My evil CEO ## full movie - TaTa Channel
My evil CEO ## full movie
Category
🎥
Short filmTranscript
00:00What if the person you're looking for is me?
00:03Don't forget, I'm the one who hired you.
00:05Excuse me?
00:06I'm here for you.
00:07That's gotta mean that Elgar's still alive, right?
00:09Oh my goodness.
00:10Don't forget, you are married too.
00:12What are you gonna do?
00:15So it was you.
00:17All this time.
00:18I might ruin him and his family.
00:20So be it.
00:21Where are you, Little Rock?
00:23I don't know who the fuck you are.
00:25If you think you have a chance against me, you're younger than I thought.
00:27I'm also looking for someone.
00:29Do you want to go somewhere more private?
00:30We can talk about the script.
00:33Stay out of my work and my personal life, Edward.
00:36Let's hunt.
00:55Hey, I want you to take you to my place, baby doll.
00:58Sorry, I don't do private dances.
00:59So strict for money, but you won't fuck a guy?
01:01I'm not a hooker, show some respect.
01:03You fucking bitch, I'll show you respect.
01:05Mr. Morgan, I am so sorry.
01:07She's new here, I've got to train her better.
01:09Just have a seat, we'll be with you shortly.
01:11Sorry about that.
01:15You wanna rape me, bitch?
01:16You remember who saved your ass when you were knee deep in debt?
01:19Me.
01:22How are we doing with the search?
01:24Not good, boss. Still going.
01:27I don't care what it takes.
01:30I found the perfect woman for you.
01:31It's about time you settle down and get married.
01:33Her name is Carla, she's a daughter of a friend of mine.
01:35Dad, we've been over this.
01:36I don't need you to find me the perfect woman.
01:38Of course I do. You're an Ardwin.
01:40I have to make sure my son marries the perfect woman.
01:41So now all of a sudden you give a shit about me?
01:43You never care when you drove Mom away?
01:44Or when you sent me to that orphanage all by myself?
01:46Silence! How dare you?
01:47This is for the Ardwin family business.
01:49Your American college innings, end of discussion.
01:51Dad.
01:52Dad.
01:53Dad.
01:56I paid your 500 grand debt, and I gave you a job.
01:58Now if you want to quit so bad, pay me back.
02:01And get the fuck out of my club.
02:02As you know, I don't have $500,000.
02:04Just give me another chance.
02:05Then get the fuck back in there, apologize to that nice gentleman,
02:07and do whatever the fuck he tells you to do.
02:09Now if I get any more complaints from our clients, you will be sorry.
02:13Got it?
02:14Is there a problem here?
02:15No, sir. Everything's fine.
02:18She looks just like her.
02:24Will you marry me?
02:29Will you marry me?
02:33I was told my father had chosen a wife for myself.
02:35Are you sure about this?
02:36She's a stripper.
02:37I want to make a deal.
02:38Name any price you want, and we'll get married.
02:41I owe my boss $500,000.
02:42He's not going to let me go until I pay it.
02:46Anything else?
02:53This is your house?
02:55It's our house now.
03:01Alright.
03:02Let's sign this agreement, and we'll be contractually married for a year.
03:05After that, we'll file for divorce.
03:07Until then, we'll be part of the richest family in the country.
03:17Now our boss is somebody else, though.
03:19I want you to know that.
03:20I'm not attracted to you.
03:22Let's go.
03:24Don't worry. I'm not attracted to you either.
03:26I just wanted the money.
03:36Hey, where are we staying, by the way?
03:38In the guest room.
03:43Total jerk. This isn't bad.
03:45It's been over 10 years.
03:47I miss you so much.
04:15Nose, I need you to find out everything you can about the woman I married.
04:18See if she grew up the same way as you.
04:30Sorry, I didn't mean to.
04:32This is my bathroom.
04:33What are you doing?
04:35Last night, I used your old tricks to get my attention.
04:37It's not going to work, though. Sorry.
04:39I wasn't trying to get your attention.
04:45Do you mind turning that off?
04:47I just thought the carpet needed some cleaning.
04:49You're here to be my wife, not a maid.
04:53Who are you?
04:55Wait, you're that stripper.
04:57What are you doing in Edward's house?
04:59I am? Who are you?
05:01I am Edward's fiancée.
05:05Edward, you're marrying a stripper?
05:07I thought I was your fiancée.
05:09My father arranged for us to get married only for the sake of our families.
05:11I wouldn't be happy even if we did get married.
05:13But I would be happy, Edward.
05:15You know I have someone that I love.
05:17She's the one I'm waiting for.
05:19I don't know who the fuck you are,
05:21but if you have a chance to kiss me,
05:23you're dumber than I thought.
05:25Get it straight, I'm not competing with you.
05:27Stop it.
05:29Edward, are you defending her now?
05:31I'm not dumb at all.
05:35Wow, you've got a lot of admirers, huh?
05:37More than to watch out for?
05:39Look, if you see me in the living room,
05:41don't show your face.
05:43Your house, your rules, big deal!
05:49Hi, I'm Velma.
05:53I've worked a lot of odd jobs in the city.
05:55Waitressing,
05:57and working in nightclubs.
05:59All for a chance to act.
06:05I'm also looking for someone.
06:07And
06:09I hope
06:11that one day
06:13he sees me on screen.
06:15That way he knows that
06:17I'm still here.
06:27Parker,
06:29I hope you see me.
06:37That's okay, Sarah.
06:39Velma doesn't need to die with me.
06:41Bring my food to my room and I'll eat there.
06:43Yes.
06:45It's fine.
06:47I usually don't eat with people anyway.
06:49By the way, I'm going out for a bit today.
06:51Where you go is none of my concern.
06:53Fine!
06:57Is he always this big of a jerk?
06:59Excuse him, ma'am. He's just used to living alone.
