She Loves She Doesn't Episode 58
Deniz is the daughter of a wealthy family as a child. She is so special for her school because of her beauty and popularity. Yiğit is the short and fat kid with glasses that everyone is making fun of at school. These two cross paths with each other while they are in middle school. Even though Yiğit is frozen out by everyone, Deniz takes him under her wing. They build up an unforgettable bond. Deniz becomes Yiğit's first friend and childhood crush.
However, when Yiğit turns 15, he has to move to the USA, and they get separated from each other. Then, Deniz has other changes in her life. First, her family's printing company goes bankrupt. Then, she loses her beautiful genes from her mother, and her father's not-so-beautiful genes emerge. Deniz loses her fascinating beauty. Deniz, who goes through a streak of bad luck, can't find a job after university. When she turns 29, she, with her own words, misses her life. Meanwhile, Yiğit loses weight and becomes a very handsome man, and on top of that, he has a constantly growing career.
Actors: Zeynep Çamcı, Gökhan Alkan, Gonca Sarıyıldız, Yiğit Kirazcı
Credits:
Yönetmen: Yusuf Pirhasan
Script: Aksel Bonfil, Hakan Bonomo, Rüya İşçileri
However, when Yiğit turns 15, he has to move to the USA, and they get separated from each other. Then, Deniz has other changes in her life. First, her family's printing company goes bankrupt. Then, she loses her beautiful genes from her mother, and her father's not-so-beautiful genes emerge. Deniz loses her fascinating beauty. Deniz, who goes through a streak of bad luck, can't find a job after university. When she turns 29, she, with her own words, misses her life. Meanwhile, Yiğit loses weight and becomes a very handsome man, and on top of that, he has a constantly growing career.
Actors: Zeynep Çamcı, Gökhan Alkan, Gonca Sarıyıldız, Yiğit Kirazcı
Credits:
Yönetmen: Yusuf Pirhasan
Script: Aksel Bonfil, Hakan Bonomo, Rüya İşçileri
Category
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TVTranscript
00:00Deniz, where did you disappear to?
00:24How is Deniz?
00:27Why couldn't you pull yourself together?
00:53Deniz.
00:54Yiğit, what are you doing here?
00:59I came to see you. I was wondering how you were. Are you okay?
01:06It's my fault, of course.
01:08What's your fault?
01:10You think I'll be miserable when I leave you.
01:13You're right, because I've always made you think that way.
01:17But as you can see, I'm fine. I'm fine.
01:19Deniz, why are you acting like I'm going to be sad when you get better?
01:24Why are you acting like that? Of course I want you to get better.
01:28We're old friends.
01:30We were, weren't we?
01:32We were, and we'll continue to be. Right?
01:35I'm not going to give up on my best friend just because we broke up.
01:41You're right, Yiğit. I'm not going to give up on you either.
01:45But for now, let's keep our distance.
01:49You're right.
01:51I mean, the distance between us is much closer.
01:57I have an appointment. I'm sorry.
02:10I wonder how he sees me.
02:14It seems like he sees someone else. I don't know that girl.
02:17Actually, I think you know her, but you don't know her.
02:24I don't know.
02:26I'm a little asocial with myself.
02:30What can I do?
02:32What can you do?
02:34Hold my hand.
02:35For example?
02:47Well...
02:49Now...
02:52Well...
02:54Because I didn't have a boyfriend before...
02:58Now when you say it...
03:01Oh, come on.
03:03Look, it's very simple.
03:05Like a man's hand.
03:07But of course, this is not a man in love.
03:11Then we combine it with your delicate little hand.
03:26It's like a butterfly in a gorilla's hand.
03:30What does that mean?
03:32Okay, I admit it doesn't look bad, but be careful.
03:35Yes.
03:37Do you know what's important?
03:39Fingertips.
03:41Here?
03:42Slowly.
03:44Because you have to feel it.
03:46It will turn slowly.
03:49My hand is hot, yours is cold.
03:51Yes.
03:52You have to feel it.
03:53Why is he slowing me down so much?
03:55Okay.
03:57Thank you.
03:59Did you make me pass now?
04:02I mean...
04:04Early.
04:05Early, okay.
04:07Respect for the early bird.
04:12Okay, where were we then?
04:15We were talking.
