Igra sudbine 1131 Epizoda - Igra sudbine 1131 Epizoda
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Transcript
00:00Oh, Ljubinka. Oh, Ljuboj. I've got something in my stomach again.
00:17I'm not feeling well. I'm not feeling well at all.
00:26You don't want to pump it up?
00:28No, thanks. I have to go. You know…
00:33You have to stay a while.
00:36I think…
00:38Oh, oh, oh. This is urgent. Ljubinka is calling for Ljubov's duty. I'm sorry. I have to go.
00:47OK, go then.
00:49Good night.
00:51Come on, go. I told you to go.
00:53OK, what's the matter? Why are you angry?
00:55I let you go.
00:57You let me go?
00:58Yes.
00:59So what, now I have to go through the door?
01:04If you want to go, go through the door.
01:08But...
01:11How is...
01:13What do you mean, where are my mom and dad?
01:15The situation, yes.
01:16They're at home.
01:18Some chief of police came to see them.
01:21Who came?
01:22What chief of police, Ljubinka?
01:24I don't know.
01:25What chief of police?
01:26Where did the chief of police come from?
01:27What's his name?
01:28What's his name?
01:29Some Nebojsa...
01:30Tell me what his name is!
01:32Lina or something...
01:33Tambura!
01:34Yes.
01:36You're kidding me.
01:38Nebojsa Tambura came!
01:40I can't believe it, he's coming right now!
01:43Ljubinka!
01:44I have to go!
01:46No, I have to...
01:47Come on, slowly.
01:48I have to run!
01:50Wait, wait, wait.
01:51Get dressed.
01:55Ljubinka!
01:56Please.
01:57I can't go out through the window!
01:58Someone's downstairs!
01:59Let me try.
02:00Then I'll see what's going on.
02:02Come on!
02:08It's not safe.
02:09What?
02:10It's not.
02:11What should I do?
02:12You should stay here with me,
02:14because my room is the safest.
02:17Ljubinka, wait, wait.
02:19Wait, wait, wait.
02:20It's not good for me again.
02:25Good wine, huh?
02:27My house is great.
02:29Great, but people...
02:31I'm sorry.
02:32What is it?
02:33I have to go.
02:34No.
02:35No, no, no.
02:36Please.
02:37As our people say,
02:38everything that is beautiful
02:40has its end.
02:41No, no, no, no.
02:42Please!
02:43Where are you taking me?
02:45Don't do this to me.
02:47For God's sake,
02:48you're going to disappoint me.
02:50Don't.
02:51Don't.
02:52If you're going to Belgrade now,
02:54it's late,
02:55and you're surrounded by people.
02:58It wouldn't be the first time.
03:00Stop it, for God's sake.
03:01Don't do this to me.
03:02Please, don't do this to me.
03:04I won't let you go and drive.
03:06You're drunk, for God's sake.
03:07Come on, don't.
03:08I'm not drunk.
03:09Everything is under control.
03:11I'll be careful.
03:12I'll do it slowly,
03:13step by step, all the time.
03:15Wait a minute, please.
03:16Think about it.
03:17Why don't you sleep here with me,
03:19like a man?
03:21What do you think?
03:22I don't know.
03:23I'm not sure how to put it.
03:25I don't know if you're sure or not.
03:28You know, their beds are so comfortable.
03:31You sleep nicely,
03:32like on a cloud of smoke.
03:34Of course I do.
03:36Please, please.
03:37Look, I've already
03:38arranged for you to have an apartment.
03:40Do you understand?
03:41If you need anything,
03:42I'll write it on the door.
03:43Go to sleep, my
03:46greatest friend,
03:48the best drummer,
03:50the boss of all policemen.
03:52What do you think?
03:54I'll do it.
03:56Well, now you go,
03:57if you're stupid.
04:02Now you've convinced me.
04:04Did you hear?
04:05Done.
04:06Oh, my God.
04:07I'm staying.
04:08When you stay,
04:09I'll show you
04:11what heaven is like here.
04:13Come on.
04:14Wait, wait.
04:15But first, let's have another drink.
04:17We can do it now,
04:18when you stay.
04:19Come on.
