• 6 months ago
Beat Girl Full Movie
Transcript
00:00:00You
00:00:30Do
00:01:00Do
00:01:30Do
00:02:00Do
00:02:04Well, mrs. Linden and how do you find England like France our cows in the field and sheep in the meadows who is meadows
00:02:16Paul you are terrible people will expect confetti to fly out of my hair. Oh, of course
00:02:21Most undignified for no married couple, isn't it? Well five days is long enough to
00:02:27To cool down don't be vulgar don't dare cool down tickets, please
00:02:39How long should we London in 20 minutes
00:02:43You
00:02:50Worried about something and just one day
00:02:54about Jennifer I
00:02:56Want to love everything that is your your work those is you build the cities you plan
00:03:03But most of all I want to love you daughter
00:03:06Do you think Jennifer would like me?
00:03:09How can she help it?
00:03:11Well a stepmother an intruder is not so easy for her nor perhaps for you either
00:03:19Nicole I'll be perfectly frank with you. I
00:03:22Find Jennifer a puzzle a puzzle. How do you mean? Well, I don't understand her anymore when she was a baby
00:03:29We were such good friends, but now she's not a baby anymore. Well, she's only 16
00:03:35She needs the understanding and affection of another woman, well, I'm sure you'll be wonderful for she'll absolutely adore you Oh
00:03:44Paul I'm lucky woman. So lucky all at once. I have a husband a family
00:03:52home
00:04:06Here we are sweetheart your new home Oh darling, how nice
00:04:20I'm glad you like it. It's been waiting for you since the day I put it
00:04:27Six and six, I
00:04:28Thank you very much. You know your house is like you
00:04:32How do you mean I'll steer with a twinkle behind the facade come and meet your new family
00:04:43Thank you, sir, thank you
00:04:53Well, hello Martha, mr. Lyndon, welcome back and this is mrs. Lyndon Oh
00:05:01Mrs. Lyndon mom welcome home. I should kiss you father. You see I'm very French
00:05:07Oh, mrs. Lyndon mom, you're most welcome
00:05:11But where's Jennifer? Oh, she she was just getting dressed. Yes, I can hear that
00:05:16Jennifer
00:05:18Well, she must have heard us come in
00:05:20Jenny
00:05:21She's probably shy of meeting thing. I'm some sort of drag
00:05:27She's got a big shot coming. I'll go and fetch her
00:05:31Jenny
00:05:46Hello Jenny darling
00:05:49You look wonderful
00:05:52three months
00:05:53The longest I've ever been away seemed like years
00:05:57Yes
00:05:59Well, how's the art school it's cool studies going well fine
00:06:07Congratulations on your marriage
00:06:09Thank You Jenny come meet her
00:06:16My my taste
00:06:19Perhaps now the house won't seem so what was the word dreary dreary?
00:06:24Yes, perhaps not we'll see more fun for you. Mm-hmm. Don't you think so Jennifer?
00:06:35Nicole this is Jennifer. I'm so happy to see you at last
00:06:40I'm sure you two will have a lot in common. I hope we have everything in common Jennifer everything
00:06:47That's a lot, isn't it? Oh, what I mean is you won't be so lonely anymore. How does that sound fine?
00:06:52When would you like dinner sir? Oh from now on you'll have to ask mrs. Linden questions like that Martha
00:06:58What do you think in half an hour? It's okay that you'll hide for you. Oh, yes, ma'am
00:07:07Well
00:07:08What about a drink that's ice in the sitting room and I put out the champagne
00:07:13Wonderful idea. See I told you she thinks of everything after all it's a special occasion
00:07:18Occasion Oh Martha, you're making me feel really at home. How about you're having a glass mother? Oh, not if you want any dinner
00:07:28Come on darling
00:07:48Well, what do you think of it it's wonderful very impressive
00:07:56This is the living room
00:07:59Living ah, but it hasn't been lifted yet needs the feminine touch
00:08:06We call it organized disorder
00:08:12Don't you think Jennifer maybe
00:08:19Well, you've made a good start
00:08:22Looks human. I like it. I
00:08:25Only use this place for the high-five and some more
00:08:29We'll soon deal with that between
00:08:32Champagne, I don't drink. I'm too young 16. Of course. You're not
00:08:38It's cheap. Oh, well
00:08:40as Martha says
00:08:43It is a special occasion
00:08:45very special
00:08:49To us all three of us to us
00:09:00What are you reading? It's all about jazz not your stuff, but it is. Let me see
00:09:12Let's look at it
00:09:18This is all double-dutch to me
00:09:22Blue blues and Dixie by Bullard Montgomery. Oh, I know him. He was a father of it all
00:09:34But who is this she's beautiful. Hmm
00:09:41Where did you get this from?
00:09:44What are you trying to say?
00:09:46What are you trying to do
00:09:49It's a picture of it's my mother
00:09:52She's beautiful, isn't she? I suppose so. I don't remember her. That is where you get your looks from
00:09:59Not from this monster
00:10:05Jennifer why can't you sit up properly? I like floors
00:10:09You know, I think Martha's really quite taken to you
00:10:11I'm thought about it. What is the name of your school? It's in Martin's
00:10:17One of the best sent it rumor has it
00:10:20Jen has always had a talent for illustration. She really draws very well indeed
00:10:24Must be fun doing something you like and are good at those in the time
00:10:33Darling
00:10:34What is in that huge box over there a body? That's just about it
00:10:38Only that's more like a skeleton in the cupboard. It's my toy and Jennifer's jealous of it
00:10:44Yes, the stupid city
00:10:47a city
00:10:48Superman stuff and then some
00:10:51What are you both talking about? Well now you wouldn't say that I was exactly old-fashioned, would you?
00:10:57But Jennifer thinks I'm too modern strictly as an architect
00:11:00In every other sense a square a square
00:11:04A little while ago. I was a creep show me the city, please. You'll be sorry
00:11:11She may be right, you know
00:11:13If I get my city, I'll be up till dawn
00:11:16It's my life's work. It's meant more to me than anything in the world
00:11:20Hasn't it Jenny?
00:11:22Yes
00:11:24That's true
00:11:27Come I'll show it to you
00:11:31But what is it?
00:11:38It's a model I've called it city 2000
00:11:42Grosvenor
00:11:44It's a model
00:11:45I've called it city 2000
00:11:48Grosvenor
00:11:50It's a model
00:11:52It's a model
00:11:53I've called it city 2000
00:11:55Grime filth poverty noise hustle and bustle these things would be unknown
00:12:00an almost silent place
00:12:02soundproofed for the use of
00:12:04Flying beveled walls of concrete which also serve to cut wind and rain
00:12:09Jennifer says it'll be like living in a tin can but
00:12:15I don't think that's really true
00:12:17You know psychologists think that most human neurosis come from too much contact with other humans
00:12:23Now in my city darling a man can be as alone as if he were 10 000 miles from anywhere in the country
00:12:30I'd like to see jennifer today. Oh, she can put herself to bed
00:12:34I'll be right back. I want to know every street by heart
00:12:37All right, darling. Don't be long
00:12:48What is it
00:12:53I came to say good night. Good night
00:12:57You've been crying crying I should think not jennifer, what is it
00:13:04Why have you taken such a dislike to me?
