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Short filmTranscript
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00:05:08 Say, why don't you watch where you're going? You might have hurt this lady.
00:05:13 Come on.
00:05:14 Young fool.
00:05:16 [Doorbell]
00:05:20 [Doorbell]
00:05:21 How'd you like it?
00:05:32 Oh, you work every day?
00:05:34 Sure.
00:05:35 See you tomorrow?
00:05:36 Of course, always.
00:05:38 Night, Ted.
00:05:39 Night, Mary.
00:05:40 I'll see you tomorrow.
00:05:43 Okay.
00:05:44 I, I want to get the state prison at Huntsburg.
00:05:50 No, no, I don't owe the number.
00:05:52 She always drink two malts?
00:05:54 No, let her. It's good for business.
00:05:56 Your business? Monkey business.
00:05:58 What?
00:05:59 Sandy, what's the matter?
00:06:00 Uh, just a minute.
00:06:03 Can I have some change, please?
00:06:09 Why, certainly.
00:06:13 I'll get it.
00:06:14 All right.
00:06:32 Sandy, I didn't do anything.
00:06:33 Not yet you didn't do anything.
00:06:35 I was just waiting.
00:06:37 Hello?
00:06:38 Waiting for you.
00:06:39 This is Mr. Edward Miller. I'd like to speak to Dr. Gillette, please.
00:06:42 It's very important.
00:06:43 What?
00:06:46 Two weeks?
00:06:48 Well, well, what's his number there?
00:06:52 But I've got to reach him.
00:06:55 I told you, it's very important.
00:06:57 It's a matter of life or...
00:06:58 Well, listen, there must be a phone near where he is.
00:07:02 Well, can't you...
00:07:05 Well, can you please tell me if...
00:07:08 Please tell me if...
00:07:09 All right.
00:07:14 All right.
00:07:17 All right!
00:07:19 I guess I do.
00:07:29 But you make me so mad.
00:07:31 Did you get your party?
00:07:34 Didn't get his party.
00:07:37 Didn't get his party.
00:07:38 (SUSPENSEFUL MUSIC PLAYING)
00:07:40 (DOOR OPENING)
00:07:41 (THUDDING)
00:07:50 (SUSPENSEFUL MUSIC PLAYING)
00:07:51 (THUDDING)
00:08:09 (THUDDING)
00:08:10 (SUSPENSEFUL MUSIC PLAYING)
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00:08:28 (SUSPENSEFUL MUSIC PLAYING)
00:08:29 You know how much coffee I've had today? 17 cups.
00:08:49 The Brazilians ought to give me a medal.
00:08:51 What is it?
00:08:53 Second degree burns. Chadwick's in with him.
00:08:55 Here's his card.
00:08:58 Edward Burnside. Well, the name fits.
00:09:01 Right hand electric stove.
00:09:04 Yeah, friend, a man's got no business fooling around with stoves.
00:09:08 They're strictly a woman's business.
00:09:10 You're not married, huh?
00:09:12 No.
00:09:14 You're missing a big deal, friend.
00:09:15 So you get married.
00:09:17 So your wife does all the cooking.
00:09:19 So she's the one that gets burnt.
00:09:22 So what happens?
00:09:24 So she comes and cries on your shoulder.
00:09:26 And you pat her head and give her a kiss or two.
00:09:29 Yeah, that's living.
00:09:31 Keep your hand still.
00:09:33 Next day she tells you to climb on a ladder and clean out the closet.
00:09:36 And you fall and break a leg.
00:09:38 I don't know.
00:09:40 They got you coming and going.
00:09:42 Everything all right?
00:09:44 Just finished.
00:09:45 You'll have to sign this, Mr. Burnside.
00:09:48 Your left hand will do.
00:09:54 Can I see you a minute outside, Chad?
00:09:55 Sure.
00:09:57 You notice anything funny about...
00:10:02 Outside of the fact that he did it on purpose, no.
00:10:05 You think it was self-inflicted?
00:10:07 Look, to get a second degree like that,
00:10:09 he'd have had to hold his hand on a burner a couple of seconds at least.
00:10:12 Sure it was self-inflicted.
00:10:14 Give me a minute, will you?
00:10:16 Mr. Burnside, I want to ask you a question.
00:10:18 Were you ever in a mental hospital?
00:10:20 Only when I was in prison.
00:10:25 Prison?
00:10:27 In the psycho ward.
00:10:29 But they...
00:10:31 They let me go.
00:10:32 Why?
00:10:34 My sentence was up.
00:10:36 And I was in jail.
00:10:38 And I was in jail.
00:10:40 And I was in jail.
00:10:42 And I was in jail.
00:10:45 And my sentence was up.
00:10:46 Dr. Gillette wanted to keep me, but...
00:10:48 They let me go.
00:10:50 What'd you go up for?
00:10:52 I...
00:10:54 I hit someone.
00:10:57 A girl.
00:10:59 Why?
00:11:01 I don't know.
00:11:03 How do you feel now?
00:11:05 Not right.
00:11:07 I don't feel right.
00:11:09 You gonna keep me here?
00:11:11 I don't know.
00:11:14 I don't know.
00:11:15 Well?
00:11:22 I'm gonna send him upstairs.
00:11:24 You crazy?
00:11:25 Not as crazy as he is.
00:11:26 He'll make five movies you've sent up in the past two weeks.
00:11:29 Where are the rest of them now?
00:11:31 That's not my fault.
00:11:33 Look, forget it.
00:11:34 They'll only wrap him up in a cold sheet.
00:11:35 Keep him around for three days, and give him back to the Indians.
00:11:38 Besides, we've got some more business.
00:11:40 All right, boys, full house coming in.
00:11:42 One statue, one walk.
00:11:43 All right, let's go, Charlie.
00:11:44 Okay, friend, you can go now.
00:11:49 A little room, Mac.
00:11:57 A little room.
00:11:58 Listen, don't you think this is a funny way to get hurt?
00:12:03 Sure, friend.
00:12:04 Don't...
00:12:05 Aren't you away yet, Miller?
00:12:30 I will be in a minute. It's not easy with this hand.
00:12:33 I'm sure you can drive.
00:12:34 Don't worry, I can drive.
00:12:35 I don't worry. The company worries.
00:12:37 And just remember, if you have an accident, you're responsible.
00:12:40 (Train whistle)
00:12:42 (Footsteps)
00:13:10 -Cleaner. -All right, Eddie.
00:13:11 -Hello, Eddie. -Hello, Miss Dyer.
00:13:16 I was hoping you'd get here earlier.
00:13:18 Just put him in on the bed. I'll hang him up later.
00:13:21 What have you been doing?
00:13:31 What?
00:13:32 Your hand. You've hurt it.
00:13:33 Oh, uh...
00:13:35 I was playing ball yesterday.
00:13:37 I got spiked in a ball game.
00:13:40 I didn't know you were a ball player.
00:13:41 I'm a lot of things.
00:13:43 Man of many talents?
00:13:45 Yeah. Yeah, I guess so.
00:13:47 I never seemed to know a man like that.
00:13:49 Are you going someplace?
00:13:54 Not unless I get this done.
00:13:56 Oh, here, here. Let me give you a hand.
00:13:58 Thanks.
00:14:00 Eddie, you're sweet. Just put it on the bed.
00:14:05 Actually, I'm only going away for a couple of days
00:14:06 with a friend of mine.
00:14:09 That's why I was hoping you'd get here earlier, Eddie.
00:14:11 I want you to do me a favor, will you?
00:14:14 Well, if it's something I can.
00:14:16 Well, it's this dress.
00:14:18 I tried it on to see it was okay this morning,
00:14:20 and then I noticed this stain.
00:14:22 I want to wear it when I go away, Eddie.
00:14:24 Do you think Alpine could do a rush job on it for me
00:14:26 and get it back to me by tomorrow?
00:14:28 I don't know. I'll have to ask one of the men.
00:14:30 I'll get it back to you.
00:14:32 I'll get it back to you.
00:14:34 I'll have to ask one of the men.
00:14:35 What kind of a stain is it?
00:14:37 Brandy. At least I think it's brandy.
00:14:39 There was this drunk the other night,
00:14:41 and I forgot about it. He must have spilled something,
00:14:43 and I didn't...
00:14:45 I'll get one of the men to do it.
00:14:46 Oh, Eddie, you're wonderful.
