My Cruel CEO Full Episode Full Movie #DRAMA
Category
🎥
Short filmTranscript
00:00:00What if the person you're looking for is me?
00:00:04Don't forget, I'm the one who hired you.
00:00:06Excuse me?
00:00:08I'm here for you.
00:00:10That's gotta mean that Algar is still alive, right?
00:00:12Oh my goodness.
00:00:14Don't forget, you are married too.
00:00:16What are you gonna do?
00:00:21So it was you.
00:00:23All this time.
00:00:26It might ruin him and his family.
00:00:28So be it.
00:00:29Where are you, Little Rock?
00:00:32I don't know who the fuck you are,
00:00:34but if you think you have a chance against me,
00:00:36you're dumber than I thought.
00:00:38I'm also looking for someone.
00:00:40Do you want to go somewhere more private?
00:00:42We can talk about the script.
00:00:46Stay out of my work and my personal life, Edward.
00:00:50Return.
00:00:59Hey, I want to take you to my place, baby doll.
00:01:20Sorry, I don't do private dances.
00:01:22You'll strip for money, but you won't fuck a guy?
00:01:25I'm not a hooker, show some respect.
00:01:28You fucking bitch, I'll show you respect.
00:01:31Mr. Morgan, I am so sorry.
00:01:33She's new here, I've got to train her better.
00:01:36Just have a seat, we'll be with you shortly.
00:01:38Sorry about that.
00:01:44You ungrateful bitch.
00:01:46You remember who saved your ass
00:01:48when you were knee deep in debt?
00:01:50Me.
00:01:54How are we doing with the search?
00:01:56Not good, boss. I'm still going.
00:01:59Fine, nerd. I don't care what it takes.
00:02:05I found the perfect woman for you.
00:02:07It's about time you settle down and get married.
00:02:09Her name is Carla. She's the daughter of a friend of mine.
00:02:12Dad, we've been over this.
00:02:14I don't need you to find me the perfect woman.
00:02:16Of course I do. You're an artwit.
00:02:18I have to make sure my son marries the perfect woman.
00:02:21So now all of a sudden you give a shit about me?
00:02:23You never care when you throw a bomb away?
00:02:25Or when you send me to that orphanage all by myself?
00:02:27Silence! How dare you!
00:02:29This is for the Ardwin family business.
00:02:31You're marrying Carla Jennings.
00:02:33End of discussion.
00:02:35Dad.
00:02:41I paid your 500 grand debt and I gave you a job.
00:02:44Now if you want to quit so bad, pay me back!
00:02:48Get the fuck out of my club!
00:02:50Please, you know I don't have $500,000.
00:02:52Just give me another chance!
00:02:54Then get the fuck back in there,
00:02:56apologize to that nice gentleman,
00:02:58and do whatever the fuck he tells you to do!
00:03:01Now if I get any more complaints from our clients,
00:03:03you will be sorry.
00:03:05Got it?
00:03:07Is there a problem here?
00:03:09No, sir. Everything's fine.
00:03:13She looks just like her.
00:03:16Will you marry me?
00:03:22Will you marry me?
00:03:26Now let's tell my father I've chosen a wife for myself.
00:03:29Are you sure about this?
00:03:31She's a stripper.
00:03:33How about we make a deal?
00:03:35Name any price you want,
00:03:37and we get married.
00:03:39I don't want to get married.
00:03:41I don't want to get married.
00:03:43Then we get married.
00:03:45I owe my boss $500,000.
00:03:47He's not going to let me go until I pay it.
00:03:53Anything else?
00:04:02This is your house?
00:04:04It's our house now.
00:04:06Follow me.
00:04:13Alright.
00:04:15Sign this agreement,
00:04:17and we'll be contractually married for a year.
00:04:19After that, we'll file for divorce.
00:04:21Until then,
00:04:23you're part of the richest family in the country.
00:04:36My heart belongs to somebody else, though.
00:04:38I want you to know that I'm not attracted to you.
00:04:41You'll understand me very well later.
00:04:44Is that so?
00:04:46Well, don't worry.
00:04:48I'm not attracted to you either.
00:04:50I just wanted the money.
00:05:03Hey, where are we staying, by the way?
00:05:06In the guest room.
00:05:11Well,
00:05:13total jerk, this is an ad.
00:05:22It's been over 10 years.
00:05:26I miss you so much.
00:05:41I miss you, too.
00:05:57Nos, I need you to find out everything you can about the woman I just married.
00:06:01It seems she grew up in the same orphanage.
00:06:11Sorry, I didn't mean to.
00:06:13This is my bathroom.
00:06:15What do you think you're doing?
00:06:17Nice try, but I need your little tricks to get my attention.
00:06:20It's not going to work, though. Sorry.
00:06:23I wasn't trying to get your attention.
00:06:26Oh!
00:06:31Do you mind turning that off?
00:06:34No.
00:06:36I'm sorry.
00:06:39Do you mind turning that off?
00:06:43I just thought the carpet needed some cleaning.
00:06:45You're here to be my wife, not a maid.
00:06:50Who are you?
00:06:54Wait, you're that stripper.
00:06:57What are you doing in Edward's house?
00:06:59I am? Who are you?
00:07:01I am Edward's fiancée.
00:07:05Edward, you're marrying a stripper?
00:07:08I thought I was your fiancée.
00:07:10My father arranged for us to get married only for the sake of our families.
00:07:14We wouldn't be happy even if we did get married.
00:07:16But I would be happy, Edward.
00:07:18Carla, you know I have someone that I love.
00:07:22She's the one I'm waiting for.
00:07:25I don't know who the fuck you are.
00:07:28If you think you have a chance to kiss me, you're dumber than I thought.
00:07:32Yes, get it straight.
00:07:34I'm not competing with you.
00:07:37Stop it.
00:07:39Edward, are you defending her now?
00:07:43I'm not a dumb bitch.
00:07:45I'm just a maid.
00:07:47Wow, you've got a lot of admirers, huh?
00:07:50Any more than to watch out for?
00:07:52Look, if you see me in the living room, don't show your face.
00:07:56Same will go for me.
00:07:58Same will go for me.
00:08:00Your house, your rules. Big deal.
00:08:09Hi, I'm Velma.
00:08:12I've worked a lot of odd jobs in the city.
00:08:18Waitressing and working in nightclubs.
00:08:23All for a chance to act.
00:08:28I'm also looking for someone.
00:08:33And I hope that one day he sees me on screen.
00:08:43That way he knows that I'm still here.
00:08:58Parker, I hope you see me.
00:09:19That's okay, Sarah.
00:09:21Velma doesn't need to dine with me.
00:09:23Bring my food to my room and I'll eat there.
00:09:26Yes.
00:09:28It's fine. I usually don't eat with people anyway.
00:09:32By the way, I'm going out for a bit today.
00:09:36Where you go is none of my concern.
00:09:39Fine!
00:09:43Is he always this big of a jerk?
