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00:00I was reading your farewell letter.
00:05What happened?
00:08I've been wandering, Laurita.
00:12But, were you going to run away?
00:16No, I'm not going anywhere.
00:19I'm not going anywhere.
00:22I'm not going anywhere.
00:25I'm not going anywhere.
00:27But, were you going to run away with César?
00:31Have you decided to back out?
00:33Inés, it's the best decision you could have made.
00:36In the end, you have your place here,
00:39your people who love you, like me,
00:41and I'm never going to leave you.
00:43No, Laurita, I actually...
00:46I actually wanted to go with him.
00:49At the end of the world, if it were possible.
00:52What happened? Is César okay?
00:55I had agreed with César to go together.
00:59He was...
01:01He was a few meters away from me
01:04when I realized that Lieutenant Lorenzo
01:06and other police officers were following me.
01:10And I had to make a decision.
01:14I backed out so that...
01:18so that he could escape.
01:22I wish...
01:24I wish I was very far from here.
01:27It's just that...
01:30I'll never...
01:32I'll never forget that look.
01:35Laurita, I can only think about César right now.
01:39I can only think about César and...
01:42and I'll never see him again.
01:52No.
02:17Good morning, Teresa.
02:19I was waiting for you to come to talk to you.
02:22I'd like to clarify what I saw yesterday
02:26so that you don't get confused
02:28or have the temptation to tell things that aren't true.
02:31Well, I'm sorry, ma'am, but I don't know what you mean.
02:35I have too much to say.
02:38Look, since I've been working in this house,
02:41first under your service, and especially later,
02:44when I've become your boss,
02:46I've noticed in you attitudes that I don't like at all.
02:50What attitudes? What do you mean by that?
02:53I mean that I must be especially careful with you.
02:57And it's human that you don't appreciate me
03:00if we take into account that I've surpassed you on the scale.
03:05Look, ma'am, for me, that you surpass me on the scale doesn't take away my sleep.
03:10The only thing that worries me is doing my job well.
03:14That's the only thing I'm worried about.
03:17Nothing else.
03:19You see? That's what I mean.
03:22That you misquoted the lack of projection at work
03:26during all these years is your business.
03:29But what I'm not going to allow
03:31is that you gossip about things that don't concern you.
03:34Are you threatening me?
03:36No. It's an announcement.
03:39Ah, I think I understand what's going on here.
03:43You're nervous because I'm talking about the kiss you gave Don Fermin on the cheek.
03:49Is that it?
03:51It's not the kiss itself, Teresa.
03:53I see.
03:54It's the face you put on.
03:57I didn't like it at all.
03:59It was as if you were judging us.
04:01And I don't like that.
04:06I repeat, this is not your business.
04:08But even so, I would like to make sure that you have your mouth shut
04:12and that you are not gossiping about me.
04:15No, no. You can be calm.
04:17I don't care that much.
04:19Think that the first victim would be Don Fermin.
04:23A man so serious and so discreet.
04:26He doesn't like to be the center of any rumor.
04:30And thank God he didn't see it.
04:32Because if he had seen how he was looking at us so attentively,
04:35of course, he would have felt very mortified.
04:39I'm sorry, but I think I know Don Fermin perfectly well.
04:43Well, if you know him so well,
04:46he will know that if he begins to hear rumors about him and me,
04:50and I tell him that these were born from you,
04:53he will be disappointed.
04:56And you already come from a very bad streak as a manager.
04:59I don't think he wants to repeat it.
05:03There are all the newspapers pending
05:06the result of the first vote of the constituent courts.
05:11Well, I hope it will be resolved soon.
05:18Honey.
05:21Matilde, is something wrong?
05:23I'm talking to you and it seems like you're somewhere else.
05:27I'm sorry.
05:30Forgive me.
05:32I can't stop thinking about him.
05:35And from what I see, you're not hungry either.
05:38My stomach is full of nerves, really.
05:42Well, you have to eat a little,
05:44because if you don't have breakfast, you're going to be weak during the day.
05:49Really, my love.
05:51It doesn't matter that much, really.
05:54Honey, I can only think that
05:57either Carla is alive or I'm going crazy.
06:00Do you understand?
06:02And both options scare me.
06:10My love, I'm sure there is a logical and less serious explanation.
06:17We can think that woman looked a lot like Carla.
06:22She didn't look like her.
06:25Sometimes the brain plays tricks on us.
06:28I would like to think that, but my eyes have never deceived me.
06:31Well, do you think all the sailors who saw sirens were crazy?
06:41I have to admit that...
06:44It's good that everything has been very difficult.
06:46Carla's death, so violent.
06:49The accusations.
06:51Everything that has happened.
06:53It's hard for me to sleep at night.
06:56And I even dream about her.
06:58But it's normal, my love.
07:00I was also thinking a lot about putting Carla in jail
07:04and paying for everything she did to us.
07:07And to this day, I'm still surprised to think how it all ended.
07:14Look, you don't have to spend more energy.
07:17Look, you don't have to spend more energy.
07:20I would never betray Mr. Fermin.
07:23And much less gossip with him.
07:26I appreciate him too much for that.
07:28Well, I'm glad to know that we both appreciate him so much.
07:32Yes, but not in the same way.
07:35Nor with the same intention.
07:37And what do you mean by that?
07:40Are you accusing me of something?
07:42No, no, no.
07:44You will know if what moves you, as you say,
07:48is true affection or not.
07:50So I can't feel attracted to a gentleman like Mr. Fermin?
07:58Don't laugh.
08:00Do I have to ask for permission?
08:02No, no, no. Of course not.
08:04But you will have to allow me to have my own opinion about it.
08:09And also to keep it.
08:12Don't pretend to be worthy for the love of God.
08:14And that you have never done anything stupid for love.
08:18At least I don't play with my colleagues' savings.
08:23Look, I'm not going to say anything.
08:27But I don't do it for you, I do it for Mr. Fermin.