04:17This is Istanbul.
04:20It's complicated.
04:22It's very complicated, look.
04:24The city of chaos.
04:26What?
04:27The city of chaos.
04:33I...
04:35I'm in love, can you believe it?
04:38And I'm in love for the first time in my life.
04:40I mean, I still don't know what was in this man's mind.
04:44Why Yigit Balcı?
04:45If I shake my hand, it's Elis Yigit, it's ridiculous.
04:53Shall we talk about something else?
04:56Of course you're bored.
04:57You're right.
04:59What did you do?
05:00Tell me a little bit.
05:02Do you remember the last time we met?
05:05I said I was in the media industry.
05:07Yes, you were even very nervous.
05:09You said it would be a big change for me.
05:11Exactly.
05:12Actually, I didn't have to be nervous.
05:14I mean, it's on my way.
05:16Now I'm working for a man's magazine.
05:18Is that so?
05:20Then you may know Yigit Balcı.
05:22Because he is the editor-in-chief of the Golflamingo magazine.
05:25Although he may not be well-known here because he was transferred from America.
05:29You know, they always know him as a very solid person.
05:31I see.
05:33So we're going to listen to Yigit all night here.
05:35No, I said it was over.
05:38Since you didn't forget your ex-fiancée, why are you calling me here?
05:42I didn't call you here.
05:43You came, I forgot my fiancée.
05:45What did she forget?
05:48To you.
05:49Happiness with Yigit's imagination.
05:50Come on, I'm running away.
05:52Wait a minute, wait a minute.
05:53You're acting like this because I broke up with you, right?
05:55You're thinking about revenge or something.
05:57Do you know what your problem is?
05:59Your problem is that you didn't forget me.
06:01That's your problem.
06:03You're not even her.
06:04You...
06:10Very good.
06:23Get in, get in.
06:26My lungs are ruined, not my romance.
06:28Oh my God, is it bad?
06:30The memory of our first night has something left in his lungs.
06:32Look at the memory.
06:38Who is he at this hour?
06:40Deniz, I can't reach you, can you call me?
06:44I need to talk to Yigit, but how?
06:47Ya, Tuna.
06:52What's up, Zulu?
07:05Of course, both of you, right?
07:09What's up, guys?
07:10I think she's in a good mood.
07:12Very good and very super.
07:13Oh my God, you're going to fall.
07:14What are you doing?
07:15Why did you scream?
07:16Stop.
07:17One minute, Zulu.
07:18One minute, don't come to me, go there.
07:20Next to your lover.
07:21Go, go, stop.
07:22Let me see.
07:23Stop.
07:25Let me see you two.
07:30You look great.
07:32What a beautiful couple you are.
07:36Look, I'm emotional, can you see?
07:40There's something missing in this photo.
07:52Come, come, come.
07:57Guys, let me tell you something.
08:03Love.
08:04Always love each other.
08:06No matter what.
08:08Love, count.
08:11Do you know why?
08:13Because life is too short.
08:16Birds also fly.
08:18I'm not telling you anything.
08:19You're fine, right?
08:20You're fine.
08:21While she's fine, there's a trace of the neighborhood.
08:23Let me see.
08:25What's up?
08:26Get a hold of yourself.
08:27What are you doing?
08:28What's going on?
08:29Why are you treating me like a child?
08:30You act like a child.
08:31Why would I treat you like that?
08:42Oh, that's it.
08:43What happened?
08:45Well...
08:46Are you going?
08:47Oh, he's upset.
08:49Oh, what a pity.
08:51Oh, poor thing.
08:53Are you upset?
08:55What happened now?
08:57Did I stop you from seeing each other?
08:59Did I separate you?
09:01No, shut up.
09:03Okay, see you then.
09:05Come on, see you.
09:11Wait a minute, what was I going to say?
09:13Let the party go on.
09:15Let the party go on.
09:19Girl, don't go inside with your shoes.
09:23Wait a minute, wait a minute.
09:25Wait a minute.
09:29What is this?
09:31The neighbors will come.
09:33What are you doing?
09:41Don't be upset.
09:43Why are you trying to ruin my fun?
09:51I'll tell you.
09:55Excuse me.
09:57Why is your fun in place?
09:59Don't you have to be upset?
10:01No, I don't have to be upset.