00:09:46Excuse him, ma'am. He's just used to living alone.
00:09:49I'm sorry, Sarah. It must be difficult dealing with him every day.
00:09:53It's okay.
00:09:57Yeah, I'll be right there.
00:10:14Okay, sit.
00:10:16So, I heard a funny little rumor that you married the famous billionaire Edward Arduin.
00:10:22Is it true?
00:10:23Is it true?
00:10:24I didn't know that he was a billionaire until after I married him.
00:10:27You're joking! How did you manage that?
00:10:30I just signed a contract.
00:10:33What?
00:10:34Who cares? What are you waiting for? Seal the deal.
00:10:37I know that I can't think about anyone but Al Gore.
00:10:41T, it's been ten years since you two escaped the orphanage.
00:10:45Al Gore could be anywhere. He could be dead.
00:10:47He's not dead!
00:10:49Okay, it's okay. I'm sorry.
00:10:53So, what's your plan?
00:10:55Keep things the way they are, I guess.
00:10:58Except now I can focus more on acting and not dancing in strip clubs.
00:11:03Hey, that's exciting, right? That's something you've always wanted to do since you were a kid.
00:11:08Is that audition today?
00:11:10Yes!
00:11:17Hi, I'm here for the audition.
00:11:21You think you can just show up like that, you slut?
00:11:28You slut! Are you stalking me?
00:11:31Oh, don't flatter yourself. I'm the lead of this production.
00:11:35She's not auditioning.
00:11:37Sorry.
00:11:38You can't do this! I worked so hard for this opportunity!
00:11:42Oh, like stripping for men and fucking them in strip clubs?
00:11:46Guys, I was dancing, that's it!
00:11:49What's the fucking difference?
00:11:51I eat girls like your fucking breakfast.
00:11:54Let's go, Derek.
00:11:58No! Please! Wait!
00:12:07Be quiet.
00:12:19Come on.
00:12:22Come on.
00:12:45Boss, you have the details.
00:12:48Tell mom, she went to high school not far from here.
00:12:52No doubt.
00:12:53There has been audition for films.
00:12:55She worked at nightclubs to make a living.
00:12:58Bad relationship with her parents.
00:13:07But not an orphan.
00:13:09No name changes.
00:13:11And definitely never been to an orphanage.
00:13:19I wanted it to be her so bad.
00:13:22Of course, I kept me on it.
00:13:24You've been looking for this girl for ten years.
00:13:27Who is she?
00:13:29Someone more important to me than life itself.
00:13:42Oh, my God.
00:13:44It is her.
00:13:47It is her.
00:13:53Find a location where this photo was sent.
00:13:55Got it?
00:13:56Photo's been sent.
00:13:58Good. Where is she?
00:14:00Oh.
00:14:02Out by the lane.
00:14:04I guess marrying Edward won't solve everything.
00:14:07How pathetic.
00:14:08Do whatever you want with her.
00:14:10And clean it up after you're done.
00:14:17Come on.
00:14:28I've been searching for you for so long.
00:14:30And you were right here.
00:14:47Boss, he's gone.
00:14:49Find him.
00:14:50Keep this between us.
00:14:51Got it.
00:14:52Oh, God. Save me.
00:14:55Come on. I got you.
00:15:09Oh, God.
00:15:11I'm sorry.
00:15:13Oh, God.
00:15:15I'm sorry.
00:15:18I can't tell you who I am.
00:15:21Not yet.
00:15:38We'll need your names once we're out of here.
00:15:40Right?
00:15:42Yeah. We're starting a new life.
00:15:44I'll be...
00:15:45Thelma. What about you?
00:15:47Algar.
00:15:49Helen.
00:15:51Where are you?
00:15:53Let's run quick.
00:15:54Trying to escape again?
00:15:56I warned you it's not gonna work.
00:15:58Looks like I gotta get you first.
00:16:00At least one of us needs to escape.
00:16:02No. You go.
00:16:04She's gonna kill you.
00:16:05I won't let her catch me.
00:16:07Just go. I'll find you.
00:16:09Let's meet at the amusement park.
00:16:13I'll wait for you, Algar.
00:16:20You're not going anywhere.
00:16:22I'll bring her back. Rest assured.
00:16:25After I'm done with you.
00:16:33I'll wait for you, Algar.
00:16:43What happened?
00:16:45Nothing to worry about.
00:16:47Just some issues with the film crew.
00:16:49Why are you being so nice to me?
00:16:52No reason.
00:16:54Here. Take this card.
00:16:56It's unlimited.
00:16:58Spend it however you want.
00:16:59Why are you doing this? I don't want your money.
00:17:04Well, if you need money, just let me know,
00:17:06and you can stop looking for...
00:17:08odd jobs.
00:17:13Odd jobs?
00:17:15Acting is my dream.
00:17:17I danced in strip clubs for a living, but...
00:17:21people like you, born from a silver spoon,
00:17:23wouldn't understand that.
00:17:25Then stop doing it.
00:17:27We're in a contract marriage, right?
00:17:30I won't interfere with your life,
00:17:32and you can't meddle in mine.
00:17:34Acting is something that I've always wanted.
00:17:38And besides,
00:17:40I'm not gonna take your money besides the number that we agreed on.
00:17:45You need to rest now.
00:17:50Do you mind?
00:18:10Look at this mess.
00:18:12Clean it up if you even think about going to bed.
00:18:30Eat up. You must be starving.
00:18:34Yeah. You can probably work hard for this.
00:18:37Come on, take it.
00:18:41I can't believe she locked you up for three days and made you do all this.
00:18:46Did she even feed you at all?
00:18:48You made it easier for me.
00:18:50Now, get back before she sees you here.
00:19:11Excuse me. I'm calling to ask about my audition.
00:19:15I'm sorry. Your name has been blacklisted for reproduction.
00:19:19What?
00:19:25This is the dude that got found out. I sent you those pictures.
00:19:37How about a drink?
00:19:39There are two glasses of scotch there. Pick one.
00:19:43I'm sorry, Mr. Edward.
00:19:45It's just a friendly gesture from the boss.
00:19:50One more thing. Only one of those glasses is poison-free.
00:19:55You should have known better what would happen if you kidnapped Emma.
00:19:59Here. I'll do it for you.
00:20:02Hold it.
00:20:06Go!
00:20:09Go!
00:20:16Take him away.
00:20:23This is what I've become, Thelma.
00:20:27I hope you never see me like this.
00:20:30Ruthless. Merciless.
00:20:34Both glasses.
00:20:36You silenced the man.
00:20:39But I simply can't forgive him for what he did.
00:20:44Thelma, will you forgive me?
00:20:53What?
00:20:55What the fuck happened to you? How did he find you? What happened?
00:21:00Oh, you can't even talk now?
00:21:02God, you're fucking useless!
00:21:06Inform every production you can reach. Thelma will never be an actress.
00:21:12Make sure of it.
