Heeramandi The Diamond Bazaar S1-Ep1
Heeramandi: The Diamond Bazaar Season 1
Transcript
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00:00:58Huzoor, hand this boy over to us.
00:01:03If you say that again, I'll slit your tongue.
00:01:08Hmm.
00:01:10Mr. Qutub-ud-din.
00:01:13♪♪
00:01:20The price for this...
00:01:23♪♪
00:01:33♪♪
00:01:43♪♪
00:01:53♪♪
00:02:03♪♪
00:02:13♪♪
00:02:23Sattu! Sattu!
00:02:25Where did they both go?
00:02:26What happened, Mallika?
00:02:27Where's Imad?
00:02:28Maybe he's in Rihanna-zoo's room.
00:02:30No, there's no one in Rihanna-aapa's room.
00:02:32But he wasn't there.
00:02:34That man...
00:02:35We don't know. Ask Rihanna-zoo.
00:02:37What are you both hiding from us?
00:02:39Why don't you tell us?
00:02:40Sattu!
00:02:43♪♪
00:02:48♪♪
00:02:52Rihanna-aapa!
00:02:54Where's Imad?
00:02:55Mallika, look at how much we sisters have earned.
00:03:00Today, the Nawabs looted so much in your gathering.
00:03:03We feel like we can buy Lahore.
00:03:07You haven't taken out the ring yet?
00:03:10You must be tired, my child. Go to sleep.
00:03:13Where's Imad?
00:03:14We've given him a new place.
00:03:16He's an unborn Nawab.
00:03:17We'll raise him well.
00:03:18And we've given him a good price.
00:03:21Look at him.
00:03:22The one you used to carry around,
00:03:25we'll carry him around in our arms.
00:03:27You had no right to sell Imad, Sattu!
00:03:30What would you have done if I hadn't sold him?
00:03:31Would you have made him a Dalal?
00:03:33Would you have let him be a Hafimji?
00:03:35Or would you have let him be a Khusra?
00:03:38Have some fear of God, Aapa.
00:03:40Not Aapa, Huzoor.
00:03:43This is the royal palace, Mallika.
00:03:45And the God here is me.
00:03:51You've taken our child away from us, Huzoor.
00:03:55One day, Mallika will take everything from you.
00:04:01She'll take everything.
00:04:03She'll take everything.
00:04:06She'll take everything.
00:04:10Everything.
00:04:33Everything.
00:04:44Huzoor,
00:04:45your henna is the first thing
00:04:47that hides Mr. Zulfiqar's name.
00:04:50Let's see if we can find him in the evening.
00:04:54Huzoor.
00:04:56I'm here, Huzoor.
00:04:58What happened?
00:04:59Why are you in such a hurry?
00:05:00Ustadji, he has brought an Englishman with him.
00:05:03He wants to meet you.
00:05:04Tell him to wait.
00:05:05He'll have to wait for Huzoor's henna ceremony.
00:05:08Sattobir, he has brought a foreigner.
00:05:11I swear to God,
00:05:12if you see him, you'll faint.
00:05:15Fattoh, bring my dupatta.
00:05:17Huzoor, how will you go?
00:05:18The henna is still wet.
00:05:20Fattoh,
00:05:21my dupatta.
00:05:30Dad.
00:05:34Dad.
00:05:47This is how the destruction happens, Mr. Gandhar.
00:05:49I don't know how many Nawabs have been ruined
00:05:52waiting for him.
00:05:54This Malika is so heartless.
00:05:57She doesn't respect anyone.
00:05:59Ustadji.
00:06:01Yes.
00:06:02Huzoor has come.
00:06:03Are you ready?
00:06:04Yes.
00:06:11You look so beautiful.
00:06:13I'll forgive you a hundred times today.
00:06:16Let's talk about work.
00:06:17You came to show me some duties, right?
00:06:20Show me.
00:06:21He'll show me the duties, Mr. Gandhar.
00:06:26Greetings, Malika.
00:06:27Greetings.
00:06:30This is a gramophone.
00:06:32And this is a record.
00:06:35But this will sing a song for you.
00:06:38This will sing a song for you.
00:06:54Fattoh.
00:06:57Fattoh.
00:06:59You are a fool.
00:07:02Yes, Ustadji.
00:07:03Who is this useless girl?
00:07:05This is the great Sahirabai Agrawali.
00:07:07Why are you wasting Lahore's time
00:07:09by singing Agrawali's song?
00:07:12Just like Sahirabai,
00:07:13he wants to make a record in Bibojaan's voice too.
00:07:16Now if you allow me,
00:07:18Bibojaan's voice will echo in every house in the country
00:07:21except Lahore.