10:03Because I'm as light as a bird.
10:05Because there's a big lie on it.
10:07Do you understand?
10:09Because I don't have to be upset.
10:11You're going to sweat.
10:13Exactly.
10:17That's it.
10:19That's it.
10:23Don't you miss me?
10:25Don't you miss me, Yigit?
10:27Can I tell you something?
10:29Three guys texted me tonight.
10:31Three guys.
10:33All of them were as handsome as Yigit.
10:37Why should I be upset with Yigit?
10:39Handsome.
10:41Wow.
10:43Weren't you in love with this boy?
10:45What happened to him?
10:47I'm in love.
10:49But he's not in love with me.
10:51It's a problem.
10:53Can't I be a little crazy to hold him?
10:57I have nothing to say.
10:59Then dance.
11:09Come on, baby.
11:11Come on, baby.
11:15Come on, baby.
11:17Come on, baby.
11:29Is it me?
11:31I'm on the way.
11:33I'm at home, honey.
11:35Don't worry, okay?
11:39I'm sorry.
11:47Yes, Mr. Yiğit.
11:49Deniz, I couldn't reach you all day. Where have you been?
11:52Well, I had things to do.
11:54I guess it's important since you called at this hour.
11:57We didn't talk much today at the office.
11:59When Ms. Neşe came.
12:03I wish you had told me before you left.
12:05I had a lot to do. I'm sorry. I was in a hurry.
12:08Then why didn't you call?
12:10Because I'm with Tuna.
12:14Hello? Are you there?
12:16I'm here. I'm here.
12:18I know. We need to talk.
12:20But you don't seem to want to.
12:24I want to. I want to.
12:26If only I could talk.
12:28This is the devil I want to hear.
12:31I don't think you want to hear this.
12:34I'm at a restaurant right now.
12:38I'm sorry. Can we talk later?
12:41Okay. Okay. Enjoy your meal.
12:44I'm waiting for you in the car.
12:46Sure.
12:54I hate myself.
12:56Because I couldn't tell you.
13:00I'm stuck in the middle again.
13:03I can't find a clue.
13:19Suzu?
13:22What's up?
13:24Are you in a party with Tuna?
13:33Zuzu, what happened?
13:36Nothing, we didn't discuss it. It's work. I don't know, I'm bored.
13:41Come on, let it go. Our only problem is work, Zuzu. Forget it.
13:46We came from a bigger problem. We don't have to lie to Yiğit anymore.
13:51We don't.
13:52We don't?
13:53We don't.
13:54Huh.
13:55Well, you're still in a bit of trouble, I forgot.
13:58But forget it. You say it, you'll get rid of it, Zuzu.
14:02Zuzu!
14:06Should I say it? I mean, I should, right?
14:10I want to say it too. After all, there's a misunderstanding.
14:14I'm not guilty. Am I guilty? I'm not. I mean, I can say it, right?
14:19What are you talking about, Zuzu?
14:21What are you talking about?
14:23I'm telling Yiğit that you're a sea lion.
14:28Until he comes to me.
14:30Forget it. We're at the end of the line.
14:33Most of them are gone, few are left. Let it go.
14:36Take it easy.
14:38Come on, let's dance.
14:41I don't want to.
14:51Zuzu.
14:53A Zuzu's advice from me.
14:55Do you know what will solve this confusion of yours?
14:59The truth.
15:02What's the truth?
15:04Yiğit loves you.
15:08I love you.
15:12I love you.
15:27You're making me nervous, guys. Please hurry up.
15:31We're way behind schedule.
15:33Deniz.
15:35Who did this girl's hair?
15:37Like an Anatolian hobbit.
15:39This is not right.
15:40Come on, hurry up.
15:41Yes.
15:42Yes.
15:44Yes.
15:45Those hair will burn. Why don't you turn on the light?
15:48Yaman.
15:49Come here.
15:52I say, let's put Tuna here.
15:54Let's have a layered shot.
15:56If you take this side, you can't get the light, Mr. Gazi.
15:59I want to emphasize Tuna's shadow side.
16:02Let the light be my problem.
16:04Technically, shouldn't there be some light for the shadow, Mr. Gazi?
16:07Cemal, we're going to do a fashion shoot at the bottom.
16:11We're not at the philosophy olympics. What are you going to do? Give it to me.
