• 5 months ago
Assalam O Alaikum!
In this video I am gonna tell you about "IPKKND EK BAR PHIR".
"Is Pyaar Ko Kya Naam Doon... Ek Baar Phir" is a captivating Indian drama that revolves around the lives of two central characters, Astha and Shlok. Astha is a spirited and independent young woman who believes in standing up for what is right, while Shlok is a complex individual with a mysterious past and a hardened exterior.

Set against the backdrop of modern Indian society, the show delves into the intricacies of their relationship, which is fraught with misunderstandings, challenges, and societal expectations. As Astha and Shlok navigate through the complexities of love and family, they confront their own demons and learn to reconcile their differences.

With its engaging storyline, relatable characters, and emotional depth, "Is Pyaar Ko Kya Naam Doon... Ek Baar Phir" offers viewers a heartfelt journey of love, redemption, and self-discovery. Through Astha and Shlok's journey, the show explores themes of resilience, forgiveness, and the transformative power of love, leaving audiences both entertained and inspired.
THANKS FOR WATCHING
#ispyarkokyanaamdoon #ipkknd #astha #bestloveseries #shlok

Category

📺
TV
Transcript
00:00I'll be back in the morning, let me go through the file once again, okay, bye.
00:30What's the matter? You look a little worried. Is there a lot of work left in the office?
00:45It's not work, Kalindi. There's a lot of pressure. I'm worried about Mr. Niranjan's plot.
00:52On top of that, there's pressure to get the file passed. And I know very well that Mr. Niranjan is behind this pressure.
01:04Kalindi, forget about me, why are you looking worried?
01:14Because of Anjali and Shlok. Anjali wants me to keep Aastha away from Shlok. And on the other hand, there's Shlok.
01:22Last night, Shlok came home with some office work. I don't know what was going on between the two of them. I don't understand anything.
01:35Kalindi, what's there to understand? If Aastha said that Shlok came from office work, then it must be so. We should have faith in our daughter.
01:51Sir, is it really so important to call those people?
02:08I think I've said something difficult, Anjali, which you have to explain again and again.
02:14Hello.
02:20Namaste. This is Agnihotri speaking.
02:24Namaste, Anjali ji.
02:26Don't worry. I haven't called to complain. I want to invite you and your family. There's a puja in our house.
02:36Anjali ji, this is a big deal for me that you want me to attend your puja. But I'm sorry, I won't be able to come. Actually, I have some other work.
02:50Look, it's a puja. So I hope you will come. This is my request. That you and your family attend our puja.
03:00But Anjali ji...
03:03No buts. It's God's work. You can't say no. Sir will be very upset with me if you don't come. So, you and your family are coming, right?
03:19Okay, Anjali ji. Since you are insisting, we will definitely come. Thank you.
03:27Namaste.
03:30They are coming.
03:40They are inviting us for a puja. I don't understand anything. I don't know what else is going on in their minds.
04:00Excuse me, Mrs. Anjali Agnihotri?
04:06Only Mrs. Agnihotri.
04:08And what's the matter?
04:10I have only been invited for a puja for a short while.
04:14And you are already here.
04:16Okay, now that you are here...
04:18Come. Sit.
04:26Not here. Sit there.
04:30Come.
04:40Sojan!
04:44Aastha ji is here.
04:46Get cold and hot drinks for her.
04:48She will drink as per her mood.
04:52Ma'am, I wanted to ask you a few questions for the AV and newspaper interviews.
04:57Yes, go ahead.
05:00There is no need for this.
05:02Close it.
05:04Because today all my answers will be remembered by you forever.
05:14Ma'am, how do you handle such a big family?
05:18Every woman has some or the other quality.
05:20Like I have the quality of handling my family.
05:24Your mother has some other quality.
05:28Some other quality?
05:30What?
05:32Why are you surprised?
05:34What do I say about your mother's qualities?
05:36Her qualities are such that I am thinking of a course in our institute to teach her qualities.
05:46And in this regard, considering her talent, she should be made the head of that department.
05:51Look, Mrs. Agnihotri...
05:53The name of the course should be...
05:56Crash Course Diploma in Trapping Rich Boys
06:05What are you saying?
06:09Did I say something wrong?
06:13I think your mother's qualities are hereditary.
06:18She has inherited them.
06:20Long legs and short skin.
06:23Now everyone knows.
06:25You can't cut your legs.
06:27But you and your mother are trying to make your legs longer.
06:32I am quiet.
06:33It doesn't mean that you can say whatever you want.
06:38Forgive me.
06:39You are wrong about this.
06:41Our family's values are neither like this nor our nature.
06:46Anger is coming out of your ears.
06:53Here. Drink some cold water.
07:02Here.
07:04I don't want to drink.
07:05Drink it.
07:12What are you doing?
07:23Those who dream of living in a glass house,
07:26should also know the reality of glass.
07:31Along with the shine, the glass breaks and also sticks.
