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00:03:30According to plan, we attacked the village at noon.
00:03:36Orders to take Manchus alive at any cost were carried out.
00:03:40Most of his braves were killed or taken prisoner.
00:03:45A handful escaped.
00:03:46Families were rounded up.
00:03:49The village burned.
00:03:52Lieutenant Giraud led the first charge.
00:03:55He was overpowered.
00:03:58He and his men were killed in action.
00:04:03No.
00:04:05Make that executed.
00:04:07March back to the fort will be slow because of the number of prisoners taken.
00:04:12That's about it.
00:04:15How do you want to sign, General?
00:04:18Sergeant Clovis Hook.
00:04:20Yes, sir.
00:04:22Never mind the sir.
00:04:23Hey, Sergeant.
00:04:25Time for you and me to get something off my chest.
00:04:28That's all the lousy water we got.
00:04:30Stand easy, soldier.
00:04:31Where does it say we got to die of thirst to keep the dead from putrefying?
00:04:34You've got your orders.
00:04:36I also got a ration of water coming.
00:04:39And I'm taking it.
00:04:40I'm taking it.
00:04:41I'm taking it.
00:04:42I'm taking it.
00:04:43I'm taking it.
00:04:44I'm taking it.
00:04:45I'm taking it.
00:04:46I'm taking it.
00:04:47I'm taking it.
00:04:48I'm taking it.
00:04:49I'm taking it.
00:04:50I'm taking it.
00:04:51I'm taking it.
00:04:52I also got a ration of water coming.
00:04:54And I'm taking it.
00:04:55Brian.
00:04:56You've already cost yourself a ten-day tour on latrine duty.
00:05:00One swallow and I'll make it your life's work.
00:05:08Don't worry, mister.
00:05:09If you die of thirst, I'll put you in for corporal.
00:05:19Sergeant!
00:05:20Over here!
00:05:23Up here, Sergeant.
00:05:31This is White.
00:05:32White, Sergeant.
00:05:33I declare.
00:05:35I'm Sergeant Hook, ma'am.
00:05:40She keeps not saying nothing.
00:05:42Give her time.
00:05:44Don't you got no idea what she must have been going through?
00:05:50It's going to be all right now, ma'am.
00:05:52You just don't worry about a thing.
00:05:54DeJoya!
00:05:55DeJoya!
00:05:57DeJoya!
00:05:58DeJoya!
00:05:59DeJoya!
00:06:00DeJoya!
00:06:03Natchez is the boy's father.
00:06:06Hey, wait a minute.
00:06:08You don't think that you...
00:06:10The boy, ma'am.
00:06:12He yours?
00:06:17You and Natchez?
00:06:18You mean you let yourself whoop that butcher's kid?
00:06:20You ain't no white woman.
00:06:22No more you ain't.
00:06:24Just say in your dispatch we're bringing back a white woman.
00:06:27Begging Sergeant's pardon,
00:06:28but don't you reckon folks back at the post ought to know
00:06:30that they'll be rolling out the carpet for Natchez's squaw
00:06:33and a red-skinned mongrel?
00:06:36Just say the woman is the mother of Natchez's child.
00:06:48♪♪♪
00:07:05That must be the one.
00:07:10Attention!
00:07:11Halt!
00:07:19Halt!
00:07:30Whitaker!
00:07:34Take him to the guardhouse.
00:07:36Strange man, Sergeant.
00:07:39Making such a point of honorable surrender
00:07:41for the worst butcher in the territory.
00:07:49Imler.
00:07:51Mary Imler.
00:07:59Cora Sutcliffe.
00:08:06I think you've hit it, sir.
00:08:08Cora Sutcliffe.
00:08:10Is that you?
00:08:18This report says you were on your way to join your husband
00:08:21when the wagon train was attacked by a band of sheer cowards.
00:08:25You were the only one taken alive.
00:08:34This is devilish, Sergeant.
00:08:35I can't even be sure if this woman's in her right mind.
00:08:39Hasn't she said one word since you found her?
00:08:41Not a word, sir.
00:08:43There's nothing here to indicate where your husband might be now, ma'am.
00:08:47I'll start an inquiry and see if we can't locate him.
00:08:52We'll be sending Natchez and his people to the reservation
00:08:54at San Carlos in a few days.
00:08:58The boy can go with them.
00:08:59I wouldn't count on Natchez going to San Carlos, sir.
00:09:03What?
00:09:04I know him.
00:09:05He won't.
00:09:06He thinks the place is a pestilence.
00:09:08A few days on the platform will change his mind.
00:09:14Am I to understand you intend to keep this boy?
00:09:20What about your husband, ma'am?
00:09:23You'll be wishing this child on him, too.
00:09:26Doesn't she realize she's playing the fool?
00:09:29He's her son, sir.
00:09:31But he's...
00:09:33Her son.
00:09:34He's her son, sir.
00:09:35But he's...
00:09:38Oh, well, it's not our affair.
00:09:43Where do you want Mrs. Sutliff to stay, sir?
00:09:46Oh, um...
00:09:48Put her in the empty quarters along Sud's Row.
00:09:52Yes, sir.
00:09:58You'll be fine there, ma'am.
00:09:59You'll be all to yourself.
00:10:04Thank you.
00:10:25I...
00:10:26Ann...
00:10:35Adam...
00:10:38What would your feelings be if I were in her place?
00:10:41That doesn't even deserve an answer.
00:10:44Doesn't it?
00:10:46You'd have killed yourself before you let it happen to you.
00:10:51I wonder.
00:11:04I wonder.
00:11:34I wonder.
00:11:35I wonder.
00:12:05Carl?
00:12:17Carl?
00:12:35He can come down any time he says the word, Sergeant.
