Chain of Souls Full Movie
Category
🎥
Short filmTranscript
00:00:30I'm not supposed to talk to you anymore.
00:00:47Just tell you what to do.
00:00:48Do what they want, Georgia.
00:00:53You know what will happen if you don't.
00:00:56Why are you doing this?
00:00:57Why won't you just let me go?
00:00:58Put it on.
00:00:59Put it on.
00:01:00Put it on.
00:01:01Put it on.
00:01:08Put it on.
00:01:17Can't you do anything right?
00:01:33I gotta go.
00:02:04I gotta go.
00:02:10I gotta go.
00:02:19I gotta go.
00:02:25I gotta go.
00:02:33I gotta go.
00:02:53Where are you going, Georgia?
00:03:20We won't wait for the ceremony.
00:03:22The time for you is now, Bruce.
00:03:25No.
00:03:26Not now, Mr. Reese.
00:03:28Not like this.
00:03:29I'm not ready.
00:03:30It's time to take control, Bruce.
00:03:31No.
00:03:32To claim power over a world people only dream about.
00:03:33No.
00:03:34No.
00:03:35Do it, Bruce.
00:03:36Now.
00:03:37Everything that has happened to you in your life,
00:03:38everything that has happened to you in your life,
00:03:39everything that has happened to you in your life,
00:03:40everything that has happened to you in your life,
00:03:41everything that has happened to you in your life,
00:03:42everything that has happened to you in your life,
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00:03:44everything that has happened to you in your life,
00:03:45everything that has happened to you in your life,
00:03:46everything that has happened to you in your life,
00:03:47everything that has happened to you in your life,
00:03:48everything that has happened to you in your life,
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00:06:00everything that has happened to you in your life,
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00:06:45everything that has happened to you in your life,
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00:06:55everything that has happened to you in your life,
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00:07:02everything that has happened to you in your life,
00:07:03everything that has happened to you in your life,
00:07:04everything that has happened to you in your life,
00:07:05everything that has happened to you in your life,
00:07:06everything that has happened to you in your life,
00:07:07everything that has happened to you in your life,
00:07:08everything that has happened to you in your life,
00:07:09everything that has happened to you in your life,
00:07:10everything that has happened to you in your life,
00:07:11everything that has happened to you in your life,
00:07:12everything that has happened to you in your life,
00:07:13everything that has happened to you in your life,
00:07:14everything that has happened to you in your life,
00:07:15everything that has happened to you in your life,
00:07:16everything that has happened to you in your life,
00:07:17everything that has happened to you in your life,
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00:07:19everything that has happened to you in your life,
00:07:20everything that has happened to you in your life,
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00:07:24everything that has happened to you in your life,
00:07:25everything that has happened to you in your life,
00:07:26everything that has happened to you in your life,
00:07:27everything that has happened to you in your life,
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00:07:29everything that has happened to you in your life,
00:07:30everything that has happened to you in your life,
00:07:31everything that has happened to you in your life,
00:07:32everything that has happened to you in your life,
00:07:33everything that has happened to you in your life,
00:07:34everything that has happened to you in your life,
00:07:35everything that has happened to you in your life,
00:07:36everything that has happened to you in your life,
00:07:37everything that has happened to you in your life,
00:07:38everything that has happened to you in your life,
00:07:39everything that has happened to you in your life,
00:07:40everything that has happened to you in your life,
00:07:41everything that has happened to you in your life,
00:07:42My attempts at love will astound you.
00:07:43My attempts at love will astound you.
00:07:44My attempts at love will astound you.
00:07:45My attempts at love will astound you.
00:07:46My attempts at love will astound you.
00:07:47My attempts at love will astound you.
00:07:48My attempts at love will astound you.
00:07:49My attempts at love will astound you.
00:07:50My attempts at love will astound you.
00:07:51My attempts at love will astound you.
00:07:52My attempts at love will astound you.
00:07:53My attempts at love will astound you.
00:07:54My attempts at love will astound you.
00:07:55My attempts at love will astound you.
00:07:56My attempts at love will astound you.
00:07:57My attempts at love will astound you.
00:07:58My attempts at love will astound you.
00:07:59My attempts at love will astound you.
00:08:00My attempts at love will astound you.
00:08:01My attempts at love will astound you.
00:08:02My attempts at love will astound you.
00:08:03My attempts at love will astound you.
00:08:04My attempts at love will astound you.
00:08:05My attempts at love will astound you.
00:08:06My attempts at love will astound you.
00:08:07My attempts at love will astound you.
00:08:08My attempts at love will astound you.
00:08:09My attempts at love will astound you.
00:08:10My attempts at love will astound you.
00:08:11My attempts at love will astound you.
00:08:12My attempts at love will astound you.
00:08:13My attempts at love will astound you.
00:08:14My attempts at love will astound you.
00:08:15My attempts at love will astound you.
00:08:16My attempts at love will astound you.
00:08:17My attempts at love will astound you.
00:08:18My attempts at love will astound you.
00:08:19My attempts at love will astound you.
00:08:20My attempts at love will astound you.
00:08:21My attempts at love will astound you.
00:08:22My attempts at love will astound you.
00:08:23My attempts at love will astound you.
00:08:24My attempts at love will astound you.
00:08:25My attempts at love will astound you.
00:08:26My attempts at love will astound you.
00:08:27My attempts at love will astound you.
00:08:28My attempts at love will astound you.
00:08:29My attempts at love will astound you.
00:08:30My attempts at love will astound you.
00:08:31My attempts at love will astound you.
00:08:32My attempts at love will astound you.
00:08:33My attempts at love will astound you.
00:08:34My attempts at love will astound you.
00:08:35My attempts at love will astound you.
00:08:36My attempts at love will astound you.
00:08:37My attempts at love will astound you.
00:08:38My attempts at love will astound you.
00:08:39My attempts at love will astound you.
00:08:40My attempts at love will astound you.
00:08:41My attempts at love will astound you.
00:08:43Whatever.
00:08:47Would you mind not smoking?
00:08:56That lighter is Tammy's vibrator.
00:08:58And her cigarettes?
00:08:59Ladies, there's no smoking in here.
00:09:03Okay, which one of you goes next?
00:09:06You, you, or you?
00:09:13You're next.
00:09:36Wait, the other girls were here before me.
00:09:38They should go first.
00:09:40You're not nervous, are you, dear?
00:09:43Believe me, you have nothing to worry about.
00:09:46You have the perfect look.
00:09:54Will you at least give me a minute to put on a little makeup?
00:09:56No, I'm good.
00:09:57I'm good.
00:09:58I'm good.
00:09:59I'm good.
00:10:00I'm good.
00:10:01I'm good.
00:10:02I'm good.
00:10:03I'm good.
00:10:04Will you at least give me a minute to put on a little makeup?
00:10:05No, stop.
00:10:07You look fabulous.
00:10:10I think you're exactly what Mr. Reese is looking for.
00:10:15You think so?
00:10:17Trust me.
00:10:25I'll just die if I get this part.
00:10:34Jane Butts to read for the part of Sandra Minor.
00:10:43I see from your resume most of your work comes from credits at Midland Community Theater.
00:10:48Yeah, that's in Michigan.
00:10:49You're new to Hollywood?
00:10:51We do great work in Midland.
00:10:53Just let me show you what I can do.
00:10:59Hello?
00:11:00Are you new to Hollywood?
00:11:02Does it matter?
00:11:03Yes.
00:11:04No.
00:11:06Yeah, but please let me read for the part.
00:11:09I'm looking for someone new to the scene.
00:11:12Someone untainted.
00:11:14That's me.
00:11:15I haven't studied with anyone yet.
00:11:17I don't even know anyone here.
00:11:18You have great courage.
00:11:20Desire.
00:11:22To come here alone.
00:11:24Your parents must be very proud of you.
00:11:26My parents, they don't exactly know where I am.
00:11:29I'm doing this on my own.
00:11:31The girl's all alone. What's happening?
00:11:33The girl's here. She just bailed.
00:11:40God, did I say something wrong?
00:11:43Fear.
00:11:44Fear?