00:13:06I'm not to blame for your father's divorce
00:13:09It was long before he ever met me. I didn't say I didn't like you
00:13:13Don't be childish
00:13:15Why not?
00:13:18I am a child, you know perfectly well what I mean your father calls your behavior deplorably rude
00:13:25I prefer to think you're just upset
00:13:27Naturally i'm upset
00:13:29All young girls are upset when their father brings home a new wife
00:13:34Now if you don't mind, uh, jennifer
00:13:40Juvenile delinquents first vice either adult vices sex and the like and it's approved of
00:13:48Or perhaps we even disapprove of this. I started smoking when I was 14
00:13:54Jennifer I could not help falling in love with your father
00:13:58love
00:14:00That's the gimmick that makes sex respectable, isn't it?
00:14:04I've brought you some things from paris dresses and we don't wear dresses very often
00:14:09We're different not so different
00:14:12Most young people in paris prefer slacks and sweaters
00:14:15I wear them myself in the house
00:14:17You can see if you like any of mine. I've got everything
00:14:22And this is anything else I want
00:14:26I just have to ask for it anything you'd like to borrow
00:14:34Go ahead help yourself. We're about the same size
00:14:41A new cardigan
00:14:44I have 19. I never wear see but if I feel like 20 cardigan number 20 coming up
00:14:54Now if you don't mind i've got a life class in the morning
00:15:02What's the matter embarrassed why i've got a nice figure
00:15:14So
00:15:34Well good night
00:15:39Do you want the full treatment
00:15:44Sleep well
00:15:47Stepmother
00:15:53Good night, jennifer
00:15:58And don't kid yourself he's in love with you he's in love with city 2000
00:16:14So
00:16:31You know paul I love your city
00:16:34Well, it's just the way a city ought to be
00:16:37Not a hodgepodge of littered up archaicism of century pile upon century
00:16:42But something for modern man starting from scratch, you know, they're going to build this one in south america
00:16:48paul
00:16:49I love you. Yes. I know darling. What?
00:16:53I love you
00:16:55Darling
00:16:57And I'll never let city 2000 keep us up till dawn tonight or any other night
00:17:12So
00:17:34Hey you take a place daddy you and your phony beatnik friends I said take a place
00:17:41Okay
00:17:42Okay, there are other dolls
00:17:44So you made it granny managed to give him the slip. Well, well first night the old man's home
00:17:49Who's bright and all we are the most you're a real cat. Jim. Yeah the light-footed kind
00:17:54Easy stuff. Hey, what's she like this big bad frenchie?
00:17:57She's french. Yeah. Yeah. Yeah
00:18:00Strictly easy, isn't that? Yeah, dig me. I'm a captain the can-can kennel club a real live parisian poodle pompadour
00:18:08Is she old ancient?
00:18:1024
00:18:12You're at it again, well it helps
00:18:16Look, I got it from the chemist. Yeah, you're sure there's nothing in it. No kicks out of him. Of course not
00:18:20It's strictly for coughs
00:18:22Hey, jen 24 is not too bad
00:18:25How can she be so square if she's french and only 24?
00:18:28How can you be so square when you're only 18 because it rubs off you onto me?
00:18:32Tell us jen. What does she say?
00:18:34Nothing to tell pure lowly heart's routine
00:18:41So
00:19:00Oh, well not this time
00:19:10Come on
00:19:16Come on dave make the banshee i'm music minded
00:19:24Well, I did just what you told me you told me to forget
00:19:28To date some other baby just as though we'd never met
00:19:31Oh, well, I did what you told me
00:19:35I did
00:19:36What you told me?
00:19:38I can't forget i'm crying yet for you
00:19:45Well, I threw away your photo just like you told me to
00:19:49I put your letters in the fire and got one back from you. Oh, well, I did
00:19:54What you told me?
00:19:56Yes, I did
00:19:58What you told me?
00:19:59I can't forget i'm crying yet. Oh you
00:20:06Hang on fellas one time
00:20:08So
00:20:27Well, I still go to the dance hall listen to the noise I try to kid myself i'm having fun
00:20:34Before yes, I did
00:20:37What you told me?
00:20:38Yes, I did
00:20:40What you told me?
00:20:42I can't forget i'm crying yet for you
00:20:53Hey the fans in if you kids want to jive
00:21:01Say baby you feel terpsichorical let's go downstairs and fly, huh?
00:21:04Come on
00:21:06Come on, dave. No i'm staying here. Oh, come on
00:21:12That boy's got it coming too
00:21:34So
00:22:04So
00:22:34So
00:23:00Jennifer for goodness sake hurry up
00:23:05Who knows how important my conference is she's just coming darling the school is right on the way to the conference
00:23:12Don't fuss you won't be late. What should I ever do without you darling?
00:23:16What about including jennifer in the dinner party tonight? You want help with the south american tycoon?
00:23:21She's pretty young, you know, but very pretty. There is a foreign office man, too
00:23:25He'll be busy flirting with his wife
00:23:28You know the contract for city 2000 should be signed this morning. It'll be like a sort of celebration tonight
00:23:34I'd rather like jenny to share it with us
00:23:36Oh, where is that charge? You'll have to go by bus. Oh paul, please
00:23:53Jennifer hurry up
00:23:55Thank you
00:24:01Jennifer i'll pick you up at lunchtime lunch. Don't tell me you're letting me down. I forgot
00:24:15Bye darling, bye darling. I'll collect you at school
00:24:25Oh
00:24:35Oh, excuse me, do you know jennifer lyndon lyndon?
00:24:39Yes about your age blonde round face with long hair. Oh, yes. Jennifer the crazy one part of that beatnik crowd
00:24:48Beatnik, it's a gimmick from america hopeless and so
00:24:52Where could I find her? There's a cafe in soho called the off beach. She's always there the offbeat. Thank you
00:25:08Fuck fuck it drives me nuts
00:25:11It's been running around. I'll wrap up. Will you this will take care of it?
00:25:14But that crazy juice don't help them. Why don't you say a quack?
00:25:17I'll drop dead you sound like you're going to I wish my old man would
00:25:21Got him nervous like I did mine here for what him an army type general. They don't fall man
00:25:27They only write memoirs. Yeah, my war on three brothers five editions and still going strong
00:25:33Creep still he's good for the green. Show us what you got today
00:25:39That'll do man keep money speak for another few years
00:25:47Hey
00:25:58Hey gasser, you're looking for me fall down juvenile
00:26:05Oh, you're such a nonchalant, i'm relaxed
00:26:17Is
00:26:47Man she's on the button. I'll say what you're doing here. Are you kidding?