07:01I'm sorry, Sarah.
07:03It must be difficult dealing with him every day.
07:05Yeah.
07:09Yeah, I'll be right there.
07:21So, I heard a funny little rumor
07:23that you married the famous billionaire Edward Arduin.
07:25Is it true?
07:27I didn't know that he was a billionaire until half a year ago.
07:29You're joking! How did you manage that?
07:31I just signed a contract.
07:33What? Who cares? What are you waiting for?
07:35Seal the deal.
07:37I don't know that I can't think about anyone but Edward.
07:39It's been ten years since you two escaped the orphanage.
07:41Edward could be anywhere. He could be dead.
07:43He's not dead!
07:45Okay, it's okay. I'm sorry.
07:47So, what's your plan?
07:49Keep things the way they are, I guess.
07:51Except now I can focus more on acting
07:53and not dancing in strip clubs.
07:55Hey, that's exciting, right?
07:57That's something you've always wanted to do since you were a kid.
07:59Is that audition today?
08:01Hi, I'm here for the audition.
08:03You think you can just show up like that?
08:05You slut!
08:09You slut!
08:11Are you stalking me?
08:13Oh, don't flatter yourself.
08:15I'm the lead of this production.
08:17She's not auditioning.
08:19I'm sorry.
08:21You can't do this! I worked so hard for this opportunity!
08:23Oh, like stripping for men and hugging them in strip clubs?
08:25God, I was dancing, that's it!
08:27What's the fucking difference?
08:29Breakfast.
08:31Let's go, Derek.
08:33No! Please!
08:35Wait!
08:39Be quiet.
08:59Boss.
09:01Get the details.
09:03Tell Ma.
09:05She went to high school not far from here.
09:07No doubt.
09:09That's an audition for films.
09:11She worked at nightclubs to make a living.
09:13Bad relationship with her parents.
09:19But not orphaned.
09:21Gone in changes.
09:23And definitely never been to an orphanage.
09:25I wanted to see her so bad.
09:27Of course I can.
09:29You've been looking for this girl for ten years.
09:31Who is she?
09:33Someone more important to me than life itself.
09:41It is her.
09:43It is her.
09:45Find the location where this photo was taken.
09:47Got it. Photo's been sent.
09:49Good. Where is she?
09:51Oh. Out by the light.
09:53I guess marrying Edward won't solve everything.
09:55I like that.
09:57Do whatever you want with her.
09:59I'll clean up after you, though.
10:01I've been searching for you for so long
10:03and you were right here.
10:31Boss, he's gone.
10:33Find him. Keep this between us.
10:35Oh, God. Save me.
10:37Come on. I got you.
10:47Oh, God.
10:49Sorry.
10:51Can't tell you who I am.
10:53Not yet.
10:55Can't tell you who I am.
10:57Not yet.
11:09We'll need new names once we're out of here, right?
11:11Yeah. We're starting a new life.
11:13I'll be...
11:15Tama. What about you?
11:17Algar.
11:19Helen. Where are you?
11:21Time to escape again?
11:23I warned you. It's not gonna work.
11:25Looks like I gotta get out of here first.
11:27At least one of us needs to escape.
11:29No. You go.
11:31She's gonna kill you.
11:33I won't let her catch me. Just go. I'll find you.
11:35Let's meet at the amusement park.
11:37I'll wait for you, Algar.
11:41Oh, you're not going anywhere.
11:43I'll bring her back. Rest assured.
11:45After I'm done with you.
11:47I'll wait for you, Algar.
11:53What happened?
11:55Nothing to worry about. Just some issues with the film crew.
11:57Why are you being so nice to me?
11:59No reason.
12:01Here. Take this card.
12:03It's unlimited. Spend it however you want.
12:05Why are you doing this? I don't want your money.
12:07Well, if you need money, just let me know.
12:09You can stop looking for odd jobs.
12:11Odd jobs?
12:13Acting is my dream.
12:15I danced in chip clubs for a living,
12:17but people like you, born from a silver spoon,
12:19wouldn't understand that.
12:21Then stop doing it.
12:23We're in a contract marriage, right?
12:25I won't interfere with their life,
12:27and you can't meddle in mine.
12:29Acting is something that I've always wanted.
12:31And besides,
12:33I'm not gonna take your money
12:35besides the number that we agreed on.
12:37I'm not gonna take your money
12:39besides the number that we agreed on.
12:41I need to rest now.
12:43Do you mind?
12:59Look at this mess.
13:01Clean it up if you even think about going to bed.
13:07Eat up.
13:13Eat up.
13:15You must be starving.
13:17You can probably work part of this.
13:19Come on, take it.
13:23I can't believe she locked you up for three days
13:25and made you do all this.
13:27Did she even feed you at all?
13:29You made it easier for me.
13:31Get back before she sees you here.
13:37Excuse me.
13:43Excuse me.
13:45I'm calling to ask about my audition.
13:47I'm sorry.
13:49What?
14:01How about a drink?
14:03There are two glasses of scotch there.
14:05I'm sorry.
14:07Just a friendly gesture from the boss.
14:09One more thing.
14:11Only one of those glasses is poison free.
14:13You should have known better.
14:15That would have happened.
14:17Here, I'll do it for you.
14:21Go.
14:23Go.
14:25Go.
14:29Thank you.
14:35This is what I become, Phil.
14:37I hope you never see me like this.
14:39Ruthless.
14:41Merciless.
14:43Both glasses.
14:45Silence the enemy.
14:47I simply can't forgive him for my death.
14:49Don't know when you'll forgive me.
14:55What?
14:56What the fuck happened to you? How did he find you? What happened to you?
15:00Oh, you can't even talk now? God, you're fucking useless!
15:04Inform every production you can reach. Velma will never be an actress.
15:09Make sure of it.
15:11Tom!
15:20Are you okay?
