Category
📺
TVTranscript
00:00These bitches are giving me crow's feet.
00:30It's nothing a few stitches won't fix.
00:33Besides, we're thinning the herd.
00:36But they fucking think they know everything.
00:39Well, they're gonna learn.
00:41One at a time.
00:43Bite the hand that feeds you,
00:46you're gonna draw back a headless stump.
00:52Isn't that right, Dr. Randall?
00:59Whoa. That was so...
01:07Lonk?
01:08Serious.
01:09Lonk?
01:10What a long, serious name.
01:12Exactly.
01:13Unfortunately, I think it's time to say goodbye to Hollow.
01:16I think she just really struggled with finding her art and the limitations of this competition.
01:21Hollow's definitely gone. Confident in that.
01:24It's time. We all know it's time.
01:27We're all ready for it.
01:29Like, no one wants Eva to go home.
01:32Fucking Eva was in the bottom.
01:34Which I personally was like, yeah, right.
01:37Fuck that winning bitch.
01:39Fuck that bitch.
01:40She got so many prizes.
01:41Good, I hope she accepts them.
01:42I just love that none of us were scared for Eva when she went into the extermination.
01:47Because I think all of us knew she was gonna be gone.
01:50She's gonna be fine.
01:51I don't like that.
01:52I personally am Team Hollow.
01:55Personally, my opinion on the extermination is...
01:58What's up, fuckers?
01:59Exactly.
02:00Thank you! Thank you!
02:05Come on, Clue!
02:06I walk into the room and I see everybody's face light up.
02:09And I'm just so, so, so thankful that I'm still here.
02:14I absolutely adore Hollow.
02:16But I just felt her slipping away slowly throughout the competition.
02:20It was really eating at her.
02:21By the time that we competed, I could just see that look in her eyes.
02:24Knowing that she just admitted defeat.
02:27I think that you have to be able to take critiques in order to win this competition.
02:30The way she talks about her drag sometimes is as if all of us are too stupid to understand it.
02:35If we're not able to break it down.
02:37At the end of the day, we're all just entertainers.
02:39And we're here to entertain and do our part and showcase our art.
02:42And no one's better than anybody else.
02:43If you don't think that you're better than everyone, why are you here?
02:46Well, always arguing with critiques and making it about something that it's not is really frustrating too.
02:51Because we're all getting critiques that has nothing to do with your gender.
02:54Yeah, I would disagree with a lot of what you just said.
02:57Her art always has a powerful message.
02:59And there's nothing that she goes on stage without the message.
03:02And the message is what is important to her.
03:04So, some of us don't do that.
03:06Some of us are just about the look and the performance of the look.
03:09I feel like the message, though, sometimes got blurred.
03:11Because it's like she would go from talking about one thing.
03:14And then before you know it, ten minutes later, she's screaming about capitalism.
03:18It just sounded like she was screaming about her own personal vendettas,
03:21rather than being able to comfort somebody else.
03:23And the whole point of being a voice is being effective with your communication
03:26so people can be exposed to it.
03:28Because exposure leads to tolerance, tolerance to acceptance.
03:31People that make change don't do it lying down or a calm way.
03:34People that make change are radical and do it with fierce volume.
03:39She stayed true to her message.
03:41She went down in flames.
03:42And I just think it was the unfortunate downfall of not being able to compromise.
03:47Like Jack says every time, we're not critiquing your art.
03:50We're critiquing how you apply your art to the show.
03:54And I really just think that that was where she struggled to find it.
03:58She also found herself unwavering in being able to take critiques
04:04because she thought it was perfect in its message.
04:06I think it's important to take critiques.
04:08Not to change your drag, because that's not what they're trying to do.
04:11But I think it's important as insight for what they're looking for.
04:15If anyone understands that about taking critiques, it's me.
04:18The first challenge being in the bottom, I was like, fuck no.
04:22I listened to every single word they said, and they were like, amp it up.
04:26And I've taken every single critique they've given me and have applied it.
04:30Because I did not come here to stay stagnant and to not progress.
04:34But you know what's going to make you a winner?
04:36You listen to that critique and you apply it through the lens of your drag.
04:41But I know, yeah, you're giving me this critique in regards to my drag on this show.
04:46In the realm of this show, this is what you need to do to succeed.
04:50And I would be a goddamn idiot not to take it.