04:20I'm drinking.
04:21God bless me.
04:22Come on.
04:23Cheers.
04:24Cheers.
04:25God bless you.
04:26Come on.
04:48Sleep.
04:52Sleep.
05:06So,
05:07how are we today?
05:09Well,
05:10if you want to be honest,
05:13not the best.
05:15Is the situation at work
05:17bothering you again?
05:18No.
05:19I mean,
05:20at work,
05:21the situation is bad,
05:23but somehow that situation
05:24is completely clear to me.
05:26At least for now.
05:27Okay.
05:28And what is not clear to me then?
05:33Andrija.
05:37I feel that we are on the subject
05:39of your intimate relations.
05:41Unfortunately, yes.
05:43Cilic confused me a little.
05:47He rejected me.
05:51And did you give him the right information
05:53that you want to be in love with him?
05:55Well, I don't know if it can be
05:57more accurate and clearer.
05:59I literally told him that
06:01I want to be in love with you.
06:03I love you.
06:04Mhm.
06:05And how do you feel
06:07about the rejection?
06:08Well, how?
06:09As if he hit me with a hammer.
06:11I think it would be easier
06:12if he hit me with a hammer
06:13than like this.
06:14Okay.
06:15Don't overdo it.
06:16I know,
06:17but I don't understand
06:18what this is about.
06:19I crossed my limits.
06:21I offered him
06:23what I know he wants,
06:25and he behaves like that
06:27and that's how he returns it to me.
06:29Okay, well,
06:30you rejected him for a while,
06:32and he was hurt.
06:34Okay, but he's a man.
06:36That's different.
06:38I wouldn't say that.
06:40Men may express their emotions
06:42in a different way,
06:44but I'm sure
06:45we all feel them equally.
06:49Okay.
06:51That's true.
06:54Wait.
06:55You think he decided
06:56to make me a saint?
06:57Well,
06:58I wouldn't call it a saint,
07:00but maybe he feels
07:02he's being manipulated.
07:03But I didn't manipulate him.
07:05Okay, I didn't say
07:06you were manipulating him,
07:08but I'm considering the possibility
07:10that Andrija feels
07:12that you may have
07:13a new power.
07:15Why would I have
07:16a new power?
07:18Think about it.
07:20What have you changed
07:22lately?
07:24What do you mean?
07:25I got back to work.
07:28I'm trying to leave
07:29my past life behind.
07:32There.
07:33We can dwell on the fact
07:35that you started working again.
07:39Wait.
07:40You think he rejected me
07:41because I got back to work?
07:43Yes.
07:45All of a sudden,
07:46you're involved
07:47in Andrija's life
07:48more than usual.
07:49You spend time at work,
07:51but you also spend time
07:53at home.
07:55And that's not easy,
07:57especially in your situation.
07:59Maybe he needs time
08:00to adjust
08:01to new circumstances.
08:05So he wants
08:06to regain his power.
08:09Maybe not exactly power,
08:11but I'm sure
08:13he wants to regain control,
08:15wherever he is.
08:17Anyway,
08:18you've made
08:19a big step for yourself,
08:21and now
08:23you need to be patient.
08:36I'm sorry.
08:59Ljubinka.
09:01Ljubinka.
09:02What time is it?
09:04I don't know.
09:05It's been a long time.
09:11Ljubinka.
09:12Ljubinka.
09:13Please.
09:14Half past ten.
09:15Half past ten.
09:16What am I going to do?
09:17Calm down.
09:18What am I going to do?
09:19Calm down.
09:20Calm down.
09:21Everything will be fine.
09:22How can everything be fine
09:23when your dad is waiting for me
09:24behind the door?
09:25He wants to kill me.
09:26And then he'll kill me
09:27and go to Tambora
09:28to get him.
09:29No, dad.
09:30It's not like that.
09:31What's not like that?
09:32It's not like that.
09:33Yes.
09:34Breathe slowly.
09:35Breathe.
09:36Breathe.
09:37Inhale.
09:38Exhale.
09:39Inhale.
09:40Let me see
09:41what the situation is.
09:42I can't breathe.
09:43I can't breathe.
