A Family Affair (2024)

PicturePerfectChannel

A Family Affair is a 2024 American romantic comedy film directed by Richard LaGravenese and written by Carrie Solomon. The film stars Nicole Kidman, Zac Efron, Joey King, Liza Koshy, and Kathy Bates. It was released by Netflix on June 28, 2024. It received mixed reviews from critics.

Transcript

00:00:00Call me good, call me bad, call me anything you want to, baby, but I know that you're

00:00:29sad.

00:00:30And I know I'll make you happy with the one thing that you never had.

00:00:31Baby, I'm your man.

00:00:32Hey, what's going on, everybody?

00:00:33For First We Feast, I'm Sean Evans, and you're watching Hot Ones.

00:00:34And today, we're joined by Chris Cole.

00:00:35He's an actor you know for his beloved superhero franchise, Icarus Rush.

00:00:36With Icarus Rush Labyrinth on the way, this year, it could be his best year yet.

00:00:37You bet.

00:00:38If you're gonna do it, do it right, right, do it with me.

00:00:39If you're gonna do it, do it right, right, do it with me.

00:00:40If you're gonna do it, do it right, right, do it with me.

00:00:41If you're gonna do it, do it right, right, do it with me.

00:00:42If you're gonna do it, do it right, right, do it with me.

00:01:03If you're gonna do it, do it right, right, do it with me.

00:01:33If you're gonna do it, do it right, right, do it with me.

00:01:34If you're gonna do it, do it right, right, do it with me.

00:01:35If you're gonna do it, do it right, right, do it with me.

00:01:36If you're gonna do it, do it right, right, do it with me.

00:01:37If you're gonna do it, do it right, right, do it with me.

00:01:38If you're gonna do it, do it right, right, do it with me.

00:01:39If you're gonna do it, do it right, right, do it with me.

00:01:40If you're gonna do it, do it right, right, do it with me.

00:01:41If you're gonna do it, do it right, right, do it with me.

00:01:42If you're gonna do it, do it right, right, do it with me.

00:01:43If you're gonna do it, do it right, right, do it with me.

00:01:45That's fine.

00:01:46You can go ahead.

00:01:47This is a lesson.

00:01:48I'm being taught something here.

00:01:49I'm being taught that if I let you in,

00:01:52I'm gonna get there faster.

00:01:54It's good karma.

00:01:57Oh my God!

00:01:59Now I'm going to lose my shit.

00:02:06Thanks for coming.

00:02:07Thanks for changing your plans.

00:02:09Oh, of course.

00:02:11You know I'm always here for you.

00:02:13I'm so sorry.

00:02:14I've been so preoccupied with the movie starting.

00:02:17Well, don't worry, Chris.

00:02:19I mean, I'm not one of those needy girlfriends.

00:02:22I know we're okay.

00:02:23Right.

00:02:24Okay.

00:02:25Anyways, I got to thinking.

00:02:27Yeah?

00:02:28Where is Ashley in all of this?

00:02:31Where is this wonderful woman that I'm so grateful I've gotten to know?

00:02:34And I think it's time we took a big step.

00:02:39May I tell you the specials?

00:02:40Yes, please.

00:02:41In great detail.

00:02:42If you don't mind, I'm starving today.

00:02:45Excuse me one second.

00:02:46Okay.

00:02:47Absolutely.

00:02:49Text message from Chris Cole.

00:02:54Read it.

00:02:55Where the fuck are you?

00:02:57I don't care if you have to sell a vital organ.

00:03:00Get your ass here or you're fired.

00:03:05What we have is so special and spectacular and...

00:03:09Whoa, hi!

00:03:10Hi.

00:03:11That, uh, you know...

00:03:12You see that really, really famous guy over there that looks really mad at me right now?

00:03:15It looks like he wants to kill me.

00:03:17Yeah, that's my boss.

00:03:18And I really need to get this.

00:03:19Whoa!

00:03:20He...

00:03:21I'm furiously joyful.

00:03:24And I have to get it over there or he'll kill me for real this time.

00:03:27Can I?

00:03:32I'll have paparazzi here before he leaves.

00:03:34Thank you.

00:03:36Oh my gosh, is that Bradley Cooper?

00:03:38Where?

00:03:41Nope.

00:03:42It's just a normal person.

00:03:48Can I get a water, please?

00:03:49Thank you.

00:03:51Sweetheart, you and I, we're great.

00:03:55And it's because of how great we are that I feel at the same time

00:03:59that we're heading in a direction that we're not quite equipped for.

00:04:03Huh?

00:04:04I'm gonna be immersed in this film.

00:04:06That's how I work.

00:04:08So I just think it would be best if we took our foot off the gas a little bit.

00:04:13Wait, what?

00:04:15You just said we should take the next step.

00:04:17I said a step.

00:04:18You said a big step.

00:04:19I know.

00:04:20You did.

00:04:21And that big step is a big step away from this relationship.

00:04:27Does that make sense?

00:04:29Hold on, you're...

00:04:30Wait, you're saying that you're ending this?

00:04:32Ashley, you and I both know that there's a future for us.

00:04:37It's just, it's not a future that starts right now.

00:04:41Hey, hey, I still want to be friends.

00:04:45Do you even have friends?

00:04:55I'm gonna take these, though, because they're gorgeous.

00:04:58Okay.

00:04:59Bye.

00:05:01Bye.

00:05:13Oh my God, listen to these lyrics.

00:05:14Cher's singing this about me.

00:05:15Listen, listen.

00:05:30I really don't think you're strong enough, no.

00:05:35Where were you, by the way?

00:05:37Jesus.

00:05:38I was stuck there, stalling, just riffing, making it up as I go.

00:05:43And you're so lucky that I won improv championships when I was a kid,

00:05:47because, believe me, that was one of my best performances of all time.

00:05:50Still, I had to say a lot more than I wrote down last night,

00:05:54which means Ashley probably felt the sting of rejection much more because of you.

00:05:59Because of, you're blaming that on me? Really?

00:06:03Sometimes the incompetency, like you deserve to be fired.

00:06:07Then fire me.

00:06:08No.

00:06:12Is this about the movie?

00:06:13I know you think I'm paranoid, but if three doesn't do well what we're filming for,

00:06:16then they won't invite me back for five and six.

00:06:18So? Who cares? It's okay.

00:06:20You know, you'll have actual time, like a real actor, to do other things.

00:06:24I'm worried that the script doesn't make sense.

00:06:26That's because it doesn't make sense. It's very confusing.

00:06:28Like the whole department store Santa being a Nordic terrorist thing.

00:06:32They want it to be a Christmas movie. It's Die Hard meets Miracle on 34th Street.

00:06:36The real Santa is kidnapped.

00:06:38Why do you have to go to Antarctica before you're running with the suicide-bombing reindeer?

00:06:42Like, do you hear how stupid that sounds?

00:06:44No. It's Die Hard meets Miracle on 34th Street with a little bit of speed.

00:06:47But speed was already Die Hard on the bus.

00:06:49Now you're just being confusing on purpose.

00:06:51No. I've been telling you that it needs a rewrite.

00:06:53And I actually found a great writer for that.

00:06:55All right. I have an idea.

00:06:56Tomorrow, we're going to find a great writer.

00:06:59I'm going to comb through all the agent lists, be at my house at 8.30.

00:07:03But first, you've got to go clean up this mess and pick up my stuff from Ashley's.

00:07:07No. God, please no, Chris.

00:07:10When you gave earrings to Kimmy and Whitney, it was, like, so awful for me getting your stuff back.

00:07:15I felt like I was grave robbing.

00:07:16What are you talking about?

00:07:17I left my autographed Jordans there.

00:07:19I left my Himalayan T-shirt.

00:07:21I left my copy of The Courage to be Disliked.

00:07:24I have several underwears there.

00:07:26And people sell those.

00:07:28So, my house, 8.30.

00:07:30And bring a latte with cow's milk from a real cow.

00:07:34You still make that, right?

00:07:37Or is that line canceled?

00:07:47I know it's repetitious.

00:07:49I know that. I'm sorry. I'm just...

00:07:51No, no, no. There's something here.

00:07:53It's just too many words.

00:07:58This reads like you're thinking of finally getting out there again.

00:08:02I don't know. Everything I write sounds irrelevant to me.

00:08:05Do you feel irrelevant?

00:08:06No. I find myself absolutely fascinating.

00:08:10That's because you are.

00:08:14I'm scared.

00:08:16I haven't written anything for me in so long, and it's...

00:08:19That's just growing pains, kid.

00:08:22We all go through it.

00:08:24Life walloped you.

00:08:26Picked yourself up.

00:08:27You raised that gorgeous girl, Zara.

00:08:30Now you just don't know which direction to take.

00:08:33It's okay. It's exciting.

00:08:36You get to ask yourself, who was I?

00:08:39Who was I before I was everything to everybody else?

00:08:43Why do you write?

00:08:45Why do I write?

00:08:49To find out what I think about things I don't understand.

00:08:56Well?

00:08:58And what things don't you understand now?

00:09:00Now?

00:09:01Now.

00:09:05Pretty much everything since Charlie died.

00:09:07Well, you've never written about Charlie.

00:09:10Because it's not easy.

00:09:12And if I did, I don't think I could let you read it.

00:09:15Why not?

00:09:16I was your editor before I was your mother-in-law.

00:09:19Yeah, but you're Charlie's mother before you were my editor.

00:09:23Before I was Charlie's mother,

00:09:25I was a young woman who wanted things for herself.

00:09:30I wanted to be Stevie Nicks.

00:09:36We're still everything we always were, kiddo.

00:09:40I love to believe that.

00:09:52Mom?

00:10:11Hey, Mom.

00:10:14Hey, baby.

00:10:16Beautiful, huh?

00:10:19How's Grandma?

00:10:21She was good.

00:10:24Mom, were you my age when you published your first book?

00:10:27Um...

00:10:29No, I was 29. Why?

00:10:33I'm just wondering when my life is gonna start.

00:10:37You're 24, baby.

00:10:39And you're smart and you're talented.

00:10:42And you work hard. It's gonna pay off.

00:10:46Isn't Chris building you up to run his company?

00:10:50Sometimes I think he forgets.

00:10:52Well, don't let him forget.

00:10:54You tell him what you want.

00:10:56Don't let him push you around because he's famous.

00:10:59You just speak up for yourself.

00:11:01You can do that.

00:11:10Hi.

00:11:12Can't sleep.

00:11:14Just thinking about everything you said about the movie today.

00:11:17Hey, Chris, do you remember when you first hired me

00:11:20and you said that you would, you know, you'd train me to...

00:11:24You could run an error for me really quick.

00:11:26Just, like, really quick error.

00:11:28Sure.

00:11:30Are you sure that this grocery store isn't gonna have this?

00:11:33Like, what is it? What is it called again?

00:11:37Okay. I mean, gosh, you play one superhero

00:11:39and you're, like, a biochemist or something.

00:11:42And if you see anything else that's, like, kind of fun or...

00:11:44I don't know.

00:11:46Cool. Feel free to grab that.

00:11:48What... What does that mean?

00:11:50Like, that's incredibly open-ended.

00:11:52My version of fun is not your version of fun.

00:11:55I don't know.

00:11:57Anything. Anything different or cool or interesting that's...

00:12:00I don't know.

00:12:02I don't know. Anything.

00:12:04Anything different or cool or interesting that I might like.

00:12:08Well, you're not gonna be surprised, but you're gonna like it.

00:12:11You know, I can't remember the last time I was in a grocery store.

00:12:14I mean, we blew one up and Icarus won.

00:12:17You know what I'm saying, though, right?

00:12:19Like, I can't just run around the corner and pick up some ham.

00:12:23Ham?

00:12:25Do you eat ham, Chris?

00:12:27I'm just saying, it's probably been a decade.

00:12:30How can that be true? That's nuts.

00:12:33Yeah, that is nuts.

00:12:35Like, have supermarkets changed at all?

00:12:37Well, I'm looking at the Oreo aisle,

00:12:40and it's gotten totally out of control.

00:12:42I'm seeing cinnamon bun Oreos,

00:12:44something called snowy enrobed Oreos,

00:12:48frickin' strawberry shortcake.

00:12:50It's insane.

00:12:51Strawberry shortcake Oreos?

00:12:53Yeah.

00:12:54No way.

00:12:55Do you want some?

00:12:57Yeah.

00:12:58Okay.

00:12:59That's so cool. What else is there?

00:13:01Ah, what else is there?

00:13:03Thoughts that you wouldn't know about.

00:13:05Do they still have those little rainstorm things on all the vegetables?

00:13:08I always loved those.

00:13:10They do, yeah.

00:13:12I believe I found the Golden Goose.

00:13:15It says, like, 5g BCAA, 0.5g fat, 25g protein.

00:13:20Like, that one? That's the one?