00:11:46I want you to improvise various reactions of fear.
00:11:55You don't want me to read from this page?
00:11:57I want you to cast the page aside.
00:12:00You don't want me to read it.
00:12:01Throw it down.
00:12:05Did you see that?
00:12:07That thing nearly hit me.
00:12:10You're seeing some pretty realistic fear.
00:12:18Are you still out there?
00:12:31Do you want to hear me read now?
00:12:39This is called Satan's Breakfast.
00:12:43What's it about?
00:12:49Hello?
00:12:52I said, what is Satan's Breakfast?
00:12:54I said, what is Satan's Breakfast?
00:13:00You are.
00:13:14The part's been cast, ladies.
00:13:17What are you talking about?
00:13:18We've been waiting here for over two hours.
00:13:21Sorry.
00:13:25That's it.
00:13:26I'm not coming back to this dump, even if they're handing out parts.
00:13:31Come on.
00:13:36You know, you're not the only one good with numbers.
00:13:38I have saved enough to last me six months,
00:13:40so if I haven't made my big break by then,
00:13:43I'll use my ticket back to Monaco.
00:13:45You know Daddy wouldn't approve.
00:13:47That's not fair.
00:13:50Ever since Mommy left,
00:13:53Ever since Mom and Dan left us, all we've had is each other.
00:13:56If anything ever happened to you, I would just die.
00:13:58I know, but I'll be fine.
00:14:00Besides, Hollywood isn't the evil place everyone says it is.
00:14:23Excuse me.
00:14:24Do you know a place where I could stay?
00:14:27You could stay in the bowels of hell.
00:14:42Hi.
00:14:43Oh, girl, you are way too early for the audition.
00:14:46I'm sorry.
00:14:47I'm sorry.
00:14:48I'm sorry.
00:14:49Oh, girl, you are way too early for the audition.
00:14:52Oh, no, no, I'm not here to audition.
00:14:54I'm here to find a place to stay.
00:14:58Oh, but you are an actress.
00:15:00Oh, yeah, well, I'm trying to be, but I need a place to stay.
00:15:05Good news.
00:15:06Inside there, they've got a bulletin board that lists all kinds of places for actors to rent.
00:15:11El Cheapo.
00:15:20El Cheapo.
00:15:45You Travis?
00:15:47Kyla Travis.
00:15:49You got the money?
00:15:51First and last month's rent, plus security deposit.
00:15:54Cash only.
00:16:01No noise at night.
00:16:03Assuming you're one of these wannabe actresses, no rehearsing around here.
00:16:07Brings in riffraff and noise.
00:16:19Oh, yeah.
00:16:49I'm sorry.
00:17:20Yeah, so what did you do then?
00:17:23So I read for him.
00:17:25Are you serious?
00:17:26Oh, he is such a jerk.
00:17:29I'd read for Hitler if I was a Jew.
00:17:31Yeah, well, I'd read for Spielberg if I were a Jew.
00:17:34Finish up.
00:17:35We don't want to be late for this audition.
00:17:38What can I get you?
00:17:40Oh, hey, would you happen to know if those two are actresses?
00:17:44If you call appearing as an extra in a commercial every other year acting, what would you like?
00:17:50Well, I really want to act, but I can't find any notices in this newspaper.
00:17:55I mean, what do you want to eat?
00:17:57Oh, um...
00:18:01Nothing.
00:18:15Shh, shh, shh.
00:18:25I'm Carla Travis, here to audition.
00:18:28Okay.
00:18:29You'll be reading this side here.
00:18:31This side of the table?
00:18:34Very funny.
00:18:35Where's your head shot?
00:18:37Head shot?
00:18:39Excuse me.
00:18:41Head shots?
00:18:43Excuse me. Robert, you got a minute?
00:18:55You audition much?
00:18:57Actually, this is my first.
00:18:59Oh, really?
00:19:03These are the head shots I assume.
00:19:05It's impossible to audition with that one.
00:19:09I'm new here.
00:19:10I'm from Podunk, Texas.
00:19:12Podunk, Texas?
00:19:14You heard of it?
00:19:19You know, I know what I look like much, but I can really act, you know?
00:19:23If someone will just give me a chance, I can prove it.
00:19:26Really?
00:19:27What part are you reading for?
00:19:30Luann, same part I'm reading for.
00:19:34And I bet your southern accent's better than mine.
00:19:37Well, I do declare, little old me do a southern accent?
00:19:40That might be asking too much.
00:19:42Who are you studying with?
00:19:44No one yet.
00:19:46Well, I should probably give you some auditioning tips.
00:19:49Well, no. I shouldn't assume you need them.
00:19:52Good luck.
00:19:54Wait. A few tips would be great.
00:19:59Would you mind?
00:20:01No problem.
00:20:02First, keep your eyes in the script.
00:20:05These guys write this stuff. They want to hear it exactly as it's written.
00:20:09I read a typo once, and the producers just got so impressed.
00:20:13They praised me for sticking to the printed word.
00:20:16Do you know what this script is called?
00:20:18Bikini Zombies from Outer Space.
00:20:20Second, never make small talk with the producers.
00:20:23Speak only when spoken to.
00:20:25Otherwise, they'll think you're a kiss-ass who's going to be trouble on the set.
00:20:29Where are they shooting this?
00:20:31Someone's garage, I think.
00:20:33Last, read it flat the first time through.
00:20:37They don't want you guessing how to interpret the material.
00:20:40Once you get through it, they'll redirect,
00:20:42and then you get a chance to show them how you can act and take direction.
00:20:46Kylie Travis?
00:21:03Are you ready?
00:21:05I said, are you ready?
00:21:08Hey, Space Cadet.
00:21:10She wants to know if you're ready.
00:21:13Notice I called her a Space Cadet,
00:21:15and this being Bikini Zombies from Outer Space?
00:21:17Pretty funny, eh?
00:21:19She must be trying out for the part of the zombie.
00:21:21Just start when you're ready.
00:21:25I know they're coming, and not from another country.
00:21:29From another planet.
00:21:31I know, and I'm ready to go, willingly.
00:21:35Even after what happened to Bambi.
00:21:38Because I know that life from another planet means experimentation.
00:21:43And I'm willing to experiment.
00:21:48What they did to Bambi was nothing short of...
00:21:52...nerder.
00:21:53Nerder in the first degree.
00:21:56Okay, that's enough. Thank you.
00:22:02You can go now. We're done with you.
00:22:04But there's more on the page.
00:22:17You just murdered my shot at that role.
00:22:19I just want to know why you played it that flat.
00:22:21Someone told me that I'd get a chance to be redirected.
00:22:23And nerder?
00:22:25Obviously a typo. The word was murder.
00:22:27You said nerder.
00:22:29Twice. They spelled it that way twice.
00:22:31Someone told me to stay true to the printed word.
00:22:33Who? Who told you all this crap?
00:22:35What kind of idiot could possibly give you such horrible advice?
00:22:38How'd you do?
00:22:40Tammy's a bitch. That's why she did it.
00:22:42It's a cutthroat business.
00:22:44Are you classical or method?
00:22:45What?
00:22:46What's your training?
00:22:48Oh, the Podunk Texas School of Acting.
00:22:50Open your mouth and say a line, if you can remember it.
00:22:54Sleep with the producer. That's your best bet.
00:22:57Where are you sleeping now?
00:22:59On this apartment in Cash Street.
00:23:02The manager, Harold, is so weird.
00:23:04I know weird Harold.
00:23:06He hates actresses, but he puts up notices in theaters.
00:23:08What a wacko.
00:23:09You need to know someone important.
00:23:11And you need a pager.
00:23:12And a cell phone.
00:23:13And you need an agent.
00:23:15For starters, all you really need to know is to make eye contact with whomever you're reading for.
00:23:19Sound interested no matter how retarded the movie or play is.
00:23:23Do something to get noticed.
00:23:25Short skirts.
00:23:26Depends on the part you're reading for.
00:23:28Short skirts never hurt.
00:23:30Ask something to set you apart.
00:23:32I once read for Juliet.