09:50Ljubinka.
09:51Ljubinka.
09:52There's no one here.
09:53Give me strength.
09:54Yes.
09:55Give me strength.
10:01It's not good.
10:02It's not good.
10:03What's not good?
10:04I can't.
10:05I can't.
10:06Move.
10:07You took me in.
10:08Forgive me.
10:09I can't breathe.
10:10I took you in.
10:11Forgive me.
10:12Yes.
10:13Yes.
10:14I took you in.
10:15Forgive me.
10:16Otherwise,
10:17you'll be fired.
10:18No.
10:19No.
10:20Move.
10:21Please.
10:22Give me.
10:23Give me a pump.
10:24Give me something.
10:25I don't have anything.
10:26Come on.
10:27Wait slowly.
10:28Come on.
10:29Breathe.
10:30Breathe.
10:31Breathe slowly.
10:32Breathe slowly.
10:33Breathe slowly.
10:34Breathe slowly.
10:35Breathe slowly.
10:36Breathe slowly.
10:37Breathe slowly.
10:38Breathe slowly.
10:39Breathe slowly.
10:40Now, we're going to plan our future.
10:43Oh, my God.
10:44I can't.
10:45Like that.
10:46Wait, wait, wait.
10:47I can't.
10:48I have a stomach ache.
10:49Get back.
10:50I don't feel well, I have a stomach ache.
11:03Yes, I'm resuming.
11:05Andrija was obviously hurt by the male seduction.
11:08Why now? He was patient until now.
11:12You rejected him for a long time, Una.
11:15I know, but I didn't do it on purpose.
11:18I just wasn't ready, there was no time and I didn't feel like I wanted it.
11:23And I needed to put everything in my head.
11:27And that's fine, but you'll agree with me.
11:30It's not very natural for a man and a woman to have no relationship.
11:35What do you mean by natural? And what are the rules?
11:38Well, that's how the human psyche works.
11:41You know, certain things make a marriage.
11:44Anyway, if they're not there, you feel a great emptiness.
11:52Well, he could have told me about that emptiness.
11:57Well, maybe he was afraid he wouldn't get you.
12:01Well, now it looks like I've emotionally valued him.
12:05Well, you didn't do anything wrong.
12:07You behaved the way you feel and how you feel comfortable.
12:12And that obviously has consequences now.
12:17Well, be prepared that he will reject you for a while.
12:23I'm afraid this will be a difficult period.
12:27You will endure. He was patient.
12:32And now it's your turn.
12:35Yes.
12:41TURKISH COFFEE
12:50Tourists, here we are.
12:57Here's your coffee.
12:58Thank you.
12:59Good morning.
13:02I had a great time last night.
13:04I had a bad time too.
13:06We'll do it again soon.
13:09I don't know. I'll have to think about it.
13:12I'll have to think about it and consult.
13:14I have a whole committee when this happens.
13:16I consult with them.
13:17Okay, okay.
13:18And they tell me what to do.
13:20And I have to do it with them.
13:22I thought I'd go first.
13:24That you'd stay.
13:26So they wouldn't catch us together.
13:28That's right.
13:29That's what I thought too.
13:31But I wanted to see what the situation was in New Rochelle.
13:34So you'll go first and I'll stay.
13:36Yes, that's better.
13:37That's better.
13:38See you downstairs.
13:39And the coffee?
13:40Nothing.
13:41No coffee?
13:42Okay.
13:43See you in the studio.
13:48Who are you?
13:50Thank you.
14:03Today should be a peaceful day.
14:05Why?
14:06Jovana went on a short trip,
14:08although I don't know where and for what reason.
14:11Well, who's going to deal with her plans and actions?
14:16Come on.
14:17I think she went to correct herself a little.
14:22To correct herself?
14:24Yes, that female Botox filler and all that.
14:27Oh, that.
14:29We can see that.
14:30Thank you.
14:36Listen, Senka.
14:38I think you're the most well-groomed of all women in this company.
14:43Thank you for noticing that.
14:46Here's something I'd like to ask you.
14:48Of course, just say it.
14:50Can you pay a little attention to the female colleagues,
14:53for whom I think they are not really completely their own,
14:57they are not well-groomed?