15:22I've been blacklisted by every production company, even the Actors Guild. What am I going to do?
15:27Hey, don't lose heart, okay? I happen to know of an audition going on today if you're interested.
15:30Since when?
15:31A good friend of mine tipped me off. Now come on, let's go.
15:33Alright, it's better than nothing around here.
15:37Here it is!
15:38So I can just go in there, just like this?
15:40Yes, I got everything set up, okay? Just go ahead, go in, and do your thing.
15:44Did you cut this?
15:45Right away!
15:52What is she doing here?
15:57Who is she?
15:58Nobody.
15:59She's not here for the audition, too, is she?
16:01Well, in that case, we're in for a treat.
16:05Come on, Jenny, you're up next.
16:07I can't believe it! It was you all along!
16:11That's right. I never thought you'd find me. But it must come to an end.
16:16Oh, no!
16:22Oh, no!
16:23Oh, no!
16:24Oh, no!
16:25Oh, no!
16:26Oh, no!
16:27Oh, no!
16:28Oh, no!
16:29Oh, no!
16:30Oh, no!
16:31Oh, no!
16:32Oh, no!
16:33Oh, no!
16:34Oh, no!
16:35Oh, no!
16:41Cut!
16:42I'm sorry. Were you shot? Or did someone just step on your toe?
16:47Can you just try again. I was nervous.
16:49Miss Jennings, we are making a thriller with a tragic ending. What you just did was borderline comedy.
16:55Excuse me, do you know how close I am with your luster?
16:59Sir, she was, indeed, recommended for the role. May we give her another chance?
17:05No, no, no. We are creating art that appeals to our audience, and she is clearly not right
17:13for the role. Next.
17:14I'm sorry, Miss Jennings. That was great. Maybe another project or another...
17:19Are you still doing it?
17:21I thought you were blacklisted.
17:22So it was you. You know, if that's the best you've got, then I'm not that worried.
17:25Maybe you can do better than me.
17:27Maybe you're nothing.
17:30Yeah, show us what you've got.
17:32Selma?
17:43So it was you. All this time.
17:46That's right. I never thought you'd find me. But now it must come to an end.
17:53No. This can't be it for us.
17:58Cut!
18:02Well, that was amazing!
18:05You fully captured that role.
18:07Congratulations. You got the part.
18:09What?
18:13What about me? You promised me.
18:15Oh, come on. You have to admit, she was exceptional. She's perfect for the part.
18:19Pearl, you killed it.
18:21You were great. I'm out. Looks like we're going to be eating seaburners.
18:24Selma?
18:25Hey, do you want to go somewhere more private? Can we talk about the script?
18:27Yeah, sure.
18:38What the fuck? You're hitting on the wrong girl, buddy.
18:40Edward, what are you doing?
18:42I need to go talk to Selma. How about you shoot another day?
18:47What are you doing?
18:49Can you explain yourself?
18:50I don't owe you any explanations.
18:52So you're seeing new guys?
18:54What?
18:55No, we were just acting out a scene.
18:57A scene where you two get real close? Like a couple?
18:59I was just doing my job. There's nothing wrong with it.
19:01And besides, even if I was seeing someone, it would be none of your business.
19:08Hey! I heard you got the lead role. That's amazing.
19:12I knew you'd kill it.
19:13Jim, what is Edward doing here?
19:15Come on, you know who I'm talking about.
19:17Gosh, you still don't know, do you?
19:19Know what?
19:21Well, he's actually the investor of this movie.
19:24This is his project.
19:29Why did you bring me here then?
19:31Well, it was actually his idea.
19:35Hello?
19:36Hi, this is Gene.
19:37Who is this?
19:38This is Edward Ardwin.
19:40I recently invested in a film project, and I want you to take her for a film.
19:43I think she'll be great.
19:44Oh, wait, me? You're Edward Ardwin?
19:46I wired the payment to your account. Thank you.
19:48Oh, wait, wait, wait!
19:51I still can't believe I spoke to the legendary Edward Ardwin.
19:55I can't believe you knew all this time, and you didn't tell me.
19:57Oh, don't look at me. I'm just a middleman doing somebody else a favor, okay?
20:00And you still can't get the lead. It's amazing.
20:03But, you know, a lot of people say that Edward's not very nice.
20:06He's like a stone-cold man.
20:07Why is he being so good to you?
20:09Yeah, I don't get it either. I mean, women must be throwing themselves at him.
20:13All right, what do you hope?
20:20Maybe he's falling for you.
20:22Come on, that's impossible. He said some pretty harsh stuff earlier, so...
20:25Well, is that why you look all gloomy?
20:27What happened? Did you guys fight?
20:29He saw me doing a scene with another actor, and...
20:36Why do you care what he thinks, though?
20:39Come on, girl, this does not sound like you.
20:41Are you sure you haven't seen someone cute?
20:43No, it's just... there's something about him that's familiar, like...
20:49I've seen him before.
21:04Thank goodness you're here, Helen.
21:06This place is depressing. I don't know if I can make it without you.
21:09You're the one protecting me.
21:11I can't stay in the washroom getting hurt.
21:13You're as sweet as a sugar pea. Can I call you sugar pea?
21:15Sure, as long as I can call you on a little walk.
21:17Why a little walk?
21:19Because you make me feel safe. Like a rock I'll never break.
21:22Do you?
21:28It'll hurt.
21:30What have you done to me?
21:34His hearing is everywhere.
21:43I'm good. Just in time.
21:48Damn.
21:51Why are you being so nice to me?
21:55What happened?
21:57Sorry about today. I was... stupid of you to wrap it up.
22:01No, I mean, why did you help me get the role for your film?
22:10Well, you won't take my money, and...
22:13I can't allow the wife of Edward Ardwyn to just work a regular job.
22:17Oh, okay, so that's why.
