• 5 months ago
Five Senses of Eros (Korean: 오감도; RR: Ogamdo) is a 2009 South Korean omnibus film with five short films depicting love and desire, but in different styles and genres. The shorts are: His Concern, directed by Daniel H. Byun; I'm Right Here (Korean: 나, 여기 있어요; RR: Na, Yeogi Isseoyo), directed by Hur Jin-ho; The 33rd Man (Korean: 33번째 남자; RR: 33beonjjae Namja), directed by Yoo Young-sik; In My End Is My Beginning (Korean: 끝과 시작; RR: Ggeutgwa Sijak), directed by Min Kyu-dong; and Believe in the Moment (Korean: 순간을 믿어요; RR: Sunganeul

Category

😹
Fun
Transcript
00:00:30Why can't I meet you in a more romantic place?
00:00:40Why can't I meet you in a more romantic place?
00:00:50Why can't I meet you in a more romantic place?
00:01:00Why can't I meet you in a more romantic place?
00:01:10Why can't I meet you in a more romantic place?
00:01:20Why can't I meet you in a more romantic place?
00:01:30Why can't I meet you in a more romantic place?
00:02:00Yes, sir.
00:02:03Yes.
00:02:05I'm on my way to Busan.
00:02:06Call the president of the company.
00:02:10I'll take care of it and call you back.
00:02:15Yes, sir.
00:02:16Okay.
00:02:31The opening video has to be edited today and transferred from the company.
00:02:35The letter and envelope arrived yesterday, so I'll finish it with Mr. Kim today.
00:02:40After the opening ceremony, it is a problem to move to the welcome dinner table.
00:02:44It is clear when the general security team raises the problem.
00:02:48The distance between the two places is too close to move by car, and the legs are too beautiful to walk.
00:03:00My friend got married a while ago.
00:03:08The man who became his wife was a passenger next to him on his way back from a business trip to Tokyo two years ago.
00:03:17A seat ticket for a person who travels alone may be a kind of instant lottery.
00:03:24The moment the person next to you appears, the ticket offers the winning money.
00:03:30A suit of high-quality material.
00:03:33The combination of black and brown, a calm color, is a part of the job of dealing with formal people.
00:03:43Even in the middle of winter, sunglasses are hung over your head.
00:03:46It means that you are a person who has been abroad for a long time or is not conscious of other people's eyes, or on the contrary, a very conscious person.
00:03:53If you ask a man which part of a woman he is attracted to,
00:03:58he may answer that it is a well-sleeved leg wrapped in sexy stockings or a bulging butt pulling a tight skirt,
00:04:07but it is also a long finger with a black pen, short nails without manicure, or a clear pupil that reads something.
00:04:16You may be attracted to such movements.
00:04:23Shouldn't you memorize your ID number?
00:04:27What?
00:04:36I don't have it.
00:04:38I don't have it.
00:04:40I don't have it.
00:04:43I don't have it.
00:04:46I don't have it.
00:04:49It's not a resident registration number.
00:04:52It's a business registration number.
00:04:57Are you going on a business trip?
00:04:59Yes, to Busan.
00:05:07I'm a guy who doesn't know the basics of conversation.
00:05:10When I talk to my juniors about dating advice,
00:05:13I always emphasize that I should end the conversation with a question mark so that I don't cut off the conversation with the other person even when I send a text message.
00:05:19Excuse me.
00:05:21Thank you for earlier.
00:05:24How far did you go?
00:05:26Like this.
00:05:271,000 won.
00:05:30Oh, yes.
00:05:33No, I can't say,
00:05:35Oh, yes?
00:05:37here.
00:05:39Yes.
00:05:44Two coffees, please.
00:05:57Would you like a cup of coffee?
00:05:59I'm sorry.
00:06:00I can't drink coffee.
00:06:03Yes.
00:06:05Yes.
00:06:08Just one.
00:06:17Our train will arrive at Asan Station in Cheonan in a moment.
00:06:22Please make sure there is nothing to leave behind.
00:06:24It's too fast.
00:06:26Did I say that speed and romance are opposite?
00:06:29Now it's time to check the number of lottery tickets.
00:06:32Let's get off.
00:06:33Like a man.
00:06:35Only the brave take the beauty.
00:06:53No.
00:06:54I am a person who has been educated in high school.
00:06:57Let's think about the cost of the ear.
00:06:59It will be too late for him.
00:07:00Today's schedule will be a mess.
00:07:06Yes, let's hold it.
00:07:09It was a cold reason to lead the romantic era.
00:07:16Excuse me.
00:07:20Excuse me.
00:07:21Yes, I did.
00:07:22Yes?
00:07:24What should I do now?
00:07:26Didn't you say you were going to Busan?
00:07:32When are you going?
00:07:33No, get on.
00:07:35When are you going back to Seoul?
00:07:38Wait a minute.
00:07:39Hello?
00:07:41Yes, sir.
00:07:42Freud's practice.
00:07:44Is this the slip of the tongue Freud said?
00:07:47When are you going?
00:07:49I'd rather ask you what hobby you like.
00:07:51You wouldn't be as embarrassed.
00:07:55I told you last week at the meeting.
00:07:58No, sir.
00:08:00Wait a minute.
00:08:08So, what I'm saying is...
00:08:10Let's do this.
00:08:12Think about it alone here.
00:08:14If you have anything to say, please contact me.
