hanane2M
hanane2M
  • 3 months ago
Transcript
00:00:30Io ti cerco, ti invoco follemente Per dirti che ti amo, appassionato
00:00:50Amapola, dolcissima amapola La luce dei miei giorni splendente
00:01:07Fai fiorire la passione Come il suono della mia canzone
00:01:37Amapola, dolcissima amapola La luce dei miei giorni splendente
00:02:07Amapola, dolcissima amapola La luce dei miei giorni splendente
00:02:37Amapola, dolcissima amapola La luce dei miei giorni splendente
00:03:07Amapola, dolcissima amapola La luce dei miei giorni splendente
00:03:37Amapola, dolcissima amapola La luce dei miei giorni splendente
00:04:08E a ti, Duri, quanto ti ho fatto di meno, Duri?
00:04:13Amapola, dolcissima amapola La luce dei miei giorni splendente
00:04:23Amapola, dolcissima amapola La luce dei miei giorni splendente
00:04:33Amapola, dolcissima amapola La luce dei miei giorni splendente
00:04:44Amapola, dolcissima amapola La luce dei miei giorni splendente
00:04:53Amapola, dolcissima amapola La luce dei miei giorni splendente
00:05:04Amapola, dolcissima amapola La luce dei miei giorni splendente
00:05:14Amapola, dolcissima amapola La luce dei miei giorni splendente
00:05:25Amapola, dolcissima amapola La luce dei miei giorni splendente
00:05:36Not here, madam. Use the back door.
00:05:40Ah, no le entiendo. Don't speak...
00:05:42You must use the back entrance around...
00:05:44Eh, I'm a lady, no me toque, eh?
00:05:46¿Cómo se atreve? I'm a friend of Mr. Ferry.
00:05:49Look, aquí. Es italiano.
00:05:51Mr. Ferry, oh.
00:05:52Sí.
00:05:53Welcome to the Walford Hotel, Miss Carmela.
00:05:56Thank you.
00:05:57Welcome.
00:06:06Good morning.
00:06:07Who is this lady?
00:06:08No idea.
00:06:14Sorry, I'll call you back.
00:06:27Soy friend de Mr. Ferry.
00:06:30Sure, Mr. Ferry.
00:06:32De Mr. Ferry.
00:06:33Sure, Mr. Ferry is waiting for you.
00:06:36Please come in.
00:06:37Thank you.
00:06:38Please.
00:06:41Doña Carmela, por fin.
00:06:43Qué placer, Mr. Ferry.
00:06:45Pase, pase, por favor. Gracias, Maureen.
00:06:50Vaya, se ha instalado muy bien aquí.
00:06:56¿Y usted ha podido instalarse bien?
00:06:59No me quejo.
00:07:03Desde luego tiene buenas vistas.
00:07:06Desde aquí se ve todo.
00:07:08Lo bonito y lo feo, como me dijo aquel día en el barco.
00:07:12Eso también pasa en Monroe Street.
00:07:17Entonces, ¿vive usted en un hotel y trabaja aquí?
00:07:21Doña Carmela, en mi casa son un baúl, un telégrafo, un teléfono.
00:07:26Debo estar siempre listo para cambiar y partir.
00:07:29Eso me ha enseñado la vida.
00:07:31Pero veo que aún sigue llevando arrugadas las camisas.
00:07:35Sí.
00:07:39Por favor, siéntese.
00:07:41Gracias.
00:07:43Me ha costado mucho encontrarla, lo sabía.
00:07:46Pero lo ha conseguido.
00:07:47Sí, pero no ha sido fácil, porque ha cambiado de apellido.
00:07:50Ahora se apellida Ritzwinisquiabón, que suena como apellido de noble.
00:07:56Menudo varón mi marido, el de los cacahuetes.
00:08:02¿Y sus hijos? ¿Están bien?
00:08:04Sí, sí, están muy bien.
00:08:06He sabido que Alfredo estudia y es muy aplicado.
00:08:09Sí.
00:08:11No le di las gracias por lo que hizo usted por mí,
00:08:15en la oficina de inmigración, por Rocco.
00:08:20Mr. Ferry, should I ask the driver to wait for you for your appointment with Mr. Brady?
00:08:25Ah, tiene un appointment.
00:08:28¿Está ocupado? ¿Está busy?
00:08:30¿Se defiende en inglés?
00:08:33Yes, yes, I'm coming.
00:08:38Lo lamento.
00:08:39No, tranquilo, el trabajo es el trabajo.
00:08:42Ah, por cierto, he sabido que buscan personal en la lavandería del Walford.
00:08:47Si está usted buscando trabajo, es una posibilidad.
00:08:51¿Habla en serio?
00:08:52Sí.
00:08:53Ah, qué bien.
00:08:54Al menos alguien cuidará de que no tenga las camisas arrugadas.
00:08:58Bien, gracias.
00:09:01Ahora me marcho.
00:09:03Yo la acompaño.
00:09:12Goodbye.
00:09:13Bye bye.
00:09:16Gracias.
00:09:24No work, no pay.
00:09:48No work, no pay.
00:09:50Ding, ding, ding, ding.
00:09:52Es que no lo puedo soportar.
00:09:58Mr. Ferry.
