Ding Gru
Ding Gru
  • 5 months ago
Al Fondo Hay Sitio 11 Capitulo 59 Completo HD Online
Al Fondo Hay Sitio 11 Capitulo 60 Completo HD Online
Al Fondo Hay Sitio 11 Capitulo 61 Completo HD Online
Al Fondo Hay Sitio 11 Capitulo 59 Completo HD Online
Transcript
00:00You would receive half a million soles for the sale.
00:04Half a million? No, no, no, no, no.
00:07So, what do you think of a million?
00:10A million soles?
00:12Counting and sounding.
00:14Only I know what happens.
00:17You're not going to tell me how I look.
00:20I still have nightmares about Yoli.
00:23And you...
00:26You left me when I needed you the most.
00:29I would recommend that you don't sell it to Francesca.
00:34Together, we can make this place
00:37the best Chinese food restaurant in Peru.
00:40Even better than Francesca's.
00:43Hello.
00:44I was recommended this workshop.
00:46And what am I good for?
00:48I need you to check me.
00:50The brakes.
00:52Of the car.
00:53Yes, yes, yes.
00:54Yes, but I need it to be fast.
00:56Yes, yes, don't worry.
00:57We work with a lot of responsibility,
00:59with a lot of security.
01:00I'm going to need an invoice.
01:02But we'll see about that later.
01:03I'm not signing anything anymore.
01:04What?
01:05No, no, no, I'm not signing anymore.
01:06Bye, I'm leaving.
01:07No, no, no, no.
01:08Listen, if you want more money,
01:09I can make you another offer.
01:10No, enough.
01:11Excuse me.
01:12I'm not signing anything.
01:13Get out of the door.
01:14Consider it, consider it.
01:15You're going to get your fortune cookie.
01:20Did you sign?
01:21What did I say?
01:22That I wasn't going to sign.
01:23Then why do you ask silly questions?
01:25Thank you, Chunlinita.
01:26Let's go before Flan comes out.
01:28Flan, Flan.
01:29I'm so scared of Flan.
01:30No, no, believe me, it's for the best.
01:31Come on, don't ask so many questions.
01:36These three,
01:37something went wrong.
01:41I have to continue with my life.
01:46Julia left.
01:51Seeing her makes me feel bad.
01:53And I also wish you happiness with that nurse.
01:56What?
01:57Of course.
01:58You better accuse me
01:59that I have something with Michael
02:01so you don't feel guilty
02:02about what happened with Laia.
02:04But you're going to eat
02:05all those words
02:06that Montalbán said to you.
02:17Cheers!
02:22Wow, that's strong.
02:23What is this?
02:24Bahiyupe.
02:25It's not going to be chicha molada, right?
02:27What is it like?
02:28It's a Chinese cereal-based drink.
02:30Oh, you had already tried it?
02:31No, Flaca hasn't tried it.
02:32It's very healthy.
02:33Well, but today we had to toast.
02:35That's it.
02:36Thank you, Chunlinita.
02:37I swear you won't regret it.
02:40I already did.
02:41Now it's your turn.
02:44What?
02:45Isn't it obvious to you
02:46what just happened?
02:50No.
02:53There's a can can.
02:55Love is stronger than money.
03:08So, how's everything out there?
03:10Everything's fine.
03:12Discs, pills.
03:13Everything's in good condition.
03:14Brake fluid.
03:15There's no leak.
03:17Well,
03:18I wanted us to check it out
03:20and we already did, right?
03:21Now what?
03:22Let's check it out.
03:23Do you have a call for me
03:24so I can pick it up?
03:25Of course.
03:27Right now, boss.
03:28Good iron.
03:29Where is it?
03:30I don't know.
03:31At first,
03:32I was surprised
03:33because the car came in so slowly
03:34with polarized tires
03:35and it was a flat plate.
03:37I asked him to check the brakes
03:39and I asked him to hand over the car quickly.
03:41But he didn't leave you a name,
03:43a card, anything?
03:44Maca.
03:46He wants an invoice, he says.
03:48We'll find out
03:49when I come to pick it up.
03:52It's nice, isn't it?
03:57Oh, he still needs the beans.
04:01Well, in the meantime,
04:02I'll sweep.
04:14Laura Lindas.
04:16Félix, how are you?
04:18Fine here.
04:19Everything's quiet.
04:20And how are you?
04:21How are you?
04:22How do you feel back there?
04:24Why so many questions?
04:26I thought you suddenly wanted
04:27to share something.
04:29You know,
04:30sometimes we want to talk
04:31but we don't have anyone to talk to.
04:33You're such a snitch, aren't you?
04:34No, Linda.
04:35What do you mean snitch?
04:36I'm just worried
04:37about the well-being of the family.
04:38We're all fine.
04:39Thank you very much.
04:40That's good.
04:41I'm very happy.
04:42And do you know anything about Charito?
04:45Yes.
04:46He is very happy
04:48with his daughter and grandchildren.
04:50How nice.
04:51And with Nicolás, right?
04:53Of course.
04:54Also with Nicolás.
04:56You know what, Félix?
04:57I don't like talking when I sweep
04:59because all the dust gets up
05:01and it seems that it enters through the throat.
05:03It's very uncomfortable,
05:04the truth.
05:05Yes, you're right.
05:06I understand you perfectly.
05:09But I would like to take advantage
05:10since we are here
05:11to tell you a little something
05:12for your information.
05:13Don't take it the wrong way, okay?