00:13:23I don't know, Zara. I'm a playwright.

00:13:25I don't like the idea of rewriting another writer.

00:13:27There's already been six writers.

00:13:29I don't want to be number seven.

00:13:31It's a paying job. God, don't you want that?

00:13:33No, actually.

00:13:35Organizing rich people's closets is deeply fulfilling.

00:13:38I'm a little concerned.

00:13:39Why does this woman have so many scarves?

00:13:41She doesn't have a neck.

00:13:42No.

00:13:43Yeah, it's actually a condition.

00:13:44Oh, God, now I feel terrible for inquiring about it.

00:13:47Can you please just fix Chris's script?

00:13:49Zara.

00:13:50Come on, that way he can read your script,

00:13:52and then we can have an easier time getting financing,

00:13:54and you can actually get a movie made.

00:13:56I just don't think I can write action heroes.

00:13:58Of course you can.

00:13:59What about the rewrite you told me to do on my movie?

00:14:01Yeah, that was great.

00:14:02It needed more scenes with the dad

00:14:03if we're trying to get Chris to play the dad.

00:14:05It's not about the dad, though.

00:14:07You know, it's a coming-of-queer dramedy,

00:14:09my coming-of-queer dramedy.

00:14:10I mean, what's this movie even about?

00:14:12It's Die Hard meets Miracle on 34th Street.

00:14:15So it's not about anything.

00:14:16I know, okay.

00:14:17Chris can be great.

00:14:19Please, when can you start?

00:14:20Well, I have to organize this woman's entire life,

00:14:23which will take me until tomorrow.

00:14:25How have I gone 24 years without this hugging my boobs?

00:14:29Put it in your bag.

00:14:54What the...

00:14:59No, I changed the code.

00:15:02What?

00:15:03You don't even know how to do that.

00:15:05I called Taylor.

00:15:06Taylor?

00:15:07Your masseuse?

00:15:10Oh, my God.

00:15:11Oh, my God.

00:15:12Oh, my God.

00:15:13Oh, my God.

00:15:14Oh, my God.

00:15:15Oh, my God.

00:15:16Oh, my God.

00:15:17Oh, my God.

00:15:18Oh, my God.

00:15:19Oh, my God.

00:15:20Oh, my God.

00:15:21Oh, my God.

00:15:22Oh, my...

00:15:28Hello?

00:15:29I told you to be here at 8.30.

00:15:31I called you.

00:15:32You didn't pick up.

00:15:33I had that meeting with that great writer for the rewrites,

00:15:36and I ran late.

00:15:37What writer?

00:15:38I said be here at 8.30.

00:15:39Oh, my God.

00:15:40Chris, I understand that, but...

00:15:42Forget it.

00:15:43You screwed up.

00:15:44You screwed up big time.

00:15:45I'm really upset.

00:15:46I want a letter of apology.

00:15:47And you better have my stuff and my latte,

00:15:50or you really are fired.

00:15:52Dead serious.

00:16:16Jeez, come on, Joaquin.

00:16:17Stop it.

00:16:18Don't take pictures of this.

00:16:20God.

00:16:27Nazara, that could have opened the gate.

00:16:29I had to do this myself, Emmanuel.

00:16:43God.

00:16:50Where is he, Mila?

00:16:51Upstairs.

00:16:52Nazara, you told me if you get a twinkle in your eye

00:16:55to tell you to take a breath.

00:16:57Take breaths, Nazara.

00:16:58Not this time, Mila.

00:17:00Oh, boy.

00:17:0439.

00:17:0740.

00:17:08Oh, jeez.

00:17:09Who let you in?

00:17:11I climbed the gate.

00:17:12You climbed the gate?

00:17:15Wow.

00:17:16This is a whole new level of desperation.

00:17:19Well, do you have my stuff or what?

00:17:22I quit.

00:17:25What?

00:17:26I climbed the gate because I thought it was the decent thing

00:17:28to tell you face to face that I quit.

00:17:37Wait.

00:17:38Wait.

00:17:39Nazara.

00:17:40Damn it.

00:17:41Nazara.

00:17:42Nazara.

00:17:43Just wait a second.

00:17:44Nazara, you can't quit now.

00:17:46We start filming Monday.

00:17:47We have to go over my lines.

00:17:48Well, I will train whoever you hire.

00:17:50Please, Nazara.

00:17:52Mr. Chris.

00:17:53Mila, just give it a rest.

00:17:55Nazara, come on.

00:17:56I can't find someone to trust in a weekend.

00:17:58Well, I can't have my job held over my head like I'm a hostage.

00:18:02God, Chris, I work my ass off for you.

00:18:05And for what?

00:18:06Do you like doing this?

00:18:07You're making Mila cry.

00:18:08You know what?

00:18:09Two years ago, you said I would start as your assistant

00:18:11and I'd learn the business.

00:18:12Then I'd become associate producer and then producer

00:18:14and eventually work up to running your company.

00:18:16You have no experience producing.

00:18:18And how am I going to get experience, Chris,

00:18:20when all I do is pick up your dry cleaning?

00:18:22God, I mean, I told you to do that Raymond Farr movie

00:18:24and you didn't listen.

00:18:25And the actor who did do it got an Oscar.

00:18:27Because I can't play a blind alcoholic.

00:18:29It goes against my iconography.

00:18:32My eyes are too pretty to not be on camera.

00:18:35I told you we'd see your eyes.

00:18:38It's not a Stevie Wonder biopic.

00:18:40It doesn't matter.

00:18:41Audiences want me sober with 20-20 vision.

00:18:44And this is exactly what I'm talking about, Zara.

00:18:46You don't understand this business.

00:18:48Oh, this business?

00:18:49Really, I don't understand.

00:18:50Where your agents and managers have put you in garbage

00:18:52to make money off of you?

00:18:54I actually care about you, Chris.

00:18:56I should be running your company.

00:18:57Yeah, because you know everything.

00:18:59No, because I know no one wants to see

00:19:01Die Hard meets Miracle on 34th Street.

00:19:04Meet Speed.

00:19:07I can't believe you're saying this to me right now.

00:19:09I'm already freaking out as it is.

00:19:11They paid me a fortune.

00:19:13Well, give the money back.

00:19:14Give the...

00:19:16Oh, are you insane?

00:19:19Do you know how much my life costs, Zara?

00:19:22Yes.

00:19:23Security, publicists, lawyers, doctors,

00:19:27cooks, shrinks, meds, drugs.

00:19:30Do you know how much it costs to rent a private plane?

00:19:33It's a lot.

00:19:34I'm lucky I can even keep the lights on.

00:19:36You're never going to promote me, are you?

00:19:40What the...

00:19:42What?

00:19:43Are you kidding me?

00:19:44You put my chatouche in a plastic bag

00:19:47with my dirty sneakers?

00:19:49Your what?

00:19:50This is a chatouche T-shirt.

00:19:53It's made from the hair of endangered Tibetan antelopes.

00:19:56It's the world's softest fabric.

00:19:58It's one of a kind.

00:19:59I only have two.

00:20:00You've been wearing an endangered species?

00:20:03It was a gift from a Tibetan monk

00:20:05I met in Santa Barbara

00:20:07and it's irreplaceable.

00:20:09You're fired.

00:20:11You're so fired.

00:20:12You know what?

00:20:13I am so infinitely disgusted

00:20:18and done with you.

00:20:20Fine.

00:20:21Then get out of my house.

00:20:22Happy to.

00:20:23Fine.

00:20:24Bye.

00:20:25Well, this is it, then.

00:20:26Sayonara, bitch.

00:20:28Don't even try and come back.

00:20:30Going.

00:20:31I mean it.

00:20:32Me too.

00:20:33We're done.

00:20:34Oh.

00:20:36This is it.

00:20:37This is over.

00:20:39No coming back.

00:20:41Have fun shaving your own neck.

00:20:43Have fun out there in the real world.

00:20:45God.

00:20:46Don't slam that door.

00:20:48Zara!

00:20:49Do not slam that door.

00:20:51Zara!

00:21:06Yeah.

00:21:07Yeah.

00:21:12Okay.

00:21:13Okay.

00:21:16Now what?

00:21:25Zara, is that you?

00:21:27Yeah.

00:21:31Hi.

00:21:32What's wrong?

00:21:33Nothing.

00:21:34I'm just tired.

00:21:35Jeannie's parking right now.

00:21:36She needs to borrow something fancy.

00:21:38She's meeting Malcolm's parents for the first time

00:21:40at this, like, formal thing.

00:21:41That's nice.

00:21:43Well, you don't have anything in your closet.

00:21:45I do.

00:21:46She can go through mine.

00:21:47Really?

00:21:48Yes.

00:21:49That's nice of you.

00:21:50Thank you.

00:21:51Mom, I'm home.

00:21:52Hi, Jeannie.

00:21:53In the kitchen.

00:21:54Kitchen.

00:21:56Ah, we have got to celebrate.

00:22:00Right.

00:22:00What are you celebrating?

00:22:02My night off.

00:22:03My night off to, uh, of work.

00:22:06Yay.

00:22:07Um, and we need to celebrate.

00:22:09Would you make spaghetti instead of this bean thing?

00:22:11Ooh, and garlic bread, thank you.

00:22:13I am making spaghetti and garlic bread.

00:22:15Why didn't you tell your mom you quit?

00:22:17Because, Madge, you didn't want me working for him

00:22:19in the first place, and then she would be right,

00:22:20and I just can't handle it.

00:22:21Oh, yeah, God forbid your heaven-sent angel

00:22:23of a mother ever be right.

00:22:24You're right.

00:22:25It's not about her being right, really.

00:22:26It's about me being wrong and wasting two years of my life.

00:22:31God, I can't believe I'm such a loser.

00:22:33Come on, no, you're not.

00:22:35This is a good thing, all right?

00:22:37He was a shit to you, Czar.

00:22:39Yeah, well, he's just, he's stressed, you know?

00:22:41He's living a double life as a superhero and an asshole.

00:22:44Yeah, and you as an asshole wiper,

00:22:46which, by the way, you are not anymore,

00:22:48and which is why I got you this.

00:22:52No, Jeannie, I'm not worthy.

00:22:54Shut your yapper, you are worthy.

00:22:55You're my super bitch.

00:22:56I'm 24, and I'm unemployed.

00:22:59I live with my mother.

00:23:00Super bitch is for big things, you know?

00:23:02Like, like promotions or STD results.

00:23:05And are you not Chris Cole negative?

00:23:07Damn right you are.

00:23:08Not a lot of women can say that.

00:23:10Also, why are we in your mom's room?

00:23:12Well, you know how my mom writes assignments for Vogue

00:23:15when she can't finish a book?

00:23:16Yeah.

00:23:17Vogue does not pay very well.

00:23:21But they do give a lot of swag.

00:23:24Whoa.

00:23:25And she never wears any of it.

00:23:26What?

00:23:28So I feel like you meeting Malcolm's parents

00:23:30calls for something like, I don't know, Chanel?

00:23:34OK, so you expect your model of a mother's clothing

00:23:36to fit my body?

00:23:38I am built like a cereal box, bitch.

00:23:40Let's put it on.

00:23:42Is Jeannie still here?

00:23:43No, she left.

00:23:45Mom?

00:23:45Yeah?

00:23:49What should I do with my life?

00:23:51What?

00:23:52I quit my job.

00:23:55I quit Chris.

00:23:56Oh, no, honey.

00:23:58I thought you were going to stick with this.

00:24:00Stick with?

00:24:01It's not my fault. It's him.

00:24:03He doesn't take me seriously.

00:24:04OK, do you take you seriously?

00:24:06Well, I can certainly tell by asking me that that you

00:24:09don't take me seriously.

00:24:10No, I'm just saying, you have a trouble sometimes

00:24:13walking away from things.

00:24:14Oh, my god.

00:24:15But you do.

00:24:16I mean, the television writing classes.

00:24:18You are the one who says you cannot learn how to write.

00:24:20The documentary film classes.

00:24:22I mean, this producing thing, you said this is it.

00:24:23Producing thing.

00:24:24I'm realistic.

00:24:25Cool.

00:24:26Don't be offended.

00:24:27No, I'm sitting here.

00:24:28I'm like freaking out right now.

00:24:29I have no idea what to do.

00:24:30And I'm asking you for help, and you are picking on me.

00:24:33Picking on you?

00:24:34You're totally picking on me.

00:24:35Come on, now.

00:24:36You walk in here, and you say, what

00:24:37am I going to do with my life?

00:24:38It's as though, what are we having for dinner?

00:24:40I can't answer that.

00:24:41You were right.

00:24:43I wasted two years of my life with him.

00:24:46You were right.

00:24:46I don't want to be right, Zara.

00:24:48I want what's best for you.

00:24:49That's it.

00:24:49OK, good.

00:24:50Then please tell me what is best for me.

00:24:53That's what I want to know.