00:08:19Yes, sir.
00:08:25Thank you.
00:08:41Are you hungry?
00:08:43It's almost done.
00:08:45I'll give you a lot of rice. Eat a lot.
00:08:47Yes.
00:08:48Oh, the rice is delicious.
00:08:49It's delicious.
00:08:54Marriage.
00:08:56Sexual contact between two men and women.
00:08:58A socially publicized combination.
00:09:01Are you here?
00:09:03Yes.
00:09:04I thought you wouldn't be able to come because you were busy.
00:09:06I have to eat once a month.
00:09:08Soybean paste stew.
00:09:10I went to Italy this time.
00:09:13It's a wine I drank after the film festival.
00:09:15It's called Brunello.
00:09:16It's a really good wine.
00:09:19Brunello?
00:09:22Do you like wine, too?
00:09:25No.
00:09:27I can only drink soju.
00:09:36Yes, sister-in-law.
00:09:37Yes.
00:09:38When are you going to make me a joker?
00:09:40Don't go. Just eat chicken.
00:09:42If you have a baby, just take care of your body.
00:09:44That's useless.
00:09:45What are you talking about?
00:09:47When are you going to make me a joker?
00:09:49Are you going to eat it on purpose?
00:09:50Yes.
00:09:51Can't I?
00:09:53Is there a woman working these days?
00:09:57No.
00:09:59Oh, really.
00:10:04I think the soybean paste is a little weird.
00:10:06What's weird? It's delicious.
00:10:08I think it's a little bland.
00:10:11Why? It's okay.
00:10:12No.
00:10:13It's a little weird.
00:10:16What should I say?
00:10:18The taste is a little...
00:10:20Is it flat?
00:10:24Maybe it's because the soybean paste has changed.
00:10:27Right?
00:10:46Hello?
00:10:48Hello?
00:10:50Yes.
00:10:52Wait a minute.
00:11:16I'm sorry.
00:11:19Then let's do this.
00:11:21Think about it alone here.
00:11:23If you have anything to say, please contact me.
00:11:32It's a big failure.
00:11:34Do I have to step back like this?
00:11:36What if I don't step back?
00:11:38I wish I had been humiliated this much.
00:11:40Oh, the brave man is trying to control the beauty.
00:11:45I even miss the train.
00:11:51No.
00:11:52Let's give up.
00:11:54You can't follow me.
00:11:56No, where is this body connected to?
00:12:00Don't tell me.
00:12:02Don't tell me.
00:12:04Excuse me.
00:12:06I did it.
00:12:07I did it.
00:12:09What should I do now?
00:12:16I'll think about it alone on the platform.
00:12:19If you have anything to say, please contact me.
00:12:23You didn't give me your number.
00:12:30Huh?
00:12:31This was okay.
00:12:38Thank you.
00:12:51Curator?
00:12:53I don't know if you remember.
00:12:57Last time at KTX
00:13:00He was the one who contacted me.
00:13:04I'm late.
00:13:05Why do you call me outside when it's cold?
00:13:07Tell me to do it inside.
00:13:09You've been late for a while.
00:13:11Oh, in front of the Galleria Department Store?
00:13:14Yes, yes, yes.
00:13:16Oh, but I don't know if it's a luxury store or a living space.
00:13:21Oh, yes, I see.
00:13:23Yes.
00:13:28Excuse me.
00:13:30Excuse me.
00:13:32It's too cold here.
00:13:33Let's go in quickly.
00:13:38The word that the beginning is half.
00:13:40Was it such a romantic day?
00:13:45Do you like wine?
00:13:47Wine?
00:13:48Yes, I...
00:13:51If you have a special favorite wine...
00:13:56Please recommend something that is not too dry.
00:13:58Please recommend something that is not too dry.
00:14:00Whether it's dry or not,
00:14:02The only wine I know is...
00:14:04Is there Brunello?
00:14:06In Italy.
00:14:08There's a Brunello di Montalcino from 2001.
00:14:11The price is a little high.
00:14:13No, then you should recommend something else quickly.
00:14:14What are you hesitating about?
00:14:16If you don't mind, I'll recommend...
00:14:18Yes.
00:14:19It's called Barbi.
00:14:21Let's try this.
00:14:22You'll feel the same.
00:14:26It's on promotion, so it's cheap.
00:14:28Oh, my God.
00:14:29If only I hadn't talked about the price.
00:14:30Brunello, please.
00:14:39Every time I pour wine,
00:14:41I fill too many glasses.
00:14:43I drink too often.
00:14:45But every time I open the glass,
00:14:47I didn't forget to take my little finger off.
00:14:51What did you do in Busan?
00:14:54Oh,
00:14:56I have a meeting with the Olympic Committee in Busan next month.
00:15:23Existence falls into the abyss,
00:15:25and the small depression caused by insincerity.
00:15:29Oh, it's philosophical.
00:15:33Who is the author of the exhibition you are preparing these days?
00:15:36It's a photographer named Blair Kitchener.
00:15:38You don't know him well.
00:15:39He's not a very famous writer.
00:15:41Oh, that...
00:15:42Chance!
00:15:43It's an image that reveals the human and the human only,
00:15:46which is out of all practical science.
00:15:54Huh?
00:15:55Isn't it?
00:16:04Am I wrong?
00:16:06No, you're right.
00:16:08No, but...
00:16:09It's so accurate that it's obvious that you memorized it.