00:14:48 Tell you what, you go in the kitchen
00:14:50 and get a beer out of the icebox,
00:14:52 and I'll slip this off.
00:14:54 All right.
00:14:56 There's an opener right there by the bottle.
00:15:00 Find it all right?
00:15:03 Yes, I found it, Miss Darr.
00:15:04 I'm sorry. I forgot about your hand.
00:15:18 I see you got it open all right.
00:15:20 Yeah, sure. It was easy.
00:15:22 I didn't know baseball was such a dangerous game.
00:15:24 Anybody can get hurt any time.
00:15:26 You're so right, Eddie.
00:15:28 Not just in games, either.
00:15:32 Is it hot out? I haven't been out yet.
00:15:33 No, it's nice.
00:15:35 But you're sweating.
00:15:37 Oh, am I? I didn't know.
00:15:39 Well, the beer will cool you off.
00:15:41 Excuse me.
00:15:43 What is it?
00:15:49 Al?
00:15:51 What are you doing up so early?
00:15:53 Sure, come on up.
00:16:01 That's my friend. He's coming up.
00:16:02 Eddie, would you mind finishing your beer
00:16:04 out in the back porch?
00:16:06 Al's just like every other trumpet player.
00:16:08 He's jealous.
00:16:10 I wouldn't want him to get any ideas.
00:16:12 And I'll expect the dress tomorrow.
00:16:14 You're a darling, Eddie.
00:16:16 (GUNSHOT)
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00:16:28 (GUNSHOT)
00:16:30 (GUNSHOT)
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00:19:46 - Anyone down there?
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00:21:27 (gentle music)
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00:21:49 (gentle music)
00:21:51 - Gets better every time.
00:22:01 Play it again, Jeanie girl.
00:22:02 - Listen, that's five times I've played it for you already.
00:22:05 People might want to hear something else.
00:22:06 - No, listen.
00:22:08 I'm the only one that's listened.
00:22:09 Play it again, Jeanie girl.
00:22:11 - Pete.
00:22:12 - What's the matter, Jeanie?
00:22:16 You want to run off with me?
00:22:18 - It's this man.
00:22:18 Five times I've played a song for him
00:22:19 and now he wants to hear it again.
00:22:21 - What's the matter?
00:22:22 You know only one song?
00:22:23 Jeanie knows lots of songs.
00:22:25 Let her play and you'll hear a million songs.
00:22:27 - I only want to hear this song.
00:22:29 - Well, maybe somebody else wants to hear something else.
00:22:32 Maybe I want to hear something else.
00:22:34 - Listen, I've been paying for this.
00:22:36 I bought nine drinks here tonight.
00:22:38 - Maybe nine drinks are too many for you.
00:22:41 Maybe you better go home.
00:22:43 - You can't do that to me.
00:22:45 - I just did it.
00:22:47 - Are you going to leave quiet
00:22:49 or do you need a little help?
00:22:51 - All right, but you'll be sorry.
00:22:53 Don't make a fool out of me.
00:22:56 - Nice fellow.
00:22:59 - You ought to be used to it by now.
00:23:00 - I never get used to it.
00:23:02 Jeanie, play me something.
00:23:05 Play me "Plaisir d'amour."
00:23:07 - So you can go off in a corner and cry?
00:23:09 - With that song and the way business is,
00:23:10 I cry right out in public.
00:23:12 (laughing)
00:23:14 - Are you sure you don't want me to get you a cab?
00:23:35 - Walking's the only exercise I get these days.
00:23:37 - But I don't like you at alone like this at night.
00:23:40 - What makes you think I'm alone?
00:23:42 After all, I'm leaving early.
00:23:44 How do you know I don't have someone waiting for me
00:23:46 around the corner?
00:23:48 - I wish it was me.
00:23:50 Good night, Jeanie.
00:23:51 - Good night, Pete.
00:23:53 - I almost seen it.
00:24:08 I just finished looking out the window
00:24:09 and I went back into the kitchen to take a pill
00:24:11 and I heard this backfire.
00:24:13 I waited a minute and I thought to myself,
00:24:15 it's a funny kind of a backfire.
00:24:16 I never heard a backfire like that before.
00:24:18 So I went back to the window and looked
00:24:19 and she was laying there
00:24:20 and this fellow was bending over.
00:24:21 - What fellow?
00:24:22 - Oh, Pete there, a fellow that owns a bar.
00:24:24 He come running out, I guess.
00:24:25 - Oh, look, they're gonna take another picture.
00:24:28 - Okay.
00:24:29 - Where's Lieutenant Kafka?
00:24:30 - Inside, him and Ferris both.
00:24:32 - Ask him if he's all through out here.
00:24:33 We'd like to take off.
00:24:34 - Okay.
00:24:35 - They want to know if they can remove the body, Lieutenant.
00:24:39 - Did you get your pictures?
00:24:40 - Yes, sir.
00:24:41 - All right.
00:24:42 - I'll buy one with the sheet off, Lieutenant.
00:24:43 Just one, that's all.
00:24:44 - Not a chance.
00:24:45 - Why not?
00:24:46 What's the matter?
00:24:47 - Listen, food's too expensive
00:24:48 to spoil people's appetite for breakfast.
00:24:49 I wouldn't want a dead girl on my front page.
00:24:51 - You got one anyway.
00:24:52 - I don't like dead girls
00:24:53 on the front page or anywhere else.
00:24:55 - She'd have been with me last night.
00:24:56 She wouldn't have liked a couple of live ones.
00:24:57 I had a lot of trouble last night.
00:24:58 - You're gonna have a lot of trouble tonight, too.
00:25:00 Get over there to that building.
00:25:01 Start from the roof
00:25:02 and check every apartment that fronts on the street.
00:25:04 I'll be inside seeing what they got to say.
00:25:06 - Right.
00:25:07 - Okay, break it up.
00:25:08 Show's over.
00:25:09 - Yes, sir.
00:25:10 All right, let's go, boys.
00:25:11 Break it up.
00:25:12 - All right.
00:25:13 Go home.
00:25:14 Go home.
00:25:15 - Well, you see, I live across the street over there.
00:25:16 - Go across the street.
00:25:17 - Oh.
00:25:18 - That little girl shouldn't be out this time of night.
00:25:19 - I'm her mother.
00:25:20 - Well, that makes her a lucky kid.
00:25:21 Come on, home, please.
00:25:23 Go home.
00:25:25 Go home.
00:25:26 - I still say we were cheated in that game.
00:25:35 - Well, it was a good game.
00:25:36 I don't care how it came out.
00:25:37 - Fill her up.
00:25:38 - Well, I care how it came out.
00:25:39 I had some money bet on the game.
00:25:41 - Hey, Mac, you seen that play on the television tonight,
00:25:44 didn't you?
00:25:45 - 25.
00:25:47 - The one at second that all that rhubarb was about.
00:25:51 You know, in the fourth,
00:25:52 where they thump Parsons out.
00:25:54 This is what it deserved.
00:25:56 - You smiling at me?
00:25:58 - I'm smiling at everybody.
00:26:00 - Business good today?
00:26:03 - I'm not a businessman.
00:26:04 - This is what businessmen carry around.
00:26:07 - Oh, I'm an engineer.
00:26:10 - Oh, on the railroads?
00:26:12 - No, I build things.
00:26:14 You know, bridges and things.
00:26:18 I just got back from Hawaii today.
00:26:20 I was building a bridge in Hawaii.
00:26:22 That's why I'm smiling at everybody.
00:26:24 I'm glad to be home.
00:26:26 It sure is great to be stateside again.
00:26:29 Oh, you want a drink?
00:26:30 - No, no, I got one back there.
00:26:32 - That how you hurt your hand building the bridge?
00:26:35 - Huh?
00:26:36 Oh.
00:26:37 Oh, that, uh...
00:26:39 That was on the boat coming back.
00:26:42 They were shooting skeet on the boat.
00:26:44 Gun went off by mistake,
00:26:46 and I got a few slugs in my hand.
00:26:49 - Poor kid.
00:26:50 You know, I like you.
00:26:52 You got a nice face.
00:26:54 Poor kid.
00:26:56 (indistinct chatter)
00:26:59 - What was the name of the bridge?
00:27:05 - Oh, the, uh...
00:27:06 The Burnside Bridge.
00:27:08 - What was the name of the river?
