Edhe kështu edhe ashtu
Transcript
00:00:30laughter
00:00:33♪
00:00:42♪
00:00:49♪
00:00:54Oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh
00:01:24Oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh
00:01:54oh, oh, oh, oh
00:02:54I don't know what you told me to do
00:03:00I don't know what you told me to do
00:03:05You're like a movie screen, that's full of tears
00:03:11Oh, I miss your love
00:03:19And I miss you so much
00:03:24But I look at you, and I don't know what to do
00:03:31I miss you so much
00:03:36I don't know what you told me to do
00:03:41You're like a movie screen, that's full of tears
00:03:46Oh, I miss you so much
00:03:51I don't know what you told me to do
00:03:56I miss you so much
00:04:01I don't know what you told me to do
00:04:09I miss you so much
00:04:14I don't know what you told me to do
00:04:19You're like a movie screen, that's full of tears
00:04:24Oh, I miss you so much
00:04:29Oh, I miss you so much
00:04:37Alma, the orchestra is ready.
00:04:40One minute, one minute.
00:04:42All those who are here for new experiments, the others are free.
00:04:46Come on, hurry up.
00:04:50Ready? Let's start.
00:04:56Andy, come here.
00:05:01What is this?
00:05:02The actors have been pressing the music for three days.
00:05:05They should be in their rooms.
00:05:06I have the music ready.
00:05:07I want to see the director.
00:05:08I want to see the director.
00:05:09I want to see the director.
00:05:10I want to see the director.
00:05:11I want to see the director.
00:05:12I want to see the director.
00:05:13I want to see the director.
00:05:14I want to see the director.
00:05:15I want to see the director.
00:05:16I want to see the director.
00:05:17I want to see the director.
00:05:18I want to see the director.
00:05:19I want to see the director.
00:05:20I want to see the director.
00:05:21I want to see the director.
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00:05:26I want to see the director.
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00:05:51I want to see the director.
00:05:52I want to see the director.
00:05:53I want to see the director.
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00:06:01I want to see the director.
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00:06:03I want to see the director.
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00:06:05I want to see the director.
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00:06:07I want to see the director.
00:06:08I want to see the director.
00:06:09I want to see the director.
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00:06:11I want to see the director.
00:06:12I want to see the director.
00:06:13I want to see the director.
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00:06:45I want to see the director.
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00:06:47I want to see the director.
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00:06:49I want to see the director.
00:06:50I want to see the director.
00:06:51I want to see the director.
00:06:52I want to see the director.
00:06:53I want to see the director.
00:06:54I want to see the director.
00:06:55I want to see the director.
00:06:56I want to see the director.
00:06:57I want to see the director.
00:06:58I want to see the director.
00:06:59I want to see the director.
00:07:00I want to see the director.
00:07:01I want to see the director.
00:07:02I want to see the director.
00:07:03I want to see the director.
00:07:04I want to see the director.
00:07:05I want to see the director.
00:07:06I want to see the director.
00:07:08I want to see the director.
00:07:09I want to see the director.
00:07:10I want to see the director.
00:07:11I want to see the director.
00:07:12I want to see the director.
00:07:13I want to see the director.
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00:07:15I want to see the director.
00:07:16I want to see the director.
00:07:17I want to see the director.
00:07:18I want to see the director.
00:07:19I want to see the director.
00:07:20I want to see the director.
00:07:21I want to see the director.
00:07:22I want to see the director.
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00:07:34I want to see the director.
00:07:35I want to see the director.
00:07:36I want to see the director.
00:07:37I want to see the director.
00:07:38I want to see the director.
00:07:39I want to see the director.
00:07:40I want to see the director.
00:07:41I want to see the director.
00:07:42I want to see the director.
00:07:43I want to see the director.
00:07:44I want to see the director.
00:07:45I want to see the director.
00:07:46I want to see the director.
00:07:47I want to see the director.
00:07:48I want to see the director.
00:07:49I want to see the director.
00:07:50I want to see the director.
00:07:51I want to see the director.
00:07:52I want to see the director.