00:10:06Un trabajo así por cinco dólares a la semana.
00:10:09¿Cómo iba a decir que no?
00:10:11Comida no nos falta.
00:10:13Yo traigo dinero a casa.
00:10:14Miquele trabaja y Antonio también.
00:10:16Todos juntos ganáis cinco dólares a la semana.
00:10:22Quiero lo mejor para mis hijos.
00:10:25¿Y qué problema? Yo me ocupo.
00:10:27Ya estamos.
00:10:28¿Ya estamos con qué?
00:10:30¿Que crees que no soy capaz?
00:10:32¿Eso crees? ¿Crees que soy un pobre idiota?
00:10:35Cuando llegué tenía 20 liras en el bolsillo.
00:10:38Y con lo de los cacahuetes me compré la bodega.
00:10:40Luego la perdiste.
00:10:41La perdí.
00:10:42¿Y qué has hecho tú para ayudarme a recuperarla?
00:10:44Nada, solo tus hijos, siempre tus hijos.
00:10:47Para ti no existo, solo existen ellos.
00:10:50¿Dónde están ahora tus hijos?
00:10:52En la casa de Italia bailando.
00:10:54Todos menos el que está arriba tocando la flauta.
00:10:57Tus hijos.
00:10:59Mírame.
00:11:00Pero hazme caso.
00:11:02Estoy aquí.
00:11:04Muy bien, ya te miro.
00:11:05Te miro, dime.
00:11:06Dime.
00:11:07Yo por tu amor lo he aceptado todo.
00:11:09Hasta que me acusaran de tener aquí a un chivato, Antonio,
00:11:12que mandó a salvo al reformatorio.
00:11:14Hizo lo correcto.
00:11:15Tú a mis hijos ni los toques.
00:11:17¿Queda claro?
00:11:18No puedes decir esas cosas.
00:11:19Si no te las digo a ti, ¿a quién se las digo?
00:11:22Además, es la verdad.
00:11:24Es la verdad.
00:11:27Pratos.
00:11:32¿Sabes una cosa?
00:11:33Que no voy a dejar ese trabajo.
00:11:35No pienso dejarlo.
00:11:37Y punto.
00:11:48Rocco, mete esa pierna, anda.
00:12:03Hazme el favor, ven dentro, que es peligroso.
00:12:06Mete esa pierna, por favor.
00:12:09Venga.
00:12:16¿Te gustan las palomas?
00:12:18Eran la pasión de mi mujer.
00:12:21Les puso nombre.
00:12:23La grande y negra es Nerón.
00:12:25Porque es mala.
00:12:26Otra Rodolfo Valentino.
00:12:28Como el actor.
00:12:31Rosa es su pareja de siempre.
00:12:37¿Sabes que cuando eligen una pareja,
00:12:39les son fieles toda la vida?
00:12:41Hasta la muerte.
00:12:48Esquiavón.
00:12:49¿Qué es lo que te pasa, Esquiavón?
00:12:56¿Qué es lo que me pasa?
00:12:58Pues...
00:13:09Es muy largo y muy difícil.
00:13:13Es muy largo y muy difícil.
00:13:16Es muy largo y muy difícil.
00:13:21Toca.
00:13:43Toca.
00:13:56¿Has visto?
00:14:05Ese es mi hermano.
00:14:07Pues baila de maravilla.
00:14:11Chiro has told me about you and about me.
00:14:14He told me that you are in the union.
00:14:17You know, my father also defended the workers.
00:14:22Then he was a good Christian.
00:14:25We are organizing a strike at the Red Hoop Foundation, where you work.
00:14:30It will be the first real protest against the bosses, the biggest of all.
00:14:34There is Xiao.
00:14:35We will be there, right?
00:14:36I told you that Miquel was a good boy.
00:14:38Because the more people, the stronger we will be.
00:14:45What's wrong with you? Are you still thinking about Miquel?
00:14:47What do you care?
00:14:48Then say it. Say that you think about me.
00:14:52Go away, your mouth still smells like milk.
00:14:54You are a brat.
00:14:55What do you mean brat? There are good things down here.
00:14:59How dare you?
00:15:02One, two, three.
00:15:07Oh, look how many girls are coming.
00:15:12Joan.
00:15:13Hi.
00:15:14How are you?
00:15:15Fine, and you?
00:15:16Fine, fine. Come.
00:15:17Hi.
00:15:18Carlo and Miquel.
00:15:20Hi, this is Beth, this is Sofia and this is Pat.
00:15:24Nice to meet you.
00:15:25Nice to meet you.
00:15:27Chiro, you know we have a thing for Italian boys.
00:15:32Do you understand, Miquel?
00:15:34These Americans love Italians, do you understand?
00:15:38What, are we all going to dance?
00:15:40Hey, you speak our language very well.
00:15:43I study melodramas.
00:15:45Your lyrical operas are beautiful.
00:15:47Verdi, Puccini.
00:15:49Who are those?
00:15:51Miquel, are you taking me out to dance or are you going to spend the night looking at me?
00:15:57How do you say it?
00:15:59Embobado.
00:16:00Embobado.
00:16:02Go away.
00:16:04Girl dance.
00:16:06How do you say let's dance?
