Salón de té La Moderna - Ep 198
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00:00A FEW HOURS LATER
00:12Dear niece,
00:15I'm impressed with the final result.
00:17I never imagined it would be so exciting to have it in my hands.
00:21What do you think, Teresa?
00:23Well, it perfectly reflects the essence of the tea room.
00:27You can see the quality of the products.
00:30We look very handsome.
00:33Thank you very much, but the credit goes to Celia.
00:42May I come in?
00:43Yes, Esperanza, tell me, do you need anything?
00:45Yes, Mr. Fermin.
00:47I can't wait to see the brochure.
00:50It's the first time I'm in a book.
00:52Besides, I have to talk to you about an important and personal matter.
00:55First of all, don't worry, you can see it as many times as you want.
01:00One of the copies is for you.
01:03Teresa, I'll take care of it.
01:05And secondly, if you don't mind...
01:07With pleasure, ladies.
01:09The door was open, I heard the brochure was finished.
01:12And I've never been in a book, Mr. Fermin.
01:14Let me see it, Mrs. Teresa.
01:16Well, don't get nervous.
01:18Excuse me, ma'am, anxiety took over me.
01:21Let's see.
01:23Look, I look like a Hollywood actress.
01:27I didn't know she was so beautiful and so photogenic.
01:30Let's see.
01:32Look.
01:33But even Elia did well.
01:35That's a merit.
01:37I already told my mother.
01:38I always had an air of Rodolfo Valentino.
01:40Look at him.
01:42If it is that...
01:43My mother.
01:44Well, and Cayete?
01:46Well, he didn't come out so favored.
01:48And Pietro?
01:49Well, well, well.
01:50You will have time to criticize.
01:53But now is not the time or the place.
01:55Mr. Fermin has a lot of work and so do we.
01:57So come on, to work.
01:58Yes, yes.
01:59Well, if you'll excuse us.
02:00Mr. Fermin, the matter of which I wanted to talk about,
02:02about the wedding of Antonia and Pietro.
02:04Ah, yes, yes.
02:05I thought so.
02:06We'll talk about it later.
02:07Esperanza.
02:19How happy I am to see you.
02:22And already dressed and working.
02:25I am also glad to see the mother.
02:28And I wanted to thank her for everything she is doing for me.
02:32I thought you were still angry with me.
02:35But it seems that leaving you alone here at home has been very good for you.
02:38You can't imagine how much.
02:41Since that change has come, dear.
02:44As is evident, I have a lot of time to think.
02:47And also to recuperate.
02:50And I wanted to thank you for everything you are doing to keep me safe.
02:54I know it has not been easy and that you are having a lot of patience with me.
02:59Well, I only do what any mother would do for her daughter.
03:04Although I still think it is a mistake that you want to stay here.
03:07Every day that passes, the chances that they catch us are increasing.
03:13Mother, I will do what you want.
03:15But at the right time, right now, I could not leave.
03:19I could not live knowing that Íñigo and Matilde are dating.
03:23I would rather be dead.
03:26Really dead. Before that.
03:31And since I know you don't like me to talk about my plans with the Peña-Albert couple.
03:37Because we don't change the subject.
03:39Let's talk about the company.
03:41Do you have any good news?
03:43Fabio del Moral has managed to change the law to be able to build the hotels?
03:48Fabio already knows what he has to do.
03:51But I can't insist more.
03:53Why not?
03:55You said that with the change of government everything would be much easier.
03:58Because Fabio is a very straight person and he is very honest.
04:01He is committed to helping us.
04:04Going against his principles will take his time.
04:07And what about me, mother?
04:09Because you yourself have said that this situation is unsustainable.
04:12Maybe you are being too soft with him.
04:18So, did you like it?
04:20What if I liked it?
04:22I'm anxious to tell our most important clients.
04:25When could they have it?
04:27I knew you were going to ask me, so I anticipated.
04:30You just have to give me a good look at the list and tomorrow I'll start sending them.
04:35The truth is that everything has gone very well.
04:38Well, especially you.
04:41Look, look, what a plan you have.
04:44And what a clean look.
04:46So I'm sure that if the elections were presented, many people would vote for you.
04:49Well, well, well.
04:53Laurita, yesterday I was very happy to see Inés yesterday at the inauguration.
04:58I know it's silly, but just the fact that she left home I think it's a great advance.
05:02Don't you think so?
05:04Yes, I guess.
05:05And how was she later? I can hardly talk to her.
05:08Was she better, more excited, calmer?
05:11If I'm honest with you, when she got home she locked herself up again and it was difficult to get her words out.
05:17I'm afraid that all this will not happen until she knows the definitive diagnosis.
05:21If it causes us uncertainty, imagine what will be happening in her head.
05:25I can't stop thinking what will happen if they tell her that she can't sing again.
05:29Putting us in the worst will not help us either.
05:32Well, but ignoring it either.
05:33Ignoring it either.
05:38Forgive me, mother.
05:40Excuse me, I ...
05:43Before I was thanking you for the patience you have with me and in the end I am the one who does not have it with you. I'm sorry.
05:51Aren't you going to ask me how the mass was in your honor?
05:55The church was full, there was no room for a pin.
05:59You were the only one missing.
06:01I was about to pass out.
06:04I would have liked to see all those people showing themselves afflicted when in the end they couldn't stand me.
06:11Because they have never accepted that you were so strong.
06:14And you also stood up to him.
06:17Although you are right.
06:19You are definitely you again.
06:21You smile again.
06:23Really nothing has happened.
06:26What's going to happen?
06:28Here, between these four walls?
06:31Yes.
06:34Although it is true that I feel better.
06:37And after a long time and many nightmares, last night I finally had a beautiful dream.
06:44Tell me.
06:46I dreamed that I was invisible.
06:51That I had that power.
06:54I imagine that my mind wanted to escape from this place.
06:57And it was very fun to be able to observe people without being seen.
07:04I was in many places and I felt that life was beautiful.
07:10And that I was finally free again.
07:16But then I woke up.
07:19And you will be free again, daughter.
07:22But not here.
07:23I will have to settle for having that dream again.
07:29I will continue to insist on that blissful law.
