Time Rider (1982) Sci-Fi Western
Motorcycle Champion Lyle Swann (Fred Ward) accidentally stumbles into a time-travel experiment and finds himself transported back to the Old West of the 1870s where he encounters a beautiful woman and a gang of bandits who wants to steal his motorcycle
Transcript
00:00:00You
00:00:30Ladies and gentlemen of the press, it is my pleasure to welcome you on behalf of International
00:00:43Computel Corporation to Project Time Rider. Project Time Rider is the 16th in our series
00:00:50of experiments in time travel. And today will be our first experiment with a live animal.
00:00:58A live female rhesus monkey named Esther Gee. This experiment, once again under the direction
00:01:09of Dr. Samuel Steller, hopes to send Esther Gee back in time to the year 1862 and return
00:01:18her safely. Because of the sensitive nature of this experiment and because International
00:01:26Computel is not connected with the government in any way, the location of the project bunker
00:01:32and the location of the send-back pad site is secret. I'd like to thank all of you for
00:01:39coming today and to welcome you to the fascinating and wonderful new world of time travel. Thank
00:01:46you. Thank you.
00:02:56I can't see. It's Swan. How can you tell? I can tell. Whoever he is, he can sure ride
00:03:25a bike. That's Swan. Who we got? It's Swan. Swan coming in? Uh-huh. I don't figure it,
00:03:53Jess. You guys could have made a lot of nice bucks all these years riding for a team. He's
00:03:57always been a great rider, Jess. He'd win if he could finish. Gotta crack his ass. Oh,
00:04:03no offense, Jess. Oh, Jess, you turn a good wrench. I just wish you'd stop playing those
00:04:08flashy toys and let us get in the back of you. Why, you guys could be smoking with a
00:04:12little factory support. Eh, well, no Swan.
00:04:41Hey, I picked up some time. How's that transmitter? It's a pretty hard dance without music. It's
00:04:50okay now. I think I got it fixed. How many different bikes do you use to make this? Made
00:04:56entirely from farm animals, Mr. Earl. Runs like a rocket up to 60, at which point I punch
00:05:01this little button here, the whole thing turns into an adult motel. Now, that's what I've
00:05:04been telling you guys. You just gotta get serious. Why? Okay, you're up to now, Lyle,
00:05:10and she'll climb like a goat. 65 is top of those teeth. Don't you seize this, sucker.
00:05:16Now, I got two inches of foam between the casing and the transmitter. That'll stop the
00:05:20break-up. This picks up at checkpoint one, providing you don't crash and burn. At mile
00:05:2614, outside checkpoint one, there's a... See number three around us. ...bear left. Keep
00:05:32the boot and cactus on your right. Avoid flying the rotor. Take the high side. Once over
00:05:39the top, head due south to checkpoint two. Some cables, not all cables.
00:06:02Dr. Sam, I have an error in the path of almost one milliradian. Program-based? No, it's time-based.
00:06:24What about that windstorm? Where is it? 200 miles northwest. We're still tracking it.
00:06:29It could hit us in two hours, maybe one and a half. Okay.
00:06:46Esther's online.
00:06:53Hang on to your hat, darling.
00:06:59Hey, Jesse, you got a copy?
00:07:15Swan? Yes, sir. How's it going?
00:07:18Today is hot. Overcooked a quarter about 20 miles back, but it didn't break any of our
00:07:22toys. Everything's working. Whoa! Who the heck is that? It's gotta be Swan. Standby for
00:07:36automatic. Bring up camera four to exterior.
00:09:22Hey, Jesse, you still got a copy?
00:09:43All sectors clear. Time zone 1-8-6-2 is lost.
00:09:50Path is justified. How's Esther?
00:09:52Asleep. Path is stable. Prelight complete. Holding green.
00:09:59Perimeter violation. Sector 4. Terry, is that Perimeter? I don't know. I'll check.
00:10:20Hey, Jesse. Jesse, this is Swan. Can you read me? Jesse!
00:10:30Watch for tall rock formation on the right. Double back in three miles. Marked with an
00:10:36old tire with red Day-Glo spray paint. Turn left. Stop tape. Now.
00:10:44All green. Sequencing field startup. Now.
00:10:47Field is up.
00:10:55Oh, crap. This thing is useless. Jesse!
00:11:17Time rider, your send back is committed. Begin final countdown. My mark. Now.