00:16:08Miquel, how do you say it?
00:16:10Miqueluxo, let's go.
00:16:21Very good. Let's see what you have down there.
00:16:29Peanuts, toasted peanuts.
00:16:33Roasted peanuts, fresh roasted peanuts.
00:16:38Peanuts.
00:16:39Twenty cents, please.
00:16:44Thank you.
00:16:46Sir?
00:16:51Sir, my jeans.
00:16:57Carmela, good morning.
00:16:59Good morning, Mr. Ferry.
00:17:01How's it going? How's work?
00:17:03Good, good. Are your shirts ready?
00:17:05Are you okay?
00:17:18I just found out that there is a strike at the foundation.
00:17:22A strike at the foundation?
00:17:24I don't want to scare you, Carmela.
00:17:26But apparently the police intend to charge against the strikers.
00:17:31My God.
00:17:32It would be better if Miquel didn't participate.
00:17:34He promised me that he wouldn't be fooled by politics like his father.
00:17:38He promised me.
00:17:39I have to warn him, but what do I do with the job?
00:17:43That Chinese is a hyena and he won't give me permission.
00:17:46Don't worry, Carmela. I'll talk to your boss.
00:17:49Let's go together.
00:18:05THE STRIKERS
00:18:15Come on, everybody. All together, come on.
00:18:25Hey! What are you doing? Let go of it, man.
00:18:28Chiro, what are you doing?
00:18:29Get out of the way, Miquel.
00:18:30Chiro, they're provoking us. If we fall, it's over.
00:18:33What do you mean provoking? Carlos, they won't take long to load, don't you see?
00:18:36We are a lot, it's not good for them either.
00:18:38Who, Carlos? Let's load ourselves before they load. Come on, let's get them.
00:18:49But what are you doing, mother? Are you crazy or what?
00:18:52Mike!
00:18:53Mom, go away.
00:18:54Get in there. Come on, come on, get in, come on.
00:18:56With just one that gets in there, everything will be over.
00:18:58You have to go to work, you have to get in.
00:19:00But we have the right to strike.
00:19:02But what right, what right? The poor have no rights.
00:19:06And if they are telling you yes, it's because they are lying to you.
00:19:10Mom, calm down.
00:19:11Mrs. Carmela, calm down. Those are beasts.
00:19:13Mom, you have to go.
00:19:15This is not a place for women. Go away.
00:19:17Come on.
00:19:18Mom, mom, go away. They are going to load.
00:19:21Mom, go away.
00:19:22What are you doing?
00:19:23What are you doing?
00:19:24Come on, let's go.
00:19:25Hold on, hold on.
00:19:27Come on, Mike, come with me.
00:19:29Are you forcing me to go in?
00:19:31You're in danger here, Mom.
00:19:44Chiro! Chiro, no!
00:19:46Chiro!
00:19:49Chiro!
00:19:50No, Mike!
00:19:51Chiro!
00:19:52Don't let him!
00:19:56Chiro, no!
00:20:00Chiro!
00:20:01No, Chiro, no!
00:20:06Chiro!
00:20:07Mike!
00:20:08What did you force me to do, Mom?
00:20:14I was wrong.
00:20:15My mother was wrong too.
00:20:18She did it to protect me.
00:20:22Now I'm here.
00:20:26And maybe she can't even hear me.
00:20:29Do you remember what you told me?
00:20:32That we had to fight together.
00:20:35But I'm alone.
00:20:39Carlos has been detained.
00:20:41And you...
00:20:47I swear I can't forgive myself.
00:20:51Forgive me, please.
00:21:00Mike, we have to go now.
00:21:03No.
00:21:05Is the police here?
00:21:07Not this time, Mayday.
00:21:08Of course they are.
00:21:09Let's go.
00:21:11It's useless to pretend to be a hero.
00:21:13Please.
00:21:14Come on, let's go.
00:21:18Goodbye, friend.
00:21:19Let's go.
00:21:30Doctor!
00:21:46Dr. Wright.
00:21:47We are here for Chiro Malenti.
00:21:49It's too late.
00:21:50I'm sorry.
00:21:54Please, call the other nurse.
00:21:56Yes, Doctor.
00:21:59Let's go.
00:22:29Mike.
00:22:36Mike.
00:22:38Where are you going at this hour?
00:22:40With all that on your mind?
00:22:43I'm leaving.
00:22:44You're leaving?
00:22:46Where?
00:22:47When are you coming back?
00:22:48I don't know.
00:22:50Since when do you leave your family?
00:22:53Since when do you leave like this?
00:22:55I haven't given you any worries, Mom.
00:22:57I've never asked you for anything.
00:22:59I've always thought about you and the family.
00:23:02About you and the family.
00:23:05But you can't treat me like a man when you feel good
00:23:08and like a kid when you feel bad.
00:23:11Mike, forgive me.
00:23:12Forgive me, Mike.
00:23:14I was wrong.
00:23:15I was wrong.
00:23:16These things happen.
00:23:17Chiro is dead, Mom.
00:23:19These things happen.
00:23:22He's dead?
00:23:24He's dead, poor thing.
00:23:27I'm sorry, Mike.
00:23:29I'm sorry.