00:21:16Go!
00:21:28Are you okay?
00:21:31I've been blacklisted by every production company.
00:21:34Even the Actors Guild. What am I gonna do?
00:21:37Hey, don't lose heart, okay?
00:21:39I happen to know of an audition going on today, if you're interested.
00:21:42Since when?
00:21:43A good friend of mine took me off.
00:21:45Now, come on. Let's go.
00:21:47It's better than moping around here.
00:21:52Here it is.
00:21:54So I can just go in there? Just like this?
00:21:57Yes. I got everything set up, okay? Just go ahead. Go in.
00:22:00And do you think you got this?
00:22:03Break a leg!
00:22:16Nice shot.
00:22:23Who is she?
00:22:25Nobody.
00:22:26She's not here for the audition, too, is she?
00:22:29Well, in that case, we'll ring for a treat.
00:22:35Carla, Jenny, you're up next.
00:22:37Thank you.
00:22:42Watch it.
00:22:55I can't believe it! It was you all along!
00:23:00That's right.
00:23:02I never thought you'd find me.
00:23:04But it must come to an end.
00:23:08Oh, no!
00:23:21Cut!
00:23:25I'm sorry. Were you shot, or did someone just step on your toe?
00:23:29Can you just try again? I was just a bit nervous.
00:23:33Miss Jennings, we are making a thriller with a tragic ending.
00:23:37What you just did was borderline comedy.
00:23:40Excuse me, do you know how close I am with your investor?
00:23:46Sir, she was indeed recommended for the role.
00:23:50May we give her another chance?
00:23:58No!
00:24:00We are creating art that appeals to our audience.
00:24:03And she is clearly not right for the role.
00:24:06Next!
00:24:08I'm sorry, Miss Jennings. That was great.
00:24:11Maybe another project, or another...
00:24:15What are you still doing here? I thought you were a blacklist.
00:24:18So it was you.
00:24:20You know, if that's the best you've got, then I'm not that worried.
00:24:23You think you can do better than me?
00:24:26You're nothing.
00:24:30Yeah, show us what you've got.
00:24:33Thelma?
00:24:36Hi.
00:24:49So it was you.
00:24:51All this time.
00:24:53That's right.
00:24:55I never thought you would find me.
00:24:59But now it must come to an end.
00:25:03No!
00:25:05This can't be it for us!
00:25:13Cut!
00:25:16Well, that was amazing!
00:25:19You fully captured that role.
00:25:22Congratulations, you get the part.
00:25:25What?
00:25:30What about me? You promised me!
00:25:33Oh, come on, you have to admit, she was exceptional!
00:25:36She's perfect for the part!
00:25:38Pearl, you killed it!
00:25:41You were great.
00:25:43I'm Alex. Looks like we're going to be scene partners.
00:25:45Thelma.
00:25:46Hey, do you want to go somewhere more private?
00:25:48We can talk about the script.
00:25:49Yeah, sure.
00:26:00What the fuck?
00:26:02You're hitting on the wrong girl, buddy.
00:26:04Edward, what are you doing?
00:26:07I need to go talk to Thelma.
00:26:09How about you shoot another day?
00:26:14What are you doing?
00:26:16Can you explain yourself?
00:26:18I don't owe you any explanations.
00:26:21So you're seeing new guys?
00:26:24What? No, we were just talking about the script.
00:26:28What? No, we were just acting out a scene.
00:26:31A scene where you take it real close, like a couple?
00:26:34I was just doing my job. There's nothing wrong with it.
00:26:37And besides, even if I was seeing someone, it would be none of your business!
00:26:48Hey! I heard you got the lead role.
00:26:51That's amazing.
00:26:53I knew you'd kill it.
00:26:55What the fuck we're doing here?
00:26:57Come on, you know who I'm talking about.
00:27:00Um, gosh, you still don't know, do you?
00:27:03Know what?
00:27:06Well, he's actually the investor of this movie.
00:27:10This is his project.
00:27:17Why did you bring me here then?
00:27:19Well, it was actually his idea.
00:27:25Hello?
00:27:27Hi, is this Gene?
00:27:28Who is this?
00:27:30This is Edward Ardoin.
00:27:32I recently invested in a film project, and I want you to take her friend, Thelma.
00:27:36I think she'll be great for a lead role.
00:27:38Wait, wait, you're Edward Ardoin?
00:27:41I wired the payment to your account. Thank you.
00:27:43Wait, wait, wait!
00:27:48I still can't believe I spoke to the legendary Edward Ardoin.
00:27:53I can't believe you knew all this time and you didn't tell me.
00:27:56Don't look at me! I'm just the middle man doing somebody else a favor, okay?
00:28:00And you still got the lead!
00:28:02That's amazing.
00:28:04But, you know, a lot of people say that Edward's not very nice.
00:28:08He's like a stone-cold man.
00:28:10Why is he being so good to you?
00:28:13Yeah, I don't get it either.
00:28:15I mean, women must be throwing themselves at him.
00:28:18Why would he help me?
00:28:24Maybe he's fallen for you.
00:28:28Come on, that's impossible.
00:28:30Why?
00:28:31He said some pretty harsh stuff earlier, so...
00:28:33Wow, is that why you look all gloomy?
00:28:36What happened? Did you guys fight?
00:28:38He saw me doing a scene with another actor, and...
00:28:42It's whatever.
00:28:48Why do you care what he thinks, though?
00:28:51Come on, girl, this does not sound like you.
00:28:54Are you sure you haven't fallen for him, too?
00:28:57No, it's just...
00:28:59There's something about him that's...
00:29:02familiar, like...
00:29:04Like...
00:29:06I've seen him before.
00:29:08Hmm.
00:29:22Hmm.
00:29:30Thank goodness you're here, Ellen.
00:29:32This place is depressing.
00:29:34I don't know if I can make it without you.
00:29:37You're the one protecting me.
00:29:40I can't stand watching you getting hurt.
00:29:42You're as sweet as a sugarpea.
00:29:44Can I call you Sugarpea?
00:29:45Sure, as long as I can call you My Little Rock.
00:29:49My Little Rock?
00:29:50Because you make me feel safe.
00:29:52Like a rock I'll never break.
00:29:55Do you?
00:30:03Talker...
00:30:06What have you done to me?
00:30:12I just see your face everywhere.
00:30:21Feel good?
00:30:23Just in time.
00:30:32Dang it.
00:30:34Why are you being so nice to me?
00:30:40Like, uh...
00:30:42Sorry about today.
00:30:44It was stupid of me to react that way.
00:30:47Stupid of me to react that way?
00:30:49No, I mean...
00:30:51Why did you help me get the role for your film?
00:31:03Well, you won't take my money.
00:31:05And...
00:31:06I can't allow the wife of Edward Ardoin to just work a regular job.
00:31:12Oh. Okay, so that's why.
00:31:15We're all rich people in this world, that's all.
00:31:17What was that?
00:31:19Nothing. This is great.
