Salón de té La Moderna - Ep 197
Transcript
00:00Good night.
00:13Wow! Sleeping beauty.
00:15It seems that you've slept well in your new bed.
00:18So yes!
00:19I am not surprised that the curtains were always so pretty.
00:22The comfortable ones are the mattresses.
00:23Oh yes!
00:25Tener has been so close to me.
00:27I did not have to go down the stairs at night.
00:29Well, and they have so many windows that it looks like we're in a skyscraper hotel.
00:33Well, let's not get used to it, huh?
00:35This is only as long as the works last.
00:37Well, but you tell the workers not to be in a hurry either.
00:41What we have to tell the workers is if we need something from home so they can bring it to us.
00:46I don't think I've left anything.
00:48That's the good thing about not having a lot of things, that everything fits in one hand.
00:52And all these telegrams, Antonia?
01:00Do you think it's all this mail?
01:02They're from my relatives and they tell me which train they're going to get on,
01:06or which hotel they're going to stay in ...
01:12The illusion that you are going to make of finding them.
01:14Oh, well, yes. The truth is, I'm a little nervous, huh? I haven't seen them in a long time.
01:18At least they all come.
01:20Well, I don't know if all of them, because there are some who have not responded to me.
01:24The people who are going to be at the wedding, Antonia.
01:26Relatives, all the staff of La Moderna ...
01:30Well, not all of them, huh? I haven't invited Mrs. Alacrán, and Teresa either.
01:35You haven't invited Teresa?
01:37No, no. It's not that we have anything against her, neither Pietro nor I, but ...
01:41We agreed that they were going to be the closest, and she is not.
01:46Good morning.
01:47Good morning. What are you doing here? Shouldn't you be at the workshop?
01:50I don't have good news.
01:53What happened, Pietro?
01:54It's the snack, Antonia.
01:56The one we booked a few days ago?
01:58Yes. It seems that they did not take a good note of the date.
02:01But ... But I saw perfectly how they wrote it down.
02:04I know, I know.
02:05It's just that this morning I went around to confirm a matter of the cake.
02:10Of how they would come to pick it up and ...
02:14It turns out that they noticed it wrong.
02:17Well, what a relief that they noticed in time, Pietro.
02:20No, Marta.
02:21The problem is that the snack is occupied every hour on the day of the wedding.
02:26It has no space for us.
02:28But then where are we going to celebrate the wedding?
02:30I don't know, Antonia, I don't know.
02:31We have to find another place.
02:33And that it is not so expensive ...
02:35Because we cannot pay for a banquet hall.
02:38Where are we going to find a place now, three days from getting married?
02:41No, no, no.
02:42Yes, it is that every day I am clearer that a fool has not looked at us,
02:45but he has looked at us and looked back.
02:50Well, and here you have your tila, Miguel.
02:54Double, as you asked me.
02:56Now, if it is not an indiscretion ...
02:58Elías, if I had to forgive you all your indiscretions, it would not be enough.
03:02Yeah, but you're always coffee, you're not tila.
03:04And now you ask me twice.
03:06If you can know what makes you so nervous.
03:08It's ... It's the love I feel for Trini.
03:10I am like that with my feelings, I cannot control them.
03:13I am so in love with Trini that ...
03:15that even tachycardias give me.
03:17Wow, I didn't see you so passionate, Miguel.
03:20Sure, this must be so much time hidden there in the priesthood,
03:24accumulating, accumulating, accumulating,
03:25and suddenly there is a day that pops, pops, explodes.
03:27Yes, it does, yes.
03:28Acholón, but acholón.
03:30And well, what do you tell me about Cañete,
03:32this virtue that he has as Celestino?
03:34Because you have to see that, beware, Valverde, that yours with Trini ...
03:37Yes, you should have noticed it all, Elías,
03:40that my thing with Trini seems a bit sudden,
03:43but my feelings come from afar.
03:45Yes? Well, man, I must have guessed something,
03:47but I haven't really hung up.
03:49Come on, I say no.
03:50And look, I have a good eye for these things.
03:52Very good, yes.
03:53Yes, yes.
03:54Well, thank goodness Cañete realized it and saw it coming, huh?
03:56You have to see what a heart of gold.
03:58If it is that ...
03:59What an honor to have him as a friend.
04:01Hey.
04:05Mr. Ruiz.
04:06Elías.
04:07Mr. Peñal, can I help you with something?
04:10Yes, I was looking for Matilde, I don't know if you've seen her.
04:14No, I haven't seen Mrs. Peñal in all day.
04:17Are you sure?
04:18Why?
04:19He told me he was going to come here to work at La Moderna
04:21to finalize his last details of the project.
04:23Ah, well, he hasn't arrived yet.
04:25I can assure you of that.
04:28Well, I must have misunderstood.
04:30Well, since I'm here, I'd like to talk to Pietro
04:33to find out how many guests are going to be exactly
04:35for the celebration of his farewell in Madrid Cabaret.
04:38Ah, well, if that's the reason, we don't have to bother Mr. Pietro.
04:42I, as the head of the marriage link celebrations
04:45between Pietro and Antonia,
04:47I am trained to solve the guest list
04:49and to receive and give any information that is necessary.
05:01Ahem.
05:05Excuse me, Mr. Fermin.
05:07Hm?
05:08Can I ask you what is it that interests you so much?
05:11Because since you arrived, you haven't taken your eyes off the newspaper.
05:14It's, well, the news in general.
05:17It's just that everything that's happening is so exciting that...