08:31I think it's good.
08:35And now I think it's your turn.
08:39Yes.
08:58My love, don't do it again.
09:01Carla is not alive.
09:04Well, I guess you're right.
09:09And the strange thing is that we have lived this trauma without any consequences.
09:14But I can't stop thinking that if the body they found wasn't his...
09:21That can't be, my love.
09:23Besides, the watchman went through the whole gallery and didn't find anyone.
09:27He told you, didn't he?
09:28Yes.
09:31If I tell you the truth, it's not the first time I've seen her.
09:37Carla?
09:39A few days ago I saw her in the hallway.
09:46What do you mean in the hallway?
09:49In the apartment.
09:59I thought they were hallucinations and that's why I didn't tell you anything.
10:03But last night was so real.
10:07My love, what happens is that you're tired and Carla has hurt you a lot.
10:12And it's normal for you to have this kind of hallucinations.
10:15I'm telling you the truth, Carla is dead.
10:19And the sooner you accept that, the sooner you'll stop seeing her.
10:27No.
10:29I know what I saw.
10:32And they weren't hallucinations.
10:36Now with everything about the wedding, it would be a disaster if they fell over the house.
10:41Yes, Antonio, I know.
10:42But the mayor said it was lucky, didn't he?
10:45Because they found out in time.
10:47Yes.
10:48We were so scared. And the neighbors too.
10:50But fortunately not all the houses were eaten by the carcoma.
10:54The good thing is that it's fixed.
10:56What we have to do now is repair the beams as soon as possible.
11:00But they told you how long it's going to take?
11:02Yes, two or three weeks.
11:04Two or three weeks? And what are we going to do until then, Pietro?
11:06Because getting into your house has been an emergency solution.
11:09Nothing else.
11:10Antonio, but it doesn't seem so serious to me, does it?
11:13It's all the neighbors know that we're getting married.
11:17No.
11:18No what?
11:19I don't want them to talk about us, Pietro.
11:21I don't want you to be sleeping on the couch and Marta and I in a bed.
11:24I thank you, but we slept very badly.
11:27Yes, I understand, but we shouldn't spend money, Antonia.
11:30If you don't need it, it doesn't make sense.
11:33No.
11:34Now that we have all the expenses of the wedding, please.
11:36Pietro, on top of the girl in there with Marta, no.
11:39No.
12:00Good morning, daughter.
12:01Good morning.
12:02I'm glad you're working.
12:05I don't do it for pleasure.
12:08I just want everything to go well and that this doesn't hinder my plans.
12:14I've only brought you tea, but if you need anything else, you just have to ask me.
12:19That's fine.
12:20Thank you.
12:21Did you have a good night?
12:23Pretty good.
12:26I'm glad to hear that.
12:28On the other hand, I can't sleep more than two hours in a row.
12:31Oh no?
12:32What, the storm?
12:34You already know.
12:35Your situation.
12:37I keep thinking about what's the best way to get you out of the country without putting you in danger.
12:42Mother, I know you're worried about me.
12:44And I'll tell you as many times as I need to.
12:47I'm not going to leave Spain.
12:49And you're obsessed with staying here?
12:51To preserve my life and everything in it, yes.
12:54Of course.
12:55I brought you a copy of the report that Fabio sent to the accounting department to reduce expenses.
13:01Tomorrow my friends have organized a mass for you.
13:06For my soul?
13:08How kind.
13:10Since they've had the detail, I can't miss it.
13:13I have to leave home at six.
13:16And the service?
13:19I'll order them to accompany me.
13:22And if there's time, I'll give them the afternoon off.
13:25Therefore,
13:27therefore,
13:29you have the house empty for you.
13:32Wow, mother, how considerate.
13:35I'm going to be able to walk around my own house while they pray for my soul.
13:43I would like three ensaimadas, please.
13:46Have you heard what happened last night?
13:49What happened?
13:50Well, the galley watchman is telling
13:53that yesterday, during a power outage due to a storm,
13:55Matilde saw Mrs. Carla.
13:57But of course, there was really no one there.
13:59And you don't know how she got, she was very nervous and very scared.
14:03Well, I think it's very bad that the watchman is telling anything out there.
14:06Because Matilde has a very bad time.
14:07Well, Ñigo and her have a very bad time.
14:09And well, the truth is that this man likes to chat and gossip a lot, and sometimes he goes too far.
14:13Well, what he has to do all day is go to the gallery from top to bottom without having much to do.
14:17That in the end he just wants to talk about others.
14:19He's a pesao.
14:21Reminds me of someone.
14:23There are people you don't see who don't realize the mess they can get into.
14:26Well, I'll take this.
14:30Don't tell him that, poor thing.
14:32But wait, he hasn't even mentioned it.
14:34Look, Pietro.
14:36As much as I don't spend the money from the pension,
14:38I'm going to have to spend it on fixing the beams.
14:41I don't know what I'm going to do.
14:43I've also thought about it, Antonia.
14:47If you prefer, we can postpone the wedding.
14:50No.
14:51No.
14:52It would make me very sad, Pietro.
14:54I would have to postpone the wedding for some disgusting bills, no.
14:57You're right.
14:59Don't worry.
15:01I will support you for everything you need for the repair.
15:05Now that Don Fermín has told me that he is going to raise my salary,
15:08it will be easier for me to do it.
15:12Pietro, I don't know if I feel very comfortable accepting your money, really.
15:17Ancora?
15:18But how?
15:19How can you say that you don't feel comfortable?
15:21Please, Antonia.
15:22We're going to get married.
15:24No, no.
15:25No, no.
15:28The only thing we have to think about now
15:30is deciding what we have to do these days.
15:33Yes.
15:34We can't stay at my house because the risk of collapse is real.
15:38And not at your house.
15:40Okay, okay.
15:41You're very clear about it and I'm not going to insist.
15:44Please, we have to find another place.
