Pigmalion 1996
Transcript
00:00:00Well, you didn't find the taxi?
00:00:14No, thanks to the treasure of the world, you can't get a taxi here.
00:00:17Oh, Freddy, it must be here!
00:00:18Maybe you want us to go by ourselves?
00:00:19I'll just get soaked in the sun, and nothing will get to my skin.
00:00:22You want us to stand in a line, almost all night long, naked?
00:00:26You selfish pig.
00:00:27Okay, I'm going, I'm going.
00:00:28Huh?
00:00:29What?
00:00:30What?
00:00:31I'm sorry.
00:00:32What is it, Freddy?
00:00:33I'm sorry, I'm sorry.
00:00:34Did you run off somewhere, or what?
00:00:35Oh no!
00:00:36Two buckets full of mud!
00:00:37Did you see that?
00:00:38Did you see that?
00:00:39Did you see that?
00:00:40Can I ask you how you know my son's name is Freddy?
00:00:41Your son?
00:00:42You raised him so well.
00:00:43You'll pay for those flowers, won't you?
00:00:44Don't listen to her, Mom.
00:00:45Leave me alone.
00:00:46Leave me alone, Clara.
00:00:47Leave me alone.
00:00:48Leave me alone.
00:00:49Leave me alone.
00:00:50Leave me alone.
00:00:51Leave me alone.
00:00:52Leave me alone.
00:00:53Leave me alone.
00:00:54Leave me alone.
00:00:55Leave me alone.
00:00:56Leave me alone, Clara.
00:00:57Do you have small ones?
00:00:58No.
00:00:59At least six pencils.
00:01:00I can give you six, kind lady.
00:01:01Give me.
00:01:02I'll ask you for those flowers.
00:01:03But now please tell me how you know the name of a young gentleman.
00:01:04I heard you say his name.
00:01:05But please, don't twist it.
00:01:06I called him Freddy or Charlie, didn't I?
00:01:07Well, you would do the same if you wanted to talk to a stranger in a fashionable way,
00:01:08wouldn't you?
00:01:09Six pencils thrown in.
00:01:10Really, Mom, you could save Freddy that expense.
00:01:11I'm sorry.
00:01:12I'm sorry.
00:01:13I'm sorry.
00:01:14I'm sorry.
00:01:15I'm sorry.
00:01:16I'm sorry.
00:01:17I'm sorry.
00:01:18I'm sorry.
00:01:19I'm sorry.
00:01:20I'm sorry.
00:01:21I'm sorry.
00:01:22I'm sorry.
00:01:23I'm sorry.
00:01:26I'm sorry.
00:01:27I'm sorry.
00:01:28I'm sorry.
00:01:30I'm sorry.
00:01:31I've been seeing faces ever since.
00:01:38I'm sorry, but I don't have any change.
00:01:40I'll give you the rest.
00:01:42I don't have a coin.
00:01:44I can change the crown.
00:01:46For two pence.
00:01:48I don't have any change.
00:01:50Wait.
00:01:52Here's one and a half pence.
00:01:54Thank you, colonel.
00:01:56Be careful.
00:01:58Give him the flower.
00:02:00There's a guy in the back.
00:02:02What's going on?
00:02:04I don't know.
00:02:06He's hiding something.
00:02:08What did I do?
00:02:10I just talked to him.
00:02:12People!
00:02:14People!
00:02:16I have a right to trade.
00:02:18What did I say?
00:02:20I just talked to him.
00:02:22I asked him to buy me a flower.
00:02:24Don't shout.
00:02:26I don't want to hurt you.
00:02:28She thought
00:02:30you were a zinc.
00:02:32Zinc?
00:02:34Zinc?
00:02:36Yes.
00:02:38What did you say?
00:02:40Some nonsense.
00:02:42I won't read it.
00:02:44I'll read it for you.
00:02:46No!
00:02:48Two pence!
00:02:50I don't have any change.
00:02:52What?
00:02:54Because I called you a zinc?
00:02:56You must be crazy.
00:02:58You wouldn't let
00:03:00one stupid word
00:03:02go unpunished.
00:03:04I don't see a reason
00:03:06for you to defend me.
00:03:08It's not a cable.
00:03:10It's a rubber ear.
00:03:12How do you feel?
00:03:14Who told you
00:03:16I'm a zinc?
00:03:18How did you get
00:03:20to the East?
00:03:22I could have.
00:03:24I could have
00:03:26gotten out of Lisengrove.
00:03:28A pig wouldn't have
00:03:30gotten out of Lisengrove.
00:03:32I had to go to that hole.
00:03:34It's a Polish league.
00:03:36It's weekly.
00:03:38Live wherever you want
00:03:40but don't fight.
00:03:42Do you know where he comes from?
00:03:44From Hoxton.
00:03:46I won't say no.
00:03:48Let them all go to hell.
00:03:50He wasn't allowed to fuck, was he?
00:03:52He wasn't allowed to fuck, was he?
00:03:54Why are you bothering people
00:03:56who don't bother you?
00:03:58Are we trash?
00:04:00Why are you bothering this gentleman?
00:04:02Tell him where he comes from
00:04:04if you like to lie.
00:04:06Charlton, Harrow, Cambridge, then India.
00:04:08What about you?
00:04:10Is it harder in the circus?
00:04:12I thought about it.
00:04:14I'll have to try.
00:04:16He's a gentleman.
00:04:18What's bothering you, poor girl?
00:04:20What am I?
00:04:22A cleaner or what?
00:04:24What's Ulika doing in the parade?
00:04:26I'll get pneumonia
00:04:28if I stay here a little longer.
00:04:30Could you please
00:04:32keep your arrogance to yourself?
00:04:34I said it out loud, I'm sorry.
00:04:36And you seem to be from Ipsum.
00:04:38That's interesting.
00:04:40I was born in Babusie, not far from Ipsum.
00:04:42In Babusie?
00:04:44I'm sorry.
00:04:46I think the rain has stopped.
00:04:48That's right.
00:04:50You didn't say that earlier.
00:04:52Thank you very much, Professor.
00:04:54What's he doing here?
00:04:56What?
00:04:58He's a scoundrel.
00:05:00Interesting.
00:05:02What would he say
00:05:04if someone scared him like that?
00:05:06I think it's settled, Clara.
00:05:08Can we go to the bus?
00:05:10What about the taxi?
00:05:12No, it's horrible.
00:05:16How do you do it, if I may ask?
00:05:18I'm just learning.
00:05:20It's my hobby.
00:05:22I can locate anyone
00:05:24with the accuracy of six miles.
00:05:26Can you really do it?
00:05:28People are getting rich fast now.
00:05:30They'd like to forget their city accent.
00:05:32But let them open their mouth
00:05:34and immediately betray their origin.
00:05:36And I can teach them.
00:05:38What are you doing,
00:05:40poor girl?
00:05:42Stop spinning around here.
00:05:44Find another shelter.
00:05:46But I have the same right
00:05:48to be like you.
00:05:50For a woman whose mouth
00:05:52makes such annoying sounds,
00:05:54there's no place in the world.
00:05:56She shouldn't live.
00:05:58Do you realize
00:06:00that you're a human being?
00:06:02That you have a soul
00:06:04and a gift of articulated speech?
00:06:06And the language you use
00:06:08is the language of Shakespeare,
00:06:10Milton and the Bible.
00:06:12So don't sit here
00:06:14and grumble like a pigeon
00:06:17Interesting sounds.
00:06:24Do you see this creature
00:06:26with her articulated English?
00:06:28They didn't let her
00:06:30speak this language
00:06:32for the rest of her life.
00:06:34And in three months
00:06:36I can introduce her
00:06:38to the ambassador.
00:06:40What? What did you say?
00:06:42Yes, you rotten cabbage leaf.
00:06:44You ingrown obelisk of the English language.
00:06:46I can make you the king of the Saba
00:06:48which Solomon, as you know,
00:06:50perhaps from the Bible,
00:06:52taught all the words.
00:06:54Do you believe me?
00:06:56Of course. I study English myself.
00:06:58Oh, maybe you know
00:07:00colonel Pickering,
00:07:02the author of the colloquial Sanskrit?
00:07:04I am colonel Pickering, sir.
00:07:06Henry Higgins,
00:07:08the author of the universal alphabet
00:07:10of Higgins.
00:07:12I came from India
00:07:14to meet you.
00:07:16And I went to India
00:07:18for the same purpose.
00:07:20Little one, little one,
00:07:22what's the hurry today?
00:07:24Three is not enough, is it?
00:07:26I really don't have small ones, I regret.
00:07:28Are you lying? You said you could
00:07:30spend half of the crown.
00:07:32Let me push you out, you rascal!
00:07:34You know,
00:07:36this whole fucking basket,
00:07:38you know,
00:07:40is full of crazy people!
00:07:44That was a voice from heaven!
00:08:00Excuse me, where are the ladies who were waiting here?
00:08:02Ladies?
00:08:04Oh, they're all gone.
00:08:06How did that lady end up here?
00:08:08What am I going to do with this taxi now?
00:08:10What?
00:08:12Oh, nothing, it doesn't matter.
00:08:14I'm going to the ladies today.
00:08:24Did you get tired of listening?
00:08:28Yes.
00:08:30It requires a crazy amount of attention.
00:08:34I thought I could speak
00:08:3624 languages,
00:08:38but your 130
00:08:40exceeded my expectations.
00:08:42I can't hear the difference.
00:08:44At first you can't hear the difference,
00:08:46but you have to listen
00:08:48long enough to notice
00:08:50that the sounds are so different
00:08:52like a and a.
00:08:54What happened?
00:08:58Some young woman
00:09:00came to see you.
00:09:02A young woman?
00:09:04Yes, almost.
00:09:06She says you'd like to see her
00:09:08when you find out
00:09:10what happened.
00:09:12At least she has an interesting accent.
00:09:14Oh, sir,
00:09:16my ears are about to explode.
00:09:18So please bring her here.
00:09:24That's a great idea.
00:09:26I'll show you how to make a record.
00:09:28We'll take her phonograph
00:09:30and you'll be able to turn it on
00:09:32and see how many times
00:09:34you want to compare it
00:09:36to a record on paper.
00:09:38Elisabeth Doolittle.
00:09:40Here she is.
00:09:48Ah,
00:09:50this is the girl
00:09:52I registered yesterday
00:09:54in Covent Garden.