05:22Do they say anything about the elections?
05:24It's just that this morning I came very quickly.
05:26I wanted to finish the accounts.
05:28I couldn't even read the headlines.
05:30Yes, yes, yes, here it is.
05:32The results of the elections to constituent courts.
05:35Look.
05:38Let's see.
05:39It seems that there have not...
05:42There have not been any big surprises.
05:46No, there haven't been, no.
05:48Well, everyone says they've won.
05:51Or they feel they've won.
05:54Well, these are things of politicians.
05:57In the end, everyone interprets it in their own way.
06:00In cases that none will ever accept that they have lost.
06:02Yes.
06:03The important thing is that the people, with their votes, have spoken.
06:06Look, there is a 90% coincidence between the results of the elections
06:10and the provisional government that we had.
06:13And, well, despite everything that is happening in the country,
06:17there is a certain excitement for the new times that are coming.
06:21Well, you never know when something that excites you is going to happen.
06:25Right?
06:28Good morning.
06:30If you'll excuse me.
06:39So?
06:41Can you tell me why you're here? Because I don't remember calling you.
06:46Yes.
06:48I wanted to talk about how the wedding of Pietro and Antonia affects the schedule.
06:53Because many of the employees...
06:55I'll leave it in your hands, Teresa.
06:57I'm convinced that it's going to be the best solution for everyone.
07:01As you ordered.
07:03One moment.
07:05Well, since you're here, let's talk about more urgent issues.
07:09How is the refrigerator that I ordered for the opening of the gramophone store?
07:14There are only a few hours left and I wouldn't like them to be delayed because of us.
07:20Everything is on schedule. There won't be any delay.
07:22I hope so.
07:23Is there anything else you want to tell us?
07:26I don't know. The last time I talked to you I had the feeling that you wanted to tell us something, Mr. Fermin.
07:31What did you want to tell us, Teresa?
07:35Nothing. You can wait.
07:37I'm going to take care of the refrigerator for the opening.
07:40I don't want any problems.
07:42Very well.
07:43Thank you.
07:51Look, Mrs. Lázara.
07:52There is also a review in the newspaper of the last premiere of the circus.
07:57Well, I've heard that this woman is a prodigy.
08:00Yes.
08:01And I was thinking of going to one of the performances these days.
08:05Really?
08:08And well, if you feel like it and want to accompany me...
08:14Really?
08:17Well, I would love to be able to see Margarita Circus and much more in your company.
08:21Well, then...
08:23But no...
08:25No, it won't be possible, Mr. Fermin.
08:28I have to reject the invitation. Excuse me.
08:30Wow.
08:32And that...
08:34Why?
08:35Well, for...
08:37For many reasons.
08:39You have to take care of La Moderna.
08:41The inauguration of your niece's store is taking place.
08:44And I have to remind you that you are Pietro's godfather.
08:47No, no, no, no.
08:48Well, I'm sure that if I get organized, I'll find a gap in the agenda.
08:52So...
08:53Yes, yes, Mrs. Lázara, I insist.
08:55If you want, the circus is waiting for us.
09:01Well, fine.
09:02I accept, but...
09:03But on one condition.
09:05I'll take care of the tickets.
09:07I don't want to take up any more of your time.
09:09Perfect. As you prefer.
09:25There it is. I can't believe it.
09:27I forgot one of the most important people.
09:30And on top of that, I'm a real deal.
09:32Mr. Fermin.
09:33What?
09:34Mr. Fermin.
09:35Besides being my boss, he's the godfather of the wedding.
09:38I forgot to tell him I was invited.
09:40Well, gentlemen.
09:41I'll leave you to it.
09:43Elías, please, if you see Matilde, tell her to call me.
09:46Yes, of course, I'll tell her.
09:47By the way, how is she?
09:49After what happened yesterday in the gallery...
09:53Fine.
09:54She's very well.
09:56Fine.
09:58Fine.
09:59No, it's just that I also know something about these things.
10:02Because my grandfather, Jeremías III...
10:04The whole town laughed at him.
10:06Everyone accused him of being crazy.
10:08Because whenever he crossed a bridge, he saw a ghost.
10:10A lady.
10:11Until it was proven to be true.
10:14Was it proven that there was a ghost?
10:16No, Miguel.
10:17It was proven that my grandfather was a little crazy.
10:20Good morning, gentlemen.
10:23Elías, how many things do you have to learn from Mr. Fermin to be quiet, for example?
10:34I don't know.
10:47Tomorrow my friends have organized a mass for you.
10:52For my soul?
10:54How kind.
10:56Since they've had the detail, I can't miss it.
10:59I have to leave the house at six.
11:02And the service?
11:05I'll order them to accompany me.
11:08And if there's time, I'll give them the afternoon off.
11:12Therefore,
11:13a hundred months in the house, empty for you.
11:21I'll destroy you.
11:25This has only just begun.
11:35But hey, Uncle Fermin.
11:38Thank you very much for all the soda you've prepared.
11:42The truth is that everything looks great.
11:45It is the luck of having the owner of La Moderna as a partner.
11:49So,
11:50let's toast
11:52for the new business, which we hope will give us a lot of joy.
11:56Well, it has already given us the first joy, because this call has been a success.
12:00By the way, Mr. Fermin, I'm curious.
12:03What is your opinion on the result of the elections?
12:05Well...
12:06Yes, tell us, because I already know Celia's.
12:08Well, I'm very happy, because I think that this result can bring us universal suffrage.