00:11:40Terry! Yes, sir.
00:11:47Dr. Sam, it's weird.
00:11:58No good.
00:12:00Esther G. Transmitted by a maser velocity accelerator. Before 1982. Huh.
00:12:19You're up for bring back. Ray, tech two. Terry. We got it on replay. Give me position and
00:12:25zoom control. You read, Esther? Beyond communication, Dr. Sam. Dr. Countdown, when ready.
00:12:3160 seconds to bring back. Get your programs in. Motorcycle. Man on a motorcycle. Jesse,
00:12:45this is Swan. You read me? 15 seconds to bring back. Dr. Countdown, when ready. Jesse!
00:13:16Now.
00:13:25Okay. Be there.
00:13:45Now.
00:14:15Now.
00:14:39Whoever it was, he's still alive. Get the field team mobile. Don't disturb anything
00:14:43in the perimeter. I want to know who he is, what he's riding, the direction in which he
00:14:47left. And above all, I want absolute silence on this matter until I say different. If I'm
00:14:53right, sir, he stepped out about 105 years back. Around 1875. 1875. God almighty. Well,
00:15:09we've got our experiment now, don't we?
00:15:40Yeah.
00:15:42Yeah.
00:16:12Yeah.
00:16:42Hi. Man, am I glad to see you. Where the hell am I? English? Speak English?
00:17:13I was wondering if maybe you could show me on this map here where I am.
00:17:24Hey, you okay? Hey, come on. Get up. Come on. Hey. Hey. Hey, what?
00:17:42Mister. Mister, what? Hey. Hey, senor. Senor. Hey.
00:17:55Senor. Senor! Hey, mister!
00:18:12Senor.
00:18:14Hey, swan. Swan, can you read me?
00:18:44This is Jesse Hartline at Santa Ynez. Does anybody know what happened to number 82?
00:19:14No.
00:19:45No.
00:19:47Any sign of him? I ain't seen him.
00:20:16Swan. Swan, do you read me?
00:20:36We've got him. November 5th, 1877.
00:20:45November 5th, 1877.
00:21:15November 5th, 1877.
00:21:33Drink up, Jack. We don't mind splitting the take three ways.
00:21:38Bullshit! This whole thing is bullshit. Them rags is bullshit and so are you.
00:21:47Easy, Jack. Easy.
00:21:49Well, I just had it with your ordering and all this Mexico crap.
00:21:53All right. All right. Take it easy. Take it easy.
00:21:56I'm going back up north. This is the dumbest damn deal I ever seen.
00:21:59Jesus Christ, you're a little cranky this morning, ain't you? Put the gun down.
00:22:04Put it down, hell!
00:22:06Didn't you hear me?
00:22:07I'm leaving. Now, bring me my share of them things.
00:22:14I'm going to be sorry to see you go, Jack.
00:22:17But you're going to have some beautiful silk to take up north, huh?
00:22:23Hey. Silk?
00:22:27Silk?
00:22:35Dumb bastard.
00:22:38Dumb damn deal, huh?
00:22:48You shot Jack, Reese.
00:22:58No kidding.
00:23:00What was I going to do? He took his gun out.
00:23:03Now, hold on a second, Reese.
00:23:05He said he was going to go back.
00:23:07Goddamn marshals catch his ass, they catch ours.
00:23:13Makes sense what he says.
00:23:18Rags, huh?
00:23:21That's fine silk.
00:23:23That's fine silk.
00:23:27Rags ass.
00:23:40I'm sorry, Jack. I don't think you'll be needing these anymore.
00:23:47Here's a nice one. Oh, no. Look at this.
00:23:51It's all holes in it.
00:23:53Can I take it?
00:23:54No, it's trash.
00:23:55Can I have it?
00:23:56It's trash. I told you it's trash.
00:23:58No.
00:24:09Hey, Clark.
00:24:12You like that?
00:24:13It's trash.
00:24:14Look, it goes good with my watch.
00:24:16It's trash. Take that off.
00:24:19Hey, look at this. Look at this hand.
00:24:22Doesn't that look good?
00:24:28I like that.
00:24:31Hurry up, boys. Let's go.
00:24:36Should we put him in the ground first?
00:24:41Let's go. Let's go.
00:24:45Should we bury him?
00:24:47I don't know.
00:24:57Swan, I'm tracing you back through the course, pal.