00:12:38I know.
00:12:40All he has to do is promise to take his people to San Carlos...
00:12:43and stay there.
00:12:44He won't.
00:12:46I saw you untie his bonds.
00:12:48You respect him, don't you?
00:12:50He's a cruel, treacherous man, sir.
00:12:52Well?
00:12:54He doesn't particularly care for me, either.
00:12:56He fights his way, I fight mine.
00:12:59I don't care.
00:13:00He doesn't particularly care for me, either.
00:13:02He fights his way, I fight mine.
00:13:04Putting yourself on his level?
00:13:06We're just a couple of dogs haggling over the same bone.
00:13:10Only it happens to be his bone.
00:13:12Tegaya! Tegaya!
00:13:14Tegaya!
00:13:19Tegaya!
00:13:21Tegaya!
00:13:24Leave him to me, Whitaker.
00:13:26You can have him, Sergeant.
00:13:30Tegaya!
00:13:40A boy goes with his mother, Nanchez.
00:13:42That's the way it has to be.
00:13:47Who knows what has to be?
00:14:00Please, Mrs. Sutcliffe.
00:14:02I've brought you a dress.
00:14:05Won't you let me in?
00:14:12Please accept it.
00:14:15I've brought you a dress.
00:14:19I've brought you a dress.
00:14:22I've brought you a dress.
00:14:24I've brought you a dress.
00:14:26I've brought you a dress.
00:14:28Please accept it.
00:14:30I'll put it down by the door.
00:14:57Doctor!
00:15:18Doctor!
00:15:28Doctor!
00:15:44At ease, Sergeant.
00:15:46Thank you, sir.
00:15:48Mrs. Sutcliffe, we've located a husband.
00:15:50I should be glad to hear that, Colonel.
00:15:52Fred Sutcliffe. The name is right and everything else checks.
00:15:54He's got some kind of a ranch outside Sadden Gale, near Tucson.
00:15:57I dare say he'll run into a few complications.
00:16:00I dare say, sir.
00:16:02And I know you won't let us down.
00:16:04When do we start, sir?
00:16:06You'll draw expense money and be on your way before Reveille.
00:16:08Take one of the men along as escort as far as the settlement where you can get the stage.
00:16:11Yes, sir.
00:16:13That's all.
00:16:25Oh, no! Oh, no! Oh, no!
00:16:29Oh, no!
00:16:50Fred!
00:16:55Fred!
00:17:01Come on! Come on!
00:17:03Hey, Sergeant!
00:17:08We gotta do something about the Chief right now!
00:17:11You should be grateful I'm letting you make this trip.
00:17:14A man's on latrine duty too long, he can turn real bitter.
00:17:17All right, that did it. I'm gonna tie you down on my belt.
00:17:20Oh, kids don't need tying.
00:17:25Hey, Sergeant.
00:17:27How many years you gotta be married before you learn to handle a kid like that?
00:17:31You talk too much, soldier.
00:17:32You talk too much, soldier.
00:17:54You know who she'll be, don't you?
00:17:56The one we've been hearing about.
00:17:58The one Nancy's had.
00:18:03You look like a thirsty jackass sniffing out a rain barrel.
00:18:06I'm human.
00:18:08Grab yourself a drink and get back to the fort.
00:18:10Yes, sir.
00:18:12And Ryan, don't forget you have to take these horses back.
00:18:16Thanks.
00:18:20Howdy, gentlemen.
00:18:28Sit down, man.
00:18:33May I help you?
00:18:35Yeah, do you think you could rustle up some cheese and crackers for him? I'd be obliged.
00:18:40I guess we can manage that, Sergeant.
00:18:43I'm going across the street to see about the stage fairs and get my gear aboard.
00:18:47Won't be a minute. Just rest yourselves.
00:18:58This ought to be mighty interesting.
00:19:03You aim to waste good vittles fattening up Nancy's kid, Mr. Bean?
00:19:07Ah, take it easy, kid. No trouble.
00:19:13I'm right about him belonging to that Indian scum, ain't I?
00:19:16Well, ain't I?
00:19:18I thought so.
00:19:20Maybe you liked having him, but you don't have to come flaunting him around decent white women.
00:19:24Take your hands off my son!
00:19:28Put that down!
00:19:29Animal! All of you! Animal!
00:19:35If one of you so much as touches my boy, I'll kill you!
00:19:40Well, gentlemen.
00:19:49This young fella here needs some traveling clothes.
00:19:52Just because you're wearing that uniform don't mean we gotta help Indian leavings.
00:19:55Maybe some of you get out and scrounge up something for the boy to wear.
00:19:58Must be some small kids around this place.
00:20:12Get out.
00:20:25Thank you.
00:20:30Those were the first words I've heard out of you, ma'am.
00:20:33Mighty powerful sentiments, but they sounded real good.
00:20:36I don't want to cause you any trouble.
00:20:39Trouble?
00:20:42No trouble.
00:20:44I just want to see you.
00:20:46I don't want to cause you any trouble.
00:20:49Trouble?
00:20:51No trouble.
00:20:53No trouble.
00:21:05Thank you, ma'am.
00:21:18A knife! A knife!
00:21:23Could you use a hat, Sergeant?
00:21:26Well, thanks, but boys don't need hats only in winter.
00:21:29Sergeant, nearly time for Mr. Truth to show up.
00:21:32You better be inside that coach before he gets there.
00:21:35Thank you, ma'am.
00:21:37Gentlemen.
00:21:53All right, folks.
00:21:55You're traveling with a glory rider who makes fighting wages and don't wait for nobody.
00:21:59I mean, I'd be a colt anymore, but I ain't lost none of my pitch.