00:23:34I asked,
00:23:36Do you want me to play her like always, a virgin, or
00:23:39Do you want to hear my twisted, subversive, nymphomaniac rendition?
00:23:44She didn't get the part.
00:23:47But I got noticed.
00:23:49So much to cover.
00:23:51So little time.
00:23:53Let's get her an audition.
00:23:54Is she ready?
00:23:55Could be worse than our last audition.
00:23:57Are you ready?
00:23:58Hey, did you really play Juliet, like a nymphomaniac?
00:24:01And do you think I could do it?
00:24:03She's ready.
00:24:04You know, I hate to send Bill any business,
00:24:06but she's not going to do another thing until she gets a head shot.
00:24:08Am I smiling enough?
00:24:10Just fine.
00:24:13Is my pose alright?
00:24:15Fine.
00:24:17Forgive me, but you don't sound too interested.
00:24:20I slap the gel on the lens, I shoot self-focus, I filter my print.
00:24:23You look just like everybody else.
00:24:27Okay, one more.
00:24:33Okay, we're done.
00:24:38I don't get it. They said everybody comes to you.
00:24:41So what makes you so special?
00:24:43I'm the cheapest.
00:24:45You can pick up your prints tomorrow.
00:24:53Easy, I'm not here to hurt you.
00:25:23I love you.
00:25:41Please let me feed myself.
00:25:48That's not such a good idea.
00:25:53Please.
00:26:04Please help me.
00:26:08You're not supposed to talk.
00:26:10It goes better if you remember that.
00:26:12I just want to go home. I won't tell anyone.
00:26:15Please, just let me go home.
00:26:24No one talks!
00:26:26No one!
00:26:29Now you don't eat.
00:26:31It's not her fault.
00:26:35You know how this plays out.
00:26:37No amount of cash is going to bail your ass out if you screw up again.
00:26:42Do you understand that?
00:26:54That photographer Bill was downright depressing.
00:26:58He's like everyone else around here.
00:27:00Doing one thing, wants to be doing something else.
00:27:02An actor?
00:27:03A photojournalist.
00:27:04Oh, really?
00:27:06Oh, what's a photojournalist?
00:27:09That waitress does nudity.
00:27:11What?
00:27:12She's an actress.
00:27:13Oh, you're too kind.
00:27:15So, you get any good acting jobs lately?
00:27:19You get any good acting jobs lately?
00:27:23It's been slow.
00:27:25You know how it is.
00:27:28Bitch.
00:27:30Well, if y'all will excuse me, I have to wash my hands.
00:27:34Is that Southern for taking a piss?
00:27:36Hey, don't bother to wash your hands now.
00:27:38You'll want to wash them after you pick up your headshots from Bill.
00:27:42Good.
00:27:46Yeah, that's nice.
00:27:50Hey Bill, hi. I'm here to pick up my headshot.
00:27:55Can you hold on?
00:28:03I see there's some open auditions today.
00:28:05Yeah, it's just...
00:28:07Yeah, it's just...
00:28:16I'm auditioning for female Hamlet.
00:28:20To be or not to be, that is the question.
00:28:25Whether tis nobler in their mind to suffer...
00:28:28Stop, stop, stop. Try it again without the accent.
00:28:31Come on.
00:28:36To be or not to be, that is the question.
00:28:40Whether tis nobler in their mind...
00:28:43Thank you. Thank you very much.
00:28:46Okay, personette.
00:28:48This is the scene where you're supposed to act like you're in danger.
00:28:51Rough. You got it?
00:28:53Oh, do you want me to play it like a virgin?
00:28:58Excuse me?
00:29:00Oh, um, never mind.
00:29:04Start.
00:29:09Oh, Romeo.
00:29:11Oh, Romeo.
00:29:13Wherefore art thou, Romeo?
00:29:16Thank you.
00:29:28Don't cry.
00:29:30It'll all be over soon.
00:29:58Why?
00:30:01Don't start talking.
00:30:03You remember.
00:30:12Bruce, Mr. Rees wants to see you.
00:30:15I'll finish him.
00:30:28How can you do this?
00:30:31You know, you really don't need to give me a reason to be any more nasty.
00:30:36So you got anything else you need to say to me?
00:30:42You have no idea what a rush it is...
00:30:45to hold somebody's total existence in the palm of your hand.
00:30:49A total fucking rush.
00:30:52Want to play a little game?
00:30:55I'll let you say one thing.
00:30:57Say, uh, seven words or less.
00:31:02You say something good, something that really grabs me.
00:31:06And I'll let you go.
00:31:08You say something I think sucks.
00:31:12And I'll kill you.
00:31:15So what do you say?
00:31:17Want to play a game?
00:31:20Want to play a game?
00:31:24Come on.
00:31:26You're always talking to Bruce.
00:31:30Say something to me!
00:31:34And make it good.
00:31:36Leave him alone, motherfucker!
00:31:40Motherfucker?
00:31:43Do you know me?
00:31:46Do you know me?
00:31:50Where's my mom been talking again?
00:31:55Yeah, that was pretty good, though.
00:31:59I guess I'll have to let you go.
00:32:19No...
00:32:49No...
00:33:19No...
00:33:49No...
00:33:58He said he'd let me go.
00:34:01No...
00:34:02He said he'd let me go.
00:34:05He said he'd let me go.
00:34:08He...
00:34:10He said he'd let me go.
00:34:13He said he'd let me go.
00:34:16It's my time.
00:34:18My time to shine.
00:34:22He said he'd let me go.
00:34:24My time to feel the power.
00:34:36We need to find a sacrifice for Cynthia.
00:34:40Begin the arrangements.
00:34:46You paying rent here yet?
00:34:48Well, Jason started asking me out.
00:34:51And Artie wants to know how available I...
00:34:53Stop. I don't want to know.
00:34:56What? No lighter slash vibrator crack?
00:35:00My father smoked.
00:35:02He died when he was 51 from lung cancer.
00:35:06Don't worry about me, Joan.
00:35:08I plan to be dead long before I hit 51.
00:35:11I mean, can you imagine me? Depends.
00:35:15That lighter's the only thing my mother ever gave me.
00:35:20You know, smoking is a useful skill for actors.
00:35:24I don't think it's necessary to smoke for any role.
00:35:29Got me a part.
00:35:33You did?
00:35:34Yep.
00:35:35Keep it. Practice.
00:35:37Might get you a new job.
00:35:39I don't smoke.
00:35:41Yep.
00:35:42Keep it. Practice.
00:35:44Might get you a part, too.
00:35:46Who knows? You need all the help you can get.
00:35:50I gotta go get the hick.
00:35:52Gotta make it to that audition. You sure you don't want to come?
00:35:54None of that, theater.
00:35:56Suit yourself.
00:36:05Do you think my skirt is short enough?
00:36:07For you, yeah.
00:36:09We need to get moving.
00:36:10I got my sister a postcard from Hollywood.
00:36:12Why don't you just e-mail her?
00:36:14Don't answer that.
00:36:16We have e-mail in podunk, Miss Smarty Pants.
00:36:19I wanted to call her, but I'm not ready for that yet.
00:36:23I don't want to be late to this audition.
00:36:25Everybody wants to work with this director.
00:36:27He's supposed to use wild ways to motivate you.
00:36:31Our drama teacher in podunk?
00:36:33She used to make us oink like pigs
00:36:35when she thought we weren't trying hard enough.
00:36:38Swish!
00:36:40Swish!
00:36:42Shut up and let's get moving.
00:36:48You know, in podunk, we don't have mailboxes
00:36:50where you can pull right up.
00:36:52Yeah, Hollywood has all the latest technology.
00:36:56You like my headshot?
00:36:59Doesn't look like you.
00:37:01That's a good thing.
00:37:08Where's Joan today?
00:37:10She said she wouldn't audition at this stupid theater
00:37:12if they were giving away parts.
00:37:14Why are we auditioning here?
00:37:16Because we are not so picky.
00:37:38What's with this necklace?
00:37:40What do you mean?
00:37:42It's broke.
00:37:44Oh, it happened a long time ago.
00:37:46My daddy broke it clean down the middle.
00:37:48He gave half to me and half to my sister.