00:24:55Only you can answer that, baby.

00:25:01I'm taking a shower.

00:25:07I call you one time, two time, three time.

00:25:09I can't wait no more.

00:25:12Fingers through my hair, that's on my mind.

00:25:17I know it's been a minute since you walked right through the door.

00:25:21Good boy.

00:25:23You good?

00:25:24There's more coming.

00:25:30You just killed me.

00:25:32He shoots terrorist elves.

00:25:35This is awful.

00:25:54What you gonna do, Manny?

00:26:21Hello?

00:26:22Anybody home?

00:26:24Or is it fantasy?

00:26:27Real to real is living rarity.

00:26:32People start to stare at me.

00:26:35We just walk on by.

00:26:38We just keep on dreaming.

00:26:45Zara?

00:26:54God, Jesus, sorry, sorry.

00:27:04You're Zara's boss.

00:27:06The front door was, you left the front door open.

00:27:09Do you always just let yourself in?

00:27:11Well, I'm famous, so yeah.

00:27:15I'm looking for Zara.

00:27:17Is she, do you work here?

00:27:20No, I live here.

00:27:22I'm Zara's mother.

00:27:23You're, you're Zara's mom?

00:27:27Yeah.

00:27:29What, were you in like kindergarten

00:27:30when you had her, or something?

00:27:31Oh, Zara's out.

00:27:35She's, um, she's running errands.

00:27:38When do you expect her?

00:27:39Oh, uh, not for hours.

00:27:41Oh, why is it weird if I wait?

00:27:46Uh, no, not at all.

00:27:50Thanks.

00:27:51The kitchen's just through there if you

00:27:52want to help yourself to some water.

00:27:53I'm just going to get changed.

00:27:55I'll be back in a second.

00:27:56Sorry.

00:28:01Actually, do you have any tequila?

00:28:03Uh, oh, yeah.

00:28:05Help yourself.

00:28:07Huh?

00:28:08Bad day?

00:28:11Yeah.

00:28:23I was cleaning out my office, so I'll sit down, please.

00:28:29OK.

00:28:30Oh.

00:28:35Do I sense an accent, like South African, or?

00:28:37No, I'm Australian.

00:28:39Do you know Margot Robbie?

00:28:41No, I don't.

00:28:43Hmm, I do.

00:28:46Um, Zara told me that she quit.

00:28:48Oh, that's good.

00:28:51Well.

00:28:52I thought I fired her.

00:28:53I thought it was my fault.

00:28:54Really?

00:28:55That's why I came here, to beg her to come back.

00:28:59Great.

00:29:00Yeah.

00:29:01I'm so glad.

00:29:02Yeah, me too.

00:29:03I really, really want her to come back.

00:29:06Of course.

00:29:08Well, hey, I poured you one.

00:29:10Thank you.

00:29:15Um.

00:29:18Cheers.

00:29:19Yes.

00:29:19Zara, coming back.

00:29:21Huh.

00:29:25Whew.

00:29:27I'm going to get some chips.

00:29:29OK.

00:29:34You know what?

00:29:35We don't need Chris.

00:29:36He can't play a dad anyway.

00:29:38We can just raise the money ourselves.

00:29:39Ask people for money?

00:29:40No, that's horrifying.

00:29:42I'll do it. It's not a big deal.

00:29:43I used to walk around with one of those, like,

00:29:44UNICEF boxes at Halloween.

00:29:46I mean, it can't be that different.

00:29:48I don't know, Zara.

00:29:49I mean, I appreciate everything.

00:29:51And I probably wouldn't have finished

00:29:52without you pushing me.

00:29:53But this is my first screenplay, you know?

00:29:55Whoa, whoa, whoa.

00:29:56My first chance.

00:29:57Stella, don't do that to me.

00:29:59I've asked around.

00:30:00Who?

00:30:01This is, you don't know anyone.

00:30:02The rich closet lady said I need

00:30:04a new producer, a real one.

00:30:06I'm sorry.

00:30:07Oh.

00:30:11Oh my god.

00:30:13It was just a misunderstanding, really.

00:30:15I've been under a lot of pressure lately.

00:30:17Not that I'm excusing it.

00:30:20I'm about to start this movie, and the script is terrible.

00:30:25Why are you doing it?

00:30:27Because it's part of a franchise,

00:30:28and I've been playing the character since I started.

00:30:30Mm.

00:30:33Have you ever seen the Icarus Rush movies?

00:30:35No.

00:30:36I've never seen them.

00:30:38You've never seen the Icarus Rush movies?

00:30:40No.

00:30:42Sorry.

00:30:43No, it's, uh.

00:30:44Is it based on the Icarus myth?

00:30:46Does he take out terrorists?

00:30:48No.

00:30:49Oh.

00:30:50Do your character's wings melt flying too close to the sun?

00:30:53No, but they do get burned flying

00:30:55too close to an underground nuclear fusion plant.

00:30:58That's crazy.

00:30:58How'd you know that?

00:30:59It's an Icarus thing.

00:31:01Oh.

00:31:02Mm.

00:31:03I have a book.

00:31:04Actually, it'll have the Icarus myth in it.

00:31:06Would you want to see it?

00:31:07Yeah.

00:31:08Mm.

00:31:09Yeah.

00:31:10Oh!

00:31:10You all right?

00:31:12Just in here.

00:31:14OK.

00:31:16Icarus was a minor character.

00:31:17He was the son of Daedalus, who was an engineer who

00:31:23built the labyrinth that King Minos

00:31:26had the Minotaur trapped in.

00:31:28And.

00:31:30Doctor Minotaur was my arch nemesis

00:31:32in the first three movies.

00:31:33There you go.

00:31:34And he asked for too much money, so we killed him.

00:31:38Here it is.

00:31:38You can have a copy.

00:31:39I have two.

00:31:40Really?

00:31:41Yeah.

00:31:43Thank you.

00:31:47What did you win those awards for?

00:31:50Writing.

00:31:51Writing?

00:31:52Yeah.

00:31:53You were a writer?

00:31:54Mm-hmm.

00:31:55Like a real writer?

00:31:57Oh.

00:31:59Sari never told me that.

00:32:00She didn't?

00:32:03No.

00:32:06It's, uh, it's a mess in here.

00:32:11Yeah.

00:32:13So tell me about your script.

00:32:16What are you going to do?

00:32:18I don't know.

00:32:20I've been making bad decisions left and right.

00:32:22Mm-hmm.

00:32:23Oh, you don't want to hear this.

00:32:25I sound like I'm in therapy.

00:32:26No, no, I'm enjoying it.

00:32:28Sari never tells me anything.

00:32:31What do you think I should do?

00:32:32I'm not qualified to advise you on the movie business.

00:32:36Why?

00:32:37I feel like right now you're the smartest person in the room.

00:32:40What does Zara think you should do?

00:32:42She thinks we should get a new writer.

00:32:44That's a good idea.

00:32:46Zara's smart.

00:32:47She has very good taste.

00:32:52Is that Zara's dad?

00:32:53Yes.

00:32:54Yeah, he passed away 11 years now.

00:32:58Oh, wow.

00:33:00I'm so sorry.

00:33:02When I say it out loud, it sounds so long ago.

00:33:06Yeah, but it still feels like it happened yesterday, huh?

00:33:09Yeah.

00:33:11My brother.

00:33:13I'm sorry.

00:33:15It was a long time ago.

00:33:21Whoa.

00:33:22What is this?

00:33:23Oh, no, no, no, no.

00:33:25That's the cover of my first book.

00:33:27Hey, what are you doing?

00:33:28It's from my first book cover.

00:33:30What?

00:33:31Wow.

00:33:33Beautiful.

00:33:36Let's figure this out.

00:33:37So tell me, what is the biggest problem with the script?

00:33:43That it's being made.

00:33:48No, Grandma, I can't be a writer.

00:33:51Mom's a writer, Dad was a writer.

00:33:53That's their thing.

00:33:54Mom already published 100 essays by my age.

00:33:56I'm sitting here eating a box of donuts.

00:33:59Oh, dear God, the whining.

00:34:01Stop it.

00:34:02And stop comparing yourself to your mother.

00:34:05Let me ask you one question.

00:34:07What makes you happy, kid?

00:34:12People thought that my quads were completely fake.

00:34:15Like I got implants.

00:34:16What?

00:34:17People magazine had a four-page spread.

00:34:21No.

00:34:22On my quad job.

00:34:24Yeah, they called me the quad father.

00:34:29It's not that funny, actually.

00:34:31I had to sue them.

00:34:32Oh.

00:34:33Yeah, but they're real.

00:34:35See, they're like, move and stuff.

00:34:40Yep, that feels real.

00:34:42Feels like yours.

00:34:44It is.

00:34:47I did have surgery, though.

00:34:49Really?

00:34:50Yeah.

00:34:51Where?

00:34:53Just right here.

00:34:54I fell on set.

00:34:56Oh, yeah, I see it.

00:34:57Yeah.

00:34:59Some broken glass.

00:35:00Mm-hmm.

00:35:01Yeah.

00:35:03I broke my hand.

00:35:04Really?

00:35:05When I was eight, playing football.

00:35:08You played football?

00:35:10Did.

00:35:11No way.

00:35:19You're so easy to talk to.

00:35:22It's really nice.

00:35:25You smell so good.

00:35:29What are you wearing?

00:35:31Sunscreen.

00:35:33She Sado?

00:35:34SPF 45?

00:35:35Yes.

00:35:44Mm, I don't know.

00:35:47God, I'm so sorry.

00:35:48No, no, it's not that.

00:35:49It's OK.

00:35:50I just think I, it hit me.

00:35:52I haven't been kissed in a long time.

00:36:00Is there anything I can do to help?

00:36:03You got a home to do.

00:36:04Mm.

00:36:35Mm.

00:36:47How nice is this dress?

00:36:4950% off on Woodstreet.

00:36:54And so worth the bargain.

00:36:57Is this chatouche?

00:36:58Yeah, I don't care.

00:37:05I've been waiting for you forever.

00:37:07Is that a line from the movie?

00:37:08Yeah, but this time I mean it.

00:37:10OK, it's so hot.

00:37:13Help me with my bra.

00:37:28Mom?

00:37:34Mom?

00:37:45Mom?

00:37:52Mom?

00:37:56Zara!

00:37:56No!

00:38:00Zara!

00:38:00No!

00:38:02Oh, shit.

00:38:03Zara?

00:38:03Oh, my god.

00:38:05Zara?

00:38:06Oh, my gosh.

00:38:06Zara, are you OK?

00:38:08Can you call 911?

00:38:10Hey, Zara.

00:38:10Honey, look.

00:38:11Zara, if you can hear me, name the movie I won a Teen

00:38:14Choice Award for.

00:38:17I think she's fine.

00:38:18All right.

00:38:19Oh, you smell like sex.

00:38:21Can you sit up?

00:38:22There.

00:38:23Sit up, come on.

00:38:24Good, good.

00:38:25Are you dizzy?

00:38:26No, I'm OK.

00:38:27Oh, oh!

00:38:28OK, we have to call Dr. Randy.

00:38:30Ew, ew, ew, his skin, it's so close to me.

00:38:35Get him away.

00:38:36I can't look at that.

00:38:38You should put some clothes on.

00:38:39Get him away from me.

00:38:40Did you rip my shirt?

00:38:41Oh, my god.

00:38:42Put some clothes on, too.

00:38:42Ew!

00:38:46So you were just miles away from your home on what,

00:38:48a little stroll, a walk?

00:38:50No, we were discussing your future.

00:38:52We?

00:38:52Yeah.

00:38:53Was that before or after you took my mother's dress off?

00:38:56Before.

00:38:56OK, sorry.

00:38:57It was just sex.

00:38:58What are you saying?

00:38:59Are you talking to me?

00:39:00It was just sex.

00:39:02Hi, Chris Cole.

00:39:03Hey.

00:39:04Aw.

00:39:05How dare you talk about my mother like that?

00:39:07Is that your T-shirt?

00:39:09Oh, he had nothing to wear.

00:39:10She ripped my chatouche.

00:39:12This is just getting worse by the minute somehow.

00:39:14I mean, it just happened.

00:39:15Look at him.

00:39:16Look at her.

00:39:19What is he, like 20 years younger than you?

00:39:2216.

00:39:23Oh, I'm part of the family.

00:39:25OK, Zara, I know that this isn't easy,

00:39:28and it hurts you, but this is, I mean,

00:39:32remember when you got your eyebrow pierced?

00:39:35And I begged you not to do that, and you did it anyway,

00:39:37and it was terrible, and we were fighting.

00:39:39And I said to you, why did you do it?

00:39:40And you said, well, it made sense at the time

00:39:43when the guy was putting it in.

00:39:44This is my eyebrow piercing, Zara.

00:39:46Your review of this experience is it made sense

00:39:49when the guy was putting it in?

