Exclusive Full Action Sci-Fi MovieThe Destructive Power of Woman Leads to Terrifying Results
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00:00:00I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry
00:00:30I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I
00:01:00I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I
00:01:30I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I
00:02:00I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I
00:02:30am
00:04:00I don't know if I'm going to be able to get out of here, but I'm going to have to try.
00:04:05I don't know if I'm going to be able to get out of here, but I'm going to have to try.
00:04:10I don't know if I'm going to be able to get out of here, but I'm going to have to try.
00:04:15I don't know if I'm going to be able to get out of here, but I'm going to have to try.
00:04:20I don't know if I'm going to be able to get out of here, but I'm going to have to try.
00:04:25I don't know if I'm going to be able to get out of here, but I'm going to have to try.
00:04:30I don't know if I'm going to be able to get out of here, but I'm going to have to try.
00:04:35I don't know if I'm going to be able to get out of here, but I'm going to have to try.
00:04:40I don't know if I'm going to be able to get out of here, but I'm going to have to try.
00:04:45I don't know if I'm going to be able to get out of here, but I'm going to have to try.
00:04:50I don't know if I'm going to be able to get out of here, but I'm going to have to try.
00:05:20I don't know if I'm going to be able to get out of here, but I'm going to have to try.
00:05:25I don't know if I'm going to be able to get out of here, but I'm going to have to try.
00:05:30I don't know if I'm going to be able to get out of here, but I'm going to have to try.
00:05:35I don't know if I'm going to be able to get out of here, but I'm going to have to try.
00:05:40I don't know if I'm going to be able to get out of here, but I'm going to have to try.
00:05:45I don't know if I'm going to be able to get out of here, but I'm going to have to try.
00:05:50As usual, the snow from last week's storm has completely melted into most areas.
00:05:55Colder temperatures are expected as another Atlantic front moves in.
00:05:58Looking ahead, forecasters are predicting alternating fronts.
00:06:08Residents are advised to ensure their generators are kept up.
00:06:20This is a test run.
00:06:25This is a test run.
00:06:30This is a test run.
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00:06:45This is a test run.
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00:06:55This is a test run.
00:07:00This is a test run.
00:07:05This is a test run.
00:07:10This is a test run.
00:07:15This is a test run.
00:07:20This is a test run.
00:07:25This is a test run.
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00:07:50This is a test run.
00:07:55This is a test run.
00:08:00♪♪
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00:08:20Tomorrow's tape should be interesting.
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00:08:43This is Mrs. Henderson.
00:08:46I'm calling again about the blue hutch.
00:08:48I tried to stop by earlier today,
00:08:50but the sign said closed,
00:08:52and I was really afraid that you were closed for the whole...
00:08:55Hi, Roy, it's Virgil Heroday.
00:08:57I got people around here at the teacher's lab,
00:08:59so I can't really talk, but I had to let you know.
00:09:01I just received a call that concerns you,
00:09:04and I thought you should know about it.
00:09:07Um, this isn't a new commission.
00:09:10It's not that.
00:09:12Something apparently has gone pretty wrong.
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00:09:55You've reached Dan Diaz at the Port Moresby office.
00:09:57Please leave a message.
00:09:59Hi, Dan.
00:10:01Roy Gould is here.
00:10:03So, listen, um,
00:10:05something pretty heavy is going on here.
00:10:08I am sending you something important,
00:10:12so keep an eye out for it, please.
00:10:15I need you to run an analysis at the lab.
00:10:20And just you, please.
00:10:25It'll be on the mail plane at sunrise tomorrow.
00:10:30This is, uh,
00:10:32an extremely, extremely urgent thing.
00:10:37Be safe.
00:10:49...of the mental body from the physical.
00:10:51The separation of the mental body
00:10:53can be clearly realized by the dominant...
00:10:55Okay.
00:11:11November 4th.
00:11:13I've been asked to talk more about the gate.
00:11:16How do you talk about this ocean of possibility?
00:11:20To enter, one must become something else,
00:11:23a jellyfish with its unbounded form
00:11:25as the ideal image,
00:11:27formless as the jellyfish,
00:11:30its myriad legs and receptors
00:11:32touching all things in the world at once.
00:11:49Good evening to you
00:11:51from the closing of this Tuesday,
00:11:53the 5th of November.
00:12:16Check satellite.
00:12:21Satellite calibrated.
00:12:23Romeo 1-3,
00:12:25secure all gates to transition.
00:12:27Copy.
00:12:31Gate's secure.
00:12:32We'll be ready in a minute.
00:12:33Just leveling out now, over.
00:12:35Copy.
00:12:36We're experiencing a little interference there.
00:12:38Standing by.
00:12:43Whiskey-D for me, Whiskey-D.
00:12:45Whiskey-D for me, Whiskey-D.
00:12:47Hotel 2-3, this is Whiskey-1-8.
00:12:49Signal keeps dropping.
00:12:52Whiskey-D for me, Whiskey-D.
00:12:54You got a stick of gum there for me, tough guy?
00:12:57Once you start smoking again, leave me alone.
00:12:59Romeo 1-3, gate channel's got some spike in here.
00:13:01Copy that, yeah, she's jumpy today.
00:13:03Whiskey-D for me, Whiskey-D.
00:13:05Whiskey-1-8, you're advised to reboot, over.
00:13:08Copy that, 2-3, rebooting now.
00:13:12You need a second?
00:13:13No, go for it.
00:13:15Here we go.
00:13:20Oh, that's better.
00:13:23Whiskey-1-8, that's better on our end, too.
00:13:25Sorry for the delay.
00:13:26Hotel 2-3, this is Romeo 1-3.
00:13:28Sender A-0-1 is holding the gate.
00:13:30Gate is running.
00:13:31We are back in black.
00:13:33Connecting you stateside.
00:13:36Sender A-0-1, signal is in clear.
00:13:38Leave the gate, 4.
00:13:39Wow, we are good to go.
00:13:41Copy that, Hotel 2-3.
00:13:43Copy that, Hotel 2-3.
00:13:44Where's the girl?
00:13:46Where's the girl?
00:13:49Sync clocks, and commence.
00:13:52Copy that, A-0-1.
00:13:53Romeo 1-3, secure all feeds for transmission.
00:13:59I want minimal dilation on the clock.
00:14:01Yes, sir.
00:14:02And they are cleared for eyes only.
00:14:04Don't forget to tell them that.
00:14:05Copy that.
00:14:06Look alive, we are 5-5-5.
00:14:08You, I want to...
00:14:09Hotel 2-3, say again?
00:14:11Hotel 2-3, you are cleared for eyes only.
00:14:14Hotel 2-3, are you saying no engagement?
00:14:16Affirmative, Hotel 2-3.
00:14:17No go for engagement.
00:14:19Will comply, Hotel 2-3.
00:14:21Channel is in condition.
00:14:22You are 3-1.
00:14:23Hold that position.
00:14:245-5-5.
00:14:25Keep eyes on scopes.
00:14:27And stay alert on comms.
00:14:29Hotel 2-3, we are in position.
00:14:31And have eyes on location.
00:14:33Copy that, Whiskey 1-8.
00:14:35Commence audio-visual prep.
00:14:37Copy that.
00:14:38Commence sync.
00:14:39Synchronizing on my mark.
00:14:40Synchronizing in 5...
00:14:414...
00:14:424...
00:14:433...