00:22:03I'm half Mustang and half alligator.
00:22:06Now, get going, you critters.
00:22:09Haroo! Haroo!
00:22:12Haroo! Haroo!
00:22:15Haroo! Haroo!
00:22:17Haroo! Haroo!
00:22:19Haroo! Haroo!
00:22:20Haroo! Haroo!
00:22:51The Indian.
00:22:53He treat you all right?
00:23:00He beat me once.
00:23:05Maybe it was right I wouldn't work.
00:23:11It was the scars made me wish I were dead.
00:23:14Figured that.
00:23:15But they stopped when I became one of them.
00:23:20Looked like them.
00:23:23Smelled like them.
00:23:31Haroo! Haroo!
00:23:38Haroo! Haroo!
00:23:40Haroo! Haroo!
00:23:42Haroo! Haroo!
00:23:43Haroo! Haroo!
00:23:50Oh, ho, ho, ho.
00:24:02Well?
00:24:04I guess it looks like what it is, don't it?
00:24:05When I hit that rock, me and the wagon stopped, but the horse didn't.
00:24:09How much does it take me to the next town?
00:24:10A dollar or two bits. Now get in fast. You made me lose half a minute already.
00:24:29Windmills is my line. Eclipse Windmills from Batavia, Illinois.
00:24:33I sell them.
00:24:35You three together?
00:24:37Yes.
00:24:39Oh, your wife then, huh?
00:24:42No.
00:24:44Pardon me, lady.
00:24:47Them moccasins?
00:24:49You find them more comfortable than shoes?
00:25:00Is that the fashion of these parts? I mean your hair.
00:25:03Cut them right short, looks to me.
00:25:06Any reason for it?
00:25:08Life.
00:25:12She joked me. Pulling my leg.
00:25:17Dust pretty bad out here. So's the flies this time of year.
00:25:21Best keep your mouth closed.
00:25:26A knife! A knife! A knife!
00:25:28What's that?
00:25:30Where'd you pick up that kid anyway?
00:25:33Mr. Turner!
00:25:35Oh, there!
00:25:37Oh, dang it!
00:25:43I got me a stranger to meet. What's the trouble?
00:25:45Our friend here wants to ride up on the box with you.
00:25:48Real fine view up there. Healthy.
00:25:51Now wait a minute. Where did you get the idea that I would...
00:25:53Healthy!
00:25:56Yeah, I reckon he's right.
00:25:58Come along, mister. You can watch me snap off rattler heads.
00:26:06What's he mean, doing this to me?
00:26:09Hey, what he's likely to do, I'd be worried about, mister.
00:26:12It's her.
00:26:14What are you talking about?
00:26:16That's Nanchez's woman down there. You ever heard of Nanchez?
00:26:18The Apache?
00:26:20You get her riled up and she's likely to cut your heart out with a dull knife.
00:26:23From the looks of it, you're bleeding up to fill a bog hole.
00:26:26Hurry! Hurry!
00:26:28You know something, uh...
00:26:30Kito.
00:26:32Kito, with your command of language,
00:26:35you're all the makings of a sergeant.
00:26:59Whoa!
00:27:01Whoa!
00:27:05Well, here's your mail, Mr. Wilson.
00:27:08And it's right on schedule.
00:27:10Thank you, Mr. Troop.
00:27:17Well, here's your mail, Mr. Wilson.
00:27:20And it's right on schedule.
00:27:22Thank you, Mr. Troop.
00:27:29Sorry, Sergeant, but the dining room's filled up.
00:27:37We're not hungry.
00:27:40We're not hungry.
00:27:57Been bucking the tiger again, eh, cowboy?
00:28:00I see you lost your horse.
00:28:02I swear, a blackjack dealer can see both sides of them cards.
00:28:06And you ain't hooking no more ride with me just on the strength of your jawbone, son.
00:28:10I sure wish you'd talk gentler, Mr. Troop.
00:28:13I'm hung over so far, I'm carrying a hump on my back.
00:28:17That's what a fool boy gets for coyoting around without a man's constitution.
00:28:36Whoa!
00:28:48Whoa!
00:28:50Whoa!
00:28:57Bahaiya!
00:28:59Yuna! Yuna, Kito!
00:29:01Bahaiya!
00:29:03Yuna, Kito!
00:29:05Bahaiya!
00:29:08Good?
00:29:10Mm. Clear, cold water.
00:29:13Like a stream back home.
00:29:17Boy seems to like the water, too.
00:29:20Yes.
00:29:22He learn how to swim yet?
00:29:24No.
00:29:26Sorry about Wilson.
00:29:29It doesn't matter.
00:29:33Come on.
00:29:39Cook and Wilson's kitchen. Used to be a mess, Sergeant.
00:29:55Good thing nobody's hungry.
00:30:04Why don't you ask me?
00:30:07Ask you what?
00:30:09How I felt when he put his hands on me. Was it like any other man?
00:30:14That's none of my business.
00:30:16That's not true. Every man who looks at me makes it his business.
00:30:20I guess you're right.
00:30:22I'm not.
00:30:24I'm not.
00:30:26I'm not.
00:30:28I'm not.
00:30:30I'm not.
00:30:32Why?
00:30:34I can't help it.
00:30:36They hate the Indian for what they themselves might have done, but...
00:30:42They hate me even more.
00:30:45I don't hate you.
00:30:47That's the difference.
00:30:49That's why I can talk to you this way.
00:30:52Talking helps.
00:30:58I got used to being his squaw.
00:31:01It was just one of those things I had to learn and accept in order to survive.
00:31:08But just now, down there in the cold, clear water...
00:31:13Watching my son, listening to him laugh...
00:31:20That one moment was worth all those years.