00:23:30But don't you see that if I hadn't made a mistake,
00:23:33you could be in his place now?
00:23:35Maybe it would be better.
00:23:44Thank you.
00:23:46It's easier that way.
00:23:48Forgive me, my son.
00:23:49Forgive me.
00:23:50Forgive me.
00:23:51Mike.
00:23:56Mike.
00:24:22No.
00:24:30Then it's working.
00:24:31Yeah.
00:24:51Go.
00:25:13Let's see.
00:25:15Let's do a test.
00:25:17If everything goes well,
00:25:18maybe the business will be yours again.
00:25:20But it has to go well.
00:25:23Don't worry about anything.
00:25:25Everything will go very well.
00:25:28Well, here.
00:25:30There you go.
00:25:33Thank you.
00:25:34Go, go.
00:25:37Goodbye, Antonio.
00:25:48Chivato!
00:25:50You're an imbecile!
00:25:51What the hell are you doing?
00:25:53I've already cleaned everything.
00:25:55I'm sorry, I'm sorry.
00:25:56I've already cleaned everything.
00:25:57Sit down, Salvo.
00:25:58Let's go.
00:25:59It's okay.
00:26:01It's part of the family.
00:26:02They're all cowards.
00:26:04And chivatos.
00:26:05When did you leave?
00:26:06This morning.
00:26:07Well, you know you left thanks to me.
00:26:09I paid for the reformatory's bail.
00:26:11If you were in debt with me before,
00:26:13now you're not.
00:26:15Very well.
00:26:16Thank you, Mr. Matrenga.
00:26:17You're useless.
00:26:18Bring him another glass, Salvo.
00:26:19We're going to toast.
00:26:20Hurry up.
00:26:21And don't break anything.
00:26:28Goodbye, Rocco.
00:26:31Goodbye.
00:26:34Goodbye, Mom.
00:26:36Behave yourself at school.
00:26:37Yes.
00:26:44Good morning, Mom.
00:26:46Hello, Antonio.
00:26:48Hey, is it true that Salvo has already left the reformatory?
00:26:52Oh, yes.
00:26:54What a Christmas gift.
00:27:01Antonio, we're missing three dollars.
00:27:03Are you telling me?
00:27:06I'm telling the guy who bought a shirt and a new jacket this week.
00:27:09Of course.
00:27:10Because whenever something happens here,
00:27:12I tell you who's to blame.
00:27:14Antonio's criminal.
00:27:16Why do you always give me reasons?
00:27:18But why?
00:27:19What have I done?
00:27:20I work, right?
00:27:21I make money, just like Mikele.
00:27:23But he's your favorite, even if he left home.
00:27:25But what are you saying?
00:27:27This time, you shouldn't look at me alone.
00:27:30And who should I look at? Tell me.
00:27:31We'd better leave it.
00:27:33Who should I look at?
00:27:39Esquiabón.
00:27:40Esquiabón?
00:27:46What does he have to do with it?
00:27:49Did you know he sold the cart?
00:27:50The cart?
00:27:52I think he wants to get the business back.
00:27:55He's been talking to Matranga in the warehouse for a long time.
00:27:58About the Black Hand.
00:27:59What's that about the Black Hand? I'm interested, too.
00:28:02It's not about women, Mom.
00:28:04Antonio!
00:28:06Antonio, where are you going?
00:28:07When we talk about something serious, you always leave.
00:28:10Can you explain to me what the Black Hand is?
00:28:12Is it like a mafia?
00:28:14Have we crossed the ocean to find ourselves in the same situation again?
00:28:18Can you explain it to me?
00:28:20Mom, forget it.
00:28:21Antonio!
00:28:22You have to listen to me when I talk to you.
00:28:24It's too long, Mom.
00:28:27It's, it's, it's, it's very long.
00:28:29And very, very difficult.
00:28:34Pastorcillo.
00:28:38Oveja.
00:28:41Oveja.
00:28:42Sorry!
00:28:43But what are you doing? You're always here.
00:28:47This is my place.
00:28:49Where else would a fool like me be if not insulted and slapped by everyone?
00:28:54Come on, you hit me too.
00:28:55Shut up.
00:28:56Although they do want to slap you.
00:29:02What's wrong with you now?
00:29:05Again, Matranga?
00:29:08No, no.
00:29:10My mother.
00:29:12What happened?
00:29:13Mikele is handsome and strong.
00:29:15Alfredo, smart.
00:29:17Rocco, a bastard.
00:29:18And me?
00:29:19I'm a thief, a liar and a snitch.
00:29:23How many things!
00:29:25I don't like good guys.
00:29:28You know?
00:29:30And why do you like Mikele?
00:29:32I liked Mikele.
00:29:34But he prefers the Americans.
00:29:38Come here.
00:29:40Come.
00:29:44I think I'm going to make you a gift, boy.
00:29:48A gift?
00:29:49Yes.
00:29:50It's almost Christmas.
00:29:51Do you want to?
00:29:53I can.
00:30:10Thank you.
00:30:19And Antonio?
00:30:21He's out.
00:30:25And Rocco?
00:30:27He's on the roof with the pigeons.
00:30:31Very good.
00:30:34And Alfredo?
00:30:36At school, like every morning.
00:30:41And what...