07:34I'll come down to see you later.
07:36I'll be here waiting for you.
07:54What are you doing here?
07:56I hadn't seen you in five minutes, but I missed you.
08:00You know you don't have to be so mean to me anymore, right?
08:04I've seen you too serious before.
08:06What happened?
08:08Well, I was thinking about what Matilde told us.
08:12What she saw of Doña Carla in the gallery?
08:15What she believed, but what seemed very real to her.
08:19And what do you think?
08:20What do you think? I get goosebumps just thinking about it.
08:24Don't tell me you also believe in those things.
08:27No, I don't know.
08:29I'd rather not even think about it.
08:31All I know is that Matilde is having a hard time.
08:34Can we do something?
08:37Yes, I guess we have to be very aware of her.
08:40Especially now that it has become clear.
08:42Many things have happened to her in a very short time.
08:45Yes.
08:46Antonia, I wanted to tell you something.
08:49I was thinking about spending the lunch hour
08:51to visit a snack bar that I've been recommended.
08:54And reserve it for the invitation.
08:57And that of postponing the wedding, have you changed your mind?
08:59Yes, because we don't have to give up.
09:03We've come so far, haven't we?
09:05Yes, honey, but it seems to me as if fate doesn't want us to get married.
09:09Oh yeah? And you know what I tell fate?
09:12Fate will never be stronger than our love.
09:14Never.
09:24Oh my God.
09:26No one can stop it, Antonia.
09:28You will be my wife.
09:30I will make you happy.
09:32No one can stop it.
09:34No one.
09:39I'm leaving.
09:44Bye.
09:54Teresa, wait a moment, I want to ask you a question.
09:58Yes, tell me.
10:00Don't you know a nice, affordable place
10:04that is available in three days?
10:08What? What are you talking about?
10:10I was with my things.
10:11It's just that, as you know,
10:13at the snack bar where Pietro and Antonia were going to celebrate the wedding,
10:16they left it there.
10:18Oh, it's true.
10:20Well, let's see.
10:22I know, I know, but not with enough confidence to ask for a favor.
10:26But well, let me think about it.
10:29Well, I also wanted to tell you.
10:32It's just that, as I'm the godmother,
10:34I'm in charge of buying Antonia the wedding gift.
10:37And we want to give it to her today,
10:39taking advantage of the fact that it's also her farewell.
10:41Well, that's great.
10:43What do you want me to tell her?
10:45That if I can go out at the time of the break,
10:48I promise I'll be here like a nail in the afternoon.
10:51Good, don't worry.
10:53God will reward you with whatever you prefer.
10:57Ah, Esperanza.
10:59Look, I'd like to participate in the wedding gift.
11:02How much do I have to pay?
11:04But if you're not invited, you don't have any obligation.
11:08What's the big deal?
11:09I've been friends with him all my life and I appreciate him a lot.
11:12So I insist on participating.
11:14How much is it?
11:16Well, I'll tell you later, when we do the math.
11:18And please tell Mr. Fermin that I have to talk to him.
11:21Let him give me a break this afternoon.
11:23Esperanza, don't you think you have your head in many places at the same time?
11:26I'm not saying this for myself, I'm saying it for Mrs. Lázara.
11:29She's not as permissive as I am and you have to have your head at work.
11:32It's just that I'm a godmother for the first time
11:35and I want to be up to date and not fail my boyfriends.
11:38Well.
11:40Go see Mr. Fermin in ten minutes.
11:43I'm sure he'll like it.
12:03By the way,
12:04did you know that Calabas del Castillo
12:07forbade him to be portrayed face-to-face
12:09and that's why there are only portraits of him in profile?
12:11What are you saying?
12:13Come on, girl, you have a lot of art to carry things.
12:16I'm serious.
12:18Less wasa.
12:20I thought that after the fight that Esperanza had thrown at you
12:22you were going to be softer.
12:24A lot of fights are needed for me to get scared.
12:26You look cool.
12:28No, it's not that.
12:30It's just that, deep down, what happened the other day wasn't a fight.
12:32I realized how much I appreciate you as a woman
12:35and that I just wanted to protect you.
12:37Besides, I understand that people like me get angry.
12:40And what happens to people like you?
12:43That they are usually judged
12:45by their appearance
12:47and I can understand what I saw in me.
12:49A good boy from a good family,
12:51capricious, spoiled, that everything goes well for him.
12:54I'm used to carrying a lot.
12:56And with reason or without reason?
12:58Dare to meet me and you'll see.
13:02Poor rich boy.
13:04I agree.
13:06I know I shouldn't complain so much.
13:08But you can't imagine what it's like to have a father like mine.
13:10All day on top of me,
13:12controlling all my movements,
13:14determined to decide for my life.
13:16Yours at least cares about you.
13:19I didn't even know mine.
13:22And your mother?
13:24My mother still lives in the village.
13:27I had to come here to the city
13:29to look for a life with an uncle of mine.
13:30Then I met Antonia,
13:32one of the dependants,
13:34and well, she took me in
13:36and she's like a mother to me.
13:38And in between, well...
13:42In between what?
13:45Nothing, nothing.
13:47In between nothing.
13:49What happened with your uncle?
13:51Why didn't you stay to live with him?
13:53I get the impression that you're hiding something from me.
13:55Well, it's a long and very complicated story
13:57to tell you here.
13:58Then we'll have to meet somewhere else.
14:00If that hope leaves us, of course.
14:02Yes, that's what I was thinking.
14:04Maybe I should go clean up
14:06and stop being such a mess.
14:08As you can see, my hair is going to fall out.
14:10By the way, shouldn't you be working
14:12instead of being here reading the newspaper?
14:14Are you going to make fun of me like my father?
14:17I'm resting for a while.
14:19Look at me, I'm starting to nag you.
14:22And you have more face than a back.
14:24Don't you really worry about letting Miguel go
14:26and losing his job?
14:28You're right, but
14:30at least you're going to think about it.
14:33About what?
14:35If you want to get to know me better.
14:59I'm sorry, I couldn't help it.
15:01I'm sorry.
15:12Mr. Fermin, Teresa told me she could see me.
