Category
📺
TVTranscript
00:00A FEW HOURS LATER
00:18You don't understand me, Lucia.
00:21Antonia is not a relationship, it's for me.
00:24Antonia is the woman of my life.
00:26Sometimes feelings get confused.
00:28No, no, Lucia, no.
00:31My feelings are very clear.
00:33I'm sorry.
00:39Come, look.
00:41You have to do what I asked you before.
00:43To get to the corners, you have to put a rag tied to the broom, right?
00:47And then you tap it like this,
00:50so that the dust stays stuck to the rag, see?
00:54Ah, but what a good idea, Esperanza.
00:56Of course.
00:58Where only mosquitoes get to, you have to throw the rag.
01:01That's a new commandment.
01:03Write down what will serve you.
01:05Well, that's it.
01:06Come, let's practice in the corners.
01:08Okay.
01:18I've never seen an Italian more overwhelmed than you.
01:23Very observant, Esperanza.
01:26If you almost get smoke coming out of your head.
01:29It's normal.
01:30I'm in an impossible situation,
01:32of which I don't know how to get out.
01:36But well, sooner or later,
01:38you're going to have to decide,
01:40for one woman or another.
01:42It's just that my heart belongs to Antonia,
01:44I have no doubt about that.
01:45But I can't get rid of Lucia.
01:47She's Giancarlo's mother.
01:49And I have a past with her that I can't forget.
01:53And of course, I can't throw her out on the street,
01:55in a foreign country, right?
01:56If you want Antonia,
01:59you have to stop straining the rope.
02:01Let's see, she's having a very bad time.
02:03And maybe the moment she's fixed the papers,
02:06she doesn't want anything anymore.
02:09I didn't want to lose her.
02:11Besides, she's so understanding.
02:13Of course, that's what happens to good people,
02:15that others take advantage of them.
02:18You have to take Antonia,
02:20stop waiting,
02:21and ask her what she wants to hear.
02:24Antonia, do you want to marry me?
02:27She told her.
02:28No.
02:30But,
02:31a shrimp that sleeps,
02:32the current takes it away.
02:33That said,
02:34in short,
02:35that in the rough it would be,
02:37either she faints,
02:38or she stays with two noses.
02:41Do you understand?
02:43I'm going.
02:50Yes, yes, yes.
02:51The same Marcial Lalanda,
02:53one of the best bullfighters of the moment.
02:55And have you met him here?
02:57Yes, we have some friends in common.
02:59So tomorrow he will be here.
03:02And I would like you to accompany us.
03:04Me?
03:05Yes.
03:06I really like bulls,
03:07but I'm not an expert.
03:08Don't worry,
03:09because Marcial Lalanda is a very cultivated person,
03:11very sociable,
03:12and very cordial.
03:13I'm sure you'll get along very well.
03:16But,
03:17I haven't mentioned him just because I like him.
03:20Maybe he wants to propose something to you.
03:22Yes,
03:23since I have him around me,
03:24and he is such an acclaimed character,
03:26and he is so fashionable and so recognized,
03:29I would like you to somehow promote the gallery.
03:34In exchange for a conversation, of course.
03:37What do you think?
03:38I think it's a sensational idea.
03:40And you can count on me to accompany him
03:42or to have a first-class conversation,
03:44even if for that I have to pretend to be Tauro Martial.
03:48A toast to that.
03:54Good morning, Inigo.
03:56Would you like something to drink?
03:57No, no, thank you very much, Don Fermín.
03:59I'm in a bit of a hurry this morning
04:01and I wanted to inform you about the latest news.
04:03Ah.
04:04Well,
04:05I've been talking to Mrs. Bárbara
04:08and unfortunately she is still adamant
04:10not to sell the gallery's premises.
04:12And what is her position?
04:14An absolute negative.
04:17She insists that it is not a strategy
04:19to negotiate the increase in the purchase price
04:21of the gallery's premises.
04:22Well, isn't it very relaxing to know
04:24that we are in the hands of a woman from Armas de Mar?
04:27Gentlemen,
04:28I personally would prefer that it were you
04:30who will buy the premises that are now rented.
04:33Instead of not knowing
04:34in whose hands those businesses are going to fall.
04:36Yes, you are right.
04:38But this makes her nervous.
04:41Nervous?
04:42Don't get upset, Austin.
04:44And notice that our conversation
04:46was purely professional.
04:47It was because of her daughter's duel.
04:49No, no, that would have to do, of course, but ...
04:52She was very nervous just with my presence, Don Fermín.
04:55I think she's hiding something from me.
04:57She had buyers for the gallery's premises
05:00and she was lying to him.
05:01Hence her tension.
05:02No, I don't think so.
05:04I know that Mrs. Bárbara is capable of lying to me,
05:07but Fabio is very clear on these matters.
05:09He wouldn't do it.
05:11Let's hope he's not maneuvering behind our backs.
05:16In any case, Inigo, I thank you for the management.
05:19I do it with pleasure, Don Fermín.
05:21But I think that for a next time
05:23it would be advisable
05:24to have someone else to talk to her.
05:26We have a lot more in common.
05:28Between that woman and me,
05:30it could be counterproductive.
05:32Yes, of course, we will take it into account.
05:34I have to go,
05:35I have some urgent calls to make.
05:37I'll go with you.
05:40Bye.
05:47I wanted to congratulate you.
05:49You have closed the convention of fertilizer suppliers
05:52in a very short time.
05:53Thank you, Teresa.
05:54The truth is that I have been looking forward to the matter.
05:57It has been going back to work and having results right away.
06:01I am very happy to have you back.
06:04The truth is that working keeps my mind busy
06:07and I appreciate being able to do other things
06:09apart from attending the classroom.
06:11I am the one who appreciates your competence.
06:14And I am glad that you are already recovered and calm.