00:39:51That was a terrible analogy.

00:39:52I'm just saying.

00:39:53How's my favorite patient?

00:39:55Well, she's a little banged up, Dr. Randy.

00:39:57No, by a 34-year-old actor, I'm not.

00:40:00Are you in any pain?

00:40:01Too much to verbally describe.

00:40:03All right.

00:40:04Hey.

00:40:05Sorry, sorry.

00:40:06It's just the waiting room's a little fan-filled.

00:40:09What?

00:40:10Chris Cole in my office.

00:40:13How you doing?

00:40:15Come on.

00:40:16Are you with them?

00:40:17No, I'm not.

00:40:19I'm not.

00:40:20I'm not.

00:40:21Come on.

00:40:22Are you with them?

00:40:23Sort of.

00:40:24Yes.

00:40:25No.

00:40:26You know, I just have to say, you were absolutely astounding

00:40:31in Trouble, my brother.

00:40:32Oh, thanks, man.

00:40:33Who knew you could sing?

00:40:34Yeah.

00:40:35Really, since I was a kid, you know?

00:40:36You know, I always wondered how they got that one shot of you

00:40:39climbing that statue.

00:40:41Oh, jeez.

00:40:41You know that was actually real?

00:40:43Oh, man.

00:40:43There was a harness, but.

00:40:45That's wild.

00:40:47Fangirl, can I please get some medical attention over here?

00:40:51Doctor.

00:40:53OK, let's just follow the light with your eyes.

00:40:57Let me ask you one thing about the harness,

00:40:59and this is important.

00:41:18Hey, Brooke.

00:41:19Yeah?

00:41:20Could you just give us a second?

00:41:21Oh.

00:41:23Bye, Chris.

00:41:24Bye.

00:41:26See ya.

00:41:27Oh, my god.

00:41:28You're not Jack and Rose.

00:41:29Just get out of the car.

00:41:31Get out of the car.

00:41:40What do you want?

00:41:43What if I made you associate producer on the movie?

00:41:45Are you kidding me right now?

00:41:46I just mean, would that get you to come work for me again?

00:41:49Oh, my god.

00:41:50Chris, you're making me feel awful.

00:41:52What am I doing?

00:41:53I'm not doing anything right now.

00:41:54I don't want to feel like I'm just getting ahead,

00:41:56because my mother has slept with a celebrity.

00:41:59Celebrity?

00:41:59She didn't sleep with a celebrity.

00:42:01That's derogatory.

00:42:01OK, I'm a movie star.

00:42:03She slept with a movie star.

00:42:04Please, I don't have the energy.

00:42:05OK, I didn't come here looking to have sex with your mom.

00:42:08All right?

00:42:09I came to your house looking for you

00:42:11so I could offer you this job.

00:42:13It's just a title, really.

00:42:15It's not even really a job.

00:42:16It's a shitty job, but I think you're ready for it.

00:42:18If that's what it takes for you to come back and work for me,

00:42:20then so be it.

00:42:22Oh, god.

00:42:26This whole thing with my mother, this gross little, little,

00:42:31little, little, little sexcapade thing, it's over.

00:42:34It's got to be over.

00:42:36It's never happening again.

00:42:37This is never happening again.

00:42:39OK, got it.

00:42:40Never again.

00:42:44OK.

00:42:46I'll see you tomorrow.

00:42:48OK.

00:42:59Sorry, can we talk?

00:43:01Not now, please.

00:43:04I went a little crazy.

00:43:07I'm allowed, right?

00:43:15Will I see you in the morning?

00:43:17I leave early.

00:43:18I got my job back.

00:43:20I'm an associate producer.

00:43:22Well, that's good, isn't it?

00:43:32My father gave his life for me to fly in this world.

00:43:37He gave his last breath for my freedom.

00:43:40And I won't stop until I bring him justice.

00:43:44Before the sun is down, I'll kill every last one of them.

00:43:48That's what I have to do.

00:43:52Coupé, coupé, coupé, coupé, coupé, coupé.

00:43:54No, no, no, no, no, no, no guns, no shooting.

00:43:57No shooting.

00:43:58No shooting.

00:43:59What happened this time?

00:44:03Um, hey.

00:44:04What?

00:44:04Does she have to yell cut in French?

00:44:06It's one word, cut.

00:44:07I was pretty good in that one.

00:44:09No, you were great.

00:44:09They just, they don't want you to shoot the gun in the sea.

00:44:11Why?

00:44:12It's my motivation.

00:44:13It's my motivation.

00:44:14They're considering this a trailer shot,

00:44:15and they just want to keep guns and shooting out of the trailer.

00:44:17Why?

00:44:18It's a revenge part of the story.

00:44:19Chris, there's like a legit problem with guns in this country.

00:44:21I think that's why.

00:44:22Just tell her not to interrupt my takes, okay?

00:44:24No, no, no, no.

00:44:24I'm not telling her anything, Chris.

00:44:25It's your first day.

00:44:26You need to be able to speak to your own director.

00:44:28Absolutely not.

00:44:30She called me fat.

00:44:31She asked if you were hungry at lunch.

00:44:33The way she said it.

00:44:35You should have heard it.

00:44:35She went, oh, lunchtime, you hungry?

00:44:39Stop.

00:44:40Stop.

00:44:43Did you tell her that we're looking for a writer

00:44:44to rewrite the script yet?

00:44:45The problem scenes are coming up after Christmas,

00:44:47and we don't have much time.

00:44:48Yes, I did, and I also found the writer.

00:44:50Her name is Stella Palms.

00:44:51She's a real writer, and she can do it.

00:44:53I left her script in your trailer,

00:44:55and I want you to read it before tomorrow, please.

00:44:56Going again!

00:44:58Okay.

00:44:59Okay.

00:45:03God, it's freaking hot.

00:45:05It's too hot.

00:45:07I can't cry when I'm sweating.

00:45:10Don't forget to read Stella's script, okay?

00:45:12Yeah, I'll do it tonight.

00:45:14Tell the first AD that I don't understand the director,

00:45:16so we need a translator or something.

00:45:18Okay.

00:45:19And pick up my dry cleaning.

00:45:25Living the dream, baby.

00:47:12I can take that for you.

00:47:27Oh, thank you.

00:47:38What would you have done if I didn't show up?

00:47:41Eating with the waiters.

00:47:44I used to work here.

00:47:48Hi.

00:47:52Is this what you do just to have dinner and talk?

00:47:55Is this what you wear to have dinner and talk?

00:47:58Well, it's been in the closet for years.

00:48:02Is it too much?

00:48:05You look...

00:48:08Wow.

00:48:11Wow.

00:48:13That's nice.

00:48:15Do I have to keep this shootout at the Victoria's Secret?

00:48:18It's kind of sexist.

00:48:19Like, what year is it?

00:48:21Where are you going to replace it with, though?

00:48:22I don't know, a phone call where he unpacks intimacy issues?

00:48:26That's not going to work, though.

00:48:27He still has to kill Rudolph the coke dealer.

00:48:29This is killing my soul.

00:48:30You know, a friend of mine from USC

00:48:32just sold a reality show called

00:48:34The Real Delivery Boys of West Hollywood.

00:48:36Oh, my God.

00:48:36I would hate watch that so hard.

00:48:38Same.

00:48:39And then I moved from the UK to LA

00:48:43because I wanted to be Joan Didion.

00:48:47Then I met my husband, Charlie, and he was a writer.

00:48:50What was he like?

00:48:52Charlie, he was fantastic.

00:48:53He was a great guy.

00:48:54He was funny and he was smart

00:48:56and he could make friends with anyone.

00:48:58He was a beautiful writer.

00:49:00And he probably didn't get to show the world

00:49:03everything that he can do, but...

00:49:06Enough about me.

00:49:07I don't want to talk about me anymore.

00:49:10Anyway, what about you?

00:49:12Did you always know you wanted to be an actor?

00:49:14No.

00:49:15I sort of just fell into it.

00:49:18When I was younger, we lived in the middle of nowhere.

00:49:22And my mom died when I was young.

00:49:24And it was just my dad and my older brother and me for years.

00:49:28But then my older brother died.

00:49:30So it was a heart condition thing that we didn't really have.

00:49:34And after that, it just no longer felt like home.

00:49:39So I ended up moving to LA.

00:49:42And I just...

00:49:49What?

00:49:53Nothing.

00:49:58Jesus, what is it about you?

00:50:01Why do I feel so confused?

00:50:03I think it's because I'm trying to impress you.

00:50:06And I know I don't.

00:50:07Does that matter to you?

00:50:08It does, usually, all the time.

00:50:11Except now, with you.

00:50:13Right. Well, if it makes you feel any better,

00:50:15I was so nervous about coming here.

00:50:18Really?

00:50:19I tried on about 20 dresses, so...

00:50:22So then what made you decide to come and see me?

00:50:25Well, I feel like we have to talk about what happened.

00:50:29Because Zara doesn't know about this even.

00:50:31So I have to tell her.

00:50:34Okay.

00:50:36So I'm guessing that, you know, what happened...

00:50:41That won't happen again?

00:50:43Um, I don't think it should.

00:50:48Oh, that's too bad.

00:50:54Well, uh, well...

00:50:58Can we still be friends?

00:50:59Yes, I would like that.

00:51:01Me too.

00:51:03I don't have any real friends.

00:51:05You don't?

00:51:06No. I came here when I was 19.

00:51:09I didn't know anyone.

00:51:11Yeah.

00:51:11Then I got famous and everybody knew me, but...

00:51:16Yeah, they didn't.

00:51:18Do you ever feel free to be yourself?

00:51:20Yeah.

00:51:24Well, I don't know.

00:51:27That's not really someone anyone's ever been interested in before.

00:51:30Have they ever met him?

00:51:32Yeah.

00:51:34That's a good point.

00:51:39And here you go.

00:51:40Thank you.

00:51:42Thanks.

00:51:44That does look good.

00:51:45Thank you.

00:51:53Do you want to go on a walk after dinner?

00:51:56Where do you walk, Canelo?

00:51:58New York.

00:52:01New York?

00:52:32Stop!

00:52:40You ready?

00:52:41Yeah.

00:52:42What?

00:52:59So, do you ever get tired of playing the same guy over and over again?

00:53:06Yeah.

00:53:08Yeah, sometimes I do.

00:53:09But, you know, I'm also incredibly appreciative.

00:53:12Of that guy, because...

00:53:15Well, let's face it, like he's the only reason anyone cares about me.

00:53:18Not anyone.

00:53:20Not me.

00:53:28Yeah.

00:53:30Not you.

00:53:33So, what about you?

00:53:37What about me?

00:53:38What's the great Brooke Hartwood writing next?

00:53:41You don't know I'm great.

00:53:42You've not read anything I've written.

00:53:45He was an island of one, having sent all the ships back to sea.

00:53:51Okay.

00:53:53Okay, I'm impressed.

00:53:56That's beautiful, is what it is.

00:53:58Thank you.

00:54:00Hey, I don't know who that guy is, but I feel bad for him.

00:54:07Who is it about?

00:54:08It's about all of us, really.

00:54:12I mean, that's how I see it.

00:54:13It could be any of us.

00:54:15You think so?

00:54:16Yeah.

00:54:17We've all been the island.

00:54:19We've all been the ships.

00:54:22And really, life is just a constant dance to be neither.

00:54:41Oh.

00:54:42Okay.

00:54:44Here are some rules.

00:54:45No, no, no.

00:54:45Listen to me.

00:54:46You don't get to break my heart.

00:54:49Please.

00:54:51And also, don't ever lie to me.

00:54:54And don't pretend this is more than it is.

00:55:12Okay.

00:55:36What is this outfit?

00:55:39Oh, you don't like it?

00:55:43I do, but why?

00:55:46What were you doing?

00:55:48I need to talk to you about something.

00:55:51Okay.

00:55:53It's about Chris.

00:56:00Okay.

00:56:01So, I didn't want to upset you, but we had dinner tonight, Chris and I.

00:56:05And I would have told you, but it just, it didn't feel safe to tell you the truth.

00:56:15Okay.

00:56:17Go ahead.

00:56:18It's safe.

00:56:19So, we had dinner because we needed to talk about what happened, and he's very nice.

00:56:25And yeah, I think, well, there seems to be more to him.

00:56:31More to him than you think.

00:56:33No, there isn't.

00:56:35Is that all?

00:56:36Just had dinner?

00:56:38Yeah.

00:56:43Oh, I just feel awful.

00:56:45I didn't know what to do.

00:56:46And I should, I just lied straight to her face.

00:56:49And I am sneaking around behind my daughter's back.

00:56:53Sounds marvelous.

00:56:54Well, how do I know that it was just that?

00:56:56How do we know it was just dinner?

00:56:58They had dinner.

00:56:59They didn't have...

00:56:59Stop it.

00:57:00Stop.