00:30:44...does the pot of money do here?
00:30:47I'm watching him.
00:30:49Someone in this family has very long hands.
00:30:52Really?
00:30:54Do you know anything, Esquiabó?
00:30:56No.
00:30:57No.
00:30:58I don't.
00:31:01Esquiabó.
00:31:02Let's be clear.
00:31:03I know it was you.
00:31:05So tell me why you sold the cart and then pretend to go to work.
00:31:09Do you think I'm stupid?
00:31:11What happened?
00:31:14It happened.
00:31:15It happened.
00:31:17Nothing happened.
00:31:18I just want to get the business back.
00:31:21The peanuts were provisional until God turned around.
00:31:25And how?
00:31:27Business.
00:31:28Business.
00:31:29With whom?
00:31:31You can rest assured.
00:31:33I don't know what that is.
00:31:35I want to know who you're doing business with.
00:31:38I've made money.
00:31:39I've made money.
00:31:40Look.
00:31:41Look.
00:31:42And I put it in the pot.
00:31:44No, no, thank you.
00:31:45Save it for the winery.
00:31:47Who do you do business with?
00:31:48With the Black Hand?
00:31:51The Black Hand.
00:31:52The Black Hand doesn't exist.
00:31:54It's a children's story.
00:31:55The Black Hand is coming.
00:31:57No, no.
00:31:58No, you...
00:31:59Trust me.
00:32:00In two months, we'll get the winery back.
00:32:03Mateo's word, Esquiabón.
00:32:06I'll fix everything tonight.
00:32:08I'm busy tonight.
00:32:09I am busy.
00:32:12You're busy.
00:32:18The eggs are very good.
00:32:33Thank you.
00:32:49I'm sorry, Mr. Ferri.
00:32:51Miss Rizzo is waiting for you in your office.
00:32:54In my office?
00:32:55Yes.
00:32:56Okay, thanks.
00:33:04Mr. Ferri, can you explain to me what the Black Hand is?
00:33:08Something that's better to stay away from.
00:33:11Kidnappings, extortions, homicides, smuggling.
00:33:16It's a mess.
00:33:18There's an article in La Voz d'Italia today.
00:33:22See you this afternoon, Mr. Ferri.
00:33:25See you soon, ma'am.
00:33:26Goodbye.
00:33:29See you later, Maureen.
00:33:33Look.
00:33:35Michele Guarino.
00:33:38The king of New York distilleries.
00:33:41People like him dirty the reputation of the Italians.
00:33:46I'm afraid that Black Hand has already entered my house.
00:33:49That's why I've come to bother you.
00:33:52Because if someone steals, he's in his house.
00:33:55He has serious problems.
00:33:57Who are you referring to?
00:33:59My husband, Esquiabón.
00:34:01He says he's doing business, but he doesn't look good.
00:34:06And since you have so many friends,
00:34:09like that cop who managed to find us,
00:34:12I don't know if you could ask him to find out what that bastard is up to.
00:34:17Don't worry, Carmela. I'll take care of it.
00:34:20Thank you.
00:34:21He's a good friend.
00:34:30Carmela.
00:34:34Why don't you stay and eat with me?
00:34:37When you called me, I was at the restaurant and...
00:34:41For a moment, I got excited thinking you'd eat with me.
00:34:46No, I can't.
00:34:47I have to go home with my children.
00:34:50Besides, my clothes aren't the right ones.
00:34:53You're beautiful, Carmela.
00:34:55Clothes are just appearance.
00:34:58But appearance matters.
00:35:00I'm fine where I am.
00:35:02Down where the Lord put me.
00:35:05Otherwise, it would be a mess.
00:35:06I see.
00:35:08But thank you.
00:35:11Maybe tonight?
00:35:14My appearance will still be a problem.
00:35:21See you later, Carmela.
00:35:31Appearance.
00:35:55Miss Rizzo?
00:35:56Yes, Rizzo Schiavone?
00:35:58Yes. This is for you, from Mr. Ferry.
00:36:01For me?
00:36:02Yes.
00:36:04This?
00:36:06He waits for you at 8 p.m. at the Walford Hotel.
00:36:10I don't understand.
00:36:11Tonight, 8 p.m.
00:36:13Ah, tonight.
00:36:15Yes, yes.
00:36:17And what do I do with Schiavone?
00:36:19Ah, Schiavone works tonight.
00:36:21He's busy. Okay.
00:36:23I'm sorry, I don't understand.
00:36:25Doesn't matter.
00:36:26Tell Mr. Ferry that okay.
00:36:29Okay.
00:36:30Okay, thank you. Bye.
00:36:31Bye.
00:36:33What is this?
00:36:34Is it a dress?
00:36:37Come on, hurry up!
00:36:38Pepe, come on, it's for today. Come on!
00:36:41Let's see, take the state one for New Jersey.
00:36:43Come on, careful, careful.
00:36:44If there is a control station ...
00:36:46You've already told me.
00:36:47I'm not stopping because I'm going slowly.
00:36:49Schiavone, be careful, you have very valuable merchandise.
00:36:53And above all, it is forbidden.
00:36:55Have you told him, Matranga?
00:36:57Let me introduce you to Mr. Guarino.