00:14:443...
00:14:452...
00:14:462...
00:14:471.
00:14:481.
00:14:49Sync.
00:14:522-3.
00:14:532-3.
00:14:542-3.
00:14:552-3.
00:14:562-3.
00:14:572-3.
00:14:582-3.
00:14:59He's in a pod.
00:15:00He's sayings what she says.
00:15:01Clocks are running.
00:15:03Are we recording?
00:15:04Hotel 2-3, that static isn't clearing up.
00:15:08Why are you always doing that, man?
00:15:10Say again?
00:15:11Roger that.
00:15:12Local recording active.
00:15:17Hold for telemetry, Romeo 1-3.
00:15:19Telemetry.
00:15:23Camera active.
00:15:24There's too much static.
00:15:25What's the local recording?
00:15:27We've got audio only for receiver.
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00:17:37What the fuck?
00:17:39What's happening?
00:17:41We've lost comms.
00:17:49That's not good.
00:18:01♪♪
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00:20:33What's happening?
00:20:35Did I wake you?
00:20:37I tried to be quiet.
00:20:45How do you feel?
00:20:47Are you hungry?
00:21:03Okay.
00:21:27So I hope you don't think it's rude of me
00:21:29if I ask you some questions while you eat.
00:21:33Can you tell me your name?
00:21:38Shall we call you Camille?
00:21:45Camille.
00:22:03Okay.
00:22:29I'm talking to Camille now.
00:22:33I'm talking to Camille
00:22:35because Camille
00:22:37is a smart, smart girl.
00:22:39And she can understand
00:22:41the things I'm going to say
00:22:43better than the others can.
00:22:47Are you in the room with the others right now?
00:22:51Okay.
00:22:53Well, it's your turn.
00:22:57Tell them it's your turn
00:22:59and step forward into the light.
00:23:03Who am I talking to?
00:23:07Camille.
00:23:09Good.
00:23:11Do you remember what's happened to you?
00:23:15No.
00:23:17Under stage one reception state,
00:23:19the Camille archetype
00:23:21has no memory or self-awareness.
00:23:25It is unclear
00:23:27what counter-programming
00:23:29has been done on the subject
00:23:31and to determine this
00:23:35will require some patience.
00:23:39Luckily the mother code is still effective
00:23:41but all the archetypes
00:23:43must be similarly tested.
00:23:47Everyone must be very hungry by now.
00:23:53Good.
00:23:56You have one new message.
00:24:00Roy.
00:24:02Hi.
00:24:04Virgil Haraday.
00:24:06I'm home.
00:24:08Just putting the new lecture series together.
00:24:12I wanted to let you know
00:24:14that I have been getting some calls.
00:24:16I'm running interference
00:24:18but they're getting aggressive.
00:24:20So you may be hearing
00:24:22from the organization.
00:24:25At some point today.
00:24:27Just so that you are prepared.
00:24:29Okay?
00:24:39She's awake.
00:24:41Jesus Christ. Judith, be careful.
00:24:43It's okay. It's Camille.
00:24:45She's alright.
00:24:47I'll be right over.
00:24:55Hello?
00:24:57Dr. Gomes.
00:24:59It's Tobin Wills.
00:25:01You're a hard man to reach.
00:25:03Yes.
00:25:05I'm sorry.
00:25:07I was working.
00:25:09House calls?
00:25:11An auction.
00:25:13I'm not that kind of doctor anymore.
00:25:15I see. I wish I could picture where you are.
00:25:17Can I help you, Mr. Wills?
00:25:19I have to apologize for this breach of your privacy.
00:25:21I realize this is unprecedented
00:25:24but we wouldn't be doing it if there were any other way.
00:25:26Alright.
00:25:28We've had a little trouble with one of your commissions.
00:25:30I see.
00:25:32Yeah, it's a pretty bad situation, actually.
00:25:34We had an incident at one of our mobile facilities.
00:25:36I won't go into details right now
00:25:38but the outcome of said incident
00:25:40was the loss of two commissions.
00:25:42Sender A01 and receiver C9 Ultra.
00:25:44They've both blown.
00:25:46Oh, dear. That's...
00:25:48I know the programming forbids them
00:25:50from finding their way to you
00:25:52but I don't see why she in particular
00:25:54would have any reason to try and contact you
00:25:56or Dr. Ames.
00:25:58Alright, then my...
00:26:00They haven't tried to contact you, have they?
00:26:02They wouldn't have any way.
00:26:04That program sequence has never failed, Mr. Wills.
00:26:06Well, they've blown
00:26:08so it's looking like some of that programming failed.
00:26:10Well, if you tell me what modifications
00:26:12were made to the program, I might...
00:26:14I'll let you know as soon as I do.
00:26:16Just gotta get our facts straight over here.
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00:26:44How long has she been like this?
00:26:46Since we were on the phone.
00:26:48Judith.
00:26:51Let the girl eat her breakfast.
00:26:53She's processing.
00:26:55Besides, her eggs have gone cold.
00:26:57I made her fresh.
00:27:07They've been in touch just now.
00:27:09When?
00:27:11Just now. Right after you called.
00:27:13You didn't...
00:27:15Of course not.
00:27:21Resume.
00:27:35Relax and comfort after that meeting.
00:27:37Council Bluffs Ambassador Suites
00:27:39is your perfect getaway.
00:27:41Be sure and make your flight
00:27:43with the best of luck.
00:27:45Good luck.
00:27:47Good luck.
00:27:50Good luck and make your flight
00:27:52with our convenient shuttle service.
00:27:54It's not just for business.
00:27:56Council Bluffs Ambassador Suites
00:27:58is your perfect getaway.
00:28:00Perfect.
00:28:04Yes?
00:28:06Meeting's been moved up an hour.
00:28:08Can you make it?
00:28:10Sure.
00:28:12Uh, sorry about the room.
00:28:14Well, no need to put me in four-star accommodations
00:28:16for the interrogation.
00:28:18The girl in Serbia.
00:28:20At beta site, she was a sender.
00:28:22They realize that, don't they?
00:28:24She was in the gate.
00:28:26Those guys weren't guessing at this shit.
00:28:28Yeah, well, we might have found that out
00:28:30if your receiver hadn't shuffled them off with his bare hands.
00:28:32Who's receiving?
00:28:34If she's the sender, who's her receiver?
00:28:36Listen, don't bring any of that up at the meeting.
00:28:38Coming from you,
00:28:40that's a little unsavory.
00:28:42You lost a fucking receiver.
00:28:44That's never even happened before,
00:28:47Sir.
00:28:49Back me up in there, and I'll do what I can for you.
00:28:57Members of the board and director,
00:28:59thank you for your patience.
00:29:01As the report indicates,
00:29:03on May 3rd,
00:29:05sender A-01,
00:29:07our most effective psychic asset,
00:29:09performed a routine scan
00:29:11from our mobile facility in New Mexico.
00:29:13She viewed activities
00:29:16a few miles outside of Belgrade.
00:29:18Receiver C-9 Ultra and his handler,
00:29:20Operative 1-8, were dispatched.
00:29:22On May 4th,
00:29:24they arrived in Serbia
00:29:26and received orders for surveillance
00:29:28of foreign agents at an unknown facility.
00:29:30This was recon only, Mr. Wills?
00:29:32Yes, that's right.
00:29:34That was directed from me.
00:29:36It's in the recording.