05:15I would like to tell you that
05:16your oatmeal is very watery.
05:47Mrs. Eli?
05:53Mrs. Eli?
05:54My dad?
05:57He already took off his candy face!
05:59He is shy,
06:00but he is dying for me.
06:02Ah, ah, ah.
06:03I'm sorry.
06:04I'm sorry.
06:05I'm sorry.
06:06I'm sorry.
06:07I'm sorry.
06:08I'm sorry.
06:09I'm sorry.
06:10I'm sorry.
06:11I'm sorry.
06:12I'm sorry.
06:13I'm sorry.
06:14I'm sorry.
06:15Yes.
06:16Have they agreed on something or...?
06:18They're not getting ahead of themselves!
06:19Let's see!
06:21Saturday twenties!
06:22Too many questions!
06:23Cook my pizza
06:24until I take a hot feeling
06:25НАПРЯСНО
06:29You must be behind all this!
06:42Behind what?
06:46Could you be more explicit?
06:48You know what I mean.
06:50Claudio saw you going out with Ms. Ali, your daughter's traitor.
06:52Traitor.
06:53Alesia told me you had a feast with her.
06:57That doesn't change the fact that you're a traitor.
06:59What did they say to Mrs. Lee?
07:01Oh, I know what you're talking about.
07:03About the sale of the chifa.
07:05Well, I told her what I thought.
07:08Mrs. Lee trusted my opinion, so I couldn't let her down.
07:13As if you weren't used to letting people down.
07:16Did you offer her money?
07:17Not a cent.
07:18What trick did you use to keep me from selling her place?
07:21I just told her what I thought.
07:23You don't want a chifa.
07:24You want to get rid of the competition.
07:26And what else do I want to do with him?
07:29Mrs. Lee doesn't deserve that ending for her business.
07:32She inherited it from her uncle.
07:34It's a business that's been in the family for years.
07:36Oh, how moving.
07:38Yes, of course.
07:39That means nothing to a whore and calculating woman like you.
07:43I felt very bad when I stopped being one.
07:52What's going on?
07:56Oh, yes.
07:57It's a horrible picture.
07:59It moved.
08:01It must be the wind.
08:03There's no wind.
08:05Ever since Teresa had the bad idea of hanging that painting there,
08:08I've been feeling very strange things.
08:11Well, tell your lackeys to get him out of the house.
08:15There are worse things I'd like to get out of this house.
08:27Hi, Julie.
08:29Hi, Michael. How are you?
08:31Well, not as good as you.
08:33Don't make fun of me.
08:35Make fun of me? No.
08:36Why?
08:38I haven't had a good day and I'm sure I'm in a bad mood.
08:42What happened? Do you want to tell me?
08:45I'm already mad to talk about the same thing.
08:48I'm sure you saw your ex.
08:50I saw him in front of me.
08:51I couldn't help but cross him.
08:53And this time we said very hurtful things.
08:55I'm a man of peace.
08:56If I hadn't done it a while ago, I would have done it.
08:59Nobody messes with my friend.
09:01Still, that wouldn't solve anything.
09:04Things are going to happen.
09:06I made a decision and I don't regret it.
09:10It's just that with that distance I've realized things
09:15that I thought were already over.
09:18Cristobal and I come from two very different worlds.
09:22Julie, there are no barriers for love.
09:25That's what we grew up believing.
09:27But it's not like that, Michael.
09:29Do you know what I believe?
09:31That life is beautiful.
09:33And that you are too young to suffer like that.
09:35Cheer up, Julie.
09:37You have everything to be happy.
09:39Health, intelligence, beauty.
09:43Don't let something like that turn you off.
09:46Let alone take your energy away.
09:49Yes, you're right.
09:52Thank you.
09:53You're welcome, Julie.
10:05Hey, more or less.
10:06We've had enough.
10:07People don't take the bus anymore, man.
10:09What's going on?
10:10It's the recession, brother.
10:11We're up to our knees.
10:12People don't have money.
10:13Easy.
10:14Look, there's the TV.
10:17Take your time, man.
10:19Now it's Teresa Maldini.
10:21Hey, you left out.
10:22You believe in what you believe, don't you?
10:26Did you see how she looked at us?
10:27She'll never forgive us
10:29for voting for Olinda.
10:32But she's my sister.
10:34And that look of contempt
10:37has hurt me, man.
10:40It's hurt me a lot.
10:41Easy, brother.
10:48The baby just entered the mansion.
10:52And she didn't say hello?
10:54The car entered the parking lot
10:57and the baby went straight to the house.
11:01Oh, Gilberto.
11:03What are we going to do with this?
11:05The truth is, I feel very bad.
11:08Teresita always had airs of greatness.
11:12And Nelicita, who was a fine woman
11:15and elegant,
11:17wanted her to hang out with smart people.
11:20And what did you think of all this?
11:25I saw it in Nelicita's eyes.
11:29But it was very bad that we raised her so much.
11:35Parents always want the best for their children.
11:38Don't blame yourself, Gilberto.
11:41If only Teresita became a good-hearted woman,
11:47she would be happy with Gasparcito.
11:57Coki.
11:58Hello.
11:59And Gaspar?
12:00He went to have lunch.
12:01And the stretcher?
12:02Yes, the driver came and took it.
12:04Hold on, did he go without paying?
12:06He told me to pick it up and that he was coming back.
12:09No, Coki.
12:11They already did it to you.
12:13Don't worry, I'm an expert in lies.