00:31:25You know, you can be real sweet sometimes.
00:31:28This is delicious.
00:31:31I'm glad you like it.
00:31:34Sweet pea.
00:31:38Good morning, madam.
00:31:40Edward has left already.
00:31:42Thank you.
00:31:44I saw you were cooking last night.
00:31:46I watched your utensils.
00:31:48Oh, yeah. It was Edward.
00:31:52He's the cook.
00:31:54Gotta go.
00:32:03What is going on?
00:32:05What are we waiting for? Let's get started!
00:32:07One of our lead roles is not here yet.
00:32:11You know what?
00:32:13I ask everyone here is to be professional.
00:32:18Sorry, guys. Traffic was nightmare.
00:32:21All right, I'm ready to start.
00:32:23Wait, I thought that she didn't get the part.
00:32:26Well, how about that?
00:32:28Looks like I'm gonna be playing your fisty.
00:32:32After this, nobody's gonna remember you.
00:32:35We'll see about that.
00:32:40Scene 42, take 2.
00:32:43Ready, and action!
00:32:46You have to leave now.
00:32:48Not without the love of my life.
00:32:50I'll wait for him no matter what!
00:32:57Oh, God!
00:32:59What do you think you're doing?
00:33:01I'm just playing my role.
00:33:05Carla!
00:33:07What the hell was that? That wasn't even in the script.
00:33:10I was just adding some extra touch to it.
00:33:12You know, for the sake of art.
00:33:14Art?
00:33:15This slap doesn't make any sense.
00:33:17And who gave you the authority to change my script?
00:33:21It's fine. She can hit me.
00:33:24Oh.
00:33:26Thelma, are you sure about that?
00:33:28It's all good if it's all for the sake of the effect.
00:33:31Wow.
00:33:33I knew I was right in choosing you as my lead.
00:33:36Okay, okay. Back to one, please.
00:33:39Yes, thank you. Can you turn on my script?
00:33:42And action!
00:33:44You have to leave now.
00:33:46Not without the love of my life.
00:33:48I'll wait for him no matter what!
00:33:52Edward?
00:33:57Good to see you here.
00:33:59Were you watching me?
00:34:01Me and Thelma make a perfect team, don't we?
00:34:04Jay, have these two switch roles.
00:34:06I want Thelma to do the slapping,
00:34:09since it's all for the sake of art.
00:34:18But Thelma is the lead.
00:34:20Yeah, that wouldn't make any sense.
00:34:22We can't make more changes to the script, Ed.
00:34:25We're already behind.
00:34:26You better get right to it, then.
00:34:28You don't have to do this for me.
00:34:30I'm not doing it for you.
00:34:32I'm doing it for my own investment.
00:34:39Alright, we have added a line to the script.
00:34:44So now, Thelma,
00:34:46Carla's new line will be your cue for the slap.
00:34:50Got it?
00:34:52Alright, and...
00:34:55Action!
00:34:56You have to leave now.
00:34:58Not without the love of my life.
00:35:00I'll wait for him no matter what.
00:35:02But what if he's dead?
00:35:03What if he finds somebody else?
00:35:05You're just gonna spend the rest of your life
00:35:07waiting for someone who will never come?
00:35:14Then I'll be sure to leave no room for regret.
00:35:20Cut!
00:35:22Bravo!
00:35:24That was perfect, Thelma!
00:35:26You handled that perfectly.
00:35:29Thelma, where are you next with Carla after the line?
00:35:32Uh, no need for that.
00:35:34I think that my character is above that kind of pettiness.
00:35:46I'm going to expose you, Thelma.
00:35:48Sooner or later.
00:36:00Where are you, my little rock?
00:36:04I'm doing fine.
00:36:06Don't you worry.
00:36:10You know it's bad to waste food.
00:36:12Do you think you deserve to be punished?
00:36:14Yes, headmistress, I do.
00:36:17Ma'am, for heaven's sake, that's what she could have finished.
00:36:20Isn't that sweet?
00:36:22Too bad.
00:36:23She's getting more punishment because of you.
00:36:26Isn't that sweet?
00:36:28If you so insist, you can take it for her.
00:36:31Oh, get off.
00:36:33Sorry.
00:36:46Found the worker who leaked info to our computer.
00:36:49A manager who's worked with us for 20 years.
00:36:53What do we do with him?
00:36:55Uh, fire him.
00:36:58So, if we need to,
00:37:00we can't have disloyalty in the company.
00:37:02Why won't I? I'm his family.
00:37:05So be it.
00:37:07All right.
00:37:28Helper.
00:37:51Helper.
00:37:53Helper.
00:37:56Helper.
00:38:23Where's mine?
00:38:34Oh, no, no, no.
00:38:36Helper.
00:38:51Morning.
00:38:53What are you doing?
00:38:55Nothing.
00:38:58I...
00:39:03Nothing.
00:39:07I...
00:39:09carried you to your bed last night, and that was it.
00:39:13No, seriously, what are you doing?
00:39:16Nothing, sweet pea.
00:39:18What did she just call me?
00:39:20Uh, sweet pea,
00:39:23you sat in your sleep last night.
00:39:27I see.
00:39:29Well, don't ever do that again.
00:39:32Sure.
00:39:45Hi.
00:39:47Could you maybe explain this scene a little bit?
00:39:50I'm not sure if I get it.
00:39:52I mean, it is pretty straightforward.
00:39:54Just do what it says without improvising.
00:39:58Velma,
00:40:00you were so great yesterday.
00:40:03I want to go over this one part.
00:40:05Now, when you say this line, um, about...
00:40:08We'll see who wins.
00:40:11Ellis,
00:40:13what am I doing this afternoon?
00:40:15Well, it's kind of a very important meeting.
00:40:18Did you forget?
00:40:20Guess I'll send her my apologies.
00:40:23What?
00:40:25So, what do you normally do when you're not working?
00:40:28Um, I do striptease.
00:40:30Oh.
00:40:32I was thinking more along the lines of going to the movies.
00:40:37There's actually a good one out right now.
00:40:39I mean, maybe if you're interested, we could try to catch it together?
00:40:42Sorry, but I really need to focus on this job right now.
00:40:45Oh, yeah, sure, sure.
00:40:48You're a really interesting person to talk to, you know that?
00:40:53Edward!
00:40:55Are you here to see me?
00:40:57Oh, you're a little bad.
00:40:59Aw.
00:41:01Edward?
00:41:03It's not for you. I'm sorry.
00:41:05Why is she still talking to him?
00:41:08Go put the snacks in the lounge.
00:41:10Okay, boss.
00:41:16Edward?
00:41:18What's your name again?
00:41:19Actually, it doesn't matter.
00:41:21What were you talking to my wife about?
00:41:31Oh.
00:41:33Thelma, I had no idea that you were married.
00:41:36Um, oh, don't worry about it, man.
00:41:39We were just talking about stuff in the scripts.