00:07:53I want to see the director.
00:07:54I want to see the director.
00:07:55I want to see the director.
00:07:57Experimenting?
00:07:58Yeah.
00:08:16Stop!
00:08:19What is it?
00:08:20He's an engineer.
00:08:21He's taking a diploma for acoustic in concert halls.
00:08:24What are we going to do?
00:08:25We're going to experiment with musical instruments.
00:08:27Let's go.
00:08:32What are you doing here?
00:08:34In the hall.
00:08:36In the hall.
00:08:48What's your name?
00:08:49My name is Zen.
00:08:54Wait a minute, Luda.
00:08:55I told you, my name is Zen.
00:09:02I want to see when you experiment.
00:09:06Music.
00:09:07Where is the music?
00:09:09The music is ready.
00:09:10You have accepted the offer.
00:09:12Justification!
00:09:15Is it you?
00:09:17Good afternoon.
00:09:18The offer is for the opening of the circus.
00:09:20The opening?
00:09:21The opening?
00:09:22When?
00:09:23I don't have to be serious.
00:09:25I'm not doing a show with clowns.
00:09:29Luda, but...
00:09:30I told you, my name is Zen.
00:09:32Wait a minute.
00:09:41Aghimi is very talented.
00:09:43He's an imitator, a percussionist, a pantomimeist, an actor.
00:09:46The show is going to be an actor with a name, Mordian.
00:09:49The show is going to be with a name, but with talent.
00:09:51The show is going to be with what I say.
00:09:54Is it you?
00:09:55Very good.
00:09:57The show is going to be with you.
00:09:58Let's go.
00:10:19Hello?
00:10:20Yes?
00:10:23Oh!
00:10:26I'm listening.
00:10:28I'm listening.
00:10:29Good afternoon.
00:10:31Good afternoon.
00:10:32Are you ready for the opening?
00:10:34Good afternoon.
00:10:35Good afternoon.
00:10:37If you don't hurry up, the journalists will come.
00:10:41Hurry up.
00:10:43Don't be late.
00:10:44Hurry up.
00:10:45Is there no entrance?
00:10:47Close all the doors.
00:10:48The journalists are coming.
00:10:50Hurry up.
00:10:51Hurry up.
00:10:55Where were you?
00:10:56In the library.
00:10:57Hurry up.
00:10:58The journalists are coming.
00:11:02Are you going to do an experiment or not?
00:11:05We didn't do it yet.
00:11:06Let's do an experiment.
00:11:07Scandal.
00:11:08You are going to sabotage.
00:11:10Hurry up.
00:11:11The journalists are coming.
00:11:12Hurry up.
00:11:13Go, go!
00:11:14Sabotage!
00:11:15Faster, faster!
00:11:16The security!
00:11:17Faster, faster!
00:11:18Start the process!
00:11:19Where is the director?
00:11:20He is in the security.
00:11:21Who are you?
00:11:22Journalist.
00:11:23Faster!
00:11:24Go, go!
00:11:25Go, go!
00:11:26I'll shoot you with the gun!
00:11:27Go, go!
00:11:28Go, go!
00:11:29Go, go!
00:11:30Go, go!
00:11:31Go, go!
00:11:32Go, go!
00:11:33Go, go!
00:11:34Go, go!
00:11:35Go, go!
00:11:36Go, go!
00:11:37Go, go!
00:11:38Go, go!
00:11:39Go, go!
00:11:40Go, go!
00:11:41Go, go!
00:11:42Go, go!
00:11:43Go, go!
00:11:44Go, go!
00:11:46Go, go!
00:11:47Go, go!
00:11:49Go, go!
00:11:51Go, go!
00:11:52Go, go!
00:11:53Go, go!
00:11:54Go, go!
00:11:56You, buddy!
00:11:57Go, go!
00:11:58Go, go!
00:11:59Go, go!
00:12:00Let's roll!
00:12:01Go, go!
00:12:03We are finished!
00:12:05Disability is the pinnacle of life.
00:12:09Not with a gun, not with the wall!
00:12:12I'm going to beat you up!