12:16Your mother was the only one who told me the story.
12:19Coki.
12:20Sorry, I'm still in pain.
12:22Well, my mother was also hit in the head.
12:25That guy is coming back.
12:26And maybe we're going to lynch him.
12:28There are worse things than a lynching.
12:38Hello.
12:39We were just asking about you.
12:41Are you sure?
12:42No, no, no.
12:43They told me you left without cancelling the service.
12:46That's why I came.
12:47I told you I needed an invoice.
12:49Yes, of course.
12:50Here you go.
12:51This is the budget.
12:53Let's see.
12:54That's...
12:58Really?
13:01Look, the thing is...
13:03I'm sorry.
13:04Really?
13:07Look, the brakes were intact.
13:10Everything was fine.
13:12That's what we charge for our work.
13:15What we charge here in the workshop.
13:17Yes, I know.
13:18But so little?
13:22Well, let's see.
13:23Maybe we should check again and make some adjustments.
13:27Wait a minute.
13:28Here we are very honest.
13:30No part has changed.
13:32And that's what we charge.
13:33Yes, but I need you to charge me more.
13:35Okay.
13:39And what would be an adequate amount for you?
13:53Oh my God!
13:56Has anyone won 3-0?
13:58Dad pays.
13:59Don't worry.
14:03I'll pay.
14:20Thank you for joining me and making me laugh.
14:22I'm serious, Maripaz.
14:23You're the one who laughs alone.
14:25It relieves me to know that I always count on you.
14:27Valentina is a very loyal boy.
14:29We say goodbye here because I don't want my mom to see me.
14:32Then Tito tells her and it always causes me problems.
14:34Your old man for nothing.
14:35The world happens to me, right?
14:36Well, Tito, Tito.
14:38It's not personal.
14:39He's very jealous.
14:40Yes, but he takes care of you, right?
14:41And that's fine, right?
14:42He's a sexist.
14:43Because if he were a man, he wouldn't take care of me like that.
14:45Puechel, Puechel, Puechel.
14:46Bye, Valentino.
14:47Bye, bye.
14:48Bye, Maripaz.
14:52Quiet, Valentino.
14:53Quiet, crazy.
14:54Quiet.
14:55Quiet.
15:00Oh.
15:02Here you are.
15:03Why don't you answer the phone?
15:04Because I'm reading.
15:05I don't want anyone to interrupt me.
15:06Dad, don't lie.
15:07You're hiding from Mrs. Lee.
15:09Has she come to find me?
15:10No, but I'm worried.
15:12She swears they are.
15:13I'm too far away.
15:14But what did you want?
15:15I was going to sell Chifa Francesca.
15:16It was wrong.
15:22Oh, it's her.
15:23What does she want?
15:24She says she's waiting for you at nine o'clock at night at El Chifa.
15:28Oh no.
15:29Tell her I have a fever.
15:30A fever, better.
15:31So she understands me.
15:32Dad, if I tell her that, she's capable of showing up here at the house.
15:34Do you want that?
15:37I tell her.
15:50Dad, don't talk.
15:51Teresa, Gaspar.
15:53We want to support you with the initial for an apartment.
15:56Let's see.
15:58So that you know your capacity.
16:03Three hours for Pepe and Tito.
16:05Chifa.
16:06Chifa.
16:07Chifa.
16:08Chifa.
16:12Thank you, thank you.
16:13Now, let's eat.
16:22I don't have a family anymore.
16:26The bat took it away from me.
16:30But I'm not going to give up.
16:32No, Teresita Collazos.
16:33You have to take advantage of the opportunity that Mrs. Francesca is giving you.
16:37I am in mere formality to become a Maldini.
16:41Maldini.
17:01What is Teres doing?
17:11He has not seen me.
17:13He has not seen me.
17:24Ale.
17:26Cris.
17:28Didn't you go to Francesca's?
17:31I had the day off.
17:33You didn't...
17:35My shift is over.
17:37I have to go.
17:38Are you going out?
17:40Yes, I'm going out with Laia.
17:44I don't understand you.
17:47Why is she there?
17:48Because she works with you?
17:50No, because that Laia you hate so much
17:52is the only person who doesn't criticize me.
17:54Oh, stop it.
17:56Of course, that's why you go out every night.
17:58No, I can imagine.
17:59I'm sure that was your life in Barcelona.
18:00Fun,
18:01fun,
18:02fun,
18:03fun,
18:04fun,
18:05fun,
18:06fun,
18:07Fun,
18:08free,
18:09not going after anybody.
18:12Do you really think I'm still the same?
18:15The same Cristóbal from Barcelona?
18:19Thanks, Ale.
18:37I'm going to put it on your neck so you can relax.
18:39Oh, how delicious it is.
18:41So many hours sitting driving doesn't do me any good, compadre.
18:44Stop it, compadre.
18:45Don't tell me you want to retire.
18:48And if we add to that the transplant of the athery,
18:51I'm already at an age
18:53in which I don't want to have problems, compadre.
18:55Oh, calm down, brother.
18:56More down?
18:57Yes, more.
18:58How delicious it feels.
18:59Good morning.
19:00Smooth, huh?
19:01Good morning.
19:02Good morning.
19:03Good morning.
19:04Good morning.
19:05How delicious it feels.
19:06Good morning.
19:07Smooth, huh?
19:08Julie!
19:09Good.
19:10How fast you changed him to the vampire.
19:12Uncle.
19:13He is Michael.
19:14He is a physiotherapist.