00:26:52I bet she's meeting that guy that runs the strip joint across the road
00:26:56He's always looking for new talent. What's new about that? Yeah, they're all the same shape
00:27:02More or less that's a pound travel in the two o'clock two thirty and three o'clock. All right
00:27:08Yeah, now point me frank. I want daisy wood
00:27:12in the three o'clock
00:27:15Some walk
00:27:18So
00:27:26Now that's what I call material
00:27:33We were going to have lunch together so we were
00:27:36I called that one as I said, I would lunch wasn't my idea
00:27:41I realize that hey, listen to that fractured english. That's the paris poodle more like a bloodhound
00:27:47Oh
00:27:49May I sit down? Oh, i'm so sorry. Um, please do
00:27:53A swinging cat like you is always welcome. How do I get a stepmother like you?
00:27:58Simple have a father like jennifer's. Oh, i've got a father but uh, he's weighed down by medals
00:28:03Rose and rose. He's so old. He's a general old and dull too
00:28:08Jennifer's father is neither. He's still a young man
00:28:11Hey jen, you told her she was robbing the grave marrying you old man, I said she was queen auntie house auntie house
00:28:17That's what she said
00:28:19What about jazz you dig rock is all right, but I prefer modern east or west coast west which one
00:28:27dev brubeck for me she's crazy, too
00:28:31You are a musician
00:28:33Somewhat
00:28:34I'd like to hear you. That's easy. If you can hear at all, you can play it cool and he sings too
00:28:39He sends me over and out
00:28:42Please sing
00:28:43Dull for you anything any time or anywhere, but i'm gonna rock it. All right. I'm listening. Stop it dave
00:28:53Why did you come here and embarrass me like this
00:28:55Embarrass you don't have a right to my own life. I stay out of your business
00:29:00We are family now coming here making as if you know the score east coast west coast. Stay brubeck
00:29:07You got that out of my book, well, don't you rather I tried to share your life I won't be spied on
00:29:13That's the last thing I meant to do
00:29:16I know why you married my father
00:29:18It's because he's famous
00:29:20And he's rich
00:29:22He can give you the things you want
00:29:25Play it down though. Relax
00:29:27Thank you. You're good
00:29:29I mean the most
00:29:31Good stepmother. You've only just arrived in a moment the dance begins
00:29:34You've got the stepmother mixed up with cinderella
00:29:37Paul told you about dinner. Not sure I can make it
00:29:41Do try
00:29:43So we can discuss my report card with daddy
00:29:45There won't be any report
00:29:54Nicole
00:30:00Hey, you take that one
00:30:05I
00:30:08Kenny's waiting for you. Who's the pal?
00:30:11There is no pal. What's the bitch with a short memory?
00:30:15What's that you're drinking fruit juice
00:30:18Are you mad?
00:30:20That's gretel they call her the duttice because when she pills she makes like she's doing you a favor
00:30:25Peas?
00:30:26Come on, I have pigeon
00:30:28She strips across the street in lego club 17 shillings. That's what the suckers pay for seeing her in a birthday suit
00:30:35Just imagine wicked old frenchie knowing abroad like that. Yes, just imagine
00:30:40Daddy would be most interested
00:30:46I owe you a great deal your excellency. I never thought you'd get it through
00:30:50The opposition have to oppose or they would be out of business. That is politics part of the game
00:30:55But I can tell you
00:30:56Now that the contract is signed and sealed they will be very pleased
00:31:00As hm's counselor on the spot. I can tell you the leader of the opposition confirmed that himself
00:31:05Not a man I care to deal with who my brother, you know, he went in for politics
00:31:09slippery customer
00:31:12The ambassador and your husband are just having a nightcap can I get something for you? No, thank you
00:31:17It's a shame to leave so early, but we're flying back at the crack of dawn. Oh, i'll hurry them up
00:31:22You
00:31:25You're fond of music if it's beat
00:31:27Jazz, you know, of course
00:31:30I hear they're dancing the charleston again
00:31:33Shades of my youth only dance not the real cats
00:31:38That's what I call jenny's expresso language, I'm afraid I must be very silly but coffee bars
00:31:43I must confess i've never been in a coffee bar. No, neither have I
00:31:47Nicole has we had lunch in one today
00:31:51Yes, it was fun. I believe some of those places can be awful. This was charming full of young people art students and dancers
00:32:01One was an old friend of nicole's
00:32:05Yes, somebody I knew years ago I don't even remember her name her name is greater
00:32:11Oh, of course
00:32:14They call her a duchess
00:32:17She's very mysterious is she really a duchess hardly
00:32:21She's a dancer of sorts
00:32:23Your excellency, may I suggest yes, we must go
00:32:28It has been a delightful evening and now I hope we shall see you and your husband more often in my country
00:32:37Go on
00:32:39I
00:32:46Leave it to your discretion
00:32:53You look very pretty tonight jennifer
00:32:55I stayed and talked to your friend greater
00:32:58Really?
00:32:59She remembered you all right?
00:33:01She said you were a bitch
00:33:05Jennifer did I hear her right?
00:33:07Who is this woman? What did you talk about? We talked about striptease you talked about what striptease
00:33:21Can I help it if that's what she does she's nicole's friend
00:33:25I haven't seen her for years. She works with little girls. It's quite a dump
00:33:30She must be pretty low. That's enough
00:33:32Oh
00:33:34They call her the duchess imagine a stripping duchess
00:33:39Poor greta. I had no idea. She had sang so low. Just imagine it daddy
00:33:43Every time because friend strips over 100 dirty old men crowd into a little room to watch her and they pay 17 shillings each
00:33:51That's a lot of money, isn't it? Where did you learn all this?
00:33:54This is terrible
00:33:55Terrible cred. I used to be so talented so ambitious
00:34:00All she could ever talk about was her career
00:34:03We began in the ballet together ballet
00:34:05Do you mind if either of you were ever on your points? Then i'm a tightrope walker jennifer
00:34:12Did you tell her I had been a dancer no we uh
00:34:16We haven't had much time to discuss things yet
00:34:19You must teach me some steps for one day nicole. I doubt there is much I could teach you
00:34:26You could always try
00:34:30Take it up take it off said the boys in the rear and she unzipped the zipper
00:34:36Well nicole
00:34:38What is this all about?
00:34:40Nothing
00:34:42Nothing darling
00:34:45You don't like her do you I don't like her
00:34:50I can't understand her
00:34:52She hates me
00:34:53She's hated me ever since I set foot in this house. Oh, I don't think so darling
00:34:58Why won't you face it that's what i'm trying to do
00:35:02So let's get back to this old friend of yours
00:35:04The one that told jennifer about striptease
00:35:07I told you about her
00:35:09Yes, but there's more isn't there?
00:35:12Isn't there nicole
00:35:14I told you we were in ballet together
00:35:17Now she has altered her way of life. I'm not responsible for what she has become
00:35:22Look, I didn't say that
00:35:25There are lots of things that happened to us before we met
00:35:28Can't we talk about them sensibly?