00:27:12 - Oh, it wasn't on a river.
00:27:13 It was between two islands.
00:27:16 Five miles long.
00:27:18 - Nobody ever built a bridge that long.
00:27:20 That's crazy.
00:27:22 What was the name of the islands?
00:27:24 - Hawaii and, uh...
00:27:26 Burnside Island.
00:27:28 - I never heard of a Burnside Island.
00:27:30 All those islands got Hawaiian names,
00:27:32 like, um, Cocoa-Wakahiki and stuff like that.
00:27:35 Are you kidding me?
00:27:36 - I said what I said.
00:27:38 - I think you're kidding me.
00:27:39 I think you're pulling my leg.
00:27:41 Probably got that hand caught in a ringer or something.
00:27:44 - Hey, where are you going?
00:27:45 - Back where they don't pull my leg.
00:27:47 I should have stayed where I was.
00:27:50 (upbeat music)
00:27:52 (phone ringing)
00:28:04 - Coming?
00:28:07 Coming.
00:28:09 Hello?
00:28:16 Who wants him?
00:28:20 Just a minute.
00:28:22 Mr. Miller?
00:28:27 Mr. Miller?
00:28:31 Mr. Miller?
00:28:36 Mr. Miller?
00:28:39 Mr. Miller, you in there?
00:28:43 - What is it?
00:28:47 - Oh, you're still there.
00:28:49 It's the cleaners.
00:28:50 It's late and they want to know if you're sick.
00:28:53 Are you sick?
00:28:54 - No, no, I'm all right.
00:28:56 Uh, I guess I must have overslept.
00:28:59 Tell them I'll be there as quick as I can.
00:29:03 - Ain't like you, Mr. Miller.
00:29:07 (water running)
00:29:11 (water running)
00:29:13 (engine revving)
00:29:35 (door slamming)
00:29:38 - When did you start keeping bankers hours?
00:29:55 - I overslept.
00:29:56 - Listen, Miller, the only one who can oversleep here
00:29:58 is Mr. Alpine.
00:30:00 I don't care which way you cut it,
00:30:01 you're still an errand boy.
00:30:02 Don't ever forget that.
00:30:03 - It won't happen again.
00:30:04 - That's right.
00:30:06 - Hey, Eddie, good thing you came in late.
00:30:10 I got jammed up.
00:30:11 Here's that special you ordered.
00:30:12 - Oh, swell.
00:30:14 (engine revving)
00:30:17 - Yeah, yeah, wait a minute, I'll write that down.
00:30:38 You got it, thanks.
00:30:41 - Where you been?
00:30:43 - Barbers.
00:30:44 - Yeah, you look neat.
00:30:45 - You don't.
00:30:46 - Oh, I guess I need a shave.
00:30:47 - What difference does it make?
00:30:48 You're married.
00:30:49 My wife is visiting her mother.
00:30:51 - Shave.
00:30:52 - Ballistics just called.
00:30:54 That casing you found on the roof,
00:30:56 it's from an M1 carbine.
00:30:57 The cartridge is called a .30 caliber M1.
00:31:00 That's the only gun it'll fit.
00:31:01 - Gives an army slant, huh?
00:31:03 - Listen, every GI who can
00:31:04 pinches one of these when he gets out.
00:31:06 There must be 10,000 of them kicking around.
00:31:08 There are also a couple of million men in the army.
00:31:11 - Well, there's one civilian you can scratch,
00:31:12 the guy she had the beef with in the bar.
00:31:14 They found him in the drunk tank this morning.
00:31:16 He was loaded, went on to another joint, passed out.
00:31:18 He's in the clear.
00:31:19 No word from the boyfriend yet.
00:31:21 He'll probably turn up
00:31:22 as soon as he reads the papers.
00:31:24 From what I know about musicians,
00:31:25 they're not that neat
00:31:26 when they decide to get rid of their dames.
00:31:28 Look, there's a pile of letters over there
00:31:30 by the phone.
00:31:31 Run through them, will you?
00:31:33 (traffic humming)
00:31:36 - Uh, what's all the excitement?
00:31:47 - A girl in the air got killed last night.
00:31:49 That's why all the cops.
00:31:51 A fella killed her right in the street.
00:31:53 - What fella?
00:31:54 - Ah, they hadn't caught him yet.
00:31:56 But it was a fella, all right.
00:31:57 - Will you wait?
00:31:58 It'll turn out to be her boyfriend.
00:32:01 - Mark my words, it always does.
00:32:02 - Yes, getting so nowadays,
00:32:03 you can't trust these men.
00:32:05 - Getting so you can't trust women either.
00:32:08 - Andy Soames.
00:32:16 That name mean anything to you?
00:32:17 - Yeah, he owns a mariposa.
00:32:19 Hey, wait a minute.
00:32:20 Wasn't he picked up about a year ago
00:32:21 on narcotics charges, charges dismissed?
00:32:24 - That's the one his name's in here with.
00:32:25 Check on him.
00:32:26 (phone ringing)
00:32:27 - Hello.
00:32:28 No, Sergeant Ferris.
00:32:30 Yeah, yeah, I'll tell him.
00:32:33 Well, looks like the boyfriend
00:32:34 read the morning papers.
00:32:35 Turned himself in
00:32:36 and it looks like he's got an alibi.
00:32:37 - Figured he would.
00:32:38 Well, we might as well get downtown
00:32:39 and see what he's got to say.
00:32:40 Come on.
00:32:41 - All I know is we had lunch yesterday.
00:32:44 We were going to go out of town tomorrow.
00:32:45 That's all I know.
00:32:47 We didn't fight or anything, honest.
00:32:49 I was going to see her yesterday.
00:32:51 - Look, Al.
00:32:52 For the 10th time, get it through your head.
00:32:54 We know you didn't do it.
00:32:56 We've had you checked.
00:32:57 You've got an airtight alibi.
00:32:58 But the fact remains that somebody
00:32:59 did it and we think that maybe
00:33:00 you can give us a lead.
00:33:02 Did she know any soldiers, any officers?
00:33:04 - Not while I knew her.
00:33:05 She only seen me.
00:33:06 - You sure?
00:33:07 - Why shouldn't I be?
00:33:09 What's soldiers got to do with it?
00:33:10 - How about Soames?
00:33:11 How about Andy Soames?
00:33:12 - Who's he?
00:33:13 - She had his name in her book.
00:33:14 - I don't know him.
00:33:15 - She did.
00:33:16 - Not while I knew her.
00:33:17 She only seen me.
00:33:19 - Very well, then.
00:33:20 Why were you going out of town?
00:33:23 (engine rumbling)
00:33:26 (dramatic music)
00:33:29 (engine rumbling)
00:33:32 (dramatic music)
00:33:48 (dramatic music)
00:33:50 (dramatic music)
00:33:54 (dramatic music)
00:34:22 (dramatic music)
00:34:25 (crowd cheering)
00:34:38 (crowd cheering)
00:34:52 (crowd cheering)
00:34:55 - It's all your fault.
00:35:11 Why don't you leave us alone
00:35:12 and go play your own games?
00:35:15 (crowd cheering)
00:35:18 (crowd cheering)
00:35:20 - Oh, Mr. Miller.
00:35:34 Awful late for you.
00:35:36 - I ate out.
00:35:37 I don't feel very well.
00:35:38 - Oh, do you hear that, Asa?
00:35:40 He don't feel well.
00:35:42 Isn't that too bad?
00:35:44 What's the trouble?
00:35:45 Stomach?
00:35:46 - No.
00:35:47 No, it's my hand.
00:35:48 I burned it cooking.
00:35:51 - Oh, what a shame.
00:35:53 Asa, do you see that?
00:35:55 He burned his hand cooking.
00:35:57 I'm trying to get Asa
00:35:58 to catch some mice in the cellar.
00:36:00 He ought to earn his keep
00:36:01 just like all the rest of us.
00:36:04 Shouldn't you, you naughty boy?
00:36:06 You'll have to be careful, Mr. Miller.
00:36:09 I do think mothers should teach boys
00:36:11 to cook just as well as girls.
00:36:13 - My mother never taught me anything.
00:36:17 - No, you don't.
00:36:18 You've got to work, too.
00:36:20 Everybody's got to work in this world.