00:07:25Mr. Ghatar.
00:07:27Ghatar.
00:07:33We don't need to be famous in every house.
00:07:38We are the moon.
00:07:40We can be seen from the window,
00:07:43but we never descend into someone's abode.
00:07:47We are tawaf.
00:07:48We are the queens of Lahore.
00:07:51Every Nawab salutes our doorstep.
00:07:56Whoever wants to hear us,
00:07:59should come here and listen.
00:08:01All right, Bibi.
00:08:02Then let's take them with us to Bibojaan's party in the evening.
00:08:06In our party, only those who value voice come,
00:08:09not the shopkeepers of voice.
00:08:14Good night.
00:08:15Bibi, I...
00:08:16Amina.
00:08:37O beloved,
00:08:42move away,
00:08:44you are great.
00:08:49O beloved,
00:08:52move away,
00:08:54you are great.
00:09:01The night passes,
00:09:05the day rises,
00:09:09let me go home.
00:09:14O beloved,
00:09:17let me go home.
00:09:21O beloved,
00:09:24move away,
00:09:26you are great.
00:09:30O beloved,
00:09:32move away,
00:09:35you are great.
00:10:02O beloved,
00:10:04move away,
00:10:06you are great.
00:10:08Let me take a bath.
00:10:25Today,
00:10:27you had too much fun, Malika.
00:10:30I am here, Mr. Zulfiqar.
00:10:32I know where you are.
00:10:34Wherever you are, I am there.
00:10:37I think I had too much to drink.
00:10:40You have been given the title of Khan Bahadur.
00:10:44You will have to celebrate.
00:10:46Then have a drink from me too.
00:10:51Come.
00:10:53These Englishmen
00:10:56have come to buy our loyalty
00:10:58in exchange for the title.
00:11:01So you have also sold your loyalty to the English?
00:11:05What else can we do, Malika?
00:11:09Just wait and watch.
00:11:11The day these Englishmen go back to Iraq,
00:11:16we will all fight amongst ourselves.
00:11:21Slowly, Malika.
00:11:24Slowly.
00:11:25The English have already fought amongst themselves.
00:11:29As you wish.
00:11:33Between the Nawabs and their wives,
00:11:36divide and rule.
00:11:43Malika! Malika! Malika!
00:11:47Sasan and his friends
00:11:55will ask him where he has stayed last night.
00:12:06Sasan and his friends
00:12:13will ask him where he has stayed last night.
00:12:21I will die of shame.
00:12:28I will die of shame.
00:12:33I will die of shame.
00:12:39I will die of shame.
00:12:46I will die of shame.
00:12:52I will die of shame.
00:12:58The night passes by
00:13:01and the sun rises.
00:13:05Let me go home now,
00:13:10O beloved.
00:13:13Let me go home now.
00:13:19O beloved.
00:13:26O beloved.
00:13:33O beloved.
00:13:38O beloved.
00:13:40Iqbal.
00:13:41Yes.
00:13:42Take Mr. Zulfiqar to his mansion.
00:13:45Yes.
00:13:49How was Bibo's performance?
00:13:51It was good.
00:13:52Mr. Zulfiqar did a great job.
00:13:56Has Mr. Zulfiqar left?
00:13:57No, sir.
00:13:58He will stay here tonight with Bibo.
00:14:02That's good.
00:14:04Here is Bibo's today's earnings.
00:14:06Is that all?
00:14:07Yes, that's all, sister.
00:14:08Mr. Zulfiqar's earnings are decreasing.
00:14:10And you have a lot of courage.
00:14:14I swear, sister.
00:14:16I swear, sister.
00:14:17Did you give him the money?
00:14:18She is lying, sir.
00:14:19I hid it last time as well.
00:14:21Search her.
00:14:22You trust her and not your sister?
00:14:26Okay, search her.
00:14:28Sir, can I search her?
00:14:31Yes, sir.
00:14:32Move aside.
00:14:42Sir,
00:14:44I didn't find anything from the shirt.
00:14:46And Ara?
00:14:47Sir,
00:14:48where there is no place to put a candle,
00:14:50how will we hide the bundle there?
00:14:55Sir.
00:15:08Search her.
00:15:14Sir,
00:15:15I didn't find anything.
00:15:17Maidan was telling the truth.
00:15:20There is nothing there.
00:15:21Wow, sister, wow.
00:15:23Till now, only the respectable people have stripped us.
00:15:25But today,
00:15:27our own sister has stripped us.
00:15:30Sister, we are not thieves.
00:15:32We steal other people's happiness.
00:15:35And there can't be a bigger theft than this.