00:31:31Can you understand wanting so much to live?
00:31:35I guess I got good reason to understand real well, ma'am.
00:31:47Come.
00:31:50Harko.
00:32:01Don't cut yourself.
00:32:03Wakisha.
00:32:16There was once I wanted to live so bad, I turned myself into a dog.
00:32:21For a whole month, I was a dog.
00:32:25You ever heard of Andersonville?
00:32:28Rebs called it a prison camp.
00:32:31The devil himself couldn't have thought of a worse crawl in hell.
00:32:35All around, men dying of scurvy and dysentery.
00:32:38Mush and sick bacon, all there was to eat and never enough of that.
00:32:43Everything putrid, inside and out.
00:32:49Look.
00:32:51Maybe you don't want to hear any more of this.
00:32:53Look.
00:32:55Maybe you don't want to hear any more of this.
00:32:57You said talking helps.
00:33:02There was a man dying of lung fever, just waiting to die.
00:33:05Out of his head most of the time.
00:33:08He happened to love dogs, and I found if I barked once or twice, he'd give me some of his rations.
00:33:14That's how it started.
00:33:16Then I used to wake up in the morning planning on being a dog.
00:33:21Even got down my hands and knees to put on a good show.
00:33:25For a whole month, I was a dog.
00:33:29Poor fella died thinking I was one.
00:33:32But I lived.
00:33:35All depends on how hard you want to live, I guess.
00:33:40We'd better get moving, men.
00:33:42Tito.
00:33:50Tito.
00:34:13Get blind, let me see your hands!
00:34:21Get blind, let me see your hands!
00:34:29Evening, man.
00:34:31Evening, man.
00:34:32Evening.
00:34:36You too, Buck.
00:34:41Sorry to disappoint you, Mr. True, but you got the pleasure of my company again.
00:34:51Is there some topic of genteel conversation you folks would like to worry some?
00:34:56No.
00:35:02Maybe you'll pardon me.
00:35:04I just put in a couple of rough days for a sun-dragged wrangler.
00:35:09Got me coming and going.
00:35:20If I start sliding, General, just raise a hoof and give me a shove, will you?
00:35:51Yah!
00:35:53Yah!
00:35:58Ma'am.
00:36:00Yes.
00:36:02You were saying back there about the kind of thoughts men can't help getting into their minds.
00:36:06Yes.
00:36:08That's different when a man's your husband.
00:36:13You think I'm afraid to face him, don't you?
00:36:16No.
00:36:19I just don't want you to fret about it.
00:36:21My husband is good. He's kind.
00:36:24I'm sure he is.
00:36:28We were married nine years.
00:36:31We never did have any children.
00:36:34That's too bad.
00:36:36But Fred always said I was all he ever needed.
00:36:44Fred always wanted a boy.
00:36:48Once he gets used to the idea and...
00:36:52and everything...
00:36:56he won't be able to help loving Pete.
00:37:00So you see, I...
00:37:02I really haven't anything to fret about.
00:37:05That's fine, then.
00:37:18You must miss your family very much.
00:37:23How can you stay away from them so long?
00:37:26Sojourn's the only thing I know.
00:37:32It must be awfully lonely for you.
00:37:37Oh, great and strong the man was he
00:37:41And his heart within was kind
00:37:44He aimed to give them peace and rest
00:37:48No blame was in his mind
00:37:51There in square Trooper Hook
00:37:54On foot gave which they took
00:37:57And she knew
00:38:00This friend would take them through
00:38:04Take them through
00:38:14Take them through
00:38:39You been sitting like that all night?
00:38:44Must be stiff as a bran, that.
00:38:53Morning, ma'am.
00:39:14You sure see the Indian strain in him all right.
00:39:18He can't help that, can you?
00:39:20No, he can't.
00:39:29Looks like he don't fancy me much as a nursemaid.
00:39:33Looks like there's some kind of a town up ahead.
00:39:36Ah, just a change station.
00:39:38Church, telegraph and a couple of dopeys.
00:39:40That's the end of the line for me.
00:39:43What's sitting there to hold you, cowboy?
00:39:45Kincaid Ranch.
00:39:47It's big as bread and these are parts.
00:39:51They ought to be peeling Bronx apart now.
00:39:54Foreman there knows I'm suicidal.
00:39:56All I got to do is to talk him into taking me on.
00:40:10Wasn't expecting you, Mr. Trude.
00:40:12Come, they got you driving clean through to Tucson.
00:40:14Eh, shorthanded.
00:40:15Ah, you must be sore all worn out.
00:40:17Just catching my second breath, junior.
00:40:19But you better change these poor weakling horses.
00:40:21Got three passengers for you.
00:40:23And there's plenty of room.
00:40:27One of them upshot Spanish ladies and her granddaughter.
00:40:30The girl's kind of refined so they laid off from the last days to rest up.
00:40:34And the rancher come down from Port Apache.
00:40:36An immigrant wagon dropped him off.
00:40:38You better change them horses, junior.
00:40:40Okay.
00:40:43You can let me have that saddle, son.
00:40:45Unless you got the money for your fare.
00:40:47Well, I'm busted and you know it, Mr. Trude.
00:40:49Besides, don't I always pay you when I get some cash?
00:40:52Can't hear you.
00:40:53I'm deafening a woodpecker in a hailstorm.
00:40:55Slides the companies on my tail for being so dang easy going.
00:40:57Well, you get this straight, you old buzzer.
00:40:59Now, you ain't leaving me here naked without my saddle.
00:41:01Oh, woo-rah-roo.
00:41:03Stand easy, cowboy.
00:41:09Something on the seat in here.
00:41:12Must have dropped out of your pocket.
00:41:17I guess...