15:14I'm sorry to insist so much,
15:16but it's a very personal matter.
15:18I'm sorry.
15:20I'm sorry.
15:22I'm sorry.
15:24I'm sorry.
15:26I'm sorry.
15:28It's very urgent.
15:30Yes, yes, Esperanza come on in.
15:32I've been very busy lately
15:34and I haven't been able to attend to you until now.
15:36Please, have a seat.
15:38Speak.
15:40For a moment I'm asking you
15:42not to view me as your cleaning mission,
15:45but as an outider
15:47because I'm here
15:49to talk to you about space.
15:51I understand.
15:53Go ahead, Doña Esperanza.
15:55I'm listening.
15:56First of all, let me tell you that it's an honor for me to share this responsibility with you.
16:02With the plant you have, which looks like an archduke.
16:05And when I get better, which I also take a lot of sides,
16:07when we get to the church, the guests are going to wonder who the grooms are.
16:11And we...
16:13Sorry, it's Esperanza.
16:15Look, I'll tell you like this, over the top.
16:17I've made a hole for you.
16:19But that doesn't mean you have it all day.
16:21So, if you like it, let's get to the point.
16:25Well, it turns out that the people from the snack bar have messed with the dates.
16:29And they have appointed the wedding the same day they have a first communion.
16:32And of course, they can't serve two guests at the same time.
16:36I don't follow.
16:37Let's see.
16:39That three days before the wedding, Antonia and Pietro have nowhere to celebrate it.
16:43But that's terrible.
16:44That's why I thought of you.
16:46Because I say that maybe you, who have contacts, can find a cheap place for you.
16:51Because they are not going to throw rocks at the wedding either.
16:53Well, well, well.
16:56Well...
16:57I'll think about it.
17:00I'm also impressed by the amount of people at the mass.
17:05Some even had to stay out.
17:07If Carla could have seen him, she would be proud.
17:10You know what they say.
17:12The greatness of a person is measured by the attendants at his funeral.
17:17And you should be proud too.
17:20After all, a daughter is her mother's work.
17:23Yes, I am proud.
17:27You haven't told me anything about the notes I gave you in the report about the reduction of expenses.
17:32If you think it's something crazy, tell me with all sincerity.
17:36I don't know how you did it, but you've managed to make the accounts fit, really.
17:40How did you do it?
17:42Well, I guess I've been listening to businessmen for many years, talking about business.
17:47And something must have stuck to me.
17:50But if I learned from someone, it was Carla.
17:53She used to share with me her plans for the future, her business vision.
18:01That's why it's of vital importance that those hotels are built in Bilbao and Barcelona.
18:08It was her dream.
18:10And carrying it out would be a way of keeping her present.
18:15A very beautiful idea.
18:18I was wondering if you would have made any progress in that regard.
18:22Maybe the new government?
18:25I was talking to the new Minister of Public Works.
18:28I know him from seeing him at the racetrack.
18:31I knew I could count on you.
18:32Not so fast, dear.
18:35As I feared, one of his most imminent measures is not to change the law of the land.
18:41I'm sorry to disappoint you, but I've gotten as far as I've been able to.
18:44From now on...
18:47From now on, we will have to take less correct paths.
18:51Everyone has a price.
18:52I imagine that minister is no exception.
18:56Are you talking about bribing him?
18:58Bribing is a very ugly word, Fabio.
19:02I prefer to think that it is like buying his will or that of his helpers,
19:07so that his decisions favor us.
19:12But you're right.
19:15We've done what we could. Forget everything I've told you.
19:19Anyway, although I haven't been able to change the law,
19:24at least I've gotten some invitations for the opera.
19:27Would you like us to go together tonight?
19:30I think you need to distract yourself a little, dear.
19:32Yes, without a doubt.
19:35Order of the day.
19:38Order of the day.
19:40Can we have a car to take the bride to the church?
19:43I'll take care of it.
19:44That's great.
19:45I'm going to take Mr. Iñigo Peñarvés.
19:48I haven't asked him yet, but I don't think there's a problem.
19:51As for the alliance, I could be the one to deliver it at the altar,
19:56if you don't mind.
19:58I don't know the protocol because I've never been a godfather at a wedding,
20:01so if you think it's convenient, I think it's fine.
20:05Are we done?
20:06I thought you were going to give me a hard time.
20:09So I...
20:13Esperanza, I was looking for you.
20:17I've noticed that there's a lot of dust on the piano.
20:20Could you clean it, please? It's unbearable.
20:22What? But I just cleaned it.
20:24Well, you'll have to do it again.
20:26No, actually, we were done.
20:29Mrs. Esperanza, it's been a pleasure to talk to you.
20:33The same goes for you.
20:35Godmother, godfather.
20:40Goodbye.
20:41Goodbye.
20:42I'm going to clean the piano.
20:48Of course, I'm more and more surprised by this woman's shame.
20:52I hope I haven't bothered you with your nonsense.
20:54This time it wasn't nonsense. It was about Antonia and Pietro's wedding.
20:57As you know, she's the godmother and I'm the godfather.
21:01And there's no need for me to say anything.
21:03I'm aware that we've formed a strange couple.
21:10By the way, I've already bought the tickets to see Margarita Sirgo.
21:15Here's yours.
21:17I can't wait to see the performance.
21:19The critics say it's brilliant.
21:23Why don't you keep them?
21:25Because they're in separate places.
21:27You're in the patio of Butacas.
21:29It's the best entrance I've been able to get.
21:31I'm in the henhouse.
21:33In the henhouse?
21:36I thought we were supposed to go together.
21:39Yes, yes, yes, of course. We'll go together and come back together.
21:42But you're a gentleman, well-known and respected.
21:46You're no less than the owner of La Moderna.
21:48I'm just an employee, Mr. Fermin.
21:50And what's the problem?
21:52Well, I...
21:53I know how to recognize my place.
21:56And I'd never do anything to hurt you.
21:59Mrs. Lázara...
22:00No, no, no, please, listen to me.
22:02Listen to me. It's for your own good.
22:04Excuse me.
22:06I'll be right back.
22:22Foot lamp.
