Igra sudbine 1132 Epizoda - Igra sudbine 1132 Epizoda
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00:00I don't understand, what's so funny?
00:10I didn't expect this treatment from you.
00:13Do you enjoy this?
00:16Honestly, I liked it more earlier.
00:18You liked it more earlier?
00:20So you're having fun hurting yourself, is that it?
00:22Well, it also depends on who earned it.
00:25Ok, I earned it, but I'm interested in what I earned it with.
00:28Well, honestly, I expected a better treatment.
00:31Ok, Jovana, please, stop.
00:33You're not a child.
00:35It's clear to you when something is done,
00:37because this is done.
00:39It's done when I say it.
00:41That's why it's done.
00:43That's why it's done.
00:44Because it's done when you say it, that's why it's done.
00:46Do you really think it's possible?
00:48You get together and go when you want, when it suits you.
00:50I don't accept force.
00:52You can't get anything by force.
00:54You can't get anything by force.
00:56Yes, well, it's possible.
00:58What's possible?
01:00Well, you just chose a harder way,
01:02and you're going to pay for it.
01:04And what am I going to pay?
01:0830,000 euros.
01:10I'm going to pay 30...
01:14Wait a minute.
01:20You're the owner of the business space.
01:22Here you go.
01:26Oh, Luka.
01:30Dragička.
01:52Come in.
02:00How could you do this to me?
02:02I'm not going to talk to you.
02:04Don't let me teach you how to be smart,
02:06like when you were a kid, you know?
02:08I'm not a kid anymore, Mom, and you can't do anything to me.
02:10Just look at me.
02:12I love him.
02:14I love Trivanović, and what are we going to do?
02:16You can't stop me.
02:18All my life I wanted to make you a lady,
02:20and she was the first fool to give you a little attention.
02:22Well, I think I have a good example for that.
02:24Don't talk to me like that, you know?
02:26I'm going to run away from home.
02:28And what are you going to do?
02:30Well, I'm going to catch you, tie you up,
02:32in front of the apartment.
02:34It's a good job.
02:36Come on, get out, let me alone with the kid, come on.
02:38I can't think of anything.
02:40Really? Okay.
02:42Then we'll all stand and be quiet
02:44until you get tired and leave.
02:46And you two are the same.
02:50And I really don't care how you're going
02:52to solve this problem.
03:02Boss.
03:04Thank you for stopping.
03:06I'll remember this all my life.
03:08I'm just going now, and that's it.
03:10Did I tell you that I don't want to see
03:12that nonsense about you anymore?
03:14Did I tell you that?
03:16I agree, boss, whatever you say.
03:18Listen, I'm just going,
03:20and when I get back, let me know.
03:22Did I tell you that if I see you
03:24with Ljubinka again,
03:26or even close to her...
03:28Boss, I'll die.
03:30Listen to me carefully.
03:32Or even close to Kostmaj,
03:34even if I drag you down,
03:36I'll personally lock you up
03:38and throw the key into the Danube.
03:40Boss...
03:42Is that clear?
03:44Yes, it is.
03:46But can you get out of here?
03:48No, I can't.
03:50You mean these hands?
03:52Yes.
03:54Right?
04:00I have to go, boss.
04:02Get out.
04:04I can't wait.
04:06I'm going.
04:12And don't knock on my door.
04:17Not there!
04:19Right there!
04:21Okay, boss.
04:27How could you do that?
04:29And why did you do it?
04:31What did I do, dad?
04:33Come on, don't act crazy.
04:35I'm good and normal
04:37when you keep me locked up
04:39in this cell, to live alone,
04:41without a single friend in the world.
04:43Tell me, is that life?
04:45Easy, easy, please.
04:47You know how hard I tried.
04:49You and mom understand
04:51that I love Trivanović,
04:53that he's the only person in the world
04:55who cares about me.
04:57He's good and humble.
04:59I'm just saying you need some experience.
05:01You don't have any.
05:03Do you think I'm crazy?
05:05I never told you that.
05:07Let me just tell you
05:09that Trivanović often comes to my room
05:11and you don't know that.
05:15He's always following me.
05:17What are you talking about?
05:19He comes to my room
05:21and you don't know
05:23what he's thinking.
05:25Do you think I'm crazy?
05:27I'm not, I'll tell you.