15:47But you've seen it, it's not easy.
15:49We've tried to rent the place where Matilde's family lives and it's not easy.
15:53No, it's not easy, but we'll find another place.
15:55Okay.
15:56Okay.
15:57We'll find it.
15:58Very good.
15:59Very good.
16:00Very good.
16:12Hello, my love.
16:14Yes, there's less left.
16:17Can you prepare the newspapers for me?
16:19Yes, here they are.
16:23Salvita.
16:25Good thing you have them under control, because with so many boxes...
16:29Well, look.
16:30In the living room, everyone talks about the elections.
16:32I hope the results come out well.
16:34Yes, because it's taking several days, right?
16:36With the recount.
16:37Hey, what about Salvita?
16:39Salvita?
16:41Salvita is saving, as only he knows how to do.
16:43Oh my God.
16:44What a pain in the ass, with how obedient his father is.
16:48Yes, look, I treat him well, I try to win him over so he'll listen to me,
16:52but I think he's taken me by the nose.
16:54Well, give him time.
16:57If his father hasn't been able to get him on the right track yet,
16:59then it's normal that you won't get him so quickly.
17:02Well, I guess you're right, but...
17:05It's just that...
17:07I don't stop being worried, knowing that I have work to do.
17:09Worried?
17:10About yesterday, when Teresa told us that she suspected us.
17:13Yes, yes, yes, yes, the truth.
17:15I couldn't believe it.
17:17But well, we have to be happy,
17:19because the Cupid plan works,
17:21and I feel like continuing it.
17:23Well, it's true that it's working, but...
17:26we could also take it a little more calmly, right?
17:28No, no, no, no, no, no.
17:29We have to continue until the end,
17:31because now I'm already living a life without lies,
17:34without... without falsehoods.
17:37What's up?
17:40All the classmates are worried about the house and the bed, Antonio.
17:43Yeah.
17:44They're always so attentive, really.
17:46And us, getting out of one and getting into another, really...
17:51I thought that maybe I could look for accommodation on my own.
17:54That it will always be easier for you to find for two than for three.
17:58You're so annoying, don't insist, really.
18:00No, you don't leave the house until you get married,
18:02and you form your own family, that's it.
18:04Come on, we don't have time for that, Antonia.
18:06If it ever happens.
18:07Yeah, yeah, I'm sure you have a lover out there.
18:10Me?
18:11Yes.
18:12No, no, no.
18:14Besides, I don't find any of the guys I know interesting.
18:18No?
18:20Oh, Antonia.
18:22I heard you have the house like a Gruyere cheese.
18:25Marbita Carcoma.
18:27Well, yes, daughter.
18:28The bugs are bothering us, but it's fine.
18:30And now they're going to fix the beams,
18:32so we don't have to leave the house for several weeks.
18:34Well, mine is not exactly a hotel,
18:37but it's a roof and they can stay.
18:39We squeeze in and they're done.
18:41What a kind hope, Gracia.
18:43It's the least I can do,
18:45being a friend, godmother and co-worker.
18:50Well, I'll talk to Pietro and tell him something soon.
18:53Oh, by the way, I took the opportunity to tell him that Don Fermín is going to be the godfather.
18:58Don Fermín, the godfather?
19:00Oh, that's great news.
19:02Who was going to tell me?
19:04Him and me, talking and preparing the invitation.
19:07Oh, my God.
19:08Oh, I forgot.
19:10What's up?
19:11Oh, that holy husband to heaven, you have a call.
19:13That's why I was coming.
19:14A call from me?
19:15Yes, woman.
19:16And whoever it is has been waiting for a while now.
19:18Oh, hurry up.
19:22What a godmother you are.
19:25And if you give me a love letter today?
19:30Poetic.
19:32Let's see if I understand you well.
19:34Do you want me to write you a poem?
19:36Yes.
19:37Let's see, it's just that when we started dating, you didn't see the mess you made me.
19:40And now, pfff, it's a mess.
19:42But don't worry, because to make up for it, I'm also going to give you a gift.
19:47I've taken the frame of photos, well, of the photo of our wedding that's at home, you know?
19:51I've wrapped it up and I'm going to give it to you.
19:53I'll give it to your mother.
19:55Yes, I know you don't like it.
19:57By the way, when I give it to you, you have to pretend to be surprised.
20:03Are you okay?
20:04What's up? Can you only make jokes?
20:06No, no.
20:07Well, that's it.
20:13Where do I get time to write a poem?
20:21What bad luck have Inés and César had.
20:24After making the decision to leave, everything goes wrong.
20:28Hey.
20:30Inés, how are you?
20:32Well, the truth is that he seems like a ghost.
20:35He doesn't want to go out, he doesn't want to eat.
20:37Give him a lot of kisses on my behalf, huh?
20:39If you see him, I'll tell you not to come.
20:41No, yes.
20:42Of course I want to spend time with my sister, she needs me, but ...
20:45We have a business to open and there are many things to do and these men are very good at that.
20:49These gentlemen who have got us, Inigo, are very fast.
20:52Tonight they will have everything finished, I promise you.
20:57What's up, Laura?
20:58Nothing, Celia, I'm getting everything together.
21:01Come on, come on.
21:02Take your things and go.
21:03Go see your sister, really.
21:05No, it's not about my sister or the inaugurations.
21:08All the management with the suppliers and my uncle.
21:11Let's see, what's wrong with your uncle?
21:13Well, he worries too much about us.
21:16He doesn't do it with bad intentions, but sometimes he's very upset.
21:19And he asked me about César and Inés and ...
21:22I haven't told him anything.
21:23Now you have to give him another disgust, right?
21:25But that's normal.
21:26Don Fermín loves us a lot, as if you were his daughters.
21:29Yes.
21:30It's not just that.
21:31He has also asked me to hurry up with the issue of the brochures.
21:34That if we have taken the photos, we have to take advantage of it.