06:17Yes, it is wonderful that you have recovered so quickly.
06:19It is already the same as always.
06:21I'm glad.
06:22Well, I'm going back to work.
06:29What's wrong? Did I say something wrong?
06:35No, nothing.
06:36Antonio, I know you said it with the best intention
06:38and with all the love in the world,
06:40but I have had to recover from a very hard experience.
06:45I have never been sick.
06:46And it bothers me that everyone thinks that I have been sick.
06:49I'm sorry, B.
06:50Matilde, you are absolutely right.
06:52I didn't say it with bad intentions,
06:54but it is true that I should have thought before speaking.
06:58My God, with all this, what you have really shown
07:01is that you have a huge mental strength.
07:03Well, as I continue to put the test so hard,
07:06in the end I will end up going crazy, really.
07:10Look, you have broken a conspiracy,
07:13even everyone is doubting you.
07:15Yes.
07:16That the people I love doubt me is what hurts me the most.
07:20Oh, darling, if you say it because of what I just said ...
07:22No, Antonia, no.
07:23No, really, it's okay.
07:25And it's human to doubt, and you have all been very worried about me.
07:27What happens is that ...
07:29It is curious that when it has been possible to explain what happens to me and why,
07:32all those things that tormented me,
07:34the objects in unsuspected places, the appearances,
07:37everything has suddenly disappeared.
07:40Well, that's fine, right?
07:42I guess the worst thing is that they have put your own senses in doubt.
07:46Yes.
07:47They make you feel very fragile.
07:49When you are very afraid, everything is strange and threatening.
07:53But not anymore, Antonia.
07:55I no longer hear echoes, or footsteps, or shadows, or ...
07:59or anything.
08:01I just have a nightmare that I hope will end soon.
08:04How glad I am that it is so.
08:06And do you also think it was Mrs. Bárbara, Carla's mother?
08:10Because Inigo seemed to be very sure of that.
08:12Of course.
08:13I can't think of another woman with more reasons than she does.
08:16We have no proof, but it is clear that she wants to destroy me.
08:18My mother.
08:20And with Inigo, how are you?
08:23Well, it is very painful that we are separated.
08:27But when distrust reaches a relationship, it is very difficult to come back.
08:32I understand, but you love each other so much.
08:36Yes.
08:38Yes, I know.
08:41But now we have to be separated, Antonia.
08:46I need time to clarify my ideas.
08:51But you had to see each other, right? For work.
08:53Yes.
08:54Yes, we are both very responsible.
08:56And she tried to talk about us, but I'm not ready.
09:03And how are you?
09:05How about Pietro?
09:07Well, not very well, really.
09:09Terrible.
09:10I'm going to tell you something else.
09:13That woman is willing to get Pietro back.
09:16Anyway.
09:17And it makes me angry.
09:21It makes me angry, it makes me sad.
09:24But not because I love him.
09:26I understand.
09:27In the end, she is the mother of his son and he is the man of his life.
09:32But he is also the man of mine.
09:35Yes.
09:36But that moment has already passed.
09:38She left.
09:39Yes.
09:41And on the other hand, I don't understand.
09:44Suddenly I see myself competing with her.
09:46Why do I have to see myself in that situation without eating or drinking?
09:49I just don't understand.
09:51Pietro tells me that he loves me, that he has no doubts.
09:53But there is still Lucia and the paperwork for her to leave.
09:58They never end.
10:00It's a very complicated situation.
10:01I'm not surprised she's fed up.
10:02Yes.
10:04And on the other hand, it hurts me a lot.
10:07I know there are excuses for the situation to be like this.
10:11But it hurts me a lot that they continue to see each other so much.
10:14And above all, that they continue to live under the same roof.
10:17It hurts me a lot.
10:19And I don't know how long it will last.
10:21Antonia, it will all end.
10:23Maybe later than he would like, but ...
10:26But before he expects.
10:36It's that this matter has me upset.
10:38Every time your mother stays with Elias, I get sick.
10:41Well, imagine me.
10:43Also, I think they were late.
10:45This morning, when we left, my mother was still there on the sofa.
10:48Sleeping like a log.
10:49She lives as she wants.
10:51I'm sorry I couldn't sabotage this relationship better.
10:54But where are these two going? I don't understand.
10:56Well, I don't know, son.
10:58I don't know, they have a good time together.
10:59What are we going to do to him?
11:00You saw how I tried to bribe him in every way.
11:03With the football, with the roosters, but nothing.
11:05Nothing worked.
11:06I don't know what you're going to do.
11:07Have you been able to talk to him?
11:08Well, no, the truth is, I haven't talked to him yet.
11:11But it's going to be difficult, huh?
11:12Because he's so happy.
11:13He has a smile that goes from ear to ear.
11:16My God, let's see who gets off the cloud now.
11:21Look at him.
11:23Good morning, Elias.
11:25Well, and so good, Miguel.
11:28The best of my life.
11:30And something tells me that you are not going to tell us why.
11:33Well, yes, look, Adri.
11:34Leonora and I took a boat ride to Lake Retiro yesterday.
11:38Just at sunset.
11:41That was pure poetry.
11:43Yes, well, we had a great time.
11:45Then we went to dinner and to dance.
11:47And well, look at you, how we give him wings and bone.
11:50That we don't stop scratching both of us.
11:52How good, you are made for each other.
11:54Well, let's see if you hurry up,
11:56that at this rate I'm going to marry Leonora before you with Trini.
12:00By the way, we could have a double wedding.
12:03Because there, the family, the young man would be insured.
12:06Yes, it would be very funny.
12:08Yes, the most.
12:09Man, well, the tables of the boyfriends and the typical tables of the parents.
12:13At this wedding, people wouldn't know who the parents are and who the boyfriends are.
12:17It would be extraordinary.