05:29I'm not crazy, dad,
05:31because I'm not a child
05:33to fall in love with a man
05:35I don't even know his intentions.
05:37Now it's easier for me.
05:39I knew I could trust you.
05:41Come on, calm down.
05:43I'm proud of you.
05:45Come on, I love you.
05:47Come on, I'm sorry.
05:49I'm proud of you.
06:05Where's the other one?
06:07Here.
06:13What's up?
06:15She's talking to me.
06:17Did you have a problem again?
06:19No, I didn't.
06:21What is it?
06:23You know who came to my room?
06:25Who? Andrija?
06:27Yes, Andrija.
06:29I can't talk to you.
06:31Tell me what it is.
06:33It's her.
06:35What does she want?
06:37She wants you to evaluate me.
06:39What do you mean?
06:41What do you mean?
06:43Jovana.
06:45Send her to her own space.
06:47You know Andrija won't tell you who it is.
06:49I'll tell you.
06:51Send her to Jovana.
06:53What does she want in the end?
06:55She's evaluating me.
06:57She wants 30,000 euros.
06:59Why 30,000?
07:01Don't panic.
07:03She'll like you.
07:05What happened between you two?
07:07Why is she acting like that?
07:09What?
07:11I don't know.
07:17What are you looking at?
07:19Nothing.
07:23Ljubinka.
07:25I've thought of something.
07:27What?
07:29Are you going to punish me?
07:31No.
07:33We're going to Belgrade.
07:35Are you kidding?
07:37I'm not kidding.
07:39What are we going to do there?
07:41Look.
07:43I'll open that bakery for you.
07:45That place near Pončete.
07:47A great cafe. We have a business there.
07:49We'll make a lot of money.
07:51But I'm begging you.
07:53You can't touch this.
07:55Not even a bit.
07:57Do you promise?
07:59I promise.
08:01I wanted to ask you something.
08:03And Trivanović?
08:07What?
08:13Look.
08:17I'll let you see her.
08:19For the first time you're thinking
08:21like a mature woman.
08:37A few hours later.
08:41Is everything ok with you?
08:43That's not why I'm calling you.
08:45Just be brief.
08:47Yes, sorry for the inconvenience.
08:49How can I help you?
08:51We found out that Jovana
08:53is behind all this robbery.
08:55How?
08:57It doesn't matter now.
08:59What can I do?
09:01I don't know. I just know
09:03she won't pay the price.
09:05The best thing to do
09:07is to tell Andrija.
09:09That would be great.
09:11I'll see you tomorrow.
09:13Thank you very much.
09:21It's ok.
09:35When are you
09:37going to stop
09:39with your nonsense?
09:41Can you hear yourselves?
09:43Why are there two of you?
09:45I can see
09:47that there are two of you.
09:49Yes, but there is
09:51only one for the noise.
09:53That's right.
09:55You can talk to me.
09:57That's all.
09:59I'm just a collateral damage.
10:01That's right.
10:03Do you want me to leave you
10:05to talk to each other?
10:07Talk to each other.
10:09It's not a chess game.
10:11What is it, Seljanovic?
10:13I want to know
10:15why you called me here.
10:17It's not my fault.
10:19What do you mean?
10:21Half of my ideas
10:23come from you.
10:25What ideas?
10:27My idea was
10:29to make him fall in love
10:31with me.
10:33But he is a concert maestro.
10:35He can't fix the piano.
10:37He can play.
10:39Enough.
10:41Seljanovic, you are
10:43in charge
10:45to take care
10:47of your colleague.
10:49It's obvious that he is
10:51unaccountable.
10:53With all due respect
10:55to my colleague,
10:57I noticed it a long time ago.
10:59Mr. Vuk Brankovic is in his room.
11:01Are you still
11:03talking to each other?
11:05Come on.
11:07Go back to your office.
11:09Talk to each other.
11:11Why me, boss?
11:15Why you?
11:17Why me?
11:19It's obvious
11:21that I can't be alone.
11:23I'm sorry.
11:25Let's go.
11:27Let's go.
11:53Laura?
11:55Tell me.
11:57We need to talk.
12:01OK.
12:05What happened to my son
12:07is...
12:09It was a mistake.
12:13I know where this is going.
12:15Yes.
12:17I don't want it to happen again.
12:21Is this a game for you?
12:23This is not a game for me.
12:25This is a project of my life.
12:27I can't...