00:25:00So if you can copy, but can't transmit, rig a locator, and I'll find you.
00:25:09Hi, y'all.
00:25:10Good.
00:25:11Jesse Hartliner, I'd like to talk to you about Lyle Swan.
00:25:17Jesse, this is Lyle.
00:25:20Jesse, do you read me?
00:25:23God Almighty, does anyone read me?
00:25:28It's getting stone weird out here.
00:26:17Hi.
00:26:47Hi.
00:27:17Hi.
00:27:48Hey, boys. Fill him up here.
00:27:54That thief in San Marcos charges more for his water than the goods are worth.
00:27:58If you don't pull that shit on me.
00:28:00You want to talk to him?
00:28:02Yeah.
00:28:03I'm really worried.
00:28:04I will. I told you I'd talk to him.
00:28:14I think we should bury him.
00:28:16I think we should bury him.
00:28:18I know. I know.
00:28:21I know. I'll talk to him. I will. I will.
00:28:24You gonna talk to him?
00:28:25Yeah, I'm gonna talk to him. I said I was gonna talk to him.
00:28:27I'll talk to him. I just shut up.
00:28:29Reese, uh, uh, Carl and I have been thinking.
00:28:33Yeah, we've been thinking.
00:28:34And, uh, I think, uh, we think that, uh, we shouldn't have left Jack back there without burying him.
00:28:39Yeah, we should have buried him.
00:28:41Jack Peebles was nothing but trouble from the time you brung him in.
00:28:44I work hard to steal this stuff.
00:28:46And it's mine, goddammit.
00:28:48I pissed on him. I pissed on you, too.
00:28:50That's the last word I want to hear on the goddamned jackass people, man.
00:28:53Holy God.
00:28:54What the hell are you looking at?
00:28:56Oh, shit. Oh, shit.
00:28:58Oh, God.
00:28:59Oh, God.
00:29:00Please.
00:29:01Oh, God.
00:29:02Oh, God.
00:29:03Oh, God.
00:29:04Oh, God.
00:29:05Oh, God.
00:29:06Oh, God.
00:29:07Oh, God.
00:29:08Oh, God.
00:29:09What was that?
00:29:11Where'd it go?
00:29:12I don't know.
00:29:15Okay.
00:29:16Shit.
00:29:17Okay.
00:29:18Oh, God.
00:29:19Wait.
00:29:20Wait, shut up.
00:29:21Listen.
00:29:38Oh, God.
00:29:39Not now.
00:29:40Come on, baby.
00:29:42Where in the hell are you going, Reece?
00:29:45Reece, that's Jack's ghost.
00:29:47I swear to God.
00:29:53Oh, God.
00:29:54It is Jack.
00:29:55It is Jack.
00:29:56Reece.
00:29:57I'm telling you, it's Jack's ghost.
00:29:59Carl.
00:30:00Carl.
00:30:01We should have buried him.
00:30:02I knew we should have buried him.
00:30:03That ain't a ghost.
00:30:04That's a man on some kind of machine.
00:30:07Some kind of wheel machine.
00:30:11That ain't a ghost.
00:30:12Reece, maybe that ain't no ghost,
00:30:14but it ain't right.
00:30:16That thing just ain't right.
00:30:18God almighty, will you look at it?
00:30:20He's riding it.
00:30:23I want that machine.
00:30:28You could use that machine.
00:30:33What in the hell?
00:30:35Reece, you crazy goddamn Reece.
00:30:39Goddamn Reece.
00:31:10Manolo.
00:31:11Manolo.
00:31:12Manolo.
00:31:28Padre, I have no money for this water.
00:31:31Only this rifle and some bread.
00:31:33It is only through sacrifice that one can receive salvation.
00:31:39Señorita.
00:31:41Señorita, aquí estoy.
00:31:49Keep the bread.
00:31:51Try bread.
00:31:53Listen, I was down in the springs.
00:31:55There was a man there, dressed like I'd never seen.
00:31:59And he had a machine.
00:32:01A rioting machine.
00:32:03Reece and the Dorsets rode up while I was there.
00:32:06They were afraid.
00:32:07They started firing at him.
00:32:08But then this man, he got on the machine.
00:32:13He rode it away like a horse.
00:32:15Reece and the boys went after him,
00:32:17but the machine was much faster.
00:32:25What about Reece?
00:32:27What's he doing here?