00:35:30It's the same all over the world paul
00:35:33Girls start off together have the same chances
00:35:37Some go straight
00:35:38Others go bad
00:35:40Greta was unlucky
00:35:43With me it was different
00:35:45I met you and I fell in love
00:35:47As simple as that
00:35:49Just as simple as that
00:35:51Darling
00:35:57So
00:36:27Go on i'll be there in a minute. Okay, very exclusive. Yeah when she's in the mood
00:36:58Looks nice, doesn't your kid like to go in with me and see her creep shovel now girly. Is that a nice way to talk?
00:37:06For grown-ups kid
00:37:08I've got money here. You could be the bank of england. You still wouldn't be old enough. I want to go home to mommy
00:37:14I've got to see greta leave a date
00:37:17I have to see her
00:37:18What's your name?
00:37:20Nicole
00:37:21Just a minute
00:37:24I'll call greta
00:37:27Greta there's a young lady here says you got a date with you name of nicole
00:37:33Okay
00:37:35This way
00:37:53So
00:38:23So
00:38:53So
00:39:23So
00:39:53Now, gentlemen, a thrill both sides of the footlights.
00:40:09The first of our amateur talent competitors, a lovely little child of nature.
00:40:13Now, just take your time, babe. It begins slowly, you know what I mean?
00:40:16Build it up, make them wait. Keep them on the end of that G-string.
00:40:20Tease them.
00:40:21It's easy. Just don't look at them, honey. Get it over with fast.
00:40:24Just shut up.
00:40:26Now, all right, you're on. Now, remember, a fiver for today and a job if you really send them.
00:40:31Just you watch. They'll fall right off their seats.
00:40:37She's too young, Simon. It's a shame.
00:40:39When did you join the Salvation Army? Cut it out, Mavis. Get back to your bar.
00:40:45Now, you really know how.
00:40:50Well, all right.
00:41:21Not bad. Not bad at all.
00:41:25I'm glad you approve.
00:41:27You certainly know how to pick them for real, madame.
00:41:30I had a siffle up in the house.
00:41:32I'm not ready for that kind of work yet.
00:41:36Promising.
00:41:39Rita, please.
00:41:41I haven't done that kind of work yet.
00:41:54Promising.
00:42:07Rita, please.
00:42:09These days anyone would think you'd loathe the sight of me.
00:42:14Kenny, what's the matter?
00:42:19There's a girl outside to see you.
00:42:20I'm sorry.
00:42:22That's for me.
00:42:28The tickets. Last plane Saturday night.
00:42:31Why you want to go to Paris, I don't know.
00:42:33It's corny.
00:42:34Brighton's corny too, but it's nearer.
00:42:36Yes, but Paris does things for a girl.
00:42:39Why blame Paris?
00:42:41That day with Rita, quite the dish.
00:42:44Oh.
00:42:45Careful, it's jailbait.
00:42:47You've got a truth in mind, haven't you?
00:42:49I know.
00:42:50Nauseating, isn't it?
00:42:51You'll have to divorce me, darling.
00:43:06The name Nicole made me think you were somebody I knew.
00:43:19Nicole married my father.
00:43:21Oh.
00:43:23There's more than one Nicole in the world.
00:43:25I was with her in the offbeat this afternoon.
00:43:28What does that prove? Where do I come into this?
00:43:30She told me you once worked together.
00:43:32I don't know what you're talking about.
00:43:34Was it a joint like this?
00:43:36Look, kid, don't bother me. I'm busy.
00:43:39How did you like it when she cut you dead?
00:43:41Oh, barge off. Go on, clear off.
00:43:44What are you so frightened of?
00:43:46Is it a view or is it...
00:43:48Now, look here, kid, forget all this Nicole business.
00:43:50I made a mistake. We all make mistakes.
00:43:53I don't know any Nicole.
00:43:55Now, clear out of here while you've got the chance.
00:43:58What's the hurry, Grace?
00:44:00Bring the little lady into my office and we'll...
00:44:03all have a nice little chat, hmm?
00:44:18Look, I can see out, they can't see in.
00:44:22That's the only way I can tell if the girls are earning their money or not.
00:44:25Now, you just sit down there and tell me all about it.
00:44:28Sounds as if maybe Greta's been holding out on you.
00:44:31I wanted to know about a friend of hers called Nicole.
00:44:35I was supposing you'd put me in the picture.
00:44:38He calls my stepmother.
00:44:40Oh.
00:44:42Did you know her, Greta?
00:44:45Did you?
00:44:46We used to work together in Paris.
00:44:49Was it so hard to tell the child that?
00:44:51Or maybe you worked in a strip club.
00:44:54Did you strip?
00:44:55Old answers do something like that sometime or other.
00:44:58What else did you do in gay Paris?
00:45:01What about the gentlemen?
00:45:05We had friends.
00:45:08I have a friend in you, lover boy.
00:45:12Friends?
00:45:14You mean customers, don't you?
00:45:17The nearest I came to a brothel was when I came here with you.
00:45:21Get out. Get out!
00:45:23You'd better come back tomorrow. Greta'll tell you some more.
00:45:27Do you think there's more?
00:45:28Oh, yes.
00:45:29When Greta sets her mind to it, she'll tell you anything you want to hear, anything at all.
00:45:33Well, goodbye for now.
00:45:36Oh, wait a minute.
00:45:48I'm sorry.
00:45:50It looks easy, doesn't it?
00:45:52It does.
00:45:53It takes a long time to learn.
00:45:56Interested?
00:45:58Twenty-five quid a week for yourself.
00:46:00I don't need money.
00:46:02So right, it isn't everything.
00:46:05But there's a thrill in this work.
00:46:07All the girls say so.
00:46:08A real thrill.
00:46:10Besides, it's a shame to waste a nice figure.
00:46:15I'm sorry.
00:46:16It's a shame to waste a nice figure.
00:46:20See you tomorrow, maybe?
00:46:22Maybe.
00:46:47Any explanations, Jennifer?
00:46:50What about?
00:46:52It happens to be three o'clock.
00:46:54No, it's not. It's five-two, and I'm tired.
00:46:58Come in here.
00:47:04Well?
00:47:06Where have you been?
00:47:08Out.
00:47:10Out?
00:47:12I thought you'd be here.
00:47:13Where have you been?
00:47:15Out.
00:47:17Jennifer, I'm trying to keep my temper,
00:47:20but I'm finding it very difficult.
00:47:23I've been with friends, dancing.
00:47:25When I found you weren't in your room, I was worried to death.
00:47:28These clothes and all this muck on your face.
00:47:31They may make you feel grown up,
00:47:33but you're still a little girl, you know.
00:47:35To you, I am.
00:47:37And if the rest of your friends like this dancer,
00:47:39greet her that you were telling me about.
00:47:41She's no friend of mine.
00:47:42Ask Nicole about her.
00:47:44Leave Nicole out of this.
00:47:46That couldn't suit me better.
00:47:48But you've been to this cafe again, haven't you?
00:47:50Oh, are we going through that corny hearts and flowers routine?
00:47:53Don't stay out late, dear.
00:47:55Little girls get into serious trouble if mixed with strangers.
00:47:58Men are not to be trusted.
00:48:01Jennifer,
00:48:03I'm trying so hard to understand you,
00:48:06but we seem to be out of touch with each other.