00:16:15Oh, I'm actually...
00:16:18I'm a little ignorant about modern art.
00:16:20I'm a little ignorant about modern art.
00:16:22You saw it on our gallery site, right?
00:16:25That's what I wrote.
00:16:31Oh, I made a very wrong choice.
00:16:35He takes pictures of magazines and models in the ad again.
00:16:40Except for the accessories, clothes, and backgrounds that decorate the models,
00:16:44just the face.
00:16:46It's not a model of a product,
00:16:47but a model of the human being itself.
00:16:51So, in the sense of ignoring a codified person...
00:16:55That's right.
00:16:56It's an obsession.
00:17:02Shall we try it, too?
00:17:08What?
00:17:15What?
00:17:21My favorite season is...
00:17:24summer.
00:17:26Ding dong dang.
00:17:29Now it's my turn.
00:17:32My favorite color is...
00:17:35red.
00:17:37My shirt is red,
00:17:39and the muffler is red, too.
00:17:42Actually, I don't really like red.
00:17:46But for celery men who have to wear suits every day,
00:17:49the difference in red is often a choice with no alternative.
00:17:53I like Korean food more than pasta.
00:18:00I like romance more than action movies.
00:18:12I like work more than love.
00:18:20These are my favorite lips.
00:18:21They're not too thin, and the corners of my lips are slightly raised.
00:18:25I...
00:18:27I...
00:18:30fell in love at first sight on the train.
00:18:42Me, too.
00:18:53I...
00:18:55Did I like soy sauce marinated crab?
00:19:02I...
00:19:04I can't eat soy sauce marinated crab.
00:19:06I can't eat soy sauce marinated crab.
00:19:09My mother only made me crab soup when I was young.
00:19:14I have to eat crab soup.
00:19:17But still, crab is crab.
00:19:22What's wrong is wrong.
00:19:27All right.
00:19:29I'll buy this car.
00:19:31Let's get up.
00:19:36Did you sleep well?
00:19:37Yes, I slept very well.
00:19:44Hi.
00:19:47Me?
00:19:50I'm on a date.
00:19:53Oh.
00:19:57Yes.
00:19:58Yes.
00:20:05Gallery is on a business trip to Amsterdam.
00:20:08I think the file is broken.
00:20:11It's not a complicated job, so it won't take long.
00:20:17Amsterdam.
00:20:19I feel like I'm going to Midden.
00:20:21I don't think I have to go to New York.
00:20:24I think I have to do it because it's Amsterdam.
00:20:46There's no wine. Is cognac okay?
00:20:49Yes, it doesn't matter.
00:20:51The view is not bad, is it?
00:20:54I borrowed it to use it in the studio with my senior.
00:20:57But he suddenly got married, so I'm using it alone.
00:21:00Oh, yes.
00:21:03About 30 minutes?
00:21:06Don't worry about me. Just do it.
00:21:10I'm sorry.
00:21:21I'm sorry.
00:21:26The woman starts working with her hair tied up.
00:21:33The man walks around the window and enjoys the relaxation of cognac and music.
00:21:41The man, who was watching the lights of the city as beautiful as the starlight in the night sky,
00:21:46looks at the woman in the window with love.
00:21:52There are so many spaces in the city.
00:21:55Will the same history be made there at this time?
00:21:59Meet, flutter, fall in love,
00:22:04get comfortable, get sleepy,
00:22:10sleepy,
00:22:14and get drunk on cognac.
00:22:16Get drunk on cognac.
00:22:46Get drunk on cognac.
00:23:16Get drunk on cognac.
00:23:18Get drunk on cognac.
00:23:40Lips softly.
00:23:43Tongue not too deep.
00:23:48So many rules.
00:23:50It doesn't mean anything to me now.
00:23:54What is the next step of this kiss?
00:23:58I can't think of any answer.
00:24:02I just kiss.
00:24:05That's all.
00:24:18Love Handle
00:24:28It's not good to have sex with her.
00:24:33If it's good to have sex with her, it's worth calling it love.
00:24:41It's a touching line.
00:24:44Love Handle
00:24:46Isn't it proof that we're in love
00:24:49that we're holding hands here?
00:24:52A man and a woman who exchanged business cards
00:24:55now introduce each other with five senses.
00:24:59A meeting of people who have removed all guidelines and guarantees.
00:25:03An image that reveals the reality that has removed the image.
00:25:07It's a really philosophical heart.
00:25:15Love Handle
00:25:45Love Handle
00:26:08It's crazy.
00:26:10I've never done this before.
00:26:15Love Handle
00:26:29A strange man is sleeping in my bed.
00:26:35Maybe I was too active.
00:26:41I can't believe it's a face like a sculpture.
00:26:45Love Handle
00:26:48You said it was this nose.
00:26:53It's cute.
00:26:57You've grown a little beard all night.
00:27:05Is that wonderful voice coming from here?
00:27:09Love Handle
00:27:11You're sleeping as if nothing happened.
00:27:16Does this man have as many thoughts as I do?
00:27:21Love Handle
00:27:39Love Handle
00:27:47Hyelim
00:27:54I'm here.
00:27:55Hyelim
00:28:07Hyelim
00:28:09Hyelim
00:28:13Hyelim
00:28:39Hyelim
00:29:10Hyelim
00:29:17Hyelim
00:29:39Hyelim
00:29:40Love Handle
00:29:41Love Handle
00:30:04Love Handle
00:30:08Love Handle
00:30:12Did you sleep well?