00:32:29The Dorsets?
00:32:30What'd they have with them?
00:32:31Did you hear what I just said?
00:32:33This man.
00:32:35He rode this machine like a horse.
00:32:39Did you follow on this machine?
00:32:41Well, I tried.
00:32:43But the machine was very fast.
00:32:45The horse was no match for it.
00:33:06Jack Peoples.
00:33:08Figures.
00:33:09I'll take point.
00:33:11Ben.
00:33:13Ben.
00:33:15We're out of our jurisdiction.
00:33:21Strange-looking wagon tracks.
00:33:35♪
00:34:06Kill him!
00:34:22Help!
00:34:36Damn!
00:34:41Oh, I could have had him dead.
00:34:43He'd have let him get away. That would have been mine.
00:34:46Dead, you crap head.
00:34:47That machine would have been mine.
00:34:49You yellow chicken shithead.
00:34:51You yellow crap head.
00:34:53Damn you, Reece.
00:34:54Don't you talk to me like that.
00:34:56Hey, Claude.
00:34:58Reece.
00:34:59Look at this.
00:35:00It's a compass.
00:35:03Made in a glass.
00:35:10It says America.
00:35:17He's right. It does say America.
00:35:23Hey.
00:35:24He's heading up Rock Gorge.
00:35:25He ain't gonna get away.
00:35:28You like this, Carl?
00:35:30I like this one bit.
00:35:32Don't you see that thing spit at me like that?
00:35:34Yeah, I see it.
00:35:36Blue rocks all over me and everything.
00:35:57♪
00:36:27♪
00:36:58Who are these assholes?
00:37:08Whoa, whoa, whoa.
00:37:09God bless.
00:37:10Claude, you all right?
00:37:12You all right, Claude?
00:37:18If General Lee had had that machine, we'd have won the war.
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00:49:59What are you doing here?
00:50:01I told you, I'm Clara Signe.
00:50:05I was born in Louisiana.
00:50:07My father was a planter.
00:50:09I had two brothers,
00:50:11who taught me to shoot and ride.
00:50:14I went to school there.
00:50:16The Civil War came.
00:50:19My brothers and my father were killed,
00:50:22so I left with my mother.
00:50:24We went to New Orleans.
00:50:26She died soon after.
00:50:28Left me with two choices.
00:50:31To use my body or my gun.
00:50:35I chose the gun to get money to eat.
00:50:39There was some trouble.
00:50:41I heard of this place.
00:50:44So I came here.
00:50:47The padre and me, we buy things from people
00:50:49that would be difficult for them to sell elsewhere.
00:50:52Then we sell them.
00:50:54Civil War. My God, what's happening here?
00:50:58Clara, do you realize how weird everything you just said to me was?
00:51:03I mean, what in the world is happening here?
00:51:07You ride this machine, Mr. Swan.
00:51:10No one's ever seen that before.
00:51:12It's you should be explaining.
00:51:16Yeah, well, uh...
00:51:20I started riding motocross right out of high school.
00:51:24You went to school?
00:51:28Can you read?
00:51:30Well, sure I can read.
00:51:32Got any books?
00:51:34Do you mean to have any with me?
00:51:36Yes.
00:51:37No, Clara, I don't carry books with me.
00:51:42I have three books.
00:51:44Would you like to see them?
00:51:47Sure.
00:52:07Have you read Mark Twain?
00:52:10A little. In school.
00:52:12Did a report on Tom Sawyer once.
00:52:14I haven't read that one.
00:52:17That's his most famous.
00:52:19I only have these.
00:52:29You can read?
00:52:34Read this.
00:52:46What might it be that you've got in the box?
00:52:49And Smiley says, sort of indifferent, like...
00:52:53It might be a parrot, or it might be a canary, maybe.
00:52:56But it ain't. It's only just a frog.
00:53:17Hmm.
00:53:43Hmm.
00:53:46Hmm.
00:54:17All I wanna do
00:54:20Is dance and have a good time
00:54:36So the fella took the box,
00:54:38put up his $40 a log with Smiley,
00:54:41and sat down to wait.
00:54:43Hmm.
00:54:46Mr. Swan.
00:55:07What's this?
00:55:09Uh...
00:55:11Uh...
00:55:13It was my great-great...
00:55:15Well, I don't know, way back there someplace, great-grandfather's.