00:29:38At this time,
00:29:40teams in Serbia and the U.S.
00:29:42experienced an anomaly.
00:29:45During this blackout and against orders,
00:29:47receiver C-9 and Operative 1-8
00:29:49engaged the foreign team,
00:29:51killing everyone.
00:29:53By the time communication was restored,
00:29:55sender A-01 and her receiver
00:29:57had both disappeared.
00:30:01Those are the basic facts of which I think
00:30:03all of you are aware.
00:30:05There are several issues of concern.
00:30:07And now that Operative 1-8 has joined us,
00:30:09we can continue.
00:30:11Unless the director has anything he'd like to say at this time.
00:30:13I don't have to tell you how grave the situation is.
00:30:15There is no higher calling
00:30:17for any of us
00:30:19than a solution to this problem.
00:30:23Operative, nice of you to show up.
00:30:25I'm sorry.
00:30:27I was in transit when the meeting was rescheduled.
00:30:29Who is this?
00:30:31Mr. Henshaw.
00:30:33Henshaw?
00:30:35His team has been designated to find the girl.
00:30:37She's our sender. Why do we need another team?
00:30:391-8, because we don't have an asset right now.
00:30:42They could still be linked.
00:30:44If I find him, I find her, too.
00:30:46Why don't you take it easy?
00:30:48But this may be harder to do than you imagine.
00:30:50You see, Dr. Marcel,
00:30:52where the music gate
00:30:54creates a psychic connection
00:30:56between the mind of the sender
00:30:58who sees, and the receiver
00:31:00who can see that information
00:31:02and act on it in real time.
00:31:04But as I said earlier,
00:31:06their link had experienced a massive
00:31:08spike of energy.
00:31:11It increased her ability to see,
00:31:13and he could possibly move so fast
00:31:15you might not find him.
00:31:17Unless he wants it.
00:31:19They could quite literally be ahead of you.
00:31:21So you're saying he's time-traveling?
00:31:23Well, not exactly.
00:31:25But if they are still linked
00:31:27and without control of any kind,
00:31:29in his current state, let's just say
00:31:31I wouldn't want to deal with him.
00:31:33They are tagged, aren't they?
00:31:35I mean, what the fuck are you even talking about?
00:31:37Of course they are tagged.
00:31:40With an on-off switch, and it is currently
00:31:42stuck in the on position.
00:31:44Mr. Henshaw?
00:31:46You have me on a flight at 3.
00:31:48I shouldn't be late for that.
00:31:50Right.
00:31:52Mr. Wills, talk to your man.
00:31:541-8, would you please
00:31:56retrieve the device from the case?
00:32:00Dr. Marcel.
00:32:02To help you find your lost receiver,
00:32:04you are being given
00:32:06a new control device.
00:32:08It's a prototype.
00:32:10It replaces your current model.
00:32:12This new device has all the usual functions,
00:32:14communications, timer tracking,
00:32:16with the addition of a kill switch.
00:32:18What does this do to him?
00:32:20Well, with that, you have the ability
00:32:22to incapacitate
00:32:24or kill any person
00:32:26susceptible to the music aid.
00:32:28Only on him, not the girl.
00:32:30Of course. And there is documentation inside.
00:32:32Well, hold on a second.
00:32:34He sets this thing off.
00:32:37What's the range?
00:32:39The device is set for this receiver only.
00:32:41Each psychic asset is triggered to enter the gate
00:32:43by a unique song.
00:32:45This device is calibrated for the lost receiver only.
00:32:47Your receiver has a different song.
00:32:49This device would have to be recalibrated.
00:32:51Thank you, Doctor.
00:32:53Gentlemen, our time is up.
00:33:07Don't get too comfortable.
00:33:11We got a hit on your receiver's location.
00:33:13First I've heard of it.
00:33:17Next time, don't be late to the meeting.
00:33:23Your man's got one shot at this,
00:33:25and then it's straight to processing.
00:33:27You know that, right?
00:33:29Swooping in to take charge, huh?
00:33:31Assertive get-it-done type of guy?
00:33:33Quoting rules?
00:33:36Quoting rules to me?
00:33:38I've run the top-level team for two years.
00:33:40Talk to me in a month.
00:33:42We don't have a sender.
00:33:44We can't even use our own technology
00:33:46to find our own agent.
00:33:50You don't know nothing.
00:33:58Welcome to the OS menu
00:34:00for your VC-1238 beta unit.
00:34:02Please listen carefully
00:34:04as some of the options have changed
00:34:06and the file structure has been modified.
00:34:08This unit has been fully charged
00:34:10and no updates are necessary.
00:34:12Your new VC-1238
00:34:14has a dedicated operating system
00:34:16and is unlike all other VC controllers.
00:34:20Main menu.
00:34:22Choose from the following options.
00:34:24Data sync.
00:34:26Gate neutralization.
00:34:28Levels of weaponization.
00:34:30Timed detonation.
00:34:33And...
00:34:36...
00:35:02Lucky strike.
00:35:06Bye.
00:35:22Probably best not to watch
00:35:24too much of that.
00:35:29Where's Claudia?
00:35:31She'll be back tonight.
00:35:33Yeah? I hope so.
00:35:36Is she working out alright?
00:35:38She's doing everything I asked.
00:35:40I think she's a little bored.
00:35:42We've all been a little restless.
00:35:44Listen,
00:35:46they got a lead on the girl.
00:35:48Yeah, they got me flying out
00:35:50this afternoon.
00:35:52Car's waiting downstairs.
00:35:54It's just me again this time.
00:35:58I'm sorry.
00:36:00I'm sorry.
00:36:02I'm sorry.
00:36:08We'll get back out there.
00:36:12Hey, I got you some cookies and stuff.
00:36:22Razor wire.
00:36:32Razor wire.
00:36:34Razor wire.
00:36:36Razor wire.
00:36:38Razor wire.
00:36:40Razor wire.
00:36:42Razor wire.
00:36:44Razor wire.
00:36:46Razor wire.
00:36:48Razor wire.
00:36:50Razor wire.
00:36:52Razor wire.
00:36:54Razor wire.
00:36:56Razor wire.
00:36:58Razor wire.
00:37:01Razor wire.
00:37:03Razor wire.
00:37:05Razor wire.
00:37:07Razor wire.
00:37:09Razor wire.
00:37:11Razor wire.
00:37:13Razor wire.
00:37:15Razor wire.
00:37:17Razor wire.
00:37:19Razor wire.
00:37:21Razor wire.
00:37:23Razor wire.
00:37:25Razor wire.
00:37:27Razor wire.
00:37:29♪♪
00:37:39♪♪
00:37:49♪♪
00:37:59Did you like the music?
00:38:01♪♪
00:38:09It's not popular, although I certainly don't know why.
00:38:17I certainly don't know why.
00:38:27Why isn't it popular?
00:38:32I don't know.
00:38:36It's old.
00:38:39It doesn't require perspective, I suppose.
00:38:50They've done studies on classical music.
00:38:55It has amazing properties.
00:39:01It does.
00:39:08It's deep healing.
00:39:14It heals trauma.
00:39:19And it's the only common denominator
00:39:23between personalities of a manually fractured subject.
00:39:29Would you like a demonstration?
