lot.
53:05Can you give me a kiss?
53:18I'm going to miss you a lot too, Manuel.
53:24I love you.
53:32Thank goodness I got to the station.
53:35I didn't want that train to leave without saying goodbye to Clarita.
53:38And look, you've already said goodbye.
53:40Or at least that's what Clarita told me when I went to pick her up at La Corrala.
53:42Yeah, but it's not the same.
53:44Besides, I promised her that I would do everything I could to get to the station to say goodbye to her.
53:49Look, she's getting tough here at home with you,
53:51but I'm sure she would have liked to see you there saying goodbye.
53:54You know, being at that age, sometimes a woman and sometimes a girl.
53:59Well, I'm sure that as soon as you get on the train,
54:03she will have missed you a lot.
54:06Half as much as I miss her, really.
54:09What's wrong?
54:10Look, you're dramatic in the Garcés family, really.
54:14Don't worry.
54:15She's not going to be alone, she's going to be with her aunt, her brother.
54:18I'm not going to be alone either.
54:20I'm going to be with you.
54:27Do you hear that?
54:29What?
54:31The silence.
54:36And I don't know if you know, Mrs. de Peñalver, but we are alone at home.
54:43I don't know what you have in mind, sir, but I remind you that I am a married woman.
54:47Well, if it's not a problem for you, it won't be for me either.
54:53Wait for me, I have a surprise for you.
55:17Come on.
55:26Come on, I'll go with you.
55:32Honey, don't you take your things?
55:36No, I won't need them today.
55:39I'll work in the modern one.
55:47Matilde?
55:59Honey, is something wrong?
56:03I was calling you.
56:06It's Carla.
56:09Carla has been here.
56:10Carla?
56:17Fabio already knows what he has to do, but I can't insist anymore.
56:20And what about me, mother? Maybe you're being too soft with him.
56:24I'm sorry to disappoint you, but I've gotten as far as I've been able to.
56:27From now on...
56:29From now on, we will have to take less correct paths.
56:33Everyone has a price.
56:35Carla has come in here and moved my notebook and left it on the terrace.
56:38Antonia, could it be that she was your sister?
56:40Look, Inigo, if you don't want to believe me, don't believe me.
56:42Carla is dead.
56:43I can't stop thinking what will happen if they tell her she can't sing again.
56:47Tomorrow I'll get the test results.
56:49I'm sure they will be favorable.
56:51Yes, we all are.
56:52Yes, I think it's great that you are so convinced, but...
56:55I don't think anyone understands what I'm going through.
56:59My God.
57:01No one can stop it, Antonia.
57:03You will be my wife.
57:05I'm going to make you happy.
57:06Look, I would like to participate in the wedding gift.
57:09But if you are not invited, you have no obligation.
57:12Well, what else is there?
57:13They are lifelong companions and I appreciate them very much.
57:17So I insist on participating.
57:18How much is it?
57:20If a miracle does not happen, we are left without guests.
57:23And what am I going to tell the people who come from Andalusia to see, right?
57:26Pietro, at least don't feed him or give him a baby.
57:29For once, I ask you not to see me as your cleaning boss, but as an equal.
57:35Because I'm here to talk to you about godmother, godfather.
57:39Amave.
57:40That three days before the wedding, Antonia and Pietro have nowhere to celebrate it.
57:44But that's terrible.
57:45That's why, I've been thinking about you.
57:47Today is the farewell of Antonia and Pietro, and what are we going to do?
57:50Shout their protagonism?
57:51Well, it's true, I don't know, you're right.
57:53Well, I'll think of something.
57:54I don't know.
57:55I'll tell you one thing.
57:56We're going to do it before your wedding.
57:58Are you sure?
57:59Yes, yes.
58:00By the way, I've already bought the tickets to go see Margarita Sirgoza.
58:05Here, here's yours.
58:07I can't wait to see the show.
58:09The critic says it's brilliant.
58:11Why don't you keep them?
58:13Because they're separate locations.
58:15You're in the patio of Butacas.
58:16It's the best ticket I've ever gotten.
58:18I'm in El Gallinero.
58:20In El Gallinero?
58:23I thought it was about going together.
58:26If I didn't find out that you'd just been dating, I'd think you were married.
58:30And how have you been looking at each other for a long time?
58:35What's wrong?
58:36Why are you so nervous?
58:37How did you realize that Antonia was something more than a co-worker?
58:45I mean, how did you know that what you felt for her was love, Fermin?
58:54How?
58:55I don't know.
58:56It's like someone wants to drive me crazy.
58:58Someone?
58:59Who, darling?
59:00Who?
59:02Mrs. Carla.
59:03Or rather, her ghost.