12:12It seems to me that you are going a little fast, Miss Celia.
12:16I have to tell you that I am very happy that the situation has calmed down.
12:20Many were hoping that the world was going to collapse.
12:24But it has not.
12:26Many were hoping that the world was going to collapse with the change of regime.
12:31And it's not like that.
12:33But you know what?
12:34You can't be afraid of change.
12:36Because that means turning your back on the future.
12:38And the future is already here.
12:40I'm here too.
12:42Inés, you're here.
12:44I couldn't miss it.
12:46I love the party.
12:48You can tell how dedicated you are.
12:50Well, our dedication, but also Uncle Fermin's help.
12:53It wouldn't be possible without him.
12:57Wow.
12:59It seems that someone has been self-invited.
13:01Congratulations, ladies.
13:03I'm sorry to contradict you, but I was invited.
13:06Your other partner made me arrive at an invitation.
13:09Thank you, Mr. Fermin.
13:11And now, if you allow me, I would like to toast with you for your new business,
13:15to which I wish you a great future.
13:17Thank you.
13:20I already apologized to you, but I don't mind apologizing whenever I need to.
13:24I behaved...
13:26What I did was childish.
13:28Yes, it was.
13:29But don't think about it anymore.
13:31It seems that the one who is behaving like a little girl is you.
13:34If you'll excuse me.
13:41Take the report.
13:43Don't pay too much attention to me.
13:45You already know what I'm talking about from the lack of knowledge.
13:48But I've written down a couple of suggestions.
13:51You'll find them ridiculous.
13:53You already know that my knowledge about finance is little.
13:56Not to say that it's zero.
13:58I'm sure that all your suggestions will be very sensible.
14:01You master these subjects better and better.
14:04I have good teachers.
14:06And from what I see, a great mind for finance.
14:09You just had to activate it.
14:11Well, you haven't told me anything about the elections yet.
14:15What do you think?
14:17Me?
14:18That we have to accept the democratic game.
14:21And that the result is what it is.
14:24I trust that this will help to achieve stability and prosperity for our country.
14:30You seem very optimistic, Fabio.
14:32Although I don't know if it's enough to consider going back to politics.
14:35No, no, no.
14:37I'm sure that I won't.
14:40Although, going back to diplomacy...
14:43Look, I already have my doubts.
14:46Why do you tell me that?
14:49I haven't had time to tell you.
14:51But they have contacted me to...
14:54To test me with a diplomatic position.
14:57And the destination is tempting.
14:59London.
15:01And are you going to think about the proposal?
15:05Well, by the smile I see on your face, I see that you have already done it.
15:09And once again, dear Barbara, you are right.
15:13Yes, yes, I have thought about it.
15:15London is a destination that I have always aspired to.
15:18Imagine it. London.
15:34You have to be optimistic, Inés. Everything will be fine.
15:36But being optimistic would be a way to deceive myself.
15:39No, no, no. It's not that.
15:40I was consulting with an expert and he has confirmed that with discipline and sacrifice, yes, miracles can be achieved.
15:47Well, then I see it complicated.
15:49Because I understand singing, but I don't know how to pray.
15:52Don't worry, Inés. There are solutions.
15:54I thought that my sister's optimism was inexhaustible.
15:57But yours is not short.
16:00If you excuse me, I'm going to get a drink.
16:05You have a special power.
16:07I get that talking to my sister makes me in a good mood.
16:10So you get the opposite effect.
16:13Because seeing me makes you angry.
16:16You know, when I saw her, I thought she was going to throw the glass in my face.
16:20Don't think about it. I've thought about it.
16:22But then I thought it might be better to kick her ass.
16:25Laura, your glass.
16:27Thank you.
16:30Gentlemen, I beg you for a moment of silence.
16:34First of all, thank you for attending the inauguration of this new gallery store.
16:40Of this store, in singular, I would still have to have used the plural.
16:44Because it will not only be a gramophone store, as it has been so far,
16:48but also a photographic studio and sometimes an advertising agency.
16:54As you can see, a multidisciplinary business,
16:57as are the two new partners with whom I have the good fortune to count.
17:03My niece, Laurita Balbuena, and the illustrious photographer Celia Silva.
17:09And I would like us to welcome these two new and young businesswomen with a round of applause.
17:20Excuse me, I'll be right back.
17:27Here you go.
17:30And now, if you come with me, I can show you where they sell them at a good price.
17:36Here you go.
17:39Thank you.
17:44No, I didn't expect it, really.
17:46I didn't know that my name was among those who were fighting for the embassy in London.
17:53Have you already given an answer?
17:55No, not yet.
17:57What do you advise me?
18:10Well, if you are so excited to be an ambassador in London, then take the job.
18:18Although, if I tell you so, I would be lying to you.
18:23Lying?
18:24Yes, lying.
18:26Because, in reality, I would like you not to accept it.
18:32Because if you do, you're going to break my heart.
18:36Because if you do, you're going to break my heart.
18:40I no longer understand in my life if it's not with you by my side.
18:44Every morning I wake up with you.
18:54I was the one who was lying.
18:56I would never accept that position.
18:58Because, for nothing in the world, I would like to separate from you.
19:01Fabio, you don't have to make that sacrifice for me.
19:04No, no, I wouldn't leave you alone.
19:06Especially not right now.
19:08With Carla's loss and in charge of the Morcuende company.
19:13You don't know how grateful I am.
19:22Well, now that we have solved this matter, it would be best if we left.