00:48:08That's no news to me.
00:48:10But you're my daughter, my own flesh and blood.
00:48:12I do really love you, you know.
00:48:15You don't love me.
00:48:17You think you do.
00:48:19You say this so often, you make yourself believe it.
00:48:22You don't really ever look at me.
00:48:25Not really.
00:48:27None of you squares ever do.
00:48:29You see what you want to see.
00:48:31A bunch of teenagers lumped together under one label.
00:48:33But we're us.
00:48:35Nothing to do with our parents.
00:48:37I am me, Jennifer Linden.
00:48:39A complete, whole, independent, living person.
00:48:41At one time or another,
00:48:43all of us need to be dependent on someone.
00:48:46Our trouble is we haven't been a complete unit.
00:48:48But now things are different.
00:48:50Why don't you give it a chance?
00:48:52I prefer it this way.
00:48:55I've been pretty lonely, Jennifer.
00:48:57Well, look what it's done to you.
00:48:59Dried you up.
00:49:01So you only get a kick out of that crazy city of yours.
00:49:04What's this got to do with me and my life?
00:49:07And whether you get your way or not,
00:49:08it's your life.
00:49:10And where do you get your kicks from?
00:49:12Sitting around in cafes,
00:49:14listening to gramophone records?
00:49:16Driving in underground cellars and caves?
00:49:19You are a real square, aren't you?
00:49:22This language, these words, what does it mean?
00:49:24It means us.
00:49:26Something that's ours.
00:49:28We didn't get it from our parents.
00:49:30We can express ourselves,
00:49:32and they don't know what we're talking about.
00:49:34It makes us different.
00:49:36Why do you need to feel so different?
00:49:38It's all we've got.
00:49:40Next week, vroom.
00:49:42Up goes the world of smoke.
00:49:44And what's the score? Zero.
00:49:46So now, while it's now, we'll live it up.
00:49:48Do everything, feel everything, strictly for kicks.
00:49:51You'll find there's more to life than kicks, as you call it.
00:49:54Oh, please, cut out the message.
00:49:56People like you build cities,
00:49:58but you don't begin to understand the first thing about us
00:50:01who will have to live in them.
00:50:03You'd better go to bed now, Jennifer.
00:50:05I'm not going to try to argue with you anymore tonight.
00:50:08But remember this.
00:50:10If you're not going to try,
00:50:12I'm afraid I can't.
00:50:14It's up to you.
00:50:16Heads you win, tails I lose.
00:50:19It's always the same thing.
00:50:21I hate the lot of you.
00:50:24I hate you!
00:50:28I hate you!
00:50:39Well, this is a bit too much.
00:50:42The old creep downstairs and now you up here.
00:50:45I wanted to talk to you.
00:50:47And the same dialogue, too.
00:50:49Go on. Why don't you ask me where I've been to?
00:50:52That's easy.
00:50:54The half-beat club.
00:50:56Guess again.
00:50:58Somewhere much more interesting.
00:51:02Jennifer, what is all this for?
00:51:05Oh, listen.
00:51:06Before you break my heart,
00:51:08I'd like to go to bed.
00:51:10Do you think I want to sit up half the night?
00:51:12I should have thought you'd be used to it.
00:51:15What do you mean?
00:51:17Most strip joints are open until early hours, aren't they?
00:51:20Especially in Paris.
00:51:22What is this triptease nonsense?
00:51:24Oh, you're not still sticking to that old ballet story, are you?
00:51:28A chum great has quite a different angle.
00:51:31You haven't been to that club, have you?
00:51:33Ah.
00:51:34You're with me at last, stepmother.
00:51:36Les Girls, the sultry saucy Soho striptease
00:51:39starring Greta de Paris, la reine du striptease.
00:51:42Strip, strip, hurrah!
00:51:45How do you like my French?
00:51:47I had a French governess.
00:51:50Greta and I had a long chat.
00:51:52She told me how you worked together in Paris.
00:51:55And what else?
00:51:57That's funny.
00:51:59Those are the same words her boyfriend Kenny used.
00:52:02What else he said?
00:52:04What hasn't you both do in Paris?
00:52:07Is there more?
00:52:09Jennifer, what are you trying to find out?
00:52:12What have I done to you?
00:52:14Dig this and dig this real.
00:52:16I won't have you spying on me.
00:52:18Keep out of my life and I'll keep out of yours.
00:52:20Spying? I wanted to be friends.
00:52:22And dig this, too.
00:52:24I'm no part of my father's life and he's no part of mine.
00:52:27And that goes for you, too.
00:52:29We can't live like strangers under the same roof.
00:52:31It's all wrong.
00:52:33Why can't we be friends?
00:52:35I'm warning you.
00:52:38Take it off, take it off, said the boys in the rear.
00:52:45I'm sorry.
00:52:47I didn't mean it.
00:52:49Forgive me.
00:52:51I wasn't going back to Greta to find out the rest.
00:52:54I was just warning you to keep out of my life.
00:52:56Now I've changed my mind.
00:53:12Take it off, take it off, said the boys in the rear.
00:53:26Take it off, take it off, said the boys in the rear.
00:53:43For the audition?
00:53:46Okay.
00:53:49Good luck.
00:53:57Yeah, that was very, very nice, what you did last night, darling.
00:54:01But it isn't quite what we want in a club like this.
00:54:04Now, tease, will you?
00:54:06Try it again.
00:54:16Tease, darling, tease.
00:54:20How about Brighton, Sunday night?
00:54:22Tease.
00:54:25How about Brighton, Sunday?
00:54:27I don't like winkles.
00:54:31What do I do with this?
00:54:34Try it again.
00:54:36Tease, will you?
00:54:38Tell Greta there's an old friend here.
00:54:41If she's in, I'll see.
00:54:48Nicole.
00:54:50Well.
00:54:52Greta, I'm sorry about the coffee bar.
00:54:55I was so surprised to see you.
00:54:57That's all right, I understand.
00:54:59I was angry at first, but...
00:55:01Ah, well, that's life.
00:55:04So you're married.
00:55:06Is he nice?
00:55:08I love him.
00:55:10Well, I hope he's worth it.
00:55:12Greta, a girl came here.
00:55:14Jennifer, my husband's daughter.
00:55:17Yes, I told her I knew you.
00:55:19Kenny made me.
00:55:21Kenny?
00:55:23Yeah, he runs this place. And me.
00:55:25He's a bastard, but I love him.
00:55:27You see, I haven't changed.
00:55:30What else did you tell her?
00:55:32Nothing.
00:55:34Look, I'll keep her away from here.
00:55:37It's Kenny.
00:55:46You wanted to see me?
00:55:47There was a young girl in here last night.
00:55:50Seeing Greta.
00:55:52And?
00:55:54Leave her alone.
00:55:56Oh.
00:55:58May I ask who you are?
00:56:00Her stepmother.
00:56:02So that's what Nicole looks like.
00:56:04You've come up in the world, haven't you?
00:56:07I can come down to your level if I have to, Mr. Kenny.
00:56:10So just listen to me.