22:19We're all rich people in this world, so...
22:21What was that?
22:23Nothing. This is great.
22:27You know, you can eat a little sweet sometimes.
22:29This is delicious.
22:31Glad you like it.
22:33Sweet pea.
22:36Good morning, ma'am.
22:38Edward isn't coming.
22:39Thank you.
22:40Oh, I saw you all cooking last night.
22:42I watched your utensils.
22:44Yeah, it was Edward.
22:46He's the cook.
22:48I gotta go.
22:54What is going on?
22:56What are we waiting for? Let's get started.
22:58One of our lead roles is not here yet.
23:00The largest thing I ask everyone here is to be professional.
23:05Sorry, guys. Traffic was nightmare.
23:07All right, I'm ready to start.
23:09Wait, I thought that she didn't get the part.
23:11How about that? Looks like I'm gonna be playing here.
23:13Hi, Steve.
23:15After this, nobody's ever gonna remember you.
23:17We'll see about that.
23:22Ready, and act.
23:24You have to leave now.
23:26Not without the love of my life.
23:27I'll wait for him no matter what.
23:32Oh, God.
23:33What do you think you're doing?
23:35Just playing my role.
23:38Carla.
23:39What the hell was that?
23:40That wasn't even in the script.
23:41I was just adding some extra touch to it.
23:43You know, for the sake of art.
23:44Art?
23:45This laugh doesn't make any sense.
23:47You've already changed my script.
23:49It's fine.
23:50She can hit me.
23:51Oh.
23:52Oh.
23:53Thelma, are you sure?
23:54It's all good.
23:55It's all for the sake of the effect.
23:57I knew I was right in choosing you as my lead.
24:00Okay.
24:01Back to one, please.
24:02Yes, thank you.
24:03Can you pick up my script?
24:04And action.
24:06You have to leave now.
24:07Not without the love of my life.
24:09I'll wait for him no matter what.
24:12Edward.
24:15Good to see you here.
24:17Were you watching me?
24:18Me and Thelma make a perfect team, don't we?
24:20Do you have these two switch roles?
24:22And want Thelma to do the slapping?
24:24Since it's all for the sake of art.
24:31But Thelma is the lead.
24:32Yeah, that wouldn't make any sense.
24:34We can't make more changes to the script.
24:35We're already behind.
24:36I'd better get my turn then.
24:38You don't have to do this for me.
24:39I'm not doing it for you.
24:40I'm doing it for my own investment.
24:45All right.
24:46We have added a line to the script.
24:48So now, Thelma,
24:50Carla's new line will be your cue for the slap.
24:53Got it?
24:54All right.
24:55And action.
24:57You have to leave now.
24:58Not without the love of my life.
25:00I'll wait for him no matter what.
25:01But what if he's dead?
25:02What if he finds somebody else?
25:04Are you just going to spend the rest of your life
25:05waiting for someone who will never come?
25:09Then I'll be sure to leave no room for regret.
25:14Cut.
25:15Oh, bravo.
25:17That was perfect, Thelma.
25:19You handled that perfectly.
25:21Thelma, where are you not supposed to go?
25:22Carla asked me to wait.
25:23Uh, no need for that.
25:25I think that my character is above that kind of pettiness.
25:33I'm going to expose you, Thelma.
25:35Sooner or later.
25:39Where are you, my little rock?
25:42I'm doing fine.
25:44Don't you worry.
25:46You know it's bad to waste food.
25:48Do you think you deserve to be punished?
25:50Yes, headmistress, I do.
25:52Ma'am, I don't think that's what she intended.
25:55Isn't that sweet?
25:56Too bad.
25:57She's getting more punishment because of you.
25:59Isn't that sweet?
26:00Well, if you so insist, you can take it for her.
26:03Oh, yeah, I'll...
26:06Oh, yeah, I'll...
26:16Found a worker who needs info to our computer.
26:18A manager who's worked with us for 20 years.
26:21What do we do with him?
26:23Uh, fire him.
26:25So, when you tell him, can't have disloyalty in the company.
26:28Why wouldn't I? I'm his family.
26:30So be it.
26:35Okay.
27:02Elker?
27:06Elker?
27:25Wait a second.
27:27Wait a second.
27:33Oh, no, no, no.
27:46What are you doing?
27:57I carried you to your bed last night and that was it.
28:01No, seriously, what are you doing?
28:03Nothing, sweet pea.
28:05When did you just call me?
28:06Uh, sweet pea, you said I interested you last night.
28:12I see. Well, don't ever do that again.
28:15Sure.
28:17Hi.
28:18Could you maybe explain this in a little bit of a trick, I guess?
28:21I mean, it is pretty straightforward.
28:22Just do what it says without improvising.
28:25Well, now, you were so great yesterday.
28:28I want to go over this one part.
28:29Now, when you say this line, um, about...
28:32I'll see how it works.
28:34What else?
28:35What am I doing this afternoon?
28:36Well, it's kind of a...
28:38Well, it's kind of a...
28:40Well, it's kind of a...
28:41Well, it's kind of a...
28:43Well, it's kind of a...
28:45Well, it's kind of a very important meeting.
28:47Did you forget?
28:48Castle, send her my apologies.
28:51What?
28:52So, what do you normally do when you're not working?
28:54Uh, I do striptease.
28:56Oh.
28:57I was thinking more along the lines of going to the movies.
29:00There's actually a good one out right now.
29:02I mean, maybe if you're interested, we could try to catch it together.
29:04Sorry, but I really need to focus on this job right now.
29:07Oh, yeah, sure, sure.
29:08You're a really interesting person to talk to, you know that?
29:12Edward!
29:13Are you here to see me?
29:15Are you feeling bad?
29:18Edward?
29:19It's not for you.
29:20I'm sorry.
29:21Why are you so talkative?
29:23Go put this next door up.
