M Movies
M Movies
  • 3 months ago
Romance, Drama

Follows three men who are in love with a beautiful waitress during World War II: an intellectual restaurant owner, a mysterious musician, and an erratic businessman.

Director
Rolf Schübel
Writers
Ruth Toma, Rolf Schübel, Nick Barkow
Stars
Joachim Król, Erika Marozsán, Stefano Dionisi
*
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Transcript
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00:08:00Lass ihn doch noch vorspielen, Laszlo.
00:08:05Bitte.
00:08:07Lass ihn vorspielen.
00:08:11Mir zuliebe.
00:08:21Danke.
00:08:22♪♪
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00:10:17Es ist ja ganz schön, wenn es glänzt,
00:10:19aber bei Ihrem Anzug...
00:10:21Das tut mir leid.
00:10:22Ich habe leider keinen anderen.
00:10:24Aber ich könnte mir immer etwas zurücklegen für einen neuen.
00:10:28Das dauert mir zu lange.
00:10:29Wissen Sie was?
00:10:30Ich werde Ihnen einen kaufen.
00:10:32Vielleicht werden Sie ja noch mal reich mit Ihrer Musik.
00:10:35Dann können Sie mir das zurückzahlen.
00:10:42Für Sie.
00:10:43Danke.
00:10:47♪♪
00:10:57♪♪
00:11:07♪♪
00:11:17♪♪
00:11:27Okay.
00:11:36Variante eins.
00:11:41Hast du gemerkt?
00:11:42Unser Pianist ist ja auch schon verfallen.
00:11:45Wieso auch?
00:11:47Wer ist mir denn noch verfallen?
00:11:50Da fallen mir schon ein paar ein.
00:11:54Variante zwei.
00:11:57Einer ist dir sogar so verfallen,
00:11:59der möchte am liebsten, dass du immer in seiner Wanne badest.
00:12:05Ich mag es genau so, wie es ist.
00:12:17Komm.
00:12:19Waschen wir den Rücken.
00:12:21♪♪
00:12:31♪♪
00:12:41♪♪
00:12:44Ist das mein Rücken?
00:12:46Ich kann nichts dafür, das ist die Seife.
00:12:52Es ist vielleicht rutschig.
00:12:56♪♪
00:13:05Für den Deutschen, Herr Stieber,
00:13:07wisst ihr, wie der unsere Magiarovaro-Laden nennt?
00:13:10Rollfleisch.
00:13:11Du bist ja schon wieder da.
00:13:13Du bist ein Segen fürs Geschäft.
00:13:15Der isst jeden Abend sein Rollfleisch bei uns,
00:13:18nur weil du es ihm kriegst.
00:13:20Dann soll er es auch kriegen, bevor es kalt wird.
00:13:27Das ist die neue Kleinbildkamera von Leica.
00:13:30Eine Weltneuheit aus Deutschland.
00:13:32Sehen Sie, der Film ist nur 35 mm breit
00:13:35und passt in eine solch kleine Patrone.
00:13:38Aber das Unglaublichste ist der Schnittbildentfernungsmesser.
00:13:45Ich sehe jetzt 2 Bilder von Ihnen, Fräulein Ilona.
00:13:50Und jetzt schieben sich die Bilder langsam übereinander.
00:13:54Und wenn es nur noch ein Bild ist, sind sie ganz scharf.
00:13:58Das ist deutsche Wertarbeit.
00:14:01Ihr Rollfleisch wird kalt.
00:14:04Musik
00:14:20Engel werden zwar nicht älter,
00:14:22aber Geburtstag haben sie trotzdem,
00:14:24weil sie nämlich auch mal gern ein Champagner trinken.
00:14:28Alles Liebe zum Geburtstag, meine Herren.
00:14:33Oh, wie schön.
00:14:35Weil du dich jeden Tag verschenkst wie einen Blumenstrauss.
00:14:48Auf die Ilona.
00:14:52Auf die Ilona.
00:14:54Auf Fräulein Ilona.
00:14:56Danke schön.
00:15:03Ich habe kein richtiges Geschenk für Sie,
00:15:06nur eine kleine Melodie.
00:15:08Sie ist noch nicht ganz fertig, aber sie ist nur für Sie.
00:15:13Musik
00:15:33Musik
00:16:03Musik
00:16:15Hände weg vom Piano!
00:16:18Ich wollte dem Fräulein Ilona auch ein Städtchen.
00:16:21Bei uns darf der Gast fast alles,
00:16:23nur nicht in die Küche und ans Piano.
00:16:26Musik
00:16:30Ihr Lied ist mir richtig zu Herzen gegangen.
00:16:32War das wirklich was Eigenes?
00:16:34Ja.
00:16:35Also direkt selbst komponiert haben Sie das?
00:16:37Ja, Herr Sabo.
00:16:39Dann sollten Sie es jeden Abend spielen,
00:16:41es kostet ja keine Tantiemen.
00:16:43Fräulein Ilona, verzeihen Sie mir, wenn ich so einfach...
00:16:46Wiek, Hans-Eberhard Wiek.
00:16:48Entschuldigung.
00:16:50Heute ist mein letzter Abend in Budapest
00:16:53und ich würde nicht wagen zu fragen,
00:16:56wenn da nicht diese Merkwürdigkeit wäre.
00:16:59Heute ist nämlich auch mein Geburtstag.
00:17:02Und wo doch das Schicksal
00:17:05sozusagen eine Verbindung zwischen uns geschaffen hat,
00:17:10wollte ich fragen,
00:17:12ob ich vielleicht eine Fotografie von Ihnen machen dürfte.
00:17:16Ja.
00:17:18Hier am Flügel.
00:17:23Danke.
00:17:39Auf Wiedersehen, Herr Wiek.
00:17:41Und gute Heimreise.
00:17:44Wiedersehen.
00:17:46Wo müssen Sie denn noch hin, Herr Wiek?
00:17:49Zum Hotel Duna.
00:17:51Dann begleiten wir Sie noch ein Stück.
00:18:02Herr Aradi, Ihr Musikstück.
00:18:04Wunderbar, haben Sie schon einen Titel dafür?
00:18:07Ich habe gedacht,
00:18:09es soll das Lied vom traurigen Sonntag heißen.
00:18:12Ich habe gedacht,
00:18:14es soll das Lied vom traurigen Sonntag heißen.
00:18:17Was meinen Sie, Herr Sabo?
00:18:19Ein bisschen melancholisch, aber auch schön.
00:18:22Man müsste eine Schallplattenaufnahme davon machen.
00:18:25Dann würde das Gold auf Rot auf dem Etikett stehen.
00:18:31Fräulein Meluna,
00:18:34bitte, werden Sie meine Frau.
00:18:39Was denn?
00:18:41Jetzt gleich?
00:18:44Begleiten Sie mich nach Berlin.
00:18:46Nirgendwo auf der Welt ist es aufregender.
00:18:49Deutschland ist erwacht.
00:18:51Und Sie sollten jetzt besser schlafen gehen.
00:18:54Ich habe seit kurzem eine kleine Firma.
00:18:57Ich werde deutsche Wertarbeit in alle Welt exportieren.
00:19:00Ich werde die größte Import-Exportfirma Deutschlands aufbauen.
00:19:04Für Sie.
00:19:06Verzeihen Sie mir, dass ich gelacht habe.
00:19:13Fräulein Meluna,
00:19:16ich liebe Sie.
00:19:18Bitte, werden Sie meine Frau.
00:19:25Nein.
00:19:36Ich muss da lang.
00:19:39Gute Nacht.
00:19:41Gute Nacht. Schlafen Sie gut.
00:19:45Gute Nacht.
00:19:48Und vielen Dank.