12:29Yes, but you have to play a little.
12:31I can't. I don't have the luxury to play.
12:33I can't.
12:39You are so predictable.
12:53You are so predictable.
13:03Are you mad?
13:07Why do you ask?
13:09I don't know.
13:11I feel like I hear you all the time.
13:15Is it because of Senka?
13:19Una?
13:21You are new in the company.
13:25You give yourself too much space.
13:29I was right.
13:31The acquisition should have been done long ago.
13:33It's not about that at all.
13:35Are you right or not?
13:37It is. It's a job.
13:39And why should I promote it
13:41if the job is not done?
13:43OK, if you put it that way.
13:45Yes, you are right.
13:47But...
13:49Senka is...
13:51an experienced financial director.
13:53It was a little inappropriate, you know.
13:57But I don't understand why.
13:59I just asked her nicely to do her job.
14:01Why are you defending her so much?
14:03You didn't ask her.
14:05Listen...
14:09If I behaved like that
14:11towards employees,
14:13long ago,
14:15they would have left.
14:19We can argue because of Senka
14:21if it's so easy for you.
14:25What do you want to say?
14:27You know what I want to say.
14:29We are constantly avoiding the real topic.
14:31I don't understand. Tell me.
14:35You are looking for reasons to argue
14:37so we wouldn't be in love.
14:39That's it.
14:46Hi.
15:06One martini, please.
15:08And for the lady, the same.
15:10Thank you.
15:13Is that her?
15:17Wait, were you with Andrija and me
15:19looking for a job?
15:21Yes.
15:23Good. What are you doing here?
15:25I work here.
15:27What a small world.
15:29I can't believe we are meeting here.
15:31Unbelievable. What do you do?
15:33There was no job in Belgrade
15:35so I came here to try.
15:37It's going well.
15:39There are places for everything here.
15:41Yes, there are.
15:43But the competition is much bigger.
15:45Do you work as an expert or something else?
15:47Now I'm working on the production
15:49of fashion collections.
15:51It's not a promising job in Belgrade.
15:53Milano is an ideal place for that.
15:57It's a pity it's not ideal for love.
15:59You know you are absolutely right.
16:01What? Do you have a lover?
16:03Yes.
16:05Let's cheer for our lover.
16:07Cheers.
16:09Cheers.
16:15So, what's your problem?
16:17I fell in love.
16:19And of course it's complicated.
16:21Yes.
16:23Why?
16:25I work with him.
16:27So I'm at the start on a thin ice.
16:29Some Italian?
16:31He didn't imagine.
16:33It's a domestic collection.
16:35Really?
16:49Pretty owl.
16:51You won't believe
16:53what I found out.
16:55No, don't tell me.
16:57I saw Mido's tattoo.
16:59I know when he was in the army.
17:01At least one good news today.
17:03One good news today.
17:05Come on.
17:25Here it is.
17:2712.
17:2912. 1986.
17:31It must be the year 1986.
17:33Come on, Mido is older
17:35than the old Greek.
17:37It's no wonder he used SF instead of a bank.
17:39That suits us.
17:41You are philosophizing again.
17:43No, no, no, please.
17:45Don't send me any negative energy.
17:47We have to send positive energy
17:49to space so we can
17:51wait for Mido again.
17:53You are right. Let's go.
17:55I hope that's it.
17:57What do you hope for?
17:59I hope he served in the army twice.
18:01Yes.
18:031, 2.
18:051, 2.
18:071.
18:099, 7.
18:11No, it's 7, 8.
18:13I'm not stupid.
18:15Come on, concentrate.
18:17Let's do it again.
18:19You are distracting me.
18:291, 2.
18:311, 2.
18:39Hey, Mido.
18:41Listen, friend.
18:43You can let Trivanović
18:45come to my girlfriend's place.
18:47It's a good idea.
18:59Hey.
19:01Yes?
19:03Are you okay?
19:05Yes, I'm coming.
19:13Wait a minute.
19:15I'll be right back.
19:17Are you okay?
19:19Come on, sit down.
19:21Sit down.
19:30Should we call a doctor?
19:32What do you think?
19:34Maybe it's a virus.
19:36No.
19:38Wait a minute.
19:40Did you eat something bad?
19:42I didn't eat anything, Alex.
19:44It's not a virus.
19:46Then what is it?
19:48I'm tired.
20:00And...
20:02Click.