19:28The mass in honor of Carla is about to begin.
19:31Yes, let's go.
19:34I know what I have said now may seem frivolous.
19:37But after the mass we are going to have dinner at a restaurant.
19:40The reservation is already made. I will not accept a no for the post.
19:43At dinner?
19:45But if I'm in a rigorous mourning?
19:48So what?
19:49Even so, you will be the most beautiful woman in the whole restaurant.
19:55Let's go.
20:04Let's go.
20:35SEPTEMBER
20:48Esperanza, Antonia has already told me that maybe you have solved the problem with the snack bar.
20:54Oh, that's what I'm on now.
20:57It's just that this thing with that godmother is very tiring. It never ends.
21:01About the snack bar ...
21:03I haven't been able to buy Antonia a gift yet.
21:06And I haven't even been able to talk to Don Fermín, that we have to agree on many things.
21:10Well, calm down, because there are three days left.
21:12Oh, don't make me nervous.
21:13Think of something else.
21:15But how can I think of something else if you just make me ask about the wedding?
21:18And why do you want me to ask? Because the result of the elections ...
21:21Oh no, not that, because we can't even vote.
21:25Besides, we, being poor, what else do we have?
21:30What more of one or what more of the other?
21:32Live to work and work to live, well, to survive.
21:37You have risen more to vinegar than the crystals.
21:41Good afternoon, you tell me.
21:44I came to have a coffee, but seeing that you are the ones responsible for such a labor,
21:49I did not want to miss the opportunity to approach you and thank you.
21:53What was missing? And what's that about thanking us?
21:57What gives me that you have the same funny thing as Tunante?
22:01Well, that Tunante is not an insult, because you belong to the Tuna, right?
22:04Yes, that's right.
22:06So that, Tunante, what are you coming to thank us for?
22:09For having the cleanest crystals in the gallery.
22:13That even hurts the eyes to look at them.
22:15Ah, well, since you haven't told us how you see the crystals, I'm going to tell you how I see you.
22:23You are a smartass who wants to take advantage of Marta, of course.
22:26It's just that all the Tuna are the same.
22:29I'm sorry, but I think you're wrong about me.
22:31No, no, you're the one who doesn't know.
22:33You must have been deaf from so much playing the bandurria.
22:35Let's see, you have nothing to do here with the girls, right, Marta?
22:39Nothing.
22:41Well, you already have a lesson learned today.
22:44In a sea that is not yours, you cannot fish.
22:47As far as I know, the sea has no owner and I don't like fishing,
22:51but if I had to do it, I would fish a beautiful mermaid.
22:56A jellyfish is what you're going to fish.
22:58But I would set her free, because mermaids must swim free
23:02so that we can all hear her voice and enjoy her beauty.
23:08Vinegar.
23:11What did you say?
23:12That if what you want is to clean the crystals in the library, use vinegar.
23:17And now, please, if you'll excuse us, we would like to continue cleaning.
23:20Some of us here are not the owners' daughters and if we don't work, they fire us.
23:27She has thrown the hook somewhere else.
23:30Air.
23:45Here is the latest edition of the newspapers, as Teresa asked me.
23:49Well, thank goodness, because the clients are dying for the newspapers with this election thing.
23:55So, how many more? Well, look, more for us.
23:59And a little more and we'll be on today's cover.
24:03A couple who has been lying for a long time, finally caught in their ambush.
24:07As if we had no experience in this.
24:09Lucky that Cayet is able to sell any slut.
24:12Saved at the last moment.
24:14Well, let's look at the good side.
24:16Everyone has found out about our relationship and they have believed it.
24:20Well, yes. And with the good sight of Esperanza and Elias.
24:24My goodness, they run the news faster than on the radio.
24:28Well, phase one of the Cupid plan successfully completed.
24:33Mr. Fermin.
24:34Yes?
24:35Just now I was commenting with trinity the success that the inauguration of the new store has had.
24:41Congratulations on the part it touches.
24:43Exclusive merit of my niece and her friend Celia.
24:45But yes, yes, it has been a success. Now we just have to wait for the business to be too.
24:49Well, here is the new edition of the newspaper, in case you are interested.
24:54Yes, yes, I am interested, although I do not think that the news that I would like to confirm comes to the newspapers.
25:00I don't know if I'm explaining myself.
25:04Let's toast to the success of the inauguration.
25:16It has gone very well, hasn't it?
25:18Well, yes, the truth is that more people have come than we expected.
25:22That store is going to be a success, girls, I assure you.
25:25Well, on the first day we have already sold radios and several records.
25:28And I have not stopped taking pictures in the studio all morning.
25:32Of course, we have been so busy that I have not been able to go through the printing.
25:36To see the brochures of La Moderna and I have to give them to the guy tomorrow.
25:39Well, you'll see, everything will be fine.
25:41Yes, I know, but I would have liked to check at least one.
25:45It is that if it is not how to work blindly, as if you were taking pictures without looking through the viewfinder.
25:50I don't think the guy dispenses with your services because he doesn't like how a brochure has turned out.
25:54Well, I hope so, because I need my job as an advertiser.
25:58The salary is good for us to invest in promotion or in store items.
26:02Laura, we have already talked about it.
26:03If at some point you are very overwhelmed to have to combine your work in La Moderna with the day-to-day of the store ...
26:08No, don't worry, that's not going to happen.
26:11Yeah, but if it happens, let me know and period.
26:13You are the important thing, not the money we are going to make or stop making.
26:17Thank you, Celia.