00:41:18I guess you've been in some tight spots yourself, huh?
00:41:21When I was a young squirt with more energy than brains.
00:41:24Late ain't hurting then, junior.
00:41:27Is this what you've been talking about, Mr. Trude?
00:41:30That's something like it, sonny.
00:41:43He's nice.
00:41:44Yeah.
00:41:45Man raises a son like that, he can figure he's done something with his life.
00:41:48But you have children.
00:41:51Oh, yeah, but they're girls.
00:41:53Two of them.
00:41:54I was thinking about boys.
00:41:58Oh.
00:41:59You got 15 minutes till breakfast, folks.
00:42:04You got 15 minutes till breakfast, folks.
00:42:06You got 15 minutes till breakfast, folks.
00:42:08You got 15 minutes till breakfast, folks.
00:42:10You got 15 minutes till breakfast, folks.
00:42:16Hey.
00:42:17What kind of a woman and kid do you got there, Mr. Trude?
00:42:21Passengers.
00:42:23The old man here will be riding to get your vittles.
00:42:26Old man?
00:42:41Well, con su permiso, senor.
00:42:43Por favor.
00:42:45It's too darn heavy for a lady like you to be toting.
00:42:48Gracias.
00:42:49Madame, uh, uh, savvy Americana, senorita?
00:42:53I understand English perfectly, young man.
00:42:56Now, if I could only speak it perfect, we'd get along just fine.
00:42:59The name is Travers.
00:43:01Charlie Travers, young man.
00:43:03Yes, sir.
00:43:04Just follow me.
00:43:10Thank you.
00:43:30Just, uh, look at what you got out there, Sergeant.
00:43:34Nothing.
00:43:36Plenty of nothing, huh?
00:43:38No interest.
00:43:39But that is just how I got my start.
00:43:42On nothing.
00:43:45Yes, sir?
00:43:46Trailed more than a thousand head of cattle from Fort Griffin clear up to Cheyenne.
00:43:54Now, how did I get hold of that many longhorns, you're asking?
00:44:01Sat in on a poker game with a month's wages in my pocket
00:44:04and bluffed them away into a pile big enough to choke a horse.
00:44:10Yeah, I ought to be satisfied to stop right there, you're thinking.
00:44:12Oh, no, no, that's just the beginning.
00:44:15Yes, sir, I took all of that hard cash
00:44:18and every cent of credit I could wrangle
00:44:20and I put me an outfit on the trail.
00:44:23Oh, that ain't no lie.
00:44:25Yeah, I bought my stock in...
00:44:28Will! Will! Will!
00:44:30What's eatin' you?
00:44:31Gotta get this message over to the ranchers.
00:44:33Just came over a telegraph.
00:44:34Nancy's.
00:44:35Yeah, what about it?
00:44:36Some of his breed broke in out of Fort Whitney two nights ago.
00:44:39They was last spotted over near Lordsburg.
00:44:41Now, there's no telling where they're at.
00:44:45I'll burn one of your horses, friend.
00:44:46You what?
00:44:47Don't worry about it.
00:44:48I'll leave it at the station yard at San Miguel.
00:44:50Now, see here, you can't do that.
00:44:52You...
00:45:06Oh!
00:45:36There! There!
00:46:07Oh!
00:46:28Oh, dear!
00:46:31I got to talk to you.
00:46:39Well?
00:46:40Over here.
00:46:41Natchez busted off.
00:46:42He's on the loose with some of his bucks.
00:46:53I knew we had company.
00:46:55I didn't know it was that fancy.
00:46:57Guess the first thing to come to his mind was getting the low fellow back.
00:47:00Indians are like that about their boy kids.
00:47:02Thanks, cowboy.
00:47:03Now I better get rolling.
00:47:04Yeah, we'd better.
00:47:05I'm super missile, amigo, if I know what I mean.
00:47:09Yeah.
00:47:11Besides, I owe you two dollars' worth of something.
00:47:18All right, Mr. Trude.
00:47:19You've been doing a lot of bragging.
00:47:20Now let's see you lean forward and really punch the breeze.
00:47:22Just a minute, soldier.
00:47:23Are you trying to tell me how to run this stage line?
00:47:25Not me.
00:47:26Natchez.
00:47:27Oh.
00:47:29Well, you got the right man up here.
00:47:31You just tell him to sit tight, because we ain't liking this touch ground again till we hit Tucson.
00:47:36What's this about Natchez?
00:47:39Now look here.
00:47:40Look here.
00:47:41You're the army.
00:47:42You've got to figure something to do.
00:47:44I'm carrying every cent I've got in the world right here in this money belt.
00:47:48Shut up.
00:47:49It's only right to tell you the fix we're in.
00:47:51You know all about Natchez, but the thing you don't know is that we've got something here he wants back more than anything in the world.
00:47:57What are you talking about?
00:47:59The boy.
00:48:00He's his son.
00:48:05Why haven't they attacked before, Sergeant?
00:48:07They'll do that when it's convenient for them.
00:48:09If they don't jump us before dark, we've got the rest of the night to get as close to Tucson as we can.
00:48:14They're superstitious about fighting after the sun goes down.
00:48:18Just hold tight.
00:48:20We'll start worrying hard when it counts.
00:48:26Inside, cowboy, and keep your eyes open.
00:48:29Sure.
00:48:31All right, Mr. Crone.
00:48:37Cut across.
00:48:38We've got to get out of this canyon.
00:48:47And within we're close to you.
00:48:50Mortal danger.
00:49:08Everybody in one piece?
00:49:09I think so, Sergeant.
00:49:27Somebody take hold of these fools' jug-headed horses and get them down.
00:49:30Yeah, yeah.
00:49:31Harvest, give me a hand.