00:37:51For good luck with your acting?
00:37:53No, we were kids.
00:37:55I don't know.
00:37:57I don't know.
00:37:59I don't know.
00:38:01I don't know.
00:38:03I don't know.
00:38:05We were kids.
00:38:07I don't know why he did it.
00:38:10Does your sister still wear the other half?
00:38:13I don't know.
00:38:15I haven't talked to her since I came out here.
00:38:17She's really mad at me.
00:38:19She's the one I wrote the postcard to.
00:38:22I don't talk to my family anymore.
00:38:24You know, I don't want to burst your bubble,
00:38:26but after a while, they don't give a shit.
00:38:31What's your name, sweetie?
00:38:35Relax.
00:38:37I'm running an audition here, not trying to pick you up.
00:38:40That's pretty obvious.
00:38:45This necklace is fabulous.
00:38:48What a clean break.
00:38:53Are you ready to audition?
00:38:56Not yet.
00:38:58I've heard this director, he's like a real perfectionist.
00:39:01He is as demanding as they come.
00:39:04He's going to ask you a lot of questions,
00:39:06deep, revealing questions
00:39:08that will show a lot about your character.
00:39:11That's what sets him apart from the rest.
00:39:14He really is a genius.
00:39:16Yeah, I've heard.
00:39:18That's why I need a little bit more time to prepare.
00:39:22Time, darling, is one thing we do not have.
00:39:26It's now or never.
00:39:35Okay.
00:39:45This is Tammy.
00:39:47She'll be reading for the part of Jennifer.
00:39:50I'll get right to the point, Tammy.
00:39:53We've seen a lot of actors for this part,
00:39:55and so far, no one's really given us
00:39:57that special something we're looking for.
00:40:00And frankly, I'm losing my patience with uncommitted actors.
00:40:03Oh, no, I'm committed.
00:40:05Where are you going directly after this audition?
00:40:08I don't know.
00:40:10Who knows where you're going?
00:40:12I'm sorry?
00:40:13Bark like a dog.
00:40:14You want me to bark?
00:40:15Who does what the director asks?
00:40:17The actor.
00:40:23No one knows where I'm going after this audition.
00:40:25Even I don't know.
00:40:27I know.
00:40:33The part has been cast.
00:40:36You can go.
00:40:38Oh, I'm waiting for my friend.
00:40:40What's the problem with you stupid actresses?
00:40:42I said the part has been cast.
00:40:45Now leave.
00:41:03I'm sorry.
00:41:34I understand the commitment.
00:41:36I know what it takes to do this part.
00:41:39Acting is about one thing and one thing only.
00:41:43Honesty.
00:41:45Yeah, I've been doubting my commitment lately.
00:41:49Doubting my abilities, but...
00:41:52I'm sorry.
00:41:54I'm sorry.
00:41:56I'm sorry.
00:41:58I'm sorry.
00:42:00I'm sorry.
00:42:02Doubting my abilities, but...
00:42:04You've turned me around.
00:42:10This play is about a man who experienced the horrors of life early in childhood
00:42:16and who becomes capable of doing anything to strike back
00:42:20and create his own form of power and success.
00:42:24And you are the creature.
00:42:27The creature who helps him fulfill his dreams.
00:42:38Now put your hands in the restraints
00:42:41and await your audition.
00:42:44Let your inhibitions go.
00:42:47Become the character.
00:42:49Your part calls for you to observe every experience
00:42:53yet not experience every observation.
00:42:56I'm not sure I understand.
00:42:59Trust me completely.
00:43:02Okay?
00:43:04And your eyes will be open like never before.
00:43:14You can do it yourself.
00:43:16Look past the obvious.
00:43:27You are the character.
00:43:32Let the ritual begin.
00:43:35What? What ritual?
00:43:38What ritual?
00:43:40You know, it's a shame, but suddenly I'm all out of answers.
00:43:57Let me go, you fucking assholes!
00:44:06Cynthia, your time has come.
00:44:09I'm ready.
00:44:11You covet the flesh?
00:44:13I can't explain the way I feel.
00:44:15My desires, it's always been taboo in my life.
00:44:19I'm ready.
00:44:21I'm ready.
00:44:23My desires, it's always been taboo in my life.
00:44:26But you all understand the way I feel.
00:44:29How I've always been a now cast.
00:44:32How I'm ready to strike back.
00:44:35It's the ultimate step you take tonight.
00:44:37Wait, it's not supposed to happen today.
00:44:40Why are you here if not for the power over life and death?
00:44:44I'm not ready for the ceremony.
00:44:46This is your destiny.
00:44:49Do it.
00:44:53Your destiny.
00:45:09You're one of us now.
00:45:20You're one of us.
00:45:22Let's go.
00:45:24Do you have her keys?
00:45:25Yeah, get rid of her car.
00:45:53God, you really taught me how to be a better actress.
00:45:57Oh, my God.
00:45:58I really, I can't believe I fell for all this.
00:46:01And I really felt scared.
00:46:05When I saw that knife in her hand,
00:46:07my life flashed before my eyes.
00:46:09I thought it was going to piss my pants.
00:46:11Funny, huh?
00:46:13I heard that you guys were good at motivating people.
00:46:16Yeah.
00:46:17You know, it's funny.
00:46:20I heard that you guys were good at motivating people, but wow.
00:46:23When I need to do fear, I know right where to go now.
00:46:27Thank you so much.
00:46:29I mean, I can use this.
00:46:34Leave this one alive for the ceremony next week.
00:46:42The ceremony will be our greatest moment.
00:46:45Won't it, Mr. Reese?
00:46:48Of course.
00:47:01Oh, my God.
00:47:18Oh, my God.
00:47:41They're after me.
00:47:42Who's after you?
00:47:44Tabby, they're killing Tabby. Please.
00:47:46Calm down. I'll take care of everything. Come on.
00:47:51Okay, sit right over here, and I'll call the police, okay?
00:47:55Tell them to come right away.
00:48:02Hello?
00:48:03Yes, there's been an emergency at 411 Hollywood Boulevard.
00:48:07Attempted murder.
00:48:14Thank you.
00:48:17Am I coming?
00:48:23Get her.
00:48:46Okay.
00:49:17What do you think you're doing?
00:49:20I'm looking for my sister, Kyla Travis.
00:49:23She's staying in one of these apartments.
00:49:26Why don't you just call her?
00:49:28She sent me her address, but she didn't get her phone hooked up.
00:49:47They'll be watching you.
00:49:51Kyla?
00:49:56Kyla?
00:50:17Are you looking for the girl who lives there?
00:50:19Yes. She's my sister, Kyla Travis.
00:50:22I haven't seen her for a few days. I think she left.
00:50:25I need to find her.
00:50:46Kyla?
00:51:03Kyla?
00:51:13Kyla?
00:51:16Kyla?
00:51:24Kyla, where are you?
00:51:35We have no record of your sister.
00:51:37It's difficult to list someone as missing when there's no proof she's ever been here.
00:51:41Can't you track down her landlord and find her that way?
00:51:44Maybe you could hire a private investigator.
00:51:47Look, I hate to sound like a cliché, but since she's an actress, she could be anywhere.
00:51:52You've heard of the casting coach, haven't you?
00:51:55You'll have to excuse Officer Stone, Miss Travis.
00:51:58She's right out of the academy.
00:52:00What she's really trying to say is there's many places your sister could have gone.
00:52:04She wouldn't just leave without contacting me.
00:52:07I'm her only family.
00:52:09We'll keep an eye out for her, but that's about all we can do.
00:52:12Look, you could probably get the number of the landlord from one of the other tenants in the apartment complex.
00:52:16That might be a good place to start.
00:52:18You know what I think, Miss Travis?
00:52:20I think you should go back to Texas and wait for your sister to call.
00:52:23If she does show up, she'll find out pretty soon just how tough it is out here.
00:52:26She'll call you soon enough.
00:52:28Well, I hope I find her before I go.
00:52:30I have this terrible feeling something bad's happened to her.
00:52:33What makes you say that?
00:52:35Well, I had a bad dream.