16:17Yes, how much time do we have left? Let's speed up a little, Buket.
16:20It's almost over, but it's a couple of takes.
16:22Now Mr. Gazi will take the photos.
16:24Ms. Neşe will do the interview. I'll record the voice.
16:26Okay?
16:27Yes.
16:29Okay.
16:30Okay, thank you.
16:31Come on, guys.
16:32I'm waiting.
16:33Send the man.
16:34Please.
16:35Okay.
16:41Tuna, please, a little seriousness.
16:44I came with tea, brother.
16:45Is this serious?
16:47He's a writer.
16:48It's not like that.
16:49Look, when you say writer, he puts two fingers here.
16:51He pokes one of his two fingers into his mouth.
16:54Look far away.
16:56Yes, yes.
16:57It's done.
16:58Good.
17:00I wonder if Ms. Neşe will come.
17:02I don't know.
17:04Ms. Neşe went to a meeting on the third floor when we were coming here.
17:07I don't know if she'll make it.
17:09Oh, the meeting takes three hours.
17:12Today's shoot would be a lie.
17:14Who's going to do the interview?
17:17Good luck, guys.
17:22Welcome, Mr. Zik.
17:25Thank you.
17:26Since Ms. Neşe has an important meeting,
17:28and the interview needs to be done immediately,
17:30I'll do it.
17:37Sir, get well soon.
17:42You can press it as you want.
17:45My friend.
17:49Yes.
17:51Tuna Yiğit Deniz Üçgeni all day.
17:53Wouldn't you be a little more nervous?
17:57Yes.
18:10As far as I know, the tenth print of the book.
18:13Everything is going well.
18:15What do you attribute this success to?
18:16What do you attribute this success to?
18:17I mean, as much as I can,
18:19real emotions,
18:21with real events,
18:24I throw it on strong heroes.
18:26So.
18:27The audience consists of women.
18:29What's the secret of this interest?
18:31I think women are getting closer to what I wrote.
18:35We can attribute this to the following.
18:37Men are sometimes violent.
18:38Now, of course, we also have male readers.
18:40I don't want to hurt them either.
18:42Let me put it this way, then.
18:44Men don't show their emotions,
18:46their weaknesses, their thoughts.
18:48Right?
18:49Even when they approach someone
18:50and see the child inside them,
18:52they run away without looking at their minds.
18:54That's what I wrote.
18:56They do the exact opposite of this.
18:59I write about men with weaknesses.
19:03So what are your weaknesses?
19:05Not what, who.
19:07He knows himself right now.
19:08But don't write about it.
19:13I mean, I learned it at a very early age.
19:15You can only deal with something
19:17when you face your weaknesses.
19:20Not by running away.
19:22Do you have any wounds that you are afraid to touch
19:24from the past?
19:25There are.
19:26Isn't there?
19:27There are.
19:28For example,
19:29I wonder, of course,
19:31while there are so many people in this magazine,
19:33why are you interviewing me?
19:36I'm not going to write that either.
19:38I'm not going to write that either.
19:39I'm not going to write that either.
19:40I'm not going to write that either.
19:41I'm not going to write that either.
19:43I'm not curious.
19:44Out of necessity.
19:45You know.
19:47Someone stop this bloody war before it starts.
19:49Please.
19:51But right now,
19:52I'm already standing in front of you
19:53as a messenger of your readers.
19:56Let me push you a little for them, Tuna.
20:00Now, this is a game, isn't it?
20:04A kind of game.
20:06People want you more
20:08than they want you.
20:09They want you to read their books.
20:11They want you to be sad.
20:13It's an armor you've built
20:15and made masterfully.
20:17Armor.
20:19Now, here's the thing.
20:21We don't all need armor to live.
20:23You, for example.
20:25I mean,
20:26you have the charisma of a boss, don't you?
20:28You have the pride of a boss.
20:30When you look at the suit,
20:31the shoes, the shirt that support it,
20:33there's a wholeness
20:34in your hair design, right?
20:36I'm sure
20:37these kinds of wholeness
20:38have moved you forward
20:39in your business life.
20:40Am I right?
20:42Well,
20:43you're right.
20:44Now, you mentioned
20:45the suits and stuff,
20:46but if we ask some questions
20:47about fashion,
20:48a fashion...
