Is Pyaar Ko Kya Naam Doon...Ek Bar Phir_|_Best Indian Drama _|_Episode 24
Assalam O Alaikum!
In this video I am gonna tell you about "IPKKND EK BAR PHIR".
"Is Pyaar Ko Kya Naam Doon... Ek Baar Phir" is a captivating Indian drama that revolves around the lives of two central characters, Astha and Shlok. Astha is a spirited and independent young woman who believes in standing up for what is right, while Shlok is a complex individual with a mysterious past and a hardened exterior.
Set against the backdrop of modern Indian society, the show delves into the intricacies of their relationship, which is fraught with misunderstandings, challenges, and societal expectations. As Astha and Shlok navigate through the complexities of love and family, they confront their own demons and learn to reconcile their differences.
With its engaging storyline, relatable characters, and emotional depth, "Is Pyaar Ko Kya Naam Doon... Ek Baar Phir" offers viewers a heartfelt journey of love, redemption, and self-discovery. Through Astha and Shlok's journey, the show explores themes of resilience, forgiveness, and the transformative power of love, leaving audiences both entertained and inspired.
THANKS FOR WATCHING
#ispyarkokyanaamdoon #ipkknd #astha #bestloveseries #shlok
In this video I am gonna tell you about "IPKKND EK BAR PHIR".
"Is Pyaar Ko Kya Naam Doon... Ek Baar Phir" is a captivating Indian drama that revolves around the lives of two central characters, Astha and Shlok. Astha is a spirited and independent young woman who believes in standing up for what is right, while Shlok is a complex individual with a mysterious past and a hardened exterior.
Set against the backdrop of modern Indian society, the show delves into the intricacies of their relationship, which is fraught with misunderstandings, challenges, and societal expectations. As Astha and Shlok navigate through the complexities of love and family, they confront their own demons and learn to reconcile their differences.
With its engaging storyline, relatable characters, and emotional depth, "Is Pyaar Ko Kya Naam Doon... Ek Baar Phir" offers viewers a heartfelt journey of love, redemption, and self-discovery. Through Astha and Shlok's journey, the show explores themes of resilience, forgiveness, and the transformative power of love, leaving audiences both entertained and inspired.
THANKS FOR WATCHING
#ispyarkokyanaamdoon #ipkknd #astha #bestloveseries #shlok
Transcript
00:00अगर आपको अपने लिए करते हैं, आपको अपने लिए करते हैं, आपको अपने लिए करते हैं और आपको अपने लिए करते हैं, आपको अपने लिए करते
00:30हाँ
01:01मुझे ख़ड लग रही है
01:15वो मैं गट पूल एसी
01:30वो मैं गट पूल एसी
02:01मेरी कार है, मेरे असाफ से चलेगी
02:05अगर तुम्हें थंड लग रही है
02:07तो उपर जाकर बैठ चाओ
02:13पापा, फ्लीज, इस खडूस से चल्दी पिछा चुड़वा तो
02:18तो एक सो एक नारेल चढ़ांगे आपको
02:21और ये आशिर्वाद भी देना मुझे
02:22कभी नहीं, बिल्कुल भी नहीं
02:24जितना चाहो याद कर लो अपनी बगवाण को
02:27क्योंकि आने वाले तुफान से तुम्हें कोई नहीं बज़ा सकता
02:39बापरे, पता नहीं कहाँ का गुस्सा कार पर उठार रहा है
02:43कहीं इसने तीरी बात तो नहीं सुन ली
02:47कुल देवी की पूज़ा भूल कहे
02:49अपनी कुल देवी के चर्णों में साड़ी ने भिशवाई, और
02:53दूसरा देवी का प्रिक्रा तगशा करती था
02:56इसलिए अगर को तुम्हें कहा रहा था
02:59तो धिया देवी की पूज़ा भूल रहे है
03:01कुल देवी की पूजा भूल गया
03:03अपनी कुल देवी के चर्णों में साड़ी नी भिचवाई
03:05और देखो ये इतना बड़ा नुखसान हो गया हमार
03:09साड़ी का रहा है
03:11हम अगर नहीं हो गया
03:13साड़ी का रहा है
03:15भूल मेरी है
03:17मुझे ही चले जाना चाहिए था गोलापूर
03:19समय बीतने के बाद अफसोस करने का क्या मितलब है , अझिल।
03:37मैं आज ही
03:39स्लोक से कह दिया काम ओजायगा
03:41आप स्लोक से पूछिये न
03:43अगर उस ने किसी को नहीं भेजा है
03:45तो मैं चली जाती हूँ, ओटी भरने.
03:48इसलिए जाना तो आपको ही चाहिए था, अच्छण.
03:50लेकिन..
03:56लेकिन..
03:58नमस्का, सहर.
04:05हाँ, सुरेष.
04:06जाए.
