La vida prometida Cap 2

  • 3 ay önce
La vida prometida Cap 2
Transcript
00:00I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you
00:30Io ti cerco, ti invoco follemente, per dirti che ti amo appassionato
00:50Amapola, dolcissima amapola, la luce dei miei giorni splendente
01:08Fai fiorire la passione come il suono della mia canzone
01:38I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I
02:08love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love
02:38you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you
03:08Canadian.
03:09Caramella.
03:11Carmela.
03:41Thank God he's gone to America.
04:02Here you go.
04:03Hurry up.
04:05Come on, come on.
04:07Hurry up, hurry up.
04:09Be careful.
04:11These are very expensive clothes.
04:14Be careful.
04:15Let's see what he has to say.
04:17He says these clothes are very expensive.
04:19Do you understand? Very expensive.
04:21First class.
04:23Yeah, sure.
04:27I'm Dolores.
04:28Spanish.
04:29And I'm Carmela.
04:31Sicilian.
04:32Married, of course.
04:33Yes.
04:35I had to get married by force.
04:37In Naples.
04:39Come here.
04:44With this.
04:46Well.
04:48The important thing is that you go to America.
04:51Anyway.
04:53I've been going and coming for about three years.
04:57Sooner or later I'll find an American husband.
05:01Well, of course.
05:03Sure.
05:07So you've never been to America?
05:11No.
05:12But I've heard a lot about it.
05:15They say that as soon as you get there,
05:18there's a statue.
05:20The Statue of Liberty.
05:22That has in its hand a torch raised towards the sky.
05:26And that light illuminates the freedom of the world.
05:31And in the other hand,
05:33there's a board where it says...
05:35Dolores, the one who works with me at the laundry,
05:38told me that in America
05:40there are tall, very tall houses that reach the sky.
05:44And how do they reach the sky?
05:46They have elevators.
05:48Elevators? And what are those?
05:50They're boxes that go up and down.
05:52Someone from immigration told me
05:54that we have to behave
05:56and learn their language and their currency too.
06:00Don't tell me.
06:01It's not hard.
06:02Dog is pronounced Do.
06:04Dog?
06:05Yes, that's how it's pronounced.
06:07And bread, bread and cheese, cheese.
06:11Cheese.
06:12Cheese.
06:14And Rocco,
06:16do you know how to say stone in America?
06:19It's Roc.
06:21Like you.
06:23Rocco, like me.
06:27Like you, like you.
06:30What's going on?
06:48Are you feeling sick?
06:54What's wrong?
06:55Are you not feeling well?
06:57Here, have a drink of water.
06:59Don't worry, I'll finish it.
07:00Go and rest.
07:03Are you Italian?
07:04No, Chinese.
07:07I'm Chiro Parenti.
07:09Michele Carrizzo.
07:10I'm Sicilian, and you?
07:12I'm from Calvi Risorta, in Caserta.
07:16Do you know the Royal Palace?
07:17It's a communist country.
07:20It's the worst.
07:22I'm a Bolshevik.
07:23If I stayed, Mussolini would kill me.
07:26Or I would kill him.
07:28You came to this hellhole like me.
07:31Go to hell.
07:33Sooner or later, I'll rule in Italy.
07:36Then I'll go home.
07:38And I'll be able to cultivate my land.
07:41Not foreign land.
07:43Shut up, fascist.
07:45Or I'll put you in the cauldron.
07:48You're an idiot.
07:59Good night, Dolores.
08:01Good night.
08:02See you tomorrow?
08:04Yes.
08:05Rest.
08:06Good night.
08:07Good night.
08:16Michele.
08:18You're full of coal.
08:22What are you doing? Are you going to sleep?
08:25Eat some bread.
08:27No, Mom. I don't want anything.
08:29Michele.
08:34If you don't eat, how will you survive in America?
08:57Virgin.
09:21My God.
09:23This is money.
09:25American money.
09:48Okay, Turi, okay.
09:51I'll give you the money back.
09:53Carrizo, we're not thieves.
09:55We're not thieves.
09:56This is for my friend Carmela.