26:19You are the best partner you can have.
26:22And we are also going to toast because I finally wanted to go out.
26:26Is that so?
26:27Yes, well, thank you very much for the effort.
26:30I couldn't miss the inauguration.
26:33And in passing, I give a little work to my spies.
26:41No, I don't think he's explaining to me.
26:44Anyway, a certain rumor has reached my ears and since I am not at all a friend of gossip, I will face it directly.
26:52Is there anything you want to tell me, Trinidad?
26:56Well, I would have to be a little more specific with this rumor because you know that gossip is very treacherous.
27:04And there are people who have a lot of imagination.
27:08It has reached my ears that you two are a couple.
27:11Is that true?
27:12Oh yes, yes, yes, yes, yes.
27:14We are a couple, yes.
27:17Sudden.
27:18Recent.
27:19Recent, yes, yes.
27:20I am grateful, I am grateful, Mr. Fermin, for having put in front of me the most beautiful of all women.
27:26You didn't know it, but when I gave Trinidad the job in this room, I made a decision that changed my destiny.
27:34It will be less, Mr. Ruiz, it will be less.
27:37Anyway, since I am not a friend of gossip, I just wanted to confirm the news, congratulate them and hope they are happy.
27:45We are happy.
27:46We are, we are.
27:47Trinidad is an excellent worker and a better person.
27:51And I can only say positive things about you.
27:53Now, I'm going to dare to give you just one piece of advice.
27:56Go slowly, please.
27:58No rush.
28:00Little by little.
28:01Well, little by little.
28:03Or fast, right?
28:04Because it's also fine, right?
28:05I mean, every relationship is a world and each world has its own speeds, right?
28:11In the case of feelings, I don't know if rushes are good advice.
28:15But anyway, you are adults and sensible and will act in the most convenient way.
28:24Well, I'm going, I'm going, I'm going, I'm going to the worker.
28:26I'll be back later.
28:28And I'm going back to the library.
28:30Good afternoon.
28:31Mr. Ruiz, please stay a moment, because now that we are alone, I would like to talk seriously with you.
28:41Well, what do you have to tell me, alone?
28:44You are not a kind of Don Juan, are you?
28:47One of those who is seducing women as entertainment.
28:51Me?
28:52I am a man of a single woman.
28:54My heart has been occupied by Trini for a long time.
28:57Well, not for so long, because I still remember that not long ago I was courting Teresa.
29:01Ah, that.
29:03Well, but that was something temporary.
29:05Temporary?
29:06I don't think my client considers him temporary.
29:08I assure you that nothing serious happened.
29:12He just got into a relationship.
29:14He was a magician.
29:15She can confirm it herself.
29:17We were not made to be alike.
29:19And how do you know that you and Trini are?
29:24Because she is the woman of my life.
29:26That a man does not know.
29:28Trinidad is the person I want to spend the rest of my life with.
29:34And you are a good person, you can see it in your face.
29:37Well, I'm just going to tell you something that I already warned you when Teresa ...
29:40I appreciate my employees a lot.
29:44So I hope Trini is happy and that she takes care of her.
29:46If so, she will have a friend in me.
29:48But if it is not so ...
29:51Let's hope she never has to see me angry, Mr. Ruiz.
29:57Let's hope.
29:58Don Fermin, let's hope.
30:06What do you mean by giving work to your spies?
30:09It's just that going to the galleries ...
30:12I felt that several people were following me.
30:15Inés, what are you saying?
30:17Have they done anything to you?
30:18No, no, just follow me.
30:20But I know very well who gave them the order.
30:22Lieutenant Lorenzo.
30:23Oh my God.
30:25That man doesn't give up.
30:26No, and I don't know how to make him understand that I have no idea where César is right now.
30:31But let's see, are you okay? Are you afraid?
30:33Well, of course I'm afraid.
30:36I don't know, I understand that feeling spied on is not a very pleasant feeling, right?
30:41No, it's not.
30:42It's not, but I'll have to hold on until all this is over.
30:45Or not.
30:46Maybe we can ... I don't know, talk to Uncle Fermin.
30:49But what would we gain from that?
30:51I don't know, maybe he can intervene and stand up to him.
30:54No, look, I prefer to keep him at bay because ...
30:57That way there is less concern for him and for me.
31:00Are you sure, Inés?
31:01Yes, sure. Right now.
31:03Besides, I'm already quite nervous. I'm waiting for the results of the throat tests.
31:08I'm going to prepare something to eat.
31:24You are very quiet today, Salvita.
31:26Not to mention that that plumber has a great ally in you.
31:28He will never get dirty.
31:30Because he doesn't even touch the dust from the shelves.
31:32Eh?
31:33Yes, yes, the plumber.
31:36Are you thinking of something, Salvita?
31:38Yes, the plumber, I pass it on.
31:40No, the plumber, the one who sees you from afar, you.
31:43What do you mean? That I don't like to work?
31:45No, you don't need to say that.
31:48But there is one thing that you really like.
31:50The modern one.
31:51That you have been frequenting a lot lately.
31:55It's just that it has very good coffee.
31:57And besides, you always tell me that I don't fall asleep at work, right?
32:00Well, I'll have to do something.
32:01Something tells me that it is not precisely because of the coffee.
32:04Because I read that you go to that tea room a lot.
32:07Rather, I would say that it is ...
32:09Because of Marta.
32:11I didn't know that hobby of yours.
32:13The gossip, Miguel.
32:15Look at the ability to observe.