00:52:37My sister and I are close, not by what we say but how we feel.
00:52:41When she was 9 years old, she broke her leg on her uncle's ranch, and she was all alone.
00:52:46And I sensed something was wrong, so I sent my uncle to find her.
00:52:50This is the same feeling as then, only stronger.
00:52:54Wow.
00:52:56That's some heavy shit.
00:52:58Yeah.
00:53:00Are you hungry? Do you want a donut or something?
00:53:03Miss Travis, we've done everything we can.
00:53:08Thanks.
00:53:10Jesus, Stone.
00:53:12You need to learn some people skills.
00:53:15And why don't you lay off the donuts?
00:53:17Have you looked at that ass lately?
00:53:26Angela.
00:53:28Angela, wait.
00:53:31Hey, you know, I do a little bit of acting myself on the side.
00:53:35I mean, who doesn't around here, right?
00:53:37Well, if I was looking for a new actress, I would start with a place that does head shots.
00:53:40Are there many?
00:53:41Yeah.
00:53:42But sooner or later, everyone ends up at Yamaguchi's or Butler's.
00:53:45Here.
00:53:46Yamaguchi's is the best, and Butler's is the cheapest.
00:53:51Thanks.
00:54:08Excuse me.
00:54:14Excuse me, are you Bill Butler?
00:54:17That's what the sign says.
00:54:19You're late, which ain't bad since I'm running late.
00:54:21Oh, I'm not here for head shots.
00:54:23I'm looking for my sister.
00:54:25Okay, we're done.
00:54:27This ain't no lost and found.
00:54:29I'm not here for head shots.
00:54:31I'm looking for my sister.
00:54:33Okay, we're done.
00:54:35This ain't no lost and found.
00:54:37My sister's name is Kyla Travis.
00:54:40Did she come here for photos?
00:54:45I said, my sister's name is Kyla Travis.
00:54:49I got a business to run.
00:54:51It doesn't look like your next appointment's going to show.
00:54:54I got 24 rolls of film in this bag I haven't even developed yet.
00:54:57Every one of these actors is going to call me every half hour asking where their frickin' pictures are.
00:55:01I'm sorry, I can't help you.
00:55:06Wait, I'll pay you.
00:55:08Answer my questions and I'll pay your rate.
00:55:10No.
00:55:12You pay me, you get the head shots.
00:55:14You want basic or deluxe?
00:55:16Which is longer?
00:55:18Deluxe includes shots and costumes.
00:55:20Names don't mean much to me.
00:55:22I see so many young actors.
00:55:24I don't keep records, most pay in cash.
00:55:27You look familiar.
00:55:29I'd have to guess she hasn't been here.
00:55:31Yet.
00:55:32Are you sure?
00:55:34I wish I could help you, I have a sister myself.
00:55:37Are you close?
00:55:39I haven't seen her in maybe 10 years, but I'd do anything for her.
00:55:42Same blood.
00:55:44Then you understand why I have to find my sister.
00:55:46I understand, but I can't help you.
00:55:49I'm sorry, I can't help you.
00:55:51I'm sorry, I can't help you.
00:55:54I understand, but I can't help you.
00:55:56Why?
00:56:00Even if I had the time, you wouldn't want to hear it.
00:56:02I'm paying for the time.
00:56:04I want to know why you won't help me.
00:56:07Every day I see new faces coming through here.
00:56:09Sometimes there's a new twist, a slightly different angle, but it's always the same story.
00:56:13I'm not a struggling actress.
00:56:15Okay, session's over.
00:56:24Everyone here is trying to be somebody he isn't.
00:56:27Your sister will find that out.
00:56:29Go home, she'll be there soon enough.
00:56:32And if she isn't, you don't want to see what she's become.
00:56:36I'm not leaving without her.
00:56:53I'm not leaving without her.
00:57:24Ah!
00:57:26Jeez!
00:57:27Who are you, and what have you done with Kyla?
00:57:29I'm Kyla's sister. Do you know her?
00:57:31If you're Kyla's sister, why did you just climb in through the window?
00:57:34Well, because I came looking for her, and she wasn't here.
00:57:37And I thought if I stayed here, she might come back.
00:57:39Who of you are her sister?
00:57:41Well, uh, we both came from Podunk, Texas.
00:57:43And, oh, oh, we both wear a necklace that looks like mine.
00:57:48Joan Mason. I'm an actress.
00:57:50Angela Travis.
00:57:52Angela Travis. I'd say you're more like a thug.
00:57:55You think Kyla could have gone back home? Her stuff's all gone.
00:57:58She would have called me.
00:58:00Maybe you don't know her like you think.
00:58:02Are you her friend?
00:58:03Yeah.
00:58:04Then you'll help me find her.
00:58:06When was the last time you saw her?
00:58:08It's been about a week.
00:58:10She and Tammy disappeared at the same time.
00:58:12Tammy's my best friend.
00:58:14What did the police say?
00:58:16You don't go to the police every time an actress is missing for a week.
00:58:19I don't think that's funny.
00:58:21I'm sorry.
00:58:23Do you have any pictures of her?
00:58:25Yeah.
00:58:29Great. We can get copies of this maid and show it around to the theaters.
00:58:33I know she got a head shot made last week, so I can talk to Bill.
00:58:36Bill Butler? I already tried him.
00:58:39You saw Billy?
00:58:41He said he didn't remember Kyla. He was very rude.
00:58:44That's Bill, all right. I can make him talk.
00:58:52Billy!
00:58:56Someone came in here looking for a sister, and you were useless.
00:59:00Come in.
00:59:19Tell me again why you left me.
00:59:21I thought you left me, didn't you?
00:59:24Money and career, wasn't it?
00:59:26You'll always be my best.
00:59:28So what do you know about Kyla Travis?
00:59:30Nothing. You know I don't keep records.
00:59:33I sent Kyla to you, Billy.
00:59:35You've got to be the last person to see her that I know of.
00:59:38Mom, where are you hiding her?
00:59:44She's in the closet with the other dead actresses who wouldn't kiss me.
00:59:53Think hard, Billy. She's a friend of mine.
00:59:59She's real tiny. Kind of cute in a Hicks sort of way.
01:00:02A little Southern accent.
01:00:12I love it when you try to think.
01:00:17What's my reward if I cuff this woman?
01:00:19The sky's the limit.
01:00:22It's no use. I don't remember.
01:00:24You don't remember, or you don't care?
01:00:26Maybe a little bit of both.
01:00:28You're such a loser.
01:00:30What a waste of time.
01:00:34Wait.
01:00:39I do remember something. There was...
01:00:44I don't remember.
01:00:46I don't remember.
01:00:48There was...
01:00:52There was this Hick, and she came in...
01:00:59She looked at a backstage West.
01:01:03Some audition that same day.
01:01:05Four theaters. Four circles.
01:01:09Can you tell me, have you seen this girl?
01:01:13Are you sure?
01:01:18No.
01:01:41Found it.
01:01:45I know these four theaters.
01:01:47Look, that one's a stardust theater.
01:01:49I swore I'd never go back to that dump.
01:01:51What are the chances you're going to find your friend
01:01:53hanging out at some theater?
01:01:55Maybe somebody saw her or something.
01:01:57That's all I've got.
01:01:59Why don't you get Angela to go? It's her sister.
01:02:01I think I remember why I left you.
01:02:05Come on. Don't go.
01:02:07Angela's running around from theater to theater
01:02:09looking for her only family.
01:02:11The least I can do is check out a few theaters and see what they know.
01:02:14Last chance. Are you with me?
01:02:16You left me. How could I be with you?
01:02:26Look, they put her on the table then.
01:02:28Exactly when do I stab her?
01:02:30Look, there's great meaning to this.
01:02:33It's not like you just stab her.
01:02:35There's meaning to it.
01:02:39Do you feel something different?
01:02:41Because you're a member?
01:02:43Yes. It's hard to explain.
01:02:46Is it like you finally fit in somewhere?
01:02:48It's not that simple.
01:02:52Have you ever heard of someone named Georgia?
01:02:56Did Mr. Reese tell you to ask me that?
01:03:13We're closed.