19:15And he worked with me in the polyclinic.
19:17Oh, nephew.
19:18Now yes.
19:19I count on you.
19:20Here I have a contracture.
19:22Check it out.
19:23Yes, yes.
19:24Here, look.
19:25Check, check, check.
19:26Ah!
19:27Yes.
19:28Here?
19:29More down.
19:30More down.
19:31Ah.
19:32There.
19:33Yes, yes, yes.
19:34More down.
19:35There.
19:36No, buddy.
19:37Not here.
19:38Not here.
19:39Not here.
19:40Better go to the little room.
19:41There they will be more comfortable.
19:42Ah, yes.
19:43You're right, buddy.
19:44Doctor, will you accompany me?
19:45I am not a doctor.
19:46I am a physiotherapist.
19:47The same.
19:48Go, go, go.
19:49Wait a minute.
19:50Do you have time?
19:51Yes.
19:52Do not worry.
19:53Please.
19:54Go, go, go.
19:55Yes, yes.
19:56That, that.
19:57This.
19:58Hey, Julie.
19:59This.
20:00Here between us.
20:01Oh, Tito.
20:04But ...
20:06It is done, but it does not fool me.
20:15Do you really just want water?
20:17Yes, thank you.
20:22If you want, we go out.
20:24And we stay here together and we set up a party for you and me.
20:28That sounds like a good idea.
20:45And did you inflate the bill?
20:46And why wasn't he going to do it?
20:47And Gasparín is in a hurry.
20:49Do you know what happens?
20:50The old man and the skinny have a lot of money.
20:52It's just that it's dirty.
20:54So she, to get something out of him,
20:55I told her to inflate the bill.
20:56And everyone wins.
20:57How is it?
20:58It gives you a slap in the face.
20:59That's right.
21:00Of course.
21:01I don't know, I don't know.
21:02That thing doesn't fit me.
21:03What doesn't fit you?
21:04Why did he come here?
21:05He said he had been recommended by the workshop.
21:07Well, he must have been investigating, right?
21:10You have nothing to do with it, right?
21:11Hey, why do you always think badly of me?
21:13Because you have your past, Pecocchi.
21:14Well, you also have your past and nobody tells you anything.
21:16And apart from that.
21:17Hey, hey, hey.
21:18That's it.
21:19He came, he did his business.
21:20Bye.
21:21That's it.
21:22Bye.
21:23That's it.
21:24I think he's coming back.
21:27No.
21:28I don't think he's coming back.
21:31It doesn't fit me.
21:39What are you doing to my compadre?
21:42Pepe!
21:43Are you okay?
21:46Hey, sadist!
21:47Leave my compadre alone!
21:50Session finished.
21:52Pepe!
21:53Are you okay?
21:56Like new, compadre.
21:59A beer to celebrate?
22:01And no bachelor!
22:02No, no, thank you.
22:03I don't drink.
22:04Well, how much do I owe you?
22:05No, don't worry.
22:06I have to go now.
22:07Thank you, thank you.
22:08See you.
22:09Thank you, thank you.
22:10Hey, compadre, you look like new, right?
22:12Cheers for that, compadre.
22:13Cheers, cheers, cheers.
22:14Serve the thing.
22:15Let's see.
22:17You look light, huh?
22:18Of course, compadre.
22:19Cheers, brother, cheers.
22:20Cheers, cheers.
22:25What's up?
22:26Pepe.
22:27There he came back.
22:29The look of contempt of the TV.
22:35Serve yourself a cup of oatmeal with a little soup with beer.
22:38Thank you.
22:39In this house you eat very well.
22:41Your uncle was like new.
22:42I heard his moans.
22:44Exaggerated.
22:45It will surely appear on your back.
22:46Hey, I don't do that.
22:49Oh, eat a little.
22:50It's very rich.
22:51Try it, try it.
22:52Hello.
22:53Come on, come here.
22:55Hello.
22:56Hello.
23:04Cheers, brother-in-law.
23:05Cheers, cousin.
23:06Cheers, cheers.
23:10So you have to reason, cousin.
23:12Think, think.
23:13As Kant said, reason is everything.
23:15No, compadre.
23:16For Kant, more important than reason is goodwill.
23:20And goodwill takes you to duty.
23:23And duty hurts.
23:24So we conclude that reason hinders happiness.
23:27Ah, how nice, how nice.
23:28You know what?
23:29The butterfly comes, makes you a kiss and you fall like a moth.
23:34No, Pechato, but if the chibola writes to me,
23:36tells me to see each other,
23:37that we have a good time,
23:38that I make her laugh,
23:39that she accompanies her,
23:40that I have sex.
23:41No, Pechato.
23:42No, compadre.
23:43I'm not telling you to have sex,
23:44but I'm not giving you anything,
23:45on top of that, with a tie.
23:46No, compadre.
23:47I don't give myself away,
23:48but if you call me, I'll go.
23:51For that?
23:52You don't have the will, do you?
23:54Yes, but I don't have the will.
23:55What I have is love for the butterfly.
23:57I love her.
23:58Then let her value you.
23:59She doesn't want you to be there,
24:00there, behind her.
24:01Guard.
24:04No, no, no.
24:05We have a good time.
24:06Do you want to do something tomorrow?
24:08No, no, no.
24:09Do you want to do something tomorrow?
24:10No, no, no.
24:11Hold on, hold on, hold on.
24:12Put that there, put that there.
24:14Careful.
24:15What are you going to put on her?