04:54And you know, regardless of all the opinions on her message or how intense she was,
05:00Dragula has made such a powerful movement, and including her and myself,
05:05and to break down all of those walls and to show that anyone can do drag,
05:10anyone can be a monster, anyone can do this, anyone can take it all the way to the end.
05:14And it really is because of this platform and the ways that we have to appreciate.
05:19Holla was a fantastic example of an AFAB queen.
05:24I'm honored to be a part of it, and I'm honored to be in this project that brought us all together.
05:30Attention, competitors. Attention, competitors.
05:34Please make your way to the main stage at this time.
05:38Once again, competitors, please make your way to the main stage at this time.
05:56Hello, uglies.
05:58Hi.
05:59Sometimes in the pursuit of drag monster status, a visit to the hospital is required.
06:05Whether it be a nip or a tuck to perfect your glamour,
06:08or just to stitch up the damage you've sustained during the competition.
06:12Either way, we're big fans of an operating theater,
06:15and have nothing but respect for the world of sutures and scalpels.
06:20For some people, the hospital can be a very scary place.
06:24And that's why we love it.
06:26This week, we're asking you to head into surgery and create a look suitable for our hospital of horrors.
06:34You'll be going on location to a real-life haunted hospital,
06:38where you'll be modeling your looks for photographers and editors from Alternative Press magazine.
06:44The monster with the best photos will win the challenge,
06:47and a two-page photo spread in an upcoming issue of Alternative Press.
06:52But be careful.
06:54If your brand of medical malady fails to increase our heart rate,
06:57you may be shocked at what we have in store for you during the extermination.
07:04Good luck, and remember, for one of you, this floor show will be your last.
07:19Ooh, there's goodies on there.
07:21Photo shoot!
07:23Another field trip!
07:25Photo shoot!
07:28Oh, it's about swan and trash, you guys.
07:31My dad!
07:33I want to read this.
07:35We see these AP magazines there with a story from the Boulay brothers,
07:39and we're getting to really find out what they've been through in life,
07:42and all of their struggles, and I can immediately relate.
07:45I remember as a child, my dad saying,
07:47there were only two things I could do that would make him disown me.
07:51Turn out gay or become a drug addict.
07:54Reading the Boulay's letter in AP magazine really showed a lot about their history,
08:00and made a lot of sense as to why they've worked so hard
08:04at giving us the platform that is Dragula.
08:07I've never forgotten what it felt like to not have a place, though.
08:10So the events I create, the community I help cultivate, and the show I am part of,
08:13I provide that thing I desperately needed as a child,
08:16a window and weird flower bed where seedlings are allowed to grow any way that they choose.
08:21So poetic.
08:23So beautiful.
08:25That definitely hits close to home, especially Jack Morta's letter,
08:30because I grew up in a very rural south town of about 500 people,
08:34and I remember getting really sick, and I was having flu-like symptoms,
08:39and I was 16, and my mom having to bring me to a medical clinic.
08:45The physician that was there started asking me questions,
08:48and then immediately, once she heard my voice and how I looked,
08:52she went to, well, have you had sex with men? Have you had unprotected sex with men?
08:56And I'm like, no.
08:58And they wanted to run a blood test to see if I was HIV positive,
09:02and whenever the physician left out, my mom looked at me,
09:05and she pointed her finger right in my face and said,
09:08if you have AIDS, when we get home, you're getting the fuck out of this house,
09:12and I'm not helping you at all.
09:14And I just remember feeling like, fuck.
09:17Like, okay, not even my mom cares.
09:22And I wasn't positive.
09:24Actually, it was the beginning stages of Lyme disease, which we got treated.
09:27But I didn't have a queer community for a really long time,
09:30and when I moved to Austin, I found one, and drag saved my life.
09:34It really did. I was so under the thumb my whole life,
09:37either through my parents or religion.
09:39I didn't start living my life until I was fucking 36 years old,
09:42and I started drag when I was 36 fucking years old, and now I'm 42.
09:46And these have been the most amazing, best years of my life
09:49because I've found a community, and I have family and friends
09:52that support my work and just support me as a person,
09:55and I'm fucking amazing.
09:57I'm an amazing person. I'm an amazing drag queen.
09:59My only regret is waiting so long.
10:02Sometimes parents do change, and they grow, and they realize, like,
10:05my mom carries, I'm sorry, I haven't talked about my mom in a while.
10:08I really miss her.
10:10My mom carries a guilt, such a strong guilt.