00:36:23 (somber music)
00:36:26 (somber music)
00:36:28 (somber music)
00:36:31 (leaves rustling)
00:36:46 (somber music)
00:36:50 (dramatic music)
00:36:55 (dramatic music)
00:36:58 (somber music)
00:37:21 (somber music)
00:37:24 (dramatic music)
00:37:37 (leaves rustling)
00:37:41 (leaves rustling)
00:37:48 (dramatic music)
00:37:50 (dramatic music)
00:37:59 (dramatic music)
00:38:13 (dramatic music)
00:38:16 (dramatic music)
00:38:24 (dramatic music)
00:38:37 (dramatic music)
00:38:40 (dramatic music)
00:38:45 (dramatic music)
00:38:59 (dramatic music)
00:39:02 (dramatic music)
00:39:27 (dramatic music)
00:39:30 (metal clanging)
00:39:51 (metal clanging)
00:39:55 (dramatic music)
00:39:57 (somber music)
00:40:16 (somber music)
00:40:19 (metal clanging)
00:40:38 (dramatic music)
00:41:06 (dramatic music)
00:41:09 (gun firing)
00:41:23 (people chattering)
00:41:35 - All right, let's settle down.
00:41:37 I suppose you all know why I've called you in here.
00:41:42 In case you don't.
00:41:45 Pretty, isn't it?
00:41:50 So that's how it is.
00:41:54 And before we know it, everybody who's got a telephone
00:41:56 is gonna be on our necks.
00:41:57 "What are you doing about it?" they're gonna ask.
00:41:59 "What are you doing about it?" It's a good question.
00:42:02 What are we doing about it?
00:42:05 (coughing)
00:42:06 That's right.
00:42:07 Nothing.
00:42:09 And until today, there wasn't much we could do about it.
00:42:12 I don't expect you to find a drop of water in a rainstorm.
00:42:15 But this morning, this was brought in.
00:42:18 Here's what it says.
00:42:25 Quote, "To the police, stop me.
00:42:32 "Find me and stop me.
00:42:35 "I'm going to do it again."
00:42:37 Unquote.
00:42:39 And it's written on the top of a box of 30-in-one ammunition,
00:42:43 the same kind that killed both of these dames.
00:42:45 - Where'd it come from?
00:42:47 - Mailman got it in a box at Seventh and Sains,
00:42:49 turned it into the Central Post Office,
00:42:51 and they brought it down here.
00:42:52 - Any fingerprints?
00:42:53 - Thousands, everybody except the Postmaster General.
00:42:56 But at least it shows us the type of man we're up against.
00:42:59 Now, I don't have to tell you how much I dislike it.
00:43:02 This guy's probably been saving up for this for years.
00:43:05 Now, we gotta get him and get him quick.
00:43:07 If we don't, every other loopy in town's gonna jump on the bandwagon
00:43:10 and we'll find ourselves knee-deep in a slaughterhouse.
00:43:12 It's happened before, it can happen again.
00:43:15 Frank, both of these have been your babies.
00:43:20 Got you up a tree.
00:43:22 - Way up in the top branches.
00:43:25 - Well, before you fall out,
00:43:26 check the files for everything you've got.
00:43:28 Check the files for every registered sex offender of this type
00:43:31 and pay particular attention to those who've recently done time.
00:43:34 - How about checking with the Army on stolen carbines?
00:43:37 - Yeah, we can do that too,
00:43:38 especially in regards to, what do they call them, uh, Section 8s.
00:43:41 I'm checking with the FBI and the Police Association
00:43:44 to find out if they've had any other cases just like this.
00:43:46 - Wasn't there a series in New York like this once?
00:43:48 - Maybe, we'll find out.
00:43:50 - I think there was, they never caught the guy.
00:43:52 - Could be the same one.
00:43:53 - No, that was a long time ago.
00:43:55 - All right, all right, so that was New York,
00:43:57 this is here, that's why I've called you in.
00:43:59 We've got to do something
00:44:01 before we all find ourselves pounding beats again.
00:44:03 Now get out and round up a bunch of these people.
00:44:05 Rapists, defilers, peeping Toms, etc.
00:44:08 Everybody we've got this kind of a record on.
00:44:11 Bring 'em in, let's, uh, talk to 'em.
00:44:14 Find out where they've been, what they've been doing lately.
00:44:17 Let the newspapers know we're not sitting around
00:44:19 with our feet on the desk.
00:44:21 If we're in the dark, it's our business, nobody else's.
00:44:25 All right, now, get out and earn your money.
00:44:28 - What money?
00:44:30 - Got 'em all sorted?
00:44:41 - Well, as I can, first time I ever did this.
00:44:43 (buzzer)
00:44:44 - Well, now we'll see what goes.
00:44:46 All right, first three.
00:44:47 - Tenman, Eureka, W. Assy.
00:44:50 - George Tenman, Peter Eureka.
00:44:54 - Tony DiBiase.
00:44:56 - All go there and hit a spot.
00:44:58 - Face front.
00:45:01 - Keep your hands to your sides.
00:45:03 - All right, settle down.
00:45:07 Quiet!
00:45:09 First man here is George Tenman.
00:45:14 Three charges against him.
00:45:16 1946, 1949, and 1950.
00:45:21 What kind of charges, George?
00:45:23 - Huh?
00:45:24 - You heard me.
00:45:25 - They said I was looking in their windows.
00:45:27 - They said?
00:45:28 Who, the girls?
00:45:30 Looks like they recognized you all three times.
00:45:33 - How could they tell it was dark?
00:45:35 - Keep your hands at your side.
00:45:39 What have you been doing lately, George?
00:45:41 - I'm a swimming instructor.
00:45:43 - Do you take your spyglass to work with you?
00:45:45 - No, sir.
00:45:47 - That's right, it would rust underwater, wouldn't it?
00:45:49 How about rifles?
00:45:50 You ever shoot fish in a barrel?
00:45:52 - I never shot a gun in my life.
00:45:54 - I'm glad, George.
00:45:55 I wouldn't want you to get into any bad habits.
00:45:57 Second man is Peter Eureka.
00:46:02 Peter's a letter writer.
00:46:03 Not a very nice one, either.
00:46:05 He writes to strange women,
00:46:06 and he's frightened a lot of them pretty badly.
00:46:08 How about that, Pete?
00:46:10 Don't you like women, never been married?
00:46:12 - Three times.
00:46:13 - Oh, three times.
00:46:15 Why do all these happy homes break up?
00:46:16 Do you spend all your wife's household money for stamps?
00:46:19 - I did the breaking up.
00:46:22 - Yeah, I guess you probably did.
00:46:24 You know, Pete, I read somewhere
00:46:26 that the pen is mightier than the sword.
00:46:28 How about that?
00:46:29 Did you ever try a sword?
00:46:30 - I never had a sword.
00:46:31 - What about a rifle?
00:46:32 I guess maybe you thought a rifle was the best thing of all.
00:46:35 - I never shot anybody.
00:46:36 - Not even maybe an odd wife or two?
00:46:39 - I never shot anybody.
00:46:41 - And what about Eureka?
00:46:42 What does that mean?
00:46:43 Every day I hear somebody yell, "Eureka!"
00:46:46 They're talking about you, Pete.
00:46:48 - I don't know what it means.
00:46:49 - It's too bad.
00:46:51 I thought I was gonna get to find out.
00:46:52 - You're wasting your time, Andy.
00:46:54 It's none of these men.
00:46:55 - There's a lot more coming.
00:46:56 - Won't be any of those either.
00:46:58 - You're the police psychiatrist.
00:46:59 Suppose you turn up the guy we want.
00:47:01 - What makes you so sure, Doctor?
00:47:03 - It's my job.
00:47:04 - And this is ours.
00:47:05 - Next man is Anthony DiBiasi.
00:47:08 Ant, put your hands at your side and keep them there.
00:47:12 Anthony DiBiasi.
00:47:14 Tony's a rapist.
00:47:15 Two-time loser.
00:47:17 We had him in last week on the same charge
00:47:19 and couldn't make it stick.
00:47:20 - That woman just picked me out.
00:47:22 I never saw her before.
00:47:23 - Still saying it, huh, Tony?
00:47:25 Well, maybe she did make a mistake.
00:47:27 Soured you on women.
00:47:28 Turned you into a real killer.
00:47:29 Is that what it did?
00:47:30 - You can't pin anything on me this time.
00:47:32 - Not even a rose?
00:47:34 (audience laughing)
00:47:35 What a shame.