04:08सहर, शलोग सर्गे जानने के सपले
04:09कुछ पेपर्स दिये थे, कहा था कि आपसे साइंग करवा लिए.
04:16तो कोलापुर के लिए निकल गया शलोग.
04:25यसर.
04:27शलोग गया है?
04:30मैंने कहा था उससे कि पूजा करनी आगा.
04:34और अपने बाबा का कहा कभी नहीं टालता.
04:37शलोग का इस काम के लिए मंदिर जाना, वो भी अकेले?
04:42अकेले नहीं गया, मैंम.
04:46आस्था भी गया है, उनके साथ.
04:53आस्था को साथ ले जाने की क्या ज़रूरत थी?
04:56परिवार की कुल देवी की पूजा में, उस लड़की का क्या काम?
05:26परिवार की कुल देवी की पूजा में, उस लड़की का काम?
05:48क्या हुआ?
05:51बताएं ये ना क्या हुआ?
05:53अगले श्ये गंटी के लिए ये रोट ब्लॉक्ट है.
05:56ओ!
05:59इसका मतलब हम वापर जा रहे हैं?
06:02इसलिए आप रिवर्स ले रहे हैं ना?
06:03नहीं, मैं अपना काम अधूरा नहीं छोड़ता.
06:23फोन भी नहीं लग रहा उसका, सुबे भी जल्दी में थी.
06:27कुछ बताया भी नहीं कि कुलापूर क्यों जा रही है?
06:29किसके साथ जा रही है?
06:30आई, मुझे तो बहुत चिन्ता हो रही है.
06:33कल की घटना के बाद तो और भी.
06:35आई को फोन करके बता तो दू, कि मैं लेट हो जाँगी.
06:39अगर अगर तो बता तो दू, मैं गर्ण जाना चाहिए.
06:42मैं बेचा भी जाता था.
06:44तो मैं अस्पार को कुछ बाड़ा गूं गुर्णे के बाद नहीं चाहिए.
06:47तब ही मुझे चेन मिलेगा।
07:00आई को फोन करके बता तो दू
07:02कि मैं लीट हो जाओंगी।
07:17हैँ!
07:39इधियो को मुझे जाओंगी।
07:41अब तो तोड़ा होगा।
07:44Ms. Kalyan, don't worry.
07:46Her phone's battery must've got over.
07:48She'll call you.
07:50But..
07:51Here's the call.
07:53I'll take her call right away.
07:56She's too much.
07:59Aastha, where are you?
08:01Why didn't you come yet?
08:03This is Mrs. Niranjan Agnihotri.
08:07Mrs. Agnihotri?
08:10Greetings.
08:10It's surprising.
08:12It's so late and mother-in-law doesn't even know
08:14where her daughter is.
08:16Actually, Aastha has gone to Udhapur for some work.
08:22I know.
08:24That's why I'm giving you an advice.
08:26Talk to your helpless daughter.
08:29She'll go to her in-laws' house tomorrow.
08:30Along with her, her parents will also be defamed.
08:34In this world, parents are blamed for their children's misdeeds.
08:39You'll like it tomorrow.
08:40What if her in-laws complain about her every day?
08:43I trust my daughter.
08:46She'll never give anyone a chance to complain.
08:49She's not that kind of a girl..
08:51Even I don't want your daughter to be that kind of a girl
08:54who'll be taunted by everyone.
08:58Talk to your daughter.
09:00Mind your own business and stay away from Shilpa.
09:04A girl is like a kite.
09:07If you let her loose, you'll never know where she'll fall.
09:13I don't understand what you're trying to say.
09:19As far as Shilpa is concerned
09:21Aastha has already said that she'll never come in her way.
09:25Then tell her to do what she's told.
09:31Remember, I won't make you understand this again.
09:37I'm saying this for your own good.
09:46What did you say, Mrs. Agnihotrinath?
09:50Will you not say anything, ma'am?
10:03Why are we here?
10:06Welcome, Mr. Agnihotrinath. This way.
10:09Take out your luggage.
10:10Okay, sir.
10:11Come, sir. This way, please.
10:16Open the register.
10:20Sir, why do we have to wait here?
10:22We have to..
10:23We have to go to the police station.
10:30Hi.
10:32No, we haven't reached yet.
10:33You haven't reached yet?
10:35Is everything all right, Aastha?
10:39Shlok sir, why are we here?
10:40Aastha, are you going to Kolhapur with Shlok?
10:45Hi.
10:46Why didn't you tell me?
10:47I was in a hurry to leave.
10:49I had told you that I have to go for work.
10:51And I don't know how long I'll be late.
10:54Don't worry, okay?
10:56Listen.
10:58Think a hundred times before you say anything.
11:00Do you understand what I'm saying?
11:02You don't have to interfere in anyone else's matter.
11:05And don't put yourself in any trouble.