09:58Come on, Carmela, let's eat something.
10:00You haven't eaten in a long time.
10:01Look, I made you a sandwich.
10:03Delicious.
10:04A sandwich.
10:05No, thank you.
10:06No, no, no.
10:07Why?
10:08I don't know what to do.
10:11I've found money.
10:13Money.
10:14Do you understand?
10:15Yes, we all understand money, Carmela.
10:19It's a fortune.
10:21Really?
10:22Yes.
10:23With this, you can continue your first-class trip with your family.
10:29Here.
10:30But I have to give it back.
10:32Give it back to...
10:33Who is it?
10:34The 27th.
10:36Mr. Ferry.
10:37You stupid, honest woman.
10:40You should have kept the money.
10:42What does it say?
10:43It says you're an honest woman.
10:45It says you're an honest woman.
10:47But also a little stupid.
10:49If you kept the money, no one would notice.
10:52No, I have to give it back.
10:54I have to give it back.
10:56I take back to Mr. Ferry.
10:58What does it say?
10:59He's taking it to...
11:02Mr. Ferry.
11:16Good night.
11:26Come in, come in.
11:30Can I come in?
11:36Come in, please.
11:39It must be Carmela, the laundry woman who found the money I forgot in my pants and gave it back to me.
11:47That's right.
11:48Do you know how much money it was?
11:51Yes, they told me.
11:53Is there a problem?
11:55No, no, no.
11:56It was just to tell you that anyone in your place would have kept it.
12:00And maybe I would have done the same.
12:04If I'm honest with you, so am I.
12:09But not because I'm not honest.
12:11Out of necessity.
12:13I understand, you know.
12:17Because when I left...
12:19Were you also an emigrant?
12:21Yes, I've been in America for 25 years.
12:24I came back to Italy to bury my wife near her mother, in northern Italy, near Como.
12:29We're from there.
12:31I also buried my husband recently.
12:34And not just him.
12:35I'm sorry.
12:36Sit down, please.
12:38There?
12:39Wherever you want. There, yes.
12:46Do you want a drink?
12:48No, no, please. I'm getting dizzy.
12:57Then you must know America well.
13:00I've seen the good and the bad.
13:03The good and the bad.
13:05America is many things.
13:07It's like a goddess of abundance.
13:10It gives you opportunities, food, work...
13:13But it only asks for the will to do things.
13:16If you have the will, America says,
13:18Take it. It's all yours. It belongs to you.
13:21That's the good.
13:23And the bad?
13:25The bad, for example, is something unpleasant that happened in New Orleans in 1891.
13:32When 11 young Italians were accused of killing a police captain, a guy named Genesis.
13:4111 boys to kill a single man.
13:44In fact, the court acquitted them.
13:47But the sentence didn't please certain well-meaning Americans,
13:51who believe that Italians are all the same.
13:53They're criminals. They're murderers.
13:56So... So those gentlemen, huh?
14:00An army. There were a thousand. Maybe more.
14:02They went to jail and they murdered them. They killed them one by one.
14:06Holy Virgin. And the guards?
14:09The guards witnessed the lynching.
14:12Without moving a single finger.
14:14With their arms crossed.
14:17Among those 11 Italians...
14:21was my brother, who was 24 years old at the time.
14:25I'm sorry.
14:26Me too, but many years have passed.
14:30We all want fortune to smile on us.
14:32And as you can see, I can't complain.
14:34Yeah. Well, I don't have the same luck.
14:38Nor do my children.
14:42Here. For being honest.
14:44No, no, please. You're offending me.
14:48They're about to serve dinner.
14:52And it's late.
14:54A man alone never arrives late.
14:56It's the only advantage of loneliness.
14:59I'll walk you to the door.
15:05But this is... I've never seen one.
15:08It's a gramophone. Do you like it?
15:11It's pretty.
15:12It's for listening to music.
15:15Goodbye.
15:46Don't be afraid, Mrs. Assunta.
15:49Calm down.
15:51I left the hospital this morning.
15:58But you're alive!
16:00You can see me, right?
16:03Oh, the Virgin!