00:47:36 (audience laughing)
00:47:37 What have you been doing lately, Tony?
00:47:39 - Minding my own business.
00:47:40 - What business is that?
00:47:42 - I got a job.
00:47:44 I make deliveries.
00:47:45 - Gets you into a lot of houses?
00:47:47 - I do my job.
00:47:48 - Yeah, I'll bet you do.
00:47:50 (laughing)
00:47:51 All right, you three can go now.
00:47:54 - I'll see you later.
00:47:55 - Leaving already?
00:47:56 We got a dozen more to run through.
00:47:57 - You still won't find the man you want.
00:47:59 - See you, Captain.
00:48:01 - He's a great help.
00:48:03 Keep your shirt on.
00:48:04 He knows his job.
00:48:05 - Yeah, but does he know ours?
00:48:06 - Next is Dan Vormel.
00:48:08 Dan's a tough guy with small animals.
00:48:11 (audience chattering)
00:48:14 - Kafka!
00:48:15 - Oh, hello, Doc.
00:48:17 - Meeting somebody?
00:48:18 - No.
00:48:19 - Come on, sit down.
00:48:20 - Thank you.
00:48:21 - Hello, Lieutenant.
00:48:22 - Hiya, Tom.
00:48:23 Get me an order of tomato beef, will you?
00:48:24 - Sure thing.
00:48:25 - Here you go.
00:48:26 - I didn't know you liked Chinese food.
00:48:28 - It's good and it's cheap.
00:48:30 They're not breaking their arms paying, as you know.
00:48:32 - Don't say that again.
00:48:34 - Me, I just happen to like it.
00:48:36 Been eating ever since I can remember.
00:48:38 Funny, I've never seen you in here.
00:48:40 - Well, I eat here a lot,
00:48:41 but half the time I'm out in left field.
00:48:43 - Find your man on the show up?
00:48:45 - Are you kidding?
00:48:46 - Just asking.
00:48:48 - You know, this sniper thing is driving me crazy.
00:48:51 There's some things I understand and some things I don't.
00:48:54 If a guy blows his top and sticks a knife into somebody,
00:48:57 on the spur of the moment, that is,
00:48:59 I understand it.
00:49:00 So does the law.
00:49:01 It's second degree.
00:49:03 And if a guy decides to knock off his wife
00:49:05 and spend six months figuring out how to do it,
00:49:07 I understand that, too.
00:49:09 That's first degree.
00:49:10 But this thing I don't get.
00:49:12 - You will.
00:49:13 - Will what?
00:49:14 - Get him.
00:49:15 - Oh, sure.
00:49:16 After he's chopped down 30 or 40 dames,
00:49:18 by that time, he'll be back pounding a beat.
00:49:20 - No, it won't take that long.
00:49:22 I'll tell you one thing.
00:49:24 You won't get him by running show ups like the one I saw.
00:49:27 - Look, Doc, those show ups pay off more than you think.
00:49:30 - Not in a case like this.
00:49:32 Look, Kafka, let me tell you something about these people.
00:49:36 Anderson calls them nuts.
00:49:38 Psychiatrists use $10 words,
00:49:40 but whatever you call them, they run to a pattern
00:49:42 and they don't overlap.
00:49:44 They're all in little watertight compartments.
00:49:48 Well, so are most criminals, for that matter.
00:49:50 You have an armed robbery,
00:49:52 you don't waste time rounding up pickpockets.
00:49:54 - Sure, that's right.
00:49:55 - It's the same thing in this case.
00:49:57 Now, you had a peeping Tom in the show up.
00:50:00 All right, now, peeping Toms don't kill women,
00:50:02 they stick to peeping.
00:50:04 Rapists don't write poison pen letters.
00:50:06 Obscene letter writers don't commit rape.
00:50:09 All criminal types, and especially sex offenders,
00:50:12 stay in their own grooves.
00:50:14 So, if you keep dragging everyone in the book into a show up,
00:50:17 you're just wasting your time.
00:50:19 - Okay, what type are we gonna look for?
00:50:21 - I'd look for somebody who's been getting tough with women
00:50:24 from the very beginning.
00:50:26 Maybe he started small,
00:50:27 slugging them on a dark street or something like that.
00:50:29 But whatever he did, it'd be a crime of violence.
00:50:31 That you can be sure of.
00:50:33 - Cute kid.
00:50:34 - Very.
00:50:35 - How did he get that way?
00:50:36 - Oh, could be one of a thousand reasons.
00:50:40 Maybe some woman did something mean to him when he was a kid.
00:50:44 He may not even remember what it was,
00:50:46 but something in here remembers.
00:50:49 Perhaps it was his mother.
00:50:50 Usually is in these cases.
00:50:52 Whoever it was, it was probably a brunette in her late 20s.
00:50:55 Of course, it doesn't matter now.
00:50:57 He's past the stage where he could have been talked out of it.
00:51:00 But whoever it was, he's...
00:51:02 He's killing her over and over again.
00:51:06 - What's the matter?
00:51:08 - Guess I better stick to a fork.
00:51:12 He's killing her over and over again.
00:51:15 He's been doing it in his mind for years.
00:51:17 Now that he's started doing it for real,
00:51:19 he's gonna keep right on doing it.
00:51:21 - For how long?
00:51:22 - As long as he doesn't get caught.
00:51:25 And as long as his cartridges last.
00:51:30 - Nelson is running to third.
00:51:31 The ball bounces off the left field wall.
00:51:33 A quick pick up for Nelson.
00:51:34 The streak is for home plate.
00:51:36 He's safe.
00:51:37 Jackson holds it up at second.
00:51:38 What a ball game this is.
00:51:40 - And you say this will be a costume ball,
00:51:42 Mrs. Fitzpatrick.
00:51:43 What will the motif be?
00:51:46 - Well, it's American history, but before 1900.
00:51:49 No costume at the 1900.
00:51:51 - Oh, that sounds wonderful.
00:51:53 Will it include Indians?
00:51:55 - Oh, I hope it'll include hundreds of Indians.
00:51:59 - I love Indians, too.
00:52:00 - After all, Indians are part of our history, too.
00:52:03 - Indeed they are.
00:52:04 And a very important part, too.
00:52:07 Well, tell me, Mrs. Fitzpatrick,
00:52:09 where will the public be able to buy tickets
00:52:12 for this charity ball given for the benefit
00:52:14 of St. Stephen's Hospital Guild?
00:52:16 - Well, they can buy them at the Women's Civic League
00:52:19 or those wishing to come can write me directly at my home.
00:52:23 It's 380 Kendall Drive.
00:52:26 They're $10 a piece.
00:52:28 And we just hope that everybody who can come will come.
00:52:33 I'm sure they will.
00:52:35 Well, thank you so much, Mrs. Warren Fitzpatrick,
00:52:37 for this clear picture of the activities
00:52:40 of the Women's Civic League.
00:52:43 - Now, look, you can't block the door like that.
00:52:45 People want to come in and out.
00:52:47 - I wish I'd talked to Dr. Kent before.
00:52:54 Might have saved us a lot of time and a lot of trouble.
00:52:57 - We've still got a lot of trouble.
00:52:59 - Come on, come on.
00:53:00 We're a lot further along.
00:53:01 We know one thing.
00:53:03 These psychiatric offenders don't overlap.
00:53:07 - Get him.
00:53:09 - Okay, so they don't overlap, but we've still got a lot of them.
00:53:11 - What's the matter with you? Had a fight with your girl?
00:53:13 - Yeah, she doesn't like the kind of hours I've been keeping lately.
00:53:17 - Hey, here's one that might fit the pattern.
00:53:19 He's out on parole now.
00:53:20 He's had one, two, three, six convictions.
00:53:26 - Six convictions?
00:53:27 That probably means he's getting away with 12 others.
00:53:30 - Man, you're just overflowing with information tonight.
00:53:33 - I sure am.
00:53:35 Here's a guy who had his first conviction
00:53:36 for cracking a girl's skull with a baseball bat.
00:53:39 She must have struck him out and he got mad.
00:53:42 - What'd he do then, go on to bigger and better things?
00:53:44 - That's right, bigger and better things.
00:53:46 Three suspicions of assaults against women,
00:53:49 one assault where there was no suspicion at all.
00:53:51 He got an 18-month stretch for that one.
00:53:53 You think we'll look into Mr. Miller?