00:55:18My grandmother stole it from him.
00:55:20Okay.
00:55:22As a reminder of one incredible night they had together.
00:55:25He took off, and she went to L.A. to find him and never did.
00:55:31She started her own business.
00:55:34Nobody remembers what, at least he ain't sayin'.
00:55:38She became the great matriarch of the Swan clan.
00:55:41She passed it on down to her granddaughter,
00:55:44and unlike that,
00:55:46her mom gave it to me when I was 21.
00:55:49Anyway, it's supposed to bring me luck.
00:55:55Does it work?
00:55:57Does it ever.
00:56:03Kiss me again.
00:56:09Nah!
00:56:11Nah!
00:56:23Look, Quinn, what do you want?
00:56:26He has to leave now.
00:56:29The marshals, Reese.
00:56:32It's too much trouble.
00:56:34That's the best thing I've heard.
00:56:38So, then he leaves.
00:56:41I'm through with him.
00:56:58My bike.
00:57:00Where's my bike?
00:57:02Where the hell's my bike?
00:57:04Where the hell's my bike?
00:57:06Bastards.
00:57:12He's alive.
00:57:15Reese, where the hell are these cops?
00:57:18Never mind, I'll find them myself.
00:57:22Come on!
00:57:24Come on!
00:57:40I'm up top.
00:57:42Yeah.
00:57:44This way.
00:57:46This way.
00:57:48This way.
00:57:51Wonder who the hell he is.
00:57:56I got a clean shot.
00:57:58What's he carrying?
00:58:00Can't tell.
00:58:02Maybe he's dangerous.
00:58:04Should I let him come?
00:58:06Carrying a sidearm?
00:58:08Nothing but that thing in his hand.
00:58:10Don't look like no weapon.
00:58:12Okay, let him come.
00:58:15You the law?
00:58:19Damn it, are you the cop or not?
00:58:25Don't press me, boy.
00:58:30Roger here says you was a marshal.
00:58:33If you are, I need help.
00:58:35If not, just tell me.
00:58:37Look, Ben.
00:58:39I know we're alone.
00:58:41Except for your friend.
00:58:45I don't understand what's going on here myself.
00:58:48I don't like his smart mouth.
00:58:51Hey, look, I'm sorry.
00:58:53I lost my temper.
00:58:55But somebody stole my bike.
00:58:59His machine.
00:59:01Okay, my machine.
00:59:03Someone took my machine.
00:59:05Why are you telling that to us?
00:59:07Well, if you are the marshals,
00:59:09I mean, maybe you could do something
00:59:11before whoever took it gets too far.
00:59:13I mean, can't you get on the radio?
00:59:19What?
00:59:21Oh, Jesus Christ.
00:59:23Don't tell...
00:59:25Hey, am I crazy?
00:59:27Who are you people?
00:59:29I want some answers.
00:59:31Where's my machine?
00:59:33Reese and Dorthit.
00:59:35Reese and Dorthit.
00:59:39You know these guys?
00:59:41We know them.
00:59:43Where are they?
00:59:47Swallows camp.
00:59:49Swallows camp. Where's the...
01:00:01Get down.
01:00:05Get down.
01:00:25Get down.
01:00:27Get down.
01:00:31Get down.
01:00:35Whoa.
01:00:37What did you bring us, Reese?
01:00:39I didn't bring you nothing.
01:00:41Some kind of machine?
01:00:43Cloth.
01:00:45What in the hell is it?
01:00:47It's mine.
01:00:49That's what it is.
01:00:51It's mine.
01:00:57Get out of the way.
01:01:05You should have killed her, Claude.
01:01:07Bringing her here ain't nothing to trouble.
01:01:21Hey, Carl.
01:01:23Hey, Claude.
01:01:27Hey, Carl.
01:01:29I got a present for you.
01:01:35Ha, ha, ha.
01:01:43They took Claire.
01:01:51Christ, I need some handlebars.
01:01:59I'm gonna take a long time
01:02:01cutting you
01:02:03Claire Signe.
01:02:25Get out of there.
01:02:27Back off.
01:02:33What do I do?
01:02:37Well, uh...
01:02:39First he, uh...
01:02:41He put his hands on these two black things.
01:02:43How'd Signe do that?
01:02:45Well, and then he, uh...
01:02:49He jumped up and down on it.
01:02:51Up and down.