32:17From this same glassware,
32:19I have been able to see how you looked for it yesterday and how you have looked for it today.
32:23Does that mean that yesterday I left the glasses clean?
32:26And more than I will leave them from today,
32:28because before they gave me advice to do it.
32:30With vinegar.
32:32I give you another advice.
32:34I don't think you have much future with Marta.
32:37Doesn't it seem that the girl is very happy when she sees you?
32:40At least this is what I perceive from here.
32:42You don't give Marta's advice for nothing.
32:44That if there is something good about being in this bookstore,
32:46it is that the girl makes me happy in the mornings.
32:48Well, let's see if you take notes from her,
32:50who is very hardworking.
32:51Let's see if by looking at her so much, something stays with you.
33:01The account of the 6, Teresa.
33:05Any news with Mrs. Lázara?
33:08Why do you ask me that? Have you seen anything?
33:10What I have seen is that you are still going back to the matter.
33:13Do you still believe that it was she who urinated everything to stay locked up all night with Don Fermín?
33:18Man, I have it clear as water, come on.
33:21And she doesn't try very hard to cut it either.
33:25What I have seen this morning, come on,
33:27I have realized that she is capable of using all her charms in order to seduce Don Fermín.
33:33But have you caught her in a committed situation?
33:37Well, not committed, but everything will work out, you'll see.
33:42How deceived that woman had us.
33:45Well, I've had her locked up for a long time,
33:47and that's why she's trying to kill you with me.
33:49Well, she doesn't go there and tells me, well, she puts me in front,
33:52to deceive me, Mario.
33:54But, Santo, what did she say that about?
33:56What were you talking about? Why did she say something like that?
34:00Our things.
34:01Well, I'm going to turn you around.
34:07Well, although in that of Mario, he was right, because come on, how stupid I was.
34:12Now they don't catch me in another one, huh?
34:15In matters of love, it's already fermented, but well.
34:18Take it.
34:21Well, I'm still counting on you, right?
34:25Do you count on me?
34:27Well, you see, I need an accomplice.
34:29Someone who is so watchful in all this matter of Mrs. Lázaro and Don Fermín.
34:33Ah, that. Yes, yes, of course.
34:46Oh, by the way, is it true that rumor that is among colleagues
34:49that you have made of Celestino between Trini and Miguel?
34:53Ah, well ...
34:55Well, yes.
34:56It is seen that ...
34:58Well, the thing goes with me, I didn't even realize it.
35:00But when it comes to seeing love between two other people,
35:03I catch it first.
35:05Teresa, for God's sake.
35:07Let's see, please help me.
35:08But hey, what voices are these? What's wrong with you?
35:11It's just that I need to talk to Don Fermín as soon as possible.
35:15Since his office has been closed, there is no one there.
35:18Well, if it's a work matter, you know you don't have to tell me first.
35:21No, it's not about work.
35:22It's about Antonio and Pietro's wedding.
35:24Look, what day are we on and we still don't have a place to celebrate the invitation.
35:28Uff, that's a job.
35:30You see.
35:31And of course you will understand that, being the godmother,
35:34I have to talk directly to the godfather, Don Fermín.
35:38Come on, even in the Vatican they give hearings with the Pope more easily.
35:42Well, being Mrs. Lázaro in the way, I don't know how I can help you.
35:47And when do you think I can catch Don Fermín without the vampire in the way?
35:53Well, daughter, I don't know, I don't know.
35:55Well, here I am.
35:57Oh, Cañete, now that I'm seeing you, I had to tell you something.
36:01Oh, what was it?
36:03Oh, wait, I look at it in my godmother's notebook, I have it all written down here.
36:06Oh yes, accommodate an assistant in the church.
36:10You told me you were going to help me, right?
36:12Do I still trust you?
36:13Yes, I already told you yes, Esperanza, you don't have to ask me again.
36:16Man, I'm asking you, of course I'm asking you.
36:18Because you are a man and those things are easily forgotten.
36:21So, accommodate an assistant, Cañete.
36:25I'll give you the cross.
36:26Are you okay at 8?
36:28At 8 for what?
36:31Man, to think between the two of us where we sit people.
36:34Of course, that's a matter of great responsibility.
36:37Because it's not the same to sit friends,
36:40than to work colleagues, than to family.
36:43Or for example, where do you sit the godmother?
36:51Don Salvador, good afternoon, how are you around here?
36:54Good afternoon.
36:56I'm passing by, I'm not going to entertain you much.
36:59I wanted to take advantage of the fact that I was here to ask you about the progress of my son Salvita.
37:05Great progress, Don Salvador.
37:07Salvita is making great progress.
37:12He is a perfectionist, tenacious, he is an inexhaustible boy.
37:17With telling him that I had to take this pen out of his hands so that he could rest a little.
37:21Right now he was telling me that he wants to clean the glasses with vinegar.
37:26Vinegar? Are you kidding me, Miguel?
37:28No, no, no, no, no, no. It seems that vinegar is the best for ...
37:31That's not it.
37:33He's telling me that in the few days he's been with you, Salvita has become like this.
37:38From night to morning, in a formal and hard-working boy.
37:42Incredible, right? It's just that he's a boy who puts a lot of effort into it.
37:45Well, what I was missing to hear, that they take me for a fool.
37:48Salvita, it is clear that I have to take you to another bookshop,
37:52where the manager does not have to lie to me in order to get rid of you.
37:56Well, Don Salvador, you will excuse me.