29:24Okay, boss.
29:29Edward?
29:30What's your name?
29:31Actually, it doesn't matter.
29:33What were you talking to my wife about?
29:40Oh!
29:41Oh, I had no idea that you were married.
29:44Oh, don't worry about that.
29:45We were just talking about stuff in the script.
29:46Is that right?
29:47Yeah.
29:48Hey, so you must be Edward Arwin.
29:50I've heard a lot about you.
29:51I'm Alex.
29:52Cool.
29:53Bye, Alex.
29:54Yeah, I'll see you later.
29:55Don't worry.
29:57Hey, you guys are all here.
29:58Edward brought snacks.
29:59They're in the lounge if anyone wants them.
30:00Yes, I'll come.
30:03Snacks.
30:06Edward doesn't usually come to set this often.
30:08He's quite the busy man.
30:09I think he's here to see you.
30:10He's here to see Carla, not me.
30:12Oh, please.
30:13Can you not see the way he looks at you?
30:14Whatever.
30:15Oh, speaking of the devil, I will give you two some privacy.
30:19No, don't.
30:25You're a damn hand.
30:26Don't forget, I'm the one who hired you.
30:28Excuse me?
30:29Stay away from Alex.
30:30Got it?
30:31What are you talking about?
30:32There's nothing going on between us.
30:33Besides, you came here to see Carla.
30:37So you're jealous.
30:38What are you talking about?
30:39I'm not jealous.
30:43What are you doing?
30:44Carla and I are together.
30:45I'm here for you.
30:46You really expect me to believe that?
30:47Don't move.
30:51Yeah, girl?
30:54What?
30:59Jean, are you absolutely sure?
31:01Yes, positive.
31:02I used to know this guy from the streets, and he and Al group drifted around from once.
31:05So where is he?
31:06Well, they later got separated.
31:08I don't know.
31:09So where is he?
31:10Well, they later got separated.
31:12So he has no idea of that.
31:13But that's got to mean that Al is still alive, right?
31:15Oh my goodness.
31:16Thank you so much.
31:17You have no idea how much this means to me.
31:19It's been ten years.
31:21Don't forget, you are married too.
31:23What are you going to do?
31:24I'll divorce him.
31:25That's our contract.
31:26I need the money.
31:27Al will understand.
31:29I don't know.
31:30Everyone seems really into you.
31:32Actually, Jean, I think I should keep my distance from him.
31:39I know.
31:43Are you okay?
31:44Yeah.
31:47Do you want to tell me what happened?
31:49I just want to be alone for a bit.
31:51Okay?
31:52Is this about Carla?
31:53I told you I went to see you, not her.
31:56Edward, I don't care who you're seeing.
31:58We're only married on paper, right?
32:01This is because we're moving too fast.
32:04I just think we should keep our distance.
32:06Please.
32:11Thought she was playing hard to get, huh?
32:13Maybe she doesn't want to see me too eager.
32:15I mean, why would anyone want to see you too?
32:17It's impossible.
32:18Everybody would love to see you.
32:19I can't see you either.
32:20All I see is you.
32:21I'm tired of you.
32:22I can't see you either.
32:23I'm tired of you.
32:25But, you have to promise me, you will stay with me.
32:27Okay?
32:28Promise.
32:30I promise.
32:32I promise.
32:34Come on. Let's get them set.
32:39Hey, Phil. You'll be wearing this dress for the next scene. Is that okay?
32:41That's fine.
32:44So you think you can just take whatever you want?
32:49I thought this was my personal changing room, like it's a personal changing room, like it's always been.
32:53Carla, this room is for the lead role. Yours is outside.
32:57Well, actually, I'm all done here.
32:58Carla loves taking things that aren't hers. Be my guest. Use it.
33:01Aren't you quite generous then, hmm? I was not here so you can drop the act.
33:07We actually need to get back to work, if there's nothing else. Actually, I can finish my makeup myself.
33:14Go on. What do you want to talk about?
33:16Let's make a deal.
33:17A deal?
33:20Who the fuck do you think you are?
33:22Well, as far as I know, I'm Edward's wife.
33:25Got a deal.
33:26Stop picking fights with me. Stop giving me a hard time on set, and I won't take anything away from you.
33:29I'll actually help you with whatever you and Edward have going on.
33:34Alright, deal.
33:35I'm done with this room, by the way. It's yours if you still want it.
33:38I don't need your pity!
33:48Don't you have like, business to run? What are you doing here all day?
33:51Hey, um, actually, about what happened, I think that we should talk.
33:55Why don't you meet me in the lounge after we wrap up?
33:57Why do you want to talk to me?
33:58It's a surprise. See you later.
34:08What does she want to talk about?
34:10Hi, Edward.
34:12Hi, Edward.
34:13Hi, Edward.
34:14Hi, Edward.
34:15Hi, Edward.
34:16Hi, Edward.
34:17Hi, Edward.
34:18Hi, Edward.
34:19Hi, Edward.
34:20Carla?
34:22Why are you here?
34:23Where's Noah?
34:24Should I...
34:25Maybe...
34:26I'll put this away.
34:28What are you doing? Are you trying to set those two up?
34:30Yeah, and if they're together, then they'll have nothing to do with me.
34:33Sounds like a terrible idea.
34:35Well, if you have a better idea, then let's hear it.
34:39Edward!
34:42If they're together, then they'll have nothing to do with me.
34:45Well, as long as you're okay with this.
34:47Of course I am. Why wouldn't I be?
34:49I mean, now I can just focus on what really matters.
34:52I can try to find Algar.
34:54Edward!
34:56What the fuck are you doing?
35:02Whatever games you're playing, you need to stop.
35:04What are you talking about? You came here to see Carla, right?
35:07No, but go on.
35:08Edward, we're going to be divorced really soon.
35:10So?