00:15:44We are not thieves.
00:15:46We are not thieves.
00:15:47We are not.
00:16:01We are not thieves.
00:16:05Saima.
00:16:06My child, forget everything.
00:16:08Take this jewellery and go and get Alam ready.
00:16:11Huzoor wants to meet you.
00:16:12She is waiting.
00:16:13Huzoor will have to wait.
00:16:15It will take half an hour for the daughter-in-law to wake up.
00:16:17Idiot,
00:16:18if Huzoor gets angry,
00:16:19we will be in trouble.
00:16:20Come on, hurry up.
00:16:21Go and get Alam ready.
00:16:22Go.
00:16:24I can't believe it.
00:16:26I pity Alam a lot.
00:16:28She writes so beautifully.
00:16:30She wants to become a poet.
00:16:32And mother,
00:16:33she is bent on making him a widow.
00:16:35I think,
00:16:36this is why mother and daughter have to separate.
00:16:39You also thought
00:16:40that you will be the biggest widow of Heera Mandi.
00:16:43But no.
00:17:40I am ready to burn.
00:17:47Make me a firefly.
00:17:53Just look at me once.
00:18:01Alam,
00:18:02you are a poet.
00:18:04But stop being a poet and get ready quickly.
00:18:07Huzoor is waiting.
00:18:08If we don't reach on time,
00:18:09then our...
00:18:13The girl is also...
00:18:14We couldn't leave after drinking so much.
00:18:20We got up and went somewhere.
00:18:27Make me a firefly.
00:18:40Just look at me once.
00:18:47Rahima.
00:18:49Don't laugh, Alam.
00:18:50Huzoor will skin us alive.
00:18:52The skin is already broken.
00:18:54Don't be scared.
00:18:55You don't understand.
00:18:56I understand.
00:18:57I will take care of Huzoor.
00:18:59But what will you say?
00:19:01Truth.
00:19:02What else?
00:19:05Who broke it?
00:19:06Me.
00:19:09It is my mistake.
00:19:12You didn't break the neck,
00:19:14but you broke my heart.
00:19:16Pattu.
00:19:17Yes.
00:19:18How many pearls are there?
00:19:19There are 100.
00:19:21There were 101.
00:19:22I still remember.
00:19:24Mother, maybe...
00:19:25Not mother, Huzoor.
00:19:28Huzoor, maybe a pearl fell in the bath.
00:19:32Then go and get it.
00:19:35But Huzoor,
00:19:36it is impossible to find pearls in water.
00:19:38Then they are priceless.
00:19:48We need that pearl back.
00:19:51Otherwise, we will sell Saima and get her back.
00:20:51We need that pearl back.
00:20:53Otherwise, we will sell Saima and get her back.
00:20:56Otherwise, we will sell Saima and get her back.
00:21:22Mother.
00:21:25Can I come in?
00:21:27Have you come to apologize?
00:21:29No.
00:21:30To return the pearl.
00:21:34Very good.
00:21:37Now you will never forget this lesson all your life.
00:21:42You should be careful about every little thing.
00:21:46Now you won't sell Saima, right?
00:21:52Our daughter has grown up.
00:21:56Now let's get rid of you.
00:22:00No, mother.
00:22:01We won't get rid of you.
00:22:08That's what I told my mother.
00:22:13No one listened to me.
00:22:17It was written in our fate to be destructive.
00:22:22So we will fight our fate.
00:22:25We won't be destructive.
00:22:28On the day of Basant Panchami,
00:22:31we will announce your death.
00:22:39Go, my child.
00:22:41Go.
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00:25:30Many thanks go to you for giving me this opportunity to demonstrate this song.
00:25:35How can they not come?
00:25:37First of all, it's a celebration.
00:25:39On top of that, it's their announcement of not getting married.
00:25:41And look at them.
00:25:43Instead of blossoming, they have withered away.
00:25:45Go and smell a little.
00:25:48The whole of Lahore is waiting for your first groom.
00:25:51Keep doing it.
00:25:51We won't get married.
00:25:54Are we some kind of an exhibition?
00:25:56Oh, this attitude.
00:25:59If you don't become the wife, what will you do, my dear?
00:26:03I'll become a poet, Lajjo Appa.
00:26:06What did you say?
00:26:09I'll become a poet.
00:26:15A woman's real enemy is her dreams, Alamzeb.
00:26:20They are visible, but not complete.
00:26:24You're right, Appa.
00:26:26We keep wandering in gold cages.
00:26:29And dream of freedom.
00:26:32Mr. Zorawar is also your dream, isn't he?
00:26:36Zorawar is not my dream.