00:53:55 - Lieutenant Capkin? - Yeah?
00:53:56 - Just come over to the teletype. They want you out there.
00:53:59 - Out where? - 380 Kendall Drive.
00:54:01 There's been another murder. Looks like the sniper again.
00:54:03 - What's the name? - Warren Fitzpatrick.
00:54:05 It was Mrs. Fitzpatrick that was killed.
00:54:08 - Warren Fitzpatrick? That'll blow the lid off.
00:54:11 - What do you mean, will blow the lid off? It's already blown it.
00:54:13 - Come on, let's go.
00:54:23 - The nurse was down in the kitchen getting herself a glass of milk
00:54:25 when she heard the shot. She called us right after.
00:54:28 There's a chance we might nail the guy this time.
00:54:30 The section's full of prowl cars.
00:54:32 - We know. We saw half a dozen of them on the way up here.
00:54:35 - You know what this'll mean. - Let's not talk about it.
00:54:38 - I wouldn't want to be in your shoes.
00:54:40 - They'd hurt your feet anyway. Where's your husband?
00:54:42 - Fitzpatrick? Beats me downtown somewheres.
00:54:45 They're trying to find him.
00:54:47 - This looks like him now.
00:54:51 (car engine rumbles)
00:54:53 - Where are the children?
00:55:12 - Upstairs, Mr. Fitzpatrick. They're asleep.
00:55:15 - How long is it going on?
00:55:17 What are you doing about it?
00:55:19 - We're doing everything we can, Mr. Fitzpatrick.
00:55:22 I'm very sorry.
00:55:24 - What are you doing about it?
00:55:26 What are you going to do about it?
00:55:28 (car engine rumbles)
00:55:33 - Listen, the whole city's gone crazy.
00:55:37 I come to work this morning on a streetcar
00:55:39 and everybody's reading the newspaper.
00:55:41 All about the sniper. Even talking about it.
00:55:44 You know, people who never talk to each other any other time.
00:55:47 - Yeah, I leave my joint this morning.
00:55:49 I hear my wife locked the door.
00:55:51 She never locked the door before.
00:55:53 She's one scared dame.
00:55:55 - How about you? Are you scared?
00:55:57 - For her or for me? - For her!
00:55:59 He's just killing dames, the paper says.
00:56:01 - So this week he's killing dames.
00:56:03 So next week it's guys with one leg or fault teeth or something.
00:56:07 Or maybe guys that work in cleaning plants.
00:56:10 You better stay home nights, Joey.
00:56:12 Maybe he's got his eye on you.
00:56:14 - No, just dames, the paper says.
00:56:16 Listen, if he wants to get in touch with me,
00:56:18 I'll give him the addresses of two, maybe three.
00:56:20 Dames never done me any good.
00:56:22 - He should have heard my wife at breakfast.
00:56:24 Why, you'd think she'd expect me to go out and catch him myself.
00:56:27 - Somebody better catch him.
00:56:29 Cops ain't doing any good.
00:56:31 There's an editorial in the paper.
00:56:33 Papers are plenty sore at the cops.
00:56:35 - Ah, papers. What do they know?
00:56:37 Scream till they get the guy, and then when they have the trial, why,
00:56:40 they cry in their beer because the guy's probably innocent after all.
00:56:43 Take a dame that's on trial for murder.
00:56:46 Unless she's got two heads, why, they say she's beautiful.
00:56:49 If I get my hands on that guy,
00:56:51 they wouldn't have to worry about no trial.
00:56:53 - Yeah, what would you do to him?
00:56:55 - He wouldn't die quick, I'll tell you that.
00:56:57 - Mr. Liddell, I'm sure no one regrets any more than I do
00:57:00 the outrages perpetrated on these women.
00:57:02 Mrs. Fitzpatrick in particular was a very good friend of mine, and I...
00:57:06 - Mr. Mayor, this isn't a personal matter.
00:57:08 The people of this city are alarmed and frightened.
00:57:11 There's a maniac loose, and the police seem helpless.
00:57:14 That's why we've asked for this conference.
00:57:17 We want to know why such a state of affairs can continue.
00:57:20 - Chief.
00:57:22 As far as the people being frightened goes, Mr. Liddell,
00:57:25 maybe your newspaper has something to do with it.
00:57:28 - My newspaper merely reports the news. It doesn't make it.
00:57:31 - It slants the news. It exploits hysteria.
00:57:34 - That doesn't solve your problem. You still haven't caught the man.
00:57:37 - Most killers are caught because of motive. There's no motive here.
00:57:40 - Murder itself can be a motive.
00:57:42 We're short-foot patrolmen, Mr. Harper.
00:57:45 If you want to volunteer, I'm sure we can find a place for you.
00:57:48 I'm efficient at my job. Evidently, your men aren't efficient at theirs.
00:57:52 - I agree. The police have shown themselves unimaginative, and...
00:57:55 - Now, hold on, Mr. Wise. - Just a moment, gentlemen.
00:57:58 Mr. Wise, I'm not trying to defend my administration,
00:58:02 but I seem to remember that two years ago,
00:58:04 when we tried to get the police budget increased,
00:58:07 your group fought us tooth and nail.
00:58:09 - Taxes are high and up as it is.
00:58:11 - And as far as that goes, we're getting very little value for the taxes we do pay.
00:58:15 - Mr. Liddell, please.
00:58:17 I think we're going at this thing like little children.
00:58:20 Lieutenant Kafka here has been on the case since the beginning.
00:58:24 Perhaps if we can continue meeting reasonably,
00:58:27 with his giving us a sketch of what has happened to date, we might...
00:58:29 - We know what's happened up to date.
00:58:32 What we want to know is what's going to happen from now on.
00:58:35 We want this man caught and caught quick,
00:58:38 and punished. Punished! Punished!
00:58:42 - Well, if everyone's going to sound off, I guess I might as well get in the act.
00:58:46 You mentioned punishment, Mr. Liddell.
00:58:49 Just what sort of punishment did you have in mind?
00:58:52 - The sort the man's crimes deserve.
00:58:54 He ought to be killed the way a mad dog is killed.
00:58:57 - That's right. - Absolutely.
00:58:58 - Or put in the insanus on him.
00:59:00 - Do you know the legal definition of insanity?
00:59:03 - No. - I'll tell you.
00:59:06 It's based on an old English law.
00:59:09 The law passed when they were still burning witches.
00:59:12 An insane person, according to the law,
00:59:14 must not be able to tell the difference between right and wrong.
00:59:17 - Obviously, this man doesn't know the difference between right and wrong.
00:59:20 - Don't be too sure of that.
00:59:23 You see, Mr. Stonecroft, there are hundreds of thousands of sex offenders
00:59:26 walking American streets at this moment who could be the sniper,
00:59:30 or worse.
00:59:32 But only 1% of them are legally insane.
00:59:35 1%, Mr. Stonecroft.
00:59:38 Now, what will we do with the other 99?
00:59:40 - Never mind the other 99. Let's get back to the matter in hand.
00:59:43 The madman who's loose with a rifle.
00:59:45 - Carbine.
00:59:46 - Get back to him, Mr. Liddell. I've never left him.
00:59:49 And I'll tell you something.
00:59:50 When this man is caught, you'll find he has a record dating back to when he was a kid.
00:59:54 Believe me, he's been in the hands of the police before.
00:59:57 30 days for one thing, 60 days for another.
01:00:00 And I'll tell you something else.
01:00:02 If his first act had led to treatment instead of jail,
01:00:04 three women wouldn't be lying dead today.
01:00:06 - The fact remains three women are lying dead today.
01:00:09 - And the killer's still loose.
01:00:10 - Yes, loose because of us.
01:00:12 And a killer because of us.
01:00:14 And the horrible thing about it is we may be sitting here six months from now
01:00:17 or three months from now on another case just like it.
01:00:21 Gentlemen, the city is frightened.
01:00:24 And when cities get frightened, they rear up on their hind legs
01:00:27 and strike out at something, anything.
01:00:30 This time we have a chance not to strike out blindly but to act with reason.
01:00:33 This time we can do something.
01:00:36 You all have weight and power, not only in the city but in the state.
01:00:40 Put your weight behind getting a new law passed.
01:00:43 Let every socially dangerous sex offender,
01:00:45 as soon as he is caught for his first offense,
01:00:47 be committed to a mental institution.