00:49:32Right.
00:49:35Easy, boys.
00:49:38How does it look, Mr. Crude?
00:49:39Got a key, kid.
00:49:40Kingpin vent.
00:49:42Gonna be fixed?
00:49:43All I can do is try.
00:49:45Bang and I'll either fix it or bust it complete.
00:49:48Look.
00:50:00He wants a parley.
00:50:59All right.
00:51:21What was the proposition?
00:51:23Why did you turn it down?
00:51:25Manchester says he'll let us go if I'll turn over the boy.
00:51:31What's the matter with that?
00:51:33My orders are to deliver Mrs. Sutliff and the boy to her husband.
00:51:39That kid is more Indian than white.
00:51:43It won't hurt him none to be with his own kind.
00:51:46Look.
00:51:48For the first time, I've got enough money to make something out of my life.
00:51:54You think I'm gonna chunk that all away just on account of him?
00:52:05How about you, cowboy?
00:52:07You seen half the things you wanna see?
00:52:10Hmm?
00:52:11You been with all the pretty women you ever dreamed about?
00:52:14You ready to die?
00:52:18I remember some mornings when it didn't seem like such a bad idea.
00:52:23You, Mrs. Sandoval, isn't your granddaughter worth more than some half-breed kid?
00:52:31I love my granddaughter, if that is what you mean.
00:52:37Your grandma raised you up in a convent in Santa Fe to make you into a fine lady.
00:52:43And now she's taking you back to marry a rich man.
00:52:46Everything is waiting for you on a silver platter.
00:52:49You gonna lose all that just because she doesn't know what she's gonna do?
00:52:52Stop it. Leave her alone.
00:52:55We better get a fire started.
00:52:57It blows up real cold here after the sun goes down.
00:53:19Is there not something I can do?
00:53:40Perhaps hold the lantern.
00:53:42You must be tired.
00:53:44I ain't tired.
00:53:46Maybe if we talk a little, you wouldn't be so skittery.
00:53:52Hey, Travers.
00:53:55Travers, I'd be much obliged if you'd hold this lantern for a spell.
00:54:07Thank you.
00:54:30You know that tune I was whistling?
00:54:33It's all about a girl named Consuelita
00:54:36and a fellow who's thirsting something fierce for a little sip of wine.
00:54:41She hasn't even got a glass or anything else into which to pour it.
00:54:53You know it.
00:54:56Well, then, she says.
00:54:58Alas, what shall I do?
00:55:01Quench your thirst.
00:55:03I have naught to offer but my lips.
00:55:08You didn't pick that up in no convent.
00:55:13It's an old Spanish song.
00:55:17Spanish folks, they kind of put a lot of store in things being good and old, don't they?
00:55:23I mean, they're terrible set in their ways.
00:55:29Like this here idea.
00:55:31Hiding a girl away and then marrying her off to some fellow she hardly even knows.
00:55:36My grandmother will receive him and say,
00:55:39Here is she whom you were promised.
00:55:43Their idea wasn't worth much even when it was new.
00:56:01He's never going to get that kingpin fixed in time to do us any good.
00:56:05And they know that too.
00:56:08Those aren't coyotes we've been hearing.
00:56:11That's Nanches and his bucks having their fun.
00:56:14Just waiting for daylight to make us wish all of us.
00:56:24Shackles.
00:56:26They're coming off.
00:56:34You gotta do something.
00:56:37Go someplace and sit down.
00:56:38Talk to her.
00:56:39Make her understand what she's doing.
00:56:40I said sit down.
00:57:08Easy, cowboy.
00:57:10Easy.
00:57:18Not so good, Mr. Crude.
00:57:20I just have to keep trying.
00:57:22Hope I don't run out of cussing material from the good book.
00:57:34I got $15,000.
00:57:38Money belt right here.
00:57:41You can have half of it.
00:57:43Leave me alone.
00:57:45You got a husband waiting for you.
00:57:47Think of what you and him could do with all that money.
00:57:50Go away.
00:57:51You'd be set for life.
00:57:54You'd even make him forget you ever spawned Natches' kid.
00:57:59All you gotta do is tell the sergeant you want to give the boy back to his father.
00:58:04You think I'd do that for money?
00:58:08I'll give you all of it.
00:58:11Just let me keep a couple of thousand.
00:58:14What else do you want?
00:58:15I don't want your money.
00:58:17I don't want anything from anybody.
00:58:19Don't follow me.
00:58:20Just don't follow me.
00:58:30Miss Sutliff.
00:58:37Where do you think you're going?
00:58:39I don't know and I don't care.
00:58:40I'll run until I drop.
00:58:41If Natches finds me, he'll have to kill me before he takes my son.
00:58:45If you do any running, it'll be by yourself.
00:58:49You're coming with me, boy.
00:58:51Let's go.
00:59:22Another parley.
00:59:23Seems he did some thinking last night, too.
00:59:32Mr. Travers!
00:59:33Come back here!
00:59:48Natches.
00:59:49You and me gotta talk.
00:59:52Don't listen to those others.
00:59:54Just listen to me, Natches.
00:59:56I stood up against Hook.
01:00:02I told him that the kid belonged to you.
01:00:05I was on your side.
01:00:08That's the Lord's truth.
01:00:11Look.
01:00:12Look here.
01:00:17Money.
01:00:18That's money.
01:00:19Dinero.
01:00:21Fifteen thousand dollars.
01:00:24That's yours.
01:00:26All you gotta do is let us go.
01:00:30You can buy guns, ammunition.
01:00:37You can buy all the whiskey you can drink.
01:00:40Look at me.
01:00:44No.
01:00:47No.
01:00:48No.
01:00:49No.
01:00:50Please.