00:56:12If that child comes in here again,
00:56:15you're going to send her home.
00:56:17And if I don't?
00:56:19I'll tell my husband.
00:56:21He'll go straight to the police.
00:56:23To begin with, the girls and the rage.
00:56:26And with an expert like you,
00:56:29I'm just not taking the risk.
00:56:31Do we understand each other, Mr. Kenny?
00:56:34Perfectly.
00:56:36And will your husband also understand
00:56:39when he finds out what his wife and her good friend Greta
00:56:42got up to while they were in Paris?
00:56:44Kenny, please.
00:56:45It's very well managed between jobs.
00:56:47What did you tell him, Greta?
00:56:49For goodness sake, what did you tell him?
00:56:52Your stepdaughter will be very welcome here any time.
00:56:59Jennifer?
00:57:02Jennifer?
00:57:06Jennifer?
00:57:09Jennifer?
00:57:15Jennifer?
00:57:46Hey, looks like it's quite a ball.
00:57:51Daddy, oh, I'm over a doubt.
00:57:53Play it down, doll.
00:57:55Well, you've got to live for the kicks.
00:57:57That's all you've got.
00:57:59Ah, Liv.
00:58:02I'm not going to let you down.
00:58:04I'm not going to let you down.
00:58:06I'm not going to let you down.
00:58:08I'm not going to let you down.
00:58:10I'm not going to let you down.
00:58:12I'm not going to let you down.
00:58:13I'm not going to let you down.
00:58:35Babe, sing that number and say it cool.
00:58:39Ah, don't play wife.
00:58:41Wife? I said cool.
00:58:43♪
00:58:56Sing, Dad, sing.
00:58:58♪
00:59:03♪
00:59:08Well, I saw you sittin' there so cool
00:59:11Like a Judas Prometheus from school
00:59:14Lookin' such a pretty sight
00:59:15Like a stick of dynamite
00:59:17Sittin' on a coffee bar stool
00:59:19You're a gasser, that's a fact
00:59:20And I never can relax till I've made you
00:59:24♪
00:59:26Baby, come on
00:59:29Well, I feel such a crazy clown
00:59:32You're the biggest thing in our town
00:59:35Come on, honey, it ain't fair
00:59:36I'm never gettin' anywhere
00:59:38How do I melt you down?
00:59:40Well, you're a gasser, that's a fact
00:59:42And I never can relax till I've made you
00:59:45Yeah, make with it now, fellas
00:59:48♪
01:00:01Oh, I'm not givin' up this chance
01:00:04I don't wanna lose this case
01:00:07Every time I make a play, baby, you just run away
01:00:10I never made first piece
01:00:12You're a gasser, that's a fact
01:00:13And I never can relax till I've made you
01:00:17♪
01:00:18-♪
01:00:22Great, Dad, great. Straight from the fridge.
01:00:24I'm way out.
01:00:26Uh, this group's not so hot.
01:00:28Let's go and listen to the other one.
01:00:29♪
01:00:48Put it away, creep.
01:00:49Look, leave me alone.
01:00:50You heard me.
01:00:51♪
01:00:56Hey, look, cut it out.
01:00:57♪
01:00:59If you wanna fight, go and join the army.
01:01:01That's the place for squares.
01:01:02♪
01:01:22Hey, your medicine's neat gin.
01:01:24Got any more?
01:01:27So that's what the cough was in aid of.
01:01:30Crumb.
01:01:33You'll have to do better than that.
01:01:35Where'd you get it?
01:01:36I pinch it from the sideboard.
01:01:39Have a dry martini, General.
01:01:41Or is yours a pinker's, me old lemon?
01:01:44What's the matter with you, boy?
01:01:46Why do you need that?
01:01:48Drinks for squares, man.
01:01:50Kid stuff.
01:01:54Oh, summertime, this is.
01:01:57It's like the war.
01:01:58Way down in the underground.
01:02:01There she was, my old lady, snug as a bed bug.
01:02:05In the dark on the floor.
01:02:08That's where she had me.
01:02:09She was bombed out, so that's where we lived.
01:02:12Like a bunch of scared rats underground.
01:02:15That's the first home I ever had.
01:02:19My mother came up to London
01:02:20to be with the old man on his leave.
01:02:23Crazy.
01:02:25One day, a doodlebug.
01:02:29The house just went voom.
01:02:32She went with it.
01:02:34The old man, of course, was a hero.
01:02:37A live one.
01:02:38The desert, Italy, with D-Day to come.
01:02:41Stiff upper lip and all that.
01:02:44Don't cry for your mother, boy.
01:02:45It's not manly.
01:02:48When it was over, I played on the bombsites.
01:02:51Down in the cellars amongst the rats.
01:02:54Yes, I tell you, man, this is a home from home for me.
01:02:58From then on, it was strangers.
01:03:00Morning, noon, and night.
01:03:02Strangers.
01:03:03I know about strangers, too.
01:03:06Oh, well, like rats in a hole, that's us.
01:03:09The rat race rocks.
01:03:12I belong here.
01:03:13I feel good.
01:03:14This is my life.
01:03:16That's because you're a number one female rat.
01:03:19They'll never understand.
01:03:20Look, whatever you want to do, it's always...
01:03:22You're too young, son.
01:03:24You want to neck in the park.
01:03:25Oh, go home, son.
01:03:27Home?
01:03:28With the general and his whiskey and soda
01:03:30and his those were the days.
01:03:33Who wants to neck at home?
01:03:34Gives me the screaming hand taps.
01:03:36We could neck here.
01:03:38He doesn't mean necking.
01:03:40Yes, I do.
01:03:41I do.
01:03:41It's just what I mean.
01:03:43Lips to lips, hips to hips.
01:03:44You keep me horizontal.
01:03:45Your big, big love for you.
01:03:48Oh, nuts.
01:03:49What did you stop for?
01:03:50I was great.
01:03:51I was swinging.
01:03:52Oh, fade out.
01:03:55You know, Dave, maybe you're right.
01:03:57Maybe this place does give me the flying heebie-jeebies.
01:04:01Let's have a party.
01:04:02What?
01:04:03Party at my place.
01:04:05The old man's out and there's lots of records.
01:04:07Hey, Cinderella, what about the wicked stepmother?
01:04:11She can fly away in her room.
01:04:14Hey, nutcase.
01:04:16Still like everyone?
01:04:17To where?
01:04:18James' pad.
01:04:18Where is that?
01:04:1922 Exeter Street.
01:04:21Did you hear that, slum dwellers?
01:04:22That's Kensington.
01:04:23Phew, swank.
01:04:25I feel a race coming on.
01:04:26Annoy me.
01:04:28Oh, boy.
01:04:29Ah.
01:04:34I feel a big wind coming, man.
01:04:35I'm in the mood.
01:04:36Can I drive?
01:04:37Oh, sure.
01:04:37It's all yours.
01:04:50Come on.
01:04:51What's the matter with you?
01:04:52Put your foot down.
01:04:53Go for it, Dave.
01:04:54Faster.
01:04:54Come on.