12:19You have to see, huh?
12:21What joy it gives me.
12:22I usually imagine it.
12:23Yes, the bond would be.
12:25It's a bit negative, right?
12:26We are not very excited.
12:28Well, let's see, we are not an easy couple.
12:31But like Romeo and Juliet, the families didn't see it well.
12:35But well, we don't care because, of course,
12:37we don't like the daggers or the poisons.
12:39I hope my mother doesn't poison us.
12:41Well, if love were poison, I would already be in another neighborhood.
12:45And this afternoon, another dose.
12:47Because I have to stay again.
12:48So, well, I'm going to solve the job because I don't want to be late for my appointment.
12:52Nothing.
12:54Goodbye, family.
13:00Yes, of course.
13:01Thank you, Mrs. Juanes.
13:03Yes, yes, yes, I'll tell you.
13:05Goodbye.
13:06Goodbye.
13:10What?
13:11What did Mrs. Juanes say?
13:12I'm disgusted.
13:14Do you remember the problem I was so worried about?
13:16Yes, the throat.
13:17I didn't have good feelings and ...
13:18That's it.
13:19Well, it's the best news possible.
13:22What do you mean the best news possible?
13:24I'm not hearing anything.
13:25Well, the annoyances I had are a consequence of my progress.
13:28And my vocal cords are finally loosening.
13:31But that's very good news, Inés.
13:33Congratulations.
13:34What else did Mrs. Juanes tell you?
13:36What is the next step?
13:37Well, I should go on stage as soon as possible.
13:40Not to do an entire performance, obviously, but to sing one or two songs at most.
13:45It seems like an excellent idea.
13:47And trying little by little, recovering sensations ...
13:51Uff, go on stage again.
13:55I don't want to seem opportunistic, but I told her this would happen.
13:59As I also told her that her debut will be in the court of Pharaoh.
14:04Thank you, Agustín, but it's better to go little by little.
14:07The important thing is not to stop.
14:08Sorry, the excitement that can.
14:11And have you thought about the place where you want to try?
14:15No, no, the truth is that no.
14:18Don't tell me you haven't thought about the Madrid Cavalé.
14:21Yeah, but with the success it's having lately, I don't know if I'm going to lower the level.
14:25No, I wouldn't lower it, I would raise it.
14:28You have experience in that.
14:30In addition, Peñalver will be delighted that you return to the one that has always been your home.
14:33How exaggerated is that?
14:35I'm not that great either.
14:37But if you don't worry, I'll talk to him.
14:40And thank you for everything, Agustín.
14:42If I didn't insist on the subject of Mrs. Juanes, this wouldn't have happened.
14:47How exaggerated is that? I'm not that great either.
14:49I'm not that great either.
15:05Hi, Celia.
15:06Hi, Marta. What can I do for you?
15:09Well, I really wanted to talk to you, Celia.
15:13Laurita has told me that you have returned home.
15:15And because she told me, I sensed that something had happened between you two.
15:25Can you count on me?
15:32I can't lie to you, Marta.
15:35You immediately knew what I felt for Laura.
15:39Did you fight?
15:41I think our friendship is over.
15:44Although I don't know, I'm not very sure.
15:48But it's too painful for me to stay and find out.
15:52But what happened?
15:55Because I couldn't take it anymore.
15:58And I told Laura everything I felt for her.
16:03I don't know if I was wrong, Marta.
16:06But I had never fallen in love with anyone like that.
16:11I swear.
16:15I couldn't hide it anymore.
16:18What did she tell you?
16:22That I felt it a lot.
16:25But that I just wanted to be my friend.
16:29Then she ran away.
16:31Celia, you are very brave.
16:33And she thinks you were right.
16:35It doesn't make sense to lie about what you feel.
16:38Marta, but...
16:42I should have kept quiet.
16:45Yes, I should have counted on her and her friendship for a while longer.
16:52But I don't know. I guess sooner or later she would find out.
16:57But that's now.
16:58You will be friends again in a little while.
17:01And that lasts forever.
17:05I find it difficult, Marta.
17:07When you are in love, it's hard to understand that the other person doesn't feel the same.
17:14Especially if you have shared so many things like Laura and me.
17:20Are you sure you have to leave?
17:22Look, Laura and you are not only friends, you are also partners.
17:27I need to recover.
17:31I think we can run the store, even if I'm out.
17:38I don't want to be just her friend.
17:43You know how you're going to do it.
17:49Estrellita Castro has asked me to accompany her to Germany as an official photographer.
17:53I don't know, it could be a good opportunity to get us both out of the way and give us some space, right?
18:03I'm very sorry that you're leaving, Estella.
18:06But looking at it like this, it could be a big leap in your career, yes.
18:11And well, in the end, seeing the world is better, right?
18:23Yes.
18:40Why are you both coming to get me? Are you preparing a trap for me?
18:44No, no, nothing like that.
18:45Just, mother, we have to talk about your friend and your dates with our friend.
18:54Yes, because this is past dark chestnut.
18:56What is past dark chestnut?
18:58That a decent and widowed lady has fun with a decent and single man?
19:02No, no, it's not that.
19:04It's just that it's not a good idea.
19:06It's not a good idea to see you with him and more in front of everyone.
19:09But girl, who is the mother here?
19:11Well, Leonora, don't think we're playing.
19:16Well, a little bit, yes, a little bit, yes.
19:18Because, mother, there is a little age difference.
19:20But girl, what do you know about life?
19:22It's just that that's not the only thing that worries us.
19:24We are afraid that due to some slip-up he will tell him the particularities of our family.
19:30Look, I'm not saying anything, but I'm going to tell you again.
19:34Only in the case of butter, it occurs to him to hide a marriage and then a pregnancy.
19:38Don't worry about me, I'll keep my mouth shut.