00:09:56I don't need her.
00:09:58I have enough documentation.
00:10:00What an insult.
00:10:02I haven't heard
00:10:04what I came here for yet.
00:10:06Did you tell him?
00:10:08That I came here for the money?
00:10:10Do you think
00:10:12a gentleman like Mr. Higgins
00:10:14cares
00:10:16what you came here for?
00:10:18They're important,
00:10:20they're important,
00:10:22but he's not ashamed
00:10:24to give lessons.
00:10:26I heard him talking about it yesterday.
00:10:30But if my money doesn't count,
00:10:32I'll go somewhere else.
00:10:34It doesn't count for what?
00:10:36Well,
00:10:38it doesn't count for you.
00:10:40Well,
00:10:42I came to take lessons
00:10:44and I'd like to pay for them.
00:10:46And what do you think
00:10:48I'll tell you?
00:10:50First of all,
00:10:52if you were a gentleman,
00:10:54you'd ask me
00:10:56to sit down.
00:10:58And if you were a woman,
00:11:00would you ask me
00:11:02to sit down
00:11:04or would you throw me out?
00:11:06What do you mean?
00:11:08I proposed to her,
00:11:10didn't I?
00:11:12I proposed to her
00:11:14so that she'd see
00:11:16what kind of woman I am.
00:11:18Tell me,
00:11:20what do you want?
00:11:22Well,
00:11:24I'd like to be a lady
00:11:26and I'd like to be a lady
00:11:28who will make a profit
00:11:30from trading on the sidewalk.
00:11:32And I won't take a bribe
00:11:34if I don't speak nicely,
00:11:36won't I?
00:11:38So I came
00:11:40and I'd like to pay for the lessons.
00:11:42What do you think?
00:11:44And you think
00:11:46you can afford
00:11:48to pay for Professor Higgins' lessons?
00:11:50What's the big deal?
00:11:52I know what kind of a lady
00:11:54you are.
00:11:56I knew
00:11:58you'd let me go.
00:12:00And if you find out
00:12:02that you can do
00:12:04what you didn't do
00:12:06to me yesterday,
00:12:08you'll go to hell.
00:12:10Please sit down.
00:12:12Sit down!
00:12:14Do what you're told.
00:12:16Would you like to sit down, please?
00:12:18Well,
00:12:20as long as you let me.
00:12:22How much can you pay for my lessons?
00:12:26Well,
00:12:28one lady,
00:12:30my friend,
00:12:32she took French lessons
00:12:34from a real Frenchman
00:12:36and she paid him
00:12:381.5 shillings per hour.
00:12:40But you wouldn't dare
00:12:42ask me
00:12:44to pay for learning
00:12:46my native language
00:12:48the same as French, would you?
00:12:50Then I won't give you more
00:12:52than a shilling.
00:12:54That's my last word.
00:12:56In percentage terms
00:12:58of this girl's income,
00:13:00a shilling equals
00:13:0260-70 pounds in a millionaire's hand.
00:13:04What?
00:13:0660 pounds?
00:13:08What?
00:13:10You're kidding!
00:13:12I've never offered you such a sum!
00:13:14Be quiet!
00:13:20I don't have 60 pounds.
00:13:22Don't cry.
00:13:24No one here
00:13:26cares about your money.
00:13:28But you can pluck a thorn from a broom
00:13:30if you keep whining.
00:13:32Sit down!
00:13:34My father has found himself.
00:13:36If I decide
00:13:38to teach myself,
00:13:40I'll be worse than two fathers.
00:13:42Here.
00:13:44Wipe your eyes
00:13:46and every other wet part of your body.
00:13:48And remember,
00:13:50this is a handkerchief,
00:13:52and this is a glove.
00:13:54You must learn to distinguish
00:13:56one from the other
00:13:58if you want to sell in a shop.
00:14:00You know,
00:14:02I'm starting to get interested.
00:14:04Would you take her
00:14:06for a diploma?
00:14:08If you did,
00:14:10I'd consider you
00:14:12the best teacher in the world.
00:14:14But I bet
00:14:16you're a good man.
00:14:18Thank you, Captain.
00:14:20It's hard
00:14:22to resist.
00:14:24She's so vulgar,
00:14:26so dirty...
00:14:28I'm not dirty
00:14:30because I washed my hands
00:14:32and my face before I left.
00:14:34You won't turn her upside down.
00:14:36There are many ways
00:14:38to turn a girl upside down.
00:14:40That's why Mr. Higgins
00:14:42has no equal,
00:14:44but he does what he does.
00:14:46All right.
00:14:48In six months,
00:14:50or even three,
00:14:52if she speaks well,
00:14:54I'll introduce her
00:14:56to everyone I want.
00:14:58Let's start.
00:15:00Take her and wash her.
00:15:02If you don't want dirt,
00:15:04scrub her with sand and soap.
00:15:06Is the stove on?
00:15:08Yes, but...
00:15:10Take it off and burn it.
00:15:12Wrap her in paper.
00:15:14No!
00:15:16No!
00:15:18I'll call the police!
00:15:20No!
00:15:22Where do I put her?
00:15:24In a trash can.
00:15:26Have you heard anything like that?
00:15:28No, ma'am.
00:15:30What do you mean?
00:15:32You can't take her
00:15:34like you'd lift a stone.
00:15:36Why?
00:15:38You don't know anything about her.
00:15:40Maybe she's a married woman?
00:15:42Shit, shit, shit!
00:15:44Eliza, Eliza!
00:15:46The streets will be covered
00:15:48with corpses of men
00:15:50who'll shoot themselves in the head
00:15:52because of you,
00:15:54before I finish my education.
00:15:56Why are you telling her such things?
00:15:58Schwerin, Schwerin,
00:16:00I won't take lessons
00:16:02from madmen.
00:16:06From madmen!
00:16:08Don't order new dresses for her
00:16:10and don't force her.
00:16:12Get out of here!
00:16:16I don't need your dresses.
00:16:18Do you hear me?
00:16:20And I wouldn't take
00:16:22any of them.
00:16:24I can buy them myself!
00:16:26Oh, Eliza!
00:16:28You're the most ungrateful
00:16:30and evil girl.
00:16:32You're so grateful
00:16:34that I wanted to take you out
00:16:36I can't do that.
00:16:38Go back home
00:16:40and tell your parents
00:16:42to take better care of you.
00:16:44I don't have any parents.
00:16:46Where's your mother?
00:16:48Mother?
00:16:50The one who kicked me out
00:16:52is my sixth mistress.
00:16:56But I can manage without them.
00:16:58I'm a decent girl.
00:17:00Great.
00:17:02No one needs you except me.
00:17:04Maybe you want to adopt her?
00:17:06All right,
00:17:08I'll take her in.
00:17:10Really?
00:17:12And what will we do with her?
00:17:14Maybe you'll pay her?
00:17:16Why pay her?
00:17:18She'll have enough to eat
00:17:20and clothes to wear.
00:17:22If you give her money,
00:17:24I'll give her a drink.
00:17:26I'm so stupid.
00:17:28I've never seen
00:17:30a drop of alcohol in my mouth.
00:17:32Don't you think
00:17:34this girl is devoid
00:17:36of human emotions?
00:17:38I think so.
00:17:40Emotions we should
00:17:42take care of.
00:17:44Do you have a heart?
00:17:46Yes.
00:17:48Like everyone else.
00:17:50That's the problem.
00:17:52What?
00:17:54To teach her the right language.
00:17:56It's not a big deal.
00:17:58But I don't want to speak
00:18:00like you do.
00:18:02I'd like to know
00:18:04under what conditions
00:18:06this girl will stay
00:18:08in our house.
00:18:10And what will happen to her
00:18:12when you finish your studies?
00:18:14And what will happen to her
00:18:16if I leave her in Rynsztok?
00:18:18Answer my question.
00:18:20It's her business
00:18:22not yours.
00:18:24So when I'm done with her
00:18:26I can throw her out
00:18:28and Rynsztok will take care of her.
00:18:32That's it?
00:18:36I've had enough.
00:18:38I've had enough.
00:18:40Eliza,
00:18:42do you want some chocolate?
00:18:44How did you know?
00:18:46How did you know
00:18:48about these chocolates?
00:18:50People like you give chocolates
00:18:52to girls
00:18:54that make their eyes dark.
00:18:56I'll eat half of it
00:19:00and you can have the other half.
00:19:04You see,
00:19:06you'll have a whole box
00:19:08of chocolates
00:19:10every day.
00:19:12You'll feed yourself with chocolates.
00:19:16I wouldn't eat them
00:19:18but I'm too well-bred
00:19:20to spit them out.
00:19:22Sir,
00:19:24he's leading these girls to temptation.
00:19:26That's not how it works.
00:19:28She should think about her future.
00:19:30At her age?
00:19:32Nonsense.
00:19:34We have enough time
00:19:36to worry about our future
00:19:38when there are no more views.
00:19:42Eliza,
00:19:44take Mrs. Pierce as an example.
00:19:46Think only about others,
00:19:48never about yourself.
00:19:50Think
00:19:52only about chocolates,
00:19:54taxis, gold, diamonds.
00:20:02I'm a decent girl, sir.
00:20:04You'll remain a decent girl
00:20:06Mrs. Pierce.
00:20:08You'll marry
00:20:10an officer of the Royal Guard
00:20:12with a beautiful moustache
00:20:14or a son of a marquis
00:20:16who will marry you
00:20:18but then his heart will soften
00:20:20and you'll have a beautiful daughter.
00:20:22Excuse me, I must interrupt you.
00:20:24Mrs. Pierce is right.
00:20:26If this girl is to marry you
00:20:28for six months
00:20:30she must know
00:20:32what she wants.
00:20:40That's all you can learn
00:20:42from her.
00:20:46She can't explain anything.
00:20:48An officer should know
00:20:50but an order can make things worse.
00:20:52Eliza!
00:20:54You'll live here
00:20:56for six months
00:20:58and learn to speak beautifully
00:21:00like the ladies in the flower shop.
00:21:02If you're decent and obedient
00:21:04you'll sleep in a real bedroom.
00:21:06You'll have food and money
00:21:08for chocolates and taxis
00:21:10but if you turn out to be
00:21:12dishonest and disobedient
00:21:14you'll live in a cell behind the kitchen
00:21:16and Mrs. Pierce will beat you
00:21:18with a broomstick every day.