00:36:58The one in charge of all this is ...
00:37:01It's the boss.
00:37:03It's an honor.
00:37:04Thank you for your trust, Mr. Guarino.
00:37:06Don't worry.
00:37:07Now we do business together, right?
00:37:09That's right.
00:37:10Come on, come on, come on, Mateo.
00:37:12Move, come on.
00:37:14To work, Mateo, to work.
00:37:18He's a snitch.
00:37:20And we send him straight to the police.
00:37:25Let's go.
00:37:34This time bad luck will not stop me.
00:37:39Everyone will see that the money is made, Schiavone.
00:37:43And I will recover the business.
00:37:46Everyone will see it.
00:37:47Guys, the Ospreys have loaded another truck.
00:37:49Come on.
00:37:50Salvo, move, come on.
00:37:52Come on, come on, come on.
00:37:53Come on, come on.
00:37:54Up, up.
00:37:55Come on, come on.
00:37:56Come on, come on.
00:37:57Hurry up.
00:37:58Come on, come on, come on.
00:37:59Hurry up, hurry up.
00:38:01This is the plan, huh?
00:38:02Schiavone goes south and you go north.
00:38:05In the right direction.
00:38:06Move, come on.
00:38:07Come on, come on.
00:38:23Come on, come on.
00:38:54I look for you
00:38:59I call you madly
00:39:04To tell you that I love you passionately
00:39:15Amapola
00:39:20Dolcissima Amapola
00:39:25La luce dei miei giorni
00:39:29Splende in te
00:39:36Fai fiorire la passione
00:39:47Come il suono della mia canzone
00:40:03This time you won't stop me.
00:40:05I'm not afraid of you.
00:40:06I'm not afraid of anything.
00:40:08Get back.
00:40:11Get back.
00:40:13Mateo Schiavone, don't stop him.
00:40:15This time you won't be able to stop Mateo Schiavone.
00:40:18Nobody can stop Mateo Schiavone.
00:40:20Cowards.
00:40:24I look for you
00:40:29To tell you that I love you passionately
00:40:36Let's go.
00:40:38Let's see if he's alive.
00:40:41Take it.
00:40:45Open some of these crates.
00:40:49Definitely a bootlegger.
00:40:51This crate must be full of gin.
00:41:00Mateo.
00:41:01Oh, Christ.
00:41:02Mateo.
00:41:04Captain O'Connor, what is it?
00:41:09I know this guy.
00:41:10I knew this man.
00:41:11He was called Mateo Schiavone.
00:41:13He was a good man.
00:41:16These fucking crates are empty.
00:41:18They really got us this time, didn't they?
00:41:22Have you seen, Mateo?
00:41:24They've fooled us all.
00:41:46Giovanni?
00:41:47Mrs. Carmel.
00:41:52Your husband...
00:41:59Wait a moment.
00:42:01I'll call you back.
00:42:02I'm sorry.
00:42:03I'm sorry.
00:42:04I'm sorry.
00:42:05I'm sorry.
00:42:06I'm sorry.
00:42:07I'm sorry.
00:42:08I'm sorry.
00:42:09I'm sorry.
00:42:10I'm sorry.
00:42:11I'm sorry.
00:42:12I'm sorry.
00:42:13I'm sorry.
00:42:14Wait a moment.
00:42:16I must change.
00:42:36Mr. Ferris, you're late.
00:42:37I'm leaving.
00:42:39Could you cancel the restaurant first?
00:42:41You're not even going to dinner?
00:42:43No, not even me.
00:42:47Thank you.
00:43:06Twenty-nine.
00:43:08Twenty-nine and fifty.
00:43:10Twenty-nine and fifty.
00:43:17No.
00:43:18I don't even have enough for the funeral.
00:43:24And this?
00:43:27How much is it?
00:43:28More than twenty dollars, Mom.
00:43:30I was saving it for the school.
00:43:32But you need it more for the poor Esquiagón.
00:43:37Holy Mother of God.
00:43:39How can a child, who I had to buy glasses from,
00:43:43gather so much money?
00:43:46No, Mom.
00:43:47It's not what you think.
00:43:48It's all legal.
00:43:49I earned it.
00:43:50How?
00:43:51At the pier, when the Italians arrive.
00:43:53I exchange coins.
00:43:54You trick those people, who are like us?
00:43:56Aren't you ashamed?
00:43:57But what have I taught you?
00:43:59Antonio almost finished high school,
00:44:02and you've become a swindler.
00:44:04No, Mom.
00:44:05I'm not a swindler.
00:44:06In fact, I help poor immigrants.
00:44:08Mr. Ferri taught me.
00:44:09He started like that, too.
00:44:10Mr. Ferri?
00:44:12Then he started badly, too.
00:44:14But he's done well.
00:44:15I don't want this money,
00:44:16soaked in sweat and tears,
00:44:18of all those poor people.
00:44:19I prefer to sell my eyes,
00:44:21which with you only serve me to cry.
00:44:25I'm going to sell everything to the house of Empeños.
00:44:27I'm leaving.
00:44:28Mom, why don't you go to the Jewish neighborhood?
00:44:32And what do you know?
00:44:33In the Jewish neighborhood they do good business.
00:44:35Look at the money, Caco.