00:26:38He is my reality.
00:26:41Then it's fine.
00:26:42Even I, Lajjo Appa, will make my dream a reality.
00:26:47Where are you going?
00:26:48I'm going.
00:26:50Yes, yes, go.
00:26:51Mirza Ghalib must be waiting for you.
00:26:53You left the room.
00:26:55How will you escape fate?
00:26:58Make her understand, Bibbojaan.
00:27:01Neither you nor I could escape.
00:27:05It was six years ago when my wife sold me to this hell.
00:27:12I couldn't escape.
00:27:14I've been in prison ever since.
00:27:17But now I think I'll be free very soon.
00:27:22How?
00:27:23Mr. Zorawar will marry you.
00:27:25You mean?
00:27:26Yes.
00:27:26Huh?
00:27:53Ameen.
00:27:55Yes, Ameen.
00:28:11Touch that.
00:28:19That's it.
00:28:19That feels so good.
00:28:20Oh, yeah, yeah.
00:28:26Dadi jaan.
00:28:34Good evening.
00:28:35Good evening.
00:28:36Good evening, ladies.
00:28:37Hi, Dada.
00:28:55Good to see you.
00:28:56Sit on my lap.
00:28:57Don't be shy.
00:29:03You are embarrassing me, Kutia.
00:29:06He's back as an Englishman from abroad.
00:29:09Now we'll have to teach him the Indian language and traditions
00:29:12again.
00:29:14Then teach him.
00:29:15I'm here with you.
00:29:17No, I can't teach him.
00:29:19For that, you'll have to go to Heera Mandir.
00:29:22Kutia, you all right?
00:29:25What nonsense.
00:29:28Ayashi.
00:29:47I promise.
00:29:56Wow.
00:30:07Thank you, ladies.
00:30:08I'll take your leave.
00:30:09Have fun.
00:30:26I hate that place.
00:30:35Hmm.
00:30:39Hi.
00:30:55Huh?
00:31:25Waghi, mark my words.
00:31:28This country belongs to the English.
00:31:31The country doesn't belong to the rulers, it belongs to the people.
00:31:34So you're against the English?
00:31:39I'm a slave to them.
00:31:44Oh, my dear wife.
00:31:46Seeing the crown prince, my heart is broken.
00:31:49Queen Janki's younger daughter has been announced as a princess.
00:31:53If you say, we can talk about the prince.
00:31:57Yes, you can talk to her.
00:31:59It's up to the crown prince.
00:32:02But, my dear wife, I...
00:32:04Do this.
00:32:06We're having a festival next week.
00:32:08Send a invitation to Mala.
00:32:12If that's the case, next year I'll show off my dance skills.
00:32:17Boo.
00:32:31Atubi?
00:32:33Atubi?
00:32:37I need Saima!
00:32:39What happened?
00:32:40She has been here for a long time…
00:32:42what do we do to catch her?
00:32:43Catch her?
00:32:43Can't you see she is drunk?
00:32:47There's no Englishman here. It's a police officer.
00:32:49There must be. We didn't call him.
00:32:51You don't understand, sister.
00:32:52Waheeda is sitting there and listening to him.
00:32:55Shut up. You go.
00:32:56Who is it?
00:32:58Sir, there's an Englishman here.
00:33:00Call him.
00:33:02Sir, I'm an Englishman.
00:33:04How can I call him inside?
00:33:06He's an officer.
00:33:08You'll have to give him some respect.
00:33:13Call him. Go and get him.
00:33:15Okay.
00:33:17Go.
00:33:19What do I say to you, Mr. Cartwright?
00:33:22The queen is jealous of me.
00:33:25My voice, my style, my...
00:33:27I'm sorry.
00:33:29How much longer must I wait?
00:33:32You're new here.
00:33:33That's why you don't know.
00:33:35The queen will waste your time first.
00:33:39Then you.
00:33:41But I...
00:33:44I won't do that to you.
00:33:48Tell me, sir.
00:33:50What would you like to hear in Waheeda's voice?
00:33:53Ghazal, tumhri, kachori...
00:33:55No, thank you.
00:33:59If you don't like to listen...
00:34:03I'll have to see.
00:34:07Officer, the king has called you inside.
00:34:17Come on.
00:34:24Oh, Cartwright.
00:34:28Don't do this.
00:34:39Sir, the officer is here.
00:34:40Come on.
00:35:01I'm Alistair Cartwright,
00:35:03the new superintendent of Police Lahore.
00:35:06I've kept a jalsa at my house to celebrate that.
00:35:09And I would like one of your notch girls to come for it.
00:35:17I seem to amuse you.