00:21:20After six months
00:21:22you'll get into a carriage
00:21:24and go to Buckingham Palace.
00:21:26If the King notices
00:21:28that you're not a lady
00:21:30the police will lock you up
00:21:32in a fortress.
00:21:34But if the court notices nothing
00:21:36you'll be rewarded
00:21:38in the form of 7.5 shillings
00:21:40so that you can
00:21:42start your career as a shopkeeper.
00:21:44If you reject this offer
00:21:46you'll turn out to be
00:21:48the most ungrateful and evil girl
00:21:50and then a choir of angels
00:21:52will cry over you.
00:21:56Are you satisfied?
00:21:58If you allow me
00:22:00I'd like to talk to the girl
00:22:02in private first.
00:22:06Come, Eliza.
00:22:08Thank you, Mrs. Pierce.
00:22:10Please take her to the bathroom.
00:22:14Thank you.
00:22:20Don't you want to be
00:22:22a dirty, floundering
00:22:24my child?
00:22:26I knew one
00:22:28who was soaking wet
00:22:30until Saturday.
00:22:32I'm sick of this soaking.
00:22:34Throw it away.
00:22:36Throw it away
00:22:38and then
00:22:40put it there.
00:22:42I'll get you a bath.
00:22:44No, I don't want to.
00:22:46I can't.
00:22:48I'm not used to it.
00:22:50Do you hear me?
00:22:52Don't be silly, my child.
00:22:54Don't you undress every evening
00:22:56when you go to bed?
00:22:58Why?
00:23:00Do you want to say
00:23:02you sleep in the underwear
00:23:04you wear during the day?
00:23:06What should I sleep in?
00:23:08You'll never do it again
00:23:10and you'll live here.
00:23:12Undress.
00:23:14Now!
00:23:16Go to the bathroom!
00:23:18Go!
00:23:20No!
00:23:22Don't leave me!
00:23:24You old cow!
00:23:26You're a flounder!
00:23:28Undress!
00:23:30Go!
00:23:32And then tell me
00:23:34if there's water
00:23:36just for you!
00:23:38Oh, my son!
00:23:40Do you know
00:23:42how cold I am?
00:23:44Really?
00:23:46It's burning!
00:23:48It's burning!
00:23:50It's burning!
00:23:52It's burning!
00:23:54It's burning in my ass!
00:23:56It's burning in my ass!
00:23:58It's burning!
00:24:02Let me ask you
00:24:04are you a man
00:24:06when it comes to women?
00:24:08Have you ever met a man
00:24:10with rules when it comes to women?
00:24:12Yes, many times.
00:24:14I haven't.
00:24:18I've noticed
00:24:20that whenever I allow a woman
00:24:22to fall in love with me
00:24:24she becomes jealous, suspicious
00:24:26and poisons my life.
00:24:28In this situation
00:24:30I'm a hardened old man
00:24:32and everything indicates
00:24:34what I mean.
00:24:36If I have to take part in this story
00:24:38I have to take part
00:24:40in being responsible for the girl.
00:24:42I think there's no doubt
00:24:44that no one will hurt her here.
00:24:46Oh, that's what you mean.
00:24:48Colonel,
00:24:50I've learned English
00:24:52from all the American millionaires,
00:24:54the most beautiful women
00:24:56under the sun.
00:24:58I'm hardened.
00:25:00I could use a piece of wood.
00:25:02Is everything all right?
00:25:04Yes, sir.
00:25:06I think trouble is brewing.
00:25:08There's a garbage man waiting downstairs.
00:25:10His name is Alfred Tulitz
00:25:12and he says that his daughter
00:25:14is here with you.
00:25:16That's good.
00:25:18Give me that scoundrel.
00:25:20Here you are.
00:25:22Maybe he's not a scoundrel.
00:25:24Of course he's a scoundrel.
00:25:26Anyway,
00:25:28I'm afraid
00:25:30we'll have trouble with him.
00:25:32Excluding me?
00:25:34No.
00:25:36He's with me?
00:25:38Yes.
00:25:40Anyway, we'll find out
00:25:42some interesting things about the girl.
00:25:44I mean Gwara.
00:25:46Yes, yes.
00:25:48Mr. Alfred Tulitz.
00:26:00Professor Ignis.
00:26:02It's me.
00:26:06My respects, sir.
00:26:08Please, have a seat.
00:26:10Thank you.
00:26:12Thank you.
00:26:16I'm here
00:26:18for a very serious matter, Dobrodzieju.
00:26:20Raised by Hansel,
00:26:22his mother is probably a whore.
00:26:24What do you want, Mr. Tulitz?
00:26:26Give me back my daughter.
00:26:28What do I want from him?
00:26:30Oh, I see.
00:26:32That's quite understandable.
00:26:34You're her father.
00:26:36You wouldn't think
00:26:38someone would want to take her from you.
00:26:40I'm glad you still have
00:26:42the feelings of a father.
00:26:44Your daughter is upstairs.
00:26:46Take her away.
00:26:48What?
00:26:50Take your daughter away.
00:26:52You can't imagine
00:26:54I'll keep her instead of you.
00:26:56That's a good idea.
00:26:58It's good to hurt a decent man.
00:27:00She's my daughter.
00:27:02You keep her
00:27:04and still complain about me.
00:27:06Your daughter wanted to come
00:27:08and ask me
00:27:10to teach her English
00:27:12because she wants to work in a flower shop.
00:27:14And now you're blackmailing me.
00:27:16Oh, you're going to kill her.
00:27:18No, no, no.
00:27:20Then how do you know
00:27:22she's here?
00:27:24She's not here.
00:27:26It's a trap.
00:27:28A trap to make me pay.
00:27:30I'll call the police.
00:27:32Did I say anything
00:27:34about money?
00:27:36I'll take this gentleman as a witness.
00:27:38Did I say anything about money?
00:27:40Then why did you come?
00:27:42Because.
00:27:44Exactly.
00:27:46That's what it's all about.
00:27:48Alfred.
00:27:50Be a man.
00:27:52Do you know her name?
00:27:54Alfred.
00:27:58Did you name her?
00:28:00No, no, no.
00:28:02Then how do you know she's here?
00:28:04I'm a witness.
00:28:06I didn't see her.
00:28:08It's been a month.
00:28:10I'll tell you
00:28:12if you let me speak.
00:28:14I want to tell you.
00:28:16I want to tell you.
00:28:18I'm waiting for a moment
00:28:20to tell you.
00:28:22A man born of an orator's gift.
00:28:24Did you notice the rhythm
00:28:26reminiscent of the wind
00:28:28in his family songs?
00:28:30I want to tell you.
00:28:34A Walian melody.
00:28:36It explains
00:28:38why he's dishonest and false.
00:28:40I'm sorry. I'm from Walia, too.
00:28:44How do you know
00:28:46she's here if you didn't send her?
00:28:48It was like this.
00:28:50When she heard
00:28:52you wanted to keep her here,
00:28:54what was I supposed to think?
00:28:56I'm asking like a father.
00:28:58What was I supposed to think?
00:29:00So you come to save your daughter
00:29:02from worse than death?
00:29:04That's what it's all about.
00:29:06Here you are.
00:29:08Then let him take her.
00:29:10Did I say
00:29:12I wanted to take her?
00:29:14You'll take her
00:29:16with a gallop.
00:29:18Here you are.
00:29:20Great.
00:29:22This is Eliza's father.
00:29:24He's come to take her.
00:29:26Let him give her to him.
00:29:28No, no.
00:29:30It's a misunderstanding.
00:29:32I can't give her to him
00:29:34because you told me to burn her clothes.
00:29:36That's what it's all about.
00:29:38I can't carry a naked girl
00:29:40on the streets
00:29:42with a monkey.
00:29:44If there's nothing to wear,
00:29:46you can buy her.
00:29:48Where are the clothes
00:29:50she came here in?
00:29:52Who burned them?
00:29:54I'm the hostess here.
00:29:56Excuse me.
00:29:58I've sent you things
00:30:00for your daughter.
00:30:02When they arrive,
00:30:04you can take her home.
00:30:06In the meantime,
00:30:08you can wait for her in the kitchen.
00:30:10Please follow me.
00:30:12Sir,
00:30:14we're both
00:30:16the most
00:30:18famous people in the world.
00:30:20Mr. Pierce,
00:30:22please leave us alone.
00:30:24To tell you the truth,
00:30:26sir,
00:30:28I kind of like her.
00:30:30I want a girl.
00:30:32I won't insist
00:30:34on her coming home.
00:30:36I'm ready to talk to you.
00:30:38A girl?
00:30:40She's pretty,
00:30:42but she's not worth
00:30:44a piece of bread for her daughter.
00:30:46I'm just talking about
00:30:48my father's rights.
00:30:50I'd suspect you
00:30:52least of all
00:30:54that you want her
00:30:56to be my mistress.
00:30:58So what does 5 pounds mean to you?
00:31:00And how much
00:31:02is Eliza worth to me?
00:31:04You must know
00:31:06that Mr. Higgins' intentions
00:31:08are different.
00:31:10I'd ask for 50 pounds.
00:31:12You mean you'd sell your daughter
00:31:14for 50 pounds?
00:31:16To sell her at all?
00:31:18No, no, no.
00:31:20But I'd do anything
00:31:22to serve a gentleman like you.
00:31:24Sir,
00:31:26don't you have any moral principles?
00:31:28I can't stand principles,
00:31:30sir.
00:31:32If you were so poor,
00:31:34you wouldn't look at principles.
00:31:36But if Eliza takes advantage of it,
00:31:38I wouldn't have anything to do with it.
00:31:40It's hard to agree with that.
00:31:42Don't tell me why.
00:31:44You're approaching things from the wrong side.
00:31:46Don't tell me.
00:31:50Who am I, gentlemen?
00:31:52I'm asking you.
00:31:54Who am I?
00:31:56A poor man
00:31:58who doesn't deserve mercy.
00:32:00Think, gentlemen,
00:32:02what that means.
00:32:04I enjoy entertainment,
00:32:06because I'm a thinker.
00:32:08I feel the need for joy,
00:32:10songs, music,
00:32:12when I'm sad.
00:32:14And they tell me to pay the same.
00:32:16The same.
00:32:18So what are these moral principles?
00:32:20I'm asking you.
00:32:22It's just an excuse
00:32:24not to give me anything.
00:32:26So I turn to you,
00:32:28as gentlemen.