01:03:15I was wondering if anybody might have seen an actress
01:03:17who auditioned here a week ago?
01:03:19We don't keep track of actors that audition here.
01:03:22Sorry.
01:03:29You were supposed to lock the front door.
01:03:31I think you're the one who left it open.
01:03:33Just make sure it's locked.
01:03:35You want someone to find us getting ready for tomorrow's ceremony?
01:03:45No.
01:04:01We only need one for tomorrow's ceremony.
01:04:06The other one can have an accident.
01:04:09But which one to use?
01:04:16We'll use this one.
01:04:18Take care of it.
01:04:24You know, you really shouldn't have resisted
01:04:27when that man tried to rob you.
01:04:32Untie me and I'll show you resistance.
01:04:35You want to fight me?
01:04:37Try me.
01:04:46Like I said, you shouldn't show resistance
01:04:50when someone's trying to rob you.
01:05:15No.
01:05:28No!
01:05:41Angela?
01:05:45Angela?
01:06:04This is getting very messy.
01:06:06What do you want me to do with it?
01:06:08I want you to find out what she knows and start cleaning up the mess.
01:06:11I will not have anything else interfere with tomorrow's ceremony.
01:06:16No.
01:06:42Joan?
01:06:44Joan?
01:06:48Joan?
01:06:52Joan?
01:07:01Hello?
01:07:03Hi, this is Angela Travis.
01:07:05Someone named Joan was supposed to go see you
01:07:07and then meet me at my sister's apartment at 6.
01:07:09And it's almost 8 now and there's no sign of her.
01:07:12No sign of her? Have you seen her?
01:07:16I never should have let Joan go to those theaters alone.
01:07:19Which theaters?
01:07:21I'm not sure I should tell you. This is getting crazy.
01:07:24You have to tell me. You have to.
01:07:27We found a backstage West.
01:07:29It had four theaters circled.
01:07:31I remembered your sister telling me she was going to check them out for auditions.
01:07:35Joan was going to go to each one.
01:07:37Should we call the police?
01:07:39Joking, right?
01:07:41Look, I've been around.
01:07:43Done a few things I shouldn't have.
01:07:45Enough to know unless you're rich or dead,
01:07:47the cops aren't going to help you.
01:07:50I'll find her.
01:07:52No, we'll find her.
01:07:54What are you going to do?
01:07:55Look, we're wasting time here.
01:07:56You can visit two theaters and I can visit two.
01:07:58Come on, let's go.
01:07:59What are you going to do on your visit?
01:08:01Whatever it takes to find Kyla and Joan.
01:08:06Okay.
01:08:07Try to avoid talking to anybody if you get in.
01:08:10Especially if you have to pick the lock.
01:08:12Just look around and get out.
01:08:13Don't worry about me.
01:08:14I've had to take care of myself for as long as I can remember.
01:08:18Bottom pick stays in the lock for support.
01:08:20Top pick, twist and scrape.
01:08:24There you go.
01:08:25Our parents died in a car accident when we were teenagers.
01:08:28I kept Kyla on a straight and narrow.
01:08:31Maybe I was too squeaky clean.
01:08:34Maybe I was too hard on her.
01:08:37None of that matters now.
01:08:40I'm going to do whatever it takes to find her.
01:09:10I'm going to find her.
01:09:40I'm going to find her.
01:10:10I'm going to find her.
01:10:40I'm going to find her.
01:11:10I'm going to find her.
01:11:32I'll pay you to hide me, quick!
01:11:41I'll pay you to hide me, quick!
01:11:54I see you around here one more time and it's going to be your face.
01:11:58And you will not get up.
01:12:10Thank you.
01:12:24Thank you.
01:12:40Thank you.
01:13:04Do you know if someone turned a light on in that apartment?
01:13:08You interested in renting it?
01:13:10Are you the landlord?
01:13:11Yeah.
01:13:12My sister Kyla was renting there.
01:13:14Did you know her?
01:13:15Did she check out?
01:13:16I haven't heard from her.
01:13:18Some girl paid for the month.
01:13:20Cash.
01:13:21I figure she checked out and didn't tell me.
01:13:24Actresses.
01:13:25So do you want the room or not?
01:13:27I think someone may have kidnapped Kyla and taken her things from the apartment.
01:13:30Maybe a satanic cult.
01:13:33I realize this sounds strange.
01:13:35Not really.
01:13:36Lots of people worship the devil.
01:13:39What?
01:13:41People believe a lot of things.
01:13:43Who's to say what's right and what's wrong?
01:13:46Did you hear?
01:13:47Oh my God!
01:13:49Easy, easy, easy.
01:13:51I was on my way to meet you.
01:13:52I came up empty.
01:13:53What did you find?
01:13:54The stardust.
01:13:55There were all these satanic cult things and some guy chased me.
01:13:58I don't know who all is involved in this.
01:14:00Let's go inside and sort this out.
01:14:02No, not here.
01:14:03Can we go back to your place?
01:14:09So, you think this theater is one of the cult houses?
01:14:12There were all sorts of voodoo things and devil things.
01:14:15Devil things?
01:14:16Like props?
01:14:17You see what play they were doing?
01:14:18No.
01:14:19And you think these cult characters are hanging around Kyla's apartment too?
01:14:22God, I am so scared.
01:14:24I just want to find my sister and go home.
01:14:26I don't know who to trust.
01:14:28Listen, I'm a level with you.
01:14:30You go to anyone with this crazy satanic cult story, you'll get nowhere fast.
01:14:33But I saw the stuff there.
01:14:35I know it has something to do with what happened to Kyla.
01:14:38I know it.
01:14:39I need to find someone who knows what it all means.
01:14:41Do you know anyone?
01:14:43An expert on the devil?
01:14:44Why don't you try Sag?
01:14:46Officer Stone seemed to care about what happened.
01:14:49I'm going to give her a try tomorrow.
01:14:52I'm warning you, they'll just think you're crazy.
01:14:54You're crazy?
01:14:55I'm warning you, they'll just think you're crazy.
01:14:57You're crazy.
01:14:58Worse than crazy.
01:15:00You broke into a theater.
01:15:02That's a felony.
01:15:04Now, if you don't get on the next bus back to cow dunk,
01:15:07I'm going to throw your ass in jail.
01:15:09It's poe dunk.
01:15:10Go on, get out of here.
01:15:22What a hothead.
01:15:24Hey, I didn't warn you.
01:15:26Hey, Miller.
01:15:28Thanks.
01:15:29I'll call you.
01:15:32Boy, you were awfully friendly with Stone.
01:15:35I thought you didn't like cops.
01:15:37She's also an actress.
01:15:39We need to find someone who knows something about satanic cults.
01:15:42Do you have access to the internet?
01:15:44Yeah.
01:15:50I wouldn't have pegged you with a good web server.
01:15:52I work in banking, it's a must.
01:15:55Oh, here's a woman who worked at exposing satanic cults.
01:16:00Sarah Degree.
01:16:02She's in Los Angeles, but it looks like she's running a makeup school.
01:16:07It can't be the same Sarah Degree.
01:16:09Well, the pictures look the same.
01:16:14So, sometimes, simple base makeup is the most flattering choice.
01:16:20Okay, well, that's it for today.
01:16:24See you guys tomorrow.
01:16:26And don't forget to read chapter seven.
01:16:28Natural look versus dramatic look.
01:16:34Excuse me.
01:16:36Oh, hi.
01:16:37Are you the same Sarah Degree who did undercover work with satanic cults?
01:16:42Look, I run a makeup class here.
01:16:45All I have to do is Satanist devil makeup on Halloween.
01:16:48My sister is missing and we think she may have been taken by satanic cults.
01:16:52They disguise themselves as a theater group.
01:16:55Oh, and I thought my sisters were weird.
01:16:58Come on, it's a waste of time.
01:17:00No, I've got to find my sister and my friend.
01:17:04You know what they can do.
01:17:09Please help me.
01:17:12She obviously only does makeup.
01:17:14Sorry for the mix-up.
01:17:17Wait.
01:17:21Have you tried the police?
01:17:24They were useless.