00:20:06Gute Nacht.
00:20:13Er hat ein wunderschönes Lied für dich geschrieben.
00:20:16Ich habe ja gleich gesagt, dass er dir verfallen ist.
00:20:21Ein bisschen ich ihm auch.
00:20:26Du weißt doch, wegen mir musst du dir keine Gedanken machen.
00:20:29Ich habe immer gesagt, der Mensch soll sich frei entscheiden können.
00:20:33Weißt du was?
00:20:35Geh jetzt einfach weiter, dann fällt dir die Entscheidung leichter.
00:21:05Geh.
00:21:19Seltsames Lied ist das.
00:21:23Das ist,
00:21:25wie wenn einem etwas gesagt wird, was man nicht hören will.
00:21:28Aber tief im Innern weiß man, dass es die Wahrheit ist.
00:21:45Ich muss jetzt gehen.
00:21:58Ich muss jetzt gehen.
00:22:22Hervig!
00:22:24Hervig!
00:22:28Hervig!
00:22:58Hervig!
00:23:28Liebeskummer ist eine schlimme Sache, das weiß ich gut.
00:23:33Man muss versuchen, an die schönen Dinge im Leben zu denken.
00:23:37Zum Beispiel unsere Madja Rovarola.
00:23:40Hervig.
00:23:42Ihr Rollfleisch.
00:23:44Das haben Sie doch immer so gerne gegessen.
00:23:47Wollen Sie wissen, wie das zubereitet wird?
00:23:51Sie müssen ein schönes, saftiges Filetstück in ganz dünne Scheiben schneiden.
00:23:55Und sanft klopfen.
00:23:58Dann zerlassen Sie Butter in einer Pfanne.
00:24:01Und wenn die Butter ihr Aroma so richtig entfaltet,
00:24:04dann geben Sie eine Knoblauchzehe hinzu.
00:24:07Aber in ganz.
00:24:10Damit nur eine milde Ahnung von Knoblauch an die Butter kommt.
00:24:14Dann legen Sie die Filets hinein und braten sie leicht an.
00:24:19Und erinnern Sie sich noch an die Füllung.
00:24:21Schinken.
00:24:24Ja, Schinken und Käse aus Madja Rovar.
00:24:27Aber hauchfein geschnitten.
00:24:30Und wenn Sie später von der Roulade ein Stück abgeschnitten haben,
00:24:33wird Ihre Zunge gekitzelt von drei Geschmäcker.
00:24:36Die passen so gut zusammen und sind doch so verschieden,
00:24:39dass Sie beim nächsten Bissen darauf achten,
00:24:42dass Sie bestimmt von allem auf der Gabel haben.
00:24:45Schinken und Käse.
00:24:48Es war gut.
00:24:51Danke.
00:25:07Das wird er schon sein.
00:25:13Was willst du?
00:25:16Ich muss nichts sagen.
00:25:18Doch.
00:25:21Du hast mir mit deinem Rollfleisch das Leben zurückgegeben.
00:25:24Das vergesse ich dir nie.
00:25:27Gestern Nacht hat mir gar nichts Besseres passieren können,
00:25:30als jemand anderen vor mir saufen zu werden.
00:25:33Du wirst selig, wenn du mich revanchierst.
00:25:36Auge um Auge, Zahn um Zahn.
00:25:39Lieber nicht. Blind und zahnlos ist dein Wirt nichts wert.
00:25:42Und das gilt, glaube ich, auch für Importeure und Exporteure.
00:25:45Du hast recht. Dann könnten die Starken die Schwachen nicht fressen.
00:25:48Die sind tierisch, Menschen, menschlich.
00:25:51Nun sollten sie mindestens.
00:25:54Einsteigen bitte.
00:26:00Einsteigen bitte.
00:26:04Wir sehen uns wieder.
00:26:09Und sag der Ilona nicht, dass ich in die Donau gesprungen bin.
00:26:18Nein.
00:26:48Guten Morgen.
00:26:59Gut geschlafen?
00:27:04Guten Morgen.
00:27:12Ich habe mir Zucker ausgebaut.
00:27:15Ich dachte, du möchtest vielleicht Zucker in den Kaffee.
00:27:18Nein.
00:27:23Die Mappe ist von meinem Professor am Konservatorium.
00:27:26Er hat sie mir zum Abschied geschenkt.
00:27:29Ein schlechter Schüler, der seinen Meister nicht übertrifft.
00:27:32Er war davon überzeugt,
00:27:35dass aus mir mal mein berühmter Komponist wird.
00:27:38Er hat sich getäuscht.
00:27:41Vielleicht wirst du es nach.
00:27:44Spiel was für mich.
00:27:48Nein.
00:27:57Ich spiele, wenn du für mich singst.
00:28:00Ich singe nur noch, wenn ich allein bin.
00:28:07Jetzt bin ich nicht allein.
00:28:18Schauen Sie sich das an.
00:28:21Schauen Sie, wie dick die Schale ist.
00:28:24Die kochen mehlig.
00:28:27Die sind allerhöchstens was fürs Püree.
00:28:30Na, dann sind sie halt fürs Püree.
00:28:48Was ist jetzt?
00:28:51Für das Pfund Püreekartoffeln zahle ich keine 20, vielleicht.
00:28:57Ihr könnt schon mal aufsperren.
00:29:00Ich komme dann nach.
00:29:03Geh schon mal vor.
00:29:06Ich komme dann nach.
00:29:09Ich komme dann nach.
00:29:12Ich komme dann nach.
00:29:15Ich komme dann nach.
00:29:18Nein, ich will dabei sein,
00:29:21wenn über mich gesprochen wird.
00:29:24Wir müssen reden.
00:29:27Wieso nicht?
00:29:30Das hilft auch nicht weiter.
00:29:33Was hilft dann?
00:29:36Ich weiß nicht.
00:29:39Ich kenne die Ilona jetzt vier Jahre
00:29:42und langsam wird mir klar,
00:29:45jeder Mensch will eigentlich am liebsten beides.
00:29:48Etwas, das satt macht
00:29:51und etwas, das hungrig macht.
00:29:54Und die Ilona nimmt es sich eben.
00:29:57Ein Laslo, ein Andrasch
00:30:00und eine geteilte Ilona
00:30:03ist mir immer noch lieber als keine Ilona.
00:30:07Was ist jetzt mit den Kartoffeln?
00:30:10Zehn vielleicht.
00:30:17Zehn.
00:30:48Die sind aus Wien.
00:30:51Die waren im Konzert.
00:30:54Die haben über einen Violinsolo geredet
00:30:57und dass sie davon eine Aufnahme machen wollen.
00:31:00Ja und?
00:31:10Also so aus Wien.
00:31:13Dann bring du ihn den Konzert.
00:31:15Also so aus Wien.
00:31:18Dann bring du ihn den Kaffee und den Baratzk.
00:31:21Ich mache den Rest.
00:31:37Wenn die Ilona den Herren da drüben den Kaffee bringt,
00:31:40spielen sie ihr Lied.
00:31:42Schön.
00:31:48Bitteschön.
00:31:51Bitteschön.
00:31:55Zum Wohle, die Herren.
00:31:58Zum Wohle.
00:32:04Ah, wunderbest.
00:32:07Das ist wunderbest.
00:32:12Das ist wunderbest.
00:32:42Bitteschön.
00:32:45Bitteschön.
00:32:48Bitteschön.
00:32:51Bitteschön.
00:32:54Bitteschön.
00:32:57Bitteschön.
00:33:00Bitteschön.
00:33:03Bitteschön.
00:33:06Bitteschön.
00:33:09Bitteschön.
00:33:12Bitteschön.
00:33:15Bitteschön.