35:11So if you're attracted to somebody, then go for it! I want you to be happy!
35:14The only person I love is you!
35:19Edward, how could you?
35:22Everything I do for you, Carla, I do for your father.
35:25He worked out for me, so this is me paying him back.
35:33I'm already in love with somebody else. It's never going to be you.
35:36But if that man didn't exist, would you consider me?
35:38Stop it, Edward. It's never going to happen!
35:44What do I do, Algar?
35:46I know you're out there. What do I do?
35:49What do I do?
35:57Boss, you've been here for a while. Is everything okay?
36:02Why don't you tell her who it was she's looking for?
36:05Do you remember what I did? To return to the Ardoin family?
36:15About Algar...
36:16Are you telling me that Mr. Ardoin knows his illegitimate son is Algar?
36:21Yes. And now the old man wants him back.
36:24Another brat to show their inheritance.
36:26If I could only get rid of his mother, getting rid of him shouldn't be a problem.
36:31Madam, it's our fault. Please don't withdraw your donation from the orphanage.
36:35If we worked together on this, I could even help you.
36:40Damn it, mother.
36:41Oh, God.
36:45Take care of it. That makes a lot of sense.
36:50Jen, I'm going to be out of the postcard.
36:51Yes, please, sir. I just have to see it.
36:57I got rid of the woman who killed my mother and sent me to an orphanage.
37:01I eliminated everyone associated with her.
37:04Over the years.
37:05I did whatever it took to gain my father's approval.
37:09To secure my inheritance.
37:11My methods were worthless.
37:13My conscience, callous.
37:16You did what you had to do.
37:18But now I'm a different man.
37:20A monster she doesn't even recognize.
37:22If she finds out this is the man she's been looking for all these years, it'll drive her away.
37:27I can't lose her again.
37:30So it was true?
37:32Arkon and I, we roamed the city for a winter.
37:36A lot of people say he made some enemies.
37:39One night, under the bridge where we slept, he got stabbed.
37:43And he died.
37:45No, you're mistaken.
37:47He always had a ring with him.
37:49It was a nice ring.
37:51I think it had the letters A and H on it.
37:55It was a nice ring.
37:56It was a nice ring.
37:58I think it had the letters A and H on it.
38:01I told him he could pawn it for a few bucks, but he just kept it with him.
38:06No, he can't just be gone, he can't just be gone!
38:09It's okay, it's okay.
38:15Oh, Belle!
38:17Sweetie, what's wrong?
38:19Oh my God, baby, you haven't eaten in three days.
38:22Can I get you something? Anything?
38:24This is not good for you.
38:27It's okay.
38:30This is my fault.
38:32She's burning up.
38:34The doctor said it was from emotional distress and not eating.
38:37Go make her something to eat.
38:39I'll stay with her.
38:40Yes.
38:45You need to get some rest and let me handle this.
38:48No, it's okay. It's me.
38:50I know you care, but I've never seen you do this for anyone.
38:53And if the old lady were here, she'd be heartbroken to see you this exhausted.
38:57Don't worry about this, honey. You can go now.
39:07I'm not hungry.
39:10Please, eat and get better.
39:24No!
39:32Bella! Are you okay?
39:34I've tried to call you like ten times!
39:36You haven't done something stupid, have you?
39:38I can't find a reason to go.
39:40Stop saying that, okay?
39:42Don't listen to what that guy said. He doesn't know what he's talking about.
39:44They never found Albert's body.
39:46Maybe he's still alive.
39:48You've waited ten years.
39:50Are you sure you're going to give up now?
39:51Don't you want to find out the truth for yourself?
39:53Yeah, you're right.
39:55I should keep going.
39:57Good. Now go get some sleep and get back to set, girl!
40:00Okay? That is something that you've always wanted and you're not going to screw it up, alright?
40:03Yeah. I understand.
40:06I'll keep going for Albert.
40:09I want that bitch, Tana.
40:11Tana, are you ready?
40:13Sure, I would take the job.
40:18You ready? Don't mess this up.
40:19It's perfect!
40:21Coming!
40:29Uh, you wanted to see me?
40:31Yes. It is about the senior staff. We will be using this as a prop.
40:35So once the safety is tipped off, the blade will go back inside itself upon impact.
40:39So don't worry, it's not going to hurt you. See?
40:41Nice.
40:43Exactly.
40:45Uh, Thelma, Carla, all set.
40:48All departments ready?
40:51And action!
40:57Wait!
40:59Edward, are you okay?
41:01Oh god, what is happening?
41:03Edward, don't die on me. Please.
41:05I know that my past is complicated and I'm not worthy of your time or your love.
41:09What makes me so special?
41:10Okay, admit. I think somewhere along the way I became attracted to you.
41:14And I know that you keep this stone-cold face.
41:17But I know that that's not the real you.
41:20Please.
41:22Show me the real you. Let me in.
41:26Edward!
41:31What are you doing? That's not funny. I was wearing sick.
41:34What's the matter with you?
41:36How else can I get sick?
41:37That's not funny. I was wearing sick. What's the matter with you?
41:39How else can I get such a lovely monologue?
41:41Okay, you know what? I'm going to go get a doctor.
41:43No, no, no. I'm fine.
41:45Look, not even a scratch. Just leave it at it.
41:48Are you sure? It seemed pretty serious.
41:50Yeah, the knife didn't even get to me.
41:52Something blocked it.
41:54Really? Where is it?
41:56Nothing. I'll find out what happened to Beck.
41:58Meanwhile, be more careful on set, yeah?
42:01Don't worry about it. You're the patient. Just rest up now.
42:04I heard everything you were saying, by the way.
42:07You know what? I'm really going to go get a doctor now. Just shut up.
42:16You saved my life.
42:21How are you doing, boss?
42:23Not too shabby.
42:25So, what do you think?
42:27Good.
42:29Oh, my God.