00:32:30Oh, don't make me similar pieces.
00:32:32I'm open about it.
00:32:34I don't pretend to be a worthy man.
00:32:36I'm not worthy
00:32:38and I want to stay that way.
00:32:40So is five pounds
00:32:42too much
00:32:44for the one who raised her,
00:32:46fed her, fed her, dressed her?
00:32:48Tell me.
00:32:50If we could work on him
00:32:52for a few months,
00:32:54he would have to choose
00:32:56either the Ministry or Ambon.
00:32:58And what do you think?
00:33:00No, no, no, sir.
00:33:02It's not for me.
00:33:04I've heard enough
00:33:06of these speeches,
00:33:08these premieres.
00:33:10It's a dog's life, sir.
00:33:12When you go through
00:33:14all these social positions,
00:33:16it's only mine,
00:33:18with that beagle I like.
00:33:20I think
00:33:22we'll have to give him
00:33:24those five pounds.
00:33:26I'm afraid he won't make
00:33:28it.
00:33:30You don't know me, sir.
00:33:32Don't worry.
00:33:34I'll put the money in the bank
00:33:36and live off the interest.
00:33:38No, he won't make it
00:33:40until Monday.
00:33:42I'll have to go to work
00:33:44if I don't see that beagle.
00:33:46He can't resist.
00:33:48We'll give him ten pounds.
00:33:50No, sir.
00:33:52My lady wouldn't have the heart
00:33:54to spend ten pounds.
00:33:56Ten pounds is a lot of money.
00:33:58One can get rich,
00:34:00but then it's goodbye and happiness.
00:34:02No, no.
00:34:04Give me as much as I asked
00:34:06and I won't spend more.
00:34:08Why won't you marry her?
00:34:10Ask her, sir.
00:34:12Please.
00:34:16I want to marry her.
00:34:18But I'm the one who suffers.
00:34:20I can't take her in my arms.
00:34:22I have to give her up.
00:34:24I have to give her presents.
00:34:26I have to buy her a dress.
00:34:28She's a divine image.
00:34:30I'm a slave to her
00:34:32if I don't marry her.
00:34:34She knows that.
00:34:36I can't marry her.
00:34:40My lady,
00:34:42listen to my advice.
00:34:44Marry Liz while she's young
00:34:46and until she learns.
00:34:48You won't do it now
00:34:50and you'll regret it later.
00:34:52If you marry her,
00:34:54she'll regret it later.
00:34:56You said five pounds?
00:34:58Yes, sir.
00:35:00You don't want ten?
00:35:02Not now.
00:35:04Next time.
00:35:06Thank you.
00:35:08Goodbye.
00:35:10Goodbye.
00:35:12Goodbye, sir.
00:35:14Goodbye.
00:35:16I'm sorry.
00:35:18Oh!
00:35:20I didn't recognize you!
00:35:22It's Eliza!
00:35:26I look stupid.
00:35:28You look idiotic.
00:35:30Really?
00:35:32Maybe because I'm not wearing a hat?
00:35:34Oh!
00:35:36I'll look better in a hat.
00:35:38I didn't know
00:35:40that when I wash it,
00:35:42all her ugliness will come out.
00:35:44I'm proud of her.
00:35:46You look like a freier.
00:35:48You look like a freier.
00:35:50Mr. Doolittle,
00:35:52you raised your daughter too harshly.
00:35:54Me?
00:35:56I didn't raise her at all.
00:35:58I just put a belt on her.
00:36:00She'll get used to it.
00:36:02I'm a decent girl.
00:36:04I won't get used to shame.
00:36:06Eliza,
00:36:08if you say you're decent again,
00:36:10your father will take you home.
00:36:12Exactly!
00:36:14I'm not a freier
00:36:16to put a belt on her.
00:36:18You!
00:36:20Don't rub it in my face.
00:36:22If I find out
00:36:24that you did something to her,
00:36:26you'll have to deal with me.
00:36:28Do you understand?
00:36:32Would you like
00:36:34to give your daughter some advice
00:36:36before you leave?
00:36:38No.
00:36:40I'm not a decent freier
00:36:42to share my life experience
00:36:44with children.
00:36:46No.
00:36:48But if you want her to learn,
00:36:50put a belt on her.
00:36:52Goodbye.
00:36:54Mr. Doolittle!
00:36:58You'll visit your daughter regularly.
00:37:00It's your duty.
00:37:02My brother is a pastor.
00:37:04He'll help you
00:37:06with your daughter.
00:37:08I'll come.
00:37:10I'm busy this week.
00:37:12But you can count on me.
00:37:14I'll come.
00:37:16Goodbye.
00:37:18Goodbye, gentlemen.
00:37:22Say three
00:37:24must
00:37:26doors.
00:37:28Doors.
00:37:38I can't say three.
00:37:42Doors.
00:37:44You don't have to teach me
00:37:46like a child.
00:37:48Do as I say.
00:37:54Mr. Doolittle,
00:37:56you can't teach a teacher
00:37:58and repeat after him.
00:38:02All right.
00:38:04If you say so.
00:38:08Three must doors.
00:38:12And we pay taxes for that.
00:38:16That's basic education.
00:38:18Three must doors.
00:38:20Say three
00:38:22must doors.
00:38:26Three must doors.
00:38:32Three
00:38:34must doors.
00:38:42Enough.
00:38:46Now say
00:38:48I won't wipe the chafran.
00:38:50I won't forgive men.
00:38:56I won't.
00:39:02I won't wipe the chafran.
00:39:04I won't.
00:39:06Don't use your teeth.
00:39:08Use your tongue.
00:39:10Wipe it.
00:39:18I can't.
00:39:20I can't.
00:39:24I can't.
00:39:26All right.
00:39:28Great, Mr. Doolittle.
00:39:30I got a thousand.
00:39:32We'll make a princess out of her.
00:39:34Bravo.
00:39:36Now say
00:39:38it's sweeter than younger.
00:39:40It's harder than older.
00:39:44Try to say younger
00:39:46and I'll take you by the collar
00:39:48Sweeter.
00:39:50Not younger.
00:39:56I can't hear the difference.
00:40:02My head is spinning.
00:40:10If you can't hear the difference
00:40:12why are you growling?
00:40:14Give her some chocolate.
00:40:16No need.
00:40:18Let her cry a little.
00:40:22You're making a great progress.
00:40:28Henry!
00:40:30Today
00:40:32is the day I'm receiving.
00:40:34You promised not to come
00:40:36when I receive guests.
00:40:38I came for a reason.
00:40:40But you can't stay.
00:40:42It's not a joke, Henry.
00:40:44All my friends
00:40:46stop coming here.
00:40:48Nonsense, Mom.
00:40:50I can't talk about anything.
00:40:54No one has a problem with me.
00:40:58What can you say about anything?
00:41:00You really can't stay.
00:41:02I have to.
00:41:04I have a job for you.
00:41:06No way.
00:41:08I caught a girl.
00:41:10Did you fall in love?
00:41:12What a pity!
00:41:14Why?
00:41:16Because you've never
00:41:18fallen in love with a woman
00:41:20under 45.
00:41:22When will you discover
00:41:24that there are also
00:41:26pretty young girls?
00:41:28For me, the ideal of love
00:41:30is a woman who
00:41:32resembles you the most.
00:41:36What would you do
00:41:38if you really loved me?
00:41:40No, no.
00:41:42You'd stop moving
00:41:44and take your hands off your pockets.
00:41:46Sit down
00:41:48and tell me about this girl.
00:41:50I'll arrange a visit for you today.
00:41:52I don't remember
00:41:54inviting her.
00:41:56If you knew her,
00:41:58you wouldn't invite her.
00:42:00She's an ordinary flower girl.
00:42:02I'd talk to her at the corner of the street.
00:42:04And you invited her to my house.
00:42:06But nothing threatens me.
00:42:08You'll receive only two things.
00:42:10Your guests' health
00:42:12and the weather.
00:42:14My guests' health?
00:42:16What a nonsense, Henry!
00:42:18Mom, he has to talk about something.
00:42:20I've decided
00:42:22that in six months
00:42:24I'll introduce her
00:42:26to the salon as a princess.
00:42:28And I'll win this bet.
00:42:30She has great hearing.
00:42:32She speaks English almost like you speak French.
00:42:34Not bad at all.
00:42:36Not at all.
00:42:38What do you mean?
00:42:40I've taught her to speak
00:42:42not only how to speak
00:42:44but also what to say.
00:42:46So...
00:42:48You and you
00:42:50at Innsford Hill.
00:42:52Damn it!
00:42:54Good morning, sir.
00:42:56Welcome, welcome.
00:42:58Good morning.
00:43:00Good morning, ma'am.
00:43:02My son, Henry.
00:43:04I've wanted to meet you for a long time, sir.
00:43:06Nice to meet you.
00:43:10I'm very happy.
00:43:12I've heard of you somewhere.
00:43:14I don't know where,
00:43:16but I remember you.
00:43:18Anyway, have a seat.
00:43:24I'm sorry to say
00:43:26that my son is poorly brought up.
00:43:28But please don't mind it.
00:43:30It doesn't bother me.
00:43:32Was I rude?
00:43:34I didn't mean to.
00:43:38Colonel Pickering.
00:43:42Good morning, ma'am.
00:43:44I'm so happy.
00:43:46Do you know Mrs. Innsford Hill
00:43:48and her daughter?
00:43:50Did Henry tell you
00:43:52what brings us here?
00:43:54We were interrupted.
00:43:56Henry, Henry.
00:43:58Are we disturbing you?
00:44:00You came just in time.
00:44:06We'd like to introduce you
00:44:08to our friend.
00:44:10I give you my word.
00:44:12We need two or three people.
00:44:14It doesn't matter who it is.
00:44:18Mr. Innsford Hill.
00:44:20Damn it.
00:44:26Good morning, ma'am.
00:44:28He's here.
00:44:30Colonel Pickering.
00:44:32Nice to meet you.
00:44:34You don't seem to know
00:44:36my son, Professor Higgins.
00:44:38Nice to meet you.
00:44:40I've heard of you somewhere.
00:44:42Where was it?
00:44:44I don't think we've met.
00:44:46Never mind. Have a seat.
00:44:50So, we're all here.
00:44:54What are we going to talk about
00:44:56when Eliza comes?
00:44:58Henry, you're a gem
00:45:00in the Royal Society of Sciences.