00:12:14I'm going to beat you up!
00:12:16I'm going to beat you up!
00:12:18I'm going to beat you up!
00:12:20I'm going to beat you up!
00:12:22I'm going to beat you up!
00:12:24I'm going to beat you up!
00:12:26I'm going to beat you up!
00:12:28I'm going to beat you up!
00:12:30I'm going to beat you up!
00:12:32I'm going to beat you up!
00:12:34I'm going to beat you up!
00:12:36I'm going to beat you up!
00:12:38I'm going to beat you up!
00:12:40I'm going to beat you up!
00:12:42I'm going to beat you up!
00:12:44I'm going to beat you up!
00:12:46I'm going to beat you up!
00:12:48I'm going to beat you up!
00:12:50I'm going to beat you up!
00:12:52I'm going to beat you up!
00:12:54I'm going to beat you up!
00:12:56I'm going to beat you up!
00:12:58I'm going to beat you up!
00:13:00I'm going to beat you up!
00:13:02I'm going to beat you up!
00:13:04I'm going to beat you up!
00:13:06I'm going to beat you up!
00:13:08I'm here!
00:13:10Oh!
00:13:12Welcome!
00:13:14Welcome!
00:13:16As you can see, we're in the middle of work.
00:13:18The first to arrive
00:13:20will get the results as soon as possible.
00:13:22Yes!
00:13:26As a unit,
00:13:28we will mobilize our forces
00:13:30on all fronts of life.
00:13:32And we, our collective,
00:13:34will go to the wall
00:13:36and drink some coffee.
00:13:38No, first we have to talk to the artist.
00:13:40Come on!
00:13:42As you wish!
00:13:44I'll take you to the wall.
00:13:48Informative article or...
00:13:50No, problem.
00:14:04These newspapers
00:14:06have come to make fun of us.
00:14:10Today is Easter.
00:14:18Excuse me,
00:14:20can I use the phone?
00:14:22There's a defect.
00:14:28Hello?
00:14:30Yes.
00:14:32Family from Ossako?
00:14:34Is that you?
00:14:36Wait a minute, I'll call you back.
00:14:56Hello, hello, hello!
00:14:58Hello, hello, hello!
00:15:00Hello, hello, hello!
00:15:04Excuse me,
00:15:06are you Tieta?
00:15:08Yes, I am.
00:15:10Thank you for coming.
00:15:12I'm Komshiyu.
00:15:14Komshiyu Ktulart.
00:15:16I have a phone.
00:15:18I have a phone.
00:15:20The family of Apostol Sako
00:15:22is calling.
00:15:24Ah, me?
00:15:26No, you.
00:15:28Interesting.
00:15:32So soon?
00:15:34I found the number once.
00:15:36The phone started ringing for you too.
00:15:38Excuse me for talking.
00:15:40For us, it's a great honor
00:15:42that we contribute to your communication
00:15:44with the outside sector of our society.
00:15:46Therefore, we ask you not to discuss
00:15:48a day like your phone call.
00:15:50Excuse me?
00:15:52Yes, it's me.
00:15:54Eddie,
00:15:56it's a special case.
00:15:58Why did you call me?
00:16:00I told you, it's a special case.
00:16:02Tell me how.
00:16:06We have a call.
00:16:08It's you, right?
00:16:10With all the aneurysms
00:16:12in the back system
00:16:14of the brain,
00:16:16the surgical team
00:16:18is well informed about this problem.
00:16:20We have a case for you.
00:16:22A case,
00:16:24but not for you.
00:16:26The lists for Budapest
00:16:28and Berlin are full.
00:16:30With your diagnosis,
00:16:32they only cure in Vienna.
00:16:34There's no way.
00:16:36Yes, yes.
00:16:38We'll take care of this.
00:16:40I'll assist you in the operation.
00:16:42See you tomorrow.
00:16:44Of course.
00:16:46Goodbye.
00:16:48Thank you and goodbye.
00:16:50Goodbye.
00:16:54Goodbye.
00:17:24Hello?