07:36I never imagined that you would have such a bad thought.
07:42But for your information, let me tell you one thing.
07:46Rich people like you dream of living in rich houses.
07:50As far as I am concerned, I am very happy in my house.
07:55Even if someone comes and puts all the wealth of the world at my feet,
08:00I will not come to such a house.
08:03This is my helplessness.
08:04I have to come here because of my job.
08:07If it was my wish, I wouldn't even let my shadow come here.
08:12There is more darkness in this house than the moonlit night.
08:15I have no desire to live in such a shabby house.
08:45I have no desire to live in such a shabby house.
08:50Those who dream of living in a glass house,
08:53should also know the reality of glass.
08:58Along with the shine, the glass breaks and also sticks.
09:15Hmm.
09:40Hmm.
09:45Hmm.
09:54Hello.
10:15Hello.
10:41Can I know the reason why you are so conscious?
10:44It feels like you are hiding your feelings.
10:49Conscious?
10:52No.
10:56What happened, Aastha?
10:59I can see clearly on your face that you are hiding something.
11:04I told you, there is nothing like that.
11:14Hmm.
11:24Check the file of the event before checking the EV.
11:31What happened?
11:44Sit.
11:46You are doing all the corrections in this file.
11:48Do you understand?
11:49Please say whatever is in your mind.
11:51So that you can concentrate on your work.
11:59Anyway, I think we should do the color correction of the decoration.
12:03Hmm.
12:11Tell the flower vendor
12:12that we need all the carnations of the flower.
12:15We need a flower decoration based on the theme.
12:22Please stay away from me.
12:26There is no need for you to come so close to me.
12:29Is this anger fake or is there a reason behind it?
12:33I am telling you right now.
12:34Tell me what your problem is.
12:37Maybe I have the solution to it.
12:39My problem?
12:40You are my problem.
12:43I am in pain because of your presence.
12:46I am in pain because of everything about you.
12:50I feel suffocated here.
12:54Please.
12:55I beg of you.
12:57Please spare me.
13:00I am requesting you.
13:03Please.
13:17You have a problem with me being close to you.
13:20You have a problem with my existence.
13:22I can't help it.
13:23You will have to accept my existence.
13:27I am not giving you any choice.
13:33Mangala, don't worry.
13:38Hurry up.
13:45Did Anjali like the project?
13:49Did she ask for any changes?
13:57Sir, these are the files.
14:00They will be useful to you.
14:01What happened?
14:04Where are you going with these things?
14:07I am going home.
14:08Home?
14:16My resignation letter.
14:19Resignation?
14:21What happened, Aastha?
14:23Sir.
14:25I can't work here anymore.
14:29I am sorry.
14:31Aastha, my child.
14:33You can't do this.
14:36You can't turn away from your responsibilities.
14:41I know how important this event is for your career.
14:45I know, sir.
14:47But I can't do this job anymore.
14:50I am sorry.
15:01Let go of my hand.
15:03Let's go.
15:05Let go of my hand.
15:16Where are you going?
15:18Mangala.
15:31Mangala.
15:58Why are you going?
16:00You can say whatever you want.
16:04Why are you avoiding me?
16:06You can't force me.
16:09Let me go.
16:30When I am talking to you,
16:35look at me.
17:00I want the answer to my questions.
17:04Your eyes.
17:06They tell me that you want to say a lot.
17:18Even if I try,
17:20your eyes
17:22tell me everything.
17:30Mangala.
17:40Let me go.
17:42I want the answer to my questions.
17:44Are you afraid of me?
17:46Tell me.
17:57You want to know the reason, right?
17:59Then listen.
18:01I can't tolerate this anymore.
18:04Stay away from me.
18:06I can't tolerate this anymore.
18:25I have to get out of here.
18:26I have closed all the doors for you.
18:56Namaskar.
18:58Namaskar.
18:59Namaskar.
19:00Namaskar.
19:01I am very happy
19:02that you accepted our invitation.
19:09Aastha.
19:11I spoke about taking a bath on the way.
19:14You forgot so soon.
19:17I recognised you.
19:24I am so happy.
19:26I am so happy.
19:28I am so happy.
19:30I am so happy.
19:32I am so happy.
19:34I am so happy.
19:36I am so happy.
19:38I am so happy.
19:40Kalindi, please come.
19:42Let's take a look.
19:48Come, Aastha.
19:50Come.
20:10Aastha.
20:12Aastha.
20:14Aastha.
20:16Aastha.
20:18Aastha.
20:20Aastha.
20:22Aastha.
20:24Aastha.
20:26Aastha.
20:28Aastha.
20:30Aastha.
20:32Aastha.
20:34Aastha.
20:36Aastha.
20:38Aastha.
20:40Aastha.
20:42Aastha.
20:44Aastha.
20:46Aastha.
20:48Aastha.
20:50Aastha.
20:52Aastha.
20:54Aastha.
20:56Aastha.
20:58Aastha.
21:00Aastha.
21:02Aastha.
21:04Aastha.
21:06Aastha.
21:08Aastha.
21:10Aastha.
21:12Aastha.
21:14Aastha.
21:16Aastha.
21:18Aastha.
21:20Aastha.
21:22Aastha.
21:24Aastha.
21:26Aastha.
21:28Aastha.
21:30Aastha.
21:32Aastha.
21:34Aastha.
21:36Aastha.
21:38Aastha.
21:40Aastha.
21:42Aastha.
21:44Aastha.
21:46Aastha.
21:48Aastha.
21:50Aastha.
21:52Aastha.
21:54Aastha.
21:56Aastha.
21:58Aastha.
22:00Aastha.
22:02Aastha.
22:04Aastha.
22:06Aastha.
22:08Aastha.
22:09I won't say anything.

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