16:05You've healed!
16:07The Virgin is the one who healed me.
16:10It's a miracle!
16:13It's a miracle!
16:15That's what the doctor at the hospital said.
16:19And Mom and my siblings.
16:25Your mother...
16:27She left for America with your siblings.
16:35But they left without me.
16:39They thought you were dead, Maria.
16:45Your mother didn't want to leave.
16:48You don't know how many tears she shed.
16:50They thought you were dead, my daughter.
16:52But she left you an address.
16:54No, she had to send it to me.
16:57I can't read or write.
16:59Neither can your mother.
17:01What a nuisance.
17:03But you don't have anyone there.
17:05I don't know.
17:07A relative? A friend?
17:09You don't know anyone?
17:13What a shame.
17:17Wait.
17:19Wait.
17:20I'll show you something.
17:24Come, Maria.
17:28Come.
17:30Is this it?
17:32They're yours. She gave them to me for you.
17:34I had to sell them for...
17:37the funeral.
17:39But luckily, I didn't need them.
17:41They're yours.
17:43Here they are.
17:45And these rings, see?
17:47Even if they're not gold.
17:49Here.
17:51They mean a lot to my mother.
17:53Yes.
17:56What do I do now?
17:58Stay with me.
18:00You can stay for a while.
18:02I'm not going to kick you out.
18:04A young girl who could be my daughter.
18:07Like the daughter I lost.
18:09Not from Bartolo, but from a great love of mine.
18:13You have the bed.
18:15Let's stay here for a while.
18:17Stay here for a while and then we'll find them.
18:19Even if the sea swallows them.
18:21All of them.
18:23We'll find them.
18:25Don't worry.
18:27When you wake up,
18:29I'll bring you something good to eat.
18:31Don't worry.
18:33I'll cook.
18:35The plate.
18:46Don't worry.
18:48We're not going to have a baby.
18:50I'm not sure.
18:54Please, let me go.
18:56Dear Alfio, I'm here alone.
18:58They've all gone to America.
19:01Come here, please.
19:03Maria.
19:05Maria.
19:07Come here.
19:09Let us through.
19:11Let us through.
19:13Please, let us through.
19:15We have to save them.
19:17I can't wait any longer.
19:19Let us through.
19:23Look carefully.
19:26Carmela Carrizo.
19:28Michele Carrizo.
19:30Antonio Carrizo.
19:32And Alfredo Carrizo.
19:34I understand.
19:36But if you don't remember the name of the ship
19:38or the day it left here,
19:40what do you want me to do?
19:42Make up your family?
19:44Are you sure they boarded regularly?
19:46Yes.
19:48Because there are a lot of people who,
19:50to save two cents,
19:52get on a ship and then,
19:54as if such a thing ends at the bottom of the sea,
19:56instead of in America.
19:58Thank you very much. Let's go, Maria.
20:00Miss.
20:02What's wrong?
20:04Miss.
20:06Thank you. It's nothing.
20:08It's just a little dizziness.
20:10Are you sure?
20:12It's over.
20:14But I don't trust you.
20:16No, because I'm afraid you'll say it
20:18to get rid of someone who comes up to you
20:20and looks like an idiot.
20:22But your pale face says something else, doesn't it?
20:24In the end, you'll faint for real, miss.
20:26Yes, you're right.
20:28I think I can help you.
20:30Can you help me?
20:32Yes.
20:34Can you help me get to America?
20:36How? By buying the ticket?
20:38Can you find my family,
20:40who left me here without money,
20:42without a house, without anything?
20:44Is that all?
20:46What did I think it was?
20:48I think I can help you.
20:50How?
20:52I'm also going to America.
20:54America?
20:56Listen.
20:58Can I have five minutes?
21:00As long as it takes to have a coffee.
21:02Five minutes.
21:04Okay.
21:06Just five minutes.
21:08Let's go, Maria.
21:18What was I going to do if I didn't?
21:20My daughter was lost.
21:22I had to choose.
21:24And I chose to leave.
21:28I'm sorry.
21:30But deep down,
21:32I feel like...