00:30:35Stay still.
00:30:37I'll do it for you.
00:30:42Do it like this.
00:30:52It's dirty.
00:30:53Okay.
00:31:00Lower your head.
00:31:04Don't do it.
00:31:06It's because you're cute.
00:31:12Okay.
00:31:17When am I the sexiest?
00:31:23When you're not wearing anything.
00:31:36Then when are you the happiest?
00:31:41When you don't wear anything and hug me.
00:32:11I want to hug you.
00:32:21I want to hug you until the end.
00:32:41I want to hug you until the end.
00:33:12I want to hug you.
00:33:19I want to hug you.
00:33:42I want to hug you.
00:33:51Hyelim, look at me for a second.
00:33:53Hyelim
00:34:01I told you not to do it at the hospital.
00:34:05You have to sleep.
00:34:11I love you.
00:34:41I love you.
00:35:11I love you.
00:35:41I love you.
00:36:12Hyelim
00:36:20More than four days?
00:36:25Then how much will the surgery cost?
00:36:38I'll call you as soon as the documents are organized.
00:36:41Yes, sir.
00:37:11I love you.
00:37:38Hyelim
00:37:42Hyelim
00:37:46Hyelim
00:37:58Hyelim
00:38:01Hyelim
00:38:11Hyelim
00:38:41Hyelim
00:38:49I found it.
00:38:53Why don't you find it?
00:38:56Why don't you find me?
00:39:00Aren't you going to find me now?
00:39:07Hyelim
00:39:11Hyelim
00:39:13Where are you?
00:39:15Hyelim
00:39:17I found it.
00:39:24It's going to be okay.
00:39:26You're not scared, are you?
00:39:41Hyelim
00:39:52Should I take my pajamas?
00:39:56You're going to wear a hospital uniform anyway.
00:40:01But I think we're going on a trip.
00:40:03Right?
00:40:11Hyelim
00:40:19Put the perfume in.
00:40:25Don't you take the lipstick?
00:40:28No, I'm afraid I'll smell it if I don't wash my hair.
00:40:42Take your skin, too.
00:40:44I'll smell it when I miss you.
00:40:48I'll be right next to you.
00:40:51Don't worry.
00:41:11Hyelim
00:41:29Let's go.
00:41:41Hyelim
00:42:11Hyelim
00:42:26Hyelim
00:42:41Hyelim
00:43:11Hyelim
00:43:41Hyelim
00:43:46Yeah, Munsik.
00:43:47Long time no see.
00:43:52No.
00:43:55It's okay.
00:43:56I should have contacted you first.
00:44:02Of course.
00:44:07I'm just...
00:44:09I'm just...
00:44:10I put on makeup.
00:44:18Yeah.
00:44:19I'll call you.
00:44:21Yeah.
00:44:24Thank you.
00:44:26Bye.
00:44:28Yeah.
00:44:40Yeah.
00:45:10Yeah.
00:45:40Yeah.
00:45:41Yeah.
00:46:10Yeah.
00:46:40Yeah.
00:47:10Yeah.
00:47:17Yeah.
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00:50:01Yeah.
00:50:02Yeah.
00:50:03Yeah.
00:50:04Yeah.
00:50:05Yeah.
00:50:06Yeah.
00:50:07Yeah.
00:50:08Yeah.
00:50:09Yeah.
00:50:10Yeah.
00:50:11Yeah.
00:50:12Yeah.
00:50:13Yeah.
00:50:14Yeah.
00:50:15Yeah.
00:50:16Yeah.
00:50:17Yeah.
00:50:18Yeah.
00:50:19Yeah.
00:50:20Yeah.
00:50:21Yeah.
00:50:22Yeah.
00:50:23Yeah.
00:50:24Yeah.
00:50:25Yeah.
00:50:26Yeah.
00:50:27Yeah.
00:50:28Yeah.
00:50:29Yeah.
00:50:30Yeah.
00:50:31Yeah.
00:50:32Yeah.
00:50:33Yeah.
00:50:34Yeah.
00:50:35Yeah.
00:50:36Yeah.
00:50:37Yeah.
00:50:38Yeah.
00:50:39Yeah.
00:50:40Yeah.
00:50:41Yeah.
00:50:42Yeah.
00:50:43Yeah.
00:50:44Yeah.
00:50:45Yeah.
00:50:46Yeah.
00:50:47Yeah.
00:50:48Yeah.
00:50:49Yeah.
00:50:50Yeah.
00:50:51Yeah.
00:50:52Yeah.
00:50:53Yeah.
00:50:54Yeah.
00:50:55Yeah.
00:50:56Yeah.
00:50:57Yeah.
00:50:58Yeah.
00:50:59Yeah.
00:51:00Yeah.
00:51:01Yeah.
00:51:02Yeah.
00:51:03Yeah.
00:51:04Yeah.
00:51:05Yeah.
00:51:06Yeah.
00:51:07Yeah.
00:51:08Yeah.
00:51:09Yeah.
00:51:10Yeah.
00:51:11Yeah.
00:51:12Yeah.
00:51:13Yeah.
00:51:14Yeah.
00:51:15Yeah.
00:51:16Yeah.
00:51:17Yeah.
00:51:18Yeah.
00:51:19Yeah.