00:41:41Is that right?
00:41:42Yeah.
00:41:43Hey, so you must be Edward Ardwin.
00:41:46I've heard a lot about you.
00:41:47I'm Alex.
00:41:48Cool.
00:41:49Bye, Alex.
00:41:51Yeah, um, I'll see you later, Thelma.
00:41:54No, you won't.
00:41:55Good, you guys are all here.
00:41:57Edward brought snacks.
00:41:59They're in the lounge if anyone wants them.
00:42:00Yes, I'll come.
00:42:04Snacks.
00:42:08Edward doesn't usually come to set this often.
00:42:11He's quite the busy man.
00:42:12I think he's here to see you.
00:42:14He's here to see Carla, not me.
00:42:16Oh, please.
00:42:17Can you not see the way he looks at you?
00:42:20Whatever.
00:42:21Oh, speak of the devil.
00:42:24I will give you two some privacy.
00:42:26Wait, please.
00:42:27No, don't.
00:42:28Excuse me.
00:42:34You're getting out of hand.
00:42:36Don't forget, I'm the one who hired you.
00:42:38Excuse me?
00:42:40Stay away from Alex.
00:42:41Got it?
00:42:42What are you talking about?
00:42:43There's nothing going on between us.
00:42:45Besides, you came here to see Carla.
00:42:51So you're jealous.
00:42:52No, what are you talking about?
00:42:54I'm not jealous.
00:43:04What are you doing?
00:43:06Carla and I aren't together.
00:43:08I'm here for you.
00:43:09You really expect me to believe that?
00:43:12Thelma.
00:43:16Yeah, girl?
00:43:21What?
00:43:28Jane, are you absolutely sure?
00:43:30Yes, positive.
00:43:32I used to know this guy from the streets, and he and Algar drifted around for months.
00:43:36So where is he?
00:43:38Well, they later got separated, so he has no idea after that.
00:43:42But that's got to mean that Algar is still alive, right?
00:43:45Oh my goodness.
00:43:47Thank you so much.
00:43:48You have no idea how much this means to me.
00:43:50It's been ten years.
00:43:54Don't forget, you are married too.
00:43:56What are you going to do?
00:43:58I'll divorce him once our contract is up.
00:44:01I needed the money.
00:44:03Algar will understand.
00:44:05I don't know.
00:44:06Everyone seemed really into you.
00:44:09Actually, Jane, I think I should keep my distance from him.
00:44:23You okay?
00:44:25Yeah.
00:44:29Want to tell me what happened?
00:44:32I just want to be alone for a bit, okay?
00:44:35Is this about Carla?
00:44:37I told you, I went to see you.
00:44:39Not her.
00:44:40I've heard I don't care who you're seeing.
00:44:42We're only married on paper, right?
00:44:47Is this because we're moving too fast?
00:44:56Is this about Carla?
00:44:58I told you, I went to see you.
00:45:00Not her.
00:45:01I've heard I don't care who you're seeing.
00:45:04Not her.
00:45:05I've heard I don't care who you're seeing.
00:45:07We're only married on paper, right?
00:45:12Is this because we're moving too fast?
00:45:17I just think that we should keep our distance.
00:45:20Please.
00:45:28Thought she was playing hard to get, huh?
00:45:30Maybe she doesn't want to seem too new.
00:45:32Anyone would hate you.
00:45:34It's impossible.
00:45:36Come on.
00:45:37Let's get to the set.
00:45:42Hey, Phil.
00:45:43You'll be wearing this dress for the next scene.
00:45:45Is that okay?
00:45:46That's fine.
00:45:49So you think you can just take whatever you want?
00:45:56I thought this was my personal changing room,
00:45:59like it's a personal changing room,
00:46:01like it's always been.
00:46:03Carla, this room is for the lead role.
00:46:05Yours is outside.
00:46:07Well, actually, I'm all done here.
00:46:10Carla loves taking things that aren't hers.
00:46:12Be my guest.
00:46:13Use it.
00:46:17Aren't you quite generous then, hmm?
00:46:20I was not here so you can drop the act.
00:46:22We actually need to get back to work,
00:46:24if there's nothing else.
00:46:26Actually, I can finish my makeup myself.
00:46:32Go on.
00:46:33What do you want to talk about?
00:46:35Let's make a deal.
00:46:36A deal?
00:46:40Who the fuck do you think you are?
00:46:43Well, as far as I know, I'm Edward's wife.
00:46:50Got a deal.
00:46:51Stop picking fights with me.
00:46:53Stop giving me a hard time on set,
00:46:55and I won't take anything away from you.
00:46:57I'll actually help you with whatever you and Edward have going on.
00:47:02All right, deal.
00:47:04I'm done with this room, by the way.
00:47:06It's yours if you still want it.
00:47:08I don't need your pity.
00:47:23Don't you have, like, business to run?
00:47:25What are you doing here all day?
00:47:32Hey, um...
00:47:34Actually, about what happened,
00:47:36I think that we should talk.
00:47:39Why don't you meet me in the lounge after we wrap up?
00:47:42Why can't we talk now?
00:47:44Why don't you stay surprised?
00:47:46See you later.
00:47:56What does she want to talk about?
00:47:59Does she not want to see me?
00:48:02Hi, Edward.
00:48:04Carla?
00:48:07Why are you here?
00:48:08Where's Stalin?
00:48:09Where should I meet him?
00:48:11Maybe we can have a little squint?
00:48:15What are you doing?
00:48:16Are you trying to set those two up?
00:48:18Yeah, and if they're together,
00:48:20then they'll have nothing to do with me.
00:48:23Sounds like a terrible idea.
00:48:25Well, if you have a better idea,
00:48:27then let's hear it.
00:48:31Edward!
00:48:34If they're together,
00:48:36then they'll have nothing to do with me.
00:48:39Well, as long as you're okay with this.
00:48:43Of course I am.
00:48:44Why wouldn't I be?
00:48:46I mean,
00:48:47now I can just focus on what really matters.
00:48:51I can try to find Alger.
00:48:53Edward!
00:48:55What the fuck are you doing?
00:49:04Look, whatever games you're playing,
00:49:05you need to stop.
00:49:06What are you talking about?
00:49:08You came here to see Carla, right?
00:49:10Don't look cold.
00:49:12Edward, we're going to be divorced really soon.
00:49:15So?
00:49:16So if you're attracted to somebody,
00:49:18then go for it!
00:49:19I want you to be happy!
00:49:20The only person I love is you!
00:49:26Edward, how could you?
00:49:30Everything I do for you, Carla,
00:49:32I do for your father.
00:49:35He looked out for me,
00:49:36so this is me paying him back.
00:49:41Thank you.
00:49:45I'm already in love with somebody else.
00:49:48It's never going to be you.
00:49:50But if that man didn't exist,
00:49:52would you consider me?
00:49:53Stop it, Edward.
00:49:54Edward, it's never going to happen.