00:33:18Wenn die Herren noch etwas wünschen.
00:33:21Sagen Sie, was ist das für ein Musikstück?
00:33:24Das geht einem richtig zu Herzen, nicht wahr?
00:33:27Unser Hauspianist hat es selbst komponiert.
00:33:30Was Sie nicht sagen.
00:33:33Und, hat das Stück schon einen Titel?
00:33:36Es heißt, das Lied vom traurigen Sonntag.
00:33:39Aha, Sie haben unser Sonntags geschlossen.
00:33:42Danke, Herr Radiogesellschaft.
00:33:45Vielleicht dürfen wir Sie und den Herrn Komponisten
00:33:48nachher noch auf ein Glas Champagner einladen.
00:33:51Wir würden uns sehr geehrt fühlen.
00:33:54Ganz meinerseits.
00:33:57Es ist nun einmal eine Tatsache,
00:34:00dass niemand den Herrn Komponisten und seine Komposition kennt.
00:34:03Dann muss man einem Redakteur etwas geben,
00:34:06dass er die Platte im Radio spielt.
00:34:09So was könnte aber leicht als Bestechung ausgelegt werden.
00:34:12Wann können Sie den Komponisten abgezogen werden?
00:34:17Zur Hälfte.
00:34:20Wie meinen?
00:34:23Halb abgezogen. Das ist eine Investition, die muss geteilt werden.
00:34:26Nicht brüderlich, ehrlich.
00:34:29Also gut, das lässt sich machen.
00:34:32Das ist überhaupt kein Problem. Die Tantiemen betragen 6%.
00:34:35Entschuldigung, ich habe gerade eine schlechte Akustik gehabt.
00:34:38Sagten Sie ja zwölf?
00:34:40So viel kriegt ein Franz Lea.
00:34:43Bei einer Operette müssen Sie dann noch das Orchester bezahlen
00:34:46und den Chor.
00:34:49Vielleicht kann einer von den 70 Leuten Zahnschmerzen bekommen.
00:34:52Dann können Sie die ganze Aufnahme verschieben.
00:34:55Also schön, acht.
00:34:58Zehn.
00:35:03Neun.
00:35:05Und auf dem Etikett muss stehen,
00:35:08dass das Lied vom traurigen Sonntag
00:35:11hier in diesem Restaurant entstanden ist.
00:35:14Auch das lässt sich machen.
00:35:17Wenn es drauf passt.
00:35:20Dann sind wir uns ja einig geworden.
00:35:23Gestatten Sie mir, dass ich Ihnen einen ganz besonderen Champagner hole?
00:35:26Jahrgang 28.
00:35:29Ist gestattet.
00:35:35Der Herr Torres hat seine Mappe liegen lassen.
00:35:38Mit einem Zettel dran.
00:35:41Das Lied war sehr schön, vielen Dank.
00:35:44Ich muss jetzt gehen.
00:35:47Dank ist gut, bezahlen wäre besser.
00:35:50Er war so merkwürdig heute.
00:35:53Verzeihung.
00:35:56Eine Frage, Herr Sago.
00:35:59Sie kennen die Welt besser als ich.
00:36:02Ich bin nur ein Pianisten.
00:36:05Jeder Künstler hat ein Impressario.
00:36:08Möchten Sie nicht mein Impressario werden
00:36:11und dafür zehn Prozent nehmen?
00:36:14Bitte.
00:36:17Das krankt mich, Herr Aradi.
00:36:20Man kann doch nicht, wenn man einem Freund hilft,
00:36:23gleich eine Gebühr dafür nehmen.
00:36:26Danke, Herr Sago.
00:36:29Danke.
00:36:35Danke.
00:37:05Danke.
00:37:21Guten Morgen.
00:37:24Sie waren wohl noch mit den Herrn Musikverlegern feiern, hm?
00:37:27Auf ein Glas, ja.
00:37:30Das war aber mehr als eins.
00:37:32Wollten Sie uns abholen?
00:37:36Ja, ich wollte Sie etwas fragen.
00:37:39Sie und Ilona.
00:37:42Die Aufnahme von der Schallplatte soll doch in Wien gemacht werden.
00:37:45Möchten Sie nicht mitkommen?
00:37:48Sie und Ilona.
00:37:51Nach Wien, Laszlo. Wir fahren nach Wien.
00:37:54Das geht doch nicht.
00:37:57Warum nicht?
00:37:59Für einen Tag.
00:38:02Das können Sie doch ruhig einmal machen, Herr Sago.
00:38:05Bitte, lass uns nach Wien fahren.
00:38:08Wir drei.
00:38:11Mir zuliebe.
00:38:14Nein, ich schließe das Restaurant nicht.
00:38:17Auch nicht für einen Tag. Auf keinen Fall.
00:38:20Da müsste schon sonst was passieren, dass ich mein Lokal zumache.
00:38:23Mindestens die Sintflut.
00:38:25Der Herr Törres.
00:38:28Er hat sich aufgehängt.
00:38:31Was hat er auf seiner Mappe geschrieben?
00:38:34Das Lied war sehr schön.
00:38:37Vielen Dank, ich muss jetzt gehen.
00:38:55Danke, Herr Törres.
00:38:58Auf Wiedersehen.
00:39:25Es ist im Radio.
00:39:28Unser Lied ist im Radio.
00:39:31Komm.
00:39:34Bitte.
00:39:55Das war das Lied vom traurigen Sonntag.
00:39:58Komponiert und vorgetragen von András Aradí.
00:40:01Das Lied ist entstanden im Restaurant Sago.
00:40:04Im ersten Bezirk von...
00:40:07Hast du gehört?
00:40:10Ja.
00:40:13Hey.
00:40:25Danke.
00:40:38Es ist schon eigenartig.
00:40:41Jetzt kann man es nicht mehr aufhalten.
00:40:44Mein Lied geht in die Welt hinaus.
00:40:47Und bringt Tantie mit nach Hause.
00:40:50Aber irgendwie habe ich das Gefühl,
00:40:52als ob es mir noch etwas sagen wollte.
00:40:55So etwas wie eine Botschaft.
00:40:58Aber ich verstehe sie nicht.
00:41:01Ich versuche es, aber ich verstehe die Botschaft nicht.
00:41:04Sie dürfen sich nicht zu sehr anstrengen,
00:41:07sonst verstehen Sie sie erst recht.
00:41:10Was meinen Sie, Herr Sago?
00:41:13Das ist wie beim Hohen See.
00:41:16Wenn man es zu sehr will, grifft man es nicht.
00:41:19Das verstehe ich genauso wenig wie die Botschaft vom Lied.
00:41:22Was wollen Sie?
00:41:25Sie haben doch gesagt, ich soll sie nicht verstehen wollen.
00:41:28Geben Sie es auf.
00:41:31Musiker sind fürs Gefühl zuständig, nicht fürs Gehirn.
00:41:34Lieber fürs Gefühl als fürs Geschäft.
00:41:37Euch Juden geht's doch immer nur ums Falschen.
00:41:46Stimmt.
00:41:48Es entscheidet sich nur, ob die anderen zu fein dafür sind
00:41:51oder zu blöd.
00:41:54Hört auf jetzt.
00:41:57Wir wollen feiern und ihr streitet euch wie die Idioten.
00:42:00Du hast gut reden, du hast doch alles, was du brauchst.
00:42:03Zwei Männer und wir haben jeder nur eine halbe Frau.
00:42:06Genau.
00:42:09Wer ist denn schuld, dass wir streiten?
00:42:12Und leiden.
00:42:15Und leiden.
00:42:18Genau.
00:42:21Was machen die denn noch so spät auf der Straße?
00:42:24Die gehören doch schon längst ins Bett.