00:57:01Sex.

00:57:01No, I don't want to hear it.

00:57:03You know, between you and your daughter, I don't have much time for my own life here.

00:57:07Are you with someone now?

00:57:09Of course I am.

00:57:11I mean, look, did you ask her?

00:57:12What am I supposed to say?

00:57:13Hey, Ma, are you, are you banging boots with my boss?

00:57:17This is backwards.

00:57:19So, here's the thing.

00:57:21Do you like him well enough to tell her you want to see him?

00:57:24My mom, loving the afternoon to my, my evil boss, and now they're having dinner, first of all.

00:57:30It's such an adorable reference that it almost makes it cute.

00:57:33And now I'm rooting for them.

00:57:34Second of all, you don't know that they had sex.

00:57:37She was wearing the Vogue clothes.

00:57:39Okay, yeah, they're making out.

00:57:40Just the way that he goes through women, he's going to hurt her.

00:57:44And I will have to kill him.

00:57:46He's a movie star.

00:57:47It's, it's not real.

00:57:48Brooke, you need to live a little.

00:57:50No great tryst ever started with someone being irrational.

00:59:31Hey, can I speak with you?

00:59:33Okay.

00:59:34Sorry, everyone's talking in my ear.

00:59:36Oh, okay.

00:59:36Um, so, Chris needs a little bit more clarity on the direction,

00:59:40so I'm going to help out with translation until we get a translator.

00:59:43My French is pretty good, as long as I speak it in L.A., of course, not Paris.

00:59:48Yes, yes, yes, it would be good if, uh, if I could, uh, speak in French.

00:59:51Oui, oui.

00:59:52Um, one more thing.

00:59:54Chris, he, he really likes it when directors are, like, tough on him.

00:59:58Okay.

00:59:58So when I translate, I might use words that are a little, just a little bit more severe.

01:00:03Okay, great, great, good, good.

01:00:04Très bien, oui.

01:00:05Okay, okay, okay.

01:00:07Action.

01:00:10Hurry on in!

01:00:18I'm so cold.

01:00:20Talk to me, soldier!

01:00:24I'm so cold.

01:00:24Hey!

01:00:27Cold.

01:00:28Hold on!

01:00:29Open your eyes!

01:00:30Look at me!

01:00:31Stay with me!

01:00:33I need you to hold on!

01:00:36It's time to fly.

01:00:38Okay, uh, cut, cut, cut, cut, cut, cut, cut, cut.

01:00:42Okay.

01:00:43What happened?

01:00:44Yep, yep.

01:00:45Okay.

01:00:46What happened on that one?

01:00:48Okay.

01:00:54This sucks.

01:00:56She needs more.

01:00:59Your, your performance, it's, it's, it's bullshit.

01:01:02She doesn't believe you.

01:01:09Yeah, you need to look at the soldier as if she's one of the many,

01:01:13many women that you've betrayed.

01:01:15And, and you've got to show us how ugly you are inside and how much remorse you feel

01:01:20for what a piece of, of shit you are to women and how you use them.

01:01:25Okay.

01:01:26Uh, how the, you use women as soldiers, right?

01:01:29Oh, women as soldiers.

01:01:31Right.

01:01:31That's what she said.

01:01:33Yeah.

01:01:34Yeah, totally.

01:01:35Okay?

01:01:36Okay?

01:01:37Yeah, okay.

01:01:37Oh, yeah.

01:01:38Okay with me?

01:01:38Yeah.

01:01:39Great, great.

01:01:40It's going to be great, great.

01:01:43That's what she said.

01:01:45It's a good note, I think.

01:01:47Oh, it's a great note.

01:01:48I like her.

01:01:50Yeah, me too.

01:01:51Hashtag me too.

01:01:52It's not what that means.

01:01:56Oh, time check.

01:02:014.04.

01:02:02Okay.

01:02:03Are you going right to the benefit from here?

01:02:05No, I'm going home first.

01:02:06Did you get my plus one?

01:02:08Do you have a name?

01:02:09They had a new one there with me.

01:02:11The director and I agreed on a writer.

01:02:13With Stella?

01:02:14No, she's not right for this.

01:02:16But I found someone good.

01:02:16Wait, wait, wait.

01:02:17Wait, did you, did you like Stella's script?

01:02:19Yeah.

01:02:20Yeah, she is a great writer.

01:02:21But she just wrote too many scenes with the dad.

01:02:24That's not his story.

01:02:26Okay, time check.

01:02:284.52.

01:02:30Oh, God.

01:02:33Get out.

01:02:35No, no.

01:02:38This ice bath is my bitch.

01:02:40I'm going to stay in here all day.

01:02:41Bring me a pillow.

01:02:43I'll sleep in this baby.

01:02:46I mean, look, it's different.

01:02:48It's just different.

01:02:49We've been fighting a lot.

01:02:51He's just being Malcolm.

01:02:52You guys are great.

01:02:54Hi.

01:02:54Hi, baby.

01:02:55Hi.

01:02:55Um, I didn't think I'd see you.

01:02:57I'm just rushing out.

01:02:58Wow, okay, that body has a Pilates membership.

01:03:01Oh, also, thank you so much for this.

01:03:03Oh, how did it go with Malcolm's parents?

01:03:06I think his parents liked my outfit more than me.

01:03:09Right, well, I'm sure they loved you.

01:03:11Anyway, I gotta go, so have fun.

01:03:14Bye.

01:03:16Bye.

01:03:17Okay.

01:03:17That was quick.

01:03:18Yeah.

01:03:24I just can't believe he hired a writer without talking to me.

01:03:33Malcolm still hasn't texted me back.

01:03:35That's weird.

01:03:36That's weird, right?

01:03:37I'm sure he's just busy.

01:03:38This associate producer thing is actually bullshit.

01:03:41It is a made-up title.

01:03:43I have absolutely no power.

01:03:44I'm just a scoffer to him still.

01:03:46You know what?

01:03:47I know what it is.

01:03:49I accidentally cut his mom with my big toe under the table.

01:03:51I just, I'm sick of this, you know?

01:03:53Like, I'm just bounced around by everyone.

01:03:56Okay, look, Zara, you have a credit from this, right?

01:03:59That's an incredible start.

01:04:00Cherish that.

01:04:02Do you have more wine I can cherish, though?

01:04:04Please.

01:04:05Yeah, there's more in the bar.

01:04:06Can I have some, too?

01:04:06Yeah.

01:04:07Yeah.

01:04:08I'll be right back.

01:04:22♪♪♪

01:04:32♪♪♪

01:04:39Jeannie?

01:04:40Yo!

01:04:40♪♪♪

01:04:43Change your armpits.

01:04:44We're going out.

01:04:44♪♪♪

01:04:50Thank you.

01:04:51Thank you, sir.

01:04:52Come on.

01:04:55Okay, never mind.

01:04:56Great.

01:04:58Here we go.

01:04:59Yay!

01:05:01Um, uh, sorry.

01:05:02Um, Zara Ford.

01:05:04I am Chris Cole's assistant.

01:05:07I technically am not supposed to be attending tonight, but,

01:05:10you know, Chris just called me asking for his nutritionist.

01:05:12Hello.

01:05:12He's just, you know, having a hard time making his own choices

01:05:15at these things.

01:05:16I'm here for that.

01:05:17Sorry, you are not on the list.

01:05:21Like I had said prior, I am his assistant.

01:05:24He just called me, so.

01:05:25Right.

01:05:25Like I said prior to right now before, you're not on the list.

01:05:30Oh, you are just wreaking with importance, aren't you?

01:05:34She's important.

01:05:35I had no idea until this moment.

01:05:38Come here, baby.

01:05:39Hey, I see you.

01:05:41Who hurt you?

01:05:42Was it mama or papa?

01:05:44Oh, oh, hey, hey, hey.

01:05:45Hi, Jessie, Jessie.

01:05:46That's, that's Chris's publicist.

01:05:48This is Chris's publicist.

01:05:49And God, can you please help us get in?

01:05:51This is Chris called asking for his nutritionist.

01:05:53Yes.

01:05:54Where's Larissa?

01:05:57She's pregnant.

01:05:58Pregnant?

01:05:59She could, of course, work as a pregnant woman,

01:06:02because it's like a woman could do anything when she's pregnant.

01:06:04Right.

01:06:04She found out that she was pregnant today.

01:06:06Right.

01:06:06And now she's in labor.

01:06:07Yes.

01:06:08And I suggest you not call her because she is not thrilled.

01:06:12But this is her replacement.

01:06:13Hi.

01:06:14And you are?

01:06:15I'm Clarissa Mia Thermopolis.

01:06:19At your service.

01:06:19Here to advise on all things.

01:06:22Snacks.

01:06:23Whatever.

01:06:23Explain it to me later.

01:06:24They're with me.

01:06:25Come on.

01:06:25Thank you, Jessie.

01:06:26That whole thing was so bad for women.

01:06:41Do you guys just wait till I'm in the room to start going at it?

01:06:45Okay.

01:06:46Um.

01:06:49No, we need to start letting people in.

01:06:51One second.

01:06:51Sorry.

01:06:53You lied to me.

01:06:55I was going to tell you everything.

01:06:57Really?

01:06:57Tonight.

01:06:58Which lie were you going to tell me about?

01:06:59Was it this or was it you rewriting the movie?

01:07:02She had really good ideas.

01:07:03No, no, no.

01:07:04I'm sorry.

01:07:04I should have told you about that.

01:07:06That was wrong.

01:07:06I thought you were smarter than this mom.

01:07:08To fall for this love-bombing bullshit.

01:07:11I mean, you don't care how I feel about this.

01:07:13Excuse me, Chris.

01:07:14They need you for photos.

01:07:15Okay.

01:07:15Oh, right.

01:07:16Sorry.

01:07:17Good luck.

01:07:18It's not her fault.

01:07:19Don't speak.

01:07:20Okay.

01:07:21Come here and keep your voice down.

01:07:24I have cared my entire life about how you feel.

01:07:27Oh.

01:07:28Yes.

01:07:28I didn't realize I was such a burden on you.

01:07:30I'm so sorry.

01:07:31That's not what I said.

01:07:32Well, that's really what that made me feel like.

01:07:34Come on.

01:07:34What is this worth?

01:07:35What is this worth?

01:07:36Sex?

01:07:36Like, what is more?

01:07:39Okay.

01:07:40Step aside with me.

01:07:45Baby, this is more than that.

01:07:48More than that?

01:07:48No, it's not.

01:07:49I'm sorry, but it's not.

01:07:51Every girl that he dates thinks it's more than that, mom.

01:07:53No, I mean it.

01:07:54Listen to me.

01:07:55It doesn't take a genius to know that he uses women.

01:07:58Why are you fighting for this?

01:08:00Because I don't think you're right.

01:08:01Because I'm starting to feel things again that I never thought I would feel.

01:08:04Not since your father, if I felt like it.

01:08:07What?

01:08:08No, you did not just say that.

01:08:10What is wrong with you?

01:08:11I can't believe you just said that.

01:08:13You don't get to compare him to dad.

01:08:15That's my dad.

01:08:17Stop it.

01:08:18Do I even matter to you?

01:08:19Of course.

01:08:21Of course you matter to me.

01:08:23I just don't see why it has to be one or the other.

01:08:25You cannot both.

01:08:26You cannot.

01:08:27Why?

01:08:28Because, mom, I'm not you.

01:08:29I'm not this Pulitzer Prize winning national book award whatever, okay?

01:08:34Where is this coming from?

01:08:35Because, mom, you don't understand.

01:08:37You will never understand what it's like to be your daughter.

01:08:41I'm never going to measure up to you.

01:08:43Ever.

01:08:44And he chose you over the writer that I chose, and you took that away from me.

01:08:48I did not know I was taking anything away from you.

01:08:51But you did.

01:08:52And I'm sorry.

01:08:54I would never do that.

01:08:55You know, if you don't end this with him, mom, I'm going to have to move out.

01:09:01Well, maybe moving in wasn't the best thing.

01:09:05Okay.

01:09:06Zara?

01:09:15How are you guys doing?

01:09:23Welcome.

01:09:32Hi.

01:09:33Hey.

01:09:35You okay?

01:09:37Not really, no.

01:09:38Well, how's Zara?

01:09:40Um, she's staying at Jeannie's.

01:09:44We didn't do anything wrong.

01:09:46A little lying, maybe, but...

01:09:48A little?

01:09:53Well, when will I see you?

01:09:54I'm going to go to Big Bear, see my mother-in-law early, and help her get set up for Christmas.

01:09:59So, I don't know, maybe after the holidays?

01:10:03What about New Year's?

01:10:05Chris, I think Zara may be right, and I can't just keep pushing him.

01:10:10Well, I have to take care of my daughter, and it's just, yeah.

01:10:18No, it's okay.

01:10:19Okay, thank you.