21:37And why are you in such a hurry with the brochure?
21:38What have I missed?
21:39He wants to have a detail with his best clients.
21:42Send them the brochure with a note that I have to personalize and send.
21:46And well, one more thing for my list of tasks.
21:51Do you think you can do everything?
21:53Because here, apart from a partner, you have someone you can always count on.
21:57You know that, right?
21:59It's just that I can't imagine a friend better than you.
22:02Well, now that we are alone, we are going to make a list with the possible wedding gifts.
22:13Come on, tell me first.
22:15Think.
22:16Let's see ...
22:17A game of thread sagas, for example.
22:20Well, I was going to think of a nacre reliquary.
22:24With the names of the two.
22:27Come on, maybe we have to make a longer list.
22:30Because now that Miguel and Trini have been engaged, maybe there will be a wedding again.
22:35But come on, I don't think that will last long, right?
22:38It has been like one day for another.
22:41From what everyone says, they have fallen in love so suddenly.
22:46I don't know.
22:47Not like Antonia and Pietro, who took their lives to decide.
22:50The truth is that they are no longer in good shape.
22:54Well, Esperanza, love comes as it comes and everyone has their moment and their way.
23:02Oh Martita, what a philosopher you are.
23:05What about those girls?
23:07That you didn't even dare to look the customers in the face.
23:10Well, I don't care.
23:12Come on, they are about to change.
23:15Well, that's because so many things have happened to me all this time.
23:24Hey, and speaking of love, what do you have with Sarbita?
23:30I've seen you talking to him once or twice or more than twice.
23:34No, no, me nothing.
23:36With Sarbita nothing.
23:37We talk from time to time to pass the time and because she works next door.
23:41But that's it, nothing more.
23:43Well, be careful with that passing the time.
23:45Look at your Laurita, who spent time with that comedian and that ended like the Rosario de la Aurora.
23:51No.
23:53That doesn't happen to me.
23:56Come on, it's not that the boy is not nice.
23:59But these little ones so pampered, with a good cradle,
24:02they get hooked on something and they think that by doing this they already have it.
24:06So be careful.
24:08No.
24:09Well, don't believe it, he was the son of Don Braulio, the old housekeeper of Matilde,
24:14who found out that we have charcoal at home.
24:15And what did he say?
24:16Well, he told me that we can stay in his apartment, that he has spoken to his brothers
24:20and that he puts a lower price on us until we fix the beams.
24:22Oh, but those are very good news, Antonia.
24:24Already.
24:25Yes, that's very good.
24:26But to what we were going, Antonia, what are we going to do with the alliances?
24:29Oh my God, Esperanza, give me a breath, that with so much emotion you have given me an air.
24:39Excuse me.
24:41Hello.
24:43I don't want to bother you, but ...
24:46Could I steal a moment from Laurita?
24:49It depends on what for?
24:52Yes, I'm going for a moment to see what the workers are doing.
24:58I wanted to apologize, you know, for making me go through the cinema locker.
25:04Sure, and why do you think it's convenient to apologize? I certainly don't see the need.
25:09Well, after seeing how she reacted, I realized that maybe I hadn't sat her down very well
25:14and I'm not very talented as an actor either.
25:17I'm really sorry, I wasn't very fine.
25:21It's okay, although I'm telling you it wasn't necessary.
25:27And these tickets?
25:28They are to see a movie. Sometimes an apology is not enough.
25:34Grateful, but ... I don't know if you remember, but you were the one who sold me the tickets, so thank you very much.
25:39But I've already seen it.
25:40No, no, no, no, it's a new one that premieres in another movie theater on my property.
25:44It's a great movie, I'm sure you're going to enjoy it.
25:49Grateful, but ... I have a business to open and sometimes an apology is not enough.
25:58What a memory, yes, your inauguration. And what time will it be?
26:02Those details are only for the guests.
26:04Wow, and who are the lucky ones, just to know if there is a bit of luck?
26:10The lucky ones have already received their invitation.
26:13Wow.
26:15And can I ask you about your sister or should I leave?
26:20Yes, my sister is better, recovering and gaining strength wherever she can.
26:25Thanks for asking.
26:26I'm very happy. I have great hopes for your sister.
26:32Goodbye, Laurita.
26:33Goodbye, see you later.
26:34See you later.
26:43This will be the area that you are going to reserve.
26:45It is, as you can see, close to the stage and here you will always have a table with drinks.
26:50That's where I wanted to get, Don Inigo, to the important issue, to the drinks.
26:54One moment, please.
26:56Something simple, please, because I can't afford so much.
27:00Don't worry, Pietro. I'll give you a special price, as a friend.
27:03Thank you.
27:04If you allow me.
27:12Thank you.
27:13Great, of course, Don Inigo.
27:16Well, look, I think we could start by reserving ten bottles of these, of this Lambrusco here.
27:24Ten bottles? Ten bottles of Lambrusco? Are you crazy?
27:27Pietro, what did you think with the bar free of bottles?
27:30I was thinking that...
27:31International, eh? The Bloody Marys of all life, Don Inigo.
27:34Bloody Marys, New York, the Copmopolitan.
27:36Well, we could also put a little bit of red wine with soda.
27:39It sounds like a national cocktail.
27:41I know that the variety is to taste.
27:44I see that you are very well understood in the matter.
27:46I was going to have to hire you here at Madrid Cabaret.
27:48Don't tell me twice, Don Inigo.
27:50But well, will you allow me to make you a suggestion with the drinks?
27:53Of course.
27:54Now think of one thing.
27:55It's Don Pietro's farewell.
27:57I don't give a shit here.
28:01Well, I see that you had a very good idea with the Lambrusco.
28:04It's a very special wine.
28:05But it's so special that if we put so many bottles at the end,
28:08it won't be so special. You understand me, right?
28:10Yes.
28:11Well then, what do you think?
28:12That instead of fifteen, we put five bottles.