24:17Bring it here, compadre.
24:18I'm doing it, Pechato.
24:19And I'm not going to...
24:20Are you crazy, compadre?
24:21Listen, listen, listen.
24:22Hold on, hold on.
24:23You have to put it on her.
24:24Tell her,
24:25I had a good time,
24:26but I can't tomorrow.
24:27Tell her that.
24:28Why can't I tomorrow?
24:29What am I going to do?
24:30Just tell her that.
24:31Do what I tell you.
24:32Listen to me.
24:35Pechato, I can't.
24:37For that?
24:38For that.
24:40What are you doing?
24:41Hold on, hold on, hold on.
24:43I can't.
24:46That's it.
24:47That's it.
24:48Pechato, what are you doing?
24:49Don't be mean, Pechato.
24:50Calm down, compadre.
24:51Suck it, suck it, suck it.
24:53Just suck it.
24:54For that?
24:55For that.
24:56Cheers.
25:08Chuli?
25:09No, Capelucita Loja.
25:10Look at my dress.
25:11Do you like it?
25:12This Chinese dress is called
25:13kipao.
25:14Very nice.
25:15Very elegant.
25:16Aren't you going to say hello?
25:17Yes.
25:18Hello.
25:19Shy, crazy,
25:20candy face.
25:21A little bit.
25:22Do you want to go for a walk?
25:23To a special place?
25:24Dance.
25:25Dance.
25:26Dance.
25:27Dance.
25:28Dance.
25:29Dance.
25:30Dance.
25:31Dance.
25:32Dance.
25:33Dance.
25:34Dance.
25:35Dance.
25:36Dance.
25:37Dance.
25:38Do you want to dance?
25:39I love it.
25:40Group 7.
25:42I'm going to the neighbor.
25:55I must confess that something is wrong with me.
25:57Something I can't explain.
25:59It's just next to my house.
26:01She just moved in.
26:03Look at her.
26:04How pretty she is.
26:05Enjoy her.
26:06Smile.
26:07Talk to her.
26:09What's wrong?
26:10I can't talk to her.
26:12She didn't sleep a week ago.
26:14I don't want to study.
26:16I look at her from my window.
26:18But everything is still the same.
26:20I see her.
26:21And I don't dare
26:22to tell her
26:23that I love her.
26:24Time goes by.
26:25And yet
26:26I can't
26:27I can't talk to her.
26:36I know.
26:49Fran,
26:50what happened?
26:51You are pale.
26:52That door
26:53opened and closed
26:54by itself.
26:55Oh,
26:56I don't know.
26:57I've just arrived.
26:58I'll help you.
26:59I'll help you.
27:01That fucking painting
27:02makes me nervous.
27:03Oh, you're believing in ghosts.
27:06Don't make fun of me.
27:07No, I'm not making fun of you.
27:08But if you want, I'll stay here until you get scared.
27:12I'm a very irrational person.
27:15The only time I stopped being so was when you seduced me.
27:29I also had a great time, girl.
27:33I can't tomorrow.
27:36Talk to you.
27:38Busy with what?
27:40Oh, what a liar.
27:41He's probably doing the special.
27:45But I like it when it's the hard one.
27:47Tomorrow I'm going to surprise him.
27:57I didn't act weird, my love.
27:59It's just that, I don't know, I was shocked to see Yuli so happy with her new friend.
28:04Cristobal is also happy with Laia, right?
28:07I don't know what to tell you.
28:10My brother is not well.
28:11He's behaving like an idiot.
28:13Going out every night, arriving late.
28:15But he's definitely not happy.
28:18My love, what happened is too strong.
28:20It's impossible for them to forget each other.
28:26My love, I have to go.
28:28Rest, sleep well.
28:29I love you.
28:30Bye, I love you.
28:36I don't know what to do.
28:38Could you start by knocking on the door?
28:42I went to dance.
28:44With Chun-Li.
28:45Cumbia.
28:47Fortunately, the triple chilcano that was taken, he knocked it down.
28:52Dad, please don't break his heart.
28:55Yes.
28:56I already hurt him once.
29:01Please.
29:12But if you want, I stay here until you get scared.
29:17It would be so good to have a shoulder on which to lie down and feel protected.
29:26But I'm alone and I have to accept it.
29:31How different it would have been if things had worked.
29:38But what am I saying?
29:56And this time, yes, I know very well, it will be forever.
30:05Carlitos de Lata!
30:08Li!
30:09What are you doing here?
30:10I came to hang out with my boyfriend.
30:12With your...
30:16How cute!
30:17I'll give you a race.
30:18Okay.
30:20But close your eyes.
30:21And you give me a kiss?
30:22Of course.
30:23But close your eyes.
30:24When I say, on your marks, get set, go!
30:27You run.
30:29On your marks.
30:31Get set.
30:33When did I become her boyfriend?
30:37Now!
30:41You're so clumsy.
30:43Hey!
30:54What did he say?
30:55What did he say?
31:04Thank you.
31:06Good morning.
31:07Good morning, good morning.
31:08The plugs in my car have stopped working.
31:11That must be the plug.
31:12No, no, no.
31:14What could it be?
31:15I think he's going to have to leave us the car to check it.
31:18Oh well, no problem.
31:21Mr. González, can we talk alone for a moment?
31:24Yes, yes, yes.
31:25But has something happened?
31:27Why do you call me sir?
31:28No, in my job you have to be very formal.
31:30Ah!
31:31Well, you already know how it is.