22:24Discard.
22:26Frame for the photo.
22:30But why are you discarding everything, Esperanza?
22:32I mean, I think it's a good idea.
22:34For it to be a good gift, it has to be something personal.
22:37Made with a lot of love.
22:39Leñe, we're talking about Antonia and Pietro.
22:41Not some strangers.
22:43And do you have a better idea?
22:45Well, I don't know if it's better, but it's more useful than a frame for the photo.
22:49A pressure cooker.
22:51One of those modern ones that make the stew and the stew in a pot.
22:55In a pot? And how can that be?
22:58Well, I don't know.
22:59But I've heard it from some customers who were drinking tea.
23:03And they were excited.
23:05It's known that it's an invention of one from Zaragoza.
23:08So that later they say that all inventions are made by the Germans.
23:11Well, the truth is that I have to tell you that it's a good idea.
23:15So Antonia doesn't have to worry about the stews.
23:18I would like to have something like that.
23:20Well, you have it easy.
23:22You get married and you ask for it as a gift.
23:24Maybe they don't make a discount.
23:26Well, I'll tell her that with how dressed up I am as a bookseller,
23:30the one who asks for it, I'll tell her yes.
23:32Oh my God, Trini.
23:34Sometimes it's so easy that one wants to fall in love.
23:37Well, and to get married, by the way, and everything.
23:39Careful with making castles in the air,
23:41that then they fall on you.
23:43And less with that one, with the little sardine.
23:46And go ahead with the cup, Esperanza.
23:49Besides, as you said, we have nothing in common.
23:52We are very different.
23:53I won't have studies, but I'm not stupid.
23:56I'm not stupid.
24:00Mrs. Teresa, I'll be right back in my place.
24:02No, no, no, don't worry.
24:04Yes, I come to give Esperanza a peseta for the gift.
24:07She will tell me what is left or what is missing.
24:09Very good.
24:10Do you already know what you are going to give her?
24:12Well, yes, a very personal gift.
24:14A pressure cooker.
24:16So that Antonia doesn't have to worry about the stews
24:18and her husband is happy.
24:20Does that sound good to you?
24:22Well, if that's what you've all decided, I ...
24:24I don't give a damn about this.
24:31Wow.
24:32I don't know.
24:35Wanting to participate without being invited
24:38is a gesture that I made a lot of her, right?
24:40Well, the truth is that it is a good gesture, yes.
24:42It's just that it's a small wedding.
24:44Only for the most welcome.
24:47Well, then, Trini, do you dare to get married?
24:50So, are you going to be the next one?
24:52I guess so.
24:53Well, look, if you want.
24:55I can be your godmother.
24:56It seems that I was born for them.
24:59And I can also tell Don Fermin to repeat as godfather.
25:02What a couple we make.
25:06Pressure cooker.
25:23Hello.
25:28Hello.
25:30What?
25:31What do you think about the table?
25:33Well, I was told a few months ago
25:35that I was going to be preparing the tables
25:36for my bachelor's party.
25:37I'm dying of laughter.
25:39How was it in the restaurant they recommended?
25:43The good thing is that it's in the price, but ...
25:46The problem is that it has no space until next week, Antonia.
25:49What?
25:50Yes.
25:51I can't think of another place where I can ask.
25:54I'm sorry.
25:57If a miracle doesn't happen, we're out of guests.
26:00And what am I going to tell the people
26:01who come from Andalusia to see, right?
26:03Pietro, didn't you give him anything to eat or drink?
26:05At least.
26:06I know, Antonia, I know.
26:07But there's nothing to do.
26:08Either we change the day of the wedding
26:10or we change the guest.
26:12No, no.
26:13It won't be necessary.
26:14Neither one thing nor another.
26:15But what are you doing here, Don Fermin?
26:17Precisely, this morning Esperanza told me
26:20the problem they had with the snack they had reserved
26:23and that, well, at the moment they don't have a place
26:26to celebrate the wedding invitation.
26:28Is that so?
26:29Yes, yes.
26:30It looks like he's looking at us.
26:32There's only one left, Don Fermin.
26:34That is free and that we can pay.
26:36It turns out that I know one
26:38that meets both requirements
26:40and that you know very well.
26:43What do you think about celebrating the wedding invitation
26:47in the modern way?
26:51Thank you, Don Fermin, thank you.
26:54But I'm afraid it's out of our modest budget.
26:57Ah, I see.
26:58Maybe I didn't explain myself well.
27:00You see, I've been thinking about what gift
27:03I could give them for the wedding
27:05and I can't think of a better gift.
27:12I don't know.
27:21Honey, I know how we could get married
27:23without arousing suspicion.
27:26What are you looking at?
27:27Eh? No, nothing.
27:28The button that flew out, which is in its place.
27:30I'm all ears.
27:32Well, it's much easier than we thought.
27:34I just have to tell Antonia
27:36that when she gets married and throws the bouquet,
27:38she has to point to my address
27:40and if I take it,
27:41do you know what it means?
27:42That we would be the next ones to get married.
27:48But what are you doing, throwing me a book?
27:49Are you stupid?
27:50Take it.
27:51I was just checking that you still have
27:52the same reflexes as always.
27:54Few.
27:55What happens if you don't take the bouquet?
27:57It's too risky.
27:58It's just that now you've caught me unprepared.
28:01Go back.
28:02No, no, no.
28:03There's no need to do anything extraordinary.
28:04The most difficult thing is done.
28:06Convince them that we are as in love
28:07as to get married as soon as possible.
28:10Well, then we tell them
28:11that Antonia and Pietro
28:13are a reference in love for us
28:16and that's why we want to follow their path.
28:18Ah, very good.
28:20That's having reflexes.
28:21I can't wait to finish with this madness.
28:23When do you want us to announce it?
28:24Well, I don't know, as soon as possible.
28:25I don't know, today?
28:26Okay.
28:27Right away.
28:28Well, yes, it will be like...
28:30It will be like when we gave our first kiss in front of them
28:33that at first they were surprised,
28:34but then...
28:35They were right.
28:37They got the idea.
28:38But my love, it won't be believable.