00:42:27Ungarn ist heute aus dem Völkerbund ausgezogen.
00:42:30Hitler zuliebe.
00:42:33Wenn das ein Grund zum Feiern ist, dann brechen tolle Zeiten.
00:42:36Die und ihre deutschen Freunde.
00:42:39Sie sind einfach nach Österreich einmarschiert.
00:42:42Einfach rein nach Wien.
00:42:48Sie waren doch auch in Wien.
00:42:52Sie und die Ilona.
00:42:55Drei Tage.
00:43:08Sie sind entlassen.
00:43:11Ihre Lieder sind mir sowieso zu traurig.
00:43:15Ich engagiere eine Zigeunerkapelle.
00:43:18Sie können sich nicht so einig sein.
00:43:22Ja, Arabie.
00:43:25Wenn wir schon zusammen in einem Bett schlafen,
00:43:28können wir auch du zusammen sein.
00:43:36Laschlo.
00:43:39Andras.
00:43:44Andras.
00:43:46I'll introduce you to her.
00:43:50Poor gypsies.
00:44:16I'm sorry.
00:44:27No, it's my fault.
00:44:41You're both unhappy.
00:44:44And I am too.
00:44:46I don't want this anymore.
00:44:49We have to break up.
00:44:51Both of us. I mean...
00:44:54All of us.
00:44:55No, no.
00:44:58We...
00:45:00We're not unhappy.
00:45:03Only sometimes.
00:45:05Ilona...
00:45:07We need you.
00:45:09You need us too.
00:45:12Both of us.
00:45:15Here you go.
00:45:16For Miss Ilona.
00:45:20She's from abroad.
00:45:21For me?
00:45:22Yes. Goodbye.
00:45:23Goodbye.
00:45:25This is from Mr. Wieg.
00:45:28I love you.
00:45:38And his dear friend Laszlo also sends his warmest greetings.
00:45:42And what else does he write?
00:45:45Forgive me that the photography took so long.
00:45:48But you have become beautiful.
00:45:50Every time I look at you, I think of Budapest.
00:45:52And especially of you.
00:45:54Do you remember what I told you back then?
00:45:58What did he say?
00:46:00That's private.
00:46:04Otherwise, I have a lot to do.
00:46:06My company is expanding with the German Reich.
00:46:09Germany is becoming Greater Germany.
00:46:12Because we are a people without space.
00:46:15Other peoples also don't have space and therefore don't start a war right away.
00:46:20I think he means more economically.
00:46:23Mr. Sabo? Telephone.
00:46:29And I think he means it as it is.
00:46:34Sabo?
00:46:37Yes?
00:46:38The song of the sad Sunday has been composed here.
00:46:41Yes.
00:46:43It will be played every evening.
00:46:46With pleasure.
00:46:4920 o'clock?
00:46:50Yes.
00:46:51With pleasure.
00:46:56That was the junior boss of the Mendel Group.
00:46:58He ordered a table for six people because of the song.
00:47:01Mendel?
00:47:02Yes, Mendel.
00:47:03Steel and textiles.
00:47:04They employ at least 30,000 people.
00:47:06They have three villas in Budapest alone.
00:47:08Yes, yes, yes, yes.
00:47:14And how does it continue with us now?
00:47:16The three of us?
00:47:21I'll try it again with you.
00:47:34That's more than six.
00:47:38God, Büt, put a table and chairs. We need chairs.
00:47:47Good evening, Mr. Mendel.
00:47:49Good evening, Mr. Mendel.
00:47:50Mr. Sabo, my sister.
00:47:53It is a special honor for us that you visit our restaurant today.
00:47:56Please.
00:48:08If I may ask you for a small favor, Professor Teitelbaum,
00:48:12you would be the first mathematician on my guest list.
00:48:16I like to praise your restaurant.
00:48:18Just that you also have pork on the menu.
00:48:21Nobody forces you to take it, uncle.
00:48:24But that he also opened on Sabbath.
00:48:27Mr. Professor Teitelbaum, I never close my restaurant.
00:48:30Not on Sabbath, not on Sunday, not on Christmas, not on Passover.
00:48:36Can I make any other wish for you?
00:48:38Maybe a gentler pear spirit?
00:48:41Of course, at the expense of the house.
00:48:44Good, yes.
00:48:45Thank you.
00:49:01Was it to your satisfaction, Mr. Mendel?
00:49:04I have to tell you, my dear Mr. Sabo,
00:49:06I'm really glad my sister insisted on coming here tonight.
00:49:10Your Kesselfougache was a poem.
00:49:13Almost even better than that in the Gunde.
00:49:21My brother is right about the Fougache.
00:49:23You know that very well.
00:49:24But don't be angry with me, Mr. Sabo.
00:49:26The song of the sad Sunday was clearly the most beautiful tonight.
00:49:30There the sweet and the bitter hold the balance wonderfully.
00:49:34Is there still a text to the song?
00:49:36No, not yet.
00:49:37The song doesn't need words.
00:49:39Even so, it tells me a lot.
00:49:41Could he play it again?
00:49:45Who could beat the bitter out of such a well-meaning mouth?
00:50:09Ah-ah-ah-ah-ah-ah-ah-ah-ah
00:50:16Ah-ah-ah-ah-ah-ah-ah-ah-ah
00:50:26Ah-ah-ah-ah-ah-ah-ah-ah-ah
00:50:32Ah-ah-ah-ah-ah-ah-ah-ah-ah
00:50:37Ah-ah-ah-ah-ah-ah-ah-ah-ah-ah
00:51:07Ah-ah-ah-ah-ah-ah-ah-ah-ah-ah-ah-ah-ah-ah-ah-ah-ah-ah-ah-ah-ah-ah-ah-ah-ah-ah-ah-ah-ah-ah-ah-ah-ah-ah-ah-ah-ah-ah-ah-ah-ah-ah-ah-ah-ah-ah-ah-ah-ah-ah-ah-ah-ah-ah-ah-ah-ah-ah-ah-ah-ah-ah-ah-ah-ah-ah-ah-ah-ah-ah-ah-ah-ah-ah-ah-ah-ah-ah-ah-ah-ah-ah-ah-ah-ah-ah-ah-ah-ah-ah-ah-ah-ah-ah-ah-ah-ah-ah-ah-ah-ah-ah-ah-ah-ah-ah-ah-ah-ah-ah-ah
00:51:37That's me.
00:51:38Could we take a picture of you?
00:51:41Sure.
00:51:43After all, you wrote a very successful play.
00:51:45What do you say to that?
00:51:46That in Budapest, in the last three days, five people have taken their lives.
00:51:50All five had their song on the record.
00:51:52What?
00:51:53All young, hopeful people from good homes.
00:51:55After they heard your song, they didn't want to live anymore.
00:51:58Do you have an explanation for that, Mr. Aradi?
00:52:01Say something! Do you have an explanation?
00:52:03Come on!
00:52:06What's going on here, Donna?
00:52:08I don't understand where Andras is.
00:52:10He will come.
00:52:12Andras never comes too late.
00:52:17Come to the back left, please.
00:52:19Maybe he also read the report about the suicides.
00:52:22Five dead, that hits him in the heart.
00:52:26But there you can see again how everything has two sides.
00:52:30Why?
00:52:31The phone rang all morning. We were already booked out at 11 o'clock.
00:52:38If he does something to himself...
00:52:40We're going to look for him.
00:52:42Ilona, that's not possible. The wine delivery.
00:52:44Of course it's more important.
00:52:46Where is it?
00:52:49Ilona!
00:52:52Ilona!
00:52:53These are rarities.
00:52:55You don't even have such an offer in the gundel.
00:53:02You've invested a lot.
00:53:07You can take a break afterwards.