31:35Until he throws.
31:36I mean, you inflate my bill.
31:38Ah!
31:39Ah yes!
31:40Yes, of course, of course.
31:41Of course.
31:42I have to double the price.
31:43You know.
31:44Dad pays.
31:46Yes, yes.
31:47Of course.
31:48Daddy pays.
31:49Okay, so that's how we meet.
31:50My driver leaves me in the office and returns by car.
31:53Perfect.
31:54See you later.
31:55See you later.
31:56Bye guys.
31:57See you later.
31:58Take care.
31:59See you later.
32:00Take care.
32:02See you later.
32:04Thank you.
32:05Perfect.
32:07It's inside, right?
32:08Yes.
32:09It's enlarged, right?
32:10Yes.
32:20It's already.
32:22He already saw it.
32:23He already saw it.
32:24What did he say to you?
32:25He wants you to inflate his bill.
32:26Again?
32:27Yes.
32:28Four zeros.
32:29Look, the perfect woman.
32:30Four zeros for a pen.
32:31Ah!
32:32It doesn't matter.
32:33It's the perfect woman he has for you.
32:34Ah!
32:35Don't keep him.
32:36Daddy pay.
32:37Is it good?
32:38Yes.
32:39Daddy.
32:40Daddy.
32:41Daddy pays.
32:42Yes.
32:43Uh!
32:44Uh!
32:45Uh!
32:46Uh!
32:47Uh!
32:48Let's go.
33:05Chato, is that you?
33:06What Chato, you idiot? I'm Chata, Chata Margui.
33:10Chato, but...
33:12What happened, man?
33:13I don't know if you should call me man or brother anymore, but...
33:16Why didn't you tell me anything, Chato?
33:18I would have supported you, brother.
33:19You've lived hidden all these years, misunderstood.
33:22Hey, hey, hey, let go!
33:23Hey, what's up?
33:24Listen to me.
33:25If I dress like this, it's so we can take a selfie and upload it, man.
33:29Chato, are you crazy?
33:30No, brother, look.
33:31You're going to keep being my brother.
33:32I will always love you, but...
33:34Chato, I like women.
33:35Chato, I like butterflies.
33:37Hey, hey, hey, hold on, hold on, hold on, hold on, man.
33:39What's up?
33:40It's to make butterflies jealous, man.
33:42Hey, hey, hey, hey, get out of here!
33:44You're crazy, right, Chato?
33:46What's wrong?
33:47Hey, hey, hey, listen to me.
33:48Let's practice, okay?
33:49Hug me.
33:50Squeeze, squeeze, squeeze.
33:52What about the belt, Chato?
33:54Squeeze, squeeze.
33:55And I'm going to turn around so I don't look stuck.
33:58A photo?
33:59A photo.
34:00Chato, I have to...
34:02Chato, I have to...
34:03I have to...
34:04Let's see.
34:05Hug the belt.
34:06I didn't know you had...
34:07Wait.
34:08Turn around, there.
34:09There it is.
34:10There it is.
34:11Let me eat the meat.
34:12Hey, Chato.
34:13There.
34:14Hey, if you...
34:15Hold on, hold on, hold on.
34:16Kiss, kiss.
34:17Kiss, kiss.
34:18Go to the end, to the end.
34:19Now you, now you, now you.
34:20Go to the end, to the end.
34:21Go to the end, to the end.
34:22Hey, Chato, I believe you when you're dressed like that.
34:24I don't.
34:25I get confused.
34:26Oh, yes, Chato.
34:37Let the door open to your grandmother, demon's nose.
34:43Hey, useless guachimang.
34:44Help me hide.
34:46Don Diego, but who are you running from so desperately?
34:49Help me.
35:00What?
35:02But...
35:14No.
35:34It really is a sinister image.
35:44You win, Doña Nelly.
35:48I better go.
35:53Oh?
35:54But what nonsense is this?
35:58No, Frank.
35:59It's not what you think.
36:00No.
36:01Yes, it is what I'm thinking.
36:02Why not?
36:03What am I thinking?
36:04Now I understand everything.
36:05Oh, yes.
36:06Explain it to me well.
36:07Because Claudio, not understanding anything,
36:10Oh, yes.
36:11Explain it to me well.
36:12Because Claudio, not understanding anything,
36:17But no, Frank.
36:18Nothing to do.
36:19No.
36:20Hey, Montalban.
36:21Are you in love or not in love?
36:22Speak well.
36:23Quiet, quiet, quiet.
36:24All for the chifa.
36:25And I thought you had changed.
36:27The same trick as always.
36:29Gigolo.
36:31You calm down.
36:32Let her go.
36:33We live in our love.
36:39I should have guessed.
36:41What a fool I was.
36:43Diego used the usual trick.
36:45He fell in love with China to keep his fourth chifa.
36:48He did the same with me.
36:49That man does not change.
36:50What a low trick.
36:51No wonder Mrs. Lee didn't want to sell me the chifa.
36:54I don't know why.
36:55I don't know why.
36:56I don't know why.
36:57I don't know why.
36:58No wonder Mrs. Lee didn't want to sell me the chifa.
37:00He rejected a million soles for a man who is not worth a dime.
37:04You will have time to regret it.
37:06Don't worry.
37:07Rather, take care of your blood pressure.
37:09My pressure must be in the clouds now.
37:11Forget about those two.
37:12And that they stay with their dirty chifa.
37:14You said it.
37:15That they get stuck with their guantanes.
37:16That's right.