10:13I feel so terrible for what she put me through, and my dad too,
10:17and they both come to my shows now.
10:19Sometimes pursuing your family, you can help them grow,
10:22and they can become better people.
10:24You're very, very fortunate because it doesn't always happen that way.
10:30My parents will never see me perform.
10:34And they're older now too, and they both have health issues.
10:38So yeah, that has to be something I let go of.
10:42Is their approval.
10:45I'm alive when I'm on stage, and it's the first time I've ever felt alive,
10:49truly alive in my life.
10:51And to know that they will never be privy to any of that, it's a hurt.
10:58But I just put on my fucking bra strap, fucking put on that wig,
11:02and I go out there and fucking serve it.
11:04Because that's what I do, and that's what I was made to do.
11:08I think that's why we cling on to our drag personas so much,
11:12because that's the one person that'll never leave us.
11:15Queer people have a strength.
11:18You can see it in their face, because we've had to go through
11:21a lot of fucking shit in this world.
11:23Louisiana finally opens up to all of us,
11:25and she shares that her life did not get started until she was in her mid-30s.
11:29I think this is finally her time to open up and share what was going on with her,
11:33and I think that this is only going to make her stronger,
11:35and it's going to really rise her to the fucking top.
11:37Drag definitely saved my life,
11:39and I'm so fortunate to be here with these amazing performers
11:42and share my drag and to share my story.
11:45And this shows, too, that, you know, everyone's like,
11:48Dracula, ooh, spooky queens, and they're tough, and they're rough and gross.
11:52But this show has such a heart, too.
11:55It might be a black heart that's beating on me.
11:58Also, like, we're really, really fucking beautiful, too.
12:04Hospital of Horrors.
12:06I really do not like hospitals.
12:08So you're afraid of hospitals?
12:10I got my feet, like, cut up really, really badly in a boat propeller.
12:13I had 40 stitches.
12:15I got a needle through my finger.
12:20Choices.
12:21All right, ladies and gentlemen, are we ready?
12:23Is it that time?
12:24We're ready.
12:25We're ready to get this shit crack-a-lackin'. Let's do this.
12:27Let's get ooky spooky!
12:29Let's do this.
12:37My inspiration is the sexy female element of horror movies
12:43and the demonic killer side of horror movies.
12:47Yeah.
12:48I'm gonna play with the juxtaposition of beauty and gore
12:51and have it be, like, super classic, like, throwback, like, swoop bang.
12:57You want to tease in the opposite direction that you're intending to style.
13:00So in this case, because the bang went this way,
13:03So in this case, because the bang went this way,
13:06I teased this way, and then I smoothed out the bang to make it gorgeous.
13:12My inspiration for my hospital horrors comes from a lot of experience in hospitals,
13:16both personally and close family members.
13:18And I always have this feeling that Western medicine
13:22just is chasing intelligence and knowledge
13:26instead of really trying to help people.
13:28I'm using a lot of tubes that are coming out of my body,
13:31so I have this putty that I'm molding around these tubes
13:34so that I can then glue them to my body where I need
13:38and smooth the edges down once I'm getting into my job.
13:41My inspiration for my hospital horrors look is pulling a lot from, like, Shutter Island
13:45and my realm, the doctor, is obsessed with leeches.
13:48And so he's creating this, like, perfect woman
13:51that's, like, part leech, part beautiful girl.
13:54Right now, this entire thing was hand-molded and sculpted
13:58and then cast in silicone, so now I'm just adding the little teepees to the end.
14:01I kind of wanted to do, like, a mad cow disease kind of thing.
14:05And then I'm obsessed with one of the old-school horror movies, Eraserhead.
14:09And so I'm going to try to incorporate a baby into mine.
14:12Like, they, like, injected me with cow splooge,
14:14and then out came a baby out of my udder.
14:17My inspiration for my look comes from a lot of, like, horror video games.
14:22I used a lot of expandable foam and then painted over it
14:25to give you this swollen, parasitic attachment growing out of my skull,
14:30and then it's going to come down my arm.
14:32I wanted to be somebody who was trapped and experimented on,
14:35and this was, like, the result of it all.
14:39So I am working on one of my accessories.
14:42One of my favorite aesthetics is really cute and outwardly beautiful,
14:47but seriously creepy inside.
14:49So I'm burning this beautifully distressed rabbit
14:54by, um, setting it on fire.
14:57Everyone loves fire.
14:59I probably shouldn't be inhaling, but, you know, it's Dragula, right?