01:17:25I found this article that listed you as the head of the L.A. County Ritual Abuse Task Force.
01:17:31Fancy title, wasn't it?
01:17:33Doesn't seem to get me any extra students, though.
01:17:36The article said that you accused some people of solely poisoning task force members for finding out things about the cult.
01:17:42Listen, it's dangerous to talk about this.
01:17:46What, you're saying your beauty school is bugged?
01:17:49I know what I found, and I know how it got reported.
01:17:53They're everywhere.
01:17:55It's a big society of people with a whole lot of power.
01:17:58They will do anything to keep this secret.
01:18:02Anything.
01:18:05I saw a lot of strange things at the theater, but this stood out.
01:18:08It was in a glass case.
01:18:10Are you sure about this?
01:18:12This is exactly what I saw.
01:18:14Except I noticed in this picture there's no engraving.
01:18:17It was engraved on the side?
01:18:19Yes.
01:18:20What were the words?
01:18:22They were foreign.
01:18:28Fefetu soista nesita.
01:18:32It's blood for the beast.
01:18:35They have a ceremony which calls for human sacrifice.
01:18:40It's supposed to give the members power that will last beyond the grave.
01:18:44Some people believe anything.
01:18:47It's our beliefs which makes us dangerous.
01:18:49I don't agree with that.
01:18:51Your sister and her friends are about to be killed for somebody else's beliefs and you don't find that dangerous?
01:18:55Nobody said they were about to be killed.
01:18:57I said it.
01:18:58The bringer of death wears an amulet you just showed me.
01:19:01There is no other purpose for this amulet.
01:19:03The stars are aligned tonight.
01:19:07Your friends are in serious danger.
01:19:10What can we do?
01:19:12Who can you trust?
01:19:15No one.
01:19:21Get a gun and pray.
01:19:25Do you believe in God, Tammy?
01:19:29I don't know.
01:19:32I used to think my acting coach was God until he tried to sleep with me.
01:19:40I bet you wish you had a lighter and one of those cigarettes right now.
01:19:47I'm scared, Joan.
01:19:54It doesn't look good.
01:19:58I'm thinking about praying.
01:20:02Is Angela coming?
01:20:05I'm guessing the police won't believe her, so Angela and Bill are our best bet.
01:20:11Thank you, ladies. That's all the information I'll need.
01:20:14Go to hell.
01:20:19Oh, you're scaring me.
01:20:22You know, if there's one thing I've always been able to count on,
01:20:25it's the fact that actors are stupid people.
01:20:28It's the fact that actors are stupid people.
01:20:32I've been recording you two.
01:20:35Just two more loose ends.
01:20:37Now, let's see. What were their names again?
01:20:43Go to hell.
01:20:45Kind of redundant, aren't you?
01:20:47I wouldn't take up writing.
01:20:51Angela and Bill.
01:20:53And we'll be waiting for them.
01:20:56Now, since we don't need both of you for the ceremony,
01:21:00I think maybe it's time you say goodbye to your friend, Joan.
01:21:08Oh, but don't worry. You'll see her again soon.
01:21:11In the next world.
01:21:25I love you.
01:21:27Let's go for a little walk.
01:21:58A makeup teacher was a flake.
01:22:00What if she's right about the ceremony?
01:22:02Oh, come on. She can't be right.
01:22:07Excuse me. Can we sit at a different table?
01:22:10Uh-huh.
01:22:20You're really getting paranoid, you know.
01:22:22We don't know who all's involved.
01:22:25We don't know who all's involved.
01:22:27That's right. Maybe the waitress is involved.
01:22:29Maybe the makeup lady was. Hell, even I could be in on this.
01:22:34Don't look at me like that. I was just fooling around.
01:22:36Well, don't.
01:22:38Okay.
01:22:41If we're going to do this without the police,
01:22:43we need the element of surprise.
01:22:50We are not using guns.
01:22:52Put that away.
01:22:54Okay, let's assume you're right for a minute.
01:22:56We walk in and we find a bunch of guys about to slice up Joan.
01:22:59What are we going to do?
01:23:01Tell them to stop being bad? Cut it out?
01:23:03I have a plan.
01:23:05I'll tell you as soon as I go wash my hands.
01:23:07What is it? Southern for taking a pee?
01:23:10You're not so pretty now, are you, slut girl?
01:23:13All that glam shit doesn't look so pretty anymore, does it?
01:23:17All that time teasing your hair, doing your nails.
01:23:21It's all wasted now.
01:23:24I know your type. You have a perfect life.
01:23:27Everyone likes you.
01:23:29These looks, friends, money, boys, cars, everything.
01:23:33You never make it.
01:23:35Your friend's never interested in me.
01:23:38That's why I joined the bunch.
01:23:40They reject you and your values.
01:23:43I can't wait to see you dead.
01:23:47This looks like a good spot.
01:23:49You stay here.
01:24:17We're going to kill you, bitch.
01:24:20And you know what?
01:24:22Your death is meaningless.
01:24:25We respect those we sacrificed.
01:24:27They died for our God.
01:24:29We honor them.
01:24:33You?
01:24:35You're just a piece of trash we're throwing out.
01:24:47If you're lucky, the first blow will crush the back of your skull.
01:24:51Get ready.
01:24:53You have ten seconds.
01:25:17Mom?
01:25:39So, you going tonight?
01:25:42I'll be there. I'm not sure in what capacity.
01:25:45I'm working on that now.
01:25:49Angela, everything all right?
01:25:51Angela?
01:26:02Angela?
01:26:06Angela?
01:26:15Angela?
01:26:27Nobody feeds me.
01:26:30This food is the best.
01:26:32Last meal, right?
01:26:34What did you do to Tammy?
01:26:36Eat. It'll make the time go better for you.
01:26:39Why are you doing this?
01:26:41Things are really getting messy.
01:26:43The rumors are talking.
01:26:45There is glory in what we do. I believe that.
01:26:48But they go too far.
01:26:50Like thugs. We're not thugs.
01:26:52Then what are you?
01:26:54I don't have to tell you.
01:26:56Look, do you want to eat or don't you?
01:26:58I do want to eat.
01:27:00Just please untie me so I can eat my last meal like a human.
01:27:10All right, but trust me.
01:27:12If you do anything, something very bad will happen to you.
01:27:18Damn it. You are always letting them loose.
01:27:24I am beginning to seriously doubt your convictions.
01:27:33Stop. We need her for the ceremony.
01:27:43I question your convictions.
01:27:46She's out. Take her to be prepared for the ceremony.
01:28:12I love you.
01:28:42I love you.
01:29:12I love you.
01:29:33Make this one presentable for the ceremony.
01:29:36I'm doing the best I can.
01:29:42Miss Travis, thanks for dropping by.
01:29:45You know, I'm finally achieving closure on this ceremony.
01:29:48Where's my sister?
01:29:50Ray, since you seem to have damaged this one,
01:29:53maybe we can use Miss Travis for the ceremony.
01:29:56You want me to make her up instead?
01:29:59That's what I said.
01:30:01I'll go get more makeup.
01:30:03Where's my sister?
01:30:05Don't concern yourself with details.
01:30:08If you hurt her, I'll kill you.
01:30:13Oh, we hurt her.
01:30:15And she cried many times.
01:30:19And then she died.
01:30:23Now, if you're not going to kill me,
01:30:26I got a ritual to run.
01:30:28What is wrong with you?
01:30:31What is wrong with all of you?
01:30:34Oh, God, not Kyla.
01:30:37Not Kyla.
01:30:39Not Kyla.
01:30:41You didn't know her.
01:30:44You don't know Kyla.
01:30:55You know why I'm going to wear gloves?
01:30:59Less bruising.
01:31:01More pain.
01:31:10Oh, God.
01:31:22Angela, we've got to get out of here.
01:31:25What happened?
01:31:28They killed her.
01:31:31They killed Kyla. I saw them.
01:31:33Why?
01:31:35Crazy.
01:31:37Come on, pull yourself together.
01:31:39We've got to get out of here.
01:31:41For Kyla.
01:31:43Come on.
01:31:53What happened to you?