19:41Yeah, but it's not just that.
19:43Elías is taking it very seriously.
19:46Oh, please, how exaggerated.
19:48We're just getting to know each other.
19:50We're spending time together.
19:52We chat, we laugh, we do fun things.
19:55Well, nothing like last Thursday.
19:57Well, you've impressed him a lot.
20:00And he gave me a real joke.
20:03Well, he's told me something about a wedding.
20:05It may be a joke of his own, but he has told it.
20:08Leonora must be careful with his charm that is breaking hearts out there.
20:13The best thing will be that he does not feed his illusions with false hopes.
20:17You don't know him, but Elías can be very ...
20:20Heavy.
20:21Insistent.
20:22Mother, I know you're getting carried away.
20:24Well, because he's very nice, very nice, very funny.
20:27And you're taking it as a game.
20:29But that man, even if he's very open, he's very sensitive.
20:34So what?
20:35What?
20:36Am I supposed to disappear?
20:38Not like a magic trick, but you have to cut through the rings.
20:41Yes.
20:44And how soon?
20:45Before either of us gets hurt?
20:48Please, promise me you'll think about it.
20:51We'll see.
20:56Well, the goddess Nefertiti has come to life.
21:01How are you?
21:02I am not a servant of your wishes, my queen.
21:05Simply.
21:06Well, I have a plan for tonight.
21:08Do you want us to go dancing?
21:10It turns out that they organize a dance contest in this gallery.
21:14Dance in a contest?
21:15Yes, and we make a great couple.
21:17Well, we could sign up.
21:19It is true that we are a little tired of yesterday, of so much fuss.
21:22But we already have the training done and we have a great time, right?
21:25Yes.
21:26Well, if you want, today more.
21:28Oh, well, I think it's a great idea.
21:31And I think we would have a great time, right?
21:35Right.
21:37But I think we should stop going out together.
21:44You are a cousin, and dancing gives you glory.
21:48But we are very different ages.
21:51And maybe it would be good to stop this before we get carried away too much and hurt ourselves.
21:57Yes.
21:59You know how tasteless and cruel people can be.
22:04And what else does people give?
22:06If you don't like one agent, there is always another agent.
22:08Well, and no one has to give us permission to have a good time.
22:12You really are a great guy.
22:15But no matter how well we have fun, I'm not in the mood to start a relationship.
22:20I saw this tango late.
22:22I hope you understand.
22:24Yes, but maybe you don't need to analyze it all that much.
22:27No, but we can't think that we can't get into a mess with this story.
22:32It's beautiful, but you'll admit that it has its intricacies.
22:34Yes, yes, it has its intricacies.
22:36Yes, you're probably right.
22:39And it hurts my soul.
22:41But maybe it's for the best.
22:43Because I fall in love with two girls and then I suffer like a dog.
22:46Oh, well, that can't be, that can't be.
22:48We have to avoid that at all costs.
22:51Well, Eleonora, this is a farewell.
22:54I want you to know that you are a woman with capital letters.
22:58An extraordinary lady with a flag.
23:01And maybe we could sign up for the dance contest, right?
23:05As if it were a kind of see you soon.
23:08No, better not, right?
23:09For the intrinsic.
23:11For the intrinsic.
23:20Eleonora!
23:23Eleonora!
23:53What a woman!
24:01I find it very strange not to see Celia's things around here.
24:05It's normal that she left.
24:07After everything that has happened, well, I wouldn't want to bother her, poor thing.
24:10Yeah.
24:13I'm coming.
24:19Uncle! What a surprise!
24:21How has your face changed since you spoke to Mrs. Juárez?
24:25Yes.
24:26The truth is that I didn't have the strength for anything and now,
24:28wow, to sing in front of an audience.
24:31Yes, I already told you, little star Castro,
24:33that you have it written on your forehead that you are going to be a singer.
24:36Well, it's a test, right? A song.
24:38I mean, if it goes well, great, and if not, you don't have to come down.
24:42Are we?
24:43That's it.
24:44Sit down.
24:46By the way, uncle, how was the exit to the theater with Mrs. Lázaro?
24:53What a smell you have.
24:55Because that's exactly what I wanted to talk to you about.
25:00But the date wasn't good?
25:03No, it was good. It was ... in fact, it was very good.
25:06And that's what worries me.
25:09But what's the problem if the evening was good?
25:13We had a great time at the theater.
25:16It was a delicious evening,
25:18which we ended up drinking a soda in the living room.
25:21But ... but while I was there, sitting in front of her,
25:28I was thinking if I wasn't doing something unfair.
25:32Unfair, why?
25:33But you are the best man I know.
25:36Because I keep thinking,
25:38blind, bad,
25:40obviating to everyone what is clearly emerging between ...
25:45between Mrs. Lázaro and me.
25:47And what is emerging, if you may know?
25:50Well, it's clear that they like each other.
25:52Well, let's leave it at that, we both enjoy our leisure time together.
25:57I think what is happening to you is very nice.
25:59And it makes me a little jealous, right?
26:02Yes, it's very nice.
26:04But as you say, time to time.
26:07I'm not going to be the one to accuse him.
26:09Sometimes I have the feeling, Laurita,
26:12that you don't approve of this relationship.
26:15No, not at all.
26:17I see him happy and I'm glad.
26:20So enjoy the moment, there would be more missing.
26:23Of course, from the outside you can see that they get along very well.
26:25Oh yeah? Is that what is appreciated from the outside?
26:27Yes, yes, they make a very good couple.
26:29They are free of commitment and do no harm to anyone.
26:33Actually, I think the same as you,
26:35but my doubt is another.
26:38What?
26:41That I'm thinking of taking another step in this relationship
26:44and I would like to know what you think about it.
27:06Good afternoon, Marta. How are you?
27:10Oh, how focused.