00:17:26Yes, yes.
00:17:28I'll be there in a minute.
00:17:30Goodbye.
00:17:32Sofika!
00:17:44Sir!
00:17:46Sir!
00:17:48They want to kill me.
00:17:50Get ready.
00:17:54Ha, ha, ha, ha.
00:17:56Ha, ha, ha, ha.
00:17:58Ha, ha, ha, ha.
00:18:00I'm sorry for the inconvenience.
00:18:02Ha, ha, ha, ha.
00:18:04Ha, ha, ha, ha.
00:18:06I'm sorry for the inconvenience.
00:18:08Ah, me?
00:18:10No, you.
00:18:12It's about your wife.
00:18:14Ah, ha, ha, ha.
00:18:16Ha, ha, ha, ha.
00:18:18Alma!
00:18:20On the phone.
00:18:22Ha?
00:18:24Hoy!
00:18:26Ha!
00:18:28Ah?
00:18:30Huh, Julia?
00:18:32Vas hisho writ apostol?
00:18:34Hm.
00:18:36Ha, ha, ha, ha.
00:18:38de chuditsma.
00:18:40Ha, ha, ha, ha, ha, ha.
00:18:42Ha, ha, ha, ha, ha, ha, ha.
00:18:44Ha, ha, ha, ha, ha, ha...
00:18:46ha, ha, ha, ha, ha, ha.
00:18:48ha, ha, ha, ha, ha, ha, ha.
00:18:50Hey!
00:18:52I don't know when I'll be able to trust this one.
00:18:55He's got a lot of nerve.
00:18:58Hello?
00:19:00Hello?
00:19:02Andy?
00:19:12For the time being, the orchestra and all administrative personnel
00:19:16will be at your disposal.
00:19:18We don't have time to waste.
00:19:20Don't waste your time on new talents.
00:19:24Stop being so dilettante.
00:19:26You're wasting your time on mediocrity.
00:19:29You don't know what culture is.
00:19:31You don't know what science is.
00:19:33Acoustics is the biggest problem of the scenic art.
00:19:39Where's Andy?
00:19:40He's not here.
00:19:41Tell him to come here.
00:19:43But he's working with Alma.
00:19:46He'll be fine on his own.
00:19:50© BF-WATCH TV 2021
00:20:20© BF-WATCH TV 2021
00:20:31Alma, look at these beautiful pictures.
00:20:34We've been looking for them.
00:20:39And here's the start of the career in the city's new department.
00:20:45I'm sorry, Mom. It's an emergency.
00:20:48Arta, take a look at Dmitri's book.
00:20:52He's a diplomat, too.
00:20:55He's a young man, so he needs to study hard.
00:20:59Look at the pictures we've taken.
00:21:10Arta, we need to think seriously about the boy's future.
00:21:14You go first.
00:21:19Uh-huh.
00:21:20Uh-huh-huh.
00:21:22PHONE RINGS
00:21:49Who's this Andy?
00:21:50Alma's fiancée.
00:21:52Ah!
00:21:55Who's his fiancée?
00:21:56What do you mean, his fiancée?
00:21:58But we're looking for Alma.
00:22:00Is that so?
00:22:01Yes.
00:22:02But we know she's his fiancée.
00:22:04Then Alma and Andy...
00:22:06Oh!
00:22:07Oh, Alma!
00:22:12Where's the phone?
00:22:14Tell him I'm not here.
00:22:19Arta!
00:22:22Excuse me, ma'am.
00:22:23Excuse me.
00:22:24We're looking for a young man.
00:22:27I don't know him.
00:22:28I don't know him, either.
00:22:29But we're looking for a young man.
00:22:31We know that Alma is his fiancée.
00:22:34But we don't know his name.
00:22:36Do you know him?
00:22:37No, we don't.
00:22:38He's a young man.
00:22:39Excuse me, ma'am.
00:22:40Excuse me.
00:22:42Who's this Andy?
00:22:43Tralala!
00:22:44Tralala!
00:22:46Oh!
00:22:47Even worse, huh?
00:22:49A young man?