01:10:21Just, uh, listen, get some rest, and don't worry about it, you know?

01:10:28I'll see you after Christmas.

01:10:30Yeah, yeah, sure.

01:10:32So, have a nice Christmas.

01:10:34You too.

01:10:36Love you.

01:10:41Bye.

01:10:51Um...

01:10:55Yeah?

01:10:57Can I come and see you?

01:11:04Now?

01:11:06It just feels, it feels weird.

01:11:07Like, I feel like I'm being betrayed by both of them.

01:11:11Like, I'm not crazy, right?

01:11:13No, dude, you're not.

01:11:14This is your mom, and your boss.

01:11:16It's weird, especially knowing every detail you know about Chris.

01:11:20Yeah, yeah, that's true.

01:11:21But on the other hand, you know, is it possible that none of this has anything to do with you?

01:11:27Whatever, it's, it's fine.

01:11:29It's just very awkward right now, so I would really love it if I could come back and stay

01:11:32with you guys after the holidays.

01:11:35What are you guys doing for the holidays?

01:11:36You guys going to Chicago, Malcolm's family?

01:11:39Uh, you know, we're not really sure yet.

01:11:41I may visit my folks on my own.

01:11:46So, how did you and Chris leave it?

01:11:48I told him it would be too uncomfortable for Zara.

01:11:51Honey, if you want him to come, then you call him.

01:11:55She'll get over it.

01:11:56I mean, I'd love him to come, but it wouldn't be right.

01:11:59She was very upset.

01:12:01I know Zara.

01:12:02Let me talk to her.

01:12:03Let me work my magic.

01:12:05What good am I if I can't convince my granddaughter to let Buzzfeed's hunkiest

01:12:09brunette come for Christmas?

01:12:11You do not have permission to Google him.

01:12:14I know, but I can't stop now.

01:12:17It'll lead to no good.

01:12:18Yes, so?

01:12:20I bet he's even more gorgeous in person, isn't he?

01:12:24When he's moving.

01:12:25You want him to be more than me.

01:12:27I do.

01:12:29Oh, go call him.

01:12:30You have to behave in front of him.

01:12:31All right.

01:12:32You're no fun.

01:12:35Hey, honey.

01:12:46Oh, my God.

01:12:47I'm so glad you're here.

01:12:53She compared him to Dad.

01:12:55Oh, he was a looker.

01:12:57You know, when your mother got here, she couldn't stop crying.

01:13:00You know how long I've been trying to get her to have a life?

01:13:04You think after your father died, it was easy?

01:13:07A 13-year-old needs a lot of attention.

01:13:09It's not my fault.

01:13:11She never dated.

01:13:12No, but she's seeing someone now, and you're trying to stop it.

01:13:15It's not that she's seeing someone.

01:13:17It's that it's him.

01:13:19He's so self-absorbed and selfish, and God, he's such a diva.

01:13:25I know, darling.

01:13:26So are you.

01:13:29Well, I just don't know why all of a sudden she needs a guy.

01:13:33She doesn't need a guy, and you don't need to know everything.

01:13:38I don't know.

01:13:38I kind of think I do.

01:13:40What if Chris makes her happy?

01:13:44It's her life.

01:13:47I just don't want to see her get hurt.

01:13:49She's my mom.

01:13:50Your mom?

01:13:51Is that all she is to you?

01:13:53Well, what else should she be?

01:13:56Well, I suppose to a child, that's all she would be.

01:13:59To a young adult, she might also be a woman.

01:14:04He's here?

01:14:15I told her to invite him, so blame me.

01:14:17Grandma.

01:14:18I know how you're feeling, but just listen to me.

01:14:23You know I love you, and I'm taking this time to understand what's happening here.

01:14:28I don't want your mother to be hurt either, and I'm a pretty good judge of character.

01:14:33And this is my house, and it's Christmas,

01:14:37and your moody, mopey attitude is just gonna be the end of all of us.

01:14:44So we'll make it nice, and you'll be a grown-up, and if you can't, fake it.

01:14:51God love you.

01:15:03Just nuts roasting on an open fire.

01:15:19Somehow, I got separated from the group.

01:15:23I get it.

01:15:24I think it was when I went to take a wee, and so it was pitch black,

01:15:30so I figured the only way out was to go through the desert.

01:15:35Wait, without water?

01:15:36Yeah, nary a drop.

01:15:38Are you kidding?

01:15:39That's insane.

01:15:40That's for my midlife crisis vacation, you know?

01:15:44That's one of the craziest things I've ever heard in my entire life.

01:15:46Ah, well, it's a good story, right?

01:15:47Amazing.

01:15:48I'm so lucky to be here.

01:15:50You know, I've done all this crazy stuff in movies.

01:15:53You know, my fair share of bad ones, too.

01:15:55Believe me.

01:15:55Yeah.

01:15:56Sorry, I won't tell you.

01:15:57Beneath the sea.

01:15:58Oh, God.

01:15:59No, don't start this.

01:16:00Chris, what is beneath the sea?

01:16:03Invisible zombies that turn your brain into kelp.

01:16:05That turn your brain into kelp?

01:16:07Kelp.

01:16:07I didn't know you didn't like that one.

01:16:09What?

01:16:10Kelp?

01:16:11Oh, man.

01:16:13Sorry, in all seriousness, what I meant to say was that I've done all this stuff in movies,

01:16:18but very little in real life.

01:16:20So, cheers.

01:16:22You're a true legend.

01:16:23So are you.

01:16:24She certainly is.

01:16:25To Leila.

01:16:27Cheers.

01:16:27Guys, thank you so much.

01:16:28This is so nice to be here with you.

01:16:30We're happy you're here.

01:16:31Thank you.

01:16:32I haven't had anywhere to go for Christmas in, like, forever.

01:16:35So...

01:16:36What about Lake Como with George Clooney?

01:16:39Really?

01:16:41You know what I mean.

01:16:41Not just a place, but a home.

01:16:45Thank you.

01:16:46Without you guys, I would be a very sad, sad man.

01:16:51Very sad, very famous man.

01:16:54Oh, my God.

01:16:57This is my life.

01:16:57Every day.

01:16:58You warned me.

01:16:59Every day, this is my life.

01:17:00You warned me.

01:17:02That's the cabinet meal.

01:17:03Ooh.

01:17:05Un sorrento.

01:17:06Un acerto.

01:17:11Salud.

01:17:12Salud.

01:17:20Okay.

01:17:23What do you think?

01:17:25Baby, needs a peach?

01:17:29Yeah.

01:17:30I'm dying to know what he looks like naked.

01:17:34Probably kill me.

01:17:36Wouldn't you kill him?

01:17:38If it be worth...

01:17:38Then I would die happy.

01:17:43This is getting serious, I can tell.

01:17:45Is this...

01:17:46It's getting serious?

01:17:47Yeah, sort of.

01:17:49I...

01:17:51I don't know.

01:17:54But I don't want to...

01:17:55...go through what I went through with Charlie.

01:17:59Oh, honey, Charlie died so young.

01:18:01It was horrible.

01:18:01No, I don't mean that.

01:18:04I just...

01:18:08I've never told you this, but we were having problems

01:18:12before he was diagnosed.

01:18:15Big problems.

01:18:15Did he tell you?

01:18:17No.

01:18:21He didn't want to be married to me.

01:18:23He wanted a divorce.

01:18:25Oh, Charlie.

01:18:28I'm so sorry.

01:18:30I mean, it was a tough time for Charlie.

01:18:33Before he got sick, it really was.

01:18:35He'd written that book for three years.

01:18:36Oh.

01:18:39It didn't make a dent.

01:18:40And then my book came out and...

01:18:42Yeah.

01:18:47I know he was proud for me, but it was difficult.

01:18:51Yeah.

01:18:53And I'd start to see him sink, and then I'd try to pull him out,

01:18:55and I couldn't, and it would just make it worse.

01:18:58And then I would make myself smaller

01:19:00so that he wouldn't feel so small.

01:19:02And then he was diagnosed, and we just never talked about it.

01:19:08It just hung in the air between us.

01:19:12And I stayed, and I held his hand, and I loved him.

01:19:17Yeah, I know.

01:19:18And he died.

01:19:21Oh.

01:19:29You carried this around for all these years.

01:19:34Why didn't you tell me?

01:19:37Because I...

01:19:39Don't you know you're more a daughter to me than anything else?

01:19:44Don't you know that?

01:19:51I just want you to be happy.

01:19:53I know.

01:19:55Is that guy upstairs to make you happy?

01:19:58Yeah, I feel really good when I'm with him.

01:20:01It makes absolutely no sense, but it feels wonderful.

01:20:06Does that make sense?

01:20:07Oh, yeah.

01:20:09And if it ended tomorrow, I think I'd be fine, but...

01:20:17I don't want to need him.

01:20:21Because then if it ends, it's gonna hurt.

01:20:27When it ends, it'll hurt.

01:20:29Honey, the end is none of your business.

01:20:34You know, being with a guy, that's the beginning and the end.

01:20:41Tomorrow's gonna come anyway.

01:20:43Okay.

01:20:45I say we take a vote on it.

01:20:47I vote yes.

01:20:52Whoosh.

01:20:53I vote yes.

01:20:54Excellent.

01:20:56Drink on it.

01:21:02Look at this.

01:21:04It's gorgeous.

01:21:05Yeah.

01:21:05I love it.

01:21:07Thank you so much.

01:21:09You're welcome.

01:21:09Merry Christmas.

01:21:12Oh.

01:21:13Pour vous.

01:21:14Let's see here.

01:21:17Whoa.

01:21:18Hey, look at that.

01:21:20Zara Ford, associate producer.

01:21:23Yes.

01:21:24This is great.

01:21:25Merry Christmas.

01:21:26Well done.

01:21:27All right.

01:21:28Pour vous.

01:21:31Thank you.

01:21:37What?

01:21:38It's got your essays from The New Yorker and from Vogue.

01:21:43And all your short stories in one place.

01:21:47You did all of this?

01:21:48You like it?

01:21:49Thank you.

01:21:49Yeah, I love it.

01:21:51Thank you.

01:21:55Merry Christmas.

01:21:56You're welcome.

01:21:59Oh, so what's next?

01:22:01Here, I'll grab that for you.

01:22:03You brought that?

01:22:04I got it.

01:22:04Heavy.

01:22:05It's all good.

01:22:06Thank you.

01:22:09One more hug.

01:22:10One more hug.

01:22:12Oh, thank you for everything.

01:22:13Oh.

01:22:15Oh, you're a doll.

01:22:17Thank you so much.

01:22:18That was the best Christmas ever.

01:22:49All right.

01:22:53We'll see you at home, huh?

01:22:54It's okay.

01:22:58Zara?

01:23:01Zara, what's wrong?

01:23:04Nothing, I'm good.

01:23:05I'll see you at home.

01:23:07Yeah.

01:23:09Okay.

01:23:10Drive safe.

01:23:11You too.

01:23:18So

01:23:40Yes

01:23:48Yeah, sure I'd go.

01:24:00Hey baby, what do we think of ordering in?

01:24:03What do you think of Thai food?

01:24:05I'm starving.

01:24:07I don't think you should stay, Chris.

01:24:10It's all right.

01:24:10Come on.

01:24:12What's wrong?

01:24:13You almost had me fooled, man.

01:24:15This whole holiday, you almost got away with it.

01:24:20What are you talking about?

01:24:22I don't know.

01:24:22You just wanted to have some fun with my mom,

01:24:24spend the holidays with someone.

01:24:25You didn't care who it was.

01:24:26All right, baby.

01:24:26Let's not say things that we're gonna regret.

01:24:28No, you think that you know him and you don't.

01:24:30You don't know him.

01:24:31Do you know that he has me order $500 lotion from Japan

01:24:36shipped out just for his elbows?

01:24:38Okay.

01:24:38They have eczema there.

01:24:40That he forces me to make gift baskets for his dogs

01:24:43on their birthdays and half birthdays,

01:24:45but I have to pay for them myself

01:24:47or they won't be surprised.

01:24:49Yeah, that's the whole point is to surprise him.

01:24:51I don't...

01:24:51I don't even...

01:24:52I could...

01:24:52What?

01:24:53God, he's asked me to get him cleaner air

01:24:55or I'd be fired.

01:24:56One time.

01:24:57That was one time.

01:24:58What about how anytime I mess anything up,

01:25:01I have to write him an apology letter.

01:25:04And even if I don't mess up,

01:25:05he just kind of wants one.

01:25:07Is that true?

01:25:09But God, I got carried away.

01:25:11That's not even what I wanted to say.

01:25:13The thing that I'm most upset about

01:25:15is how every time he breaks up with a woman,

01:25:18every time,

01:25:20he gets them the same pair of diamond earrings

01:25:25and he's already bought them for you.

01:25:27What are you talking about?

01:25:28That's not true.