21:34Look at me. I haven't had children.
21:36No.
21:38Why?
21:40I was a flamenco dancer.
21:42And you know,
21:44everyone likes them,
21:46but no one marries them.
21:48Flamenco was born
21:50as a dance
21:52of protest.
21:54To stand up,
21:56to fight.
21:58Come on, come on.
22:00Dance, Carmela.
22:02Recover your strength, Carmela.
22:04Come on.
22:06No, Dolores.
22:08Carmela.
22:10I'm very sad.
22:18Come on.
22:26Is this already a vice?
22:28No.
22:32Of the 27th?
22:34Of Mr. Ferry.
22:36That man wants to see you again,
22:38is that clear?
22:40Then I'll give him a surprise.
22:42Yes.
22:48Come in, come in.
22:52Who are you?
22:54Alfredo Carricho.
22:56The son of the ironer.
22:58Alfredo Carricho.
23:00Come, come closer.
23:04How can I help you, Alfredo?
23:06My mother told me it's hers.
23:08But if she keeps forgetting things,
23:10she'll keep them next time.
23:12Your mother is right.
23:16I assure you I'm very fond
23:18of this watch.
23:20But lately
23:22I've been a bit distracted.
23:26How old are you?
23:28Almost 12.
23:30You're a man, you're big.
23:32Will you go to school?
23:34I was going, but here on the boat.
23:36It's true that since there's no school,
23:38you haven't had any.
23:40No, I used to like going to school.
23:42Really?
23:44Yes, I liked numbers.
23:46Numbers? Very good.
23:48I used to like them too.
23:50Do you like fruit?
23:52Take it.
23:54Really?
23:56Yes, take it, take it.
23:58Come on, don't be afraid.
24:00Take it, take it.
24:02Do I have to take it all?
24:04I don't know, the one that fits in your pocket.
24:06If you come back here, I'll give you more fruit.
24:08And maybe some kind.
24:12I would have liked to have a son like you.
24:14You know?
24:16Bread.
24:18What, you want bread too?
24:20No, I was going over the American.
24:22Well, if you come back here,
24:24I'll show you the numbers and also the American.
24:26We can start tomorrow
24:28if you like.
24:32And this afternoon, right?
24:34We'll start this afternoon.
24:38Die...
24:40Bier.
24:42Very good.
24:44Which means deer.
24:48Let's continue.
24:52Let's see, Alfredino, listen to me.
24:54Write 18 thirds.
25:0018 thirds.
25:05The stock market, Alfredo,
25:07is the currency market.
25:09And what does the currency do?
25:11It fluctuates, as they say.
25:13It goes up and down, increases in value
25:15and loses it, it depends.
25:17It's a bit like sailing,
25:19like we're doing now.
25:21When you're sailing, sometimes the sea is turbulent
25:23and sometimes it's calm.
25:27The secret is to be ready for everything.
25:29And to prepare,
25:31there are three fundamental things.
25:33The first is to study.
25:35The second is to study.
25:37And the third?
25:39Study.
25:41Don't play chess.
25:43Do I start?
25:45Yes, take the blanks.
25:47Because strategy is important, do you understand?
25:49And not only in the world of finance,
25:51strategy is important in life.
25:53Remember, Alfredo,
25:55don't make any move
25:57without thinking about the next one.
25:59Let's see how it goes.
26:03Do you understand, Chiro?
26:05That's what my father did.
26:07He faced a guy, Vincenzo Spano,
26:09who killed him.
26:11Yes, but because he fought alone, Mike.
26:13That was the mistake.
26:15And what was he going to do if he didn't?
26:17Mike,
26:19today injustice is fought in the United States.
26:21In America,
26:23there's the Federation of Labor,
26:25do you understand?
26:27Labor?
26:29Exactly, the workers against the boss.
26:31He already works in New York.
26:33I'm going to meet with him.
26:35Mike, if all the workers
26:37had supported your father,
26:39he would still be alive today.
26:41We have to fight, Mike.
26:43Work and fight.
26:45That's our duty.
26:47Shift one, back to work.