00:22:50Yes!
00:22:51An artist!
00:22:52A singer!
00:22:54Tralala!
00:22:55Here!
00:22:56Tralala!
00:22:57Here!
00:22:58No character!
00:22:59A profession very similar to family morality.
00:23:01Look!
00:23:02But what does character have to do with profession?
00:23:04It does!
00:23:05Just like Easter!
00:23:06Profession leads directly to the formation and development of character.
00:23:09Very good.
00:23:10I'm going to call an officer.
00:23:13Alma, who is this singer?
00:23:16Andy Vega.
00:23:18Tralala!
00:23:20Tralala!
00:23:21Tralala!
00:23:22Tralala!
00:23:29Ah!
00:23:30You mean he's a graduate?
00:23:32Yes!
00:23:33Ah!
00:23:34No, no!
00:23:35But what did you say?
00:23:36An artist!
00:23:38And then he found the variant.
00:23:40Baby, Shurina and I never thought about the variant.
00:23:43But Gabin!
00:23:45Everything in life has to come with a variant.
00:23:48And to use it, you have to be an artist.
00:23:52That's why I'm asking you.
00:23:53An artist?
00:23:54Or a diplomat?
00:23:58Or a diplomat?
00:24:00Huh?
00:24:01An artist.
00:24:10This is outrageous!
00:24:11This is scandalous!
00:24:12You are a good man with a good heart,
00:24:14and for a case like this,
00:24:16this is your own brother!
00:24:26I know, Alma.
00:24:29Today is the day of diplomacy,
00:24:32but don't even think about it!
00:24:35Just like when Adin and Galileo...
00:24:38Oh, my baby!
00:24:39Apostol,
00:24:40it's not their fault, it's our fault too.
00:24:44Alma, call the phone.
00:24:51Alma!
00:24:52Alma!
00:24:53God!
00:24:54I don't have a phone!
00:24:55I won't talk to you on the phone,
00:24:57you uneducated girl!
00:24:59I'm sure you know what you're doing.
00:25:01Sofika!
00:25:02This phone will make my life hell!
00:25:04But don't get mad!
00:25:06From now on,
00:25:07you won't talk to me on the phone!
00:25:09Never!
00:25:21Is he here?
00:25:22Is he ready?
00:25:23Let's see.
00:25:36Idiot!
00:25:38Vagabond!
00:26:06And this is the last one.
00:26:09Alma!
00:26:11Alma!
00:26:13How are you?
00:26:15Alma!
00:26:16Where's the Countess?
00:26:17She's going to see the King.
00:26:18I see.
00:26:19Alma!
00:26:20Alma!
00:26:22She's on the phone.
00:26:23She's going to destroy the palace, she's going to destroy my family.
00:26:26And you, as the King, you have to stop her right now.
00:26:31I'm going to fire you.
00:26:34I don't care if it's the radio festival or Romeo and Juliet.
00:26:38The concert, the concert is mine.
00:26:42I'm warning you for the last time.
00:26:44You're not going to take part in the festival.
00:26:46The music of Romeo can be made by anyone.
00:26:49It can be called the Shakespeare of the King.
00:26:51Do you understand?
00:26:53I've warned you before and again.
00:26:55You don't listen to me.
00:26:56But for a few days you haven't been going to the festival.
00:26:58What have I done?
00:27:00Hello.
00:27:02Yes.
00:27:05The order?
00:27:08What order?
00:27:10Is it you?
00:27:12Juliet?
00:27:14Of course.
00:27:16Me?
00:27:17There's no way.
00:27:18For how long?
00:27:21Don't worry.
00:27:22I've taken care of myself.
00:27:25Thank you.
00:27:26What order?
00:27:27Thank you.
00:27:28Thank you.
00:27:39Hey.
00:27:41Do you know what you're really doing?
00:27:44Sabotage.
00:27:45You're taking part in a comedy festival.
00:27:49Do you know what you're doing?
00:27:50You're causing a problem in the committee.
00:27:54Listen to me.
00:27:55Lethal hand-boobs.