27:12The truth is that yes, I'm studying.
27:15How applied. Is that how you say it in Spanish?
27:18Applied?
27:21I saw you out the window and I said,
27:23I'm going to talk to her because it's been a long time since we've seen each other.
27:27Well, very kind, Lucia, but I'm studying.
27:31Well, if you want, I can ask you the lesson.
27:33So you can learn better.
27:36Let her. Antonia already asks me, she does it every day and she does it very well.
27:42Normal, Antonia is a very good woman.
27:45It shows that you have a very nice relationship.
27:49Well, I'll let you study quietly, I have a message pending.
27:54Have a good time.
27:55See you later, Lucia.
28:04Good morning, Marta.
28:06You've been studying without me?
28:08That's ugly.
28:09No, Salvita, what's ugly is arriving late.
28:11We had an appointment.
28:14My head was fine, but you know my head doesn't work for much.
28:20And that? What happened to you?
28:23You're going to think it's amazing, but it wasn't me.
28:25I got stuck with the subway door when I left and my shirt broke a little.
28:29Salvita, do you want me to zip it up for you?
28:32It seems like a small thing.
28:34No, no, no, no, no. You have enough to put up with me.
28:38Really, this is nothing, I'll fix it for you in a moment.
28:41Come on.
28:55What's wrong? Have you already regretted it?
28:57No, no, no, no, bring it. Yes, it's just two tips.
29:00Really.
29:07Well, let's go upstairs to study.
29:09Yes, yes, yes, let's go to study.
29:24Javi, I'm not blaming you for anything.
29:26I'm just telling you that Íñigo's visit the other day was very impertinent.
29:31I would have been more thorough.
29:33There was no need.
29:35Besides, I transferred your negative to sell the gallery premises.
29:40I told you the day we met.
29:42You're too correct.
29:44Yeah.
29:49If the gallery businessmen have understood that the negative is a way of negotiating,
29:54it's not my thing.
29:56I still don't think it's an option to throw it away.
30:00Especially since Íñigo is the intermediary.
30:03We owe that man something.
30:05Because I wasn't aware.
30:08It wouldn't be bad to compensate him, right?
30:12After the murder accusations.
30:15There's nothing to compensate.
30:16I remind you that he is no longer accused of anything.
30:19His job has cost him to clear his name.
30:22And me?
30:23Why don't we talk about something else, darling?
30:27I thought you were interested in your daughter's business.
30:29And I'm interested.
30:31But I'm not interested in talking about a man that I'm not sure he's in his right mind.
30:35It seems that something has stuck to his wife.
30:41Why don't we talk about other topics that deserve more of our attention?
30:49You're right.
30:51I don't know what else to do to speed up Carla's trip.
30:56Everything is in motion.
30:58She will leave Spain in three days.
31:01I hope she doesn't mind her trip by train to Lisbon.
31:05I have taken out the first class tickets.
31:07I understand that you have also managed the ship to America.
31:11All the preparations are in Fabio.
31:14What is not prepared is what you and I will do after all this.
31:17I miss Montecarlo.
31:20The concerts in Vienna.
31:23Our parties in Paris.
31:25The retreats at Lake Dicomo.
31:28We will have to look for such exciting alternatives here, don't you think?
31:33For the moment, let's focus on what concerns us.
31:39Then, we'll see.
31:43Good afternoon.
31:48Here you are, Mr. Arias.
31:50You will see how Mrs. Vega loves it.
31:52Enjoy it.
31:53Goodbye.
32:03What's going on? What are those faces?
32:05Did I miss something?
32:07Your friend here has a fireman's ideas.
32:10Nothing of that.
32:11I just ate with the director of the court of the pharaoh.
32:13The man is desperate to start.
32:15And he made me promise him that I would introduce him to the star as soon as possible.
32:17And obviously, I have not been able to refuse.
32:21But hey, that's news.
32:23But my legs are shaking just thinking about it.
32:26I have tried to calm her down, but there is no way.
32:28But imagine that the director and I know each other.
32:31Everything is fine until he asks me to sing.
32:33And why does he have to stop doing well at that moment?
32:36Because I still do not have the voice in condition, Laurita.
32:39And I don't want to make a fool of myself.
32:40No, Inés.
32:41Nothing to make a fool of yourself.
32:42What you have to do is be obedient and listen to Mrs. Juanes.
32:46Right, Agustín?
32:47I have already told her that I don't want to make her nervous.
32:49But I really think that the sooner she takes the test in Madrid,
32:52the sooner she will get over that anguish she has.
32:55But what if it doesn't go well?
32:57It will go well.
32:58The only problem is that maybe the public will want more.
33:02I would bet that she will also want more.
33:05And get ready.
33:06Because we will be in the front row applauding Rabiar.
33:09Thanks for the support.
33:12Bye.
33:15Hello.
33:16It's nice to see you back to the place with such happy faces.
33:19Well, how can we not be happy after the footprint you left last week?
33:23And so much.
33:24People don't stop talking about your record signing here in the store
33:27and about your visit to the tea room.
33:29That would be for Don Fermín.
33:31What an attentive man, what a gentleman.
33:34Inés, daughter.
33:36You don't tell me anything.
33:37With how well I liked you the other day.
33:39How beautiful you are.
33:41Well, after the encouragement you gave me, much better, really.
33:44I'm glad, girl.
33:45But I didn't tell you anything about the other world.
33:47I only told you the truth.
33:49That you will end up singing and winning.
33:52Winning, I don't know.
33:54But singing, maybe very soon.
33:56My speech therapist told me that I should do a test with the public.
33:59Olé, olé, olé.
34:01Well, believe me, if I'm in Madrid, I'll be there.
34:05And who I don't see is my dear Celia.
34:07Where is she? I have to talk to her.
34:09She's not here. She had a miscarriage.