28:39Besides, today is Antonia and Pietro's farewell
28:41and what are we going to do?
28:42Shout their protagonism?
28:43Well, it's true, I don't know.
28:44You're right.
28:45Well, I'll think of something.
28:46I don't know.
28:47I'll tell you something.
28:48We're going to do it before their wedding.
28:50Are you sure?
28:51Yes, yes.
28:52Take this off.
28:53What?
28:54You have something here.
28:55Okay, leave it to me.
28:56You have something here.
28:57Well, leave it to me.
28:58Don't wash it, huh?
29:02You, you.
29:03You go first.
29:04No, you.
29:05No, you first.
29:06Come on.
29:07Well, you.
29:08No, you.
29:09Well, you.
29:12Love is so beautiful.
29:14It's a pity I don't have the pandeiro
29:16to accompany this moment.
29:18What are you talking about?
29:20That if I don't know
29:22what you just did to your boyfriends,
29:24I'll think you're married.
29:25And how you've been looking at each other for a long time.
29:30What's wrong?
29:31Why are you so nervous?
29:33Touching the tuna,
29:34I've seen many couples in love
29:35and I know what I'm telling you.
29:37Well, it's obvious you're wrong
29:39because I'm nervous about something else.
29:43Have you talked to your father?
29:45Yes.
29:46Has he been angry
29:47for exaggerating your progress?
29:50Something slipped me.
29:52He trusted you a lot,
29:53but you disappointed him.
29:56You know him.
29:58Do you think he could consider...
30:02Saying goodbye?
30:04Well, I don't know, really.
30:07He has always valued you a lot,
30:09but it's true that you're one of those
30:11who don't like anyone,
30:12much less if he feels betrayed.
30:14And you couldn't talk to him?
30:17I have to organize something in another store.
30:24What are you going to organize?
30:34You're beautiful.
30:38If it wasn't because Antonio wouldn't forgive me,
30:41I'd rather stay at home.
30:42No, we've already talked about this.
30:45You have to go with your friends
30:46and have a good time.
30:48And stop thinking about Carla, right?
30:50Well, I didn't say that.
30:55I know.
30:56Forgive me.
30:58Forgive me.
30:59Hey, why don't you pick me up later
31:02at the corral and we go home together?
31:04Although I understand that
31:06a goodbye at the Madrid-Cabaret will last longer.
31:09But I don't know if I want to be alone
31:11and less at night.
31:12But I don't want to be alone at parties either.
31:15Honey, don't worry,
31:16because I'll make any excuse and I'll leave earlier.
31:20Well, look, no.
31:21It doesn't matter.
31:22It's not necessary.
31:23Because today is a special day
31:24and I don't want to bother you.
31:25So you have as much fun as you want
31:27and come back when you need it.
31:29Go.
31:36Indigo Peñalvera speaking.
31:38Indigo.
31:39It's Clarita.
31:40Clarita.
31:44Clarita.
31:45Hi, my love.
31:46How are you?
31:47How was the trip?
31:48Have you arrived in Jerez?
31:49Sure.
31:50The trip was long,
31:51but it went well.
31:52I'm with Aunt Concha and Pablo.
31:54They send you lots of kisses.
31:56Tell them I love them a lot.
31:58By the way, Clarita,
32:00I want to ask you something.
32:02Yesterday, before you left,
32:04you didn't go out to the terrace
32:06and you didn't take the notebook I use as an agenda.
32:09No.
32:11And I didn't go out to the terrace either.
32:13Why would I do that?
32:16Listen, I told Aunt Concha
32:18that we have to go and do some errands.
32:20I'll call you again tomorrow.
32:21I love you.
32:22And me.
32:23A lot.
32:28Clarita didn't go out to the terrace
32:30and she didn't take the notebook either.
32:32Which means that I was right
32:34and that someone entered the house...
32:35Listen to me, my love.
32:37Let's think logically.
32:39If someone had entered the house,
32:40it would have been a thief.
32:41And if he had taken a jewel
32:43or stolen something,
32:44and he didn't take anything,
32:45the only thing that has happened
32:47is that a notebook has moved.
32:51What if it wasn't a thief?
32:56It's getting late, my love.
32:58We have to go.
33:00Besides, I think it's a good idea
33:02not to think too much.
33:05Come on, let's go.
33:07Let's go.
33:29Laurita,
33:31I just got a call from the doctor.
33:33The test results will be out tomorrow.
33:36Perfect.
33:37Can I go with you?
33:38No, no.
33:39No, no. If you don't mind,
33:40it's a bad habit that I prefer to go alone.
33:42Inés, what do you mean if I don't mind?
33:45Inés, do you really think I'm going to leave you alone
33:47in a situation like this?
33:48You don't know me.
33:49You also take advantage of my brother, right?
33:51No, no, no.
33:52It's not that.
33:53I just want to go with you
33:55to share that moment with you
33:56and celebrate it together.
33:58I'm sure we'll be happy.
34:00Trust me.
34:02Good afternoon.
34:05Wow!
34:06The store looks great, doesn't it?
34:08Thank you,
34:09although we've barely made any changes.
34:11Inés,
34:12I was just going to ask your sister about you
34:15and I just saw you enter the store.
34:17Yes,
34:18tomorrow I'll get the test results.
34:20I'm sure they'll be favorable.
34:22Yes, we all are.
34:23Yes, I think it's great that you're so convinced,
34:26but I don't think anyone understands
34:28what I'm going through.
34:30Laurita, where's the bathroom?
34:32The front door of the office.
34:34Yes, of course, thank you.
34:40Let's see,
34:41you have to understand that
34:43she's so nervous,
34:44it's completely understandable.
34:46Things are different from the outside,
34:48but I think you have to put yourself in her shoes.
34:51Yes.
34:53Excuse me,
34:54the doctor who said yesterday that he did miracles,
34:56is that true?
34:58Well,
34:59I don't know him personally,
35:01but I think his success is commendable.
35:03Listen to me,
35:04I would never joke about such a delicate situation
35:07like your sister's.
35:08Let me doubt it.
35:09After your performance as a cashier,
35:11I don't trust your sincerity.
35:13You have to understand that I was joking,
35:15that there was no bad intention at all.