15:08All right. Well, I think that's enough for today.
15:10Let's go prep for surgery.
15:12Yeah.
15:19Let's go.
15:45Come on, hospital of horrors.
15:48Oh, let's go to the doctor.
15:50Absolutely.
15:51So it's a new day. We're on our way to the horror hospital,
15:54and I am really excited to show what I have going on in here.
15:57With a lot less people in the room, there sure is room for my stuff on this table.
16:02Who's excited, y'all, for the challenge?
16:04I am so pumped.
16:06I am, like, I thrive when I get to be scary.
16:09So, like, I am fully dipping into the horror pool today.
16:13Right. And that prize, a two-page spread in alt press, that's very exciting.
16:17So exciting.
16:19Let's get right into it.
16:33So let's do a scorecard, like, count off.
16:35So, Eva, I know you have two wins.
16:38You won the first one, and then you've been safe.
16:41And then Priscilla has a win now.
16:43Yay.
16:44Yes, yes, yes, yes. And then Landon, you have a win as well.
16:46Yes.
16:47What about you, Louise Hanna?
16:49Yes. I've not won anything yet, but I've been in the top three the last two challenges,
16:55and I was in top three for Vampire Queen.
16:58I feel like I'm on a trajectory, so that makes me feel confident.
17:02I may not have won a challenge, but I've been in the top three consistently,
17:07so I should not be underestimated.
17:09Good, because you've been rising.
17:11Yeah.
17:12You've been seriously, like, you've been climbing your way.
17:15Thank you.
17:16Like, honestly, like, I hope you, like, you claim a win.
17:19Thank you. So do I. So do I.
17:22Attention, competitors. Attention, competitors.
17:26The Floor Show is about to begin.
17:29The Floor Show is about to begin.
17:33Competitors, please make your way to the main stage.
17:46The Floor Show
17:48The Floor Show
17:50The Floor Show
17:52The Floor Show
17:54The Floor Show
17:56The Floor Show
17:58The Floor Show
18:00The Floor Show
18:02The Floor Show
18:04The Floor Show
18:06Welcome to the operating theater, my little mutants.
18:09Tonight, our competitors have been tasked with going under the knife
18:12and stitching together a hospital horror look that stops hearts dead.
18:16Our monstrosities then went on location to an abandoned hospital
18:19to model against each other in a head-to-head photo shoot challenge.
18:22In addition to tonight's Floor Show,
18:24the judges will also have to decide which of our dragzillas
18:27were able to deliver the strongest photo of the evening.
18:29Poetically, the winner of tonight's challenge
18:31will win a feature spread in Alternative Press Magazine
18:34to showcase to the world their malignant majesty.
18:37Here to help us judge tonight's Floor Show
18:39are two special guests from the world of both print and film.
18:42First up is an individual
18:44whose performance in the new horror classic, Hereditary,
18:47not only had some audience members scalped,
18:49she left others feeling literally decapitated.
18:52Please welcome Millie Shapiro.
18:54Hi, I'm so happy to be here.
18:56Millie, darling, it is so wonderful to have you on the show.
18:58I couldn't be more excited.
19:00And our next judge is a celebrated journalist
19:02and marketing director for Alternative Press
19:04who has helped the whole generation keep tabs on the underground.
19:07Please welcome Paige Owens.
19:09Welcome to the show, Paige. We are very excited to have you.
19:11Thank you so much for having me.
19:13This is the first time on this side of the country,
19:15and I'm so excited to be here.
19:17Now, it's time to dim the lights, start the music...
19:20And let the Floor Show begin.
19:23FLOOR SHOW BEGINS
19:53FLOOR SHOW CONTINUES
20:23FLOOR SHOW CONTINUES
20:53FLOOR SHOW CONTINUES
21:23FLOOR SHOW CONTINUES
21:26FLOOR SHOW CONTINUES
21:29FLOOR SHOW CONTINUES
21:32FLOOR SHOW CONTINUES
21:35FLOOR SHOW CONTINUES
21:38FLOOR SHOW CONTINUES
21:41FLOOR SHOW CONTINUES
21:44Now let's take a look at what happened
21:46when we sent our ghouls on location to an abandoned hospital
21:49to see which of them could capture the most powerful photograph
21:52in part two of tonight's Hospital of Horror Challenge.
22:05We're headed to the horror hospital,
22:07and I am really excited to showcase what I have in my sleeve this week.