34:12But don't worry, she's fine.
34:13Oh my God, what happened to her?
34:15A bad fall.
34:16But she has recovered.
34:18She won't come today, but tomorrow she will.
34:20If it's urgent, I can give her the message.
34:22No, don't worry.
34:23I prefer to see her in person.
34:25We have something in between.
34:27Well, see you later, friend.
34:29Goodbye.
34:30Goodbye.
34:31Goodbye.
34:35And what do you have in your hands?
34:38The tour of Germany.
34:40Do you think Celia is going on a tour with Castro?
34:45I would love to say no, but I don't know.
35:04Carla, do me a favor.
35:06Mother, calm down.
35:08Few times can you enjoy the silence in this house when there is no service.
35:12Lately, it's the most common thing, dear.
35:15Unfortunately, you have made us both the queens of this situation.
35:20Yeah, well, whenever you want, we can change our roles.
35:24How attractive you find playing with fire, Carla.
35:28Because you can get burned.
35:30I'm warning you that that will happen.
35:32I don't think it's that bad.
35:34What are you going to do out there?
35:35Because you don't have anything pending with Matilde anymore.
35:38She will find out in due time.
35:40Calm down.
35:42How do you like to make me suffer, Carla?
35:45It's much easier, mother.
35:48I just want to have fun.
35:50I'm tired of being locked up here.
35:52That's exactly why you shouldn't go out.
35:55There are only three days left for you to start your journey to Lisbon.
35:57Mother, don't worry, mother, I'm not going to leave her alone.
36:02I'm not going anywhere.
36:04Not to Lisbon, and much less to America.
36:06Carla, don't take the piss out of me.
36:08What's that, that you're not going anywhere?
36:10The truth, and the sooner we can live with her, the better for all of us.
36:16What do you want?
36:17For Fabio to report us?
36:18Oh, mother, I really can't stand her when she gets tremendous.
36:21Carla, I don't want to see my daughter locked up in prison.
36:24I refuse.
36:26Well, leave me alone.
36:27I assume the consequences.
36:34The End
36:40How's work been?
36:44Well, up and down.
36:48I don't always want to talk about modernity.
36:51You're right, I'm sorry.
36:54It's just that with everything that's happening to us...
36:56What's happening to us?
36:59That we never see each other, Antonia.
37:01And we don't talk much.
37:02And when we do, we only talk about bad news.
37:08Pietro, I know that this week has been very hard.
37:11But you can count on me for whatever you need.
37:15I know.
37:17But I don't want to burden you with my problems.
37:20But your problems have been my problems for a long time.
37:24What's wrong?
37:25What's wrong?
37:31This is what's happening.
37:34Lucia tried to influence Giancarlo.
37:38I never thought she'd be able to blackmail me.
37:44What did she say?
37:50Bye, Dad.
37:52I'm sorry to be so direct, but...
37:53In Spanish, please.
37:54Yes.
37:56I'm sorry.
37:58Hi, Dad.
38:00I'm sorry to be so direct, but...
38:05Why do you want to leave Mom?
38:08I hope you're not going to make a mistake by marrying Antonia.
38:14Mom needs you.
38:16And so do I.
38:18I'll call you the day after tomorrow.
38:21Take care.
38:24Bye.
38:29It's just that...
38:32I'd rather not get involved, Pietro.
38:43Lucia needs me.
38:45Giancarlo needs me.
38:47And nobody asks me what I need.
38:49Nobody.
38:55I think it would be better...
38:58if we abandoned the idea of the wedding.
39:03Something always happens.
39:05But how can you say this?
39:08Marrying you is what I love the most in the world.
39:10Yeah, and me.
39:11But it's one after another.
39:13Pietro, I'm tired. It seems impossible.
39:16But how can you say this, Antonia?
39:19How?
39:21It hurts me that you ask.
39:22How?
39:23It hurts me that you think this way.
39:25And it hurts me that you don't cut ties with Lucia.
39:27Because I can't, Antonia.
39:29Because Giancarlo's mother, do you understand?
39:31Yes, I understand.
39:32But I'm going to solve it.
39:33Yes, you're going to solve it.
39:34And we'll get married, Antonia.
39:35You're going to solve this problem, Pietro.
39:36This one.
39:37But she's going to find another one.
39:38Please, Antonia, please.
39:39No, please, no.
39:40Realize it, please.
39:41That woman prevented our wedding.
39:42She will continue to do so.
39:44We live in separate houses.
39:45We are all day looking after Elsa.
39:47Woman, for God's sake.
39:48We are looking after this woman.
39:49For humanity, Antonia.
39:50Yes, the humanity that we have left.
39:51We are missing her.
39:53Pietro.
39:55In the end, he's going to get his way.
39:56As long as you don't put a limit on him.
39:58Stop it.
40:00I'm going to solve it.
40:01I'm going to solve it, I promise you.
40:04But it hurts me.
40:05It hurts me a lot.
40:06But don't make me doubt it anymore.
40:08It hurts me a lot that you don't realize
40:09that that woman is taking advantage
40:10that you have horchata in your veins.
40:12Realize it.
40:14And I realize it, Antonia.
40:16I realize a lot of things.
40:18Even if you don't know how to say it.
40:32Let's see, Cañete.
40:33What Maria Cristina says is not nonsense.
40:37We are talking about
40:39that Mrs. Lázara can be responsible
40:41that one of her employees
40:43has been posted in the bed for life.
40:45If it were like that, of course.
40:46But I don't know, Teresa.
40:48I keep trying to make sure
40:49that what they're telling is true.
40:51Well, it's just that neither Mrs. Lázara
40:52nor the Madrid-Paris warehouses
40:53are interested in this being known.
40:55Come on, it's common sense.
40:57Yeah, but it's also common sense
40:59that Maria Cristina doesn't swallow it.