35:17You have to differentiate a joke from a bad intention.
35:19And you have to understand that you don't know me at all.
35:31Can I know what you do?
35:33Start over.
35:34Start from scratch.
35:35Imagine that we don't know each other,
35:37that is, we haven't spoken yet, right?
35:39Hi,
35:40I'm Agustín Comas,
35:42theater entrepreneur
35:43and proud owner
35:45of several movie theaters in the city.
35:47Among them,
35:48the one in the gallery.
35:49And I was passing by and I said,
35:51I'm going to introduce you to my respects.
35:54And what am I supposed to do now?
35:56Well, now you have to introduce yourself,
35:58like I did.
35:59Okay.
36:01Hi,
36:02I'm Laura Valbuena,
36:04proud co-owner of this business
36:07and I also do advertising promotions
36:09and event organizing.
36:10Wow,
36:11how interesting.
36:13Would you like to have a coffee with me
36:15so you can keep talking to me about you?
36:17But isn't it a bit shameless
36:19to invite me to have a coffee
36:20if we just met?
36:22It's true.
36:23I'd better save it for the next one, right?
36:25No, no.
36:26It's okay.
36:27I accept your coffee.
36:30Did I miss something?
36:32Nothing, no.
36:33A shameful performance
36:35of a bad actor
36:37who, luckily,
36:38does other tasks
36:39that are better for him.
36:40And as they say in the theater,
36:42a lot of shit for his appointment with the doctor.
36:45Did he say shit?
36:46A lot, yes.
36:47Yes,
36:48that's what they say to wish you luck.
36:52It's been a privilege to see you.
36:54It's very difficult to find
36:56two sisters so beautiful
36:58and interesting.
36:59Good afternoon.
37:03I thought you didn't like her.
37:04That's how it is.
37:06But then,
37:08why are you looking at her like that?
37:09Like what?
37:11Laurita, what happened between you two?
37:13What do you mean?
37:14What happened between you two?
37:28Come on, Esperanza,
37:29take out the gift.
37:30I'm going crazy
37:31to see how this wonderful orgy works.
37:33What do you mean, take it out?
37:34Did you think I'd bring that stuff in my purse?
37:37You didn't have to bring it.
37:39No, but I thought you were in charge.
37:41What do we do now?
37:45Potato omelette!
37:47Just what I like.
37:48Well, don't worry,
37:50because soon you'll have to stop worrying
37:53and prepare the stews.
37:55Not so fast, girl.
37:56With a misunderstanding here with Trini,
37:58we forgot the gift.
38:00What a shame, Antonia.
38:01I'm sorry.
38:02What a shame.
38:03I'll give it to him.
38:04Come on, let's eat.
38:05I'll tell you something,
38:06it was my idea.
38:07Yes,
38:08it's an invention from a bathroom in Zaragoza
38:10that will make your life easier
38:12and make Pietro very happy.
38:14A bathroom in Zaragoza?
38:15Yes, yes, yes.
38:16Well, that's not important.
38:17What's important is that it was my idea.
38:19Well,
38:20but for the gift
38:21that Mr. Fermin has given to the grooms.
38:22Tell him, Antonia,
38:23they're going to love it.
38:24Oh, my God.
38:25Well, he gave us the invitation in La Moderna.
38:27What?
38:29He's a very generous man.
38:30Well, well,
38:31don't be surprised,
38:32I know it was his idea.
38:35Long live the godmother!
38:36Long live!
38:38Cheers!
38:39Long live the bride too!
38:40Long live the bride!
38:52Hey, hey, hey, hey,
38:53are you going to make a scene?
38:55Don't worry,
38:56I've already talked to the neighbors
38:57and they haven't given me any trouble,
38:59so there's no excuse not to dance.
39:01Well, Esperanza,
39:02you're very good at cleaning orders,
39:04but I don't like to mess with sandals.
39:06Oh, look at her!
39:08She's going to teach me a lesson.
39:11Come on, let's dance.
39:39No!
39:50Excuse me.
40:02Mati, are you okay?
40:03Yes.
40:04Yes, yes, yes.
40:05I just need to freshen up a bit.
40:08Okay.
40:20Excuse me, Mr. Fermin.
40:21Come in, Pietro, come in.
40:22I was waiting for you.
40:26Tell me,
40:28how does one feel at a time like this?
40:31Very happy.
40:33But I wanted to tell you, Mr. Fermin,
40:35that neither Antona nor I
40:36will ever forget
40:37everything she's doing for us.
40:39You know, I asked a friend
40:41what a godfather's role was,
40:43and he told me it was very simple,
40:45to make things easier for the boyfriends.
40:47And that's what I've done.
40:49Fulfilling my obligation.
40:51Thank you, Mr. Fermin.
40:52I hope one day
40:53I can do something for you.
40:56Well, maybe
40:57I could do it right now.
41:00You just have to answer a question.
41:02If you want, of course,
41:04it's about
41:06something personal.
41:08Whatever you want.
41:11How did you realize
41:15that Antonia was something more
41:17than a co-worker?
41:19I mean, how...
41:22How did you know
41:24that what you felt for her
41:26was...
41:28It was love, Mr. Fermin.
41:29Love?
41:30Yes.
41:32When I was married
41:34to my first wife,
41:35Don Fermin Lucia,
41:36may she rest in peace...
41:37But...
41:38I'm sorry, Pietro.
41:39I didn't know he was married.
41:40And much less
41:41that his wife had died.
41:43I'm sorry.
41:44It was terrible.
41:45It was very, very inopportune.
41:46I'm sorry, for God's sake.
41:48Don't worry, Mr. Fermin.
41:49I never told you.
41:51It's something that happened
41:52many, many years ago.
41:55And if I mention it now,
41:56and just to tell you
41:59that Antonia is not my first love,
42:01as I'm not her first love either.
42:04And it was a surprise, Mr. Fermin.
42:06A very big surprise.
42:08For me, too.
42:09To try something so strong
42:11and so different.
42:12So different?
42:13Yes, Mr. Fermin, so different.
42:15Because...
42:16With Lucia.