00:45:04But in the less-excellent Society
00:45:06you're really a difficult guest.
00:45:10I'm sorry.
00:45:12Really?
00:45:18I can't have a banal conversation.
00:45:20I'm in solidarity with you.
00:45:22If only people were honest
00:45:24and told us what they really think.
00:45:26May God protect us.
00:45:28Why?
00:45:30What people feel obliged
00:45:32to think
00:45:34is already
00:45:36terrible enough.
00:45:38Do you think
00:45:40if I told you what I really think
00:45:42it would be pleasant?
00:45:44Is it so cynical?
00:45:46Cynical?
00:45:48Who said it was cynical?
00:45:50I think it would be
00:45:52a bit indecent.
00:45:56I don't believe you're serious.
00:45:58We're all barbarians
00:46:00to a lesser or greater extent.
00:46:02What do you know about poetry?
00:46:06Or about science?
00:46:08And what does he know
00:46:10about fine arts,
00:46:12science, anything?
00:46:14What do you think?
00:46:16What do I know about philosophy?
00:46:18Or about good manners?
00:46:22Just a moment.
00:46:30Welcome, madam.
00:46:32Mrs. Higgins.
00:46:36The professor has authorized me
00:46:38to pay you a visit.
00:46:40How natural.
00:46:42I'm very happy to meet you.
00:46:44Welcome, madam.
00:46:46Ah,
00:46:48Colonel Pickering,
00:46:50right?
00:46:52I think I've met you somewhere.
00:46:54I remember your eyes.
00:46:58Good day, madam.
00:47:00My daughter Clara.
00:47:02It's very nice to meet you.
00:47:04Very nice.
00:47:06Undoubtedly
00:47:08it was a pleasure to meet you.
00:47:10My son Freddy.
00:47:12Good day, sir.
00:47:20Good day.
00:47:34The weather is nice today.
00:47:38Isn't it?
00:47:40Than barometric,
00:47:42on the west of the British Islands
00:47:44it will probably
00:47:46move freely to the east.
00:47:48The rainfall will be
00:47:50forecast
00:47:52from 17 to 23 degrees
00:47:54in the central part of the country.
00:47:58Why are you laughing
00:48:00young man?
00:48:02I'm sure I said it well.
00:48:06Defensively well.
00:48:10I hope it won't get cold.
00:48:14The flu is spreading.
00:48:16Our whole family
00:48:18gets the flu every spring.
00:48:22My aunt
00:48:24died of the flu.
00:48:26At least
00:48:28that's what they said.
00:48:30But I'm sure
00:48:32that the old lady was stabbed.
00:48:34Stabbed?
00:48:36Yes. Why would she die of the flu?
00:48:38A year before her death
00:48:40she was lying
00:48:42on the bed.
00:48:44She got up very quickly.
00:48:46I saw her with my own eyes.
00:48:48She was blue
00:48:50like a lala.
00:48:52Everyone thought she was dead.
00:48:54And my father
00:48:56didn't do anything.
00:48:58He just poured a big
00:49:00spittle into her throat.
00:49:04She was so scared
00:49:06that she bit
00:49:08the spittle
00:49:10into two pieces.
00:49:12My God.
00:49:16How could
00:49:18such a strong woman
00:49:20die of the flu?
00:49:22And what happened
00:49:24to her new straw hat
00:49:26that I was supposed
00:49:28to get?
00:49:30Someone
00:49:32robbed it.
00:49:34So I'll just say
00:49:36who robbed the hat
00:49:38stabbed the old lady.
00:49:40What does
00:49:42stabbing mean?
00:49:44It's a very common word
00:49:46in social conversation.
00:49:48Stabbing someone means killing him.
00:49:52Do you really believe
00:49:54that your aunt was stabbed?
00:49:58The men she lived with
00:50:00would kill her
00:50:02even for a hairpin.
00:50:04And what about the hat?
00:50:06The whole hat?
00:50:08Your father
00:50:12shouldn't have
00:50:14poured alcohol
00:50:16into her throat.
00:50:18It could have killed her.
00:50:20No, she drank
00:50:22hot milk
00:50:24from her mother's breast.
00:50:26And besides,
00:50:28my father poured so much of it
00:50:30into himself that he knew
00:50:32the medicine very well.
00:50:34Do you mean
00:50:36that your father
00:50:38drank it?
00:50:40It was
00:50:42a chronic matter.
00:50:46You had a terrible life.
00:50:48No.
00:50:50My father didn't
00:50:52pour it regularly.
00:50:54He drank it, so to speak,
00:50:56from time to time.
00:50:58But it was always
00:51:00so elegant
00:51:02like he had in his throat.
00:51:04When he was unemployed,
00:51:06his mother gave him 4.5 pence
00:51:08and said,
00:51:10go and don't come back
00:51:12until you're loving and happy.
00:51:14A great woman
00:51:16has to persuade her husband
00:51:18to drink.
00:51:20Only then
00:51:22can you stand them.
00:51:26It's like this,
00:51:28ladies and gentlemen.
00:51:30When a man has a bit of conscience,
00:51:32he goes sober.
00:51:34And in such a moment,
00:51:36a little bit of bitterness
00:51:38makes him happy.
00:51:42Why are you laughing
00:51:44so much, young man?
00:51:48It's a new style of social conversation.
00:51:50You're doing it great.
00:51:52Yes?
00:51:54If I'm doing it great,
00:51:58why are you laughing?
00:52:02Did I say something wrong?
00:52:04Oh, at least.
00:52:06My dear.
00:52:08No, I lied.
00:52:12I always said that
00:52:14when I...
00:52:18I have to go.
00:52:20It was very nice
00:52:22to meet you.
00:52:24Goodbye.
00:52:26Goodbye, ladies.
00:52:28Goodbye.
00:52:30Goodbye, ladies.
00:52:32Goodbye, colonel Pickering.
00:52:36Goodbye, ladies.
00:52:38Excuse me,
00:52:40are you going through the park?
00:52:42Me? On foot?
00:52:44Shit!
00:52:48I'll take a taxi.
00:52:58Mom,
00:53:00I have to admit
00:53:02that it's very hard for me
00:53:04to get used to
00:53:06the new style of social conversation.
00:53:08But, mom,
00:53:10there's nothing wrong with it.
00:53:12If you're so old-fashioned,
00:53:14people will think
00:53:16that we're not going anywhere.
00:53:18I'm not saying that I'm an old-fashioned person,
00:53:20but I'm deeply convinced
00:53:22that you'll never use
00:53:24such a term.
00:53:26I've already got used to
00:53:28that in your mouth
00:53:30men are
00:53:32shit
00:53:34and that everything is
00:53:36filth
00:53:38and filth.
00:53:40But what's above that
00:53:42is unhealthy.
00:53:44Right,
00:53:46colonel?
00:53:50Please don't ask me.
00:53:52I spent many years in India.
00:53:54The customs
00:53:56have changed a lot.
00:53:58In my opinion,
00:54:00the new style of social conversation
00:54:02is charming and quite innocent.
00:54:04You've said your piece.
00:54:06It's time to say goodbye.
00:54:08Indeed.
00:54:10We have three more visits.
00:54:12Goodbye, ladies.
00:54:14Goodbye, colonel.
00:54:16Goodbye, ladies.
00:54:18Goodbye, professor.
00:54:20You must practice
00:54:22during these three visits.
00:54:24Don't be shy.
00:54:26Of course.
00:54:28Goodbye.
00:54:30All that Victorian
00:54:32nonsense
00:54:34is just shit.
00:54:36Idiotic shit.
00:54:38Fucking shit.
00:54:40Of course.
00:54:44I wanted to ask...
00:54:48Goodbye, ladies.
00:54:50Goodbye.
00:54:52Would you like to see
00:54:54Mr. Doolittle again?
00:54:56Yes, of course.
00:54:58You know when
00:55:00I welcome guests.
00:55:02Yes, of course. Thank you.
00:55:04Goodbye.
00:55:08And how can I show her
00:55:10in the company?
00:55:12Silly boy, of course
00:55:14you can't show her.
00:55:16Elisa is
00:55:18a triumph of your art.
00:55:20But if for a moment
00:55:22you think
00:55:24one sentence
00:55:26is not enough
00:55:28someone will get
00:55:30a slap on her face.
00:55:32Don't you think
00:55:34we could do something
00:55:36to eliminate vulgar remarks?
00:55:38Both of you
00:55:40are a good couple
00:55:42of children
00:55:44playing with a live doll.
00:55:46We're having fun.
00:55:48I've never worked so hard.
00:55:50We treat Elisa very seriously.
00:55:52Every week, every day
00:55:54brings a change.
00:55:56We register every stage.
00:55:58We have dozens of photos
00:56:00of phonographic records.
00:56:02Elisa is the most interesting
00:56:04experiment I've ever seen.
00:56:06We talk about her all the time.
00:56:08We teach her.
00:56:10We dress her.
00:56:12She has fantastic hearing.
00:56:14Every sound.
00:56:16I taught her
00:56:18European dialects,
00:56:20African dialects,
00:56:22Totski dialects,
00:56:24Laskan dialects.
00:56:26And she always
00:56:28touched the piano with her finger.
00:56:30Be quiet!
00:56:32I'm sorry, ma'am.
00:56:34You can't say a word
00:56:36when she starts shouting.
00:56:38Be quiet!
00:56:40Mr. Colonel,
00:56:42when Elisa moved in
00:56:44at Wimpole Street,
00:56:46something more
00:56:48crossed the threshold.
00:56:50Yes, her father,
00:56:52but Henry melted him quickly.
00:56:54It would be better
00:56:56if her mother came.
00:56:58Something else
00:57:00appeared instead of her.
00:57:02What?
00:57:04A problem.
00:57:06I understand.
00:57:08The problem is how to get her
00:57:10to solve it.
00:57:12I'm halfway there.
00:57:20Maestro!
00:57:22Maestro!
00:57:24Do you remember me?
00:57:26Who are you?
00:57:30I'm your student.
00:57:34Your first,
00:57:36best
00:57:38and most outstanding
00:57:40student.
00:57:42I'm a little...
00:57:44Nepo...
00:57:46Nepomuk!
00:57:50What a wonderful child!
00:57:52I made your name famous
00:57:54all over Europe.
00:57:56You taught me to speak,
00:57:58you couldn't forget me.
00:58:00Why don't you shave?