01:00:52Don't kill me.
01:00:54Don't kill me.
01:00:56Don't kill me.
01:00:57Don't.
01:00:58Don't kill me.
01:00:59Don't kill me.
01:01:23Shoot that thing, cowboy, and you'll have those bucks swarming all over us.
01:01:26You think a parley's gonna change that?
01:01:30Get down.
01:01:37What are you going to do?
01:01:38Take him up on the rock.
01:01:39I'll be right with you.
01:01:40No.
01:01:41No.
01:01:42No.
01:01:43No.
01:01:44Put your gun to the boy's head.
01:02:04Do what?
01:02:05When I drop my right arm, pull the trigger.
01:02:09Maybe this is your war soldier, but I don't happen to be in the army.
01:02:13I know I'm asking an awful lot of you, but do as I tell you.
01:02:30Don't do it.
01:02:50Don't do it.
01:03:19Don't do it.
01:03:31My people have long called you Face of Stone.
01:03:38They were wrong.
01:03:40Your name should be Heart of Stone.
01:03:43I do what must be done.
01:03:46You are more Indian than you know.
01:03:49I've taught myself to think like my enemy.
01:03:53I am familiar with your mind.
01:03:56You will not let the blood of my son make you soft.
01:03:59You leave me no choice.
01:04:07And you think you have left me with no choice.
01:04:11Maybe you're more white than you know.
01:04:13You love your son too much to see him killed.
01:04:20With your people, he would be like a bat.
01:04:23Neither a bird nor a mouse.
01:04:26A thing of scorn.
01:04:28Let him go with his mother, and I pledge you will have a chance to walk with pride and honor.
01:04:34You cannot speak for your people.
01:04:36You cannot stand against them.
01:04:39Your pledge is worthless.
01:04:42At least the boy will live.
01:04:50I do not choose such a life for my son.
01:04:54Then I have no more to say.
01:05:07Wait.
01:05:13Perhaps our talk has not fallen to the ground.
01:05:16I do not accept your pledge.
01:05:19But today you cast your shadow over me, and I must let you go.
01:05:24Tomorrow's sun may make my shadow longer.
01:05:28You will remember this.
01:05:30You will have it in your thoughts day after day.
01:06:01Yes!
01:06:21Sergeant, would you do me the goodness to answer a question?
01:06:26If I can.
01:06:28Now that we are all safe, it may seem an impertinence.
01:06:32Yes, ma'am.
01:06:34Would you have ordered the boy killed?
01:06:40Yes, if I had to.
01:06:46Then you do believe one has his duty.
01:06:49Duty can mean a lot of things.
01:06:51Oh?
01:06:52Mostly it means looking things square in the face.
01:06:55And maybe forgetting the regulations, the rules.
01:06:59Very interesting, Sergeant.
01:07:02Gracias.
01:07:08Why are we so solemn?
01:07:11We should be happy.
01:07:13Most happy for you, Mrs. Sutliff.
01:07:16Your husband will be waiting for you in San Miguel.
01:07:20Your whole life will have a new beginning.
01:07:22Sure, Mrs. Sutliff.
01:07:24Like the natives say, muy verdad.
01:07:27Si es verdad.
01:07:28Si es verdad.
01:07:31Señora?
01:07:50Señorita?
01:08:11All aboard, folks!
01:08:13We'll have you in Tucson for supper.
01:08:15The Palace Hotel.
01:08:17You can sit in line in your blues with turtle soup, fried chicken, dingleberries, real bacon,
01:08:22powder bread, and all the pie with taff, lava meringue you can eat.
01:08:30You put me off my schedule, Sergeant.
01:08:33But you and the ladies, welcome to ride with me anytime.
01:08:37Be good to your ma, son.
01:08:39Real good.
01:08:46Found these on the seat, Sergeant.
01:08:48Must have fell out of your pocket.
01:08:50Thanks.
01:09:01Just want to say thank you.
01:09:04Think maybe I might have done some growing up on this trip.
01:09:07I don't even know your name.
01:09:10Please, I'd like to remember it.
01:09:13Jeff Bennett, man.
01:09:15Jeff Bennett.
01:09:17Thank you, Jeff.
01:09:21Good luck, General.
01:09:24You too, bub.
01:09:26If you got on your mind what I'm thinking, Señorita, you're going to be needing all the luck.
01:09:32Oh, plain heart never fill the flush.
01:09:34Keen zombie.
01:09:37Yeah.
01:09:38Who knows?
01:09:45Arrow, arrow!
01:09:54I don't suppose Fred knew just what stage we'd be on.
01:09:58Besides, we got in so late.
01:10:01My wife doesn't always meet me when I go home on furlough.
01:10:05I'll go to the livery.
01:10:07Hire a buck for it.
01:10:09Sergeant.
01:10:11You're coming with me.
01:10:13Please.
01:10:34You were right to save the dress till now.
01:10:39Don't worry. It'll grow back.
01:10:57You're afraid.
01:10:59They didn't tell Fred about Keto.
01:11:01I see.
01:11:03Colonel Weaver asked me if I wanted him to know, but...
01:11:07I thought it would be better if I were there when he finds out.
01:11:11Yeah.
01:11:13Better.
01:11:28I was hoping you'd be waiting when the stage got in.
01:11:32I've been kind of mixed up, Cora.
01:11:35I don't know what to think about.
01:11:41The Indian boy.
01:11:46Fred, all the way here I've been trying to think of a way to tell you.
01:11:50Tell me what, Cora?
01:11:52He's mine, Fred.
01:11:54He's my child.
01:11:57I heard about it.
01:11:59But I wouldn't believe it.
01:12:01How hard it is for you to accept this all at once.