22:23This week is our photoshoot challenge. I'm super excited.
22:29Paige being there during the photoshoot was a little intimidating,
22:32but I got myself a good picture.
22:34It's throughout the place in the photoshoot
22:36where I am bringing out my pink brain sludge, and I feel horrifying.
22:53The photoshoot is going really well. The photographer is amazing.
22:57I am killing this photoshoot.
23:03I am so, so pumped because I thrive when it comes to photoshoots.
23:23I'm feeling good right now.
23:25I am pretty confident that I knocked this photoshoot out of the park.
23:32I'm doing my photoshoot.
23:34My body has been in all types of weird, fucked-up ways.
23:37Fuck, I've got this one.
23:46I'm going to do a Mad Cow Disease-inspired patient.
23:53I love my look. I'm excited for these photos.
24:08I feel like a demon bitch crawling across the ground,
24:10and of course Paige is sitting there watching me the whole time.
24:14I feel like a demon bitch crawling across the ground,
24:16and of course Paige is sitting there watching me the whole time.
24:25I am just trying not to crumble.
24:44I am just trying not to crumble.
25:03First, the judges would like to thank you all
25:05for showing us that medical mayhem can be marvelous.
25:10As always, I want to remind you that we are not here to judge your drag tonight.
25:13Drag is art, and art is subjective.
25:16What we are judging you on is your drag as it relates to this competition
25:19and the challenges that we put before you.
25:22Now that there are only six of you remaining,
25:24I regret to inform you that from this point forward,
25:26no one will be just safe.
25:29You are either one of the strongest or one of the weakest,
25:33and there is no in-between.
25:35You've thinned the herd, and you are halfway to the crown
25:37and the $25,000 prize.
25:39So the critiques are going to be scalpel sharp,
25:41and they are going to sting.
25:43So we are going to start off with Louisiana Purchase.
25:47Let's start by taking a look at Louisiana's photo.
25:53I have to say that this Pepto-Dismal pink
25:55was a real relief from what I saw tonight.
25:58I think this character is cute,
26:00and you had a lot of sadistic little tricks up your sleeve.
26:02I do have some criticism.
26:03Those guts, that liver, whatever was in that box,
26:05you brought us to kind of crazy.
26:07I wanted you to bring us to, like, psychotically maddening.
26:10What, did you want her to eat it?
26:12If you did, I would have gagged.
26:13I would have laughed.
26:14I would have, too.
26:15The strangle marks were a nice touch.
26:17You could see this, like, strangled, murdered candy
26:19striper haunting the hospital.
26:21Really good concept.
26:22Louisiana, I really loved your look.
26:24You took great direction, and I was blown away
26:27by what you delivered.
26:29You just look stunning.
26:30Thank you so much.
26:31The moment you walked on stage,
26:32I was instantly attached to your character,
26:34and I loved the color.
26:36I loved the story that you were telling,
26:37and I thought it was really cool.
26:39Thank you so much.
26:45Wait, but it's less of a tongue pop, right?
26:47It's more like a...
26:49So let's move on to Landon Sider.
26:51All right, Landon, let's look at your photo.
26:57I really liked it.
26:58I had, like, this whole, like, story pictured in my mind
27:01that you were this doctor that wanted to get smarter
27:04and smarter, and you started going mad for it,
27:06and, like, you're doing lobotomies on your patients
27:08so you'd be smarter than them.
27:09And I just had, like, this clear image,
27:11and I thought it was just really well done.
27:13Thank you.
27:14Seriously, my hat's off to you.
27:16My brain's out to you.
27:18Can you tell me about the book a little bit?
27:20I painted this book myself.
27:22It was supposed to be a kind of foreshadow moment
27:25where it's hunger for intelligence,
27:26and then I end up eating my own brain.
27:28Drag her, Paige.
27:29All right.
27:30I'm so sorry, but there is a little irony to this.
27:33You actually misspelled intelligence?
27:35Um, it was not a choice that I made on purpose,
27:38but I'm kind of into it now
27:39because I think I'm going to make a T-shirt
27:41and capitalize on the moment, so...
27:42Genius.
27:44You're just so solid.
27:45I think this is Landon Sider at your strongest,
27:48at your most inspired.
27:49Every detail is just meticulously thought out
27:52and spent time on, and not just time you spend.
27:55I get this idea that you enjoyed the entire process.
27:59Let's move on to Dahlia Black.