00:39:36♪♪
00:39:46♪♪
00:39:56♪♪
00:40:06♪♪
00:40:16♪♪
00:40:26♪♪
00:40:36♪♪
00:40:46♪♪
00:40:56♪♪
00:41:06♪♪
00:41:16♪♪
00:41:26♪♪
00:41:36♪♪
00:41:46♪♪
00:41:56♪♪
00:42:06♪♪
00:42:19Yeah.
00:42:20Two's company.
00:42:21You're kidding.
00:42:22Ms. Tag just slid up a half mile from your location.
00:42:25They're both in Port Moresby.
00:42:28♪♪
00:42:38♪♪
00:42:48♪♪
00:42:58♪♪
00:43:08♪♪
00:43:18♪♪
00:43:28♪♪
00:43:38♪♪
00:43:48♪♪
00:43:58♪♪
00:44:08♪♪
00:44:18♪♪
00:44:28♪♪
00:44:38Whiskey 1-8 knows something.
00:44:40I'm holding their tags.
00:44:42Copy that.
00:44:43Copy that.
00:44:44♪♪
00:44:53♪♪
00:45:01This is from the Director?
00:45:02Jesus, you're trying to kill him?
00:45:04Not to attempt to contact him until he's clear.
00:45:06Your man failed in Port Moresby.
00:45:08Why isn't he processing?
00:45:10Because nobody thinks he's guilty.
00:45:12I see.
00:45:24Would you send it in the file for Whiskey 1-8, please?
00:45:27Yes. Anything else, sir?
00:45:29Continental Breakfast for me.
00:45:31You want something?
00:45:33Uh, just the Continental.
00:45:35What do you know about Peter Shedenko?
00:45:38Not his company. What do you know about him?
00:45:40You can't be serious.
00:45:41We get all our tracking technology from him.
00:45:43Who else does?
00:45:44Have you not been paying attention?
00:45:46Maybe Serbia was his show.
00:45:48Maybe he's looking to branch into our area of the business.
00:45:50That would be terrifying.
00:45:51We're not going after Steiner Shedenko.
00:45:53He's an anarchist.
00:45:54They make dog collars.
00:45:55They've no idea what kind of dogs we own or how we train them.
00:45:58I know he's behind Serbia.
00:46:00He's looking to expand.
00:46:01You have no idea what you're talking about.
00:46:03He's looking to expand.
00:46:04You have no idea what's going on, do you?
00:46:07Five-man team in Serbia using first-generation tech
00:46:10that the Russians gave up on 20 years ago.
00:46:13Crushed.
00:46:14Dr. Diaz, who helped build early prototypes for us,
00:46:17strangled in his own office.
00:46:19The bodies your boy uncovered upstate?
00:46:21They worked in our facility 15 years ago as guards.
00:46:25But you didn't know that, did you?
00:46:28Your pit bull is targeting us.
00:46:33Now, it may not be protocol,
00:46:36but I think we should bring in Dr. Ames.
00:46:39Maybe she can shed some light on this.
00:46:41I've been working a year and a half to divorce this company
00:46:43from that fucking psycho witch doctor,
00:46:45so I'm not too keen on inviting her back to the prom
00:46:47at this point in time.
00:46:48You pompous provincial little man.
00:46:51This is what's gonna happen.
00:46:53My man is taking point, wherever that leads.
00:46:56Now, I suggest you get your handler straight
00:46:58and go check in with Dr. Gomes again.
00:47:00Or so help me, you will be the Christian in the Coliseum,
00:47:04and I will be the fucking lion.
00:47:06-♪♪♪♪
00:47:15-♪♪♪♪
00:47:17Come on, breakfast.
00:47:19-♪♪♪♪
00:47:22Dr. Ames discovered the gate.
00:47:24But to understand her contribution fully,
00:47:26you need to understand some of the technical realities
00:47:29of this kind of work.
00:47:31The gate is an unquantifiable zone
00:47:33in the penial area of the brain,
00:47:35where really what I should say
00:47:37is the path to the gate lies there.
00:47:41Now, as we shall see,
00:47:43the way to the gate is inside,
00:47:45but the gate experience itself
00:47:47is objectively not wholly inside.
00:47:51And that is why the military
00:47:54has been very interested in telekinesis since the 50s.
00:47:58Now, imagine if you could see
00:48:01and act upon what you're seeing remotely.
00:48:04Just imagine that as a reality for a second,
00:48:06and you could see why certain people
00:48:08would be keen on keeping that information a secret.
00:48:11Now, I don't believe it should be.
00:48:14You add digital technology to the mix,
00:48:16and that is just very dangerous.
00:48:18But in its pure form,
00:48:21this was designed to liberate people.
00:48:26Hi.
00:48:28Um, I haven't seen you anywhere.
00:48:30Thank you for coming.
00:48:32And what Ames did
00:48:34was to synthesize all of these backgrounds,
00:48:37music, progressive therapy,
00:48:39quantum parapsychology, which is my field,
00:48:42and line them all up.
00:48:45And with her, amazing things would happen.
00:48:49She could heal people
00:48:51of a wide array of problems quickly.
00:48:55So I'm told.
00:48:58Now, let's stop here.
00:49:01I'm gonna take these off.
00:49:04Okay.
00:49:06Oh, sorry.
00:49:08How is that?
00:49:10Are you feeling good? No?
00:49:12Now, I'm not gonna ask you to talk about your experience.
00:49:15I'd like to wait about 20 minutes
00:49:17to let the experience trail off.
00:49:19But if you want to speak about it with each other afterwards,
00:49:23discuss it, absolutely.
00:49:25I encourage that. Okay?
00:49:27All right? You're all right?
00:49:29All right, good. Have a seat.
00:49:31Okay.
00:49:33Who is next?
00:49:37Newbie, you're first.
00:49:41Yes, you. Just give it...
00:49:43Yeah, come on.
00:49:45You wouldn't come here if you didn't want to try it.
00:49:47I promise it won't stink.
00:49:50Well, all right, put these on.
00:49:52And try to make yourself as comfortable as possible.
00:49:54Just lean back and relax.
00:49:56Now, sorry to say
00:49:58that none of us are going to have
00:50:00a full gait experience tonight.
00:50:02That's just not going to happen.
00:50:04Even with Dr. Ames, the process takes time.
00:50:07And without proper preparation,
00:50:09it could be as shattering as, say,
00:50:111,500 micrograms of LSD.
00:50:13So we are going to tread lightly on the path.
00:50:17You're gonna pick a tape.
00:50:19Okay.
00:50:21Dr. Ames, she had a knack
00:50:23for picking the perfect song
00:50:25for each person.
00:50:27It just shows how well she was able to read people
00:50:30and how deep her knowledge of music was.
00:50:32Now, mine
00:50:34is not that deep.
00:50:36So I stick with the basic set
00:50:38designed by Uri Gomes in 85.
00:50:40Okay.
00:50:42And we add the
00:50:44suggestion track.
00:50:46Good.
00:50:50All right, any questions so far?
00:50:52I've been doing some searching online.
00:50:54Mm-hmm.
00:50:56And Dr. Ames must have had her own music gait
00:50:58because she's the only person
00:51:00who was first able to do this.
00:51:02Right, yeah, I know where you're going with this.
00:51:04Dr. Ames' tape.
00:51:06Officially unknown.
00:51:08I have never heard her tape.
00:51:10But if I had to make an educated guess,
00:51:12she's a product of the 60s,
00:51:14something from the Summer of Love.
00:51:16Huh?
00:51:18Um, okay.