37:59Maybe I haven't chosen the best words.
38:01You know that hyperboles are my favorite literary figures.
38:04Well, look, Miguel. I'm leaving.
38:06One thing I have clear.
38:09I have to make a decision.
38:14Did you have to exaggerate so much?
38:16Because I don't want to go to another bookstore. I want to stay in this one.
38:19Near the modern, near the ...
38:22Look, I'm going to look for my father to see if I can fix what you were spoiling.
38:30If you always open your mouth, Miguel.
38:37And will you bring me some souvenirs?
38:39Of course.
38:41Pablo and Aunt Conchita have told me that they will take me to the beach of La Caleta, in Cádiz.
38:46I will bring you all the shells I find.
38:48How nice.
38:50Hi, Clarita.
38:51Hi, Susana.
38:52Hi, Marta.
38:53Marta, you don't know what.
38:55I'm going to Jerez to see Pablo.
38:57To Jerez?
38:58And how is it that you are going to Jerez?
39:00Pablo is going to teach me how to ride a motorcycle.
39:02He told me.
39:04Well, he will be there to teach you how to ride a motorcycle, having the leg as he still has.
39:09Let's go see the works.
39:10Come on.
39:19Is that true? Are you going to Jerez?
39:21Yes.
39:22Clarita misses Pablo and Aunt Conchita a lot.
39:26So she is going to spend a few days there.
39:28I'm not.
39:29Because I wouldn't miss her wedding for anything in the world.
39:34Well, I see that they are installed.
39:36I really like to see this house alive again.
39:38Well, it's a provisional thing, huh?
39:40It's a detail of Don Braulio's children.
39:42And what are you doing around here?
39:46Well, it's for Petra, the neighbor.
39:48Serena's wife?
39:49Yes.
39:51She told me that today she was leaving for Puerto Real, in Cádiz.
39:53And it's the same train that passes through Jerez.
39:55So I asked her if it was okay for Clarita to go with her.
39:59It's very sudden, I don't know.
40:01But it's the best.
40:02Well, it's very good, because the girl is not going alone, it's a very long trip.
40:05If it weren't for Petra, I would take her.
40:08Now she stays with her, and then Iño comes and picks her up to take her to the station.
40:12Well, and your Aunt Conchita will be notified?
40:14Yes, she will wait for her there.
40:16Matilde, I'm going to Jerez for ten days.
40:19Because Marta says she doesn't believe it.
40:21Of course, you're going for ten days.
40:23You see? Ten days.
40:25I'll get to know Andalusia and everything.
40:29Ten days, she's leaving.
40:30She's not going to miss a lot of school days.
40:32I know.
40:33But Clarita needed it, and...
40:37Besides...
40:39Besides what?
40:40Well, I couldn't deny it, Antonia.
40:42Can't you see how happy she is?
40:44Yes, and now she's very happy to see you so much.
40:46What's wrong?
40:48You can tell me whatever you want, you know that, right?
40:51Here you go.
40:52I think this obsession you have with the fabric isn't good.
40:56I'm telling you.
40:57It's double.
40:58Honey, I think you should look at the medical books,
41:01the ones you have in the library,
41:03to see if so much fabric is good.
41:05And that would be the last book I would look at in that library.
41:08Because I see myself in the street, Trini.
41:10Honey, don't be so dramatic.
41:12With the time you've been working there and the consideration Don Salvador has for you...
41:17Honey, I've never seen Don Salvador biting dogs with that.
41:21And between this and the fabric, I'm going to the street.
41:24No, you won't.
41:26You'll see how, for now,
41:28we've sorted out all the problems that life has put in front of us.
41:31I haven't sorted Salvita out much, let's say.
41:34I've collided with him face to face.
41:36You'll see how it won't be like that.
41:38You know why? Because we're together.
41:40And you and I get along.
41:42And there's no one who beats us.
41:43Yes, you and I get along.
41:45Yes, you and I are together in love.
41:48And in lies.
41:49And in sickness, too.
41:50Because these nerves are going to end my health.
41:53I wish Antonia and Pietro had the marriage you and I have.
41:57Because, look, you know what?
41:58I'm more in love than the first day.
42:00I'm also more in love.
42:02Nervous, but very in love.
42:05A kick?
42:06No, how can it be a kick? It's gas, Miguel.
42:09Come on, come here.
42:10Come here, you're dumber.
42:16What's wrong?
42:17I lost the button.
42:20What are you looking at?
42:21Nothing, the button. It fell.
42:24The button.
42:26Both buttons.
42:29Is it because of what they say happened in the gallery that you saw...
42:33Mrs. Carla.
42:35Yes. Do you think I'm crazy?
42:37How could I think that? Don't be silly.
42:39Well, Antonia, I know it's impossible.
42:41But I swear, it was so real.
42:44A guitar and a flamenco suit.
42:46I'll bring you all that.
42:50No, Clarita, I'm fine with some chestnuts.
42:52Besides, you're not going to take such a big suitcase to bring a lot of things back.
42:57But, well, I don't want to bore her with my things.
43:01It's just that I haven't seen her so happy in a long time.
43:06I don't know, it breaks my heart.
43:08I owed it to her.
43:09I don't know, I think I failed Clarita.
43:11What are you saying? How are you going to fail your sister?
43:13If you fall for her...
43:14Yes, but I have the feeling that I haven't helped her get used to this new situation.
43:18And I feel guilty, I can't help it.
43:20Guilty? But she did everything she could.
43:24And in your situation, with everything you've been through, I wouldn't have done it better.