28:15And then, if they run out, we'll manage the matter.
28:19Perfect.
28:20Perfect, perfect.
28:21You have been very fine there.
28:23Five bottles of Lambrusco.
28:24And well, what about the cocktails?
28:25There you have also had a very good eye with the cocktails.
28:28But what do you think?
28:29If we put aside the wine with soda
28:32and we focus even more on the international cocktails.
28:36Of course.
28:37What has always lost me all my life has been the international.
28:40Look, if I'm organizing the Italian bachelor party,
28:43more international than that.
28:48Well, then the most important thing is already closed.
28:51Do you need me for anything else?
28:52No, no, no.
28:53There is a very important matter
28:55that you have not confirmed that it will come.
28:57On top of that, we appreciate the friend.
28:59Of course.
29:00Elias is right.
29:02That if a friend is to do favors,
29:05he is also to celebrate, right?
29:08He wants to come to the farewell.
29:22Good afternoon, Marta.
29:23Hello.
29:24What a surprise to see you here.
29:26And where did you expect to see me if I work here?
29:29In the Royal Palace?
29:30You don't deserve less, huh?
29:32Hey, have you really left the bookstore alone?
29:34What's up?
29:35It is very well attended.
29:37I have convinced a client to buy an agenda and I have left it.
29:41I have a good time because Miguel is taking out all the models there are.
29:44About 20, wow.
29:47Hey, Miguel has already told me about your house.
29:51If you need anything, let me know.
29:54Thank you, Salvita.
29:55But we neither trust nor need help.
30:00Well, but you will have to sleep, right?
30:02Or do you sleep it?
30:04Of course I sleep.
30:06For now we are sleeping at Antonio's fiancée's house,
30:09who is doing us the favor.
30:11It is not very big, but it does us the favor.
30:14Although now ...
30:16Hey, why are you asking me all this?
30:19Well, staying without a house from one day to the next must be very hard.
30:22I can imagine what you are going through.
30:24Thank you.
30:25It is very kind, but I doubt you know what this is.
30:28I know a lot of things, huh?
30:30Of agendas, no.
30:31But of the rest ...
30:35I hope I have not said something that has bothered you.
30:37No, it doesn't bother me.
30:39It doesn't bother me.
30:40But I doubt you know what Antonia and I are going through.
30:43When you have not missed anything in life.
30:45I doubt that a person who comes from a good family
30:47can imagine what it is like to be without a house.
30:50I understand you.
30:51Don't worry.
30:53But I'm going to tell you something, huh?
30:56You are very wrong about me, Marta.
30:59Oh yeah?
31:00And why?
31:01When we get to know each other better ...
31:03You will realize.
31:04I'm sure.
31:15It will be a pleasure to attend your bachelor party, Pietro.
31:18Thank you very much.
31:19Pleasure is all mine.
31:21By the way, I wanted to ask you how Matilde is.
31:24I heard that yesterday she had a scare in the gallery.
31:27Well, what a scare.
31:28Apparently she saw Mrs. Carla's ghost.
31:31Sorry, boss.
31:33Well, that's what they say, but let's see if it's true.
31:36Who told you that?
31:38Well, the gallery watchman.
31:41But hey, that man lies more than he speaks.
31:43Apart from what I saw.
31:45How are you?
31:46What do you find?
31:49Well, I'm not going to lie to you, Pietro.
31:50The truth is that I am very worried.
31:52It does not end up overcoming what happened.
31:56I understand.
31:57It's just that all the accumulated tension, right?
32:01It has to come out somewhere.
32:04Yes.
32:05I also think the same.
32:07And also, Don Inigo, don't worry.
32:09Because whatever he has seen, tomorrow he will surely forget it and it is as good as new.
32:17Mmm.
32:22Look, I really don't know what to do anymore.
32:25What you have to do is not force your throat.
32:28What did the doctor tell you?
32:29That you have to be patient.
32:31If you listen to him, I'm sure you'll get your wonderful voice back.
32:35I know it's difficult.
32:36But you can't give up now.
32:38Since you arrived in Madrid, you've been fighting for your dream.
32:40And every day you are a little closer.
32:42Well, assuming the diagnosis is good.
32:45Because they still tell me that I can't sing again.
32:47Well, that doesn't have to happen.
32:49And if it happens, we'll see.
32:51For now, let's not lose hope.
32:53Look, today I saw Agustín Comas.
32:55And he will give you all the opportunities you need.
32:58Well, look, we'll see.
32:59I just don't want to think about it anymore.
33:01Besides, with everything about Cesar, it's hard for me to concentrate.
33:05Tell me, how is the inauguration going?
33:09Fine.
33:10We are just closing some things with the workers, but ...
33:13Almost everything is ready.
33:16It's true, he's in a hurry.
33:24Lieutenant Lorenzo, what are you doing?
33:25Excuse me.
33:33I'm glad to know that we have evidence to think
33:36that your dear friend Cesar has fled Madrid.
33:41And why would I be glad to know that?
33:44Don't pretend to be innocent.
33:47We have witnesses who claim to have seen him at the Atocha station.
33:56That's why my days start and end the same,
34:01thinking about you.
34:05Your love, Miguel.
34:07He's got a little bit of gold here.
34:09You have to see how he handles words.
34:11He's balanced and he had to be.
34:13Yes, I wrote very well, but come on, the letter he has ...
34:16It looks like he's giving him a telele.
34:18Well, the worst thing he has is the letter,
34:20because for everything else, don't tell me it's not a gem,
34:22because he's handsome, he's smart, he's romantic, he's sensitive.
34:25Come on, I don't know how I haven't fallen in love with him before.
34:27Hey, Tiny, you don't stay behind either.
34:29I've seen the gifts you've given each other in the alley,
34:32and you should see the face of the friend here.
34:35What happiness and what joy.
34:36Gifts? At work? And have you thrown yourself away?