00:35:19Did I say something funny?
00:35:27But I'm willing to pay more.
00:35:40You're refusing a British officer.
00:35:43And you're refusing me.
00:35:49Sir, she's saying that she would even refuse the British king.
00:35:53So you...
00:35:55Are you saying goodbye?
00:35:57Goodbye.
00:36:01But I will see you soon, Malika Jan.
00:36:10Sir, I'm scared.
00:36:13That British man has taken you to his heart's content.
00:36:17Now he will remember me for the rest of his life.
00:36:22And today he has also understood
00:36:26that the diamond is not for the British in the market,
00:36:30but for Malika Jan.
00:36:36The fate of the state.
00:36:40Good evening, Ustad. Thank you for coming.
00:36:44Would you care to have a drink?
00:36:50Ustad, would you care to have a drink?
00:37:02I've called you here today because I want to know everything about Malika Jan.
00:37:09Sir, she's old now.
00:37:12We... I mean, I've brought a lot of medicines for you.
00:37:16Malika Jan.
00:37:18Every secret, every weakness of hers.
00:37:22Her entire reality.
00:37:25This is the most powerful medicine of the diamond market.
00:37:28Don't fight with it, sir.
00:37:31Is there more power in that Randi than the British king?
00:37:36You are our ruler.
00:37:37Then speak.
00:38:07There's a secret behind every brick.
00:38:09What are you doing, sir?
00:38:10Sir, it's a luxury.
00:38:21Greetings, mother.
00:38:22You called for me?
00:38:24Yes, dear.
00:38:25It's Mr. Baloch's party.
00:38:27All the big shots of the city are going to be there.
00:38:30I want you to get to know them.
00:38:33Go and get ready.
00:38:36What?
00:38:39I'm sorry, mother.
00:38:40I'm a little unwell.
00:38:43What if I don't come?
00:38:45That's fine, dear.
00:38:47You'll have to take care of your health.
00:38:49No?
00:38:51Do you have a fever or not?
00:38:54You don't have a fever.
00:38:56But you don't have a lion's fever.
00:38:59Did you see what's written here?
00:39:02May someone always hold me in their arms.
00:39:05May someone always read me like a book.
00:39:08You write well.
00:39:09No, it's not mine.
00:39:11It's Mr. Niazi's poem.
00:39:12I like his style of writing.
00:39:15That's why I wrote it.
00:39:16What a coincidence.
00:39:18Mr. Niazi is presenting his poem at today's party.
00:39:22It would have been so nice if you had come.
00:39:25Anyway, it's okay.
00:39:28Mother, I was thinking that we should leave.
00:39:30No, no. You should rest. Take care of your health.
00:39:33My health will get better.
00:39:35But how can you be alone?
00:39:36Pato.
00:39:37Yes, ma'am.
00:39:40The fragrance of the rose will make people go crazy.
00:39:45Goodbye.
00:39:46Goodbye.
00:39:51Where are you going dressed like a rose, dear?
00:39:53To listen to Mr. Niazi.
00:39:54Oh, God.
00:39:56Oh, God.
00:39:57He will kill me if he finds out.
00:39:59Tell Sato to keep an eye on him.
00:40:02He is not well.
00:40:04Yes, ma'am.
00:40:55Where did he go?
00:40:57Where did he go?
00:40:58Where did he go?
00:41:00Where did he go?
00:41:01Where did he go?
00:41:02Where did he go?
00:41:03Where did he go?
00:41:04Where did he go?
00:41:05First, perform the ablution with the blood of your heart.
00:41:09Wow.
00:41:10First, perform the ablution with the blood of your heart.
00:41:14Then, talk about love.
00:41:17Wow. What a poem.
00:41:19Mr. Niazi, please decide.
00:41:21On the insistence of queen, I present this poem again.
00:41:25Go ahead.
00:41:26First, perform the ablution with the blood of your heart.
00:41:30Wow.
00:41:30Then, talk about love.
00:41:33Wow.
00:41:34I present this poem.
00:41:36It is a pleasure to appease my beloved.
00:41:39Wow.
00:41:42Ma'am, let me complete the poem first.
00:41:46I present this poem. It is a pleasure to appease my beloved.
00:41:51Once he gets upset, make a wish.
00:41:54Wow.
00:41:56First, perform the ablution with the blood of your heart.
00:41:59Please read the poem.
00:42:01These treasures of fate are found in love.
00:42:04These treasures of fate are found in love.
00:42:07Remember your loved one's wounds with a smile.
00:42:10Wow.
00:42:11First, perform the ablution with the blood of your heart.
00:42:14I present this poem.
00:42:16How will you perform the ablution of love, my beloved?