01:12:04You and that Indian Natchez?
01:12:15I just don't know why you had to bring the boy with you.
01:12:19He's my child, Fred.
01:12:21I couldn't live without him.
01:12:23And you expect me to live with him?
01:12:26Well, how do you think I feel when I look at him?
01:12:29What about other people?
01:12:31What do I tell them?
01:12:35How do I even face them?
01:12:41You should have left him with his own kind, Cora.
01:12:45His own kind is me.
01:12:48He's mine.
01:12:51Fred, I do understand how you feel, but...
01:12:55Can't we just try?
01:13:03Excuse me, Mr. Sutliff.
01:13:04What is it?
01:13:05What's the matter?
01:13:06My horse threw a shoe.
01:13:07I'd like to fix it before dark.
01:13:09Can't find the hook knife.
01:13:23How long were you married when it happened?
01:13:53Nine years.
01:13:56We lived in Pennsylvania.
01:13:58I came out here first and homesteaded and...
01:14:02And I sent for her.
01:14:05She never got here.
01:14:06All those years, no child.
01:14:09Just didn't happen.
01:14:12So that's the way you're looking at it.
01:14:15Like I ought to be grateful to have any kind of son?
01:14:18Even one by a dirty Indian butcher?
01:14:21Well, that's one way of looking at it.
01:14:23Well, what other way is there?
01:14:26The boy gave her reason to live.
01:14:28And she's lived through an awful lot.
01:14:32Doesn't it count what I went through?
01:14:34What I'll have to go through from now on?
01:14:36I didn't say it was going to be easy.
01:14:38First thinking she was dead,
01:14:40then living this lonely, miserable life,
01:14:42and then she has to come home with this?
01:14:47I don't want to talk anymore.
01:15:07The boy had his supper?
01:15:09Yes.
01:15:13She put a blanket on the floor for him to sleep on.
01:15:38Happy homecoming.
01:15:45You know, you're pretty lucky.
01:15:47You don't have to think things out.
01:15:50You just obey orders.
01:16:00Look, Cora.
01:16:02You don't want to do this thing to me.
01:16:07I don't want to hurt you, but...
01:16:10well, can't we just try?
01:16:15He's such a little boy.
01:16:18He's not mine, Cora.
01:16:20Oh, Fred.
01:16:23I kept remembering once we had a good life.
01:16:26I was ready to forgive you about the Indian.
01:16:30Forgive me?
01:16:32But you had to go and bring his...
01:16:35Forgive me?
01:16:42What kind of a man do you think I am?
01:16:57She has no one else to turn to, Mr. Sutliff.
01:17:00Any reason for you to be nosy and insolent here?
01:17:04Who lives there?
01:17:07No.
01:17:09I guess my job here is done.
01:17:33Where are you going?
01:17:34Without my son, I have no place here.
01:17:37Yes, you have.
01:17:39Your place is here, if you want it.
01:17:42If you really want it.
01:17:45I'm sorry, Fred.
01:17:52You've got to get away from here.
01:18:07I'm her husband.
01:18:09She belongs to me.
01:18:11She doesn't belong to anyone now but the boy.
01:18:16Cora?
01:18:18Forgive me for coming back, for putting you through all this.
01:18:22You're not going to take her.
01:18:25You can take the boy, but not her.
01:18:35Is this how you're going to solve it, Mr. Sutliff?
01:18:38Shoot me and force her to stay?
01:18:41Then what do you do about the boy?
01:18:43Shoot him too?
01:18:44Get in that wagon and leave by yourself, soldier.
01:18:48You're not the kind of a man who'd...
01:18:52That's Natchez!
01:18:54Jump off!
01:18:57Jump off!
01:19:00Jump!
01:19:03Jump!
01:19:04Jump!
01:19:05Jump!
01:19:06Jump!
01:19:07Jump!
01:19:08Jump!
01:19:09Jump!
01:19:10Jump!
01:19:11Jump!
01:19:12Jump!
01:19:14Jump!
01:19:15Jump!
01:19:16Jump!
01:19:17Jump!
01:19:18Jump!
01:19:19Jump!
01:19:20Jump!
01:19:21Jump!
01:19:22Jump!
01:19:23Jump!
01:19:24Jump!
01:19:25Jump!
01:19:26Jump!
01:19:27Jump!
01:19:28Jump!
01:19:29Jump!
01:19:30Jump!
01:19:31Jump!
01:19:32Jump!
01:19:33Jump!
01:19:34Jump!
01:19:35Jump!
01:19:36Jump!
01:19:37Jump!
01:19:38Jump!
01:19:39Jump!
01:19:40Jump!
01:19:41Jump!
01:19:42Jump!
01:19:43Jump!
01:19:44Jump!
01:19:45Jump!
01:19:46Jump!
01:19:47Jump!
01:19:48Jump!
01:19:54We've got Natchez!
01:20:06With their leader gone, they're through.
01:20:18Good boy. Takes things the Indian way, without yapping.
01:20:25I have relatives back east. I could go there.
01:20:32Is that what you want?
01:20:36No.
01:20:39I'm 47. Nearly 30 of that in the army makes a man rough.
01:20:46Got four months till the end of my last hitch.
01:20:50You could get a room in the settlement near the fort.
01:20:55Four months is not such a long spell.
01:21:00What about your family?
01:21:03Nobody's likely to get hurt there.
01:21:06Oh?
01:21:09Man gets defensive. Everybody in the fort trying to marry him off.
01:21:14You invent a family and stick to it, it makes it a lot easier for everybody.
01:21:20I think I always knew.
01:21:23You did?
01:21:25Uh-huh.
01:21:27Mahoja!
01:21:29You gotta learn to speak English.
01:21:44THE END