41:01And if she doesn't swallow it,
41:03it's a bit suspicious
41:04that she's going around saying
41:06that because of Mrs. Lázara,
41:07she burned that woman.
41:08Look, I swallow Maria Cristina.
41:11And one thing is to have clashes
41:13with a superior
41:14and another very different thing
41:15is to go around telling
41:16this kind of rumors.
41:17Come on, no.
41:19And that Mrs. Lázara,
41:20I think she's capable of this
41:21and much more.
41:23Really?
41:24This woman has no scruples.
41:26And everything she proposes, she gets it.
41:28We have to stop her.
41:29Yes, yes,
41:30stopping her is very good.
41:32You know I support you in this.
41:34But you have to cover your back well.
41:36Because going head-on with Mrs. Lázara
41:38is dangerous.
41:40Yeah.
41:42Esper, do this in a kind way
41:43to Cañete and Teresa, please.
41:49Vanessa, please.
41:51Rogelio, come closer.
41:56Come closer.
41:58I promise I'll be brief
41:59and I apologize in advance
42:00because I know you have
42:01a lot of work ahead of you,
42:03but I would like to tell you something.
42:06You want to know everything.
42:07What's going on?
42:08No idea.
42:10Well, since I'm not a friend
42:11of mistakes
42:12and much less of rumors,
42:13I'm going to be frank with you.
42:14A few days ago,
42:15Mrs. Lázara and I
42:17were drinking a soda
42:19in the living room
42:20and it seems that since then
42:22the rumors have spread.
42:25The vampire.
42:27Well, so that there are
42:28no more misunderstandings,
42:30I want you to know
42:36that Mrs. Lázara and I
42:37have started a relationship.
42:39If she was a bug,
42:40imagine now.
42:41Well, that's all.
42:42And I wanted you to know
42:44from my mouth.
42:46So now you can
42:47and should go back to work.
42:49And thank you for listening.
42:51Congratulations,
42:52be very happy.
42:53It's been years
42:54since I've been working here.
42:55It's the first time
42:56I've seen a flamingo.
42:57Talk about love.
42:58It will be very important
42:59for him.
43:02But is it true
43:03that this woman gets
43:04everything she wants?
43:07Got everything.
43:09Well,
43:10we have to congratulate them.
43:13Are you going to put it on?
43:14Yes.
43:15Congratulations.
43:35Sorry for the delay.
43:36I came as fast as I could.
43:38No, don't worry.
43:39It's not a good time,
43:40but I need to talk to you.
43:42Come in, please.
43:52Iñum, you're scaring me.
43:53You seemed worried
43:54over the phone.
43:56Did something happen?
43:58I don't know.
44:00And that's the problem.
44:02You see, yesterday
44:03I went to see Mrs. Bárbara
44:04about the businessmen
44:05who want to buy
44:06the galleries
44:07of the Morcuende Group.
44:09And?
44:10Did she finally give you
44:11an answer?
44:12No, an absolute negative,
44:13but she didn't ask you
44:14to come here to talk about it.
44:16Iñigo, really, I don't...
44:17I don't understand
44:18what you're trying to tell me.
44:20I don't know either, Matilde,
44:21because it's hard to explain.
44:23You see,
44:25when I went to see Mrs. Bárbara,
44:27I found her very nervous.
44:29She was almost terrified
44:30to have me there,
44:31and all she wanted
44:32was for me to leave.
44:33But
44:34it's not supposed
44:35that she wouldn't sell
44:36until she had a bigger offer.
44:37I mean, it doesn't make sense
44:38that she wanted to fire you.
44:39There's more.
44:42There was
44:43something strange
44:44in that house.
44:45I had a feeling
44:47as if something
44:48was going on there.
44:53It's not crazy to think
44:54that woman
44:55was up to something.
44:56No, right?
44:57No.
44:59And I've also been thinking
45:00about what's mine.
45:02And from good to bad,
45:03I don't have hallucinations
45:04and I didn't find
45:05weird things in the house.
45:08What are you thinking?
45:17No.
45:18No.
45:20Please, no.
45:24No.
45:27No, please, no.
45:29Marc, no.
45:31Marc!
45:33No.
45:34No, Marc!
45:35Marc!
45:37Marc!
45:38No.
45:40No.
45:41No.
45:42No.
45:43Marc!
45:44Marc!
45:45Lucia.
45:46Lucia.
45:47Lucia, calm down.
45:48Calm down.
45:49What happened?
45:50Calm down.
45:51Calm down.
45:54You were having a nightmare.
45:56You're Pietro.
45:58Calm down.
46:03It was a bad dream.
46:05It was screaming,
46:06but it kept calling
46:07a certain Marc.
46:10Marc.
46:11Marc, yes.
46:13I don't know anyone
46:14by that name, Pietro.
46:18I'm very scared.
46:33I don't know, Inigo.
46:34It's crazy.
46:35And it's too much
46:36even for a woman
46:37like Mrs. Bárbara.
46:38No, there's nothing
46:39too much for that woman.
46:41Not even for her daughter.
46:42Leave it.
46:43Please, it's impossible.
46:45It's crazy.
46:46No, don't say
46:47it's crazy again.
46:49Nothing you say
46:50or do is crazy.
46:52And if at some point
46:53I've made you think
46:54the opposite,
46:55I'm very sorry.
46:56Well, thank you,
46:57but this is impossible.
46:58It doesn't make sense.
46:59I don't even have proof, Inigo.
47:01What?
47:02Matilde,
47:03I don't have proof either.
47:04It's just a strange feeling,
47:06but as I listen to you,
47:09I think I'm not wrong.
47:11So please tell me
47:12what's going on
47:13in your head.
47:14Let's see,
47:15we both intuit
47:16that Mrs. Bárbara
47:17hired Dr. Mendoza
47:18to put me
47:19in a mental hospital,
47:20right?