15:00Well, I'm glad you noticed that.
15:03Why do you appreciate me?
15:05I've always appreciated you.
15:07Maybe sometimes too much.
15:11Maybe, maybe.
15:14Maybe that's why there was nothing between us.
15:20Wasn't there a chance?
15:22Well, there was a chance.
15:24Not necessarily, but...
15:27What do you think?
15:29Why didn't we use it?
15:33I think...
15:35that's exactly because of, as you say,
15:38my elegance.
15:41Yes.
15:43I think that's it.
15:46You see how it has
15:48its good and bad sides.
15:55So, how is it in Milan?
15:58Well, great, great.
16:00How's work?
16:02It's boring.
16:04I mean, Senka left.
16:06She's probably at Andrija's.
16:08Yes, she's probably talking to me.
16:10I'm really shocked.
16:12Tell me, Una?
16:14Una hasn't come yet.
16:16Nice. She doesn't have to come.
16:18Boba?
16:20Boba is like a doll.
16:22Everything is OK.
16:24Yes, she looks like a doll,
16:26only when she's angry.
16:28It seems so.
16:32Come in.
16:48You can go now.
16:50It's dangerous.
16:52Wait.
16:54I'm going to see what's going on.
17:02Sorry.
17:25Sorry.
17:27Come in.
17:32Come in.
17:37I had to find out
17:39who you were in the hotel all morning.
17:47Since we're at my place,
17:49you should see this nonsense.
17:52What?
17:53They sent this to me today.
17:55What is this?
17:56What kind of nonsense is this?
17:58What am I telling you?
18:00It's a letter.
18:02Hi, Una.
18:05Hi.
18:09I don't believe it.
18:10I know you're sick.
18:25I especially appreciate
18:27that you tolerate me
18:29the way I am.
18:33I know this is strange
18:35for you and me,
18:37but I love you
18:39and myself the most.
18:41If you don't love me,
18:43I'm ready to love both of us.
18:49Why don't you say that, dear?
18:53Yes.
18:58Trivarovic, what are you doing here?
19:00What did I tell you?
19:02You found a place to fool around,
19:04in my apartment.
19:06Leave him alone.
19:08Miran.
19:09Honey, move.
19:10This is between me and my boss.
19:12Now.
19:13Honey,
19:14we're going to hear what he has to say.
19:17You hear?
19:18We're going to talk in private.
19:20Just so you know.
19:21He's not going to move.
19:22He's never going to move.
19:24It's not your fault.
19:27Mido!
19:28Miran.
19:29Miran.
19:30Miran, Mido.
19:31You're going to tell me
19:32it's not your fault.
19:33It's not your fault.
19:34You're a jerk!
19:35Trivarovic,
19:36tell Honey to move.
19:38I won't.
19:39Honey.
19:40Now.
19:41Honey.
19:42Honey, move.
19:43Trivarovic.
19:44Move.
19:49That's it.
19:50That's it.
19:51That's how the body exists.
19:53Congratulations.
19:54You've improved a lot.
19:55Why didn't you do anything wrong?
19:57What is this?
19:59What's going on here?
20:01Honey.
20:02It's not your fault.
20:03It's not your fault.
20:04You're doing this on purpose
20:05just to torture me.
20:06It's not your fault.
20:07You ruined everything.
20:08Everything.
20:09Honey.
20:10Stop it, Mom.
20:25So?
20:26Can I come in?
20:27Ivana, she's leaving.
20:28It's not the right time.
20:40I thought
20:42your room was a little nicer
20:44than mine.
20:47When it's just as awful.
20:51What room?
20:53Wait, you're in this hotel, too?
20:55Yes, why?
20:57Because I'm interested in what this room reminds me of.
21:00Sit down.
21:01I can't, I don't have time.
21:03You used to have time.
21:05And I think you had a good time alone.
21:08Yes, we had a good time together.
21:11But
21:12as you know,
21:14it's in the past.
21:16For whom?
21:17For me, yes.
21:18I have a girlfriend in Belgrade
21:19and I want to be with her.
21:21Why didn't you bring her to the room?