01:25:29No, don't.

01:25:31Oh, my God.

01:25:34Wait, wait a second.

01:25:36Zara, that's not...

01:25:37Listen, those were a gift, okay?

01:25:39Before I thought of the book,

01:25:41I panicked and I didn't know what to get you.

01:25:45Can you just stop?

01:25:45Just stop, Chris.

01:25:48Did he take you to New York Street, Mom?

01:26:02I need you to leave.

01:26:03Brooke, I...

01:26:04She asked you to leave, Chris.

01:26:06I need you to leave now.

01:26:09I need you to leave.

01:26:40Well, that was humiliating.

01:26:47How'd you know about the New York Street?

01:26:49Because I'm usually the one

01:26:51who has to call the studio guard to let him on the lot.

01:26:57This...

01:27:00I don't know.

01:27:00This was...

01:27:02Turned messy and I don't think I handled it well,

01:27:05but I needed you to know what he was really like.

01:27:09And you know what he's really like?

01:27:12Yeah.

01:27:13I know him very well.

01:27:16But somehow, after two years of working for him

01:27:18and actually caring about him,

01:27:21he doesn't know me at all.

01:27:23Maybe I don't know you either.

01:27:26I wish you hadn't done it this way.

01:27:39I don't even know where to start right now.

01:27:51I like...

01:27:53I found earrings in Chris's bag for my mom

01:27:56and you know what that means, for...

01:27:58Sarah, can you just stop, please, for like a second?

01:28:01Where's Malcolm?

01:28:03Can I just sleep in your bed tonight if he's gone?

01:28:05Malcolm and I broke up.

01:28:07Like, ten days ago.

01:28:09What?

01:28:11What? I was staying with you guys.

01:28:13I was here. You guys were together before I left.

01:28:15No, we weren't.

01:28:16Okay, I just...

01:28:17I didn't tell you.

01:28:19Why not?

01:28:20I don't know. I didn't think you had the capacity

01:28:23to, like, worry about me or care, frankly.

01:28:26Just...

01:28:27Are you trying to say that I don't care about you?

01:28:29Well, it's been a lot about you lately, Czar.

01:28:33And actually, no, not just lately.

01:28:36I know that you're upset and that you didn't mean that,

01:28:39but, like, that is so mean.

01:28:40No, actually, I do mean that.

01:28:43Okay, because I told you that we were fighting,

01:28:45and not once did you ask if I was okay.

01:28:48You really think...

01:28:49You really think I'm that horrible of a friend

01:28:51that I wouldn't care what you're going through?

01:28:53You hear yourself, right?

01:28:56You're literally making it about yourself right now

01:28:59as I'm telling you this.

01:29:00It's all about how making you feel.

01:29:02And it's exhausting.

01:29:05I love you.

01:29:06I do.

01:29:07But I am exhausted.

01:29:10I just...

01:29:10I can't.

01:29:13I can't.

01:29:13I can't anymore.

01:29:40I'm sorry, Emily, I'm so sorry.

01:29:45Don't be sorry.

01:29:48I'm so sorry.

01:30:09The holiday's just another day that's cold

01:30:12Standing all alone under the mistletoe

01:30:15I don't feel the cheer

01:30:18Ooh, without you here

01:30:21There's no red and white stripes on a candy cane

01:30:25Silent night just wouldn't sound the same

01:30:28Where'd the magic go?

01:30:29All I know is me without you

01:30:32Is like a present without a goal

01:30:40All right.

01:30:46Happy New Year.

01:30:54Hi.

01:30:56This is for what I can only imagine has been

01:30:59a really shitty breakup.

01:31:01And for what I know for a fact has been

01:31:04has been a shitty friend.

01:31:07You're such a bitch. You re-gifted this?

01:31:10I'm the worst. Like, there's no redeeming qualities.

01:31:13Shit. The only thing you're good at is snacks.

01:31:15Standing all alone under the mistletoe

01:31:18I don't feel the cheer

01:31:21Ooh, without you here

01:31:24There's no red and white stripes on a candy cane

01:31:28Silent night just wouldn't sound the same

01:31:31Where'd the magic go?

01:31:33All I know is me without you

01:31:35Is like a present without a goal

01:31:41It's your mom.

01:31:43It's your mom.

01:32:05You could have been head of Bloomingdale's.

01:32:07But you're here.

01:32:09And you're about to get blown up.

01:32:11Not a problem.

01:32:13Chris? It's Zara.

01:32:22What's going on?

01:32:27Chris.

01:32:29What am I doing?

01:32:32What business do I have

01:32:34playing a good guy?

01:32:36Anyone that I've ever loved or cared about

01:32:39won't even talk to me.

01:32:42I should be playing the bad guy.

01:32:44You're not a bad guy, Chris.

01:32:50You just act like one sometimes.

01:32:53Does she hate me?

01:32:55No. She doesn't hate you.

01:32:57She's busy.

01:32:59She's moving to Princeton to teach spring semester.

01:33:02Oh.

01:33:04Yeah.

01:33:07Zara.

01:33:10I know you're not gonna believe me,

01:33:12but those earrings,

01:33:15they were just earrings.

01:33:19Okay, look.

01:33:21It did cross my mind to end things with your mom,

01:33:23but only out of habit,

01:33:25because I always run from something when it's too good for me.

01:33:28Then I got the idea to put that book together for her,

01:33:31and I just kept thinking about how good it would make her feel

01:33:33and all I wanted to do was make her feel good.

01:33:36And I fucking forgot.

01:33:40I forgot about the earrings.

01:33:43I forgot they were even in my bag.

01:33:46And the lot, come on.

01:33:48The lot, you know that's my go-to place

01:33:50when I'm away from photographers.

01:33:52It's the only place that I can go.

01:33:54I don't have many places where I can...

01:33:57Hmm.

01:33:59It's not easy dating me.

01:34:05Or working for you.

01:34:07Oh, yeah.

01:34:12I know it's too late, but...

01:34:15well, maybe you could tell her someday.

01:34:21Zara, New York?

01:34:23No.

01:34:25No, I...

01:34:27I took that way too far.

01:34:30I'm really sorry.

01:34:33Well, it was different with your mom.

01:34:36Like... like what?

01:34:38Why was it different with her?

01:34:41I've never fallen in love in New York before.

01:34:48I'm still quitting after this.

01:34:50Yeah.

01:34:51I'll make sure you're taken care of, though.

01:34:54You always do.

01:34:58You think you're gonna be ready to boogie in, like, 15?

01:35:01Yeah, yeah, I was born ready.

01:35:09All right.

01:35:14Hey, Zara.

01:35:15Yeah.

01:35:17Thanks.

01:35:20You're good at this producer thing.

01:35:24Yeah.

01:35:50Oh, hey.

01:35:51Hi.

01:35:53Jeez, you're... you're going, huh?

01:35:56Just getting organized.

01:35:58If you want any of these, or Jeannie does,

01:36:00let me know before I donate them.

01:36:04How's the movie going?

01:36:06Okay, Mom, why did you...

01:36:08why did you take this Princeton job?

01:36:10Because I need a change.

01:36:12And it's gonna be a relief not to have to write for a while.

01:36:16Why?

01:36:17It has nothing to do with... with Chris, does it?

01:36:19No, you were right about him.

01:36:23I...

01:36:27Yeah, I... he... he made me do those things.

01:36:30The apology letters, all... all of it.

01:36:33But I... I don't know.

01:36:36Like, over the course of our lives...

01:36:41God, I made you do so much worse than that.

01:36:44When I was seven years old,

01:36:46I made you carry me the entire way up the Eiffel Tower.

01:36:49Oh, my God, that's right.

01:36:50And you screamed the whole way.

01:36:52And then I made you sit with me until I fell asleep

01:36:54every single night until I was 12 years old.

01:36:58You never got paid for that.

01:37:01You never asked for anything back, ever.

01:37:07When Dad died,

01:37:09I was just this miserable little 13-year-old

01:37:13who took all of my problems out on you.

01:37:16And I just think about all these kids

01:37:18who have these big, big dreams

01:37:20the size of the ocean.

01:37:23And parents tell them they can't do it.

01:37:27And then there's you.

01:37:30I know that whatever I do with my life,

01:37:36I have you.

01:37:40And I'm really lucky.

01:37:42And I don't know why it took me this long to realize

01:37:45your happiness doesn't take anything away from me.

01:37:50It should be given.

01:37:52And you deserve to feel happy.

01:37:56And you deserve to feel alive.

01:37:58And to feel seen.

01:38:03And I finally, I see you, Mom.

01:38:05I really do.

01:38:16Hey.

01:38:19I love being your mother more than anything in this world.

01:38:23I know.

01:38:29So?

01:38:31Yes?

01:38:34I'm not to change the subject, but...

01:38:37Change it. Quick.

01:38:40What about Chris?

01:38:42Oh, no, no. That is over.

01:38:44It's over. Done.

01:38:48Back to real life.

01:39:06And I know that you're not into pasta lately,

01:39:08but the semolina flour's supposed to be better for you.

01:39:10It's nothing to do with the flours.

01:39:12The carbohydrates. I'm allergic to carbohydrates.

01:39:14No one's allergic to carbohydrates.

01:39:15You might have a gluten thing, but you never know.

01:39:17People are allergic to carbohydrates.

01:39:18Are you sure about this?

01:39:20Chris.

01:39:22It's gonna be fine. Trust me.

01:39:24It's time.

01:39:26Come on.

01:39:27Honestly, I think I'm gonna just hang in here.

01:39:29Let's do it. Don't...

01:39:30Give me my purse. Come on.

01:39:31Come on. Let's go.

01:39:33I promise. It's gonna be... We're gonna have fun.

01:39:35We're gonna have a good time.

01:39:42Yeah, yeah. No, no, no.

01:39:44Come on. Come on.

01:39:46No, no, no. It's gonna be great.

01:39:48Lookit. No one cares.

01:39:50You're just a guy in a velvet jacket

01:39:52walking into a grocery store.

01:39:54This is sweet.

01:39:55Sweet? Okay.

01:39:56Well, you know.

01:40:02No one's noticing.

01:40:04You're handling it really well.

01:40:09What's going on?

01:40:10I don't know.

01:40:11Everyone's just normaling, I guess, today.

01:40:17No way.

01:40:20Yes.

01:40:32Okay. What are they called again?

01:40:34Kiwano.

01:40:36Horned melons.

01:40:37And what are they for?

01:40:38For my dementia.

01:40:40You don't even have dementia.

01:40:42I know. That's because I eat horned melons,

01:40:44and they only sell them at this store.

01:40:46So hop to it. I need three.

01:40:48All right.

01:40:50I'm back.

01:40:54Do you want any of your, uh,

01:40:56organic avocados?

01:40:58Yeah, obviously.

01:41:00These are all organic?

01:41:02I think so. Oh. Oh, jeez, Chris.

01:41:04Come on.

01:41:05I thought these came in potions.

01:41:10Brooke?

01:41:13Hi.

01:41:15Uh...

01:41:16What are you doing here?

01:41:17Um, Lila said that she urgently needed some horned melons,

01:41:22and this was gonna cure her dementia,

01:41:25which I now realize is absolutely ridiculous.

01:41:27Zara, come on. What are you doing?

01:41:29Okay. This is... How do I say this?

01:41:31How do I say this? Gosh.

01:41:33Um, I was wrong.

01:41:35And I'm sorry.

01:41:37Yeah.

01:41:39That was tough.

01:41:41I mean, I'm sorry.

01:41:43I know. I was wrong.

01:41:45There was a little... Okay, all right, all right.

01:41:47We're all sorry, and we love each other, and I think it's really cute.

01:41:49Yeah, we love each other. That's great.

01:41:51We're super wrong and sorry, and I love it.

01:41:53Okay, listen, none of this is normal at all,

01:41:55and I kind of honestly think that's why it works.

01:41:57Against all odds, you guys are kind of cute together.

01:42:01It's not necessarily what I imagined for either of you,

01:42:05but I just... I wanted to tell you that I...

01:42:08I think you deserve a real shot,

01:42:10and I'm done standing in the way.

01:42:12So you just produced us. Did we just get produced?

01:42:15She's good, isn't she?

01:42:16Yes, very good. She's my daughter.

01:42:18Well, you know, I'm just gonna mosey on this way.

01:42:21Have fun, you two.

01:42:23Listen, I don't know what she was planning,

01:42:25but this is... I mean, truly, I had nothing to do with this.

01:42:28Can I just... Can I just say one thing?

01:42:30Just one thing? Yeah, yeah, yeah, of course.

01:42:32What?

01:42:35It turns out that I've spent a lot of my life

01:42:37taking people for granted.

01:42:39Okay, and honestly, Brooke, until I met you,

01:42:42I didn't know what that made me.

01:42:46What does that make you?

01:42:49An island of one.

01:42:55I don't want to be an island of one, Brooke.