42:33I'm not sure what we're going to do after your little incident.
42:35I'm sorry. I wasn't thinking.
42:37It won't happen again. I promise.
42:39Jane, get a replacement for the role. She's done.
42:44Edward, what are you saying?
42:46I told you to stop pointing the stripper at my back.
42:48I didn't do anything. Don't listen to her. She's making you all laugh.
42:51Carla had someone on the prop team switch the fake knife with a real one.
42:53She almost killed Thelma. And myself.
42:55Edward, I'm sorry. I missed her.
42:57Please, please give me another chance.
42:59I've given you plenty of chances.
43:01Really, Edward?
43:02After all these years,
43:04please stop embarrassing yourself.
43:07I'm not doing anything.
43:09I'm doing all of this for a man. I hope it's worth it.
43:11Edward, you know everything I did is because I love you.
43:14If you try hurting her again, you will be sorry.
43:21Hand her over to the police.
43:25Well, now that that's over,
43:27we should talk about what you said to me earlier.
43:29Which is what?
43:30That you were attacked.
43:44What if the person you're looking for is me?
43:48Don't be ridiculous.
43:50Besides, you come from a rich and powerful family.
43:53And he's an orphan.
43:55Like me.
43:57And he's incredibly kind.
43:58He wouldn't even step on an ant.
44:01I can't say the same thing about you.
44:04People can change.
44:06And I'll never stop searching for him.
44:08I'm afraid that he can't stop me.
44:13Am I even worthy of love?
44:19Am I even worthy of love?
44:21You're a pillionaire.
44:23I'm sure there's plenty of women fighting over you.
44:25Plus,
44:26Plus,
44:28I stand by what I said.
44:30I don't think that this Edward is the real you.
44:34Do you remember when we first met?
44:36You saved me.
44:38You're a good person.
44:40You're kind to Nos, to Sarah.
44:43You'll find the love that you deserve.
44:49He's gone.
44:52I waited ten years and he's just gone.
44:57Do you like the way I look?
44:59It doesn't matter. We're getting divorced in a year.
45:04If I give you all my property and assets,
45:06can we not get divorced?
45:10No.
45:26My head.
45:28Do you remember what happened?
45:34He said something about money and assets.
45:38And then after that, not a thing.
45:45Alright, okay. Back to work. Come on.
45:51Don't talk.
45:53I heard you've been looking for someone.
45:54Yes.
45:58Maybe this could be helpful.
46:00This place is reopening soon.
46:02I'd like for you to come.
46:04What does this have to do with the man that I'm looking for?
46:07You'll see.
46:09Okay, I'll go.
46:11It's good. Hang on just a moment, please.
46:13What does this have to do with Edward?
46:15You'll see.
46:18A taxi?
46:20Guys, we're blowing up.
46:22What do you mean?
46:24Did you see what happened behind the scenes?
46:26We went viral.
46:28Belmonte came in sensation.
46:30She's now trending number one. Big star.
46:32Trending? Does this mean more money?
46:34Of course it does.
46:36I was thinking about my next movie,
46:38and I want you to be in it.
46:40Wow, this is a dream come true.
46:42And we're having a wrap party at the hottest bar tonight.
46:44Alright.
46:46I wonder who's so generous.
46:52Boss, what about this new contract?
46:54Oh, definitely.
46:56So should I pick her up,
46:58or do I just shop at the party?
47:00You don't do this often, do you?
47:13Great party, Edward.
47:15It'll only be 30 grand.
47:17They're not entirely bad.
47:19So, thank you.
47:21Why'd you have to thank me?
47:22No, no, no.
47:24First off, this has been an amazing three months.
47:28I'd like to thank everybody up here.
47:30And up here is to its huge success.
47:34Cheers!
47:36And now, a few words from Edward,
47:39the man, the big boss,
47:41without whom none of this would be possible.
47:43Thank you all so much.
47:45I just want to say how grateful I am for the opportunity.
47:47Jay is an exceptional director.
47:49His casting, remarkable.
47:50Thelma's performance in particular,
47:52out of this world.
47:54And I'd like to take this moment
47:56to tell her that I'll always be there to support her.
47:58Cheers.
48:01Thelma, the superstar!
48:03Stop it.
48:05By the way, do you think Algar will watch my new show?
48:07Do you think he'll recognize me?
48:09No, Thelma.
48:11I know this is really hard to hear,
48:13but you've got to let him go.
48:15Algar's gone.
48:17I'm not giving up until I know for sure.
48:21Hey!
48:23Let me out!
48:28Thelma?
48:30Are you quitting?
48:32What are you talking about?
48:34Production told me you turned down Jay's new project.
48:36And you didn't show up for any of the promo events.
48:38What new project is this about?
48:40Who told you this?
48:42Oh, oh no.
48:44Could it be Edward?
48:46Could it?
48:48Edward?
48:50What?
48:52Interfering with my career without telling me?
48:54How is that for my own good?
48:59I don't want to be in a meeting like this.
49:01I can't tell if I'm late.
49:03Apologies, gentlemen.
49:05Let's take a break.
49:07Did you turn down the offer for my new film?
49:11Can you explain?
49:13This will terminate our contract marriage.
49:15The deal is over.
49:17What do you mean?
49:18I'm sorry for breaching our contract.
49:20That said, I don't want you meddling in my life anymore.
49:22You almost got hurt on set.
49:24I was trying to protect you.
49:26I don't need your protection, okay?
49:28I can look out for myself.
49:30This is my life.
49:32You're making a big mistake here.
49:34Just stay out of my work and my personal life, Edward.
49:36We're done.
49:39Hey, it's Thelma.
49:41Can I see you real quick?
49:43Thelma, you're very talented.
49:45It was such a shame that the thing didn't go well.
49:46Well, I knew you had it in you from the start.
49:49I saw it in you all the way.