20:50Assistant, don't get involved.
20:52But, I mean,
20:53the magazine is a fashion magazine.
20:56Who's going to read these?
20:57Who cares?
20:58I mean...
21:02Tuna, if it bothers you,
21:03he'll tell you himself.
21:04If it bothers you,
21:05he'll tell you himself.
21:07Okay, Deniz?
21:10Apparently, the person you claim
21:11to be this weak
21:12has influenced you a lot.
21:14Influenced me?
21:16He convinced me again
21:17to miracles, pal.
21:20So, miracles.
21:22Do you always go after
21:23the impossible?
21:25Impossible?
21:26Just imitate him.
21:28I don't have it in my language.
21:29I don't know.
21:32Not not knowing,
21:33but not learning.
21:34Shame on you.
21:36Maybe a teacher
21:37will come up to you.
21:38What do you think?
21:40Maybe he already did.
21:42Well, if there is one,
21:43we'll wait for your treatment.
21:45But if I play,
21:46I'll stay at the end.
21:47Look, for example,
21:48if I don't play,
21:49I'll win.
21:50But my heroes
21:51always end up
21:52in the opposite corner.
21:54They stay at the end.
21:55Okay?
21:57God save me.
22:09You're in luck, guys.
22:13She stopped.
22:21Hello, how are you?
22:23I'm fine.
22:25Hello.
22:26Are you passing by Beykoz?
22:27Jump in.
22:29Thank you.
22:30You get in the front.
22:34Would you mind
22:35if I sit in the back?
22:37No, of course not.
22:38As you wish.
22:39Thank you.
22:48Thank you very much.
22:49You didn't leave the ones you love.
22:51Let me kiss you.
22:55I think it's the months of June.
22:57We can also say the days of June.
22:59Yes, it's been a week.
23:01Even inside.
23:02Eight days,
23:04six hours.
23:05Oh.
23:07I understand.
23:08That's how it is at first.
23:10You only have one love in your mind.
23:12You can't stay without her for a minute.
23:14In songs,
23:15in poems,
23:16you always remember her.
23:17At night,
23:18during the day.
23:20Then you know.
23:22Then?
23:25What happens then?
23:27Then,
23:28love grows over time.
23:30It becomes a great love.
23:32Think of it like this.
23:33Plants turn green over time.
23:35Just like that.
23:36Love grows over time.
23:38Right?
23:40I feel sorry for you guys.
23:42You're so naive.
23:43You're so naive.
23:44You don't know about the world.
23:45No, it doesn't work like that.
23:47Let me tell you what happens next.
23:48Here's what happens.
23:49Then,
23:50the truth starts to come out.
23:54Just like the city lights
23:55that look beautiful at night,
23:57when you look at the sunrise,
23:59it's concrete,
24:00lifeless,
24:01soulless,
24:02gloomy.
24:04Just like the real face
24:05of the person
24:06you think you love.
24:08It's a mess.
24:10Well,
24:11we've known each other before.
24:13You've known each other.
24:14You've known each other.
24:15But you don't know each other.
24:17I think you have a lover.
24:22Love?
24:23There's no such thing as love, baby.
24:25Love is just a dream,
24:26a fairy tale,
24:27a mirage, maybe.
24:29But it's a lie.
24:30Look, don't ever forget this.
24:32The more you love each other,
24:33the happier you'll be.
24:34One day it'll be over.
24:35There won't even be a trace left.
24:36There won't be anything left.
24:38I think
24:39you'll start lying to each other.
24:42Then you'll see
24:44that the person you love
24:45doesn't love you at all.
24:46He doesn't love you at all.
24:47You've been chasing
24:48a huge lie.
24:50Can we get off at a convenient place?
24:54Okay.
25:05Thank you.
25:08Thank you very much.
25:15The truth is heavy, of course.
25:17There are dirty innocent people.
25:18There are.
25:22Are you crazy or what?
25:24God.
25:26Never mind, Irem.
25:27Never mind.
25:28We're not like one bullet.
25:34That's it!
25:35That's it!
25:46Cemal,
25:47our social media account
25:48hasn't been updated yet.
25:49Don't touch me.
25:50Buket,
25:51I sent you an e-mail.
25:52I'm waiting for an answer.
25:53Still.