01:00:50 There he can be cured or put away indefinitely.
01:00:53 I think-- - What is this you think?
01:00:55 Who cares what you think?
01:00:57 The important thing to think about is three dead women,
01:00:59 not coddling the man who killed them.
01:01:01 Oh, look, I'm thinking of the hundreds of women who will be dead if something isn't done.
01:01:06 Now, listen, Mr. Harper, just let me give you an example.
01:01:10 A few years ago, a man named Albert Fish was executed in New York for the murder of a child.
01:01:16 A judge of the state supreme court estimated that this man
01:01:18 had undoubtedly killed at least 15 others.
01:01:23 Now, he was executed for one, but 16 were dead.
01:01:27 And this is not an isolated case.
01:01:29 It happens everywhere, perhaps not every day, but much, much too often.
01:01:33 So I repeat, pass a law.
01:01:36 Put these people away when they're first caught.
01:01:39 Those who can be cured will be cured.
01:01:42 Those who can't, well, at least they'll never get out to try it again.
01:01:47 If you can get a law like this passed, you could start a ball rolling all across this country.
01:01:52 If you can get a law like that passed, then this meeting could be a milestone.
01:01:56 Where's the money coming from for an institution like that?
01:01:59 Taxes.
01:02:01 Well, that would have to be a state matter.
01:02:03 I can hear the governor screaming already.
01:02:06 When I saw Dr. Kent come in, I had a feeling this meeting would eventually come down to psychiatric mumbo-jumbo,
01:02:11 and I wasn't wrong.
01:02:13 It has.
01:02:15 So we're right back where we started.
01:02:18 Crazy man loose in the streets, and the police are too busy passing the buck to catch him.
01:02:24 Well, Mr. Mayor, and Mr. Chief of Police, and Mr. Psychiatrist, let this sink in.
01:02:34 Unless he's caught, very, very soon this administration is going to find itself shaken right off its foundations.
01:02:42 Planning to make a political football out of it?
01:02:45 Call it anything you like.
01:02:48 Gentlemen, thank you for giving us your time.
01:02:58 Well, it's still sitting right in my lap.
01:03:00 Now all I have to do is catch him.
01:03:03 Oh, sure. You'll catch him, and they'll kill him, and everybody will forget about it.
01:03:09 Just till the next one comes along, and it'll start all over again.
01:03:16 [ambient street noise]
01:03:26 [whistle]
01:03:28 [ambient street noise]
01:03:56 [whistle]
01:03:58 [ambient street noise]
01:04:16 [ambient street noise]
01:04:41 Where'd he go?
01:04:42 Back this way.
01:04:44 [ambient street noise]
01:04:48 Drop that gun. Make sure I hear it hit.
01:04:50 [ambient street noise]
01:04:59 I ought to beat your brains out.
01:05:01 [ambient street noise]
01:05:10 What's the matter with you, Rivers?
01:05:12 This gun hasn't been fired in years.
01:05:14 The hammer doesn't work, and there's no firing pin.
01:05:16 Look, Lieutenant, the way things are today, you jump first, then ask the questions.
01:05:19 I saw the gun. I brought him in.
01:05:21 Where'd you get this, son?
01:05:23 It used to belong to my father.
01:05:25 What were you doing up on the roof?
01:05:26 Nothing.
01:05:27 Well, you were up there pointing this. You think that's nothing?
01:05:30 I didn't hurt anybody.
01:05:32 No, and you're not going to.
01:05:34 Okay, Rivers, take him out and let him go.
01:05:37 If your father wants his gun, you tell him it's down here.
01:05:40 Go ahead and keep the gun.
01:05:42 You think I care about the gun?
01:05:44 I know where there's plenty of guns and plenty of bullets, too.
01:05:47 You think there's only one guy in this town that doesn't like people?
01:05:50 There's millions of them, and I know who they are.
01:05:52 They can get me all the guns and bullets I want.
01:05:54 You can't kick me around--
01:05:56 [gunshot]
01:05:57 [sobbing]
01:06:00 Take him over to the city hospital to see what they think of the psycho ward.
01:06:03 But you just said--
01:06:04 It doesn't matter what I just said.
01:06:05 What does matter is that I just got an idea about him.
01:06:08 I want to be looking for him in a couple of years when he's got a real gun or maybe an axe.
01:06:12 Go ahead.
01:06:14 Going to have a nice weekend, Miller?
01:06:27 Yeah, I guess so. I don't know.
01:06:29 I want you to do something for me before you come back on Monday.
01:06:32 Think you can?
01:06:34 What?
01:06:35 Change that bandage.
01:06:37 I can't change it.
01:06:39 Then find someone who can. It's filthy.
01:06:42 We can't have our drivers going around with things like that on their hands.
01:06:45 I don't want to see it on your hand Monday.
01:06:48 [bell tolling]
01:06:57 [bell tolling]
01:07:00 [bell tolling]
01:07:03 [bell tolling]
01:07:10 This way, lieutenant.
01:07:12 Is it the sniper?
01:07:22 Sure it's the sniper. One side, please.
01:07:24 Hey, how many does that make? Four?
01:07:26 Why don't you do something? Earn your money.
01:07:28 Oh, they're always there after it happens.
01:07:31 Getting so you can't even go to a park on a Sunday.
01:07:34 Some police force.
01:07:36 How long ago did it happen? About 15 minutes ago.
01:07:39 You got here fast enough.
01:07:41 Where did the shot come from? Where did the shot come from?
01:07:44 I don't know.
01:07:47 We were just walking, and she said, "Let's sit down," and she sat down,
01:07:50 and I was about to sit down myself.
01:07:52 Look around, Joe, and see what you can find. Right.
01:07:55 Can you think of anybody that you've had any trouble with lately?
01:07:58 Anybody mad at her?
01:08:00 No, she got along fine with everybody.
01:08:03 I never seen her fight with anyone except me once in a while.
01:08:07 Everybody likes Sandy.
01:08:09 Hey, I found the shell! Put that down, you idiot!
01:08:13 What's the matter with you? You crazy?
01:08:15 Sorry, I forgot. You forgot!
01:08:18 [siren wailing]
01:08:20 [siren wailing]
01:08:22 [indistinct radio chatter]
01:08:29 [gunshots]
01:08:31 [gunshots]
01:08:33 [gunshots]
01:08:35 [gunshots]
01:08:37 [indistinct radio chatter]
01:08:46 [indistinct radio chatter]
01:08:48 [gunshot]
01:09:07 [indistinct radio chatter]
01:09:09 Hey! Be careful!
01:09:18 [gunshots]
01:09:23 [gunshots]
01:09:25 I know a ten-year-old kid who can do better than that with his left hand.
01:09:49 If they're all like you, I might just as well go to sleep.
01:09:53 Three balls for nine, nine for a quarter.
01:09:57 Let's say you're not good in the water.
01:09:59 Say, you look like a pitcher. How about you there?
01:10:02 Nine? Nine to there.
01:10:04 Hey, Don, he looks like a pitcher, an empty pitcher.
01:10:07 Yep, I might just as well go to sleep.
01:10:13 Maybe you need a basketball, Mac.
01:10:17 Oh, he's picking for the Jacks.
01:10:19 Pretty lucky.
01:10:23 [whistle blows]
01:10:33 Offhand, I can think of three ball clubs I could use this guy.
01:10:38 [whistle blows]
01:10:44 [water splashing]
01:10:46 [woman screams]
01:11:02 Are you sure, Doctor?
01:11:07 Nobody with a burned hand, say, in the past two weeks?
01:11:10 Not even a woman?
01:11:12 I see.
01:11:14 Thank you, Doctor. I'm sorry to have disturbed you at this hour of the night.
01:11:17 Goodbye.
01:11:19 Oh, boy, how many does that make?
01:11:21 I don't know. I lost count.
01:11:23 Well, the next one's Shipley, Harold Shipley, Altamont 4, 1919.
01:11:27 Oh, you take over for a while.
01:11:31 I'll be talking to the doctors in my sleep, not that I'll be getting any sleep.
01:11:34 Tell the types, Lieutenant. Thank you.
01:11:37 [door opens]
01:11:39 [telephone ringing]
01:11:41 Hello, can I talk to Dr. Shipley, please?
01:11:51 Sergeant Ferris, Homicide.
01:11:53 Police Department.