26:49Shift two, 15 minutes break.
26:51Come on, let's get to work.
26:53Shift one, get back to work.
26:55Shift two, 15-minute break.
27:01Coughing
27:23Coughing
27:25Do you want some water?
27:27Thank you, ma'am.
27:29It was because of the girl
27:31who had her on her chest.
27:33Now,
27:35it's okay, don't pressure me.
27:39Good night.
27:41Good night.
27:59Good morning, Mrs. Aso.
28:01Good morning, Mose.
28:03Good morning. May I come in?
28:05Of course, you're welcome.
28:07Is everything ready?
28:09Yes. How do I look?
28:11Handsome, very handsome.
28:13Thank you.
28:15And Maria?
28:17Maria!
28:19Maria! She went up to the roof.
28:21Here she is, here she is.
28:23I wasn't expecting you.
28:25I know.
28:27I went to the synagogue.
28:29It's close by,
28:31so I thought...
28:33It's not that close.
28:35Well, close by, far away.
28:37Shall we invite Mose to come in
28:39or shall we leave him here?
28:41I'll make him some coffee.
28:43Come on, come in.
28:45Thank you. May I?
28:47Come on.
28:49Assunta, who's that?
28:51Come on, you want to know everything.
28:53Go away, go away.
28:55I'm leaving now.
28:57This woman must be an idiot.
28:59Sooner or later she'll find out.
29:03Tomorrow the ship will arrive
29:05to New York.
29:07This is the Immigration Manual.
29:09It says you have to be
29:11honest,
29:13honorable,
29:15take care of your hygiene,
29:17and speak with a lot of
29:19education.
29:21I'd love to go down with you, Carmela.
29:23My legs are shaking
29:25because I'm going down
29:27and because you're staying.
29:29We have the best country,
29:31the best jobs, and the best laws.
29:33We know there's work here.
29:35We should have stayed in our country.
29:37You're going to get to Ellis Island.
29:39They'll check your documentation.
29:41They'll ask you how much money you have.
29:43And above all,
29:45they'll do a medical exam
29:47Whoever passes the exam
29:49will take the ship to New York.
29:51When you get there, be very careful
29:53with the estimators.
29:59Come in.
30:01Am I bothering you?
30:03You're always welcome, Carmela.
30:07I'll bring you the shirts.
30:09Thank you.
30:11My God, what happened?
30:13Did he hit the devil?
30:15Excuse me, but as they say,
30:17order is a monologue,
30:19and disorder is a dialogue.
30:21And since I don't have anyone to talk to...
30:23Can I help you?
30:25Maybe with the twins.
30:27Of course.
30:37It smells very good, Carmela.
30:39Like my shirts.
30:41Thank you.
30:45I have the feeling
30:47that you want to talk to me.
30:49Am I wrong?
30:51No, you're not wrong.
30:53Where do I start?
30:57We're disembarking tomorrow.
30:59People are talking,
31:01and I get nervous.
31:03Because if it's true
31:05that we have to pass a medical exam
31:07and that they want us all to be healthy,
31:09it's because my son Rocco is not well.
31:11He's not well from here.
31:13And what do I do?
31:15I can't go back.
31:17Look, I'll tell you
31:19something I haven't told the priest
31:21in the confession.
31:23Because Mr. Ferry has offered me
31:25his trust and also
31:27his patience.
31:29My son Rocco was as healthy
31:31as the others.
31:35And if he's like this now,
31:37it's my fault.
31:39Only mine.
31:43Because in my town
31:45there was a man
31:47named Vincenzo Espano,
31:49a man without scruples,
31:51who, when they want something,
31:53they take it.
31:55Sometimes the beauty
31:57of a woman
31:59can be her condemnation.
32:01But what beauty?
32:03Her inner beauty, Carmela,
32:05which may be even greater.
32:07It's not your fault.
32:09Destiny is not always in our hands.
32:11But my son's is.
32:13I don't know.
32:15I don't know.
32:17I don't know.
32:19I don't know.
32:21I don't know.
32:23It's not always in our hands.
32:25But my son's is.