01:31:55Somebody mugged me.
01:31:57Do you want me to call the cops?
01:31:59No.
01:32:01Does this mean you're not coming to the party tonight?
01:32:04I've got something else I have to take care of.
01:32:34Grace, Dad, your girls are gone.
01:32:37All right, Donald, Cynthia, stay to finish the preparations.
01:32:40Lance, Bruce, secure the exits. Go.
01:33:05Everything's ready.
01:33:07I'm really nervous about this.
01:33:09Don't worry, they'll find them.
01:33:11They've been doing this a long time.
01:33:13I'm nervous.
01:33:15I'm nervous about the ceremony.
01:33:18I was, too.
01:33:21My first time.
01:33:24You remember your first?
01:33:26Her name?
01:33:29We're not supposed to talk about that.
01:33:32I think you'd forever remember her name.
01:33:35Once it starts, it's addicting.
01:33:40The power is absolute.
01:33:44If you can do this, you can do anything.
01:33:52Louise.
01:33:54My first.
01:33:57Louise Dixon.
01:34:00Louise Dixon.
01:34:31If we both hit it, one of us should be able to make it out.
01:34:35I'm not leaving without you.
01:34:37If one of us makes it out, we can get help.
01:34:39Come on, let's go before someone else comes.
01:34:45Okay, go, go, go!
01:35:01We've had ceremonies like this before, but not like this one.
01:35:06A night when the alignment of our stars calls his name.
01:35:11Hear us now!
01:35:14I call on you all.
01:35:16What is rightfully ours.
01:35:22The power of this act is the power over life.
01:35:27Cynthia.
01:35:29Pierce the flesh of this sacrifice to our prince.
01:35:34Let the blood flow.
01:35:36No, no!
01:35:39No!
01:35:44Go get her!
01:35:47Go get her!
01:36:13Help me with her.
01:36:15Help me with her.
01:36:20Wait! I'm a private investigator.
01:36:23I've been looking for someone. I'm working undercover.
01:36:26And her trail ended here. Her name is Georgia.
01:36:29Have you heard them talk about her?
01:36:30No! Why did they kill Kyla? Why?
01:36:33It's not safe here. We have to go somewhere else and talk. Come on.
01:36:37Freeze!
01:36:46It's okay.
01:36:48I should have done more.
01:36:53My only concern was in finding Georgia, your sister needed me.
01:37:00I'm sorry.
01:37:02It's okay.
01:37:05Angela, are you okay?
01:37:07You shot her. She was a private investigator and she was trying to help me.
01:37:11That's why I shot her.
01:37:14I was right about Cynthia.
01:37:16Do you want me to kill her now? I'll do it myself.
01:37:20On this night of nights, we will not be denied.
01:37:23To those of you who have tried to hold us back, we will not be denied.
01:37:29On this night of nights, we will not be denied.
01:37:32To those of you who have tried to hold us back,
01:37:35and tell us what to do, and rape us of our dignity,
01:37:38we say to you, we hold the power over life and death!
01:37:49Drop it, Johnson.
01:37:52It's all over.
01:37:54Looks like we got a standoff, Stone.
01:37:59Oh!
01:38:07You killed Kylie! You killed my sister!
01:38:12You killed her!
01:38:16You know, that knife missed several critical arteries by millimeters.
01:38:20That's incredible luck.
01:38:22I feel real lucky.
01:38:25Look, I'd say you're going to be here another three or four days before you can go home.
01:38:29I want you to rest. We'll talk about your therapy later this afternoon.
01:38:33Listen, I'll stop in and see you after lunch, okay?
01:38:38Joan, you should leave this place as soon as you're better.
01:38:43You don't think a little scratch is going to keep me from acting?
01:38:48Wait, wait, wait.
01:38:55Hey, you don't suppose this water is going to come gushing out of the hole in my back?
01:38:59You know, like on the Roadrunner?
01:39:02It's not safe here.
01:39:04I can use my fear. I can use this pain.
01:39:08I think all this will help my acting.
01:39:11I've never been good at crying.
01:39:14I think I'm just too happy and well-adjusted. What do you think?
01:39:17I think you should go home.
01:39:19I am home.
01:39:21Hey, hey! How's the food in this dump?
01:39:24Officer Stone, I never got a chance to thank you.
01:39:28Thank me?
01:39:29For rescuing us at the theater.
01:39:31Oh, hey, I didn't do shit.
01:39:33Bill killed the cult leader and Joan here killed Lieutenant Johnson.
01:39:38Oh, whoa, hey, hey, don't drink that.
01:39:40Haven't you seen the Roadrunner? It's going to gush out the hole in your back.
01:39:45Listen, I brought all the stuff that you had at the theater.
01:39:47We don't need it for evidence or anything.
01:39:49All the assholes are dead.
01:40:00Tammy.
01:40:04Tammy.
01:40:07You see, this is why you have to leave.
01:40:12No.
01:40:13This is why I have to stay.
01:40:17Come on, why don't you let me drive you home?
01:40:19We could leave tomorrow or the next day.
01:40:21What I went through here really hurt me.
01:40:24I need to get out of here as soon as I can.
01:40:26Angela, come here.
01:40:32If anyone can survive this, it's you.
01:40:35You know of all the bad things that happened.
01:40:38At least I got to meet you.
01:40:41I'll miss you.
01:40:43I'll miss you.
01:40:46I'll miss you.
01:41:05I understand that I got to always keep your name a secret.
01:41:09I got no problem with that.
01:41:13I'm glad Carl's gone.
01:41:15He was sloppy.
01:41:17Always taping things.
01:41:20I didn't respect him.
01:41:24But you.
01:41:28The way you kept sending us girls without them knowing.
01:41:33That's what I respect.
01:41:36Only one thing I got to know.
01:41:40You don't seem to revel in the money the way that Carl did.
01:41:45If you don't mind my asking.
01:41:47What do you get out of all this?
01:41:50I do what I do.
01:41:52Because I believe.
01:41:55People are inherently evil.
01:41:59And when the end of the world comes.
01:42:02I want to be on the side that wins.
01:42:06Every once in a while.
01:42:08Someone like Angela comes along and makes me doubt my convictions.
01:42:13But I can just pick up a newspaper.
01:42:16Or turn on the television.
01:42:19And my faith is restored.
01:42:42I miss you.
01:43:06I miss you.
01:43:12I miss you.
01:43:42I miss you.
01:43:44I miss you.
01:43:46I miss you.
01:43:48I miss you.
01:43:50I miss you.
01:43:52I miss you.
01:43:54I miss you.
01:43:56I miss you.
01:43:58I miss you.
01:44:00I miss you.
01:44:02I miss you.
01:44:04I miss you.
01:44:06I miss you.
01:44:08I miss you.
01:44:10I miss you.
01:44:12I miss you.
01:44:14I miss you.
01:44:16I miss you.
01:44:18I miss you.
01:44:20I miss you.
01:44:22I miss you.
01:44:24I miss you.
01:44:26I miss you.
01:44:28I miss you.
01:44:30I miss you.
01:44:32I miss you.
01:44:34I miss you.
01:44:36I miss you.
01:44:38I miss you.
01:44:40I miss you.
01:44:42I miss you.
01:44:44I miss you.
01:44:46I miss you.
01:44:48I miss you.
01:44:50I miss you.
01:44:52I miss you.
01:44:54I miss you.
01:44:56I miss you.
01:44:58I miss you.
01:45:00I miss you.
01:45:02I miss you.
01:45:08I miss you.
01:45:10I miss you.
01:45:12I miss you.
01:45:14I miss you.
01:45:16I miss you.
01:45:18I miss you.
01:45:20I miss you.
01:45:22I miss you.
01:45:24I miss you.
01:45:26I miss you.
01:45:28I miss you.
01:45:30I miss you.
01:45:32I miss you.
01:45:34I miss you.
01:45:36I miss you.
01:45:38I miss you.
01:45:40I miss you.
01:45:42I miss you.
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01:45:52I miss you.
01:45:54I miss you.
01:45:56I miss you.
01:45:58I miss you.
01:46:00I miss you.
01:46:02I miss you.