00:51:20Let's, uh, let's stop that.
00:51:22And, uh,
00:51:24you okay? You all right?
00:51:28Uh, this is what I'm talking about
00:51:30when I say I wait about 20 minutes.
00:51:32Why don't you have a seat?
00:51:34Uh, and, uh...
00:51:38Um...
00:51:40And then there were two.
00:52:10♪
00:52:18The psychic ability latent
00:52:20in a young candidate is powerful...
00:52:28And will fight to assert itself naturally.
00:52:30But for the higher energies
00:52:32to prevail,
00:52:34consciousness is able to exist
00:52:36and function in the gate
00:52:38before the realms beyond.
00:52:40Therefore...
00:52:54Hey.
00:52:56Hey!
00:52:58Ah!
00:53:00I'm gonna throw up!
00:53:02Ah!
00:53:04Ah!
00:53:06I gotcha.
00:53:08Who...
00:53:10What do you want?
00:53:12Honestly, I wanted to have a little chat over coffee.
00:53:14Ask a few questions
00:53:16and get back to my hotel.
00:53:18That was it.
00:53:20But, wow, after reading your fan fiction,
00:53:22there's more to discuss.
00:53:26Your organization.
00:53:28Yeah, I'm organization.
00:53:30You've got an organization.
00:53:32Everybody's organized.
00:53:34I really just came by to chat,
00:53:36but then I see the stuff you're writing about
00:53:38and the stuff you're talking about
00:53:40in your school basement.
00:53:42I gotta tell you, it can't be like this.
00:53:44This is classified material.
00:53:46No, no.
00:53:48Dr. Ames' work is for everyone.
00:53:50It is for all of mankind.
00:53:52You're gonna get people killed
00:53:54putting this stuff out there,
00:53:56and let me tell you,
00:53:58you aren't enough of a jam as it is.
00:54:00Okay, this is what's gonna happen.
00:54:02It's gonna change, but if you cooperate,
00:54:04if you cooperate with me, it will be much better.
00:54:08You're gonna tell me everything you know
00:54:10about this group of Dr. Ames,
00:54:12how it's run, who's involved.
00:54:14You're gonna introduce me to Gomes.
00:54:16You are going to get me into the nest, you understand?
00:54:18He won't see you.
00:54:20Then you're gonna set up a meeting with Peter Shedanko.
00:54:26Oh, God.
00:54:28I'm having a heart attack.
00:54:30What?
00:54:32Oh, please, I need my pills now.
00:54:34Are you serious?
00:54:36Please, my necklace.
00:54:38It hurts.
00:54:40Ow!
00:54:42Ow!
00:54:44Ow!
00:54:46Ow!
00:54:48My neck!
00:54:50All right, I'm not going anywhere near your fucking neck.
00:54:52Don't, don't, don't.
00:54:54Don't, don't.
00:54:56Come on, dear.
00:55:18As if I would ever
00:55:20bring a piece of filth like you
00:55:22to Mother's house.
00:55:26Come on.
00:55:56Wow.
00:55:58That's disgusting.
00:56:00Nothing fancy now.
00:56:06Nice and easy, pal.
00:56:12Goddamn bat.
00:56:14You're a son of a bitch.
00:56:16You know that.
00:56:18You driving now?
00:56:20Yeah.
00:56:22Two kids and a mortgage.
00:56:24Yeah, I am driving.
00:56:26Take a good look.
00:56:28This is you in 20 years.
00:56:33That's mean.
00:56:35Really mean.
00:56:41What?
00:56:43You doing a little light reading?
00:56:45Yeah, homework.
00:56:47Yeah.
00:56:49I'll turn it in for you.
00:56:51All of it.
00:56:57You know, they don't tell me shit these days,
00:56:59but I'm hearing some weird stories.
00:57:03Does this guy have anything to do with that missing receiver?
00:57:07Do you own that?
00:57:09Nope.
00:57:11Why do you care so much?
00:57:13Office pool.
00:57:15Why do you care so much?
00:57:17Office pool.
00:57:45What the fuck?
00:58:15You might also find
00:58:17just the opposite.
00:58:19You could discover
00:58:21you still have feelings for him.
00:58:23Once you're clear
00:58:25of those old inhibitors.
00:58:27Do you think that's possible?
00:58:33And is it possible
00:58:35you imagine the situation
00:58:37to be worse than it was?
00:58:41I don't know.
00:58:43Do you imagine the situation
00:58:45to be worse than it was?
00:58:52Of course it is.
00:58:57Think back for a moment, Doris.
00:59:00Do you remember having your eating disorder?
00:59:04Not long ago, you weighed
00:59:06over 250 pounds.
00:59:08Do you remember that?
00:59:10They called you names.
00:59:12They said terrible things to you.
00:59:14Do you remember that?
00:59:16Vivian remembers.
00:59:18Is Vivian in the room with you?
00:59:20No.
00:59:23Last week, you told me
00:59:25you wanted to kill Vivian.
00:59:29What do you think it would be like to do that?
00:59:32It would be a big relief,
00:59:34I'm sure.
00:59:36You could kill her right now.
00:59:43Doris, I'm sorry for the interruption.
00:59:45Phoebe, we had an agreement
00:59:47that you would stay upstairs
00:59:49while Doris and I worked, didn't we?
00:59:51Who the fuck is Phoebe?
00:59:53I'm sorry, Doris. Will you excuse me for a moment?
00:59:55Of course.
00:59:57My niece has undergone a trauma.
00:59:59Madrid.
01:00:01No, no!
01:00:03Phoebe!
01:00:05Stop calling me that!
01:00:07I don't know who Phoebe is!
01:00:09Why don't you just tell me where I am?
01:00:11Why are you...
01:00:13Why are you doing this?
01:00:15Who are you?
01:00:17What did you do to my eye?
01:00:31Phoebe!
01:00:40Phoebe, get on the couch!
01:01:01Madrid.
01:01:06Is there shouting?
01:01:08No, I was introducing you to my niece.
01:01:12Oh, hello.
01:01:14But you're gonna forget you saw her, all right?
01:01:17Yeah.
01:01:20I'm afraid our time is up.
01:01:26I'm sorry.
01:01:28I'm afraid our time is up.
01:01:42All subjects require
01:01:44creative application of pressure.
01:01:46Senders and receivers
01:01:48who incubate together
01:01:50can form strong bonds
01:01:52but are fractured at different rates.
01:01:54Once disassociated,
01:01:56all the children are your responsibility.
01:01:58I wish you hadn't logged us with intelligence.
01:02:00It was a company extraction.
01:02:02They went through everything and got out of the car.
01:02:04I mean, like, what do you want me to do?
01:02:06I don't know.
01:02:08Eat it?
01:02:10Commit to memory?
01:02:13There's been some talk.
01:02:15They're thinking of bringing Whiskey 18 back inside.
01:02:19Clear?
01:02:21He's not still processing?
01:02:23Mm-hmm.
01:02:25Jesus Christ.
01:02:29So I want you moving on Peter Shedanko
01:02:31before 18 gets back.
01:02:33Use Haraday as a weigh-in.
01:02:35Bowles is one of his students
01:02:37with urgent information. See what they know.
01:02:39Am I taking Casey?
01:02:41No.
01:02:43The board wants to test our handiwork.
01:02:47Let's see if the subprogram is running.
01:02:49Activate.
01:02:51Who's his minder?