32:27Because I brought him here.
32:29If the Americans don't love him
32:31and don't let him pass,
32:33what do I do?
32:35Throw myself into the sea
32:37with all my children?
32:39Sink?
32:41Everything will be fine, Carmela.
32:43They'll get him.
32:45I haven't thanked him
32:47for everything he's done for Alfredo.
32:49What has he taught him?
32:51I don't know. Many things.
32:53A little bit of English.
32:55A little bit of arithmetic.
32:57A little bit of chess.
32:59I've also told him
33:01about my job,
33:03my profession.
33:05Finances, the stock market.
33:07What's that?
33:09It's about making money
33:11from other money.
33:13It's like a game,
33:15but it's dangerous.
33:17You can lose.
33:19Even if it's small,
33:21I've planted the seed.
33:23Who knows? Maybe tomorrow
33:25we'll harvest the fruit.
33:29Mr. Ferri knows so many things
33:31and he knows the rules.
33:33He could tell me
33:35what I can do
33:37so they don't close
33:39the doors of this paradise
33:41on my face.
33:43Rocco, where are you?
33:49Rocco!
33:51How dare you? Get out!
33:53You have to stay close to me.
33:55Mikele!
33:57Mom! Mom is here!
33:59Mikele!
34:01Rocco, get out!
34:03Come on, get out.
34:05You can't escape like this.
34:07And don't make that face.
34:09I know you understand me.
34:11You have to listen to me.
34:13Otherwise they won't let you in.
34:15You must be calm
34:17because we're taking care of you.
34:19Mikele, you go inside
34:21the immigration office.
34:23You take him from here
34:25and you, Antonio, from here.
34:27Hold him tight.
34:29Do you understand?
34:31And if they ask you,
34:33tell them he's dizzy in the boat.
34:35Say yes with your head
34:37to know you understand.
34:39I'm dizzy in the boat.
34:43Very good, like that.
34:47I have to tell you
34:49something else.
34:51This trip
34:53has been very expensive.
34:55And not only
34:57because of what happened to Mariuzza,
34:59but also
35:01because of this.
35:03This alliance
35:05is not your father's.
35:07I left mine and his
35:09to Mrs. Asunta for Mariuzza's funeral.
35:13I had to get married in Naples.
35:17To another
35:19for powers.
35:21But when? And who is that man?
35:23That doesn't matter.
35:25He's a good man.
35:29If a woman is not married,
35:31a man with citizenship
35:33cannot enter.
35:35So I had to do it.
35:37I did it for us.
35:39He's also Italian.
35:43Well, he's Lombardo
35:45and a widow.
35:47Why didn't you tell me?
35:51Because you would have stopped me.
35:55And we had to leave.
36:01Now we can't look back.
36:03No.
36:05Mom, look!
36:07We're arriving!
36:09You can see America!
36:17Look, look!
36:19We're here!
36:21Have you seen that we've arrived, Rocco?
36:25Look.
36:27Have you seen that we've arrived, Rocco?
36:31Look.
36:45Let's start a new life.
36:49Start there.
36:57May God help us.
36:59We've arrived!
37:25Welcome to the United States.
37:27Here you must take care of your health
37:29and talk to your doctor.
37:33Let me through.
37:37Have you seen
37:39what they've written on me?
37:45I'm all alone.
37:47I sold everything to come here.
37:49The house, the land.
37:51Maria, Maria!
37:53Maria!
37:55I have to feed three children!
37:57Please!
37:59Maria!
38:01Maria!
38:03Maria!
38:05No, please!
38:07Please!
38:09Please!
38:11Please!
38:13Please!
38:15I'm sick!
38:17Mom, why does he have a C on his back?
38:19No idea.
38:21Because he's sick.
38:23He's suffering from cardiopathy.
38:25The sick are sent back to Italy.
38:27Or they're left on Ellis Island,
38:29in quarantine for 40 or 50 days.
38:37Welcome, Mr. Ferry.
38:39Thank you very much.
38:41Look.
38:43This is from that family.
38:45And this
38:47is for you.
38:49For the inconvenience.