01:02:53Yeah, he jumped up and down on it
01:02:55and, uh...
01:02:57Kicked it.
01:02:59Right there.
01:03:03Yeah.
01:03:09Hit it.
01:03:11Hey.
01:03:13Oh, he ain't a man to do that.
01:03:15There we are.
01:03:17Don't kick it again, Reed.
01:03:19You're gonna have to do better than that.
01:03:21Ha, ha, ha.
01:03:25I don't think he likes you, Reed.
01:03:29What are you telling me?
01:03:31Kick it harder.
01:03:33Kick it real hard.
01:03:39That's right.
01:03:41That's right.
01:03:43Kick it again. Harder.
01:03:45Kick it.
01:04:01Stop!
01:04:05Goddamn!
01:04:07Jesus Christ!
01:04:09Goddamn shitheads!
01:04:11Goddamn!
01:04:13What are you trying to do to me?
01:04:15Easy, Reese, easy.
01:04:17I just told you what I saw.
01:04:19Besides, you did real good.
01:04:21You made it work.
01:04:23Riddle.
01:04:31You shot it.
01:04:33What a bunch of dumb sons of bitches.
01:04:35You shot it!
01:04:37A machine!
01:04:39You buttheads!
01:04:43Hey, Reese, you got an arrow in it.
01:04:45I'm trying to thank you for it.
01:04:47Trying to save your neck.
01:05:01What a pit.
01:05:03How many do you think there are?
01:05:05Oh, 12, maybe 15 men.
01:05:07Enough guns for an army.
01:05:09Where do you think your Reese is?
01:05:13That far cabin.
01:05:17You think Claire's in there, too?
01:05:23I don't think so.
01:05:25I don't think so.
01:05:27I don't think so.
01:05:29I don't think so.
01:05:33I'm going to do something to her now.
01:05:35I'm going to find her.
01:05:37Don't do it.
01:05:39Here, Carl.
01:05:41Ain't no gal going to go with a man like me.
01:05:47Unless she looks like me.
01:05:53Later.
01:05:55You told me you brought her to me.
01:05:57All right.
01:06:07God damn it.
01:06:09All right, Claude, that's it.
01:06:11That's enough messing with the woman.
01:06:15All right.
01:06:27I'm in.
01:06:29I'm with you.
01:06:31Listen, I don't know what your plan is,
01:06:33but you help me get my bike back,
01:06:35and I'll get us into a high-suit boogie
01:06:37like you never saw.
01:06:39What's he talking about?
01:06:41You help me get my machine,
01:06:43and I'll help you kick ass.
01:06:45Why should we trust you?
01:06:47Why not?
01:06:49I don't trust you.
01:06:51I don't trust you.
01:06:53I don't trust you.
01:06:55Why not?
01:06:57No need to talk now.
01:06:59We'll move in after dark.
01:07:01After dark?
01:07:03Yeah, but what about Claire?
01:07:05I'll grind her to pieces.
01:07:07Whatever happens, we'll rest with you.
01:07:09She wouldn't be there
01:07:11if you hadn't come along.
01:07:25Claude.
01:07:31Stick to crying.
01:07:35Hey, Carl.
01:07:37You want some?
01:07:43Thanks, Claude.
01:07:55Here.
01:08:07Energy bar.
01:08:09Want one?
01:08:15What?
01:08:17Um...
01:08:19Energy bar.
01:08:21Here.
01:08:23What is it?
01:08:25Well, it's, um...
01:08:27dried nuts, fruit.
01:08:29No preservatives.
01:08:31Go on, take it.
01:08:33You'll like it.
01:08:35Here.
01:08:49Good, huh?
01:08:51Yeah, thanks.
01:08:53Don't turn your back on those, too.
01:08:55Here.
01:09:03How far do you think it is to the cabin?
01:09:07Oh, no.
01:09:09Can't see a thing.
01:09:19Here, try this on.
01:09:21Look at the light on the roof of the cabin.
01:09:23What light?
01:09:25Come on, try it on.
01:09:27Here, let me help you.
01:09:35I already told you I can't see.
01:09:37What difference the hat gonna make?
01:09:43Can you see anything?
01:09:45Nothing.
01:09:47Take a look at it now.
01:09:51Oh, Lordy.
01:09:53Blessed Jesus.
01:09:55What the hell are you?
01:09:57Trick, huh?