00:44:38Save the money for college.
00:44:56Sorry, pawn shop?
00:44:58In the corner, there.
00:45:00Thank you.
00:45:03Thank you.
00:45:12Good morning.
00:45:17Good morning.
00:45:20I don't speak English.
00:45:22Don't worry, ma'am.
00:45:24You can speak in your language.
00:45:26Thank goodness.
00:45:28I'm from Naples.
00:45:29My grandfather was from Naples.
00:45:33Let's see how much you give me for this.
00:45:44It's 8-kilat gold.
00:45:47And it's not good?
00:45:48Let's say it's not top quality.
00:45:51But let's weigh it.
00:45:55Can it be opened?
00:45:57There are two photographs inside it.
00:45:59If you keep it, I'd like to keep them.
00:46:01I'm fond of them.
00:46:03Thank you.
00:46:11Is there a problem?
00:46:22Come here a moment, ma'am.
00:46:28Come in, come in.
00:46:30You're worrying me.
00:46:31No, come on, sit down.
00:46:35Do I sit here?
00:46:36Sit here.
00:46:40I'll be right back.
00:46:43Hey, could it be stolen?
00:46:47Lately, only misfortunes happen to me.
00:46:58Don't be scared now.
00:47:01Don't worry.
00:47:03I'm calm, but I'm worried.
00:47:05No.
00:47:13Mom.
00:47:17Mom.
00:47:19Mom, it's me, Mom.
00:47:21Maria.
00:47:22Are you Maria?
00:47:23My daughter.
00:47:25My daughter.
00:47:29Maria.
00:47:30Maria.
00:47:32It's me, Mom.
00:47:34You're so beautiful.
00:47:36I've been looking for you.
00:47:39I knew you were alive.
00:47:41I knew it, I felt it in here.
00:47:43I told everyone.
00:47:44I told them, Maria is alive, Maria is alive.
00:47:47Because Maria is alive.
00:47:48I knew Maria was alive.
00:47:51My daughter.
00:47:57And this little one
00:47:58is our son, Salvatore.
00:48:02Salvatore.
00:48:07Salvatore.
00:48:11You've called him like your father.
00:48:16Now I have to sit down.
00:48:19He's my husband, Moses.
00:48:20A pleasure.
00:48:21Likewise.
00:48:24I told you we'd find her, didn't I?
00:48:26I told you.
00:48:28The truth is, she found us.
00:48:30Salvatore.
00:48:34My daughter.
00:48:37She's the grandmother, eh?
00:48:45She gave this to me when we arrived.
00:48:50Mrs. Carmé, I'm sorry to have to question you
00:48:52just after the funeral of the poor Schiavone.
00:48:55But we have to investigate.
00:48:56Don't worry, I understand.
00:49:00But I can tell you little.
00:49:03Because I didn't pay much attention to the poor Schiavone.
00:49:08He was a good person.
00:49:10That's for sure.
00:49:11And I was wrong.
00:49:13Because he didn't help us much.
00:49:16And don't you think I could help you now?
00:49:18How?
00:49:20We have to find out who set you up.
00:49:23He told me he was doing things to get the business back.
00:49:28And that he had sold the cart.
00:49:31I'm sure he was doing someone a favor.
00:49:34But I don't know who.
00:49:36I only hear rumors.
00:49:38Matranga.
00:49:40The Black Hand.
00:49:41And what do you know about that?
00:49:42Only that he has also been killed.
00:49:46We could have stayed where we were.
00:49:50What's the difference between these bastards
00:49:52and the murderer of my poor Turi?
00:49:54The difference is that here we do our best to punish the murderers.
00:49:58I'm going to go against Matranga, his accomplices,
00:50:02and Guarino, the king of the distilleries.
00:50:05Mr. Ferry told me about that Guarino.
00:50:08I'm sure there's a connection between the two of them.
00:50:12Trust me, Mrs. Carmé.
00:50:14We're on the right track.
00:50:16This time they have no escape.
00:50:20Let's hope so.
00:50:37Angela!
00:50:39Angelina!
00:50:50Angela!
00:50:52Ah, hello.
00:50:55What?
00:50:56Are you peeing on me?
00:50:58Come in, you're free now.
00:51:00I also gave him a little gift.
00:51:02Anto, what did you think?
00:51:04That you were my boyfriend?
00:51:06I'm going with whoever I want.
00:51:10I don't care either!
00:51:11I don't give a shit!
00:51:15Do you see this?
00:51:17Give it to me.
00:51:20This was for you!
00:51:22You're so stupid.
00:51:26Anto.
00:51:28We have to talk.
00:51:30Today at Esquiabón's funeral, what did Ardigo want from your mother?
00:51:33I have no idea.
00:51:36Esquiabón was set up.
00:51:39And the police are doing their job.
00:51:41Come here.
00:51:43If you find out anything, tell me.
00:51:44Do you understand?
00:51:46You're such a good boy.
00:51:48Yes, yes.
00:51:49Yes, yes.
00:52:01It's good.
00:52:02Yes, my dear.
00:52:03I love this music.
00:52:05It's beautiful.
00:52:12Josephine, have you seen the Gaiteros?
00:52:16There!
00:52:18It's beautiful.