00:51:20Yeah.
00:51:21Yeah.
00:51:22Yeah.
00:51:23Yeah.
00:51:24Yeah.
00:51:25Yeah.
00:51:26Yeah.
00:51:27Yeah.
00:51:28Yeah.
00:51:29Yeah.
00:51:30Yeah.
00:51:31Yeah.
00:51:32Yeah.
00:51:33Yeah.
00:51:34Yeah.
00:51:35Yeah.
00:51:36Yeah.
00:51:37Yeah.
00:51:38Yeah.
00:51:39Yeah.
00:51:40Yeah.
00:51:41Yeah.
00:51:42Yeah.
00:51:43Yeah.
00:51:44Yeah.
00:51:45Yeah.
00:51:46Yeah.
00:51:47Yeah.
00:51:48Yeah.
00:51:49Yeah.
00:51:50Yeah.
00:51:51Yeah.
00:51:52Yeah.
00:51:53Yeah.
00:51:54Yeah.
00:51:55Yeah.
00:51:56Yeah.
00:51:57Yeah.
00:51:58Yeah.
00:51:59Yeah.
00:52:00Yeah.
00:52:01Let's do it again.
00:52:02I'm so sorry, sir.
00:52:04I'll do my best, sir.
00:52:08Let's do it again.
00:52:17What's wrong with you?
00:52:25I'm sorry.
00:52:28I didn't mean to.
00:52:32How could you do this to me?
00:52:36How?
00:52:37How?
00:52:38You killed me and had an affair with my husband.
00:52:41How?
00:52:46I don't know what to say.
00:52:48Forgive me for being greedy.
00:52:52Please spare my life.
00:53:01Please spare my life.
00:53:07Cut.
00:53:20Let's do it again.
00:53:22Again.
00:53:23Forgive me for being greedy.
00:53:33Please spare my life.
00:53:42Cut.
00:53:53Let's do it again.
00:53:54Director, why do you want to do it again?
00:53:56Didn't it go well this time?
00:53:59Well...
00:54:01What?
00:54:02Why do you want to do it again?
00:54:03There was no mistake in the lines and the camera this time.
00:54:07The sound of Mi-jin's crying...
00:54:12The man's movement...
00:54:15The body shouldn't move.
00:54:20It's all over now.
00:54:22I got a lot of awards at the International Film Festival.
00:54:25There must be something. Let's hold on a little longer.
00:54:27What's there to hold on to?
00:54:29I'm spending 10 more dollars.
00:54:33Do something about her.
00:54:34She's an actress, too.
00:54:36Take 31.
00:54:39I don't know what to say.
00:54:41Forgive me for being greedy.
00:54:45Please spare my life.
00:54:52Cut.
00:54:54Go on.
00:55:19Let's do it again.
00:55:23Let's do it again.
00:55:36Let's take a break.
00:55:38I'm sorry.
00:55:39I'm sorry.
00:55:40I'm sorry.
00:55:41I'm sorry.
00:55:42I'm sorry.
00:55:48Let's take a break.
00:55:50Let's take a break.
00:55:51Let's take a break.
00:56:09I'm sorry, Miss Hwa-ran.
00:56:11I'm trying to make Mi-jin's stuff, but it's hard.
00:56:14Please forgive me just this once.
00:56:16I'm sorry.
00:56:19Mr. Kim.
00:56:21How long have you been doing this?
00:56:25About 15 years.
00:56:30I think it's been a long time since I got used to it,
00:56:34but it's still a long way to go.
00:56:36What?
00:56:38I heard you're a genius.
00:56:40How do you deal with people like that?
00:56:43What do you mean?
00:56:46Didn't you feel it?
00:56:47The way the director looked at Mi-jin?
00:56:51Why are you still here?
00:56:53Don't you know how to handle Mi-jin?
00:56:59Anyway, you just have to get along well with her.
00:57:04It's called harmony.
00:57:08I miss a man who's less matured today.
00:57:17Aren't you going out? I'm going to change.
00:57:33Should I kill her or save her?
00:57:36Cut!
00:57:37Should I kill her or save her?
00:57:39Cut!
00:57:40Should I kill her or save her?
00:57:42Cut!
00:57:43Should I kill her or save her?
00:57:46That's the question.
00:57:48Action!
00:57:50Cut!
00:57:51That's the question.
00:57:53Should I kill her or save her?
00:57:55Cut!
00:57:57Should I kill her or save her?
00:58:00That's the question.
00:58:01Cut!
00:58:02Should I kill her or...
00:58:06Change the smell.
00:58:08Take 127.
00:58:11Action!
00:58:12Should I kill her or save her?
00:58:15That's the question.
00:58:17Cut!
00:58:23Mi-jin, are you tired?
00:58:25No.
00:58:26Take a rest today.
00:58:28Director, I'll try.
00:58:30That's all for today.
00:58:32I'll film something else.
00:58:34Hey, Cho.
00:58:37Let's take a break.
00:58:40Let's take a break.
00:58:47We'll take a break.
00:58:49Director, have a drink.
00:58:53This is garlic juice.
00:58:56Could you sign for my nephew?
00:58:58Sign?
00:59:01Name?
00:59:02Jeong Se-yoon.
00:59:03Se-yoon?
00:59:04Director, it's uncomfortable.
00:59:06He's so cute.
00:59:11Thank you.
00:59:14Director.
00:59:17Do you want to drink?