00:42:19How will you perform the ablution of love, my beloved?
00:42:23This is the expression of love. Perform it face to face.
00:42:26Wow.
00:42:27Wow.
00:42:28Wow.
00:42:29First, perform the ablution with the blood of your heart.
00:42:33I present this poem.
00:42:34The desert is also the south. Why don't you wander?
00:42:38The desert is also the south. Why don't you wander?
00:42:42If you are a lover, then do the ablution.
00:42:45Wow.
00:42:47First, perform the ablution with the blood of your heart.
00:42:51Please read the poem.
00:42:53Don't look here and there. This is love, my beloved.
00:42:57Don't look here and there. This is love, my beloved.
00:43:01Don't be afraid. Do the ablution for the rest of your life.
00:43:04Wow.
00:43:05I promise you.
00:43:07This evening, this is the last line of the poem.
00:43:10Wow.
00:43:11The pain of separation is a custom in love.
00:43:15The pain of separation is a custom in love.
00:43:19You also do the ablution of love.
00:43:21Wow, Mr. Niazi.
00:43:23Wow.
00:43:25Mr. Niazi, you have come to our party in the honor of my son.
00:43:30Thank you very much.
00:43:34Greetings.
00:43:36Greetings.
00:43:37Greetings.
00:43:38Greetings.
00:43:39Thank you.
00:43:41Thank you.
00:43:42Greetings.
00:43:43Thank you.
00:43:44Thank you.
00:43:45Greetings.
00:43:46Greetings.
00:43:47Greetings.
00:43:48Greetings.
00:43:51Greetings.
00:43:52Greetings.
00:43:53Greetings.
00:43:54Sorry.
00:43:56What?
00:43:57Sorry.
00:43:58Thank you, sir.
00:43:59Thank you.
00:44:00Thank you.
00:44:01Tajdar.
00:44:02Where are you going? Come. Come.
00:44:04Come.
00:44:05Meet him.
00:44:06He is the beauty of Lahore, the queen.
00:44:09Greetings.
00:44:10He is a great talent.
00:44:11And he is our dear friend.
00:44:13Who are you looking for, sir?
00:44:15Listen to me.
00:44:16Sorry. Sorry. Tell me.
00:44:17We have suggested your name for the ritual of the little daughter's ablution.
00:44:21Now we will go to Hiram Mandir to learn to love.
00:44:24We will learn the tradition and culture from these medical forces.
00:44:26Tajdar.
00:44:28Mind your words.
00:44:30I am sorry.
00:44:31No problem.
00:44:32Thank you, madam.
00:44:34You called us to your party.
00:44:36You gave us respect.
00:44:37But every respected person doesn't want to respect others.
00:44:42Anyway, we will leave.
00:44:44Yes.
00:44:46I am really sorry.
00:44:48Come. We have dropped you outside.
00:44:50What is his name?
00:44:52Yes, Tajdar.
00:44:53Mr. Tajdar.
00:44:55We know the way to the mansion and how to get there.
00:45:01Good to see you, madam.
00:45:03He is a gem.
00:45:06Send him to Hiram Mandir.
00:45:09We will search him.
00:45:11Goodbye.
00:45:20Thank you.
00:45:50I am tired.
00:45:52I am tired.
00:46:02My bag.
00:46:04Your mom gave me this.
00:46:06Where did my mom go?
00:46:08Are you feeling well?
00:46:13Is everything fine in Mushairah?
00:46:16Come on.
00:46:17Mom, go inside. It's okay.
00:46:20I didn't know, ma'am.
00:46:22Good evening, Iqbal.
00:46:27Good evening, Iqbal.
00:46:31Balli.
00:46:34Hey, Balli.
00:46:36What are you doing here?
00:46:37Why didn't you come to eat?
00:46:39Balli, I'm asking you.
00:46:41I'm very hungry. Let's go.
00:46:43Saima, you go and eat. I'm not hungry.
00:46:45Wow.
00:46:46A person who eats 12 parathas a day is not hungry today.
00:46:48Can you tell me why?
00:46:50I've earned only one thing in my life.
00:46:53The trust of my master.
00:46:55And today, I've lost that too.
00:46:56How?
00:46:58She's thinking that without his permission,
00:47:00I took Alam to the poetry class.
00:47:03My master can't think like that.
00:47:06Will he find anyone more loyal to him than you in Lahore?
00:47:10He loves you so much.
00:47:12But less than us.
00:47:16Siappa is so jealous of Alam.
00:47:19Siappa is Alam's. She'll apologize.
00:47:21Saima, you don't know.
00:47:25God forgives people's mistakes once in a while.