01:02:53Claudia.
01:02:55All right, tell him Claudia compromised his location.
01:02:58Sir, he's not...
01:03:00Look, with no control
01:03:02and no sender...
01:03:04No, no, we have control.
01:03:06I thought Whiskey 18 had the prototype.
01:03:08Well, Dr. Marcel is a friend.
01:03:10So now there are two prototypes.
01:03:17Yes, sir.
01:03:19Hello?
01:03:21Uh, hi.
01:03:23My name is John Burkett.
01:03:25I'm calling for a Mr. Shedanko.
01:03:27How did you get this number?
01:03:29Uh, I was a student
01:03:31of Professor Haraday's
01:03:33and a package arrived for him
01:03:35this morning
01:03:37with instructions to call this number.
01:03:39Yes?
01:03:41And he died last night.
01:03:43I'm sorry if...
01:03:45Hold on.
01:03:47He didn't have to give you
01:03:49a password, did he?
01:03:51Excuse me?
01:03:53A password or a code of some kind?
01:03:55Uh...
01:03:57He didn't give me
01:03:59a password, per se.
01:04:01But, oh, there are some things
01:04:03scribbled down here.
01:04:05Hold on.
01:04:07His handwriting is...
01:04:12Rising star.
01:04:14Oh, I see.
01:04:16Rising sun?
01:04:18Rising sun.
01:04:20All right.
01:04:22Um, how about later this afternoon?
01:04:24I can have someone
01:04:26come around and pick you up.
01:04:28Will that do?
01:04:30All right.
01:04:36Hello, sir.
01:04:38That's right.
01:04:40Uh, where are you located, sir?
01:04:42Uh, I can be there in, say,
01:04:44one hour.
01:04:46Virgil Haraday died last night.
01:04:50Some student of his
01:04:52is coming by with a package from him.
01:04:56Better get your things ready.
01:05:08Yeah.
01:05:10Let's op. Blue. Alpha.
01:05:12Leipzig.
01:05:14Hey, buddy. You gotta get out of there.
01:05:16Your location's blown.
01:05:18Claudia has compromised you.
01:05:20No. Repeat. Blue.
01:05:22Alpha. Leipzig.
01:05:31Claudia?
01:05:42Who was that?
01:05:44This place is burned.
01:05:47What?
01:05:50Um...
01:05:52Let me get the go-kit.
01:05:54There's something they want you to see.
01:05:56I've seen that video, Casey.
01:05:58This is something different.
01:06:00What am I watching?
01:06:02I'll start in just a second.
01:06:08After you.
01:06:12Mr. Shinenko apologizes
01:06:14for the slight delay, but, uh,
01:06:16he'll be down in a bit.
01:06:18This is our patio area,
01:06:20so make yourself at home.
01:06:22While we're waiting, can I get you
01:06:24something cold to drink?
01:06:26Uh, sure. Why not?
01:06:28All right. I'll be right back.
01:06:42How's this?
01:06:44Uh, yeah.
01:06:46That's great. Thanks.
01:06:48All right.
01:06:50What's the password?
01:06:52I don't know.
01:06:54It's a password.
01:06:56It's a password.
01:06:58It's a password.
01:07:00It's a password.
01:07:02It's a password.
01:07:04It's a password.
01:07:06It's a password.
01:07:08It's a password.
01:07:10What's the password?
01:07:12Uh...
01:07:14Rising sun?
01:07:16I'm just kidding.
01:07:18Here you go.
01:07:22Lucky.
01:07:34Your little drive
01:07:36doesn't have anything on it,
01:07:38so...
01:07:40I'm confused.
01:07:42You know, Virgil Haraday was a
01:07:44pretty good friend of mine.
01:07:46He never said one word about you,
01:07:48which is a little funny now.
01:07:50If you're waiting for a rescue,
01:07:52that's not gonna happen now.
01:07:56Your implant
01:07:58says you've been at your apartment all this time.
01:08:00It's not gonna happen if I had a gun.
01:08:02It's not gonna happen.
01:08:04You're making
01:08:06a really bad decision.
01:08:08Just a quarter mile.
01:08:10I got it.
01:08:12I got it.
01:08:34Well, who are you?
01:08:36We could use him.
01:08:38Good candidate for conditioning trials.
01:08:42Okay.
01:08:44Get him ready.
01:09:12Okay.
01:09:15Okay.
01:09:19Okay.
01:09:42Okay.
01:10:04What do you know
01:10:06about Virgil Haraday?
01:10:08Do you know
01:10:10who made your implant?
01:10:12My implant?
01:10:14Just senders and receivers
01:10:16that are tagged, Richard.
01:10:18We're all tagged.
01:10:20Steiner and Shedanko,
01:10:22you ever heard of them?
01:10:24They made a grotesque fortune
01:10:26in advanced tracking.
01:10:28Steiner did undergrad work
01:10:30with a certain Daniel Diaz
01:10:32before he went into business
01:10:34with Shedanko.
01:10:36You haven't read any of the report.
01:10:38You don't really check
01:10:40your e-mail and processing.
01:10:48Diaz was murdered
01:10:50and in possession
01:10:52of our girl's tag.
01:10:54You have a man on this.
01:10:56And your partners.
01:10:58Why am I sitting here right now?
01:11:00We can't find him.
01:11:06Richard.
01:11:08Richard.
01:11:10Richard, you have no choice here.
01:11:12I did everything in my power
01:11:14to get you out sooner.
01:11:16But it's only for a day's leave
01:11:18unless you do this thing.
01:11:20Now, that's the deal.
01:11:22And it's a good one,
01:11:24all things considered.
01:11:26Richard.
01:11:28It's been...
01:11:30It's been like Dresden here,
01:11:32raining down fire and shit,
01:11:34just raining, and you have no idea
01:11:36the stress that I'm under.
01:11:38You have to prove yourself to them.
01:11:40I got you out.
01:11:42But you have to do something for us.
01:12:04Okay.
01:12:19Judith!
01:12:21I was hoping to talk to her.
01:12:23I didn't realize you'd be
01:12:25going through the sequence again.
01:12:27What did you want to talk about?
01:12:29I don't know.
01:12:31I just wanted to talk to her.
01:12:33Uh...
01:12:35She can, uh...
01:12:37Be after take five
01:12:39in an hour or so.
01:12:41Um...
01:12:43If she feels like talking then, you can.
01:12:45But make sure you record the conversation
01:12:47and just keep going with the sequence.
01:12:49Don't stop at five.
01:12:51I know how to take care of her.
01:12:53Oh...
01:12:55God, I hate this.
01:12:57I can't stand leaving her even for a minute.
01:12:59I know.
01:13:01But it'll be good for you.
01:13:04It's protocol.
01:13:31♪♪
01:14:01♪♪
01:14:23At the threshold of passage into the stage one,
01:14:25there occurs a separation
01:14:27of the mental body from the physical.
01:14:29The separation of the mental body
01:14:31can be clearly realized
01:14:33by the dominant personality,
01:14:35but we are still waiting for the alpha trauma,
01:14:37which will begin the chain of redetachment.
01:14:39In the sessions, we say kill or murder,
01:14:41but this is only a symbol
01:14:43of the dominant healthy personality
01:14:45cleansed of all neurosis.
01:14:47This radiant being,
01:14:49wholly new, wholly enlightened,
01:14:51wholly benign,
01:14:53policed only by its own perfection,
01:14:55the rising sun,
01:14:57our hope,
01:14:59our salvation.