00:53:10We'll do one afterwards, too.
00:53:15Andras!
00:53:27Andras!
00:53:31Andras!
00:53:40Ilona!
00:53:41Did you find him?
00:53:45Ilona!
00:53:46Ilona!
00:54:00How far do you want to go? To Vienna?
00:54:07There!
00:54:16There!
00:54:25Damn song!
00:54:26Andras, don't!
00:54:28I'll never compose again.
00:54:32Five dead...
00:54:34...and I'm to blame.
00:54:39They'd be better off if I didn't exist.
00:54:43You mustn't think that.
00:54:45You didn't ask them to do it.
00:54:48You just...
00:54:50...gave them the goodbye.
00:54:52But why do people want to die with my song?
00:54:56Maybe it has to do with the message...
00:54:59...you were talking about.
00:55:03Have you found out what the song is about?
00:55:08No.
00:55:10But then you still have something to do in the world.
00:55:14And if into the water...
00:55:16...then all three of us.
00:55:18No.
00:55:41It's too cold.
00:55:49No.
00:55:53Oh!
00:56:00What's that?
00:56:02The heart stops when you want it to.
00:56:10But now I don't want it anymore.
00:56:14Still, it's better with me.
00:56:18Come on.
00:56:48Now we have to go slowly.
00:56:51No.
00:57:19THE GERMAN WARRIORS
00:57:25The victorious advance of our German brothers in arms in Western Europe has continued.
00:57:32The Fuehrer and Reich Chancellor Adolf Hitler...
00:57:35...was very pleased with the success of his troops.
00:57:42This man too has a reason to rejoice.
00:57:45It is the composer of the song of the sad Sunday...
00:57:48...a sensational success.
00:57:51However, the magical tones of the song...
00:57:54...caused 157 people to commit suicide in Hungary alone in the last eight weeks.
00:58:04Throughout Europe, it has now started its gruesome victory march.
00:58:09GLOOMY SUNDAY
00:58:13As Gloomy Sunday, the song conquers the whole world.
00:58:18In New York, it is now fashionable...
00:58:20...with a portable gramophone on the front seat of a Studebaker...
00:58:24...to ride in the Hudson.
00:58:26Gloomy Sunday brings death to many...
00:58:28...but it makes one rich...
00:58:30...his composers.
00:58:39GLOOMY SUNDAY
00:58:48Hans.
00:58:49Lasse.
00:58:50You are in Budapest.
00:58:54You...
00:58:55...when people are present...
00:58:57...it is better that you don't address me with you...
00:58:59...but with Herr Standartenfuehrer.
00:59:02Excuse me, Herr Standartenfuehrer.
00:59:04Well, among us, of course, it stays with Hans.
00:59:07Herr Standartenfuehrer is only for the others.
00:59:13Man, I was looking forward to the rolled meat.
00:59:16No one in Germany has done it as well as you.
00:59:19Please sit down. I'll order you a drink.
00:59:21Lasslo.
00:59:23I know...
00:59:24...no one is allowed to enter your sanctuary...
00:59:26...but I would like to see how my rolled meat is prepared.
00:59:37GLOOMY SUNDAY
00:59:53The gigolo is still here.
01:00:00Well, then.
01:00:03Good evening...
01:00:05...Miss Anilona.
01:00:06Good evening, Herr Wieg.
01:00:08That is now Herr Standartenfuehrer.
01:00:11You have changed, Herr Standartenfuehrer.
01:00:13Not at all.
01:00:17By the way, I am married.
01:00:22My wife...
01:00:24...my little daughter.
01:00:25Sweet.
01:00:26Both of them.
01:00:35The supply seems to be quite good.
01:00:40Are you a businessman here in Budapest?
01:00:42You could say that.
01:00:43Because of your import-export companies?
01:00:45At the moment, I represent a slightly larger company.
01:00:52You don't have to believe everything they say about us.
01:00:54I am one of the first riders, Standarten.
01:00:56We are riders, sports comrades. Do you understand?
01:00:59And when you sit on a horse, some things look different from up there.
01:01:06GERMANY
01:01:13Roll meat.
01:01:16Welcome to Budapest, Hans.
01:01:18Something good has to happen for the final victory to last so long.
01:01:29And what about candles?
01:01:31They don't exist.
01:01:33Candles have been confiscated everywhere.
01:01:36And what do they cost, which have been overlooked during the confiscation?
01:01:40Twice as much as before.
01:01:45I'm going to get flowers. Hopefully they won't be confiscated.
01:02:02You're composing again.
01:02:04What's that going to be?
01:02:06It's going to be a text for the song from the sad Sunday.
01:02:14Are you still looking for this message?
01:02:19The last breath brings me home forever,
01:02:22in the realm of shadows, where I will be sheltered.
01:02:32Promise me that you won't do this.
01:02:36Not as long as I have you.
01:02:43Leave it. I'll order something for you, Obersturmbannführer.
01:02:50Herr Standartenführer?
01:02:52We'd like two rolls of meat,
01:02:54and a bottle of good red wine,
01:02:56and after dinner we'd like to hear the song.
01:02:58You know, the famous one.
01:03:01Yes.
01:03:07Herr Professor, you're leaving already?
01:03:09Yes. Goodbye.
01:03:11Is this a Jewish restaurant?
01:03:14In any case, it's a good one.
01:03:16Thank you.
01:03:18That you, of all people, have a skull for your benefit.
01:03:23If someone wears a skull, there's a reason for it.
01:03:27For them, it's their company badge.
01:03:31There are such and such in this company.
01:03:33The skull belongs to all of them.
01:03:37You have to talk.
01:03:39You Christians have your cross as your company badge.
01:03:42It's a device for orientation.
01:03:44A mean thing to do.
01:03:45What's the matter with you two?
01:03:49You're not a Jew. I can smell it.
01:03:53Today, it's not about the solution, but about the meat.
01:03:56And no one does it as well as this man.
01:04:00No, not so much.
01:04:02I can't stand alcohol.
01:04:06Good night.
01:04:17Careful, your head.
01:04:21Why?
01:04:22It's cozy.
01:04:24It's cozy.
01:04:26Only we Germans have that.
01:04:28It comes from the north.
01:04:30It doesn't come from the south.
01:04:33You know, we Germans, we can go all the way...
01:04:37...to life, because we tried.
01:04:47The Jews attacked me.
01:04:49Not in front of the people, man.
01:04:52I'll tear you to pieces.
01:04:54I make minced meat out of the dirty Jews.
01:04:57I make minced meat out of all the Hungarian Jews.
01:05:01With paprika sauce.
01:05:04Minced meat with paprika sauce.
01:05:06Burn the chief of staff to hell.
01:05:08Yes, sir.
01:05:09I'll get out on my own.
01:05:13Kutsche.
01:05:15I'm sorry, Lasse.
01:05:17This oak tree, it's an occupant.
01:05:20It's an occupant.
01:05:22I'm sorry.
01:05:24Thank you.
01:05:25It's no big deal.
01:05:27You know, eye to eye, tooth to tooth.
01:05:32Shouldn't I come with you?
01:05:34No.
01:05:35Hans, please.
01:05:36Take Ilona home.
01:05:37Drive.
01:05:38Go.
01:05:50Thank you for helping Lasslo.
01:05:54Of course.
01:05:56You help your friends.
01:06:03It's been a while since we've been here.
01:06:09Have you set up the largest import-export company in Germany?
01:06:15Not yet.
01:06:16You didn't hear me back then.
01:06:20I'll do that when you hear me.
01:06:24You know that.
01:06:28And your wife?
01:06:31I always thought,
01:06:33the German honor is loyalty.
01:06:36So much for skulls.
01:06:39On uniforms.