00:27:56You have to go together to the festival.
00:27:59I have no time.
00:28:00No time.
00:28:01You have everything you need.
00:28:03You have talent, you have offspring.
00:28:05But there's no way you're doing it.
00:28:07But what time was I supposed to come?
00:28:09Thirty-three!
00:28:10Three hundred thirty-three, my brother!
00:28:12Come to the festival and avoid the concert!
00:28:17Motherfucker!
00:28:18I'm sorry, but I don't want to be called Capulet anymore.
00:28:26You're right, that's the right thing to do.
00:28:29I don't want to be alone anymore.
00:28:32You're here with me, I'm not alone.
00:28:35Stop! Stop!
00:28:39And one of you, get out of the balcony!
00:28:42Get out!
00:28:44This music has to be more intimate, more emotional,
00:28:51it's the first stage of the performance.
00:28:54The music has to be at the end of the monologue,
00:28:57and your emotional expression.
00:28:59Right? Have you ever performed?
00:29:01Once.
00:29:05Even the composers laugh.
00:29:10Ready? Let's start.
00:29:15Andi! Andi! Andi!
00:29:21You stay here, Tania will take care of you.
00:29:26Who's like a bird that can't fly?
00:29:30Badalé, he's a trickster,
00:29:35he's Lindia, she's Juliet,
00:29:39she's Aga, and I'm Evenit.
00:29:51This is a scandal!
00:29:53I'm serious!
00:29:55This is outrageous!
00:29:57It's a total conspiracy!
00:29:59It's a total Shakespeare!
00:30:02They've ruined everything!
00:30:04This is unacceptable!
00:30:06We know what we're doing,
00:30:08and the audience doesn't care!
00:30:10Get out of here!
00:30:12And one of you, get out!
00:30:15Get out!
00:30:17This is a scandal!
00:30:19It's a disaster!
00:30:21Get out!
00:30:27Andi, don't look at him like that.
00:30:29What's wrong?
00:30:31We've got work to do, Andi.
00:30:33This is unacceptable!
00:30:35I called you several times, but you weren't there.
00:30:37I tried to call you, but you didn't pick up.
00:30:40I'm sorry, sir.
00:30:54Hello?
00:30:56Is this Solshako?
00:30:59I'll be there in a minute.
00:31:03Get out!
00:31:13This is torture!
00:31:15I don't know how we're going to get work.
00:31:17My phone is ringing, and my phone is ringing.
00:31:22I have to get out of here.
00:31:24When you say that,
00:31:26we have no choice,
00:31:28even if you get out.
00:31:31I'll get out, I'll get out.
00:31:41Hello?
00:31:43Is this Solshako?
00:31:45Aren't you at home?
00:31:47I'll be there in a minute.
00:31:53Get out!
00:32:01Hello?
00:32:03This is Totoia.
00:32:05I'm looking for Astrit.
00:32:07The technician in area 10.
00:32:09I have urgent work to do.
00:32:11Shut up!
00:32:13Aren't you going to pick up Apostol's phone?
00:32:15Hello, Astrit?
00:32:17I'm Sotir.
00:32:19I'm looking for her, too.
00:32:21She's at my house.
00:32:23She's on her own, and she's busy.
00:32:25I'll tell you when I see her.
00:32:27Get out!
00:32:31Don't worry, Apostol.
00:32:33I'll take care of her.
00:32:35I'll take care of her, too.
00:32:37But you don't have a wife.
00:32:39Intellectuals,
00:32:41as long as they have a wife,
00:32:43they have a lot of money.
00:32:53Nature has given man
00:32:55an invaluable gift.
00:32:57Women.
00:33:00The years of which are the happiest years of life.
00:33:02They are their songs,
00:33:04their romantics.
00:33:06They are years filled with joy,
00:33:08dynamism,
00:33:10filled with passion,
00:33:12love, and desire.
00:33:30My father is a man of every respect for women.
00:33:32He has a sense of humor,
00:33:34a sense of culture.
00:33:36My father is right.
00:33:38He's a psychologist.