34:39Well, if you've thrown me away,
34:41it's like I've bought the most expensive frame in the store.
34:44And aren't you ashamed to walk around with those personal things
34:48here in front of everyone?
34:50You'll have to leave something for intimacy, right?
34:52You know, you have to leave something for intimacy,
34:55because that way, Esperanza, you can gossip.
35:00Look, if I tell you that between one and the other,
35:02in the end they will end up burning me.
35:03No, woman, I say that getting together is very good,
35:06but be careful, right?
35:09Well, I'm like at home here in La Moderna,
35:11and also with colleagues like you,
35:13how am I going to feel uncomfortable?
35:16And won't it bother him?
35:18Well, I don't know, I don't know, I guess not.
35:20And if it bothers him, come on, if he keeps doing this kind of detail to me,
35:25I don't care about the place.
35:26Oh, speaking of details,
35:28I haven't bought Antonio and Pietro's wedding gift yet.
35:31Can you think of something we can buy for him?
35:34Well, I think it could be something for the house,
35:36because these things always make you excited.
35:38A lamp stand, right?
35:40That they always wear a lot.
35:42Well, I would give him a frame, as you did with Miguel,
35:45because somewhere they will have to put the wedding photos.
35:48Hey, Trini, and how did you start, the bookseller, and you?
35:52I didn't know that.
35:53Me neither.
35:54But we were talking about Antonio and Pietro's wedding gift.
35:58Yes, yes, but the variety is to taste, Trini.
36:00So, start telling us.
36:01Get out, please.
36:02Yes.
36:05No one knows if he got on a train or not,
36:08but it is assumed that he did.
36:11Lieutenant, do you want to sit down and have a drink?
36:14I didn't come here to drink anything.
36:17What I want to know is where Cesar is going.
36:20And something tells me that you know it.
36:24So, why should we go against God?
36:27I don't know anything about Cesar.
36:29You really don't know anything?
36:32Then you will have no problem answering my next question.
36:36What were you doing yesterday?
36:39Where were you going with a suitcase?
36:44Who gave it to you?
36:46Lieutenant, I don't know anything.
36:49I'm going to be frank with you, Miss Inés.
36:53We have the border police on alert.
36:55It's a matter of time before we meet him.
36:58I would love to help, but I already told you that I don't know anything.
37:03Well, then I must assume that Cesar has not been in contact with you
37:09and he has not communicated his escape plans to you either.
37:16Why don't you tell me the truth?
37:19It will be better for you, believe me.
37:23Excuse me, Lieutenant.
37:24Do you have any proof to accuse my brother like that?
37:27Being an accomplice to a fugitive is a very serious crime, you know?
37:33Yes, I know, but that doesn't change what I've told you.
37:37Why don't you tell me the truth?
37:40It will be better for you, believe me.
37:42Lieutenant, I have nothing more to say to you, so please, if you don't mind.
37:46Look, this has done nothing but start.
37:50And I will tell you how these stories end.
37:53With the criminals and their accomplices rotting in jail.
38:08Woman, we don't have all day.
38:10Let's see, you don't have to tell the whole story.
38:12With the first kiss, it's worth it.
38:16In the bookstore, it was in the bookstore, in the bookstore.
38:18How beautiful, how romantic, what a moment.
38:21I went into the bookstore because I wanted a romantic novel.
38:25And it turns out that the romantic novel I wanted wasn't there.
38:29They didn't have it.
38:30So Miguel had to recommend me another romantic novel.
38:34And then we were talking about the plot.
38:37So very close, very close, that I could almost see him...
38:40And for that plot he created you.
38:42Well, let's see, that would be a good summary.
38:44Very good, Esperanza, yes.
38:45Let's see, with more looks and with Miguel's little things.
38:49Yes, a good summary.
38:51No, no, no, nothing like that.
38:53That couldn't have happened like that.
38:55No, no.
38:56What do you mean no?
38:57Elías, I'm going to find out that it was there.
38:59I say no, I don't know.
39:01Well, then something is wrong here, Trini.
39:03Yes, because I went to see Miguel before I gave you the poem.
39:07I'm talking to him and I asked him specifically about your first kiss.
39:10And he didn't lie to me in the bookstore.
39:12In fact, he told me it was in the alley.
39:14And that it was raining a lot.
39:15And that it was under an umbrella where you were.
39:17And that's where you made your first kiss.
39:19Well, it would be in the alley.
39:21I don't know, in the alley.
39:22You know, with love.
39:24With the love that clouds the senses, the memory.
39:28And...
39:29I'm going to save the note.
39:32Goodbye.
39:34What a mess.
39:36I liked the umbrella story better.
39:38Well, I don't know, me too.
39:40Well, look, let's agree on something.
39:42Right, Esperanza?
39:44Good afternoon, Mr. Fermin.
39:46Did you send for me?
39:47Yes, yes, Mrs. Lázara.
39:48I wanted us to discuss the issue of the Piscolabis for the inauguration.
39:52Well, if you allow me, the suggestion was to change the arrangement of the tables.
39:57Don't you think it would work better if the tables are in front of the gramophone store?
40:02I mean, if they are in front of the place, it will take away its prominence.
40:07I think it's an excellent idea.
40:09Anything that goes in favor of the girls' store is welcome.
40:14Phenomenal.
40:15Well, I'll tell Teresa to take care of it.
40:18Anything else?
40:20Excuse me, Mrs. Lázara.
40:21Thank you, Mr. Fermin.
40:23Thank you.
40:24You're a gentleman.
40:31Mr. Fermin, are you okay?
40:34Yes, sorry.
40:36I had lost my mind for a moment.
40:40Yes, I had the feeling that you were not listening to me.
40:43And that's strange of you.
40:46Could you repeat what you were telling me?
40:49Of course.
40:52Although, could I ask you what is so thoughtful about you?
40:57I mean, maybe I can help you.
41:01Mrs. Lázara,
41:03the truth is that I can't get out of my head
41:09yesterday's goodbye.