01:06:43But you've seen that there are such and such.
01:06:47Well, yes.
01:06:50I could use some medicine now.
01:06:53Then it'll be better.
01:06:56I'm going to bed.
01:06:58Good night.
01:06:59Good night.
01:07:00Good night.
01:07:01Good night.
01:07:02Good night.
01:07:03Good night.
01:07:04Good night.
01:07:05Good night.
01:07:06Good night.
01:07:07Good night.
01:07:08Good night.
01:07:09Good night.
01:07:10Good night.
01:07:11Good night.
01:07:12Good night.
01:07:13Good night.
01:07:14Good night.
01:07:15Good night.
01:07:16Good night.
01:07:17Good night.
01:07:18Good night.
01:07:19Good night.
01:07:20Good night.
01:07:21Good night.
01:07:22Good night.
01:07:23Good night.
01:07:24Good night.
01:07:25Good night.
01:07:26Good night.
01:07:27Good night.
01:07:28Good night.
01:07:29Good night.
01:07:30Good night.
01:07:31Good night.
01:07:32She would have gone with you today.
01:07:39What I told you is strictly confidential.
01:07:47I'm doing this for Laszlo.
01:07:50And for her.
01:08:02Ilona.
01:08:03Ich liebe meine Frau.
01:08:05Ich würde nie mit einer anderen.
01:08:09Aber mit Ihnen?
01:08:11Das wäre nicht mit einer anderen Frau.
01:08:16Das wäre mit einem Engel.
01:08:21Walter.
01:08:22That wouldn't be with another woman.
01:08:25That would be...
01:08:27with an angel.
01:08:35I don't know myself, but I think...
01:08:38angels don't do such things.
01:08:44Are you sure?
01:08:47I think so.
01:08:49We in heaven are rather conservative.
01:09:19I don't know.
01:09:50Does it hurt very much?
01:09:55That's why we haven't closed our restaurant for a long time.
01:10:00I heard that the Germans, the Jews in Hungary,
01:10:03want to kill everyone.
01:10:05I've heard something like that before.
01:10:08But I know it more like this.
01:10:11I know it for sure.
01:10:13From Hans.
01:10:16My father was Jewish, and so was my mother.
01:10:19So I'm Jewish, too.
01:10:21But my God, who thinks about it?
01:10:24If my parents were Iroquois, I'd be Iroquois.
01:10:30How do the Germans imagine that?
01:10:32There are more than half a million of us in Hungary.
01:10:35Our German brothers in arms would do it thoroughly.
01:10:40They say,
01:10:42after us, the flood of the senses.
01:10:46If we know that now, we can say,
01:10:49gentlemen, after their flood of senses, we.
01:10:54Let's say,
01:10:56I transfer my restaurant to you.
01:10:59And you make me your manager.
01:11:02Then you apply for a license.
01:11:04Hans will help us.
01:11:06And I transfer my fortune to you.
01:11:08Then no one can take it away from me.
01:11:11And if the gentlemen have won to death,
01:11:14we go to the notary and make it all up again.
01:11:17That's how we do it.
01:11:20And after the flood of senses, we.
01:11:24After the flood of senses, we.
01:11:41After the flood of senses, we.
01:11:49Good day. My name is Ilona Warney.
01:11:52I have an appointment with Mr. Wieck.
01:11:54The standard manager is still in a meeting.
01:11:58Please, take a seat.
01:12:00Excuse me. Isn't this the Mendel Villa?
01:12:03Not anymore.
01:12:05This is where the economic goods are stored.
01:12:07If the Reich needs it, they are responsible for it.
01:12:09Have you seen the last pages?
01:12:14Miss Warney.
01:12:16It's nice of you to visit me.
01:12:18Good day.
01:12:20I'll be right with you.
01:12:22Good day.
01:12:24Mr. Wieck.
01:12:26Mr. Wieck.
01:12:28I'll be right with you.
01:12:39The most important thing is that your family members are taken out of the camp.
01:12:44It wouldn't be necessary if you hadn't brought us to the camp.
01:12:49Cigarette?
01:12:52According to the order of the Reich government,
01:12:55everyone must be interned in a youth labour camp in Budapest.
01:12:59Mr. Mendel.
01:13:01But I can guarantee you and your family
01:13:04that you can leave for a neutral country.
01:13:09The offer of 600,000 dollars is...
01:13:12nothing compared to that.
01:13:15The factories alone are worth 60 million.
01:13:18I don't think that such a demand is in the interest of your family.
01:13:22I'm sorry, but I have to take down the phone
01:13:25and tell Obersturmbannführer Eichbaum that the negotiations have failed.
01:13:29He is responsible for everything else.
01:13:37Under these circumstances, 600,000 dollars is an acceptable amount.
01:13:43Then we can sign.
01:13:48Thank you.
01:13:59I'm sorry you had to wait.
01:14:11Would you like a glass of champagne?
01:14:13No, I have a request.
01:14:16Anything you want.
01:14:18I did a very good job today.
01:14:21Could you get us a license?
01:14:23Don't you finally want to talk to me?
01:14:27Could you get us a license that Laszlo Kriegs is important?
01:14:32And what do I get for it?
01:14:36That was a joke. Of course you'll get the license.
01:14:41Come in.
01:14:43Obersturmbannführer.
01:14:45The urgent letter to the Reichsführer SS.
01:14:48Yes?
01:14:49I typed it exactly as you wrote it down.
01:14:52Good.
01:14:53It's just...
01:14:55If I may draw your attention to it...
01:14:57According to Duden, one writes interesting connections with the SS.
01:15:00Mrs. Häberle?
01:15:01Yes, Herr Standartenführer.
01:15:03Not Duden.
01:15:05I decide how and what you have to write.
01:15:10Herr Liedler.
01:15:11Herr Standartenführer.
01:15:15András!
01:15:16What are you doing here?
01:15:18I'd rather not ask you that.
01:15:23Do you know how long it took?
01:15:2557 minutes.
01:15:28Two men probably aren't enough for you.
01:15:34Is an Aryan better than two Hungarians?
01:15:39Is an Aryan better than two Hungarians?
01:16:04Hans.
01:16:07Herr Standartenführer.
01:16:10I'd like to thank you for everything you've done for me.
01:16:14Yes, yes, all right.
01:16:15We'd like the rolled meat.
01:16:18Our Natjarova Roulades are certainly an excellent dish,
01:16:22but maybe you should try something else.
01:16:25Our Ischtwann is a wonderful Donauwaller today.
01:16:29Very friendly.
01:16:30But we'd like the rolled meat.
01:16:33Herr Standartenführer, I'm sorry,
01:16:36but I can't serve you the rolled meat today.
01:16:40That's unpleasant.
01:16:43How can I stand here?
01:16:48Then bring us the best you have.
01:16:52But no fish.
01:16:55To serve.
01:16:57And stop this to serve.
01:16:59Not to serve.
01:17:02Hans is so strange today.
01:17:04Do you know who the other one is?
01:17:06I think it's Standartenführer Schnivke.
01:17:08As far as I know, he does the same thing as Hans in Hungary.
01:17:12They're colleagues, so to speak.
01:17:14Eichbom has only his final solution in mind.
01:17:17But why destroy what can still be sold?
01:17:20He just doesn't understand that.
01:17:22That's why he mustn't know anything about our little transaction.
01:17:26No problem.
01:17:27He's so busy winning his war
01:17:30that we can prepare for the post-war.
01:17:34But you shouldn't go too far away from legality.
01:17:38Of course not.
01:17:40But the beauty of legality
01:17:43is that it has flowing borders.
01:17:51Cheers, Herr Standartenführer.
01:17:55Herr Standartenführer.
01:18:00A race of alps.