00:33:40He has a love for women.
00:33:42I don't want to marry a man.
00:33:44I will do this.
00:33:46You will, too.
00:33:54You will, too.
00:33:56You will, too.
00:33:58You will, too.
00:34:08Today, the technician will come to your house.
00:34:18I am the technician.
00:34:21Order me.
00:34:28Good evening.
00:34:30You came at the right time.
00:34:32Why didn't you come earlier?
00:34:36Excuse me.
00:34:50Excuse me.
00:34:52A caramel, please.
00:34:55Would you like a coffee?
00:34:57Thank you.
00:34:59I don't smoke.
00:35:01Only music.
00:35:05Thank you.
00:35:07Yes, Andy Vega.
00:35:09He's a famous singer.
00:35:11Bill B.
00:35:13Phenomenal.
00:35:15Outstanding.
00:35:17A virtuoso.
00:35:19Does he have a lot of money?
00:35:21Of course.
00:35:23Or maybe he doesn't.
00:35:25Does he have a wife?
00:35:27A husband?
00:35:29A family?
00:35:31I have only one mother.
00:35:33Whenever I ask for her hand in marriage.
00:35:36Or maybe I don't.
00:35:38I don't care.
00:35:40I don't care what happens to you.
00:35:47Hello.
00:35:49No other.
00:35:51Tonight.
00:35:59Hello.
00:36:01Yes.
00:36:08This is defective.
00:36:10Excuse me.
00:36:12Good evening.
00:36:18Hello.
00:36:20Yes.
00:36:22Tonight.
00:36:26What?
00:36:28No.
00:36:30Not here.
00:36:32Let's go.
00:36:34No.
00:36:36No way.
00:36:38Art has rules.
00:36:47Good evening.
00:36:49Good evening.
00:37:04Andy Vega.
00:37:06He's a famous singer.
00:37:08Andy Vega.
00:37:12Andy.
00:37:20I hate this place.
00:37:22This is my world.
00:37:28Let's go to the concert.
00:37:30Let's go.
00:37:32Let's go to the concert.
00:37:43A famous singer.
00:37:45A famous singer.
00:37:47He's a famous singer.
00:37:49I don't care.
00:37:51I don't care.
00:37:57You must leave your office immediately.
00:37:59You must leave your office immediately.
00:38:01The other part of the diploma will be created by another singer.
00:38:03The other part of the diploma will be created by another singer.
00:38:05And this is how you leave without a singer.
00:38:07Thank you.
00:38:09I talked to the director of the opera.
00:38:11I don't accept.
00:38:13Why?
00:38:15Ah, Sandari. Sandari.
00:38:18Yes, I'm here.
00:38:19Come here. This is my friend, the journalist.
00:38:21I don't know if you, the directors, have seen the journalist.
00:38:24Good evening.
00:38:25How are you?
00:38:26Today, I have a guest and a friend of my family.
00:38:28It's been a long time since we've met.
00:38:30Is this the article?
00:38:31Yes, this is the headline.
00:38:33Ah.
00:38:34Sandari, I have a surprise for you.
00:38:36We have a very special meeting.
00:38:38A meeting, a conversation, and...
00:38:40Oh, we're in the middle of someone else's life.
00:38:42And I hope we won't get in trouble.
00:38:44We're interested in sociological problems.
00:38:47Education, family, society.
00:38:49Sandari, we have a meeting today.
00:38:51Yes.
00:38:52Yes.
00:38:53And I think you should take a lesson.
00:38:54Yes.
00:38:55Look.
00:38:56It's a lesson.
00:38:57The author is...
00:38:58No, no, Samifrashi.
00:38:59Ah.
00:39:00The lesson.
00:39:01Yes.
00:39:02With a smile of happiness, it's an adventure.
00:39:06Good.
00:39:07Exactly an adventure.
00:39:09The lesson.
00:39:10With a smile of happiness, it's an adventure.
00:39:14Very good.
00:39:16Like my son.
00:39:19The lesson.
00:39:20With a smile of happiness, it's a robbery.
00:39:37What?