01:09:59A wrench made this out of techno goodies out of Silicon Valley.
01:10:01Where'd that light come from?
01:10:13Siluma.
01:10:15Siluma.
01:10:19Hey.
01:10:21This thing, uh, stop a rifle slug?
01:10:23God, I don't know.
01:10:25I don't think so.
01:10:27It's not really made for that.
01:10:29I mean, it'll handle a major getoff,
01:10:31but I never got shot at before today.
01:10:33Another machine and these clothes.
01:10:35This here light.
01:10:37Where'd these come from?
01:10:39Tinker toys, mostly.
01:10:41See, I hang with technoid types.
01:10:43We party, and they come up with all this Bonnaroo boogie.
01:10:45Bites a bunch of Jap parts.
01:10:47Real zoot, huh?
01:10:49Siluma's from Kmart.
01:11:13Oh.
01:11:29Shut up.
01:11:31Shut up, you idiot.
01:11:33We're all dead.
01:11:43We're all dead.
01:11:57One sound, I'll blow your brains out.
01:11:59Move your hand.
01:12:05Where is Porter Reese?
01:12:07You sure?
01:12:17This is me and Reese.
01:12:19Anybody else makes a play,
01:12:21I'll look for you to stop them.
01:12:25Otherwise,
01:12:27you stay down
01:12:29and stay quiet.
01:12:37Is he crazy?
01:12:39Porter Reese killed Ben Potter's son
01:12:41two years ago in San Marcos.
01:12:43Everybody knew it was personal between them.
01:12:45But what if Reese kills him?
01:12:47Ben ain't never been beat in a fair fight.
01:12:49The first mother's son that moves
01:12:51other than Reese is a dead man.
01:12:53We're to see to that.
01:12:55Get your rig.
01:12:57Let's find some cover.
01:12:59Come on.
01:13:07Come on.
01:13:23Porter Reese?
01:13:31Get out here.
01:13:33You garbage.
01:13:37Come on.
01:13:55Wayne was telling the truth.
01:13:57It's Ben Potter.
01:14:01I want you.
01:14:03Personal.
01:14:07Come on.
01:14:11Me?
01:14:17When I get ready,
01:14:19you open the door.
01:14:21Reese.
01:14:23Ben's calling you out personal.
01:14:25What's the matter?
01:14:27You yell?
01:14:29Not yell.
01:14:31Smart.
01:14:37Hey!
01:15:03Where in the hell did he come from?
01:15:07Come on.
01:15:21Someone drug your machine off.
01:15:23Doors and pig are dead.
01:15:27Pigs' heads clean off.
01:15:33That's the Yankee trick.
01:15:37We're going back down there.
01:15:39Wait a minute.
01:15:41It's ridiculous.
01:15:43It's barbaric.
01:15:45What's barbaric?
01:15:47It's survival.
01:15:49Your friend just got blown away.
01:15:51He stood up in the middle.
01:15:53Maybe you don't understand anything about honor.
01:15:55Wait a minute.
01:15:57Pick your hand up.
01:15:59There's no need for any trouble
01:16:01between you and me.
01:16:03We still got to get the girl out of there.
01:16:05I don't give a damn about that girl.
01:16:07Okay, I understand.
01:16:09I want the girl.
01:16:11You want Reese.
01:16:13But we got to work together on this thing.
01:16:15Together.
01:16:35All right.
01:16:45But you figure
01:16:47the other marshal and the man in red...
01:16:49Yeah.
01:16:51The machine ain't far, Claude.
01:16:55Something's wrong out there.
01:16:57I told you it weren't right.
01:16:59Didn't I? I told you.
01:17:05Dynamite!
01:17:07Dynamite!
01:17:17Oh, come on!
01:17:19Get him!
01:17:21Get him!
01:17:23Get him!
01:17:29Come on, get him!
01:17:41Get the man!
01:17:43Get the man!
01:17:53Get the man!
01:18:01Well, here it is.
01:18:03Heroics, Miss Claire. Heroics.
01:18:09I'm scared.
01:18:11And real pissed off.
01:18:19Let's get out of here.
01:18:23Get him!
01:18:37Get him!
01:18:39Get him!
01:18:43Move! Move!
01:18:45Get him!
01:18:47Oh!
01:18:49Get him!
01:18:53Get him!
01:18:55Hold it! Hold it!
01:18:57He's ours!