00:59:19How about a drink tonight?
00:59:23It was your birthday the day before yesterday.
00:59:25I prepared it in advance.
00:59:27I couldn't give it to you because I didn't have a shoot that day.
00:59:29Take it.
00:59:32What's this?
00:59:37It's a scarf.
00:59:39I'll do it for you. Come here.
00:59:43Scarf.
01:00:01Mr. Kim, how do you like the director?
01:00:04The color is good and the pattern is nice.
01:00:08Is it a Couture 33?
01:00:12You made the best choice.
01:00:16It's a gift from me.
01:00:17You have to wear it until the shoot is over.
01:00:23Director Cho.
01:00:24Yes.
01:00:25Let's wrap up today's shoot.
01:00:27Yes.
01:00:28The shoot is over.
01:00:30Thank you for your hard work.
01:00:34Thank you.
01:00:45Do you think everyone will like you just because you're good at greeting?
01:00:51How long have you been acting?
01:00:54It's been about five years since I was in college.
01:00:58I came to this field because I trusted you.
01:01:02But I've seen a lot of people who disappeared without a word.
01:01:07I came here because I wanted to look good.
01:01:09What can I do?
01:01:11I don't know what to do.
01:01:14Hwa-ran, you have a good figure.
01:01:17You recommended her to me.
01:01:19What's wrong with you, Mr. Kim?
01:01:21Do you think you're the only one who has a good face?
01:01:24You're the only one who has a good face.
01:01:26Teach me.
01:01:27Your energy.
01:01:29Thank you.
01:01:31I'll do anything.
01:01:33This is all I have.
01:01:36Please.
01:01:38Thank you.
01:01:39I'm going crazy.
01:01:41What are you so grateful for?
01:01:43You didn't do anything.
01:01:45Ms. Park Hwa-ran, please.
01:01:47Please.
01:01:48I'm begging you.
01:01:52If that's what you want.
01:01:55Then, step one.
01:02:03In order to have the charm of an actor,
01:02:05You have to be able to feel your own charm.
01:02:09I'm a sexy and attractive woman.
01:02:13I'm confident.
01:02:17Erase all the gloomy things.
01:02:20In the past, anyway.
01:02:22The current situation is the worst.
01:02:24You're going to turn into a sexy, attractive woman.
01:02:29Broken hair.
01:02:31A visible inner skin.
01:02:33These are the secret desires of men.
01:02:38The most important thing.
01:02:40Eyes.
01:02:41When the sign appears, give me the exact look.
01:02:46Now you're born again.
01:02:56The point is...
01:02:57Sometimes you have to shed tears.
01:03:01Not that, but sexier.
01:03:05Be confident.
01:03:08That's right.
01:03:09Why do you keep talking to me?
01:03:12Slowly.
01:03:14A little more.
01:03:16All the way.
01:03:18All the way.
01:03:25Mr. Lee, too.
01:03:28Director, I called him because he was bored.
01:03:31Mr. Lee.
01:03:32Sit next to the director.
01:03:35Then, the three of us.
01:03:38Let's have a drink.
01:03:48Mi-jin, you had a hard time today, didn't you?
01:03:52No.
01:03:55I forgot that I had a meeting.
01:03:58Mi-jin, sing a song.
01:04:00Talk to the director.
01:04:02Drinks are unlimited.
01:04:04I'm leaving.
01:04:08Yes.
01:04:39Come to me
01:04:43Come to me
01:04:47Come to me
01:04:49Mi-jin.
01:04:50Yes, director.
01:04:52What do you want?
01:04:54I went to take 33 times.
01:04:57I don't like the sound of a ghost crying.
01:05:01So, just once.
01:05:03Just once.
01:05:05Try it.
01:05:09If you do this, you'll have to shoot all day tomorrow.
01:05:20Now, with emotion.
01:05:28It's not important to scream.
01:05:32No, no, no.
01:05:35Sadder.
01:05:36Sadder.
01:05:39Think of it as coming from an alien.
01:05:45Again.
01:05:53The director must have studied the sound of a ghost.
01:05:56After drinking 30 glasses of bomb liquor,
01:05:58Just the sound of a ghost crying for 30 minutes.
01:06:06The director must be a high school student or a gay.
01:06:37Please give me energy.
01:06:40Please.
01:07:06Please give me energy.
01:07:37In the end, I killed my husband and killed my sister.
01:07:42I'm a human being.
01:07:49Cut.
01:07:50Okay.
01:07:51Thank you.
01:07:57Mi-jin, it's really good today.
01:07:59Director.
01:08:00Yes, director.
01:08:03Mi-jin, it's really good today.
01:08:05Director, let's go one more time.
01:08:07I'll try another tone.
01:08:12It's a shame that today is the last shoot.
01:08:17Let's go one more time.
01:08:19Let's go one more time.
01:08:21In the end, I killed my husband and killed my sister.
01:08:25I'm a human being.
01:08:30Cut.
01:08:31The shoot is over.
01:08:56It's a six o'clock dinner.
01:08:58Thank you for your hard work.
01:09:02Thank you for your hard work.
01:09:09Director.
01:09:11Mi-jin.
01:09:12Thank you so much.
01:09:14I prepared a gift for you.
01:09:16Oh, my God.
01:09:17I was really surprised by your change today.
01:09:21And I thought that practice at the karaoke was really important.