01:04:55Have you got the handbrake on or something?
01:05:00Come on.
01:05:01Pick your car.
01:05:01Go for it.
01:05:02Go on.
01:05:02Go.
01:05:03Go.
01:05:03Come on, Santa Claus.
01:05:05You'll be late for Christmas.
01:05:07Go.
01:05:07Go.
01:05:09What's holding you back?
01:05:10You're dragging.
01:05:11Come on.
01:05:11Faster.
01:05:12Shut your face.
01:05:13I've got business to do.
01:05:14Come on.
01:05:14Go.
01:05:15Go.
01:05:15Go.
01:05:16Go.
01:05:16Go.
01:05:17Go.
01:05:17Go.
01:05:18Go.
01:05:18Shut your face like a possum if I wanted to.
01:05:20But you don't.
01:05:21Because you're chicken.
01:05:22Watch it, doll.
01:05:23Chicken.
01:05:24Chicken.
01:05:25Chicken.
01:05:25Chicken.
01:05:26Chicken.
01:05:26Chicken.
01:05:27Chicken.
01:05:27Why don't you play for screaming, Jennifer?
01:05:29I won't scream.
01:05:30You want to bet?
01:05:31I won't.
01:05:32Faster.
01:05:33If you scream, you'll play for real, OK?
01:05:36You're on, man.
01:05:39Come on, Santa Claus.
01:05:40Come on.
01:05:41Go.
01:05:41Go.
01:05:42Go.
01:05:42Go.
01:05:43Go.
01:05:43Go.
01:05:44Go.
01:05:44Go.
01:05:45Go.
01:05:45Go.
01:05:46Go.
01:05:46Go.
01:05:47Go.
01:05:47Go.
01:05:48Go.
01:05:49Go.
01:06:03Go, man.
01:06:05Go, son.
01:06:08Go.
01:06:09It's gonna make you go mad.
01:06:11Hey, Topple.
01:06:11What's your man at the brick?
01:06:16What's it you found?
01:06:18You want to pay me now?
01:06:20More action and less talk.
01:06:31Back! Back!
01:06:40He'd better check it, because I won't.
01:06:49Come on, you!
01:06:54You'll never make it!
01:06:56Go! Slow down!
01:07:18You didn't make a sound, man.
01:07:20But the tiniest sound, but the tiniest.
01:07:22You'll flip your lid next time.
01:07:24Try me, daddy-o.
01:07:34You didn't win your bet.
01:07:36It isn't over yet.
01:07:43Hey, there's a train coming.
01:07:45Let's play chicken on the road.
01:07:48Come on.
01:08:18Come on.
01:08:20Come on.
01:08:47You still didn't win your bet.
01:08:50Who wants their arms around an iceberg anyway?
01:08:54Iceberg?
01:09:19Come on.
01:09:49Stop it, you idiot!
01:09:51This is a Paris model.
01:09:53A present from the French fool.
01:10:49Come on.
01:10:51Come on.
01:11:17Come on, daughter.
01:11:21Come on.
01:11:52It's legal.
01:11:55It's legal.
01:11:59I won't be wicked again.
01:12:03I'll never be bad no more.
01:12:07Just think of the things that we can do
01:12:11Without even breaking the law
01:12:16Oh, darling, let me never fear
01:12:18We're definitely in the clear
01:12:22It's legal.
01:12:24It's legal.
01:12:30I won't be wicked again
01:12:34I'll never be bad no more
01:12:38Just think of the things that we can do
01:12:42Without even breaking the law
01:12:48Oh, darling, let me never fear
01:12:52We're definitely in the clear
01:12:56It's legal.
01:13:00It's legal.
01:13:02It's legal.
01:13:18You're phony, just like an iceberg.
01:13:24Am I?
01:13:32It's legal.
01:13:34It's legal.
01:13:38Perhaps the ice has melted.
01:13:48Go, go, go.
01:13:50You're warming me.
01:13:58Go on, Jane, go, go, go.
01:14:00You're warming me.
01:14:02Strip, strip.
01:14:30Melt, melt, melt.
01:15:00Melt, melt, melt.
01:15:30Go, go, go.
01:15:36Go, go, go.
01:15:56Idiots.
01:16:00Idiots.
01:16:02Get dressed.
01:16:04And you, get out of here.
01:16:06Now, Frenchie, darling, you're getting stroppy.
01:16:08Don't claim you haven't seen a doleful before.
01:16:10Be a nice Paris poodle.
01:16:12I said get dressed.
01:16:14Hey, hey, cadaver, cut out the watch-comedy routine
01:16:16and show us a trick or two in French.
01:16:18That was liberty, lady.
01:16:20Quite a liberty.
01:16:22Now, when I slap, it's no brush with a chicken's claw.
01:16:24Come off it, Dave.
01:16:26Get him out of here before I call the police.
01:16:28Out.
01:16:30Nobody's leaving.
01:16:32I said the party's over.
01:16:34Drop dead.
01:16:36It's my house, now do as I please.
01:16:38It's your father's house.
01:16:40I'm his wife, and you do as I say.
01:16:42Now put on your blouse and get away from that door.
01:16:44I said get away from that door.
01:16:46I'll kill you.
01:16:50Devil's going on here.
01:16:52There'll be a party.
01:16:54So it seems.
01:16:56What's the matter with you people?
01:16:58Jennifer's friends, boss.
01:17:00Oh, get out of it all.
01:17:02Go on, get out of my house.
01:17:08Go on, get out of it,
01:17:10you jiving, dribbling scum.
01:17:12Get out of it.
01:17:22Put on your clothes
01:17:24and bring that riffraff in here.
01:17:26What sort of a place do you think you're turning this into?
01:17:28That's the big laugh.
01:17:30Why didn't you ask yourself that question when you brought that woman in here?
01:17:32Shut up.
01:17:34The bally.
01:17:36Ask her what she and Greta were up to in Paris.
01:17:38Get her to show you how she's straight for the customers.
01:17:40Shut up.
01:17:42You and Greta and your boyfriends.
01:17:44Tell him how much you were paid.
01:17:46Jennifer.
01:17:48And if she doesn't know that much English, go and ask Greta.
01:17:50Don't, Paul.
01:17:52Jenny, I...
01:18:06It isn't true, is it?
01:18:08None of it.
01:18:10It's a lot of nonsense.
01:18:12Nicole.
01:18:14Tell him it isn't true.
01:18:16All that striptease business is childish.
01:18:18Greta and I did dance in cabaret, but...
01:18:20I don't mean that. You know I don't mean that.
01:18:24Your boyfriends?
01:18:26Customers.
01:18:30If you prefer.
01:18:32Yes, that is true.
01:18:36You.
01:18:38My wife.
01:18:40But why?
01:18:42How?
01:18:44You lied to me.
01:18:46How have I lied to you?
01:18:48Did I tell you I was a virgin before I married you?
01:18:50Did I tell you I'd never been to bed with another man?
01:18:52But you never told me that...
01:18:54That I accepted the rent money instead of a bunch of roses?
01:18:58All right.