00:58:02I don't have
00:58:04your impressive attitude,
00:58:06but I have a beard and a forehead.
00:58:08If I shaved,
00:58:10no one would notice me.
00:58:12And yes, I'm famous.
00:58:14They call me
00:58:16Cosmetic Wale.
00:58:18What are you doing in this
00:58:20magnificent company?
00:58:22I'm a translator.
00:58:24I speak 32 languages.
00:58:26No international reception
00:58:28can do without me.
00:58:30They're asking you to come up.
00:58:32Her Excellency can't understand
00:58:34Thank you.
00:58:36I'm on my way.
00:58:42A Greek diplomat.
00:58:44He pretends he doesn't speak English
00:58:46and doesn't understand it.
00:58:48He's not fooling me.
00:58:50He's the son of a clockmaker
00:58:52from Clerkenwell.
00:58:54He speaks English so badly
00:58:56that he's afraid to write a word
00:58:58because his origin would be exposed.
00:59:00I help him pretend to be Greek,
00:59:02but he pays dearly for it.
00:59:06Can this man really
00:59:08unmask Elisa?
00:59:10If he recognizes her,
00:59:12I'll lose the bet.
00:59:18Elisa, are you ready?
00:59:20You're shaking, Colonel.
00:59:22Terrible.
00:59:24I feel like before the first battle
00:59:26in my life.
00:59:28I'm always afraid for the first time.
00:59:30I've been there many times.
00:59:32I'm dreaming.
00:59:34And now I'm dreaming.
00:59:36You won't let the professor
00:59:38wake me up, will you?
00:59:40Not a word. I'm ready.
00:59:42Ready.
00:59:48Your Excellency, Colonel Pickering.
00:59:54Nice to meet you.
00:59:56Nice to meet you, too.
00:59:58Welcome, Colonel.
01:00:00I'm so glad
01:00:02to meet you.
01:00:06Is this your adopted daughter,
01:00:08Colonel?
01:00:10She'll make a fuss about you.
01:00:12I'm really grateful
01:00:14that you fulfilled my request
01:00:16and invited her for an interview.
01:00:22Mrs. Nepomuk?
01:00:24Yes?
01:00:26Would you like to know everything about her?
01:00:28I'm at your service.
01:00:32How do you do, Professor?
01:00:34Your rival is here today.
01:00:36He introduced himself as your student.
01:00:38Can he do anything?
01:00:40He can learn
01:00:42every language in two weeks.
01:00:44I know more than a dozen of them,
01:00:46which means he's an ass.
01:00:48When it comes to phonetics,
01:00:50he's a complete ignoramus.
01:00:52Welcome, Professor.
01:00:54Very charming.
01:00:56I'm sorry I have to take part in this.
01:01:06Mrs. Elizabeth.
01:01:08Welcome.
01:01:10Nice to meet you.
01:01:24How do you do, Professor?
01:01:26Your rival is here today.
01:01:28He introduced himself as your student.
01:01:30Can he do anything?
01:01:32He can learn
01:01:34every language in two weeks.
01:01:36I know more than a dozen of them,
01:01:38which means he's an ass.
01:01:40When it comes to phonetics,
01:01:42he's a complete ignoramus.
01:01:44I'm sorry I have to take part in this.
01:01:46Welcome, Professor.
01:01:48Very charming.
01:01:50I'm sorry I have to take part in this.
01:01:52When it comes to phonetics,
01:01:54he's a complete ignoramus.
01:02:16Professor Higgins is here!
01:02:18He'll teach us a lot.
01:02:20Please tell us, what do you know about this lovely young lady?
01:02:25What lovely young lady?
01:02:27Oh, you know it perfectly well.
01:02:29Oh, Mr. Nepomuk, have you learned everything about Mrs. Dolittle?
01:02:34Yes, I have.
01:02:38It's a mystification.
01:02:40Mystification? Oh, no.
01:02:42But yes, yes.
01:02:44She hates me.
01:02:46She can't be called Dolittle.
01:02:48Why?
01:02:49Because it's an English name.
01:02:51And she's not English.
01:02:54But what did you say?
01:02:56She speaks English perfectly.
01:02:58Too well.
01:02:59Perfectly.
01:03:00Could you tell me an English girl who speaks English correctly?
01:03:05Yes, she will.
01:03:07Only foreigners who learned English speak this language well.
01:03:11Indeed, my skin was itching when she said,
01:03:15How nice.
01:03:17But if she's not English, who is she?
01:03:22Hungarian.
01:03:25Hungarian?
01:03:27Yes, she's Hungarian.
01:03:29And of royal blood.
01:03:31I'm Hungarian too, and royal blood flows in my veins.
01:03:35Did you speak to her in Hungarian?
01:03:37Yes.
01:03:38But it's a very cunning trick.
01:03:41Please speak to me in English, she said.
01:03:43I don't know French.
01:03:45French?
01:03:47She pretends not to notice the difference between French and Hungarian.
01:03:51It's impossible.
01:03:52She knows both languages.
01:03:54And royal blood?
01:03:56How did you come up with that?
01:03:58Instinct.
01:03:59Maestro.
01:04:00Instinct.
01:04:02Only in Hungarian blue blood you can owe so much gratitude
01:04:06and such a resolute look.
01:04:09And what about that, Professor?
01:04:11I would say that this girl comes from the lowlands of London,
01:04:15and she was taught English by some expert.
01:04:19She was brought up in the vicinity of Lisongrove.
01:04:22Maestro, maestro, you have a buzz on the spot.
01:04:26The lowlands of London are your whole world.
01:04:29What do you think about that, Ambassador?
01:04:33Naturally, I agree with Mr Nepomuk.
01:04:38She must be at least a princess.
01:04:41Not necessarily of the right kind, of course.
01:04:44Perhaps a morganite.
01:04:47Undoubtedly, however, she belongs to the highest spheres.
01:04:52However, I would stick to mine.
01:04:56You are incorrigible, Professor.
01:05:01I can't stand it any longer.
01:05:04Everyone looks at me like I'm a cockroach.
01:05:07I can't be like everyone else.
01:05:09I'm sorry, I lost your bet.
01:05:11The bet was not lost. You won it.
01:05:14Let's get out of here. I've had enough of these talks with Simba-Anna.
01:05:19Oh, God, oh, God.
01:05:21Terrible, terrible, terrible.
01:05:26Oh, God, oh, God.
01:05:28What a terrible evening.
01:05:32What a bunch of morons.
01:05:35Where are my slippers?
01:05:37But you won the bet.
01:05:39Elisa signed up and made it to the finish line, didn't she?
01:05:43Thank God for everything.
01:05:45You were nervous at the reception, I was.
01:05:48Only Elisa wasn't.
01:05:50She didn't care at all.
01:05:53Terrible moron.
01:05:55If it wasn't for the bet, I would have thrown it all away two months ago.
01:05:58It was a stupid idea.
01:06:00And the work was a pain in the ass.
01:06:02Do you still have your slippers?
01:06:04Don't exaggerate.
01:06:06The reception was an unusual emotion.
01:06:08My heart was pounding.
01:06:10For the first three minutes.
01:06:12But when I saw that we were winning without a blink of an eye.
01:06:16In any case, we were a great success.
01:06:19Colossal.
01:06:20Elisa did a great job.
01:06:22But fortunately, it was all over.
01:06:25I can finally go to sleep.
01:06:28Without fear of what awaits me tomorrow.
01:06:31It's time for me too.
01:06:38It was a great event.
01:06:41And your victory.
01:06:43Good night.
01:06:45Good night.
01:06:51Elisa, turn off the light.
01:06:54And ask Mrs. Pierce not to brew me coffee in the morning.
01:06:57I'll drink tea.
01:07:00Where are those damn slippers?
01:07:07Here you have one pair of slippers.
01:07:11And here, the other one.
01:07:14Take these slippers.
01:07:18And let your feet swell in them every day.
01:07:24What is it?
01:07:26What does it mean?
01:07:28Did something happen?
01:07:30No, nothing happened.
01:07:33I won a bet for you.
01:07:36It's enough for you, I don't count.
01:07:39You won a bet?
01:07:41You?
01:07:43I won it.
01:07:45Why did you throw slippers at me?
01:07:48Because I wanted to acidify your mouth.
01:07:52You self-loving scoundrel.
01:08:00I'd rather kill you.
01:08:05Why didn't you leave me there?
01:08:09Where did you get me from?
01:08:12In Ronstock?
01:08:16Thank God you're done.
01:08:19This animal is nervous.
01:08:22Come on!
01:08:27How dare you throw yourself at me?
01:08:32Sit down.
01:08:36And be quiet.
01:08:40What will happen to me now?
01:08:43How should I know what will happen to you?
01:08:46And who cares?
01:08:48I know who doesn't care.
01:08:51You wouldn't even care if I died here.
01:08:55It means less to you than a pair of those slippers.
01:09:00Slippers?
01:09:02Slippers.
01:09:06Why are you being so rude?
01:09:09Do you hold a grudge against your superiors?
01:09:13No.
01:09:15Maybe someone behaved badly towards you?
01:09:19Pickering?
01:09:21Maybe Mrs. Pierce?
01:09:24Someone from the service?
01:09:27No.
01:09:29I dare say you couldn't accuse me of anything.
01:09:35I couldn't.
01:09:38I'm glad to hear that.
01:09:41For the sake of today,
01:09:45I'd like you to have a glass of champagne.
01:09:50No, thank you.
01:09:53It's only natural that you were nervous before the reception.
01:09:58But after all,
01:10:02there's no reason to worry.
01:10:06Yes, there is.
01:10:09You're not here.
01:10:14I'd like to die.
01:10:17It's depression.
01:10:20Cry a little, you'll feel better.
01:10:24Yes, a little champagne.
01:10:27And thank God, it's all over.
01:10:30Don't you thank God?
01:10:32You're free to do whatever you want.
01:10:35What am I good for?
01:10:38What did you teach me?
01:10:41Where should I go?
01:10:44What should I do?
01:10:47That worries you.
01:10:53I wouldn't worry about you.
01:10:56You're my husband.
01:10:59You're not ugly.
01:11:02I can look at you with pleasure.
01:11:05Of course, not right now.
01:11:08But if you don't care about anything, you're yourself.
01:11:12You can even like yourself.
01:11:15What about your idea to set up your own flower shop?
01:11:19Pickering could help you.