42:17With Lucia it was
42:18an arrow.
42:20Yes.
42:21From the first moment I knew
42:22that I was falling in love.
42:25With Antonia, no.
42:26With Antonia,
42:27it's like it was a...
42:30a slow cooking.
42:32Yes.
42:33A slow cooking
42:34and until the day that...
42:37Until the day
42:38she fell in love.
42:40Exactly.
42:41Until the day I fell in love.
42:45When she became a widow,
42:47we've been supporting each other
42:49a lot.
42:50All the time.
42:51Antonia is a wonderful person,
42:52Mr. Fermin.
42:53She's an incredible woman.
42:56I've been in love with her for many years.
42:58Many.
43:01Excuse me.
43:02Pietro, I'm aware of everything.
43:04I assure you that the invitation
43:05will be to your liking
43:06and to Antonia's.
43:07Thank you very much.
43:08Thank you very much.
43:09Really.
43:10You make me feel very special.
43:12And you are, Pietro.
43:13You are.
43:15We have to go to Madrid, OK?
43:18Well, enjoy yourselves then.
43:20Excuse me.
43:21Come in.
43:27Hasn't your day finished yet?
43:29Well, I wanted to stay a little longer
43:32to get the orders ready for tomorrow.
43:38Don't stay until too late.
43:40Don't worry.
43:41You know that no one is waiting for me at home.
43:52Excuse me.
44:10At first, when he arrived,
44:12how did he speak?
44:13What a horrible Castilian.
44:15I don't know.
44:16It's like when Cervantes didn't get up from his grave
44:18to give you a beating.
44:20Well, he deserves a beating.
44:22Well, when he starts singing opera,
44:24what do you say?
44:25Opera, opera.
44:26He's got a pass.
44:27The truth is that here,
44:28the teacher sings like angels,
44:30doesn't he?
44:31Yes, sir.
44:32Now, yes,
44:33like our Zarzuela,
44:34it doesn't matter.
44:35Please, Iño,
44:36can you say something?
44:38He's the only one here
44:39with a common sense.
44:40Please.
44:41Look, if he doesn't defend him,
44:43I'll do it.
44:44The first time I tried one of his tarts,
44:47it was like being in love.
44:50It was my magic.
44:56Excuse me,
44:57but he was with an old friend.
44:59He looks worried.
45:00Is everything okay?
45:01Yes, the night is great.
45:03Yes.
45:04If I hadn't noticed,
45:05the godfather was already here.
45:07So, Fermin,
45:08we want to hear his speech.
45:10Yes, yes, yes.
45:11Speech.
45:12Speech.
45:13Speech.
45:14Speech.
45:15Speech.
45:16We want him to speak at the banquet,
45:18not at the farewell,
45:19and that's how it's going to be.
45:20Don't worry,
45:21I've prepared a few words.
45:23Take them,
45:24but as they came these days,
45:25I've been writing them down.
45:26So, I'm going.
45:27Of course.
45:28There goes Miura.
45:29Where is he going?
45:30Come on, Elias.
45:39Excuse me.
45:44Hello?
45:45Can you hear me?
45:46Yes.
45:47Can you hear me?
45:48Good evening, godfather.
45:49Well,
45:50a moment of attention, please.
45:52I'm going to say a few words
45:54to our friend Pietro,
45:55who is getting married.
45:57Master Pietro,
45:58beloved pastry chef,
45:59you are a magician of desserts,
46:01aren't you?
46:02Well, it's a great pleasure
46:03and an honor for me
46:04to share this feeling
46:05on a day as special as today.
46:07And in a place
46:08as emblematic and special
46:09as the godfather's.
46:11A place where miracles happen.
46:13But as my friend Luis said,
46:14to the throne,
46:15so be quiet.
46:17As Quixote said,
46:19when you enter
46:20the heart of a friend,
46:21the important thing
46:22is not the place you occupy,
46:23but the important thing is
46:24that you never leave there.
46:27And you, Pietro,
46:28have occupied my heart.
46:30And I could say
46:31the only name I would miss,
46:32in the name of others,
46:33that too.
46:34Amen.
46:35You are a beautiful,
46:36I say beautiful,
46:37a beautiful gift of life.
46:39Yes, a luxury.
46:41You are like
46:42the Italian sea
46:43that we have never had,
46:44but that we are celebrating right now.
46:46Be happy with Antonia.
46:48Congratulations.
46:49And be very happy
46:50and as you say,
46:51a round of applause for Pietro!
46:53Bravo!
46:54Bravo, Pietro!
46:57Bravo!
46:58Bravo!
46:59Bravo, a round of applause!
47:05Grazie, grazie.
47:07And now that we are here
47:08on stage,
47:09can you sing us a song?
47:10Because he sings,
47:11but he sings.
47:13A song.
47:15A tarantella.
47:16Yes!
47:17And we dance.
47:19Of course, of course.
47:38Well, I think I'm going.
47:39No, no, no,
47:40don't leave me alone.
47:41Please, God.
47:43Hold on.
47:44I'm coming with you.
47:50Well, I would love
47:51to stay and pick up,
47:52but if not ...
47:53Me too,
47:54but if not,
47:55we're going to miss the last tram.
47:56Nothing, don't worry.
47:57Between Marta and I,
47:58we do it in a Santiago.
47:59Matilde, are you coming?
48:01No, I'm going in the other direction.
48:03Well,
48:04are you sure you're okay?
48:06Yes, yes,
48:07if it wasn't for the wine
48:08that made me feel bad.
48:09Don't worry about me.
48:10Well,
48:11come on, goodbye.
48:12We had a great time.
48:13Goodbye.
48:14Goodbye.
48:15Thank you for coming.
48:16Have a good time.
48:20Honey,
48:21I'm a little worried.
48:23Why don't you stay with us here?
48:26And so you don't have to wait
48:27for Íñigo to come.
48:28I appreciate it.
48:29And I confess
48:30that it is very tempting
48:31to stay here again
48:32in my dear Corrala,
48:33but ...
48:34but I have to go home.
48:36Well,
48:37as you wish.
48:41Antonio, it happened to me again.
48:44What I told you about Mrs. Carla,
48:45it happened to me again.