01:19:00I never told you.
01:19:02Is that lying?
01:19:04No.
01:19:06Maybe it isn't.
01:19:10But you've got to tell me the truth now.
01:19:12Oh, yes, I'll tell you.
01:19:14Rao was my father.
01:19:18I walked out.
01:19:20I was hungry.
01:19:22But I was too proud to go back.
01:19:24Greta showed me the way.
01:19:28It is not easy to stay respectable on an empty stomach.
01:19:32Poor Greta.
01:19:34I was the lucky one.
01:19:36You came along.
01:19:38You came along.
01:19:40You came along.
01:19:42All I ever wanted.
01:19:56I love you.
01:20:00That's all I know.
01:20:02I love you.
01:20:10Taxi!
01:20:36Oh, man.
01:20:40Ah,
01:20:42sin for the body snatchers.
01:20:44The joint's dead, all right.
01:20:46Everything's so dreary.
01:20:48I'm bored.
01:20:50Come on, live dangerously.
01:20:58Come on, Jen, dance with me.
01:21:00Let's live it up.
01:21:02All right.
01:21:10All right.
01:21:40All right.
01:21:42All right.
01:22:08What's your hurry, baby?
01:22:10Where'd you pick up that rubbish inside?
01:22:12She saw him in the light and took off.
01:22:24On your way, kid.
01:22:26You're underage.
01:22:28Take another look.
01:22:30Remember me?
01:22:32Okay, you win.
01:22:34In you go.
01:22:40Come on.
01:23:04Well, that's tricks.
01:23:06Nearly run off my feet.
01:23:08You've got to keep the girls at home these days, eh?
01:23:10Why do they change the law just when I'm doing so good?
01:23:13I'll tell you there's no justice.
01:23:15Who says?
01:23:23Jennifer?
01:23:25Nicole, she's not in her room.
01:23:27She's gone.
01:23:39All right.
01:24:03Well, somebody down there likes me.
01:24:06I've quite given you up.
01:24:08I didn't say for certain.
01:24:10Oh, I'm not making any complaints.
01:24:12It's a woman's privilege to change her mind, especially if she's beautiful.
01:24:14You don't look so surprised.
01:24:16Is it new to you that you are beautiful?
01:24:22Sit down.
01:24:24Oh, yes, I forgot.
01:24:26You're underage, aren't you?
01:24:28Could be quite a bit of trouble for me.
01:24:30How?
01:24:32You're coming here in business hours.
01:24:34Who says?
01:24:36Your stepmother.
01:24:38I guess she made quite a scene, certainly, with your father.
01:24:42Oh, I forget them.
01:24:44They drive into me like a big headache.
01:24:46In any case, I'm on my own.
01:24:48I just walked out.
01:24:50And came here?
01:24:52No, thank you.
01:24:54The gang gave me the heebies.
01:24:56I felt flat.
01:24:58Well, naturally. What could those children possibly do for you?
01:25:00You need a little help, don't you?
01:25:04One way or another,
01:25:06I think I can offer you
01:25:08quite a future.
01:25:30What the hell?
01:25:42Having fun, you lousy tits?
01:25:44Any complaints?
01:25:50You think you own the bloody streets, don't you?
01:25:52I'm not fighting.
01:25:54Fighting's for squares.
01:25:56It's not worth the fun, Luke. Come on.
01:26:00Come on.
01:26:24Simon, what are those tickets doing on Kenny's desk?
01:26:26You've been going through Kenny's private papers.
01:26:28Now, is that nice?
01:26:30Who's going to Paris and when?
01:26:32Kenny feels he needs a change.
01:26:34Change?
01:26:36Let's face it, Greta.
01:26:38This is it.
01:26:40You've got your cars and your coppers.
01:26:42The replacement's arrived.
01:26:44He didn't even have the guts to tell me himself.
01:26:46Well, Kenny's got a lot on his mind.
01:26:48He's got his hands full,
01:26:50as you might say.
01:26:52I see.
01:26:54And now I've done his dirty work,
01:26:56haven't I?
01:27:00Might have known he never cared a damn for me.
01:27:02That's right, girl.
01:27:04Be sensible about it.
01:27:06Come to think of it, what else can you do?
01:27:08What else?
01:27:10I should get out there and get one of those suckers
01:27:12to buy you a drink.
01:27:14A good idea.
01:27:16They were in the cafe.
01:27:18When we first went in?
01:27:20Yeah.
01:27:26Look.
01:27:28That's half Jenny's crowd, isn't it?
01:27:34Where's Jennifer?
01:27:36I don't know. She walked out on us.
01:27:38Poor Alice in Wonderland.
01:27:40Teased.
01:27:56¶¶ ¶¶
01:28:26¶¶ ¶¶
01:28:28¶¶ ¶¶
01:28:30¶¶ ¶¶
01:28:32You see, I'm not such a dangerous man, am I?
01:28:34¶¶ ¶¶
01:28:36¶¶ ¶¶
01:28:38Two tickets.
01:28:40Paris, last play on Saturday night.
01:28:42¶¶ ¶¶
01:28:44You can forget all about those cheap thrills.
01:28:46¶¶ ¶¶
01:28:48Might even have your name up in lights in the Champs-Élysées,
01:28:50and it really means something.
01:28:52¶¶ ¶¶
01:28:54Does the idea appeal to you?
01:28:56¶¶ ¶¶
01:28:58¶¶ ¶¶
01:29:20Aah!
01:29:24¶¶ ¶¶
01:29:26¶¶ ¶¶
01:29:28¶¶ ¶¶
01:29:30¶¶ ¶¶
01:29:32¶¶ ¶¶
01:29:34¶¶ ¶¶
01:29:36¶¶ ¶¶
01:29:38¶¶ ¶¶
01:29:40¶¶ ¶¶
01:29:42Get them, please, quick!
01:29:44Murder! Call the police!
01:29:46¶¶ ¶¶
01:29:48¶¶ ¶¶
01:29:50Officer, there's been a murder!
01:29:52Officer, there's been a murder. In our place.
01:29:56My God, Jennifer!
01:30:12I didn't do it! I didn't do it!
01:30:16I didn't do it! I didn't do it!
01:30:20Who said you did?
01:30:25I reckon I did us all a favour.
01:30:30Here, get on with her, quickly! Stop her!
01:30:32For goodness sake, stop her! Don't let her get out, that's right!
01:30:34I know she's in there. I know it.
01:30:36Just a minute. There must be a back entrance somewhere.
01:30:44Come back! Help me!
01:30:48Jennifer! It's all right, officer. It's my daughter.
01:30:52You're her father, are you? Yes.
01:30:54Well, if it weren't for my pension, I'd wallop her.
01:30:56You'd better take over.
01:30:58Meanwhile, I'll have some particulars.
01:31:03You'll find us here, if you want us.
01:31:06Thank you, Mr. Brigham.
01:31:10Sorry, Jenny.
01:31:17Come on.
01:31:36Funny. Only squares know where to go.
01:31:47Come on.
01:32:17© BF-WATCH TV 2021