00:47:28But sir, if not today, tomorrow, she'll definitely punish me.
00:47:32I don't know about sir.
00:47:35But I'll punish you for today.
00:47:37I'm very hungry.
00:47:39But I won't eat.
00:47:41I'll eat you today.
00:47:45Alam, I can't believe it.
00:47:48Sir caught you stealing.
00:47:49And he didn't even scold you.
00:47:50Why would he scold me, Shama?
00:47:52Mom knows how much I love poetry.
00:47:54These are my books.
00:47:56Where are you taking them?
00:47:57To throw them out.
00:47:58But why?
00:47:59And you're going to the poetry class without permission.
00:48:01You'll be punished.
00:48:02And my diary?
00:48:03Ask sir.
00:48:15Where are you taking my books?
00:48:18Books are just a hobby in the streets of Hiramandi.
00:48:21And a life is a life.
00:48:23Here, fate is not in the hands, but in the feet.
00:48:27Take care of your fate.
00:48:29Such a big punishment for going to a poetry class.
00:48:32You'll be punished.
00:48:36Mom.
00:48:36You lied for the first time yesterday.
00:48:40That should be the last lie.
00:48:43Mom, you can punish me as much as you want.
00:48:46You can skin me, but don't read my poetry.
00:48:50We don't punish the body.
00:48:54We punish the soul.
00:48:57And your soul is in this.
00:49:14I'm sorry.
00:49:21What?
00:49:24What are you looking at?
00:49:27If the sea doesn't have sand,
00:49:30it will drown you.
00:49:33Really?
00:49:34Are my eyes that deep?
00:49:37They're so deep that...
00:49:38Sister.
00:49:40Sister.
00:49:42Ask her how deep she is.
00:49:44Sister.
00:49:47Alam, I'm with Mr. Wali.
00:49:49And I was with mom.
00:49:51She threw all my books.
00:49:54I won't give them to you. You can go.
00:49:56If you don't listen to me now, I'll kill myself.
00:49:59But I won't wear this ring.
00:50:03I'm sorry, Mr. Wali.
00:50:05I'll talk to him.
00:50:12Alam, how many times do I have to tell you?
00:50:16Where did this girl go?
00:50:18Mom keeps creating problems every day.
00:50:23Mr. Wali, what is this?
00:50:27Are you leaving?
00:50:29I have a meeting with Henderson.
00:50:32Is Mohit Henderson's eyes bigger than our eyes?
00:50:36I have to meet him today.
00:50:39There's tension in the city.
00:50:41Some rebels are protesting.
00:50:43These damn rebels are protesting at this age.
00:50:47I'm afraid that Henderson might order a shoot-at-sight today.
00:50:52We'll try to stop them.
00:50:56These rebels are crazy.
00:50:58But they're our people.
00:51:00I'll leave now.
00:51:02Okay.
00:51:02Goodbye.
00:51:10Leave the rebels!
00:51:13Freedom!
00:51:15Freedom!
00:51:16Leave the rebels!
00:51:19Leave the rebels!
00:51:23Sister, we should learn something from these rebels, right?
00:51:26At least they raise their voice against atrocities.
00:51:28And there's me.
00:51:30The scoundrel burnt my diary.
00:51:31He snatched my books and I kept quiet.
00:51:33You didn't keep quiet.
00:51:35He snatched the old one, but I'm going to buy new books.
00:51:37You're a rebel, Alam.
00:51:39That's true.
00:51:40Leave the rebels!
00:51:43Freedom!
00:51:45Long live India!
00:51:46Leave the rebels!
00:51:49Freedom!
00:51:51Leave the rebels!
00:51:53Freedom!
00:51:54Long live India!
00:51:55Freedom!
00:51:57Long live India!
00:51:58Freedom!
00:51:59Long live India!
00:52:01Leave the rebels!
00:52:04Freedom!
00:52:06Long live India!
00:52:08Iqbal, take the rest to the crossroads.
00:52:10We'll come there.
00:52:11Baby, the atmosphere is not good.
00:52:13Come quickly.
00:52:14Okay.
00:52:14Let's go, Alam.
00:52:19Greetings, brother.
00:52:21We want to buy some books.
00:52:23This is not a bangle shop.
00:52:25You can buy books here.
00:52:26But first, read this.
00:52:28Today cash, tomorrow loan.
00:52:30Why will we take a loan?
00:52:31We have a lot of money.
00:52:33We'll give you not only cash, but also alms.
00:52:35It's okay, Alam. You can buy books.
00:52:38We'll buy poetry books.
00:52:40Go that way.
00:52:41Our servants are there.