21:23I didn't bring her to the room because
21:25it doesn't concern you at all.
21:27That's why I didn't bring her.
21:29Yes, that's what I thought.
21:31You didn't bring her because you don't need her.
21:35You know everything.
21:38I'm telling you.
21:51I'm telling you.
22:00Come on, sit with us.
22:02Thank you, I can't.
22:04I have a lot of work.
22:05Come on, join us.
22:07The work can wait.
22:09I guess for you.
22:11I'd like to be responsible.
22:13Come on, we all know you're responsible.
22:17Yes.
22:18Otherwise, I wouldn't bother you.
22:20I needed a shadow for a few minutes.
22:22Mind your own business.
22:23When you're free, just tell me.
22:25Go ahead, tell me.
22:28I need to finish two campaigns.
22:29I don't know under what name to close the acquisition.
22:32That's not for closing yet.
22:34Okay, how far have you come with that?
22:36I need to go through some more loans and inquiries.
22:38There's not much work left.
22:41Well, yes.
22:42Just because there's not much work,
22:43it should be over by now.
22:46It will be over.
22:49According to the plan I gave you,
22:50the acquisition should be closed by now.
22:53The acquisition is not closed
22:54because there's a lot of documentation waiting.
22:57You should have pushed it a bit.
23:00Where could I have pushed it?
23:02You could have.
23:03You don't deal with companies.
23:13I really don't know what this is about.
23:17Really, Senka?
23:18Why didn't you finish it?
23:26Come on.
23:28Come on, relax.
23:38Keep going.
23:39Keep going, please.
23:40You know how nice it is to listen
23:41when you talk nicely about me.
23:43You shouldn't have heard this.
23:45Why?
23:46Because this wasn't meant for you.
23:49Wait, wait, wait.
23:51You said nicely,
23:52I love you, Kayo.
23:55Yes, it was meant for Kayo.
23:57And you're not Kayo.
23:58I beg your pardon?
23:59No, you are.
24:00You are Kayo.
24:01And yes, I agree that you're Kayo
24:03who shouldn't have heard this.
24:06Come on, Milos, calm down.
24:07What's wrong with you?
24:08I can't.
24:09What's wrong with you?
24:10Come on, please.
24:11Keep talking.
24:12You talked so nicely.
24:13You got scared of your feelings.
24:15Come on, tell me what you think.
24:17You really think it's nice?
24:20It's wonderful.
24:21I didn't know you could express yourself so nicely.
24:23I can continue if you want.
24:25Please.
24:26I've wanted to tell you this for a long time.
24:30What?
24:31What you're about to hear.
24:36My dear Kayo,
24:37I'm extremely happy
24:39that I have a second half in my life.
24:44Wonderful!
24:48I'm sorry.
24:49I'm sorry, I'm begging you.
24:50I'm sorry.
24:51I shouldn't have interrupted you.
24:52I know.
24:53Only if you don't interrupt me, please.
24:55I can, I can.
24:56That's what I mean.
24:57That's right.
24:58You said you found a second half.
25:01I found a second half.
25:04Not a second wife, Kayo,
25:06but a second half.
25:07I'm extremely happy
25:09that I have a second half in my life.
25:16Where are you, people?
25:18Are you doing that?
25:22Come on, I won't bother you.
25:25Goodbye.
25:29What a fool.
25:30I'm sorry, I'm begging you.
25:31I'm sorry, dear.
25:32I'm sorry.
25:34There.
25:35Good.
25:36Come on, keep going.
25:37Keep going, please.
25:38Come on, the second half.
25:39Let's keep going.
25:41Please.
25:42When the energy drops,
25:44it's hard to get up.
25:46There's nothing like that.
25:48You're such an idiot.
25:49What can I do?
25:50You're so rude.
25:51I'm speechless.
25:52Where do I go now?
25:55But you were really nice.
25:58It was in the past.
26:04I don't know what to say to you, Veto.
26:07I'm sorry.
26:09Forget it.
26:10Look, why are you looking at me?
26:13What happened to me?
26:14This is just a piece of cake to me.
26:16Look, I told him not to come,
26:19but it's obvious
26:20that a man has to take care of everything.