48:47So,
48:48tell me the truth,
48:49if I'm thinking clearly
48:50or if my head is going.
48:51Honey,
48:52don't say that as a joke.
48:53Look,
48:54I once met a girl
48:55who really went crazy
48:56and they had her
48:57put in a mental hospital.
48:58You have nothing
48:59to do with her.
49:00But then what's wrong with me?
49:01Honey,
49:02it's not what's wrong with you now,
49:03it's everything that has happened to you.
49:04I have to remind you
49:05everything that has happened to you.
49:06Between your mother's death,
49:08your own illness,
49:09the accusations to Íñigo,
49:10the accident ...
49:11Man,
49:13you have wanted to be strong,
49:14honey,
49:15but your body is telling you
49:16enough.
49:17Enough rope is there
49:18for everything that has happened to you.
49:20And when you have doubts,
49:21think about hope.
49:22That's really cool.
49:24Oh, Antonio.
49:25Thank you.
49:26I needed one of your advice.
49:28Here you have them for whenever you want.
49:30You will always trust me
49:31and you will believe in me,
49:32even if I tell you things
49:33that are crazy.
49:34Of course I do.
49:36But I don't know,
49:37it's like someone
49:38wants to drive me crazy.
49:39Someone?
49:40Who, honey?
49:41Who?
49:43Well, Mrs. Carla.
49:44Or rather, her ghost.
49:48You are looking at me
49:49as Íñigo does.
49:50Well, honey,
49:51because we are both
49:52worried about you.
49:53It's just that.
49:54It's normal
49:55that you think about that woman
49:56because she has hurt you a lot.
49:57But she is dead and buried.
49:59Yes, Antonia,
50:00but someone came into my house ...
50:01Look,
50:02when you stop thinking about her,
50:03she will disappear from your life.
50:05And you will stop seeing weird things.
50:08Promise me, Gloria.
50:11I promise you.
50:12Very well.
50:13Are you sure you don't want to stay?
50:15No.
50:16No, thank you.
50:17I will go home
50:18and wait for Íñigo.
50:19Do what you told me.
50:21Remember,
50:22if you don't think about her,
50:23she will.
50:28Come on, rest.
50:29Goodbye, Antonia.
50:30Goodbye.
50:38Goodbye.
51:09I came to talk to a friend
51:11who works for the police.
51:14They have identified the body.
51:16They have confirmed his identity.
51:18It's about Carla.
51:20They found something in the body.
51:22A medal that was stuck
51:24between the skin and the clothes.
51:27It was a medal of honor.
51:29I don't know what it was.
51:31I don't know.
51:32I don't know.
51:33I don't know.
51:34I don't know.
51:35I don't know.
51:36I don't know.
51:37It was a medal that Mrs. Bárbara
51:39gave to Carla a few weeks ago.
51:42That's why she identified him.
51:59There is no trace of the boxes
52:01and it seems that the books are...
52:03They don't seem to be.
52:04Miguel, they are.
52:05Did you do all this?
52:07I don't know how to guess, Father.
52:09Well, if you've been able to get this in a week,
52:13what can you get in a few months?
52:15What are you doing awake at this hour?
52:18Honey, are you okay?
52:21No, no, no.
52:22Don't touch her.
52:23Matilde, calm down, you're scaring me.
52:25I asked him to come because Lieutenant Lorenzo
52:27comes every day to interrogate me
52:29about Cesar's whereabouts.
52:31I don't know what to tell him.
52:32Have you heard from Cesar?
52:34No, I don't know anything.
52:35Hiding information from the authorities
52:37can get her in trouble.
52:38Lieutenant, I'm going to ask you to lower your tone.
52:40I'm not going to let you talk to my niece like that.
52:42If she says she doesn't know anything,
52:43it's because she doesn't know anything.
52:44We'll see each other again.
52:45You're not welcome in this house.
52:47So you're going back to where you came from.
52:49I'm not leaving until I swear
52:51that this game with Macabre,
52:53which is subjecting me and my wife,
52:54is going to end.
52:55Can you tell me what diantres you're talking about?
52:58The San Cayetano medal.
53:00Indeed.
53:01Thanks to a medal like that,
53:03he recognized his daughter's body.
53:05Isn't that true?
53:06I don't know if it was through a door or a window,
53:08but someone came into my house.
53:10I wanted to know how you're doing at the doctor's.
53:12Well, my vocal cords are still damaged,
53:14but the doctor thinks I'm not irreversible,
53:16that with time and a lot of work
53:18I might be able to sing again.
53:20We're getting married!
53:22Already?
53:23Yes.
53:24But you've only been together for a short time.
53:25Could it be that the stork is on her way?
53:27As this morning you were late more than usual.
53:30It seems that you have me as controlled
53:32as the rest of the squad.
53:35I wanted to make sure that you didn't forget
53:37that tonight we're going to the theater.
53:39Give me your ticket, please.
53:41I'm going to the theater with whoever I want.
53:43Excuse me?
53:44Explain to me what you want.
53:45That you help me gain Laurita's trust.
53:48Excuse me?
53:49I can assure you
53:50that if you help me, you won't regret it.
53:52Your friend Laurita will be happier
53:55than she has ever been in her life.
53:56Matilde asked for help to Scream in the middle of the gallery
53:59because she was sure she had seen someone.
54:01Who did she say she saw?
54:02That girl? Fabio?
54:03Carla.
54:04Or her ghost, I suppose.
54:05It is most likely that Matilde suffered a hallucination
54:10as a result of her bad conscience,
54:11the same thing that is happening to her husband.
54:13Carla!
54:14Are you there?
54:26What are you doing, daughter?
54:27Nothing, honey.
54:28I just wanted to know how you are.
54:29Although you don't need to answer if I hear you upset.
54:32No, I'm fine.
54:33I'm fine, I was going to have dinner right now.
54:35That's why I called you.
54:37Right now there is a bit of trouble in the Madrid-Cabaret
54:39and I would like to stay a little longer.
54:41But if you feel calmer, I ...
54:43No, calm down.
54:45Careless.
54:46I'll be fine.
54:47You keep working.