28:01Let's take a look at your best photo.
28:03Oh, my fucking God.
28:04Yes!
28:07I think the consensus was that you gave one of,
28:09if not the strongest photos of the night.
28:12The way you contorted your body, your torso, your legs,
28:15I mean, you were almost on your head.
28:17It made for an amazing photo shoot.
28:19I really liked the look,
28:20but I was distracted by the underwear you were wearing.
28:23It kind of took me out of it a bit.
28:25Other than that, I really liked it.
28:27I didn't get as ahead of a start getting ready today
28:29as the other girls did.
28:30It was my own fault. I wasn't prepared.
28:33Not to be shady,
28:34but these are the things that nobody cares about.
28:36No one gives a shit,
28:37because you can never give that disclaimer to your audience.
28:40I am petrified that these fucking purple underwear
28:43are going to put me in the bottom.
28:44Underwear. In the bottom for underwear.
28:46Can you imagine after all this
28:48being exterminated over purple bloomers?
28:52Ha ha ha.
28:54All right, thank you.
28:55So we're going to move on to Priscilla Chambers.
28:58Priscilla, let's look at your photo.
29:00Oh.
29:03I thought that you had a really good concept,
29:05but I felt like you were being upstaged by the calf.
29:08You were almost using it as a crutch,
29:10and you're not going as far as I think you should have gone.
29:13Honestly, with such a big facial piece,
29:15I had a very hard time pulling any of your facial expressions,
29:19and it seemed like you might be struggling
29:21a little bit with that during the shoot.
29:23Priscilla, don't have a cow,
29:24but we didn't love the execution today.
29:27Oh, shit.
29:28The prosthetic needs work.
29:29This belly needs the same skin tone as your own skin tone,
29:33and maybe a little bit of attention
29:34to the way it adheres to your body.
29:36Conceptually, I think really strong.
29:38The execution, kind of on the weak side.
29:40Can we talk about the calf a little?
29:41I just need to be clear about this.
29:43Just tell us about where the calf came from.
29:45The cow was a stillborn.
29:46I like the idea of preserving beauty after death,
29:48and so I brought my little baby out
29:50and tried to give her life one more time on this stage.
29:53Nothing is killed.
29:54It is entirely cruelty-free.
29:55It is all naturally found.
29:56I just want to be clear that obviously
29:57we don't advocate any sort of animal cruelty in any way.
30:00In fact, we're the exact opposite.
30:02We love animals and hate people, so...
30:04Exactly.
30:06And moving on, Eva Destruction.
30:09Let's have a look at your photo.
30:11Yeah!
30:12Oh, yes, bitch. Come on, wheelchair.
30:14I had a bit of an issue with some of the blood splattering
30:16and the splatters on the bottom of the dress.
30:18It doesn't seem like it would logically get there
30:20without it being also in that same spot on your tights,
30:23and I feel like that really took me out of it.
30:25Just so you know, you can see Millie on CSI next season.
30:29Millie just read me for my tights.
30:32I'm actually gagged right now.
30:34I'll have to say, you know, conceptually,
30:36maybe not one of the strongest things we've seen tonight,
30:39but your performance, I think your strength
30:41is absolutely your ability to perform.
30:43The fungal growth, particularly around your head,
30:46it looks just like it's kind of plopped on.
30:48You might want to play with, like, treatment of the hair
30:50to show, like, a lot of less growth there.
30:52I was impressed and scared that you were screaming so loudly,
30:56but I really enjoyed the energy you brought
30:58to the photo shoot and to the stage.
31:00I couldn't keep my eyes off you.
31:01I do want to say, though, you get extra points
31:03for striking fear into the guest judges, so a good job.
31:06Just because of you and the concept
31:08you've been bringing so far,
31:09I was underwhelmed by this concept,
31:11and look, I think you could sell it a little better.
31:14That brings us to Madeline Hatter.
31:17Let's see your photo.
31:20Oh, yes!
31:22Madeline, at the photo shoot,
31:23I was really impressed with how well you know your body
31:27and know your face.
31:28As much as I loved your photo shoots
31:30because you're beautiful,
31:31I wasn't sold on your character.
31:33I wasn't too sure about your concept.
31:35I really liked the jacket.
31:36I thought that was really cool, but then once you took it off,
31:39it was just the white jumpsuit, and I wanted more.
31:42Agree. Concept, probably a D.