01:18:02What can you say?
01:18:06It remains the problem of transport.
01:18:09I have an idea.
01:18:11What is currently being introduced in Germany in masses?
01:18:15We send sacks.
01:18:18Our women take care of the dignified addition to the family grave.
01:18:24After all, the beloved father fell for Führer and fatherland.
01:18:31Do the gentlemen have any wishes?
01:18:34Sabo.
01:18:36Tell us a joke.
01:18:39It can also be a Jewish one.
01:18:41We are tolerant.
01:18:54In a camp
01:18:56there was a camp commander called Müller.
01:19:00And he had a glass eye.
01:19:03And he also had a habit, Herr Camp Commander Müller.
01:19:07Whenever he was in the mood,
01:19:10he had the next best prisoner call him
01:19:13to show him what German work is.
01:19:17When he finds out
01:19:20which of his eyes is the artificial one,
01:19:23he is allowed to leave.
01:19:25If not, he is shot.
01:19:29And one day he caught the prisoner Jakob Korngold
01:19:33and gave him the same task.
01:19:36Jakob Korngold looked at him and said,
01:19:41only the left eye is the glass eye, Herr Camp Commander.
01:19:46How did he find out so quickly?
01:19:50Jakob Korngold shouted,
01:19:53now you know, Herr Camp Commander.
01:19:58It looks so good.
01:20:15Good joke, Sabo.
01:20:19Very good joke.
01:20:26And now play the famous song for us.
01:20:39The song, please.
01:20:42Didn't you understand?
01:20:46It will be soon.
01:21:01Let's see what happens.
01:21:16Play.
01:21:30Sad Sunday, your evening is not far away
01:21:36With black shadows I share my loneliness
01:21:41I close my eyes because I see them a hundred times
01:21:47I can't sleep and they never wake up
01:21:53Play for me.
01:21:57I see figures smoking cigarettes
01:22:03Don't leave me here, tell the angels I'm coming too
01:22:11Sad Sunday
01:22:16Lonely Sundays I've spent too much
01:22:22Today I'm on my way to the long night
01:22:28Soon candles and smoke will make my eyes wet
01:22:33Don't cry, friends, because finally I feel light
01:22:40The last breath brings me home forever
01:22:46In the realm of shadows I will be safe
01:22:53Sad Sunday
01:23:10Thank you.
01:23:40With my gun.
01:24:10Thank you.
01:24:41Ilona.
01:24:47I didn't mean to.
01:24:50I'm sorry, too.
01:24:54Can I help you somehow?
01:24:58Yes, you can.
01:25:01Can you get me some papers to get me out of Hungary?
01:25:06Of course I can, Laszlo.
01:25:08But you don't have to leave.
01:25:11I'm afraid so.
01:25:13I didn't want to believe it, but the Germans were serious.
01:25:17As long as I'm here, nothing will happen to you.
01:25:22You can be assured of that.
01:25:26But...
01:25:29We could save a few of your countrymen.
01:25:33Countrymen?
01:25:35Jews, I mean.
01:25:37But it would cost a lot to get them out.
01:25:41Jewelry, silver, gold, if necessary, currencies.
01:25:45But only francs and dollars.
01:25:48No pengues and Reichsmarks at all.
01:25:52For free.
01:25:56I understand.
01:25:58It's about keeping people from going through the chimney.
01:26:03There are words no German can imitate.
01:26:06Blitzkrieg, going through the chimney.
01:26:09So picturesque.
01:26:11You can imagine a man being pushed in,
01:26:14and he comes out with wings.
01:26:16Are you kidding me?
01:26:18Angels with wings out of the chimney?
01:26:21Man, where we are is hell.
01:26:24You're right.
01:26:26And the devils are getting more and more.
01:26:33It must be a thousand dollars per person.
01:26:38That's not much.
01:26:41If a person is 27 years old when they leave,
01:26:45and let's say this person is 70 years old,
01:26:48they'll have 43 years of life,
01:26:51516 months of life.
01:26:53That's less than two dollars per month.
01:26:56What's that?
01:26:58If you think about the rent...
01:27:00We can leave it.
01:27:02It won't cost your friends anything, just their lives.
01:27:08So,
01:27:10bring me people from my villa.
01:27:13But not before six in the evening,
01:27:16and not more than three at a time.
01:27:21And you don't have to worry.
01:27:24Your name is on the list of people
01:27:26who can't be admitted without a special treatment.
01:27:38Special treatment.
01:27:41That's his word.
01:27:57I think I just understood the message of the song of a sad Sunday.
01:28:02Which Andrasch has always been looking for.
01:28:07I think the song means that every human being has his worth.
01:28:13We are hurt,
01:28:15we are abused,
01:28:19and we endure all this as long as we can preserve our last remaining worth.
01:28:24But if we're only given one bullet after the other,
01:28:28then maybe it's better to say goodbye to this world.
01:28:33Then you have to go.
01:28:37But with worth.
01:28:41Who says you have to go?
01:28:45You can stay and fight for your happiness.
01:28:48There are people who can do that.
01:28:55Andrasch couldn't do it.
01:29:18Andrasch couldn't do it.
01:29:20Andrasch couldn't do it.
01:29:46Rotate along.
01:29:50Rotate along.
01:30:16I'm sorry.
01:30:17I'm sorry, Mr. Standartenführer.
01:30:22Look, this is for the new beginning in Switzerland.
01:30:26I'm so grateful to you.
01:30:32Calm down.
01:30:34Maybe one day you can take revenge.
01:30:37I'd love to.
01:30:39When times change, just say who saved you.
01:30:42I will. I will.
01:30:43I will.
01:30:46Please forgive me.
01:30:50I have an uncle there.
01:30:53Professor Moshe Teitelbaum.
01:30:55He was a member of the Jewish Council.
01:30:57A famous man.
01:30:59He would be just as grateful as I am.
01:31:01Then send him here.
01:31:03Unfortunately, he was picked up yesterday.
01:31:08I'll see what I can do.
01:31:13Goodbye.
01:31:14Radio London.
01:31:16Radio London.
01:31:18Radio London.
01:31:20Radio London.
01:31:22Radio London.
01:31:24Radio London.
01:31:26Radio London.
01:31:28Radio London.
01:31:30Radio London.
01:31:32Radio London.
01:31:34Radio London.
01:31:36Radio London.
01:31:38Radio London.
01:31:40Radio London.
01:31:42Radio London.
01:31:45Radio London.
01:31:47Radio London.
01:31:51Radio London.
01:31:58Mr Sabo, I have money for you.
01:32:01Miss Illinois...
01:32:03Who's sending us the money?
01:32:05The Luns, Tröm Recording Society.
01:32:07I have a note, too.
01:32:12Thank you.
01:32:14I have to go.
01:32:25Dear Mrs. Warner, dear Mr. Szabó,
01:32:28our most dear composer, Mr. András Aradi,
01:32:32has requested us to share his deathly tantrum
01:32:35of the song of the sad Sunday
01:32:37with you both.
01:32:40Find and buy the last half-yearly abbreviation.
01:32:45High attention.
01:33:10It's starting to look too good for me.
01:33:29Laszlo,
01:33:33I always want to bathe in your tub.
01:33:46Let's see if they delivered the potatoes on time.
01:34:03Where does Laszlo Savor live?
01:34:05Third floor.
01:34:29Where is Laszlo Savor?
01:34:31He's not here.
01:35:01I don't know where he is.
01:35:30Where is Laszlo Savor?
01:35:59Laszlo Savor?
01:36:21Stop!
01:36:22Wait!
01:36:23This is a mistake!
01:36:24I am the owner of this place and this is my manager!
01:36:28Mr. Savor has a special permit.