01:42:59I just don't have the infrastructure for that.

01:43:09Okay.

01:43:20I don't know what this is. It's just...

01:43:22I mean, it's...

01:43:25Chris, it's a long shot.

01:43:27So what? Who cares? Is that any reason not to take it?

01:43:34I suppose the end is none of our business.

01:43:36The end? Why are we even talking about the end?

01:43:38We haven't started yet.

01:43:41Come on.

01:43:44Okay, what do you want to do?

01:43:47You really want to know what I want to do?

01:43:50Brooke, I would like to get a cart,

01:43:53and I would like to make a list,

01:43:55and I would like to go to the cereal section over there

01:43:58because it looks amazing, and I would like...

01:44:01You've never seen the cereal section?

01:44:03Not like that. This store is insane.

01:44:05This is the coolest store I've ever been to in my whole life.

01:44:07I'm working right now, and I don't get a chance to go shopping very often,

01:44:10and I definitely don't get a chance to go shopping with someone that I really like.

01:44:16So can we just start there?

01:44:20Seems like a pretty good place to start.

01:44:38Go, Rainstorms. Go, go, go.

01:44:48Go, Thunder.

01:44:58Let them stay as long as they want.

01:45:00Extra's overtime is on Chris. Thank you.

01:45:08Hey, excuse me. Who's in there?

01:45:10Is it Chris Cole? Is that true?

01:45:13I don't know what you're talking about.

01:45:14The only people in there are my mom and her boyfriend.

01:45:38What?

01:45:40David, no.

01:45:46Hey.

01:45:48Where's the mistake?

01:45:58Okay, let's shoot it.

01:46:00I did, um...

01:46:02Yes, could you please get me a digital copy sent to me and the director,

01:46:05and then another print copy for Chris, because he won't read digital.

01:46:09Also, I'd love to get on the phone with the line producer.

01:46:12I need to talk to them about the new one-liner that just got released.

01:46:14I've got a couple questions.

01:46:16Also, I'd love a hot coffee whenever you get a chance.

01:46:19Got it.

01:46:20Thank you.

01:46:23What time's the call tonight?

01:46:24Uh, 7 p.m.

01:46:26You ready for the night shoot?

01:46:28Yeah, of course I am.

01:46:30I've just never seen you stay awake through an entire night, so...

01:46:33Well, that's not what your mom said.

01:46:35Oh. Oh, wait. That's not what I meant.

01:46:37Get out.

01:46:38I meant that you're...

01:46:39Get out of my office.

01:46:40I didn't mean your mom.

01:46:41No, no, no, no, no.

01:46:42You know what I was getting at.

01:46:43I was kidding.

01:46:45Shut up.

01:46:49Sorry.

01:46:50Don't come back in here.

01:46:51Sorry.

01:46:52No.

01:46:53See you tonight.

01:46:54Okay, love you.

01:46:55Love you, too.

01:47:04I love you.

01:47:05I love you.

01:47:06I love you.

01:47:07I love you.

01:47:08I love you.

01:47:09I love you.

01:47:10I love you.

01:47:11I love you.

01:47:12I love you.

01:47:13I love you.

01:47:14I love you.

01:47:15I love you.

01:47:16I love you.

01:47:17I love you.

01:47:18I love you.

01:47:19I love you.

01:47:20I love you.

01:47:21I love you.

01:47:22I love you.

01:47:23I love you.

01:47:24I love you.

01:47:25I love you.

01:47:26I love you.

01:47:27I love you.

01:47:28I love you.

01:47:29I love you.

01:47:30I love you.

01:47:31I love you.

01:47:32I love you.

01:47:33I love you.

01:47:34I love you.

01:47:35I love you.

01:47:36I love you.

01:47:37I love you.

01:47:38I love you.

01:47:39I love you.

01:47:40I love you.

01:47:41I love you.

01:47:42I love you.

01:47:43I love you.

01:47:44I love you.

01:47:45I love you.

01:47:46I love you.

01:47:47I love you.

01:47:48I love you.

01:47:49I love you.

01:47:50I love you.

01:47:51I love you.

01:47:52I love you.

01:47:53I love you.

01:47:54I love you.

01:47:55I love you.

01:47:56I love you.

01:47:57I love you.

01:47:58I love you.

01:47:59I love you.

01:48:00I love you.

01:48:01I love you.

01:48:02I love you.

01:48:03I love you.

01:48:04I love you.

01:48:05I love you.

01:48:06I love you.

01:48:07I love you.

01:48:08I love you.

01:48:09I love you.

01:48:10I love you.

01:48:11I love you.

01:48:12I love you.

01:48:13I love you.

01:48:14I love you.

01:48:15I love you.

01:48:16I love you.

01:48:17I love you.

01:48:18I love you.

01:48:19I love you.

01:48:20I love you.

01:48:21I love you.

01:48:22I love you.

01:48:23I love you.

01:48:24I love you.

01:48:25I love you.

01:48:26I love you.

01:48:27I love you.

01:48:28I love you.

01:48:29I love you.

01:48:30I love you.

01:48:31I love you.

01:48:32I love you.

01:48:33I love you.

01:48:34I love you.

01:48:35I love you.

01:48:36I love you.

01:48:37I love you.

01:48:38I love you.

01:48:39I love you.

01:48:40I love you.

01:48:41I love you.

01:48:42I love you.

01:48:43I love you.

01:48:44I love you.

01:48:45I love you.

01:48:46I love you.

01:48:47I love you.

01:48:48I love you.

01:48:49I love you.

01:48:50I love you.

01:48:51I love you.

01:48:52I love you.

01:48:53I love you.

01:48:54I love you.

01:48:55I love you.

01:48:56I love you.

01:48:57I love you.

01:48:58I love you.

01:48:59I love you.

01:49:00I love you.

01:49:01I love you.

01:49:02I love you.

01:49:03I love you.

01:49:04I love you.

01:49:05I love you.

01:49:06I love you.

01:49:07I love you.

01:49:08I love you.

01:49:09I love you.

01:49:10I love you.

01:49:11I love you.

01:49:12I love you.

01:49:13I love you.

01:49:14I love you.

01:49:15I love you.

01:49:16I love you.

01:49:17I love you.

01:49:18I love you.

01:49:19I love you.

01:49:20I love you.

01:49:21I love you.

01:49:22I love you.

01:49:23I love you.

01:49:24I love you.

01:49:25I love you.

01:49:26I love you.

01:49:27I love you.

01:49:28I love you.

01:49:29I love you.

01:49:30I love you.

01:49:31I love you.

01:49:32I love you.

01:49:33I love you.

01:49:34I love you.

01:49:35I love you.

01:49:36I love you.

01:49:37I love you.

01:49:38I love you.

01:49:39I love you.

01:49:40I love you.

01:49:41I love you.

01:49:42I love you.

01:49:43I love you.

01:49:44I love you.

01:49:45I love you.

01:49:46I love you.

01:49:47I love you.

01:49:48I love you.

01:49:49I love you.

01:49:50I love you.

01:49:51I love you.

01:49:52I love you.

01:49:53I love you.

01:49:54I love you.

01:49:55I love you.

01:49:56I love you.

01:49:57I love you.

01:49:58I love you.

01:49:59I love you.

01:50:00I love you.

01:50:01I love you.

01:50:02I love you.

01:50:03I love you.

01:50:04I love you.

01:50:05I love you.

01:50:06I love you.

01:50:07I love you.

01:50:08I love you.

01:50:09I love you.

01:50:10I love you.

01:50:11I love you.

01:50:12I love you.

01:50:13I love you.

01:50:14I love you.

01:50:15I love you.

01:50:16I love you.

01:50:17I love you.

01:50:18I love you.

01:50:19I love you.

01:50:20I love you.

01:50:21I love you.

01:50:22I love you.

01:50:23I love you.

01:50:24I love you.

01:50:25I love you.

01:50:26I love you.

01:50:27I love you.

01:50:28I love you.

01:50:29I love you.

01:50:30I love you.

01:50:31I love you.

01:50:32I love you.

01:50:33I love you.

01:50:34I love you.

01:50:35I love you.

01:50:36I love you.

01:50:37I love you.

01:50:38I love you.

01:50:39I love you.

01:50:40I love you.

01:50:41I love you.

01:50:42I love you.

01:50:43I love you.

01:50:44I love you.

01:50:45I love you.

01:50:46I love you.

01:50:47I love you.

01:50:48I love you.

01:50:49I love you.

01:50:50I love you.

01:50:51I love you.

01:50:52I love you.

01:50:53I love you.

01:50:54I love you.

01:50:55I love you.

01:50:56I love you.

01:50:57I love you.

01:50:58I love you.

01:50:59I love you.

01:51:00I love you.

01:51:01I love you.

01:51:02I love you.

01:51:03I love you.

01:51:04I love you.

01:51:05I love you.

01:51:06I love you.

01:51:07I love you.

01:51:08I love you.

01:51:09I love you.

01:51:10I love you.

01:51:11I love you.

01:51:12I love you.

01:51:13I love you.

01:51:14I love you.

01:51:15I love you.

01:51:16I love you.

01:51:17I love you.

01:51:18I love you.

01:51:19I love you.

01:51:20I love you.

01:51:21I love you.

01:51:22I love you.

01:51:23I love you.

01:51:24I love you.

01:51:25I love you.

01:51:26I love you.

01:51:27I love you.

01:51:28I love you.

01:51:29I love you.

01:51:30I love you.

01:51:31I love you.

01:51:32I love you.

01:51:33I love you.

01:51:34I love you.

01:51:35I love you.

01:51:36I love you.

01:51:37I love you.

01:51:38I love you.

01:51:39I love you.

01:51:40I love you.

01:51:41I love you.

01:51:42I love you.

01:51:43I love you.

01:51:44I love you.

01:51:45I love you.

01:51:46I love you.

01:51:47I love you.

01:51:48I love you.

01:51:49I love you.

01:51:50I love you.

01:51:51I love you.

01:51:52I love you.

01:51:53I love you.

01:51:54I love you.

01:51:55I love you.

01:51:56I love you.

01:51:57I love you.

01:51:58I love you.

01:51:59I love you.

01:52:00I love you.

01:52:01I love you.

01:52:02I love you.

01:52:03I love you.

01:52:04I love you.

01:52:05I love you.

01:52:06I love you.

01:52:07I love you.

01:52:08I love you.

01:52:09I love you.

01:52:10I love you.

01:52:11I love you.

01:52:12I love you.

01:52:13I love you.

01:52:14I love you.

01:52:15I love you.

01:52:16I love you.

01:52:17I love you.

01:52:18I love you.

01:52:19I love you.

01:52:20I love you.

01:52:21I love you.

01:52:22I love you.

01:52:23I love you.

01:52:24I love you.

01:52:25I love you.

01:52:26I love you.

01:52:27I love you.

01:52:28I love you.

01:52:29I love you.

01:52:30I love you.

01:52:31I love you.

01:52:32I love you.

01:52:33I love you.

01:52:34I love you.

01:52:35I love you.

01:52:36I love you.

01:52:37I love you.

01:52:38I love you.

01:52:39I love you.

01:52:40I love you.

01:52:41I love you.

01:52:42I love you.

01:52:43I love you.

01:52:44I love you.

01:52:45I love you.

01:52:46I love you.

01:52:47I love you.

01:52:48I love you.

01:52:49I love you.

01:52:50I love you.

01:52:51I love you.

01:52:52I love you.

01:52:53I love you.

01:52:54I love you.

01:52:55I love you.

01:52:56I love you.

01:52:57I love you.

01:52:58I love you.

01:52:59I love you.

01:53:00I love you.

01:53:01I love you.

01:53:02I love you.

01:53:03I love you.

01:53:04I love you.

01:53:05I love you.

01:53:06I love you.

01:53:07I love you.

01:53:08I love you.

01:53:09I love you.

01:53:10I love you.

01:53:11I love you.

01:53:12I love you.

01:53:13I love you.

01:53:14I love you.

01:53:15I love you.

01:53:16I love you.

01:53:17I love you.

01:53:18I love you.

01:53:19I love you.

01:53:20I love you.

01:53:21I love you.

01:53:22I love you.

01:53:23I love you.

01:53:24I love you.

01:53:25I love you.

01:53:26I love you.

01:53:27I love you.

01:53:28I love you.

01:53:29I love you.

01:53:30I love you.

01:53:31I love you.

01:53:32I love you.

01:53:33I love you.

01:53:34I love you.

01:53:35I love you.

01:53:36I love you.

01:53:37I love you.

01:53:38I love you.

01:53:39I love you.

01:53:40I love you.

01:53:41I love you.

01:53:42I love you.

01:53:43I love you.

01:53:44I love you.

01:53:45I love you.

01:53:46I love you.

01:53:47I love you.

01:53:48I love you.

Category

Transcript

Recommended