00:52:19When is dad coming?
00:52:21Now, now he's coming.
00:52:23Then we'll go to Grandma's house for dinner.
00:52:29I can't believe it.
00:52:31If it weren't for the death of poor Esquiabón,
00:52:33I would never have been able to find my Maria.
00:52:35And look at this.
00:52:37Look what she brought me.
00:52:39The alliances.
00:52:41One is mine and the other is your father's.
00:52:44And Mrs. Carmen, we've been looking for you.
00:52:46We haven't stopped, but how did you change your last name?
00:52:49No, no, that was a mistake from the immigration office.
00:52:52Grandma is beautiful.
00:52:54She's beautiful.
00:52:56Do you like Rocco's flute?
00:52:58Rocco will teach you all the songs.
00:53:00Grandma.
00:53:02I am Grandma Carmela.
00:53:04How do you say grandma in English?
00:53:06Grandmother.
00:53:07What?
00:53:08Grandmother.
00:53:10Too long.
00:53:11Very, very long.
00:53:13Very, very difficult.
00:53:14I've learned a new religion.
00:53:16And you, Mom, will learn English.
00:53:25Is it true that you celebrate Christmas twice because you're a Jew now?
00:53:29Hanukkah is not like Christmas, Alfred.
00:53:32But it's celebrated on the 24th.
00:53:34We've celebrated Hanukkah at lunchtime.
00:53:37And now we're here.
00:53:39But where's Antonio?
00:53:41We're about to sit down at the table.
00:53:42He went out to get a cake.
00:53:44He's always late.
00:53:46Come on, don't be like that.
00:53:48You'll see.
00:53:49We'll see when he comes back.
00:53:51Mom, are we expecting someone else?
00:53:53No.
00:53:55But weren't Conchita and the policeman coming?
00:53:57No, they're having dinner with their in-laws.
00:53:59Maybe it's a gift, Mom.
00:54:01A Christmas gift.
00:54:03Could be.
00:54:07What a surprise.
00:54:09Mrs. Carmela, I hope I'm not bothering you.
00:54:10You never bother me.
00:54:12It's a pleasure to have you here.
00:54:14Come in.
00:54:16Thank you.
00:54:18I brought you a panettone.
00:54:20Do you know what it is?
00:54:22No.
00:54:24It's a sweet that's eaten at Christmas in my homeland, in northern Italy.
00:54:26Take it.
00:54:28Thank you.
00:54:30Alfredo, take it.
00:54:32I'll keep the coat for you.
00:54:34Thank you.
00:54:36You know, I've found my daughter Maria.
00:54:38Yes, Alfredo told me.
00:54:40He invited me.
00:54:42Thank you, Alfredo.
00:54:44I'm very happy.
00:54:46It's clear that sometimes miracles do happen.
00:54:50Yes, if you believe in them.
00:54:55I'm very happy that you've come together.
00:54:57You have a beautiful family, Carmela.
00:54:59Family is important.
00:55:01Especially if you find the right person to train you.
00:55:08But please, come in.
00:55:10Come in, Mr. Ferri.
00:55:12Thank you.
00:55:41Antonio!
00:55:43Antonio!
00:55:45Antonio!
00:55:47Antonio, stay with the girl.
00:55:49I'll be right back.
00:55:54Carmela, wait.
00:55:56Antonio!
00:55:58Antonio!
00:56:00Antonio!
00:56:02Antonio!
00:56:04Antonio!
00:56:06Antonio!
00:56:08Antonio!
00:56:10Antonio, stay with the girl.
00:56:12Mom!
00:56:14Wait, come with me.
00:56:20No!
00:56:22Giovanni!
00:56:24No!
00:56:26No!
00:56:28Why?
00:56:32Antonio, my son.
00:56:34My son.
00:56:36Have you seen anything?
00:56:38No, Mom.
00:56:40I haven't seen anything, Mom.
00:56:42You have to believe me.
00:56:44Carmela, there's nothing to see here.
00:56:46Let's go home.
00:56:48Let's go home.
00:56:50They killed my husband.
00:56:52They killed him.
00:56:54Poor Antigone.
00:56:56No!
00:56:59They killed him.
00:57:10They killed him.
00:57:17I almost forgot how beautiful our land is.
00:57:22You like it, don't you?
00:57:24And you want to go to New York?
00:57:26Are you sure you want to give up this paradise?
00:57:29For a bigger paradise, yes, cousin.
00:57:36But in America, I'm going to rule.
00:57:38I want you to know that.
00:57:40I'll keep everything.
00:57:43You're so beautiful.
00:57:45You have to be mine.
00:57:47Only mine, Carmela.
00:57:49No!
00:57:51Help!
00:57:54That depends only on you.
00:57:56And how willing you are to play, cousin.
00:57:59Because the stakes are high there, Vince.
00:58:02Very high.
00:58:04Come on, your boss is here.
00:58:07Yes, but for a short time.
00:58:19Before or after, all this will be mine.
00:58:23Baron, at your service.
00:58:28At your service, Baron.
00:58:33Let's go.
00:59:03Let's go.
00:59:33Let's go.
01:00:03Let's go.
01:00:33Let's go.
01:01:03© BF-WATCH TV 2021