31:45It's low, and at this point in the competition,
31:47you don't want to take risks
31:48unless you know you can nail it,
31:49because it's going to stick out.
31:50Especially if you look around,
31:51all of you are kind of coming to this level now
31:53where it's like, if you bring it out here,
31:55it better be right on.
31:56I think that a theme like the hospital of horrors
31:59is a great opportunity to tell a story with your look.
32:02You almost have to,
32:03and your look probably left me the most confused.
32:06I just wasn't sure where it was going to go
32:09or where it was coming from at all.
32:11Madeline's outfit is a jumpsuit with a cape.
32:14Groundbreaking.
32:17I mean, I'm a bloody killer doctor.
32:19I don't know how much more direct I have to be.
32:22I guess it wasn't deep enough.
32:23Now it's time to announce the winner
32:25of our hospital of horrors challenge.
32:29And the winning monster is...
32:34Landon Sider.
32:35Congratulations, Landon.
32:37Thank you, thank you, thank you so much.
32:39You have also won a feature photo spread
32:41in an upcoming issue of Alternative Press Magazine.
32:43After hours, of course.
32:46You may leave the stage.
32:47Thank you.
32:48So even though I misspelled intelligence,
32:50I still won the AP Magazine spread,
32:52and I have my brains to thank me for it.
32:54Louisiana Purchase and Dahlia Black,
32:57both of your looks also had us screaming in a good way.
33:01You may both leave the stage.
33:03Thank you so much.
33:08The three of you were the weakest tonight,
33:10and two of you will face extermination.
33:13Eva Destruction,
33:15you have survived judgment,
33:17and you will live another day.
33:19Thank you.
33:20Get off the stage.
33:22I am literally gasping for air.
33:25I am so relieved that I am safe for this challenge
33:29because I do not want to know
33:31what's in store for the bottom two.
33:33That means Priscilla Chambers and Madeline Hatter,
33:35you are both up for extermination tonight.
33:38Madeline, if I didn't know better,
33:40I might start to think you're doing this on purpose.
33:42Anyway, the extermination challenge
33:44is your last chance to prove to us
33:46that you have the guts and the glamour to be spared
33:48and stay in the competition.
33:50We will take into consideration your look,
33:52your performance, and how you fare in this final challenge
33:54to decide who will live and who will be exterminated.
33:58Tonight, you failed to make our medical nightmares come to life,
34:01and too bad for you,
34:03the penalty for failure at this stage of the game
34:05is going to be shocking.
34:08We have set up a nice, cozy,
34:10We have set up an operating table
34:12where you must delicately remove body parts from a cadaver.
34:15If your surgeon's precision slips in any way,
34:18you'll be lit up with 6,000 volts of white, hot electricity
34:22right through a live wire placed directly on your neck.
34:26Nothing wild.
34:29All of the body parts must be removed from the cadaver
34:31before the extermination is over.
34:33So if you slip multiple times,
34:35your entire personality may end up getting rewired
34:38the old-fashioned way.
34:40I do hope your next of kin have been notified
34:42and your power of attorney is in order.
34:44Once we're done with surgery,
34:46one of you may be left in the morgue.
35:07Let's fucking do it.
35:09No shock at 5.
35:38Fuck!
35:53Come on, bitch.
35:57The whole table?
36:01Ow! Fuck!
36:07Mm-hmm.
36:25Okay.
36:29Fuck! God damn it!
36:33Ah, fuck!
36:35I can't reach it without getting shot.
36:38I don't want to fucking go home.
36:40I've got to...
36:47Ow! Fuck!
36:49Mm-hmm.
36:55Mm!
36:57Ah-ha-ha-ha!
37:02Fucker.
37:07That's a lot of wire, cunt.
37:09Oh, bitch. All right.
37:16Ah, shit!
37:22Oh, bitch. All right, fuck it.
37:28Oh, that's fucking brutal.
37:32Fuck you!
37:34Can I just lip-sync for my life?
37:38Ah-ha-ha-ha!
37:40I'm not fucking going home.
37:42I'm not fucking going home.
37:45Ah!
37:59Ah, fuck you!
38:01Ah-ha-ha-ha! Yay!
38:04Fuck, I did it.
38:06Ah! Fuck you!
38:08Ha-ha-ha-ha-ha!
38:14Oh.
38:39Oh, my God.
38:41What the fuck?
38:43Where am I?
38:48Oh no. Oh no.
38:51Oh you got fucked.
39:13You