37:17Do you want me to bring you a tea to your room?
37:19Not tea.
37:20Bring me a cognac.
37:21Don't worry.
37:22Do it right away.
37:24Oh.
37:25I still don't get used to having Mrs. Lee in the house.
37:28Me neither.
37:29And much less in the living room.
37:32I take the painting to the deposit.
37:35No, Peter.
37:36I promised Teresa.
37:37We will look for the appropriate place.
37:39Yes, because visits scare here.
37:45The visit of Mrs. Lee.
37:50Did I interrupt something?
37:51Maripaz.
37:53I'm sorry.
37:54I thought I had already told you about ...
37:56Maggi.
37:57Maggi, yes.
37:58Well, my name is Mars, but they call me Maggi.
38:00Yes.
38:01Maggi.
38:02It turns out that I met Maggi recently.
38:05It flowed.
38:06We are here.
38:07No, you didn't tell me anything.
38:08Well, we are just flowing.
38:11Yes.
38:12I met her one day, so casual.
38:13And well, it turns out that we tied and we are there, flowing.
38:17Cool.
38:18We are almost something.
38:19For now, a kiss on the cheek.
38:22Yes, almost something.
38:23For now, just kisses.
38:25But, well.
38:26Sorry for not telling you.
38:28No, not at all.
38:29It's his life.
38:31But, don't you feel frustrated?
38:34No, no, nothing.
38:35Jealous?
38:36Less.
38:37Not a little?
38:38No.
38:39What's more, I feel happy for you.
38:40That's what friends are for, right?
38:41Friends, yes.
38:42But, let's see.
38:43Friends, friends, like what?
38:45Well, something always happens between friends, but ...
38:47What?
38:49You want something with me, Valentino.
38:51No, Maggie.
38:52No, don't worry.
38:53It's all yours.
38:54What's more, I wish you all the happiness in the world.
38:56You can see that you are a nice couple.
38:57Bye.
38:58Thank you, honey.
39:04Oh, we cheated on him.
39:06Chato, you are ...
39:07You are stupid, right, Chato?
39:08You are stupid, right?
39:09Instead of being jealous, he ended up congratulating us, compadre.
39:12But, he wants to see you happy, compadre.
39:14She's your friend.
39:15Chato, but I don't want to be his friend.
39:17I don't want him to flirt with me.
39:18I want to be his boyfriend.
39:20Impossible.
39:21Why?
39:22Why?
39:23Because you are with me.
39:24Hey, Chato.
39:25I already told you that that was a bad idea, compadre.
39:28That's it.
39:29It's over.
39:30As long as he wants to help you, we're done.
39:32Chato, come on.
39:33Chato.
39:34Chato?
39:35And so?
39:36You are his friend, man.
39:37What?
39:38Of course.
39:39No, no, no.
39:40It's impossible.
39:41Listen to me.
39:42Everything is told between flakas.
39:43And so, I'm going to know what to do to make her fall in love again.
39:46No, compadre.
39:47I got married and I'm a womanizer.
39:48Chato, Chato.
39:49Chato, Chato.
39:50Come on.
39:51For your sake, Valentino.
39:52The finest friend.
39:53At the same time.
39:54Oh, that's fine.
39:55But for the last time.
39:56But we are not.
39:57Come on.
39:58We're going.
39:59Run, run, run.
40:00Run, run, run.
40:01Dad, what are you doing?
40:02That woman is crazy.
40:03She kissed me in front of Francesca.
40:04Oh my God.
40:05She's crazy about me.
40:06I don't know what to do.
40:07Oh, dad.
40:08Dad.
40:09Dad.
40:10Dad.
40:11Dad.
40:12Dad.
40:13Dad.
40:14Dad.
40:15Dad.
40:16Dad.
40:17Dad.
40:18Dad.
40:19Dad.
40:20Dad.
40:21Dad.
40:22It's been so long.
40:23You just broke my heart.
40:24What could I do?
40:25Oh, dad.
40:26Please don't hurt Mrs. Lili's heart.
40:27I've stopped Chifa Francesca from selling her to him.
40:28She's lost a million soles.
40:29What more can I do?
40:30Hold on a little longer.
40:31Yes.
40:32She is very sensitive.
40:33My love.
40:34There is no far that you can put our love.
40:35Mrs. Lili, don't scare my dad.
40:36He is a little nervous.
40:37Why nervous?
40:38Why nervous?
40:39Here is Chuncita.
40:40She arrived so innamolada.
40:41She will take care of you, okay?
40:42Innamolada?
40:43But it is not a little soon for innamolada.
40:44Mola, te va a cuidar, ya.
40:45Mola, pero no es un poco pronto para enamorados.
40:49Eh, ¿no creen que deberían conocerse un poquito más?
40:52No, Chun-Li ya no está chibola, pe.
40:55Chun-Li trabaja mucho.
40:57Atendiendo cliente, cocinando chifa.
40:59Atendiendo cliente, cocinando chifa.
41:01Llega a su casa, duerme.
41:02Se despierta, atendiendo cliente, cocinando chifa.
41:05Yo ya no estoy jovencita, ya, pe.
41:07El trabajo de chifa es muy, muy solitario.
41:10Qué triste es su vida, realmente.
41:11Pero ahora ya no triste.
41:13Ahora ya encontré mi enamorado colágeno,
41:15guapo, lindo, chulo, mi Diego Montalbán.
41:18Pero, señora Li, usted no está sola.