00:50:01What do I do, Alger?
00:50:04I know you're out there.
00:50:06What do I do?
00:50:19Boss, you've been here for a while.
00:50:21Is everything okay?
00:50:25Why don't you tell her
00:50:27you're the one she's looking for?
00:50:30Do you remember what I did
00:50:32to return her to the Ardouin family?
00:50:44About Alger...
00:50:46Are you telling me
00:50:48that Mr. Ardouin knows
00:50:50his illegitimate son is Alger?
00:50:53Yes.
00:50:54And now the old man wants him back.
00:50:58Another brat to share their inheritance.
00:51:01If I could only get rid of his mother,
00:51:04getting rid of him shouldn't be a problem.
00:51:07Madam, it's our fault.
00:51:09Please don't withdraw your donation to the orphanage.
00:51:13If we work together on this,
00:51:15I could even help you.
00:51:19Get rid of Alger, for God's sake.
00:51:24Hmm.
00:51:27Take care of it.
00:51:29But make sure no one uses it.
00:51:34Shall we go to the Ardouin girls' garden?
00:51:36Yes, please, sir.
00:51:37I just have to see it, sir.
00:51:39Come on.
00:51:44I got rid of the woman who killed my mother
00:51:46and sent me to an orphanage.
00:51:49I eliminated everyone associated with her...
00:51:54over the years.
00:52:00I did whatever it took
00:52:02to gain my father's approval,
00:52:05secure my inheritance.
00:52:08My methods were ruthless.
00:52:10My conscience...
00:52:13callous.
00:52:15You did what you had to do.
00:52:18Now I'm a different man.
00:52:20I'm a monster she doesn't even recognize.
00:52:24If she finds out this is the man she's been looking for
00:52:26all these years, it'll drive her away.
00:52:31I can't lose her again.
00:52:35So it was true?
00:52:43Arkan and I...
00:52:46we roamed the city for a winter.
00:52:50A lot of people say he made some enemies.
00:52:53One night, under the bridge where we slept,
00:52:56he got stabbed.
00:52:58Then he died.
00:53:00No.
00:53:02You're mistaken.
00:53:04He always had a ring with him.
00:53:06It was a nice ring.
00:53:08I think it had the letters A and H on it.
00:53:13I told him he could want it for a few bucks,
00:53:16but he just kept it with him.
00:53:20No, he can't just be gone.
00:53:22He can't just be gone!
00:53:24It's okay.
00:53:33Oh, Bella!
00:53:35Sweetie, what's wrong?
00:53:37Oh my God, baby, you haven't eaten in three days.
00:53:41Can I get you something?
00:53:43Anything?
00:53:45This is not good for you.
00:53:54This is my fault.
00:53:57She's burning up.
00:53:59The doctor said it was from emotional distress and not eating.
00:54:04Go make her something to eat.
00:54:06I'll stay with her.
00:54:08Yes.
00:54:12You need to get some rest and let me handle this.
00:54:15No, it's okay. Leave it to me.
00:54:18I know you care,
00:54:20but I've never seen you do this for anyone.
00:54:23And if the old lady were here,
00:54:25she'd be heartbroken to see you this exhausted.
00:54:29Don't worry about me, Sarah.
00:54:31You can go now.
00:54:42Here.
00:54:45I'm so hungry.
00:54:50Oh, please eat. You'll get better.
00:55:11Bella!
00:55:20Bella!
00:55:21Oh my God, are you okay?
00:55:23I've been trying to call you, like, ten times!
00:55:25You haven't done something stupid, have you?
00:55:27I can't find a reason to go.
00:55:30Stop saying that, okay?
00:55:33Don't listen to what that guy said.
00:55:35He doesn't know what he's talking about.
00:55:37They never found Algar's body.
00:55:39Maybe he's still alive.
00:55:42You've waited ten years, okay?
00:55:45You sure you're gonna give up now?
00:55:47Don't you want to find out the truth for yourself?
00:55:50Yeah, you're right.
00:55:53I should keep going.
00:55:55Good.
00:55:56Now go get some sleep and get back to set, girl, okay?
00:55:59That is something that you've always wanted,
00:56:01and you're not gonna screw it up, alright?
00:56:04Yeah.
00:56:06I understand.
00:56:08I'll keep going for Algar.
00:56:12I want that bitch dead.
00:56:15You got that thing ready?
00:56:18Sure, I would take the job.
00:56:25You ready?
00:56:26Don't mess this up.
00:56:28Ready for first aid!
00:56:30Coming!
00:56:39Uh, you wanted to see me?
00:56:41Yes.
00:56:42It is about the senior stab.
00:56:44We will be using this as a prop.
00:56:47So once the, uh, safety is tipped off,
00:56:50the blade will go back inside yourself upon impact,
00:56:52so don't worry.
00:56:53That's not gonna hurt you.
00:56:55See?
00:56:56Nice.
00:56:59Exactly.
00:57:04Uh, Thelma Carter.
00:57:07Thelma Carla, all set.
00:57:10All departments ready?
00:57:14And action!
00:57:21Wait!
00:57:23Cut! Cut! Edward?
00:57:25Are you okay?
00:57:26Oh God, how did this happen?
00:57:27Okay, one more.
00:57:30Edward, don't die on me.
00:57:32Please.
00:57:33I know that my past is complicated,
00:57:35and I'm not worthy of your time,
00:57:37or your love.
00:57:39What makes me so special?
00:57:44Okay, I admit.
00:57:46I think somewhere along the way,
00:57:48I became attracted to you.
00:57:50And I know that you keep this stone-cold face,
00:57:53but I know that,
00:57:55that's not the real you.
00:57:58Please.
00:58:00Show me the real you.
00:58:02Let me in.
00:58:06Edward?
00:58:14What are you doing?
00:58:15That's not funny, I was wearing sick!
00:58:17What's the matter with you?
00:58:18How else could I get such a lovely monologue?
00:58:21Okay, you know what?
00:58:22I'm gonna go get a doctor.
00:58:23No, no, no.
00:58:24I'm fine.
00:58:26No.
00:58:27Look, not even a scratch.
00:58:29Just need a minute.
00:58:30Are you sure?
00:58:31It seemed pretty serious.
00:58:33Yeah, the knife didn't even get to me.
00:58:36Something blocked it.
00:58:38Really?
00:58:39Where is it?
00:58:41Nothing.
00:58:42I'll, uh, find out what happened today.
00:58:44Meanwhile,
00:58:46be more careful on set, yeah?
00:58:48No, don't worry about it.
00:58:50You're the patient.
00:58:51Just rest up now.
00:58:54I heard everything you were saying, by the way.
00:58:57Okay, you know what?
00:58:58I'm really getting you a doctor now.
00:58:59Just shut up.
00:59:04You...
00:59:06saved my life.
00:59:10How are you doing, boss?
00:59:13Uh, not too shabby.
00:59:16So, what do you plan to do with Carla?
00:59:20Carla?