01:15:15What did you make?
01:15:19Pasta.
01:15:21Yeah.
01:15:23We saved some for you
01:15:25if you're hungry.
01:15:27Is it good?
01:15:29Real pancetta.
01:15:32Finally arrived on the boat today.
01:15:34I ordered it a month ago.
01:15:39I, uh...
01:15:41I think there's some wine left.
01:15:44I'll go up and see her first.
01:15:55Okay.
01:16:19Kiss Mommy goodnight.
01:16:25I love you.
01:16:55I, uh...
01:16:57I didn't want to bother you with this
01:16:59last night
01:17:01when you had so many other things
01:17:03on your mind,
01:17:05but, um...
01:17:09I just wanted to say
01:17:11goodnight.
01:17:13Goodnight.
01:17:15Goodnight.
01:17:17Goodnight.
01:17:21Goodnight.
01:17:25Someone from the organization
01:17:27has been calling.
01:17:33They have a man on the island,
01:17:35I think.
01:17:39Oh, they're not allowed to do that.
01:17:47You'd better find out what he wants.
01:17:52They're going to come for her.
01:17:55We need to tell them
01:17:57where she is.
01:17:59Well, that's not
01:18:01going to happen.
01:18:03Think about how dangerous
01:18:05this could become for her.
01:18:07She is the rising sun.
01:18:09It's not up to you.
01:18:13She
01:18:15is the product
01:18:17of everything we have ever
01:18:19tried to accomplish.
01:18:21That's why I changed
01:18:23her code.
01:18:27I made her different from all the others
01:18:29to come home.
01:18:31To come back home
01:18:33because she wasn't finished.
01:18:37What are you going to do?
01:18:39They're going to murder both of us.
01:18:41Tell me you didn't do that.
01:18:43Please tell me you did not do that.
01:18:45It doesn't matter as long as she's safe
01:18:47and she will be.
01:18:49I've sent it in motion.
01:18:51I've contacted Mr. Haraday
01:18:53in my last transmission on the day she arrived.
01:18:55The whole network knows about it by now.
01:18:57So Danko's on his way.
01:18:59They'll have a boat ready,
01:19:01just like the plan has always been.
01:19:03Leave me here
01:19:05to clean up?
01:19:07I am magic.
01:19:0925 years.
01:19:11You're professionally shat on me.
01:19:13Where are you going?
01:19:15Where am I going?
01:19:17To check my messages
01:19:19to see if our murderer
01:19:21has called again.
01:19:30Judith,
01:19:32if we cooperate
01:19:34now, there is a chance
01:19:36that they will
01:19:38facilitate her recovery.
01:19:42For all we know,
01:19:44they may want you to do it here
01:19:46Or you,
01:19:48since you've been going through again.
01:19:50Just last night.
01:20:02I know.
01:20:06I know I drive you crazy.
01:20:10What is she...
01:20:12I want to protect both of you!
01:20:16I'm just frightened
01:20:18about what will happen.
01:20:41What are you doing?
01:20:43You can't smoke here.
01:20:45Where did you get cigarettes?
01:20:47From under the house.
01:20:57Dr. Gomes,
01:20:59it's Lorraine Hewey
01:21:01from the psychology department
01:21:03at Everett University.
01:21:09Have you been coming down here?
01:21:11Who has been coming down here, Ivy?
01:21:28I'm calling with bad news.
01:21:31I wanted to inform you
01:21:33that Virgil Haraday
01:21:35has passed away
01:21:37from apparent suicide.
01:21:41What?
01:21:49I know you were a long time
01:21:51colleague and this must
01:21:53come as a terrible shock.
01:22:00Dr. Gomes,
01:22:02like I told you in my last
01:22:04message, I'm on the island
01:22:06and I need to talk to you.
01:22:08Urgently.
01:22:11Okay.
01:22:31Judith!
01:22:33We're here! In the cellar!
01:22:35What are you doing here?
01:22:37Did you leave this unlocked?
01:22:39He's here.
01:22:41What?
01:22:43Don't leave the cellar.
01:23:09You're gonna want to let me in, Dr. Gomes.
01:23:19This is it?
01:23:26There's no other building or...
01:23:28No.
01:23:30This is where you do it?
01:23:32If you are referring to our work...
01:23:34On a futon with a cassette player.
01:23:36You gotta be fucking kidding me.
01:23:38You have no right to be here.
01:23:40You are trespassing and, uh,
01:23:42you are inquiring about things...
01:23:44You're way past your privacy
01:23:46clause right now, Doctor.
01:23:48Turn that off. Turn that music off.
01:23:53There's no other lab.
01:23:55There's no other building
01:23:57on the property.
01:23:59What Dr. Ailey's done
01:24:01requires only Dr. Ailey.
01:24:03How the organization
01:24:05trains you,
01:24:08which is why
01:24:10we can't help in your situation.
01:24:12Our situation.
01:24:14We provide the vehicles.
01:24:16What you do
01:24:18with that...
01:24:20I don't suppose Dr. Ames would be willing
01:24:22to help us track the girl.
01:24:24She can't help you that way.
01:24:26Dr. Ames isn't psychic.
01:24:28Why haven't you tried one of the older models?
01:24:30Didn't have any luck there.
01:24:32She may have learned how to cloak herself.
01:24:34Like this place is cloaked, I guess.
01:24:36Keeps you by your system on the way in here.
01:24:38Keeps you nice and hidden.
01:24:40Kills all digital frequencies.
01:24:42Keeps cellular and GPS interference
01:24:44away from the subject.
01:24:46Made me realize
01:24:50our birds might be right
01:24:52in this house and we'd never be able to see them.
01:24:54That's ridiculous.
01:24:56The programming doesn't even allow recall.
01:24:58Why don't you shut your fucking mouth?
01:25:02I know she's here.
01:25:06Come on.
01:25:22I hired a boat.
01:25:24Can take us to St. Pierre.
01:25:26From there, Iceland.
01:25:28And then, you don't know where.
01:25:30Her receiver won't touch her. I can handle it.
01:25:32And I can stay ahead of the organization
01:25:34for a while, but this is...
01:25:36Iceland will be swarming
01:25:38with bad news in 48 hours.
01:25:42And this is the only deal you're gonna get
01:25:44from anybody.
01:25:46Don't ask me why I'm doing this.
01:25:48I think you're human garbage.
01:25:52I come too.
01:25:54What?
01:25:56I
01:25:58come
01:26:00too.
01:26:02I'll be in touch then.
01:26:22It's gone.
01:26:25Give me your hand.
01:26:27Ivy?
01:26:31Ivy?
01:26:58You got no beef with me,
01:27:00right?
01:27:05We're gonna be really calm and cool?
01:27:09Cheeseburger.
01:27:16Okay.
01:27:18You got to talk to me, man.
01:27:20You got to tell me something.
01:27:24Eyeball's only job
01:27:26and you leave a room full of corpses.
01:27:28What the fuck, man?
01:27:34I was...
01:27:36I was through the gate
01:27:38by the time I got to the building.
01:27:42I was...
01:27:44I was through the gate by the time I got to the building.
01:27:48And, uh...
01:27:50I had a strong tether.
01:27:52Full visual
01:27:54hookup.
01:27:56I remember she'd
01:27:58been coming on
01:28:00pretty weak
01:28:02for a while.