41:21Juntas vamos a levantar al chifa Guillón
41:23hasta que sea el mejor del mundo.
41:24¡Sí! ¡Juntos!
41:26Como familia.
41:28¡Bla, bla, bla!
41:30¡Muah, muah!
41:36Por favor, no le rompas el corazón.
41:38¿Y a mí? ¿Y a mí quién me defiende?
41:44¡Ey, jefa!
41:46¿Eso es acoso?
41:47Pues denunciame.
41:48Yo creo que con una reparación estamos.
41:51¡Qué oportuno!
41:53¿Aló?
41:54Sí, él habla.
41:55¿De parte?
41:58Mucho gusto.
42:00¿Una sesión de fotos?
42:02Denme un minuto.
42:04Lea, cuando me contrataste,
42:05quedamos en que si yo tenía una sesión de fotos,
42:07tenía tiempo, ¿verdad?
42:08Vale, un trato es un trato.
42:10Gracias.
42:11Aló, sí, estoy disponible.
42:13Perfecto.
42:14¿Ha pensado en algo?
42:16¿Dentro de una torta?
42:18Bueno, sí, me parece una buena idea.
42:20¿Semidesnuda o total?
42:23Perfecto.
42:25¿Embarradita con crema?
42:27Perfecto, entiendo, sí.
42:29Ahí podríamos hacer algo artístico.
42:31Sí, claro, muy artístico.
42:33Listo.
42:35¿Cree que podría hacer en una torta?
42:37Listo.
42:39¿Cree que podría hacer en su casa?
42:40Es que yo no tengo estudio.
42:42Sí que tienes.
42:43¡Imposible!
42:44¡Francheca me bota en mi casa con todos mis equipos!
42:46Mis equipos.
42:47No lo pienses.
42:48Puedes alquilar una cámara y luces.
42:52¿Tienes para apuntar?
42:53Sí, mira, apunta.
42:54Calle Wonderful 109.
42:56Sí, primer piso, las nuevas lomas.
43:01Bueno, ya tiene la dirección.
43:03Muchas gracias.
43:04Estamos en contacto.
43:06¿Es tu casa?
43:07Pues sí, pero hay que aprovechar que mi padre pues no está.
43:10¿Cómo le dices que no tienes estudio?
43:12Hay que ser profesional, Cris.
43:15Tienes razón.
43:17Gracias.
43:22Ni loca te dejo solo ahí con la tía desnuda.
43:26Es que ni de coña.
43:30Oye, chato, ahí está la maripaz.
43:32Pégate a su amiga y le hablas bien de mí.
43:33Pero ya tú sabes cómo es.
43:34No, pero compadre, te pido que me caseste ahora sí, ya.
43:36Me descubrí, mano.
43:37Chato, un último favor y no te pido nada más, compadre.
43:40Ya.
43:42Maripaz, ¿cómo estás?
43:44Hola, ¿cómo están?
43:45Bien.
43:46Oye, ¿te vas por tu casa?
43:47¿Te acompañamos?
43:48Gracias, es que no voy a mi casa.
43:49¿Ah, no?
43:54Maripaz, ¿nos vamos?
43:55Sí.
43:56¿Pueden subir ellos también?
43:58Sí, claro.
43:59Uy, creo que no entramos.
44:01Más bien, anda tú nomás.
44:02Yo me voy con las mismas, ¿sí?
44:04No, no me dejes, Valentino.
44:06Ah, es que son enamorados.
44:08Amor, anda nomás.
44:09Vas a ver que bien amigas se van a hacer, ¿ya?
44:11Vamos, va ahí.
44:12Chau, chica, chau.
44:13Vamos, vamos, suban.
44:15Ven.
44:22Ay, no.
44:23Ya me reconoció.
44:26Oye, bien guapa tu amiga.
44:28Ay, gracias.
44:30Vamos.
44:35¿Lista?
44:36¿Lista?
44:37Vamos.
44:39Hijita, este es un sacrificio muy grande.
44:41Se me aparece por aquí y por allá.
44:42Está loca.
44:43Estoy asustado.
44:44Ya, papá, hazla larga, ¿sí?
44:45Por favor, ella no se merece una decepción tan grande, ¿sí?
44:47Gracias.
44:48Hazla larga.
44:49Hazla larga, qué fácil, ¿no?
44:50Mi amor.
44:53¿Qué tal si nos vamos a un lugar más privado?
44:55¿Más privado?
44:56Sí, vamos.
44:57Chum, chum, chum.
44:58¿Quién es un montalban?
44:59Chum, chum, chum.
45:02Vaya, ¿quién tenemos aquí?
45:04Ella es mi nueva amiga.
45:06Se llama Maddie.
45:11¿Diego usó con la señora Lía el mismo truco que hizo conmigo?
45:14Ay, por favor.
45:15¿Pero cómo pudo enamorar a esa señora?
45:19¿Y para qué quiere ese chifa?
45:20No entiendo, madame.
45:22Para hacerme la competencia.
45:25¿Qué haces de cuadro aquí?
45:26Ya te lo he dicho, que juntos vamos hacia arriba.
45:29Pero si trabajamos juntos en Francesca, si yo soy mozo del restaurante.
45:32Sí, pero bueno, recién estamos y yo la verdad que no te quiero ver mozo toda la vida.
45:41¿Te tomo?
45:42¿Aló?
45:43¿Qué es esto?
45:53¿Qué fue eso?
45:55Qué frío.
46:00Me estoy imaginando cosas.