47:21Even Brígida's
47:22could have been her doing.
47:23And the dead bird too.
47:24And they could have
47:25snuck into the apartment
47:26perfectly.
47:27Yes, yes, yes,
47:28I have no doubt about that.
47:29But there's still
47:30something I don't understand.
47:32Carla's apparitions.
47:34Because you saw her
47:35and you heard her perfectly.
47:37Exactly.
47:38The way I see you
47:39and hear you right now.
47:43Inigo,
47:44what if Carla isn't dead?
47:46What if no one killed her?
47:49But that
47:50would be impossible,
47:51wouldn't it?
47:53But this would explain everything,
47:55Inigo.
47:56And yes,
47:57it's very difficult
47:58to explain a death,
47:59but with enough will
48:00and the means
48:01that family has,
48:02look,
48:03if Carla were alive,
48:04all these apparitions
48:05would have an explanation.
48:07And then I didn't see her ghost.
48:09I saw her.
48:11I know it's crazy,
48:13but at the same time
48:14the simplest explanation.
48:15No, it's not crazy.
48:16That would explain
48:17why Mrs. Bárbara
48:18was so nervous
48:19and wanted me to leave.
48:21Maybe
48:23Carla is hiding
48:24in her house.
48:26You think?
48:27And she's been there
48:28all this time.
48:29I don't know.
48:31But now that I think about it,
48:33Mrs. Bárbara was alone
48:34in her house.
48:36She wasn't even at work
48:38and there were two glasses
48:39of wine full
48:40on top of a table.
48:44And something else happened.
48:45At first,
48:46I didn't want to believe it,
48:47but
48:50I smelled
48:51Carla's perfume.
48:55But maybe
48:56it was her mother.
48:57No, I know that family
48:58perfectly well, Matilde.
49:00Carla uses that perfume
49:01alone.
49:05Then
49:08Carla has to be alive.
49:56Hi, Lara.
50:02Hi, Clarita.
50:06We thought too soon
50:07that there would be no gossip.
50:10I don't care if they find out.
50:13Don't let me down.
50:15Íñigo, I'm the first one
50:16who wants to be cautious,
50:18but that doesn't mean
50:19that we should
50:20let it pass.
50:21No, no, no.
50:22I'm not saying that.
50:24In fact,
50:25I'm going to pay Mr. Fabio
50:26a visit.
50:27He's the best hero
50:28we can trust.
50:29And of course,
50:30if Carla is alive...
50:31He knows.
50:36Don't be sad, Pietro.
50:38You'll see how everything
50:39will be solved
50:40with the love
50:41you two have for each other.
50:42Please.
50:43No, not please.
50:44Did you hug her
50:45or not?
50:46Yes, I hugged her.
50:47For humanity.
50:48Just for humanity.
50:49Humanity is giving
50:50to the thirsty
50:51or to the hungry.
50:52Not giving to Rumaco
50:53for a nightmare.
50:54What a piece, El Sarbita.
50:55If it were up to me,
50:56he wouldn't come any closer.
50:57What a Mr. Itingo.
50:59Look, I'm going to tell you something.
51:00Don't judge the book
51:01by its cover.
51:02The proposal I made
51:03for you to accompany me
51:04on my tour of Germany
51:05is still standing.
51:06Keep in mind
51:07that you can be the first
51:08of many steps
51:09in your international career.
51:10What part of a path
51:11is there?
51:12Well, at the time
51:13of considering
51:14going back to the stages.
51:15If I come,
51:16it's because Mrs. Juánez
51:17and my teacher
51:18have advised me
51:19to go up to a stage
51:20as soon as possible.
51:21You have chosen Madrid
51:22as the right place
51:23for your new debut.
51:24What's wrong with you?
51:26You used to come
51:27for an order
51:28and you didn't give me
51:29a wink.
51:30I've been like this
51:31all morning.
51:32My goodness.
51:33Hey, Trini,
51:34you really don't suspect
51:35why you're like this?
51:36No,
51:37because of my mother.
51:38I don't know
51:39if I'll be able
51:40to attend the party.
51:41I've been offered
51:42a job
51:43and in case I accept it,
51:44I'd have to leave Madrid.
51:46Can you tell me
51:47what's wrong with me?
51:48No,
51:49you're not wrong at all.
51:50Really.
51:51I assure you.
51:52But my father
51:53doesn't like
51:54me dating
51:55the cleaning girl
51:56to study.
51:58I haven't given
51:59Laura any answer yet.
52:02But I'm more and more
52:03inclined to him.
52:05You want to leave
52:06to get away from me,
52:07don't you?
52:08My father is mad at me
52:09because I'm studying
52:10with Marta.
52:11But how is Don Salvador
52:12going to get mad
52:13because you're studying?
52:14The problem,
52:15according to him,
52:16is the company.
52:17As soon as I can,
52:18I'm going to go
52:19to Don Fermín's office
52:20and I'm going to explain
52:21to him
52:22what kind of person
52:23he's dating.
52:24Lucia, you're not going
52:25to get it.
52:26Please, enough.
52:27Well, I think
52:28I'm getting something.
52:29I already knew
52:30this fire
52:31hadn't gone out.
52:32They're not in the showroom,
52:33nor in the reservation,
52:34nor in the upstairs dining room.
52:35They're not in their...
52:40I was very surprised
52:41by Mrs. Bárbara's attitude.
52:44I noticed
52:45she was very interested.
52:48Mrs. Bárbara
52:49is a very strong woman.
52:50A hard-fought woman.
52:52Whatever you say.
52:54Notice that I didn't notice
52:55the slightest bit of pain
52:56in her eyes.
52:58And that's admirable
52:59considering
53:01her only daughter
53:02recently passed away.