00:52:43But hurry up.
00:52:44If the atmosphere is bad, we'll have to close the shop.
00:52:47Sister, we can buy as many books as we want, right?
00:52:50Yes, of course.
00:52:54Brother Nawaz, give me that book.
00:52:56Don't ask too many questions.
00:52:57It's very important to get that book to Mr. Hamid.
00:53:00There could be a rift in the deal today.
00:53:02Go carefully. Don't suspect anyone.
00:53:05Okay.
00:53:07Alam.
00:53:08Pick the books quickly.
00:53:10We'll go and meet aunt Sultana, okay?
00:53:12Okay.
00:53:33Hey!
00:53:34Ma'am, what are you doing?
00:53:36I'm sorry.
00:53:38You?
00:53:39You?
00:53:41You?
00:53:43How are you?
00:53:46I'm fine.
00:53:48And you?
00:53:49Me?
00:53:50Great.
00:53:55How did you disappear in the poetry book that day?
00:53:57Where can I find Mr. Niazi?
00:54:02What will you find?
00:54:05The poems that you wrote on my heart
00:54:08are still beating.
00:54:10Poems don't beat.
00:54:12They scream.
00:54:19The master and the servant are both ill-mannered in this book house.
00:54:23Move.
00:54:24Servant.
00:54:27Listen.
00:54:28What is this servant of yours doing in this book house?
00:54:31What can this servant do for you?
00:54:34Thank you. I can do my own service.
00:54:39It seems you're very fond of poetry.
00:54:42Yes.
00:54:43I remember the poems of Ghalib, Zafar, Mir, Niazi.
00:54:51Then remember a poem of this servant.
00:54:54Yes.
00:54:58When the diary of your thoughts comes out,
00:55:03a new poem comes out on every page.
00:55:16Mr. Hamid.
00:55:19Mr. Rizwan, Balraj's kurta is everyone's.
00:55:22They all went to the protest.
00:55:23When Mr. Hamid goes to the protest,
00:55:25give this book to him. It's very important.
00:55:27What happened, Bibojan?
00:55:30You look very worried.
00:55:33Mr. Hamid, today Henderson is going to give
00:55:35a shoot-out order in the rally.
00:55:37Our comrades can be killed.
00:55:40How can you be so sure?
00:55:44I got to know from Mr. Wali.
00:55:47Here you go.
00:55:48This is not the time to read the book.
00:55:51It's time to answer.
00:55:53Yes.
00:56:00I had hidden this gun in the bookcase.
00:56:03I knew it would come in handy one day.
00:56:07If ten of our men kill him,
00:56:09at least six of us will die.
00:56:13Will you kill me or not?
00:56:17Will you kill me or not?
00:56:20Will you kill me or not?
00:56:24Will you kill me or not?
00:56:26This, this and this.
00:56:28Ma'am, you forgot this and this too.
00:56:33You've hired a very good servant.
00:56:35He's a servant?
00:56:37Of course.
00:56:39Why are you staring at me?
00:56:40Tell me.
00:56:43Consider this gift from this servant.
00:56:46Get him fired from my salary.
00:56:49If I stay here for a moment,
00:56:51they'll chop off their necks, not just their salaries.
00:56:54Goodbye.
00:57:00My sister will come and give us the money.
00:57:05Who is this lady?
00:57:06I don't know, brother.
00:57:07People come, take the books and leave.
00:57:11But she took my heart away.
00:57:14Include us!
00:57:19Aggressors!
00:57:24Include us!
00:57:30Aggressors!
00:57:37Peacemaker! Peacemaker!
00:58:07Peacemaker! Peacemaker!
00:58:20Leave him!
00:58:22Peacemaker!
00:58:24Peacemaker!
00:58:31Okay, you're okay.
00:59:01Peacemaker!
00:59:31Peacemaker!
01:00:00Peacemaker!
01:00:30Peacemaker!
01:00:59Peacemaker!
01:01:12Peacemaker!
01:01:27Peacemaker!
01:01:56Peacemaker!
01:02:19Peacemaker!
01:02:34Peacemaker!
01:02:54Peacemaker!
01:03:14Peacemaker!
01:03:44Peacemaker!
01:04:04Peacemaker!
01:04:28Peacemaker!
01:04:53Peacemaker!
01:05:13Peacemaker!
01:05:43Peacemaker!
01:06:13Peacemaker!
01:06:43Peacemaker!
01:06:53Peacemaker!
01:07:03Peacemaker!
01:07:13Peacemaker!
01:07:23Peacemaker!
01:07:33Peacemaker!
01:07:43Peacemaker!
01:07:53Peacemaker!