20:04Bravo!
20:06We did it!
20:19So?
20:21Who is that guy you fell in love with?
20:23He's a great guy.
20:25But he won't do it.
20:27He can.
20:29What's his name?
20:31Luka.
20:42Wait a minute.
20:44Are you sure?
20:46Did you hear me?
20:48Trivanović is a good guy.
20:50Yes, you heard me.
20:52I was wrong about him.
20:54But you wanted to kill him yesterday.
20:56I'm going to lose him again.
20:58But not for now.
21:00Why all of a sudden?
21:02Young people fall in love.
21:06It's a shame you didn't call me earlier.
21:08Why?
21:10What happened?
21:12I sent them to the farmhouse.
21:14He and his guy.
21:16They are fighting a lot.
21:18No, no, no.
21:20Please, let him go.
21:22I locked him up because of you.
21:24I'll let him go because of you.
21:26Thank you, Nebojša.
21:28You can't go against love.
21:30Love?
21:32You are very romantic.
21:34I'm not.
21:36I'm just sensitive to my love.
21:38I have her.
21:40So you're going to give her to Trivanović?
21:42He has to.
21:44He has to prove himself.
21:46Let him go, please.
21:48Okay, Nebojša.
21:50It's a deal.
21:52Good luck.
21:54Thank you, Nebojša.
21:56You owe me.
22:00You'll need it.
22:16Do you want to say something?
22:18How are you?
22:20How are you?
22:22How am I?
22:24It's not clear.
22:26I'll show you.
22:28You can't close it.
22:30How am I?
22:32I'm like this.
22:34You'll see.
22:36Let's do another test.
22:38I've done three tests.
22:40I'm fine.
22:44What are we going to do now?
22:46What are we going to do now?
22:48Doesn't this suit you?
22:50No, I didn't say that.
22:52Lenka, I didn't say that.
22:54I'm in shock.
22:56Please, calm down.
22:58Stop talking to me.
23:00Stop talking to me.
23:02Okay, but we have to...
23:04We have to think about everything
23:06and see what we're going to do.
23:16How is it possible
23:18that the safe is empty?
23:20I knew it.
23:22He's a curse.
23:24He's a curse.
23:26He's our Mido.
23:28Our Mido?
23:30Your Mido is a pervert.
23:32He's a truck driver.
23:34On the highway,
23:36he said that the safe
23:38only serves to blind people.
23:40He's smart.
23:42We're stupid.
23:44There's no money.
23:46Do you understand?
23:50What if he...
23:52If he sees that there's no safe,
23:54he'll start suspecting us.
23:56We have to get him back to his room.
23:58You'll do that.
24:00I'll do that.
24:02Mrvica will do that.
24:04Mrvica will do all the dirty work.
24:06I'll do that.
24:08That's your responsibility.
24:10You gave me the wrong information.
24:12I'll do that.
24:14Mrvica will do that.
24:16You'll do that.
24:26We're beautiful.
24:42So, you're in love
24:44with a fool.
24:46Yes, I know someone.
24:48Many people from Serbia call themselves that.
24:50What's his name?
24:52Krački.
24:56Really?
24:58When did that happen?
25:00A few days ago.
25:02And?
25:04And everything turned upside down.
25:08Yes, that's how it is with him.
25:10Everything turns upside down.
25:14Wait, I don't understand.
25:16Do you know him?
25:18Yes.
25:20Really?
25:22Tell me something about him.
25:24The only thing I can tell you
25:26is that you should be careful.
25:28Why?
25:30Because he's the worst type of man.
25:34It doesn't seem like that to me.
25:36At first, it doesn't seem like that at all.
25:38He seems very sensitive and naive.
25:40But deep down,
25:42he's a deviant.
25:46I like that kind of man the most.
26:04Thank you.
26:09Trivanović,
26:11you're free.
26:16What are you thinking about?
26:20Well, boss, I'm not thinking about anything.
26:22I'm just...
26:24I don't know if it's a trap.
26:26A trap? What's not clear to you?
26:28You're free.
26:30Like a bird on a branch.
26:32Go take care of your girlfriend.
26:34Is this a trap?
26:36No, it's not a trap.
26:38What's not clear to you?
26:40Well, she's...
26:42She's like a pet
26:44because of this kiss.
26:46That's it.
26:48Like a bird's love.
26:50Look.