41:14I'm sorry, it won't happen again.
41:16No, no, no, I'm sorry.
41:18It was just something I didn't expect.
41:24I insist.
41:26That behavior
41:29is not appropriate.
41:30Especially
41:32given the work relationship we have.
41:34But...
41:38But?
41:40What were you going to say?
41:43But I couldn't help kissing him.
41:46What a shame.
41:49I won't allow you one more excuse.
41:55If I didn't like the goodbye, I would have let you know.
42:00Do you really mean it?
42:01I really mean it.
42:03It was very pleasant for me.
42:07You are a great man, Mr. Fermin.
42:09With a huge heart.
42:11And more open to affections than many imagine.
42:19Well.
42:21Now, if you don't mind,
42:23let's get back to the subject of the refrigerator for the inauguration of the store.
42:30And this time
42:32I promise not to get lost.
42:35It's okay.
42:36I will repeat it as many times as necessary.
42:39Anyway.
42:40Well, I'm going to inform Teresa to take care of it.
42:43If you'll excuse me.
42:56And then Elias goes and says
42:58that our first kiss was here, in the alley.
43:01And one day it was raining and under the same umbrella.
43:04Trini, I think I'm getting a tachycardia.
43:06Well, don't exaggerate.
43:08Do you think they might suspect something?
43:11I don't know.
43:12All I know is that I was right when I told you that you had to stop this stupid plan.
43:16Well, well, relax.
43:19Relax, man.
43:21You're not going to give birth, are you?
43:24Stop talking about giving birth.
43:25I already have a baby in the library every day.
43:28Trini, we have to stop the stupid plan now.
43:30For my health, for yours and for the baby's.
43:32No, no, no.
43:33No.
43:34What we have to do is agree.
43:35So now we talk calmly
43:37where we want to make the first kiss and that's it.
43:40And if you want the one in the rain, then the one in the rain, son.
43:43I don't care.
43:44Oh, lovers of Teruel.
43:46You have to explain a couple of things to us.
43:49That? Where was the first kiss?
43:51In the library or in the alley?
43:53Elias, go back to the living room right now.
43:55People are getting on my nerves.
43:56Well, but I'm half-naked, boss.
43:58And I'm waiting for a very important answer.
44:01Let's see if I can get it.
44:02Let's see, Cañete.
44:03They don't agree with the first kiss.
44:05He says it was here, with the rain and I don't know what.
44:08And she says it was in the library.
44:10Yes, all this is very strange.
44:12Well, stop it once and for all.
44:13You're giving me a headache.
44:16Do you want to know the truth?
44:17Of course.
44:18Of course, man.
44:19Talk, talk.
44:20I'm sorry, Trini.
44:21But it's time for the truth to be known.
44:23Francisco, whatever you want.
44:25I'm very sorry, Miguel.
44:26If there's someone who didn't want to get to this point, it was me.
44:30Well, I knew these two liked each other.
44:34But since they didn't even move for ten hard,
44:38I had to make them from Celestina.
44:41And I didn't want to take the lead from love.
44:44But that's the truth.
44:46But then where was the first kiss?
44:48I don't know anything.
44:50Well, the first kiss was
44:53when I mentioned Miguel and Trini
44:55in a place that I'm not going to reveal.
44:58I didn't go there pretending to be indisposed
45:01and love did the rest.
45:03Or, of course,
45:04I obviously told them not to mention me
45:06because in this story
45:08they are the protagonists.
45:12Hurray, Cayete! Hurray for love!
45:14Hurray!
45:15Bravo!
45:17Well, ready.
45:19Back to the living room.
45:20Let's go.
45:36Well, Antonia, leave that.
45:40Leave me, Antonia.
45:42Leave me.
45:43What can I do with her?
45:44But, well,
45:45this girl is so strong and so good,
45:46what is she doing here?
45:50Well, Antonia,
45:51it was picking her up from school,
45:53telling her that we were moving
45:55and she wanted to see her house.
45:57What a disappointment.
45:58I thought you were coming to see me.
45:59Yes, you too, of course.
46:01I missed you a lot.
46:03But I also wanted to see my old house.
46:06You could have waited for me, Antonia,
46:08and I would have helped you pick up the things.
46:10No, I could only take this out.
46:11Ten minutes have been given to the workers
46:13who are fixing the beams.
46:14They have told me that if I want to take out something else,
46:16they will do it.
46:17What do you mean they do it?
46:19You can't even pick up a house in ten minutes.
46:21Yes, honey,
46:22but imagine that we are at home
46:23and it falls on us.
46:25God doesn't want it.
46:27Well, what about you?
46:28Eh?
46:29What happened from the corral
46:30to the ladies' neighborhood?
46:31Are you happy?
46:33Well,
46:35I don't know.
46:37I was happy when I lived here,
46:39with my mother and my brothers.
46:41Honey, if you miss the corral so much,
46:43you can come here whenever you want
46:45and play.
46:47Thank you,
46:48but that's not why.
46:54So what happened, Clarita?
46:58I remember Pablo a lot.
47:01He wrote us a letter.
47:03But that's very good.
47:04If he wrote you,
47:05it means that he remembers you a lot.
47:06That's very nice.
47:07Yeah, but it's just that
47:09I remember Pablo and Aunt Conchita a lot.
47:12I wish I could go to Jerez
47:13to see them very soon.
47:15Well, you can go.
47:17Jerez isn't that far either.
47:21It's a bit far,
47:23but the Americas are farther.
47:27Yeah,
47:28but I'm sure Matilde won't let me go.
47:31She wants me to go to school.
47:34I don't want to go to school.
47:35She wants me to go to school.
47:38Why don't you ask her?
47:41Matilde has a lot of good things
47:43and one of them is that she knows how to listen.
47:59Hi, honey.
48:01Hi.
48:03I'll change, I'll get comfortable.