01:11:22I can't imagine that in a thousand years
01:11:25you'll have your own flower shop.
01:11:28That's life.
01:11:31I'm going to sleep.
01:11:34I'm tired.
01:11:37I came here for a reason.
01:11:40Shoes.
01:11:43You threw them at me.
01:11:48He's waiting for you.
01:11:54Please take this.
01:11:57And put it in your room.
01:12:00I don't want any trouble.
01:12:03If it were my jewellery,
01:12:06I'd shove it up your throat.
01:12:09This ring...
01:12:13It's not borrowed.
01:12:16You bought it for me in Brighton.
01:12:21I don't want it now.
01:12:25No! Don't hit me!
01:12:28Don't hit me.
01:12:32You led me out of balance.
01:12:35It never happened to me.
01:12:39That's all I have to tell you.
01:12:42I'm going to sleep.
01:12:45But before that,
01:12:48please write a letter to Mrs Pierce about the coffee.
01:12:52I won't repeat anything.
01:12:55May the devil take her.
01:12:58May the devil take the coffee.
01:13:01And let hell consume you.
01:13:04And let hell consume me
01:13:07for going crazy
01:13:10and losing the treasure of my feelings
01:13:13for a heartless, street-sweeper like you!
01:13:35Good night, darling.
01:13:38My darling.
01:13:50What are you doing here?
01:13:53Nothing.
01:13:56I spend all my nights here.
01:14:00I feel happy here.
01:14:09Please don't laugh at me, Mrs Pierce.
01:14:12Please don't laugh at me.
01:14:15Mrs Pierce, I...
01:14:21Don't talk to me like that.
01:14:24Please.
01:14:27Don't talk to me like that.
01:14:30Please.
01:14:33Don't talk to me like that.
01:14:38Lisa.
01:14:41Lisa, that's enough.
01:14:52Freddie.
01:14:55You don't think I'm crazy, do you?
01:14:58You don't think I'm crazy, do you?
01:15:01No, no, no.
01:15:04I'm not crazy.
01:15:26Lisa, my love.
01:15:29My love, don't move.
01:15:37What is this? What is it supposed to mean?
01:15:44I'm sorry, Mr Pierce.
01:15:47We just got married.
01:15:50Mum! Mum, what a stupid story.
01:15:54Yes, my love, good morning.
01:15:57What happened?
01:16:00You had to frighten her.
01:16:03Frighten her? Nonsense.
01:16:06I left her at the studio and asked her to turn off the lights.
01:16:09She got dressed and left the house.
01:16:12What am I supposed to do?
01:16:15I think you'll manage without her.
01:16:18She had every right to leave.
01:16:21What are you doing?
01:16:24You promised her a reward.
01:16:27You can't say you want to chase Elida through the police.
01:16:30What's the police for?
01:16:33The police is suspicious.
01:16:36I'm not surprised at all.
01:16:39What right did you turn to the police
01:16:42as if you were a thief with a lost umbrella?
01:16:45We can't let her leave like that.
01:16:48She's smarter than two little boys.
01:16:51A gentleman came by
01:16:54and he wants to talk to you.
01:16:57He was sent here from Wimpole Street.
01:17:00Who is he?
01:17:03Mr Doolittle.
01:17:06The garbage man.
01:17:09He's a gentleman.
01:17:12Yes, he is.
01:17:19Have you seen anything like this?
01:17:22It's your work.
01:17:25What kind of work?
01:17:28What do you see?
01:17:31Elisa dressed you like this?
01:17:34Elisa? Why would she dress me?
01:17:37Good morning, Mr Doolittle.
01:17:40Would you like to sit down?
01:17:43Please give it to me.
01:17:46Thank you, Mr Doolittle.
01:17:49Thank you.
01:17:52I'm so confused by what happened to me
01:17:55that I can't think of anything else.
01:17:58What happened to you?
01:18:01What did you do to me, Mr Higgins?
01:18:04Did you find Elisa?
01:18:07Did you lose her?
01:18:10You were lucky.
01:18:13What did my son do to you?
01:18:16What did he do?
01:18:19He ruined me.
01:18:22He tied me up like a sheep.
01:18:25He made a fool of me.
01:18:28No, he made a fool of you.
01:18:31He made a fool of me.
01:18:34Did you write to an old man in America
01:18:37who gave him 5 million dollars
01:18:40for social reforms all over the world
01:18:43and who wanted you to come up with a new Esperanto?
01:18:46He's dead.
01:18:49He killed him.
01:18:52And I was blown away.
01:18:55Tell me, did you write to him
01:18:58or didn't you write to him
01:19:01that in England
01:19:04the most original moralist
01:19:07in your opinion
01:19:10is Alfred Doolittle?
01:19:13Of course, after your first visit
01:19:16I came up with such a stupid piece.
01:19:19For you, it was a stupid piece.
01:19:22Mr Higgins.
01:19:25He signed me up for a share in a company
01:19:28that produces milk cheese
01:19:31bringing in 3,000 pounds of income a year
01:19:34and he invited me to give a speech.
01:19:37What?
01:19:40On behalf of the world's
01:19:43milk cheese reform league.
01:19:46How many times do they ask me to do it?
01:19:49Up to 6 times a year.
01:19:52What a joke.
01:19:55Don't worry.
01:19:58After your first speech, they won't ask you again.
01:20:01I can't read.
01:20:04I can teach singing.
01:20:07But I regret that he made a gentleman out of me.
01:20:10Who asked him?
01:20:13I was happy.
01:20:16I was a free man.
01:20:19Now I'm lying like a log
01:20:22with neither a hand nor a leg.
01:20:25I used to be able to beat anyone
01:20:28but now I can't.
01:20:31I have to live for others.
01:20:34I don't have any of that.
01:20:37Morality.
01:20:40You don't have to suffer like this.
01:20:43You can resign.
01:20:46This is tragic.
01:20:49It's easy to say, resign.
01:20:52But I don't have the courage.
01:20:55Where is the courage?
01:20:58We are scared.
01:21:01I don't have the courage to get down.
01:21:04I don't want to go to jail.
01:21:07I have to get my hair black
01:21:10so I don't lose my job.
01:21:13I'm scared.
01:21:16Life bankruptcy.
01:21:19I sold myself.
01:21:22I'm going to look at this garbage
01:21:25and envy it.
01:21:28That's how the problem was solved.
01:21:31The problem of Elisa's future.
01:21:34Now you have to ensure her existence.
01:21:37Yes.
01:21:40Now everyone thinks I'm going to keep her.
01:21:43He can't keep her.
01:21:46She's not his property.
01:21:49Mr. Dulit,
01:21:52either you are honest or you are a fraud.
01:21:55A little of this and a little of that.
01:21:58Like all of us in a cage.
01:22:01You took 5 pounds, so you can't take a girl.
01:22:04Henry, don't talk nonsense.
01:22:07Elisa is here, upstairs.
01:22:10Upstairs?
01:22:13I'll take her downstairs.
01:22:16Sit down!
01:22:19Sit down and listen to what I'm going to tell you.
01:22:22Elisa came to me this morning
01:22:25and told me
01:22:28how both gentlemen treated her brutally.
01:22:31Brutally?
01:22:34The girl told you fairy tales.
01:22:37We didn't treat her brutally.
01:22:40We almost didn't talk to her.
01:22:44Henry, didn't you beat her when I went to bed?
01:22:47She threw slippers at my face.
01:22:50She behaved horrendously.
01:22:53But why? What did we do to her?
01:22:56I think I know what you did.
01:23:02She worked hard for you.
01:23:05And when the day of the big test came
01:23:08and the girl performed miracles
01:23:11despite the smallest mistake
01:23:14both gentlemen sat down
01:23:17and didn't even talk to her.
01:23:20They just ensured each other
01:23:23how happy they were that it all ended
01:23:26and how bored they were with all this work.
01:23:29And you are surprised that she threw slippers at you?
01:23:32I would have given you a burner on your head.
01:23:35Be so good and just
01:23:38ask Mr. Doolittle.
01:23:41Yes, ma'am.
01:23:44Mr. Doolittle,
01:23:47would you be so kind
01:23:50and come to the balcony for a few moments?
01:23:53I would like to spare Elisa Shokun.
01:23:56With pleasure.
01:23:59With your kindness, ma'am.
01:24:02Just let me go, Henry.
01:24:05Yes, ma'am.
01:24:11Well, Henry, be nice.
01:24:14He behaves without complaint.
01:24:17He does what he can, ma'am.
01:24:20Oh, Henry, my son,
01:24:23you don't deserve to be in this position.
01:24:26I don't want to look nice at all, ma'am.
01:24:29It doesn't matter. I just wanted you to be able to say something.
01:24:32What?
01:24:37Hello, Mr. and Mrs. Professor.
01:24:40I hope you've overcome yesterday's fatigue.
01:24:43Are you feeling well?
01:24:46I'm sure you're fine. You never get sick.
01:24:49I'm so glad to see you, Mr. Colonel.
01:24:56It's a pleasantly cool morning today.
01:25:00Isn't it?
01:25:03Don't play dumb in front of me.
01:25:06I taught you all this.
01:25:09Get up, get dressed and go home.
01:25:12Don't be an idiot.
01:25:15Indeed, Henry, it was beautifully said.
01:25:18No woman would resist such an invitation.
01:25:21I created this creature from a rotten cabbage leaf.
01:25:24And now you want to play dumb in front of me?
01:25:27Yes, yes, my dear.
01:25:30Sit down, please.
01:25:37Mr. Colonel,
01:25:40since the experiment is over,
01:25:43will our friendship end as well?
01:25:46Please don't call it an experiment, because it makes me sad.
01:25:49I'm just a rotten cabbage leaf.
01:25:52No.
01:25:56And I'd be very sad
01:25:59if you forgot about me.
01:26:02You're very kind to me, Mrs. Nodulitl.
01:26:05You were my true teacher.
01:26:08I learned really good manners from you.
01:26:11But the Professor taught you to speak.
01:26:14I wouldn't be able to do it. You know that.
01:26:17Yes, I know. It's his profession.
01:26:20It's the same as learning a fashionable dance.
01:26:23Right?
01:26:26Do you know how my real upbringing started?
01:26:29How?
01:26:32Since you came back to me through Mrs. Nodulitl.
01:26:35Do you remember that day?
01:26:38Since then, I began to gain respect for myself.
01:26:44And then there were many such moments.