43:27If I had done it better, Clarita would have been more affectionate with me.
43:34I don't know, I have to go.
43:37Thank you for everything. See you.
43:39Bye.
43:42Hey, Clarita.
43:48I have to go.
43:49You go to Petra's house. Do you remember where it is?
43:52Yes, it's that one up there.
43:54Then Iñigo will come to pick you both up.
43:56I'm going to La Moderna to do some management.
43:59But I'll do everything I can to get to the station on time, okay?
44:04But if it weren't possible...
44:07I want to tell you that I'm going to miss you a lot.
44:12Can you give me a kiss?
44:25I'm going to miss you a lot too, Nati.
44:29Bye.
44:39Thank goodness I got to the station.
44:42I didn't want that train to leave without saying goodbye to Clarita.
44:45And you already said goodbye.
44:47Or at least that's what Clarita told me when I went to pick her up at La Corrala.
44:50Yeah, but it's not the same.
44:52Besides, I promised her that I would do everything I could to get to the station to say goodbye to her.
44:56I know it's hard here at home with you,
44:59but I'm sure she would have liked to see you there saying goodbye.
45:02You know, being at that age, sometimes a woman and sometimes a girl...
45:06Well, I'm sure that just by getting on the train, she would have missed you a lot.
45:13Not even half as much as I miss her, really.
45:16What's wrong?
45:17Look, you're dramatic in the Garcés family, really.
45:21Don't worry.
45:22She's not going to be alone.
45:23She's going to be with her aunt, her brother...
45:26I'm not going to be alone either.
45:28I'm going to be with you.
45:35Do you hear that?
45:37What?
45:39The silence.
45:44I don't know if you know, Mrs. de Peñalver, but we're alone at home.
45:51I don't know what you have in mind, sir, but I remind you that I'm a married woman.
45:55Well, if it's not a problem for you, it won't be for me either.
46:01Wait for me, I have a surprise for you.
46:22Come on, I'll go with you.
46:28Honey, don't you take your things?
46:31No, I don't need them today.
46:34I'm going to work at La Moderna.
46:40I'm going to work at La Moderna.
46:42I'm going to work at La Moderna.
46:45I'm going to work at La Moderna.
46:48I'm going to work at La Moderna.
46:50I'm going to work at La Moderna.
46:55Matilde?
47:07Honey, is something wrong?
47:11I was calling you.
47:14It's Carla.
47:17Carla has been here.
47:20Carla has been here.
47:25Fabio already knows what he has to do, but I can't insist anymore.
47:28And what about me, mother?
47:30Maybe you're being too soft with him.
47:32I'm sorry to disappoint you, but I've gotten as far as I've been able to.
47:35Now, from here on...
47:37From here on, we'll have to take less correct paths.
47:41Everyone has a price.
47:43Carla has come in here and moved my notebook and left it on the terrace.
47:46Honey, could it have been your sister?
47:48Look, Inigo, if you don't want to believe me, don't believe me.
47:50Carla is dead.
47:52I can't stop thinking what will happen if they tell her she can't sing again.
47:55Tomorrow I'll get the test results.
47:57I'm sure they'll be favorable.
47:59Yes, we all are.
48:00Yes, I think it's great that you're so convinced, but...
48:03I don't think anyone understands what I'm going through.
48:07My God.
48:09No one can stop you, Antonia.
48:11You're going to be my wife.
48:13I'm going to make you happy.
48:15Look, I'd like to participate in the wedding gift.
48:17But if you're not invited, you don't have any obligation.
48:20I don't know what else to give.
48:22They are lifelong companions and I appreciate them a lot.
48:25So I insist on participating. How much is it?
48:28If a miracle doesn't happen, we're out of guests.
48:31And what am I going to tell the people who come from Andalusia to see, right?
48:34Pietro, don't you have anything to eat or drink, at least?
48:37For once, I ask you not to see me as your cleaning boss, but as an igua.
48:43Because I'm here to tell you about Godmother, Godfather.
48:47Amave.
48:48That three days before the wedding, Antonia and Pietro have nowhere to celebrate it.
48:52But that's terrible.
48:53That's why. What do you think?
48:55Today is the farewell of Antonia and Pietro.
48:57And what are we going to do? Shout their protagonism?
48:59Well, it's true, I don't know, you're right.
49:01Well, I'll think of something.
49:02I don't know.
49:03I'll tell you one thing.
49:04We're going to do it before your wedding.
49:06Are you sure?
49:07Yes, yes.
49:08By the way, I've already bought the tickets to go see Margarita Sirgo.
49:13Here, here's yours.
49:15I can't wait to see the show.
49:17The critic says it's brilliant.
49:19Why don't you keep them?
49:21Because they are separate locations.
49:23You are in the patio of Butacas.
49:24It's the best ticket I could get.
49:26I'm in the kitchen.
49:28In the kitchen?
49:31I thought it was about going together.
49:34If I didn't find out you just got engaged,
49:36I'd think you were married.
49:38And how have you been looking at each other for a long time?
49:43What's wrong?
49:44Why are you so nervous?
49:46How did you realize
49:50that Antonia was something more than a co-worker?
49:54I mean, how did you know
49:57that what you felt for her
49:59was...
50:01was love, Tom Fermin?
50:03I don't know.
50:04It's like someone wants to drive me crazy.
50:06Someone?
50:07Who, darling?
50:08Who?
50:10Mrs. Carla.
50:11Or rather, her ghost.