48:06I'll let Clarita know and we'll close.
48:08Clarita has already gone to bed.
48:10The poor thing has given up.
48:13And how are you?
48:16Have you been able to
48:17meet those businessmen
48:19in La Moderna?
48:24Honey?
48:26Honey?
48:28Have you been able to meet those businessmen?
48:31No, I haven't been able to.
48:33It's been a while since I've been so down.
48:36Well, anyone can have a bad day.
48:39Tomorrow will be better.
48:46And how are you?
48:48You arrived very early.
48:50Well,
48:52I've been talking to Pietro,
48:54organizing
48:55his bachelor party,
48:58and he's been kind enough to invite me.
49:00And well, I've also seen that there was an atmosphere
49:02in Madrid Cabaret, but I've decided
49:04to delegate responsibilities to the employees.
49:07And that?
49:08Well, because I wanted to be here with you,
49:09have a good night.
49:11What do you think if
49:13we talk outside?
49:16Thank you,
49:18but no.
49:22Well, I also have
49:24a bottle of wine.
49:26It's been stored there for months.
49:27We could open it and...
49:28Inigo,
49:29I've already told you
49:30that I'm not in the mood.
49:37I'm sorry.
49:39I just wanted to cheer you up a bit.
49:45It's just that, pretending
49:46as if nothing happened,
49:47you're not going to make it.
49:48Do you understand?
49:50I understand that we've been through
49:52a very difficult situation,
49:55but we have to move on
49:56with our lives.
49:58But you understand that everything
49:59that's happening to me
50:00is hurting me.
50:01Yes, I know.
50:02I know it perfectly well,
50:04but maybe it would be good
50:05if you looked at it
50:07from a more logical point of view.
50:09Because Carla is dead.
50:11Look, that's enough.
50:13Stop treating me with condescension.
50:14I know what I saw,
50:15and I saw Carla.
50:19But where are you going?
50:20At this hour?
50:21I'm going for a walk.
50:23Why can't I stand being here anymore?
50:36Well, you never know
50:37when something exciting
50:38is going to happen to you,
50:39right?
50:40Do you still believe
50:41that she was the one
50:42who planned everything
50:43to be locked up all night
50:44with Don Fermin?
50:45I know it very well.
50:46I've realized
50:47that she's capable of using
50:48all her charms
50:49to seduce Don Fermin.
50:50Carla was there.
50:51There has to be
50:52a logical explanation
50:53to all this,
50:54because Carla can't be.
50:55Do you think
50:56I'm out of my mind?
50:57How could I think that?
50:58Don't talk nonsense.
50:59Well, Antonia,
51:00I know it's impossible,
51:01but I swear,
51:02it was so real.
51:03I already apologized to you,
51:04but I don't care about
51:05apologizing every time
51:06I need to.
51:07What I did was a little thing.
51:08Yes, it was.
51:09But don't think about it anymore.
51:10It seems that the one
51:11who's behaving like a little girl
51:12is you.
51:13I haven't had time
51:14to tell you,
51:15but you've been in contact
51:16with me
51:17to test me
51:18with a diplomatic position.
51:19And the destination
51:20is tempting.
51:21London.
51:22Are you going to think about
51:23the proposal?
51:24London is a destination
51:25that I've always been
51:26ambitious about,
51:27you know that.
51:28Pablo and the aunt
51:29say they really want
51:30to see us.
51:31And the two of us,
51:32them?
51:33I'd like to go to Jerez.
51:34I miss them a lot.
51:35I thought
51:36I was going to throw
51:37the glass in her face.
51:38Don't think about it,
51:39I've thought about it,
51:40but then I thought
51:41it was better
51:42to kick her ass.
51:43It's the snack, Antonia.
51:44The one we reserved
51:45a few days ago.
51:46It seems they didn't
51:47like it.
51:48It turns out
51:49they didn't like it.
51:50The problem is
51:51that the snack
51:52is occupied
51:53every hour
51:54on the wedding day.
51:55There's no room for us.
51:56So where are we
51:57going to celebrate the wedding?
51:58I don't know, Antonia,
51:59I don't know.
52:00It's not just going to be
52:01a gramophone shop
52:02like it has been so far,
52:03but also
52:04a photographic studio
52:05and sometimes
52:06an advertising agency.
52:07On the first day
52:08we've already sold
52:09radios and several records.
52:10Yes, and I haven't stopped
52:11taking pictures
52:12in the studio
52:13all morning.
52:14Something tells me
52:15it's not precisely
52:16what you're doing
52:17because you go to
52:18that tea room a lot.
52:19I didn't know
52:20that hobby of yours,
52:21gossip, Miguel.
52:22You're not the same.
52:23I'm sorry,
52:24but I think you're
52:25mistaken about me.
52:26No, no,
52:27you're the one who doesn't know.
52:28You have nothing to do
52:29with the girls here,
52:30right, Marta?
52:31Nothing.
52:32I've heard
52:33a certain rumor
52:34and since I'm not a friend
52:35of gossip,
52:36I'm going to face it
52:37directly.
52:38Is there something
52:39you want to tell me,
52:40Trinidad?
52:41Just now
52:42he was telling me
52:43that he wants to clean
52:44the glasses with vinegar
52:46He's telling me
52:47that in the few days
52:48he's been with you,
52:49Salvita has become
52:50like this,
52:51overnight,
52:52a formal
52:53and hard-working boy.
52:54Incredible, right?
52:55He's a boy
52:56who puts a lot of effort into it.
52:57Well,
52:58what I needed to hear,
52:59to be taken for a fool.
53:00Going to the galleries,
53:02I felt that
53:03several people
53:04were following me.
53:05Have they done anything to you?
53:06No, no,
53:07just following me.
53:08But I know very well
53:09who gave them the order.
53:10Is something happening?
53:11It's Carla.
53:12Carla has been here.
53:14I'll destroy you.
53:17This has only just begun.