01:11:55 What?
01:11:57 Oh, I'm sorry to hear that. Who's handling his practice?
01:12:00 Yeah. I see.
01:12:04 Well, thanks very much. I'm sorry I disturbed you.
01:12:07 Dr. Shipley's been sick himself for months.
01:12:10 Dr. Holiday is handling his practice, and we have talked to Dr. Holiday.
01:12:14 Mm-hmm.
01:12:15 Anything in the teletypes?
01:12:17 No, just the usual.
01:12:19 Somebody had a target in his backyard.
01:12:21 Some dame thinks the sniper's been spying on her.
01:12:23 Some other dame says the guy's been throwing baseballs at her.
01:12:26 Which is funny, because that's her job, having baseballs thrown at her.
01:12:29 [laughs]
01:12:30 Some man wants us to, uh...
01:12:33 Baseballs.
01:12:34 Where you going?
01:12:37 File room.
01:12:38 [telephone ringing]
01:12:44 Homicide, Sergeant Ferris.
01:12:48 Hiya, Scott. Where are you?
01:12:50 What?
01:12:51 No kidding.
01:12:53 Hey, that's great. Yeah, we'll be right over.
01:12:55 [door opens]
01:12:56 Hey, Frank, they found out where they put all the bandage.
01:13:08 No kidding.
01:13:09 That's what I said. Come on, huh?
01:13:10 What do you got there?
01:13:11 I don't know yet, but maybe it's the guy that put the bandage on.
01:13:14 That's the one.
01:13:16 That's not the name he gave.
01:13:18 Burnside, he called himself.
01:13:20 He called himself Edward, though.
01:13:21 How about the address?
01:13:22 That'll be a phony.
01:13:23 And the one under the name of Miller will be out of date.
01:13:25 He's probably moved five times since he registered.
01:13:28 How did he act when he was here?
01:13:30 As I remember, sort of strange.
01:13:32 I tried to talk, you know, cheerfully, but he wasn't buying any.
01:13:36 We thought of sending him up to Psycho, but something came up and...
01:13:39 There was a very bad accident case came in.
01:13:41 That's right. That's what it was.
01:13:43 Wait a minute.
01:13:45 There was something he said to me at the end.
01:13:47 He said, uh...
01:13:49 Oh, what was it?
01:13:51 Oh, yes. He said, uh...
01:13:53 "Don't you think this is a funny way to get hurt?"
01:13:56 Or something like that.
01:13:58 I was so busy, I didn't pay any attention.
01:14:01 I guess maybe he wanted to stop himself.
01:14:04 Maybe he wanted to stop himself for years.
01:14:07 Maybe nobody else paid any attention either.
01:14:10 You better get this nut.
01:14:19 Next thing you know, he'll be coming right into your house.
01:14:21 I think it's horrible. Who'd he kill this time?
01:14:24 A girl walking in the park with her boyfriend.
01:14:26 But he left a bandage behind him.
01:14:28 Maybe that's clue enough for them.
01:14:30 I certainly hope so.
01:14:32 Wherever you go these days, that's all people talk about.
01:14:34 You can say that again.
01:14:36 Did you say a bandage?
01:14:41 Yeah. They found it on a bush right by the cartridge case.
01:14:44 What kind of a bandage?
01:14:46 Wait a minute.
01:14:48 Yeah, here it is.
01:14:50 "Police laboratory technicians report that the bandage is from a man's right hand,
01:14:55 "evidently covering a bad burn.
01:14:57 "May also..."
01:15:16 Operator, get me the police department, please.
01:15:18 Sure you got the place surrounded?
01:15:20 You can get in, but he won't get out.
01:15:22 Is he often late?
01:15:24 Maybe three times in the last couple of weeks, Mr. Alpine.
01:15:27 But I warned him. I told him if it happened...
01:15:29 - Do you know his number? - Yes, I know it.
01:15:31 - Call his place and see if he's left for work yet. - Yes, sir.
01:15:34 Tell me, Lieutenant, do you think you can keep the name of the establishment out of this?
01:15:37 It'll be very bad for business. Very bad.
01:15:39 Don't talk to me about that, Mr. Alpine. Talk to the reporters.
01:15:42 - There must be some... - Hello. This is the Alpine Cleaners and Dyers.
01:15:44 Has Eddie Miller left for work yet?
01:15:46 What?
01:15:48 I see. Thank you.
01:15:50 He left half an hour ago. He ought to be here by now.
01:15:53 How many men did he get out there, Joe?
01:15:55 I don't know. Maybe 15, 20.
01:15:57 Where is he? Why isn't he here? What's keeping him this time?
01:16:00 [SIREN WAILING]
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01:16:07 [SIREN WAILING]
01:16:10 [GUN CLICKS]
01:16:37 Marshal, wait a minute.
01:16:39 Wait a minute.
01:16:41 [SIREN WAILING]
01:17:10 Hey! The sniper!
01:17:12 Hey, the sniper!
01:17:14 Hey!
01:17:16 Hey, over there, the sniper!
01:17:18 Hey! Hey!
01:17:20 Over there, the sniper!
01:17:22 The sniper!
01:17:24 Hey, you gotta come! Come on!
01:17:26 The sniper! Look out!
01:17:28 Hey!
01:17:30 Hey, somebody, look!
01:17:32 Hey, look! Up here! Hey!
01:17:38 Hey!
01:17:40 Look out, look!
01:17:42 Why did you have to do that?
01:17:44 I didn't kill her. You can see I didn't kill her.
01:17:48 Why do you have to yell like that?
01:17:50 Hey!
01:17:52 [GUNSHOT]
01:17:54 [SIREN WAILING]
01:18:07 [SCREAMING]
01:18:09 [SCREAMING]
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01:24:02 You can't go down there.
01:24:04 Oh, we want to see what's going on.
01:24:06 There's nothing to see.
01:24:08 Oh, come on, handsome.
01:24:10 [CHATTER]
01:24:12 [CHATTER]
01:24:14 [CHATTER]
01:24:16 [CHATTER]
01:24:18 What's up? What's going on?
01:24:20 Nothing we need you for. Stay back.
01:24:22 They got the sniper up there. He lives up the street.
01:24:24 I hope they kill him.
01:24:26 You got somebody into that school up there, tell them to keep those kids inside.
01:24:28 Bye.
01:24:30 Hi, Frank. Where you been?
01:24:32 Seeing the crime. Looks like we missed him.
01:24:34 Yeah, but we won't miss him this time.
01:24:36 Which house?
01:24:38 That one with the shades drawn.
01:24:40 He's holed up in his room there.
01:24:42 You know, some solid citizens are gonna get their brains blown out
01:24:44 if they don't pull their heads in.
01:24:46 Not that they got any brains to begin with.
01:24:48 Why don't you tell them?
01:24:50 I'm waiting for the sound truck.
01:24:52 Have you sent any of our men into the house?
01:24:54 No, I figure I'm using tear gas.
01:24:56 I'll go in. Don't be foolish, Frank.
01:24:58 Why not? Come on, Joe. Let's try the back.
01:25:00 [SIREN WAILING]
01:25:02 Mates, Flaherty.
01:25:04 Lieutenant Kafka's going in the back way. Follow him.
01:25:06 [SIREN WAILING]
01:25:08 [SIREN WAILING]
01:25:37 Eddie!
01:25:39 We've got you surrounded.
01:25:41 We'll give you five minutes to come out with your hands up.
01:25:45 Eddie!
01:25:47 You're surrounded.
01:25:49 We'll give you five minutes to come out with your hands up.
01:25:53 This is Inspector Anderson speaking.
01:25:58 Will the people please get their heads out of their windows?
01:26:01 I repeat, get your heads out of the windows.
01:26:05 There may be shooting here.
01:26:07 All right, Eddie. Four and a half minutes.
01:26:24 Four and a half minutes, Eddie.
01:26:27 [SIREN WAILING]
01:26:29 Oh, Miller.
01:26:50 You coming out, Miller?
01:26:56 This is the police, Miller.
01:26:58 Come out with your hands up.
01:27:00 [GUNSHOT]
01:27:11 Take it easy.
01:27:23 [SIREN WAILING]
01:27:25 All right, Eddie. Let's go.
01:27:38 [SIREN WAILING]
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01:27:53 [SIREN WAILING]
01:27:55 you
01:27:57 [BLANK_AUDIO]