26:52Midos felt sorry for me
26:54for some unknown reason.
26:56He made a deal with you
26:58and told me to let you go
27:00and that you and his daughter, Ljubinka,
27:02love each other.
27:04That's it.
27:06Midos?
27:08Yes, Midos.
27:10He felt sorry for me
27:12and made a deal.
27:14But that's not strange to me.
27:16Love has a price.
27:18You have to be careful.
27:20Love is a big obligation.
27:24Well, I don't know about that, boss.
27:26You'll see, you'll see.
27:28Take it easy.
27:30It's a big obligation.
27:32You have to feel it.
27:34It's a sacrifice.
27:36Love is not just a thing.
27:38Well, I understand that.
27:40I have to give it a little.
27:42What's not clear to you?
27:44Come on.
27:46They expect you to dedicate yourself to Ljubinka.
27:48Really?
27:50Do everything you need to do.
27:52Now you're
27:54killing Trivanović.
27:56But listen.
27:58Midos is my friend.
28:00I expect respect from him
28:02and from his daughter Ljubinka.
28:04Is that clear?
28:06Let's go now, tomorrow.
28:08To Kosmaj.
28:12What about me, boss?
28:14What about you?
28:16No, you're not going to Kosmaj.
28:18You're going to Kosmaj, Ljubinka.
28:20You love each other.
28:22You're free.
28:24You can go to the cinema.
28:26Like a bird.
28:28Let's go.
28:30Thank you, boss.
28:32All the best.
28:34You'll need luck.
28:36Let's go.
28:38You're free.
28:40Fly, falcons.
28:42Let's go.
28:48Here's my fly.
28:50Go to the other one.
28:56What are we going to do?
28:58Hard work is not a small thing.
29:00What do you mean?
29:02What are you talking about?
29:04We can't just...
29:06Do you want me to have an abortion?
29:08No, I didn't.
29:10You wanted to say that.
29:12No, I didn't.
29:14I just wanted to say
29:16that we need to see a doctor.
29:18I can't believe you're avoiding responsibility.
29:20This is unbelievable.
29:22It's not true.
29:24I'm stressed.
29:36Why didn't you leave him?
29:38If he sees him, we're in trouble.
29:40I forgot that
29:42Mido's doors are locked.
29:44Of course they're locked
29:46when she has a boss.
29:48I know, but I couldn't get in.
29:50Don't be a genius.
29:52What do you mean?
29:54You have Ljubinka's keys.
29:56I know.
29:58I was so happy
30:00that I got Ljubinka's keys back.
30:14I don't know why you acted
30:16like a crow.
30:18I'm a crow now.
30:20You're a crow, not a crow.
30:22Don't argue.
30:24Listen to me.
30:26Why did you stop reciting poetry
30:28when you started
30:30talking about me
30:32when Gala came in?
30:34What is it?
30:36What is it?
30:38It's not good for anyone.
30:50Hello.
30:52Hello.
30:54I see you're in a good mood
30:56this morning.
30:58I'm in a good mood.
31:00I made you some tea.
31:02I'll have some of your coffee.
31:04I'm excited and nervous.
31:06Tell me you're nervous.
31:10I started building today.
31:20Tell me.
31:22What?
31:24Tell you what.
31:26Aren't you glad
31:28you don't need anything from me?
31:30Me?
31:32I'm always polite.
31:34You know me.
31:36Tell me what you need.
31:38I thought you'd give me
31:40the keys to Mido's room.
31:42Again?
31:50There is no more village.
31:52There is no more
31:54my love.
31:56There is no more.
31:58Stop philosophizing
32:00and drive.
32:02What if
32:04I drive
32:06into the abyss of love?
32:08I told you
32:10not to philosophize.
32:20One Year Ago
32:32Where are you?
32:34Tell me there's no problem.
32:36I'm not sure
32:38I'd call them that.
32:40Why not?
32:42It sounds difficult.
32:50I don't know if I should give it to him or not.
33:00No.
33:01Don't give it to him, not even alive in your head, but like this, listen to me, slowly,
33:06everything.
33:07Go to my room nicely, unlock the door and leave it a little open.
33:20Eh, well, girls, it's time to hear who wrote what.
33:34That's what we have, now there's no going back.
33:37Let's say you, Bobo, first.
33:50Eh.
33:51Eh.
33:52Eh.
33:53Eh.