01:09:27It's embarrassing to think about it.
01:09:29But it was a great experience for me.
01:09:34Director.
01:09:35Take it.
01:09:44It's warm.
01:09:50Mi-jin.
01:09:53I love you.
01:09:57Director.
01:10:00The movie isn't over yet.
01:10:03It's still being edited.
01:10:23Mi-jin.
01:10:29Yes.
01:10:59I love you.
01:11:08I love you.
01:11:29I love you.
01:11:41How is it?
01:11:42Do you feel like you're living a new life?
01:11:45It's refreshing.
01:11:47We're having a great party today.
01:11:51Yes.
01:11:52I can't do anything.
01:11:59Why did you choose me?
01:12:02I just felt stuffy with you.
01:12:05It's like seeing me in the old days.
01:12:08Then when did you get chosen?
01:12:13100 years ago.
01:12:20I'm really confident now.
01:12:23But who edits the movie?
01:12:26Director Cho?
01:12:28He's a promising actor.
01:12:31Cheers.
01:12:33Cheers.
01:12:41Didn't it hurt?
01:12:43It was painful at first.
01:12:46I'm not good at stretching.
01:12:52Your blood was fresh.
01:12:56Director's blood is salty.
01:13:02Keep drinking.
01:13:06How old are you?
01:13:12120 years old.
01:13:14Age is just a number.
01:13:19This is really good.
01:13:21It's really good.
01:13:24It's good for your skin.
01:13:27I keep wanting to eat it.
01:13:29What if I get addicted?
01:13:31You have to endure it.
01:13:32But you have to eat it once every two years.
01:13:36There are too many men in the world.
01:13:51You have to endure it.
01:14:21You have to endure it.
01:14:51No.
01:14:55No.
01:14:57No.
01:15:21No.
01:15:42You know me, right?
01:15:43You're the girl who came to my house when I was in high school.
01:15:47Look at me.
01:15:48How old are you?
01:15:49How dare you come to my house?
01:15:51How dare you?
01:15:53How dare you come to my house?
01:15:55Go away.
01:16:19Go away.
01:16:39Honey.
01:16:42Wake up. Let's eat together.
01:16:46I'll sleep a little longer.
01:16:48Eat alone.
01:16:49Wake up. Let's eat together.
01:16:51You know I can't eat with you.
01:16:53Eat alone.
01:16:54Why?
01:16:58I'm dead.
01:17:18Honey.
01:17:21Honey.
01:17:23Honey.
01:17:25Honey.
01:17:26Honey.
01:17:27Honey.
01:17:28Honey.
01:17:29Honey.
01:17:30Honey.
01:17:31Honey.
01:17:32Honey.
01:17:33Honey.
01:17:34Honey.
01:17:35Honey.
01:17:36Honey.
01:17:37Honey.
01:17:38Honey.
01:17:39Honey.
01:17:40Honey.
01:17:41Honey.
01:17:42Honey.
01:17:43Honey.
01:17:44Honey.
01:17:45Honey.
01:17:46Honey.
01:17:48Honey.
01:17:49Honey.
01:17:50Honey.
01:17:51Honey.
01:17:52Honey.
01:17:53Honey.
01:17:54Honey.
01:17:55Honey.
01:17:56Honey.
01:17:57Honey.
01:17:58Honey.
01:17:59Honey.
01:18:00Honey.
01:18:01Honey.
01:18:02Honey.
01:18:03Honey.
01:18:04Honey.
01:18:05Honey.
01:18:06Honey.
01:18:07Honey.
01:18:08Honey.
01:18:09Honey.
01:18:10Honey.
01:18:11Honey.
01:18:12Honey.
01:18:13Honey.
01:18:14Honey.
01:18:15Honey.
01:18:16Honey.
01:18:17Honey.
01:18:18Honey.
01:18:19Honey.
01:18:20Honey.
01:18:21Honey.
01:18:22Honey.
01:18:23Honey.
01:18:24Honey.
01:18:25Honey.
01:18:26Honey.
01:18:27Honey.
01:18:28Honey.
01:18:29Honey.
01:18:30Honey.
01:18:31Honey.
01:18:32Honey.
01:18:33Honey.
01:18:34Honey.
01:18:35Honey.
01:18:36Honey.
01:18:37Honey.
01:18:38Honey.
01:18:39Honey.
01:18:40Honey.
01:18:41Honey.
01:18:42Honey.
01:18:43Honey.
01:18:44Honey.
01:18:45Honey.
01:18:46Honey.
01:18:47Honey.
01:18:48Honey.
01:18:49Honey.
01:18:50Honey.
01:18:51Honey.
01:18:52Honey.
01:18:53Honey.
01:18:54Honey.
01:18:55Honey.
01:18:56Honey.
01:18:57Honey.
01:18:58Honey.
01:18:59Honey.
01:19:00Honey.
01:19:01Honey.
01:19:02Honey.
01:19:03Honey.
01:19:04Honey.
01:19:05Honey.
01:19:06Honey.
01:19:07Honey.
01:19:08Honey.
01:19:09Honey.
01:19:10Honey.
01:19:11Honey.
01:19:12Honey.
01:19:13Honey.
01:19:14Honey.
01:19:15Honey.
01:19:16Honey.
01:19:17Honey.
01:19:18Honey.
01:19:19Honey.
01:19:20Honey.
01:19:21Honey.
01:19:22Honey.