11:08Do you understand what I'm trying to say?
11:10Hi.
11:12I'll talk to you later, okay?
11:14Bye.
11:23Strange. You're not answering me.
11:25Why are we here?
11:27Can't we go to Kolhapur directly?
11:28We're staying here tonight.
11:30What? Here?
11:32Yes.
11:35Is there any problem?
11:36This is the best motel in this area.
11:38It must be.
11:38Whether it's a motel or a hotel, I don't want to stay here.
11:42And that too, not with you.
11:43Okay.
11:44My car is parked outside.
11:45You can sleep in it.
11:48Give me the keys.
11:49It was a strange superstition.
11:50Where did dad trap us?
11:53Yes, sir.
11:55Are the rooms okay?
11:56Yes, sir.
12:00Right from here.
12:01And the last two rooms in the corridor.
12:02Room number 112 and 113.
12:05If there's any problem, call me.
12:09Thank God.
12:13Thank you.
13:34It's so beautiful, isn't it?
14:04What's this?
14:05What's this?
14:06What's this?
14:07What's this?
14:08What's this?
14:09What's this?
14:10What's this?
14:11What's this?
14:12What's this?
14:13What's this?
14:14What's this?
14:15What's this?
14:16What's this?
14:17What's this?
14:18What's this?
14:19What's this?
14:20What's this?
14:21What's this?
14:22What's this?
14:23What's this?
14:24What's this?
14:25What's this?
14:26What's this?
14:27What's this?
14:28What's this?
14:29What's this?
14:30What's this?
14:31What's this?
14:32What's this?
14:33What's this?
14:34What's this?
14:35What's this?
14:36What's this?
14:37What's this?
14:38What's this?
14:39What's this?
14:40What's this?
14:41What's this?
14:42What's this?
14:43What's this?
14:44What's this?
14:45What's this?
14:46What's this?
14:47What's this?
14:48What's this?
14:49What's this?
14:50What's this?
14:51What's this?
14:52What's this?
14:53What's this?
14:54What's this?
14:55What's this?
14:56What's this?
14:57What's this?
14:58What's this?
14:59What's this?
15:00What's this?
15:01What's this?
15:03What's this?
15:04What's this?
15:25My mother says
15:28that the moon in Amin Chaturveshi is very auspicious.
15:33If you add the moon to it and scatter it in the house
15:36then the house will be filled with happiness.
16:02Amin Chaturveshi
16:32Amin Chaturveshi
17:02Amin Chaturveshi
17:33Amin Chaturveshi
17:51Is this the wrong key?
18:03Sir
18:05Sir, I have kept your luggage in the room.
18:07Okay.
18:12What are you looking at?
18:15Nothing, sir.
18:17Go from here.
18:28Give it to me.
18:29I will try.
18:33Give it to me.
18:41It's not opening.
18:42Do one thing.
18:44Come and sit in my room.
18:45In your room?
18:46I..
18:47I will ask someone to open this room.
18:48Come and sit in my room.
18:51Come.
19:03Come.
19:06Come.
19:07Come.
19:08Come.
19:09Come.
19:10Come.
19:11Come.
19:12Come.
19:13Come.
19:14Come.
19:15Come.
19:16Come.
19:17Come.
19:18Come.
19:19Come.
19:20Come.
19:21Come.
19:22Come.
19:23Come.
19:24Come.
19:25Come.
19:26Come.
19:27Come.
19:28Come.
19:29Come.
19:30Come.
19:31Come.
19:32Come.
19:33Come.
19:34Come.
19:35Come.
19:36Come.
19:37Come.
19:38Come.
19:39Come.
19:40Come.
19:41Come.
19:42Come.
19:43Come.
19:44Come.
19:45Come.
19:46Come.
19:47Come.
19:48Come.
19:49Come.
19:50Come.
19:51Come.
19:52Come.
19:53Come.
19:54Come.
19:55Come.
19:56Come.
19:57Come.
19:58Come.
19:59Come.
20:00Come.
20:01Come.
20:02Come.
20:28Send someone to open room number 113.
20:31रास्ता बन था. पतानी क्या हुआ?
20:33काफी पुलीस भी थी.
20:34बहुत देर हो रही थी, असलिए आप
20:36लोग एक होटेल में थे रहे थे.
20:37क्या?
20:40होटेल में?
20:43बेटा, जरा शलोग से बात कराओ तो.
20:59बाबा को आप से बात करने.
21:00मुझसे.
21:12क्यों बार-बार मेरे सामने आ जाती हूँ?
21:15क्यों मुझे घुस्ता दिलाती हूँ?
21:19क्यों मुझे बार-बार सीखने पर मजबूर कर दियों तुम?
21:23क्यों?
21:30क्यों मुझे बार-बार सीखने पर मजबूर कर दियों तुम?