01:26:47You didn't pay attention to the little things,
01:26:50because they were natural for you.
01:26:53For example, the fact that you stood up when you greeted me,
01:26:56took off your hat, opened the door...
01:26:59Those are little things.
01:27:02Yes, of course.
01:27:05You never took off your shoes in the dining room.
01:27:08You shouldn't be angry with him.
01:27:11He takes off his shoes and throws them around the apartment,
01:27:14because it's his way of being.
01:27:17I know, I know.
01:27:20I'd be glad if you would tell me by name.
01:27:23If you answer, of course.
01:27:26Thank you.
01:27:29Eliza, of course.
01:27:35I'd like Professor Higgins to call me Mrs. Nodulitl.
01:27:38Higgins will call me Mrs. Nodulitl.
01:27:41My tongue is getting dry.
01:27:44Henry, Henry!
01:27:50But you'll come back with us.
01:27:53I'll forgive Higgins.
01:27:56You'll forgive him?
01:27:59In three weeks he'll come back to Rimsztok.
01:28:02When will I be gone?
01:28:05I don't know.
01:28:08I feel that even today,
01:28:11I wouldn't be able to get rid of
01:28:14any of those old sounds.
01:28:21Cuckoo!
01:28:25Cuckoo!
01:28:31Victory!
01:28:34Don't look at me like that, Eliza.
01:28:37It's not my fault.
01:28:40I've lost some money.
01:28:43This time you've lost a millionaire?
01:28:46Today I've dressed a bit better.
01:28:49I'm going to visit St. George.
01:28:52You're going to marry that vulgar prostitute?
01:28:55I should have, Eliza.
01:28:58What changed her mind?
01:29:01She's scared.
01:29:04The moral of the town is pulling out her hand.
01:29:07You could put on a hat and be a witness
01:29:10how your old man is being handcuffed.
01:29:13If the colonel says I have to.
01:29:17Colonel!
01:29:20I'm terrified of this ceremony.
01:29:23Would you be so kind
01:29:26to take part in it and support me?
01:29:29With pleasure.
01:29:32Would you allow me to be at the wedding?
01:29:35I'd be delighted
01:29:38if you took part in this ceremony.
01:29:41Your participation would be a great pleasure.
01:29:45But for my old woman
01:29:48it would be a great honor.
01:29:51She's terrified of this wedding.
01:29:54She keeps thinking of the happy days
01:29:57which will never come back.
01:30:03I'll ask the carriage to come.
01:30:09Eliza, you won't leave us?
01:30:14Eliza.
01:30:17Those two sportsmen were very clever.
01:30:20If there was only one
01:30:23it would be a shame.
01:30:26But there were two of them.
01:30:29And one of them served him well.
01:30:32You were very clever, colonel.
01:30:35I don't feel sorry for you.
01:30:38I'd do the same for you.
01:30:41I won't interfere.
01:30:44It's time for us to go.
01:30:47Bye.
01:30:50See you in St. George's Church.
01:30:53Eliza, Eliza.
01:30:59So, Eliza?
01:31:02Did you feel sorry for me?
01:31:05What would you say?
01:31:08Do you want me to come back?
01:31:11Are you tired of me?
01:31:14Do you want me to come back?
01:31:17To collect your slippers?
01:31:20To make fun of you?
01:31:23To make fun of you?
01:31:26Who told you I want you to come back?
01:31:29Really?
01:31:32What are we talking about?
01:31:35My character hasn't changed.
01:31:38And my manners are just as good as colonel Pickering's.
01:31:43That's not true.
01:31:46He treats a flower girl like a princess.
01:31:50And I treat a princess like a flower girl.
01:31:54I understand.
01:31:57You treat everyone equally.
01:32:00Exactly.
01:32:04I don't think you can compare me...
01:32:07without reservations.
01:32:12Have you ever thought...
01:32:15if I could live without you?
01:32:18You will have to.
01:32:21And I don't need anyone.
01:32:27Although...
01:32:31I will miss you.
01:32:35But I learned something by listening to your nonsense.
01:32:40I admit it with humility and gratitude.
01:32:46I got used to your voice and sight.
01:32:54Somehow I liked them.
01:32:58You have both.
01:33:02Your voice on a gramophone...
01:33:06and your character on an album...
01:33:10with photographs.
01:33:13And when you feel lonely...
01:33:16you open the album...
01:33:19and turn on the machine.
01:33:22Fortunately, it doesn't feel anything.
01:33:25But I can't fool your soul.
01:33:31Leave my heart...
01:33:34and take my voice and face...
01:33:37because it's not you.
01:33:44Sometimes you have something evil in you.
01:33:48Mrs. Pierce warned me about you.
01:33:51She wanted to leave you many times.
01:33:54But you don't care about her.
01:33:57Just as I don't care about you.
01:34:00I care about life and humanity.
01:34:03And you are a part of this world...
01:34:06which stood in my way and entered my house.
01:34:09What more could anyone ask for?
01:34:13I don't care about anything.
01:34:17Someone for whom I mean nothing.
01:34:22These are the rules of a merchant.
01:34:25Like selling diamonds.
01:34:28Don't pull my hair. It's small.
01:34:31I never pull anyone's hair.
01:34:34Just as I don't buy or sell feelings.
01:34:38If you want to come back to me...
01:34:41it's only for friendship.
01:34:44I don't count on anything else.
01:34:47Do you want to marry me?
01:34:50Am I a slave?
01:34:53Not at all.
01:34:56Do you want to?
01:34:59I'll adopt you as my daughter.
01:35:02Unless you want to be a picker.
01:35:05I wouldn't marry you even if you told me to.
01:35:11Freddy Hick writes to me 2-3 times a day.
01:35:14He loves me.
01:35:16He's not an idiot.
01:35:18What can he do with you?
01:35:21That's all you care about.
01:35:24I never thought one of us would have to do something with the other.
01:35:29I want to be myself.
01:35:32You want me to love you like Freddy does?
01:35:36No.
01:35:38I don't expect that from you.
01:35:41I haven't forgotten the difference between us.
01:35:46You're a fool.
01:35:49Is that an answer?
01:35:52You think I'm selfish and cold-hearted, don't you?
01:35:59Great.
01:36:01Then go to those who are interested in you.
01:36:05Get out of some sentimental pig with a pile of money,
01:36:09so he can kiss you and kick you out.
01:36:13If you can't appreciate what you have,
01:36:16look for what you can appreciate.
01:36:19Despot.
01:36:21Selfish despot.
01:36:25You know very well
01:36:28that I'd rather die than marry a vulgar man.
01:36:33And you know very well
01:36:35that I can't go back.
01:36:38I can't go back!
01:36:40I have nowhere to go back to!
01:36:43And that I have no true friends,
01:36:46except you and the colonel.
01:36:49Don't think that I'm lying at your feet.
01:36:54I'll marry Freddy.
01:36:57Yes, I'll marry Freddy.
01:37:01If I can keep him.
01:37:04Marry Freddy?
01:37:07For that young fool?
01:37:10For that scoundrel who couldn't even be a boy
01:37:13if he wanted to ask for such a position?
01:37:16Don't you understand that I made you a princess
01:37:19who could marry a king?
01:37:21For me, he.
01:37:23He, do you hear?
01:37:26He is a king!
01:37:31I don't want him to work.
01:37:33He won't work.
01:37:36And what are you going to teach?
01:37:38Phonetics!
01:37:40I'll apply for an assistant to the Hungarian cosmonaut.
01:37:42Just take a step in his direction, and I'll kick your ass!
01:37:48I knew, I knew that sooner or later you would fight.
01:37:54But I'm an idiot,
01:37:56because I didn't think about it.
01:37:58You can't take away from me the knowledge
01:38:00that I gained from you, right?
01:38:03Does the professor know
01:38:05that I have better hearing than yours?
01:38:08And does the professor know
01:38:10that I can be polite to people you can't?
01:38:13The end is with us!
01:38:16The end.
01:38:19Anarcho-hygienist.
01:38:23I announce in all newspapers
01:38:25that your princess is just an ordinary flower
01:38:29that you have transformed
01:38:31into a princess.
01:38:33She will teach everyone else to be a princess
01:38:36in six months.
01:38:40In a thousand years.
01:38:46Well, well.
01:38:49I would like to make you a woman.
01:38:53And here you are.
01:38:56If I like you that much.
01:39:00Do you like me?
01:39:04Because I'm not afraid of you?
01:39:08And because I'm closing my eyes to you?
01:39:13No.
01:39:15You stupid little mole.
01:39:18Eliza!
01:39:20The carriage is waiting, are you ready?
01:39:22Yes.
01:39:26Is the professor coming with us?
01:39:28Oh no, no.
01:39:30He can't behave decently in church.
01:39:32He's making loud remarks about the pastor's speech.
01:39:38In that case, we won't see each other anymore.
01:39:43Goodbye, sir.
01:39:46Professor.
01:39:50Eliza.
01:39:54Order some ham
01:39:57from Sir Stilton.
01:40:00Buy me a pair of renifer gloves number 8
01:40:04and a tie.
01:40:05You can choose the color yourself.
01:40:09Number 8 is too small for you
01:40:13if you want to have gloves on a loose tree.
01:40:17In your laundry drawer
01:40:19you will find three new ties
01:40:21that you forgot about.
01:40:23And Colonel Pickering
01:40:26prefers Dutch cheese over Stilton's.
01:40:31And you don't even notice that there are two different types.
01:40:38I really don't know
01:40:41how you will manage without me.
01:40:51It seems to me, Henry,
01:40:53that you have let this girl go.
01:40:56I would be worried about you, Eliza,
01:40:59if Colonel Pickering
01:41:02didn't fall in love with her.
01:41:07Pickering?
01:41:11She's dating Fred.
01:41:18She's dating Fred.
01:41:48She's dating Fred.
01:41:53She's dating Fred.
01:41:58She's dating Fred.
01:42:03She's dating Fred.
01:42:08She's dating Fred.
01:42:13She's dating Fred.
01:42:18She's dating Fred.
01:42:23She's dating Fred.
01:42:28She's dating Fred.
01:42:33She's dating Fred.
01:42:38She's dating Fred.
01:42:43She's dating Fred.
01:42:48She's dating Fred.
01:42:53She's dating Fred.
01:42:58She's dating Fred.
01:43:03She's dating Fred.
01:43:08She's dating Fred.