01:28:04This was strong.
01:28:06And, uh...
01:28:10I'd started
01:28:12hearing her voice.
01:28:14She'd talk
01:28:16to me
01:28:18out of other people.
01:28:20The cigarette
01:28:22stand guy
01:28:24at the hotel.
01:28:26I think he was the first.
01:28:28And his...
01:28:30his face
01:28:32was...
01:28:34it was a flower.
01:28:38It was made out of meat.
01:28:42But it was
01:28:44her voice.
01:28:48Our girl was talking
01:28:50to you? You're supposed to tell me.
01:28:52There was nothing you could do about it.
01:28:54I know that.
01:28:58And in the hallway
01:29:00she saw
01:29:02the other sender.
01:29:04And she was strong.
01:29:08So she asked me to do those things.
01:29:12And I did them.
01:29:22Marlboro.
01:29:26What's going on in there, man?
01:29:28Where's our girl?
01:29:30We got set up.
01:29:34We got set up real bad.
01:29:36Vault East Z.
01:29:38No codes, huh?
01:29:40The bed and breakfast isn't far.
01:29:42We'll run as much sequence as you need.
01:29:44You can't help me.
01:29:46Man, I can try.
01:29:48But you gotta trust me.
01:29:50And you gotta do what I say.
01:29:52Remember Grosny?
01:29:54Okay.
01:29:56Still got a sense of humor.
01:30:02Man, I gotta take this outside.
01:30:04I can't lie to Will's wife.
01:30:06I gotta take this outside.
01:30:08I can't lie to Will's when I'm staring right at your face.
01:30:10I'm not that good.
01:30:12Hey, where are you going?
01:30:14Bathroom.
01:30:16Right.
01:30:22Whiskey 1-8.
01:30:24You got a timing problem.
01:30:26Where's Will's?
01:30:28I'm Will's now.
01:30:30You should take off.
01:30:32We're handling it from over here.
01:30:34Hey, Cruz.
01:30:36You gotta give me a couple more days.
01:30:38Listen, you send someone out here right now,
01:30:40they're gonna fuck it up.
01:30:42I've spent the last three months
01:30:44unfucking your whole show.
01:30:46But I know a Judas goat when I see one.
01:30:48And there it is.
01:30:50The hesitation.
01:31:04Fuck.
01:31:10Fuck.
01:31:34Fuck.
01:32:04Fuck.
01:32:18He is non-responsive
01:32:20to beta-plate modification.
01:32:26What's your status?
01:32:28What is your directive?
01:32:30What is your directive?
01:32:36Decommissioned for full-wave
01:32:38spectrum amplification.
01:32:40Holds will be imminent.
01:32:46What is your directive?
01:32:48Commencing amplified gate termination.
01:32:52And he's non-responsive.
01:32:54And he's non-responsive.
01:33:24Shit.
01:33:26Shit.
01:33:54What did you tell him?
01:33:56That she wasn't...
01:33:58Why are you doing this right now?
01:34:00I think it's interesting.
01:34:02You're hiding.
01:34:18It's pretty beautiful.
01:34:20It's nice.
01:34:22It's pretty beautiful.
01:34:24I don't like it.
01:34:26I think I'm gonna put a jacuzzi.
01:34:28I don't think...
01:34:30I don't really like it here.
01:34:42Hello?
01:34:48I think she's awake.
01:34:52I think she's awake.
01:35:06There's some people I've invited
01:35:08to see you.
01:35:10They've come a long way.
01:35:14Is it alright if they come
01:35:16and say hello?
01:35:22She's ready.
01:35:32Hello, Maren.
01:35:34My name is
01:35:36Dr. Shinango.
01:35:38This is my friend, Dr. Steiner.
01:35:40I think you know his wife, Doris.
01:35:44We've heard some very interesting
01:35:46things about you.
01:35:48Dr. Ames has told us
01:35:50you have some very special talents.
01:35:54Can I have the radio, please?
01:36:04Now, in a few moments,
01:36:06there's going to be a broadcast.
01:36:08People will be having a conversation.
01:36:10Just talking.
01:36:12Having a discussion.
01:36:14A young woman and an older man.
01:36:17And I want you
01:36:19to listen to their voices.
01:36:22Can you do that?
01:36:25Just listen to their voices.
01:36:30That's good.
01:36:32Very good.
01:36:34Now, Dr. Ames and I
01:36:36want you to do something for us.
01:36:38The older man.
01:36:40Can you find him?
01:36:43Can you do that?
01:36:47I want you to find the older man
01:36:49whose voice you're listening to right now.
01:36:51And I want you to find him
01:36:53in your special room.
01:37:05I know it's difficult.
01:37:07Just try.
01:37:12Try to find the older man
01:37:14in your room.
01:37:25That's good.
01:37:29She doesn't need the music, eh?
01:37:31She is the music now, Peter.
01:37:34Excuse me.
01:37:38Hold that for me, would you?
01:37:42Don't be scared.
01:37:44It's all right.
01:37:46Just hold that.
01:37:48Hold that
01:37:50little plastic straw.
01:37:53Have you got that in your hand?
01:37:57Hold that.
01:37:59Hold that.
01:38:01Have you got that in your hand?
01:38:04Just a little plastic straw.
01:38:07Now, I want you to take one end of that straw.
01:38:11And I want you to put it
01:38:13into the man's head.
01:38:19Would you do that?
01:38:22Just put one end into the man's head.
01:38:31And on the other end, I want you to blow
01:38:33a little bubble.
01:38:35Just a little bubble.
01:38:38Please do that for us now.
01:38:40Oh, God, no. Please don't do this.
01:38:42I could go into a lot of trouble.
01:38:44Shh.
01:38:57Dr. Ames?
01:39:01Dr. Ames?
01:39:11Maren.
01:39:15Maren.
01:39:17I want you to do what he's asking you to do.
01:39:28Maren.
01:39:30Maren.
01:39:35Kill him!
01:39:37Please!
01:39:40Please.
01:39:58Error.
01:40:00System will remain offline until repair.
01:40:04Error.
01:40:06System will remain offline until repair.
01:40:10Error.
01:40:12System will remain offline until repair.
01:40:24Well,
01:40:26that was disappointing.
01:40:30Judith, she's probably tired.
01:40:32We can try again tomorrow.
01:40:39Don't answer that!
01:40:41Why is your cell phone ringing?
01:40:43The perimeter's down. We're wide open, Judith.
01:40:52You had better get the car started.
01:41:02All right.
01:41:04There's a perimeter sensor at the end of that trail
01:41:07near the edge of the cliff.
01:41:09Check it.
01:41:24Sensory.
01:41:37Shh.
01:42:07Shh.
01:42:38Oh.
01:42:57Hello, Gal.
01:43:04Maren, get your coat.
01:43:06Get your coat!
01:43:36Get your coat!
01:44:06Get your coat!
01:44:36Get your coat!
01:45:06Get your coat!
01:45:28Aren't you going to eat something, Cal?
01:45:31Maren.
01:45:33Make sure he eats something.
01:45:36Mother?
01:45:38Yes, dear?
01:45:40May I pick some music for breakfast?
01:45:43Yes, of course.
01:45:45That would be lovely, Maren.
01:46:06Okay.
01:46:36Okay.
01:47:06Okay.
01:47:37Oh.
01:47:53Oh.
01:48:06Oh.