38:51Listen to me, Rocco.
38:53What do you have to say
38:55in the exam?
38:57I'm seasick on the boat.
38:59I'm seasick on the boat.
39:01I'm seasick on the boat.
39:03Yes, Rocco, but say it just once.
39:05Don't be a pain.
39:07Very well.
39:11They're with me.
39:13Let them pass.
39:15Come on!
39:17The documents first!
39:19Hurry up!
39:23Hurry up!
39:37Five people?
39:41Yes. You have money?
39:49She is married to an American citizen.
39:51These are the documents.
39:55I'm seasick on the boat.
39:57I'm seasick on the boat.
39:59You don't know the medical exam.
40:01Stay here.
40:03He was seasick.
40:05Seasick?
40:07What are you laughing at?
40:09Officer.
40:19Stay here.
40:23Make up your mind.
40:25Now, in the medical exam,
40:27they won't let him pass.
40:29The X will not be taken away by anyone.
40:31Why? He's healthy and strong.
40:45They're approved.
40:49What did he say?
40:51That everything is fine.
40:53You can go in.
40:55Don't we have to pass the medical exam?
40:57No, ma'am.
40:59You'll have a saint in paradise.
41:01Thank you.
41:03Here it says Ritzo.
41:05We'll call ourselves Carrizo.
41:07What else will it give?
41:09Leave before he thinks twice.
41:11If they've written Ritzo, we'll call ourselves that.
41:13Let's go.
41:15Next!
41:19Next!
41:21Next!
41:23Next!
41:25Next!
41:27Next!
41:29Next!
41:31Next!
41:33Next!
41:35Next!
41:37Next!
41:39There are 50 places for the examiner.
41:41But if you accept the job,
41:4350% is for me.
41:45What are you saying?
41:47Go for a walk.
41:49My partner already has a job.
41:51It's not possible.
41:53Genarino is my cousin.
41:55Nice to meet you.
41:57They're looking for workers at the Red Hook Foundation,
41:59where I'll work.
42:01See you tomorrow at 5.
42:03Be punctual.
42:05Wait, wait. How do I find her?
42:07Ask around. Everyone knows her.
42:11There she is.
42:13It's the one from the poster that says Carrizo.
42:15Are you sure it's her?
42:17She's looking at us, but she's not moving.
42:41I'm sorry, but I wasn't sure
42:43if it was you.
42:45It says Esquiabo, and my last name is Esquiabón,
42:47with an N.
42:49Besides, I couldn't believe
42:51it was you, ma'am.
42:59Nice to meet you.
43:01Carmela Carrizo Rizzo.
43:03A pleasure.
43:05This is my son Mikele, Antonio,
43:07Rocco, and Alfredo.
43:09Do you have any more?
43:11Unfortunately, no.
43:13I also had a daughter.
43:15I'm sorry. I didn't know.
43:17I'm sorry.
43:19Say hello.
43:21Good morning.
43:23I brought the car.
43:25The car...
43:27Because I thought...
43:29I thought the tram would be uncomfortable.
43:31But Mom is a little tired.
43:33But we're two steps away.
43:35And then I'll take you to see the city.
43:37It's a good opportunity.
43:39Let's go.
43:41Give me this.
43:43Thank you.
43:45Let go, Rocco.
43:59Walford Hotel, please.
44:03Mom?
44:05Let's go.
44:07Let's go.
44:21Well,
44:23are you going to show us America?
44:25Of course.
44:27Let's go.
44:29Antonio, push.
44:37Let's go.
45:07Let's go.
45:17Come on.
45:19Walk.
45:21Walk.
45:25Come on, Alfio.
45:27Dear Alfio,
45:29I'm here alone.
45:31They've all gone to America.
45:33Please come, Maria.
45:37Let's go.
46:07Let's go.
46:37Stop, Carmela, please.
46:39What do you want? Go away.
46:51Stop, Carmela.
47:07No.
47:13No.
47:37No.
48:07No.
48:37© BF-WATCH TV 2021
49:07© BF-WATCH TV 2021
49:37© BF-WATCH TV 2021