01:36:30He is needed!
01:36:31Not anymore!
01:36:41Let's go!
01:37:04I am the owner of this place and this is my manager!
01:37:33I am the owner of this place and this is my manager!
01:37:48I am the owner of this place and this is my manager!
01:38:13I am the owner of this place and this is my manager!
01:38:42I am the owner of this place and this is my manager!
01:39:11Hans!
01:39:31Hans!
01:39:34They kidnapped Laszlo!
01:39:36Especially me!
01:39:37What's going on?
01:39:38You have to help him!
01:39:40Please!
01:39:41Please!
01:39:42You have to help him!
01:39:43Do it for me!
01:39:44Please!
01:39:45Please!
01:39:46Please!
01:39:47Please!
01:39:48Please!
01:39:49Please!
01:39:50Please!
01:39:51Please!
01:39:52Please!
01:39:53Please!
01:39:54Please!
01:39:55Please!
01:39:56Please!
01:39:57Please!
01:39:58Please!
01:39:59Please!
01:40:00Please!
01:40:01Please!
01:40:02Please!
01:40:03Please!
01:40:04Please!
01:40:05Please!
01:40:06Please!
01:40:07Please!
01:40:08Please!
01:40:09Please!
01:40:10Please!
01:40:11Please!
01:40:12Please!
01:40:13Please!
01:40:14Please!
01:40:15Please!
01:40:16Please!
01:40:17Please!
01:40:18Please!
01:40:19Please!
01:40:20Please!
01:40:21Please!
01:40:22Please!
01:40:23Please!
01:40:24Please!
01:40:25Please!
01:40:26Please!
01:40:27Please!
01:40:28Please!
01:40:29Please!
01:40:30Please!
01:40:31Please!
01:40:32Please!
01:40:33Please!
01:40:34Please!
01:40:35Please!
01:40:36Please!
01:40:37Please!
01:40:38Please!
01:40:39Please!
01:40:40Please!
01:40:41Please!
01:40:42Please!
01:40:43Please!
01:40:44Please!
01:40:45Please!
01:40:46Please!
01:40:47Please!
01:40:48Please!
01:40:49Please!
01:40:50Please!
01:40:51Please!
01:40:52Please!
01:40:53Please!
01:40:54Please!
01:40:55Please!
01:40:56Please!
01:40:57Please!
01:40:58Please!
01:40:59Please!
01:41:00Please!
01:41:01Please!
01:41:02Please!
01:41:03Please!
01:41:04Please!
01:41:05Please!
01:41:06Please!
01:41:07Please!
01:41:08Please!
01:41:09Please!
01:41:10Please!
01:41:11Please!
01:41:12Please!
01:41:13Please!
01:41:14Please!
01:41:15Please!
01:41:16Please!
01:41:17Please!
01:41:18Please!
01:41:19Please!
01:41:20Please!
01:41:21Please!
01:41:22Please!
01:41:23Please!
01:41:24Please!
01:41:25Please!
01:41:26Please!
01:41:27Please!
01:41:28Please!
01:41:29Please!
01:41:30Please!
01:41:31Please!
01:41:32Please!
01:41:33Please!
01:41:34Please!
01:41:35Please!
01:41:36I don't want to keep you.
01:41:37Is the transport to Auschwitz already gone?
01:41:40No, it's being loaded.
01:41:42I need an exception permit.
01:41:45Someone has come to the list by mistake.
01:41:48Oh, yes?
01:41:52Who is it about?
01:42:06Come on, come on, forward!
01:42:11Good job.
01:42:12Yes.
01:42:13A little faster.
01:42:14Yes.
01:42:15Come on!
01:42:16Go!
01:42:17Go!
01:42:18Go!
01:42:19Go!
01:42:20Go!
01:42:21Go!
01:42:22Go!
01:42:23Go!
01:42:24Stay in line.
01:42:25Come on, go, go!
01:42:28Come on!
01:42:29Go!
01:42:30Go!
01:42:31Go!
01:42:32Go!
01:42:33Go!
01:42:34Go!
01:42:35I'll be back.
01:42:45Teitelbaum.
01:42:54Professor Teitelbaum?
01:42:56Come, we don't have much time.
01:42:58It's the greatest danger of my life to get you out of here.
01:43:02Thank you.
01:43:03You're welcome.
01:43:33You're welcome.
01:44:03I love you.
01:44:21Dear Ilona,
01:44:22I now hear very clearly what the song of a sad Sunday wants to tell me.
01:44:27I shall spare myself the last bucket of booze.
01:44:31I'll just do it like everyone else.
01:44:33It's too late for me to fight, and I've never learned it right.
01:44:38Don't be sad that it didn't go the way we wanted it to.
01:44:42Now it says,
01:44:44after the flood of thought,
01:44:46you.
01:45:01Now grass is already growing on you.
01:45:17You can't even imagine how much I miss you.
01:45:22Both of you. I miss both of you so much.
01:45:27Laszlo is just as dead as you are.
01:45:29He doesn't even have a grave.
01:45:31His friend Wieg just let him go through the chimney.
01:45:35He only saved the lives of people who could be useful to him after the war.
01:45:42He planned that well. He's a businessman who thinks very practically.
01:45:47The devil will get him.
01:45:58I have to go now and set the table.
01:46:02Today I'll open the restaurant again.
01:46:05You have to wish me luck.
01:46:11You have to wish us luck.
01:46:13After the flood of thought, we.
01:46:17After the flood of thought, we.
01:46:47Hans-Ebert Wieg is dead.
01:47:00The company commander and several honorary doctors died of heart failure today in Budapest.
01:47:04All of Germany mourns this man.
01:47:06During the Second World War, he saved over 1,000 Jews from Budapest at the cost of his life.
01:47:12After the war, he founded the largest import-export company in our country.
01:47:17What a gloomy Sunday this is, this evening.
01:47:20And with his favorite song in his ears.
01:47:23On this Sunday, he wanted to celebrate his 80th birthday here.
01:47:26At a place with which he only connects the most beautiful memories, as he assured me this morning.
01:47:31Thank you, Mr. Ambassador.
01:47:53Thank you.
01:48:23Humming
01:48:43Happy birthday, Mom.
01:48:53Humming
01:49:19Sunday is gloomy.
01:49:21My hours are slumberless.
01:49:30Dearest, the shadows I lived with are numberless.
01:49:39Little white flowers will never awaken you.
01:49:46Night where the black coach of sorrow has taken you.
01:49:55Angels have no thought of ever returning you.
01:50:02Would they be angry if I thought of joining you?
01:50:11Gloomy Sunday
01:50:29Gloomy Sunday
01:50:32And shadows are spending all
01:50:41My heart and I have decided to end it all.
01:50:50Soon there'll be candles and prayers that I said I know.
01:50:57Let them not weep, let them know that I'm glad to go.
01:51:04Death is no dream, for in death I'm caressing you.
01:51:13With the last breath of my soul, I'll be blessing you.
01:51:21Gloomy Sunday
01:51:24Gloomy Sunday
01:51:32Dreamy
01:51:37I was only dreaming.
01:51:43I wake and I find you asleep in the dream of my heart's heat.
01:52:00Darling, I hope that my dream never haunted you.
01:52:07My heart was telling you how much I wanted you.
01:52:16Gloomy Sunday
01:52:26Gloomy Sunday
01:52:29Gloomy Sunday
01:52:35Gloomy Sunday
01:52:44Sunday
01:52:50Gloomy Sunday
01:53:00Gloomy Sunday
01:53:06Sunday
01:53:09Sunday
01:53:11Sunday
01:53:13Sunday
01:53:15Sunday
01:53:29Gloomy Sunday
01:53:59Gloomy Sunday