25:54Guys,
25:55we have a magazine to publish.
25:56Come on.
25:57Come on.
25:58Come on.
25:59Come on.
26:17Come on.
26:40What's that sound?
26:41Footsteps.
26:43Uh,
26:44an unknown woman
26:45is approaching us now.
27:12Hello, I was looking for Ms. Asena.
27:35She's my mother.
27:39Oh la la!
27:41My beautiful Ayça.
27:43Welcome.
27:48Ms. Asena, how are you?
27:52I'm fine, sweetie.
27:53Let's introduce you to Yiğit.
27:54Okay.
28:00Hello.
28:02How are you, Mr. Yiğit?
28:08Yiğit, this is Ayça.
28:10She's Mr. Haldun's daughter.
28:14Nice to meet you.
28:15Likewise.
28:16Please.
28:21Mr. Haldun is an old friend of mine.
28:23I have a lot of memories of him.
28:25When Ayça said she wanted to work with you, I couldn't say no.
28:29Is that so?
28:31Why don't we find a suitable position for her?
28:34What's your education?
28:36I studied art management in London.
28:38Then I did a master's degree in fashion design in Milan.
28:41Good. Congratulations.
29:06Why would a well-educated person like her want to work in a magazine instead of working with her father?
29:17Look, Mr. Yiğit.
29:18I'm a fashion enthusiast.
29:20You can't learn fashion from books.
29:22That's why you need to get your hands dirty and get into the kitchen of fashion.
29:26Very smart girl.
29:27Very.
29:36Thank you.
30:07I'll be honest with you, Ms. Ayça.
30:10Of course, I would like to have a smart person like you in my team.
30:15But the economic situation in our magazine is not enough to pay for a new staff.
30:23Money doesn't matter.
30:25Experience is more important to me than anything else.
30:28We're on the same page, Yiğit.
30:30What?
30:34What are you still thinking about?
30:36What's there to think about?
30:41Then welcome to GoFlamingo.
30:45I'm so glad.
30:46Great.
30:47Thank you so much.
30:48I won't embarrass you.
30:50I'm sure of it, dear.
30:52You're a new intern now.
30:55I'd like to take this opportunity to get to know you through this conversation between you and Ms. Asena.
31:03Which one would you prefer?
31:05I mean, content, interview, writing, or if you're interested in fashion shoots, it could be in the studio.
31:12Which one?
31:14Writing, reading books.
31:18I'd like to start with content.
31:21Content.
31:23Yes.
31:27Okay.
31:28Then I'll introduce you to my content editor, Mr. Tuna.
31:32Because you'll be his intern from now on.
31:34Okay.
31:35Let's get to know each other.
31:40Michael.
31:41I have to take it from the beginning. I'm editing.
31:43I know. You're translating what I just said, Michael.
31:45But what I'm about to say is more important. So listen to me.
31:49People are talking here.
31:50People are listening. Go ahead.
31:52I'm telling you, during the interview, you were a little nervous, a little nervous.
31:59What's up?
32:01What?
32:02I'm telling you, you were a little nervous.
32:03What nervous?
32:05Even though we're like this, I saw a celebrity.
32:09Celebrity.
32:10When I see a celebrity, I feel like I've seen a celebrity.
32:13I get excited.
32:15I'm serious.
32:17I'm happy to be your assistant.
32:23Editor.
32:26Let me introduce you to your new assistant.
32:31I don't need it.
32:32Does anyone want tea?
32:39Hello, assistant.
32:40Hello, I'm Ayça.
32:45Actually, intern.
32:47Editorial past with young generations...
32:49One minute, one minute.
32:50Let me tell you something.
32:51I've been working here for a few years.
32:53And I've never used an intern for a few years.
32:55Because I like to do my own job.
32:57So why an intern now?
33:01Everything has a purpose, editor.
33:03Right?
33:04You're a famous writer.
33:05We don't want your work and our work here to be in vain.
33:08You say that so well.
33:09I'm glad you agreed, editor.
33:12Good luck.
33:13Good luck.
33:15Good luck.
33:16Good luck.
33:20Can you write?
33:21Okay, okay.
33:24Sorry.
33:29Get well soon.
33:33Thanks.
33:34A little wound.
33:36Well, let's go.
33:37Pull a chair.