01:19:23Honey.
01:19:24Honey.
01:19:25Honey.
01:19:26Honey.
01:19:27Honey.
01:19:28Honey.
01:19:29Honey.
01:19:30Honey.
01:19:31Honey.
01:19:32Honey.
01:19:33Honey.
01:19:34Honey.
01:19:35Honey.
01:19:36Honey.
01:19:37Honey.
01:19:38Honey.
01:19:39Honey.
01:19:40Honey.
01:19:41Honey.
01:19:42Honey.
01:19:43Honey.
01:19:44Honey.
01:19:45Honey.
01:19:46Honey.
01:19:47Honey.
01:19:48Honey.
01:19:49Honey.
01:19:50Honey.
01:19:51Honey.
01:19:52Honey.
01:19:53Honey.
01:19:54Honey.
01:19:55Honey.
01:19:56Honey.
01:19:57Honey.
01:19:58Honey.
01:19:59Honey.
01:20:00Honey.
01:20:01Honey.
01:20:02Honey.
01:20:03Honey.
01:20:04Honey.
01:20:05Honey.
01:20:06Honey.
01:20:07Honey.
01:20:08Honey.
01:20:09Honey.
01:20:10Honey.
01:20:11Honey.
01:20:12Honey.
01:20:13Honey.
01:20:14Honey.
01:20:15Honey.
01:20:16Honey.
01:20:17Honey.
01:20:18Honey.
01:20:19Honey.
01:20:20Honey.
01:20:21Honey.
01:20:22Honey.
01:20:23Honey.
01:20:24Honey.
01:20:25Honey.
01:20:26Honey.
01:20:27Honey.
01:20:28Honey.
01:20:29Honey.
01:20:30Honey.
01:20:31Honey.
01:20:32Honey.
01:20:33Honey.
01:20:34Honey.
01:20:35Honey.
01:20:36Honey.
01:20:37Honey.
01:20:38Honey.
01:20:39Honey.
01:20:40Honey.
01:20:42Honey.
01:20:43Honey.
01:20:44Honey.
01:20:45Honey.
01:20:46Honey.
01:20:47Honey.
01:20:48Honey, Chae-Won.
01:20:49Honey, please let me stay here.
01:20:51I'll do whatever it takes.
01:20:52What are you doing?
01:20:53Stay here.
01:20:58Please let me be here.
01:21:11It'll be fun if you do it.
01:21:13I don't want to.
01:21:14Please.
01:21:15You have a lot to say.
01:21:16I don't want to.
01:21:17Let me stay with you.
01:21:20Please.
01:21:22Then I'll leave, too.
01:21:23Please.
01:21:41I don't want to.
01:22:03I don't want to.
01:22:33I don't want to.
01:23:03I don't want to.
01:23:23I don't want to.
01:23:33I don't want to.
01:23:43I don't want to.
01:23:53I don't want to.
01:24:03I don't want to.
01:24:23I don't want to.
01:24:33I don't want to.
01:24:43I don't want to.
01:24:53I don't want to.
01:25:03I don't want to.
01:25:13I don't want to.
01:25:23I don't want to.
01:25:53I don't want to.
01:26:23I don't want to.
01:26:33I don't want to.
01:26:43I don't want to.
01:26:53I don't want to.
01:27:03I don't want to.
01:27:13I don't want to.
01:27:23I don't want to.
01:27:33I don't want to.
01:27:43I don't want to.
01:27:53I don't want to.
01:28:03I don't want to.
01:28:13I don't want to.
01:28:23I don't want to.
01:28:33I don't want to.
01:28:43I don't want to.
01:28:53I don't want to.
01:29:03I don't want to.
01:29:13I don't want to.
01:29:23I don't want to.
01:29:33I don't want to.
01:29:43I don't want to.
01:29:53I don't want to.
01:30:03I don't want to.
01:30:13I don't want to.
01:30:23I don't want to.
01:30:33I don't want to.
01:30:43I don't want to.
01:30:53I don't want to.
01:31:03I don't want to.
01:31:13I don't want to.
01:31:23I don't want to.
01:31:33I don't want to.
01:31:43I don't want to.
01:31:53I don't want to.
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01:34:03I don't want to.
01:34:13I don't want to.
01:34:23I don't want to.
01:34:33I don't want to.
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01:35:03I don't want to.
01:35:13I don't want to.
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01:35:53I don't want to.
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01:38:03I don't want to.
01:38:13I don't want to.
01:38:23I don't want to.
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01:40:03I don't want to.
01:40:13I don't want to.
01:40:23I don't want to.
01:40:33I don't want to.
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01:41:53I don't want to.
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01:42:13I don't want to.
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01:42:53I don't want to.
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01:43:23I don't want to.
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01:44:03I don't want to.
01:44:13I don't want to.
01:44:23I don't want to.
01:44:33I don't want to.
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01:44:53I don't want to.
01:45:03I don't want to.
01:45:13I don't want to.
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01:45:53I don't want to.
01:46:03I don't want to.
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01:46:53I don't want to.
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01:49:33I don't want to.
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01:50:03I don't want to.
01:50:13I don't want to.
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01:51:03I don't want to.
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01:51:53I don't want to.
01:52:03I don't want to.
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01:53:03I don't want to.
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01:57:43I don't want to.
01:58:13I don't want to.
01:58:43I don't want to.
01:58:53I don't want to.

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