26:23You're right.
26:24You have no other choice.
26:26Thank you for everything,
26:28for the hospitality,
26:29and we'll talk later.
26:30Come on.
26:31Come on.
26:32It's nothing.
26:33Thank you.
26:34But I'll show you...
26:35Hey, hey, hey, Mido.
26:37I'll show you...
26:38I'll show you again in Kosmaj.
26:41I'll make you a bajadera.
26:43A bobolica bajadera.
26:44Do you get it?
26:45What are you staring at?
26:46Okay, Mido.
26:47Come on.
26:48We'll talk later.
26:49Make your own bajadera.
26:50I'll do everything.
26:51Come on.
26:52Sorry.
27:02The end
27:10Do you enjoy it?
27:13Seriously, I liked it more earlier.
27:16More earlier?
27:17It's fun to hurt people, right?
27:19It also depends on who deserves it.
27:22I deserve it.
27:23I don't care what I deserve it for.
27:26Well, honestly,
27:27I expected a closer introduction.
27:29Jovana, please, stop.
27:31You're not a child. You know when something is done, because this is done.
27:48How could you do this to me?
27:50I won't talk to you.
27:51Don't let me teach you how to be smart like when you were a child, you know?
27:54I'm not a child anymore, mom, you know, and you can't do anything to me.
27:57Just look at me.
27:58I love him. I love Trivanović, and what are we going to do?
28:02You can't stop me.
28:04I want to make you a lady all my life,
28:06and you're stuck with the first fool who gave you a little attention.
28:09Well, I think I have a really good example for that.
28:12Don't talk to me like that, you know?
28:14Don't talk to me like that, you know?
28:28I agree, boss, with everything you say,
28:30but if you could just let me go,
28:32I'm just going, and when I come back, tell me everything.
28:36Did I tell you that if I see you with Ljubinka again,
28:41or close to her,
28:43or close to Kosmaj,
28:46I'm going to drag you into a female,
28:48personally lock you up,
28:50and throw the key into the Danube.
28:52Boss...
28:53Is that clear?
29:04I'm good and normal when you lock me up here in Selendri,
29:08to live alone, without a single friend in the world.
29:12Come on, tell me, is that life?
29:14Easy, easy, I'm begging you.
29:15You know very well how much I've tried.
29:17You and your mother understand that I love Trivanović,
29:21that he's the only person in the world who cares about me.
29:24I know.
29:25He's both direct and good.
29:26Daughter, I'm just saying that you need a little experience.
29:29You don't have any experience.
29:30Why do you think I'm a fool?
29:43Where are you guys?
29:45Here.
29:52What's up?
29:53I need to talk to you.
29:54Did you have a problem again?
29:56No, I didn't.
29:57You didn't, did you?
29:58No, I didn't.
29:59Okay, what is it?
30:00I need to talk to you.
30:01Do you know who came to pick me up?
30:03Who?
30:04Andrija came.
30:05Andrija came?
30:06No, that's not it.
30:07Okay, come on, come on.
30:08Can I play a game with you? Tell me what it is.
30:10Huh?
30:11Okay.
30:12Let's go.
30:26Okay, when are you going to stop with your nonsense?
30:33Do you hear me, you two?
30:35Why you two, boss?
30:37Well, how many times do I see you two?
30:40Yes, boss, but there's only one for Brlja.
30:44Bravo, bravo.
30:45That's right.
30:46You've done a good job.
30:47You're free to go.
31:00We can fight because of Senka.
31:03If it's that easy for you.
31:06What do you want to say?
31:08You know what I want to say.
31:10We're constantly avoiding the right topic.
31:12It's not clear to me what we're doing.
31:17You're looking for reasons to fight.
31:19You're looking for reasons to fight.
31:38Bravo, we did it.
31:49We should call a doctor, right?
31:51What do you think?
31:53Maybe it's a virus or something.
31:55I don't know.
31:56Wait, wait, wait.
31:57Maybe you ate something bad.
31:59We have to check.
32:00I didn't, Aleks, I didn't eat anything.
32:02It's not a virus, man.
32:04We have to see what it is.
32:19You