00:39:38A robbery.
00:39:40Robbery.
00:39:41Robbery.
00:39:42Robbery.
00:39:43Robbery.
00:39:44Robbery.
00:39:45Robbery.
00:39:46Robbery.
00:39:47Robbery.
00:39:48Robbery.
00:39:49Robbery.
00:39:50Robbery.
00:39:51Robbery.
00:39:52Robbery.
00:39:53Robbery.
00:39:54Robbery.
00:39:55Robbery.
00:39:56Robbery.
00:39:57Robbery.
00:39:58Robbery.
00:39:59Robbery.
00:40:00Robbery.
00:40:01Robbery.
00:40:02Robbery.
00:40:03Robbery.
00:40:04Robbery.
00:40:05Robbery.
00:40:06Robbery.
00:40:07Robbery.
00:40:08Robbery.
00:40:09Robbery.
00:40:10Robbery.
00:40:11Robbery.
00:40:12Robbery.
00:40:38Do you read our article?
00:40:40Why? Is it a new issue?
00:40:42Yes, it is.
00:40:43I'm curious how it will be published.
00:40:46In a good way.
00:40:48Good, good.
00:40:50With the exception of two or three sentences,
00:40:52for which I have some suggestions.
00:40:54Especially for the lecture that will take place today
00:40:56in the Palace of Culture.
00:40:58I want to start with very concrete
00:41:00conservative and patriarchal changes
00:41:02about the country.
00:41:04No problem. I'll send you the link.
00:41:08Good afternoon.
00:41:10Good afternoon.
00:41:20Good afternoon.
00:41:28I have to go now. It's urgent.
00:41:39Write this down.
00:41:42The truth of the truth
00:41:44comes
00:41:46from the truth itself.
00:41:50And it is the logical result
00:41:52of the end.
00:41:54The end.
00:42:08The end.
00:42:22Good afternoon.
00:42:24Good afternoon.
00:42:38Good afternoon.
00:43:08Good afternoon.
00:43:10Good afternoon.
00:43:12I will be waiting in the Ministry.
00:43:14Good afternoon.
00:43:16When?
00:43:18I'm going to the hospital,
00:43:20I will do everything.
00:43:22Where?
00:43:24The family of Apostol Saco.
00:43:26We are not at home.
00:43:38The director doesn't understand you.
00:43:45He knows everything about you, my friend.
00:43:48It's good that you're looking at me, but what about me?
00:43:51For the conference he said he needs a dramatic actor.
00:43:54Is that so?
00:43:55It's better for him to say the concert in the conference.
00:43:58Interesting.
00:44:00All the idiots, all the ignorants know about humor.
00:44:03Humor is culture, man.
00:44:07Director, where is he?
00:44:09In the hall.
00:44:10He's rehearsing.
00:44:12Tell him to go to the conference.
00:44:14I'm going to the orchestra.
00:44:16What?
00:44:17To the orchestra?
00:44:19But he was there as well.
00:44:21Is he still there?
00:44:23Come to the conference.
00:44:27He's going to the hall.
00:44:29The last one.
00:44:36Here.
00:45:06Hello, Akhil.
00:45:16Hello, Akhil.
00:45:36What's wrong, Akhil?
00:45:42Because I...
00:45:44I...
00:45:46Speak, Akhil.
00:45:48Speak.
00:45:50I...
00:45:52I...
00:45:54I...
00:45:56I...
00:45:58I...
00:46:00I...
00:46:02I...
00:46:04I...
00:46:06I...
00:46:08I...
00:46:10I...
00:46:14I...
00:46:16I...
00:46:20I...
00:46:24Good.
00:46:28Come on.
00:46:34Oh
00:47:05Hello, emergency!
00:47:07Emergency!
00:47:08A very bad artist
00:47:09In Rezik
00:47:10In the hall of the concert hall
00:47:12Yes
00:47:15Agir
00:47:16Go to the conference room of the concert
00:47:18I beg you
00:47:21I beg you
00:47:22I know
00:47:23I know
00:47:24I know
00:47:34Oh
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