49:51Thank you.
49:53Now I strictly get to make decisions for myself.
49:56Now, let's see this next project.
49:58Next project?
50:00Here it is.
50:02What do you think?
50:04Well, let's just say that it's a pleasure doing business with you, okay?
50:11Congratulations.
50:13Thank you.
50:17I need to move.
50:19I need to move.
50:21I need to move.
50:23Excuse me, I perfectly can't.
50:25How about we both compromise?
50:27You continue with your acting as long as it's through Ardwin Investments.
50:29You still don't get it, do you?
50:31I'm not your accessory.
50:33I'm not part of the Ardwin family.
50:35Plus, the only person that can make decisions for me is myself.
50:37Okay, we'll talk about it for the sake of our relationship.
50:39Look, I'm thankful for everything you've done for me.
50:42You've crossed the line.
50:44Goodbye, Edward.
50:46Goodbye.
50:48Oh, Thelma.
50:50Look, I have rarely seen Edward smile since his father passed away.
50:53And he's like a new man now that you're here.
50:55I'm sorry, but I can't stay here.
50:58It's okay, Sarah.
51:00Let her go.
51:01Let her go.
51:14It's not so easy that we become stalkers.
51:16Where is she?
51:18I know she has a bunch of crazy fans trying to get her attention,
51:20but if those assholes think they have a shot at my woman...
51:22You've not seen the news?
51:24Thelma, as it turns out, she's single again.
51:26What?
51:27Yeah, and for a bunch of years, I've turned in two fans now.
51:29Especially after watching her show.
51:31I know.
51:33I'm sorry.
51:42Thelma, Thelma, Thelma,
51:44are you still working with Ardwan Investment Family?
51:46The Ardwan family's never officially announced it for us.
51:48Is there something that they're hiding?
51:50Was your marriage to Edward out of any stupid business,
51:52like the tabloid said?
51:54Uh, why don't you ask the man himself?
52:02Hey, Mr. Ardwan, you got a second?
52:04I don't.
52:06Sorry.
52:08So, Mr. Ardwan,
52:10what brings you here?
52:12Thinking of joining the entertainment industry?
52:14You know why I'm here.
52:16Sorry, I can't help you with that.
52:18Uh, so this new film is a romantic drama
52:20with some comedy,
52:22with James...
52:24You ever wanted any?
52:26No.
52:28Anyways, I'd love to thank our amazing director, Jay,
52:29and everyone else who's helped me
52:31on this incredible journey.
52:33And I'm so excited to get started
52:35because I know that this is going to be another hit.
52:37Alright, ready to check out the set for the new movie?
52:39I'll walk you.
52:41Actually, do you want to check it out together?
52:43Sure.
52:45Thelma, Thelma,
52:47how do you want to talk a little bit?
52:49Uh, a few hours?
52:5120 minutes?
52:53Is that always a good move?
52:55I don't know what you're doing.
52:57See you back to the office.
52:59Okay.
53:01You just leave it there.
53:05Thelma, I'm sorry.
53:07I was wrong.
53:11Please give me another chance.
53:14I promise I won't be overbearing.
53:16I'll respect all your opinions,
53:18and I'll never interfere with your career again.
53:22Fine.
53:24We'll go.
53:26I'll take these.
53:28You talk about those later.
53:34Go!
53:36I don't want to see you again!
53:38Cuts!
53:40Welcome, everybody.
53:42That is a wrap.
53:44Great. Here, I got you a cup of coffee.
53:46Thanks, Alex.
53:56I need to know where she is.
53:58Now!
54:00I think I know where she is.
54:02Why don't you just leave me alone?
54:04No, man, look.
54:06Carla was talking to some sketchy dude
54:08about Carla's basement.
54:10I think that might be her.
54:12Trust me, man.
54:14I don't want anything bad happening to her, either.
54:16Believe me.
54:18Thelma?
54:20Where are you?
54:22I don't know.
54:23It's not doing anything stupid.
54:25Whatever you want.
54:27Just name it.
54:29Edward, Edward, Edward.
54:32How did you find this place?
54:37I don't know.
54:39You didn't seriously believe I would just walk away, did you?
54:41You're a coward.
54:43Hi there.
54:45Can I have a word with you?
54:47Yeah, sure.
54:49What's going on?
54:51Killer.
54:53Edward, I want you to watch.
54:55If you touch her, I will skin you alive.
55:03Thelma, run!
55:21It's okay.
55:23It's over.
55:25It's all over.
55:41It's today.
55:43I promise not to let go.
55:51Wait, this is the amusement park I agreed to meet Little Rock at.
55:54I thought it closed down years ago.
55:56Oh, well.
55:58Edward?
56:00What are you doing here?
56:02Nos told me to come.
56:04What are you doing here?
56:06Well, now that you're here, I need to tell you a little secret.
56:08Be right back.
56:10Edward?
56:17Don't be scared, sweetheart.
56:18What did you just call me?
56:24I told you I'd meet you here, Helen.
56:31I told you I'd meet you here, Helen.
56:34Elgar, but how?
56:36Why didn't you tell me after all this time?
56:38After I escaped the orphanage,
56:40the headmistress sent people after me.
56:42So I had to fake my own death.
56:44I survived.
56:45The price was becoming a different man.
56:47Cold.
56:49Worthless.
56:50Even cruel.
56:52And I was so scared
56:54that if he found out this was the man I'd become,
56:56he wouldn't love me anymore.
56:58Besides, the Hardwood family erased every trace of my past.
57:01If they find out you're the one I'm looking for,
57:03they'll use you against me.
57:05And I can't risk that.
57:07Elgar, you know that I love you.
57:10You do?
57:11Yeah, with you by my side, I'm more free than anything.
57:14I don't want us to ever be apart again.
57:17No.
57:41I love you.
57:43I love you.