01:18:59He took our machine!
01:19:01You gonna let him get away with that?
01:19:03Our machine? Now it's our machine!
01:19:05Reese!
01:19:07Carl's dead.
01:19:13Look!
01:19:17Goddamn, boss!
01:19:19Where the hell you been?
01:19:23Doctor, we're at war time, Sam.
01:19:25We're at war time, Sam.
01:19:29We've got you now.
01:19:31Go on.
01:19:33We're at war time, Sam.
01:19:35We're at war time, Sam.
01:19:37We're at war time, Sam.
01:19:39We're at war time, Sam.
01:19:41We're at war time, Sam.
01:19:43Doctor Sam, we've set you for three hours search and return.
01:19:45Is that ok?
01:19:47Ok.
01:19:49But Gene says this level of power is smoking the wires.
01:19:51There's two towers down between here and Mexicali,
01:19:53so three hours is absolutely the limit.
01:20:03Ben.
01:20:05Hit it right.
01:20:06Ben.
01:20:10Hit it.
01:20:11Hit it right.
01:20:12Ben.
01:20:13Ben.
01:20:15Hit it.
01:20:16Right.
01:20:17Ben.
01:20:18Hit it.
01:20:21I got him. I got him.
01:20:26He's gone.
01:20:27No, he's not.
01:20:28He'll be okay.
01:20:29He just lost a lot of blood.
01:20:33Oh, my...
01:20:34God.
01:20:43He was okay.
01:20:46He was riding okay.
01:20:50I can't breathe.
01:20:52Yeah, you got him.
01:20:57Not in my jurisdiction.
01:21:21Come on.
01:21:36Come on.
01:21:51Come on.
01:22:22Oh, great.
01:22:25Can you make it go?
01:22:27No.
01:22:28His wheels are the sky, Patrick.
01:22:52Come on. We got to get over that ridge.
01:22:57Let's go. Let Reese have the machine.
01:23:00Give them the machine.
01:23:04Then they'll let us go.
01:23:10I'm going by myself.
01:23:12What's that?
01:23:13Can you read me?
01:23:16Can that voice help?
01:23:17Yeah, I'm right.
01:23:18Come on.
01:23:29We're going to pull it.
01:23:48Come on.
01:24:09They ain't going no further.
01:24:12Come on.
01:24:19Come on.
01:24:41I'll be right back.
01:24:49Come on.
01:25:14Great.
01:25:18Come on.
01:25:48Come on.
01:26:15Come on. Let's go.
01:26:19Come on.
01:26:44I'll get you, beautiful.
01:26:48Come on.
01:27:03Get back.
01:27:14Patrick, come on.
01:27:16I'll clean your end.
01:27:17Come on.
01:27:26Get away.
01:27:27Get away.
01:27:31That's bad.
01:27:34That's bad.
01:27:47Come on.
01:28:18Come on.
01:28:20Come on.
01:28:30Come on.
01:28:48Clear.
01:28:49Come on, give me a hand.
01:28:50Come on.
01:28:51Nobody else comes.
01:28:52That's it.
01:28:54This is why you don't realize what you're fooling with.
01:28:56No, wait a minute, please.
01:28:57Clear.
01:28:58Hurry up.
01:28:59Let's get the hell out of here.
01:29:00No.
01:29:01Wait one minute.
01:29:02Clear.
01:29:03Come on.
01:29:04Clear.
01:29:09No, Mrs. Wah.
01:29:10Clear.
01:29:11I'll explain when we get back to our own town.
01:29:13I have the machine.
01:29:14I'll explain when we get back to our own time, but nobody out comes!
01:29:19Wait a minute!
01:29:20Claire, come on!
01:29:21Let's go!
01:29:42My grandmother stole it from me.
01:29:44As a reminder of one incredible night they had together.
01:29:47It took off, and she went to L.A. to find it, but never did.
01:29:51She started her own business.
01:29:52Nobody remembers what.
01:29:53At least they ain't saying.
01:29:54And became the great matriarch of the Swan Clan.
01:29:58Anyway, it's supposed to bring me luck.
01:31:44I'll explain when we get back to our own time, but nobody out comes!
01:32:14I'll explain when we get back to our own time, but nobody out comes!
01:32:44I'll explain when we get back to our own time, but nobody out comes!
01:33:14I'll explain when we get back to our own time, but nobody out comes!