00:59:22I almost forgot.
00:59:24She's gonna be back.
00:59:29I'm not sure what we're gonna do
00:59:31after your little incident.
00:59:33I'm sorry.
00:59:34I wasn't thinking.
00:59:35It won't happen again.
00:59:36I promise.
00:59:37Jane, get a replacement for her, will you?
00:59:39She's done.
00:59:44Edward, what are you saying?
00:59:46I told you to stop pulling these tricks behind my back.
00:59:49I didn't do anything.
00:59:51Don't listen to her.
00:59:52She's making it all up.
00:59:54I didn't do anything.
00:59:56Don't listen to her.
00:59:57She's making it all up.
00:59:58Carla had someone on the prop team switch the fake knife with a real one.
01:00:02She almost killed Thelma.
01:00:04And myself.
01:00:05Edward, I'm sorry.
01:00:07I messed up.
01:00:08Please, please give me another chance.
01:00:10I've given you plenty of chances.
01:00:14Really, Edward?
01:00:16After all these years?
01:00:19Please stop embarrassing yourself.
01:00:24Doing all of this for a man, I hope it's worth it.
01:00:29Edward, you know everything I did is because I love you.
01:00:34If you try hurting her again, you will be sorry.
01:00:43Hand her over to the police.
01:00:49Well, now that that's over,
01:00:51we should talk about what you said to me earlier.
01:00:53Which is what?
01:00:56That you were attracted to me.
01:01:16What if the person you're looking for is me?
01:01:21Don't be ridiculous.
01:01:25Besides, you come from a rich and powerful family.
01:01:28And he's an orphan, like me.
01:01:33And he's incredibly kind.
01:01:35He wouldn't even step on an ant.
01:01:39I can't say the same thing about you.
01:01:44You can change.
01:01:46Don't ever stop searching for him.
01:01:48I'm afraid that you can't stop me.
01:01:57Am I even worthy of love?
01:02:04Am I even worthy of love?
01:02:07You're a pioneer.
01:02:09I'm sure that there's plenty of women fighting over you.
01:02:12Plus, I stand by what I said.
01:02:19I don't think that this Edward is the real you.
01:02:24Do you remember when we first met?
01:02:27You saved me.
01:02:29You're a good person.
01:02:31You're kind to Nos, to Sarah.
01:02:37You'll find the love that you deserve.
01:02:45He's gone.
01:02:50I waited ten years and he's just gone.
01:02:57Do you like the man I have now?
01:02:59It doesn't matter. We're getting divorced in a year.
01:03:06If I give you all my properties and assets,
01:03:09can we not get a divorce?
01:03:15No.
01:03:37My head.
01:03:40Do you remember what happened?
01:03:48He said something about money and assets.
01:03:54And then after that, not a thing.
01:04:03Alright. Okay. Back to work. Come on.
01:04:10Can we talk?
01:04:15I heard you've been looking for someone.
01:04:17Yes.
01:04:22I believe this could be helpful.
01:04:25This place is reopening soon.
01:04:29I'd like for you to come.
01:04:31What does this have to do with the man that I'm looking for?
01:04:34Go see.
01:04:38Okay. I'll go.
01:04:40Good. I don't want this to fall to the base.
01:04:44What does this have to do with Edward?
01:04:46Go see.
01:04:50Look at that. See?
01:04:52Oh my God.
01:04:53Yes. I trusted you with it.
01:04:54Guys, we're blowing up.
01:04:55What do you mean?
01:04:57After we posted the behind the scenes, we went viral.
01:05:00Selma became a sensation.
01:05:02She's now trending number one. Big star.
01:05:05Trending? Does this mean more money?
01:05:07Of course it does. And that is just the easy part.
01:05:11I was thinking about my next movie.
01:05:14And I want you to be in it.
01:05:16Wow. This is a dream come true.
01:05:19And we're having a wrap party at the hottest bar tonight.
01:05:23Alright.
01:05:24You'll wonder who's so generous.
01:05:26Thank you.
01:05:34Boss, about this new concert...
01:05:36Do you think Selma will be surprised by the party I'm throwing for her?
01:05:39Oh, definitely.
01:05:41So should I pick her up or do I just show up at the party?
01:05:45You don't do this often, do you?
01:05:57Thank you.
01:06:05Great party, Edward.
01:06:08It'll only be fitting, right?
01:06:10Not entirely bad.
01:06:12So, thank you.
01:06:15How would you like to thank me?
01:06:18Sorry, everybody. Attention, attention.
01:06:20Thank you, thank you.
01:06:22First off, this has been an amazing three months.
01:06:27I'd like to thank everybody in here.
01:06:29And up here is to it's huge success.
01:06:35Cheers.
01:06:38And now, a few words from Edward, the man, the big boss.
01:06:43Without him, none of this would be possible.
01:06:46Thank you all so much.
01:06:48I just want to say how grateful I am for the opportunity.
01:06:52Jay is an exceptional director.
01:06:55His casting, remarkable.
01:06:58Selma's performance in particular, out of this world.
01:07:02And I'd like to take this moment to tell her that I'll always be there to support her.
01:07:08Cheers.
01:07:13Selma, the superstar!
01:07:15Stop it.
01:07:17By the way, do you think Alker will watch my new show?
01:07:20Do you think he'll recognize me?
01:07:22No. Selma, I know this is really hard to hear, but you've got to let him go.
01:07:29Alker's gone.
01:07:31I'm not giving up until I know for sure.
01:07:34Hey! Let me out!
01:07:47Selma? Are you quitting?
01:07:55What are you talking about?
01:07:57Production told me you turned down Jay's new project.
01:07:59And you didn't show up for any of the promo events.
01:08:02What new project is this about? Who told you this?
01:08:05Oh. Oh no.
01:08:08It couldn't be Edward.
01:08:11Could it?
01:08:13Edward?
01:08:15So, he turned it down and he told everybody that I quit?
01:08:20Maybe he thought it was for your own good?
01:08:22Interfering with my career without telling me?
01:08:25How is that for my own good?
01:08:32Mr. Edward is in a meeting right now.
01:08:34Get out of my way.
01:08:36Apologies, gentlemen. Let's take a break.
01:08:39We'll continue this afternoon.
01:08:44Did you turn down the offer for my new film?
01:08:52Can you explain?
01:08:53This will terminate our contract marriage.
01:08:55The deal is over.
01:08:58What do you mean?
01:08:59I'll pay the penalty for breaching our contract.
01:09:02Once it's settled, I don't want you meddling in my life anymore.
01:09:05You almost got hurt on set.
01:09:07I was trying to protect you.
01:09:09I don't need your protection, okay?
01:09:11I can look out for myself. This is my life.
01:09:14But you're making a big mistake here.
01:09:17Just stay out of my work and my personal life, Edward.
01:09:21We're done.
01:09:28Hey, it's Thelma. Can I see you real quick?
01:09:34Thelma, you're very talented.
01:09:37It was such a shame you gave up.
01:09:41But I knew you had it in you from the start.
01:09:44I saw it in you all the way.
01:09:47Thank you.
01:09:50Now I strictly get to make decisions for myself.
01:09:54Now, let's see this next project.
01:09:57Next project. Here it is.
01:10:02What do you think?
01:10:07Let's just say that it's a pleasure doing business with you, Jay.
01:10:15Congratulations.
01:10:17Thank you.
01:10:29Please move. I'm making it.
01:10:31What are you doing? Excuse me. I'm perfectly calm.
01:10:35How about we both compromise?
01:10:37You continue with your acting as long as it's through Ardwin Investments.
01:10:41You still don't get it, do you? I'm not your accessory.
01:10:44I'm not a part of the Ardwin family.
01:10:47Plus, the only person that can make decisions for me is myself.
01:10:50Can't we talk about it for the sake of our relationship?
01:10:55Look, I'm thankful for everything you've done for me.
01:11:00You've crossed the line.
01:11:03Goodbye, Edward.
01:11:07Oh, Thelma.
01:11:09Look, I've rarely seen Edward smile since his father passed away.
01:11:14And he's like a new man now that you're here.
01:11:17I'm sorry, but I can't stay here.
01:11:22It's okay, Sarah. Let her go.
01:11:40Since when did we become stalkers?
01:11:44Where is she?
01:11:46I know she has a bunch of crazy fans trying to get her attention,
01:11:49but if those assholes think they have a shot with my woman...
01:11:51Have you not seen the news?
01:11:53Thelma has announced she's single again.
01:11:56What?
01:11:57Yeah. Even a bunch of haters have turned into fans now.
01:12:01Especially after watching her show.
01:12:07That is so creepy.
01:12:11Damn it. I knew that guy was up to no good.
01:12:21Thelma, Thelma, Thelma, Thelma.
01:12:24Are you still working with Ardwan Investment Family?
01:12:27The Ardwan family has never officially announced your divorce.
01:12:29Is there something that they're hiding?
01:12:31Was your marriage to Edward Edgerton strictly business, like the tabloids say?
01:12:39Uh, why don't you ask the man himself?
01:12:52Hey, Mr. Ardwan, you got a second?
01:12:54I don't. It's fine.
01:12:57So, Mr. Ardwan, what brings you here?
01:13:00Thinking of joining the entertainment industry?
01:13:03You know why I'm here.
01:13:05Sorry, I can't help you with that.
01:13:08Uh, so this new film is a romantic drama with some comedy,
01:13:12where Jay is in the script.
01:13:15You ever own any?
01:13:17No. Not yet.
01:13:20Please, I would love to thank our amazing director, Jay,
01:13:23for all of his amazing visions,
01:13:26and everyone else who's helped me on this incredible journey.
01:13:29What? No, no, specifically.
01:13:32And I'm so excited to get started,
01:13:35because I know that this is going to be another hit.
01:13:38Alright, ready to check out the set for the new movie?
01:13:41I'll walk you.
01:13:43Uh, actually, do you want to check it out together?
01:13:45Sure.
01:13:47Thelma, Thelma, Thelma.
01:13:53How do you want to back a woman?
01:13:55Uh, flowers? Romance?
01:13:58Gifts are always a good move.
01:14:00Uh, what do you want?
01:14:02Let's get back to the other side.
01:14:08I, uh, got these for you.
01:14:12You can just leave them there.
01:14:15Thank you.
01:14:18Thelma, I'm sorry.
01:14:21I was wrong.
01:14:27Please, give me another chance.
01:14:31I promise I won't be overbearing.
01:14:34I'll respect all your opinions,
01:14:36and I'll never interfere with your career again.
01:14:39Flowers, look good.
01:14:47I'll take these.
01:14:49We can talk about the rest later.
01:14:58Go! I don't want to see you again!
01:15:02Cut!
01:15:04Well done.
01:15:06Cut!
01:15:08Well done, everybody. That is a wrap.
01:15:10Great. Here.
01:15:12I got you a cup of coffee.
01:15:14Thanks, Alex.
01:15:16Oh, shoot!
01:15:37I need to know where she is.
01:15:39Now!
01:15:43I think I might know where she is.
01:15:45Why the hell wouldn't you know?
01:15:46Do you have something to do with it?
01:15:47No, man, look.
01:15:48Carla was talking to some sketchy dude
01:15:50about Carla's basement.
01:15:51I think Thelma might be there.
01:15:53Trust me, man.
01:15:54I don't want anything bad to happen to her either.
01:15:56Believe me.
01:16:02Thelma?
01:16:05Thelma?
01:16:08Where are you?
01:16:19Let's not do anything stupid.
01:16:21Whatever you want.
01:16:23Just name it.
01:16:26Edward, Edward, Edward.
01:16:31How did you find this place?
01:16:34I don't know.
01:16:39I got it.
01:16:41You didn't seriously believe I would just walk away, did you?
01:16:44You're a coward.
01:16:48Killer.
01:16:50And Edward, I want you to watch.
01:16:52If you touch her, I will skin you alive.
01:16:56I got it.
01:17:04Run!
01:17:30It's okay.
01:17:31It's over.
01:17:35It's all over.
01:17:58It's today.
01:18:00I promised Ness I would go.
01:18:05Come on.
01:18:14Wait.
01:18:15This is the amusement park I agreed to meet Little Rock at.
01:18:19I thought it closed down years ago.
01:18:22Thelma?
01:18:24Edward?
01:18:25What are you doing here?
01:18:27Noss told me to come.
01:18:28What are you doing here?
01:18:30Well,
01:18:32now that you're here, I need to tell you a little secret.
01:18:35Be right back.
01:18:37Edward?
01:18:50Don't be scared, sweetheart.
01:18:52What did she just call me?
01:18:55Edward?
01:19:00I told you I'd meet you here, Helen.
01:19:10I told you I'd meet you here, Helen.
01:19:14Elgar, but how?
01:19:17Why didn't you tell me after all this time?
01:19:21After I escaped the orphanage,
01:19:23the headmistress sent people after me.
01:19:25So I had to fake my own death.
01:19:28I survived.
01:19:30But the price was becoming a different man.
01:19:33Cold.
01:19:35Ruthless.
01:19:37Even cruel.
01:19:40And I was so scared
01:19:42that if he found out this was the man I'd become,
01:19:45he wouldn't love me anymore.
01:19:47Besides, the Ardwin family erased every trace of my past.
01:19:52If they find out you're the one I'm looking for,
01:19:55they'll use you against me,
01:19:57and I can't risk that.
01:19:59Elgar,
01:20:01you know that I love you.
01:20:05You do?
01:20:09Yeah, with you by my side, I'm not afraid of anything.
01:20:14I don't want us to ever be apart again.
01:20:18No.
01:20:22Yes.
01:20:27Yes!
01:20:52© transcript Emily Beynon