S10E04
Transcript
00:00:00Good morning, good to see you, so glad we could squeeze you in.
00:00:13This is more like it.
00:00:14Hey, you're not the first to say that, a lot of interest in this place, Amy Charles Wadsworth,
00:00:20property broker, aka the dream maker.
00:00:25So, be prepared for all your dreams to come true.
00:00:29If you're loving the outside, just wait till you see what's on the inside.
00:00:35So, spacious entrance?
00:00:39More of an atrium, really.
00:00:41Yeah, they said by negotiation, what do they want for it?
00:00:44Well, what price do you put on perfection?
00:00:47Cut the spit.
00:00:49Well, the owners are prepared to consider all reasonable offers.
00:00:53What's this smell?
00:00:55Hmm, oh, possibly a cleaning product used on the Italian marble here.
00:01:00Did I mention these floors are from the Amalfi Coast, I believe.
00:01:03That is not a cleaning product.
00:01:05Is it gas?
00:01:06Gas? Oh, no, I wouldn't have thought so, no.
00:01:10Ah, yes, no, they did mention touching up a bit of the paints.
00:01:15Oil-based, perhaps, but fumy, isn't it?
00:01:18Oh, for God's sake, really?
00:01:20We didn't book you people.
00:01:23All the time to be cleaning the oven, I'm so sorry about this.
00:01:27Did you hear what I said?
00:01:28Excuse me.
00:01:39Don't just stand there, call an ambulance!
00:01:44Call a bloody ambulance!
00:01:54Oh.
00:02:07Female, late 40s, gassed herself in the oven.
00:02:10So, why are we here?
00:02:12This is not the victim's house. Remember him?
00:02:16I do. One of the Wadsworth clan?
00:02:18Mm-hm.
00:02:24Charles Wadsworth identified her as Laura Lyman, one of his clients.
00:02:28He was showing her around last night.
00:02:31Rust fun baby, now flicking real estate.
00:02:34Oh, the mighty have fallen.
00:02:36Top end real estate, though.
00:02:38Where do you reckon a place like this is worth?
00:02:40Much, much more than we'll ever earn in our lifetimes combined.
00:02:44Hi, Laura. Mike Shepard.
00:02:47I'm sorry it seems you came untethered.
00:02:50Nice rhymes, boss.
00:02:52Mm, MC Shepard in the house.
00:02:56Apologies. We'll get you out of here as soon as we can.
00:03:02Charles.
00:03:04Detective.
00:03:05Sorry to be meeting again under these circumstances.
00:03:09The deceased was a client of yours?
00:03:12Yes. Yeah, no, she was interested in buying the house.
00:03:16A viewing at night? Unusual?
00:03:19Well, that's how interested.
00:03:21She wanted to see the place in the evening, lit up in all its glory.
00:03:26Please just take your time, yeah?
00:03:29Make yourself at home.
00:03:31And I will meet you back here soon.
00:03:33We can talk about making an offer.
00:03:38I came back maybe 30 minutes later.
00:03:42I came back maybe 30 minutes later, but she'd left.
00:03:48The house was empty?
00:03:50Yes.
00:03:51What time was this?
00:03:54About quarter to ten.
00:03:56You checked the house?
00:03:57Oh yes, of course.
00:03:59And locked up?
00:04:00Most definitely.
00:04:03So you need a card, not a key?
00:04:05Electric locking, top of the line.
00:04:08Who else has a card?
00:04:10I have the only one.
00:04:13And the owners are?
00:04:14Overseas.
00:04:16Hello, Mike.
00:04:17Beautiful day following the blood moon last night.
00:04:20Did you see it?
00:04:22Simza's waiting.
00:04:28Did Mrs Lyman seem upset?
00:04:31Was she distressed in any way?
00:04:35No.
00:04:36She seemed her usual self.
00:04:38How many ovens does this place have?
00:04:40Four.
00:04:41To convection, steam, gas.
00:04:44I thought natural gas couldn't kill you.
00:04:46This is LPG.
00:04:47Lithol.
00:04:51Oh, very sad.
00:04:53Just like Svetlana Plats.
00:04:56Who?
00:04:57A famous poet.
00:04:58She died in the early 1960s by gassing herself in the oven.
00:05:02Oh.
00:05:04No, I think you mean Sylvia Plath.
00:05:07American.
00:05:08Wrote The Bell Jar.
00:05:09No.
00:05:10Svetlana Plats.
00:05:11Russian.
00:05:12She wrote The Ding Dong Box.
00:05:16The Ding Dong.
00:05:18Yeah, sure.
00:05:20Whatever you say.
00:05:21I know my poets.
00:05:23They're all the same.
00:05:24Their work is so painful.
00:05:26It kills them in the end.
00:05:28Okay, well, I'm going to leave you to it.
00:05:30That is always for the best.
00:05:32These ones never get any easier, do they?
00:05:35It's always harder for those they leave behind.
00:05:38And those who have to break the news.
00:05:42I'll tell the husbands.
00:06:01Back into the darkness.
00:06:05Somebody was crying.
00:06:08Close nearby.
00:06:12How can I explain?
00:06:19My heart goes up in flames.
00:06:25How can I let go?
00:06:31I don't know.
00:06:34I don't know.
00:06:38I don't know.
00:06:46Gina.
00:06:47Mike.
00:06:48I need to talk about why sometimes we keep things close to our breasts.
00:06:54Okay.
00:06:56I'll be right there.
00:06:58You know, Svetlana Plats wrote like this.
00:07:00Known as confessional poetry.
00:07:03It may well be confessional, but I don't think it's a poem.
00:07:08I love what you've done with the place.
00:07:11I always try to make it nice for a viewing.
00:07:14Mike, this is Sonny Lyman.
00:07:16Hello.
00:07:17DC Shepard.
00:07:19Dr. Kadinsky.
00:07:21I'm sorry to meet this way.
00:07:25Are you ready for this?
00:07:27No.
00:07:28Let's get it over with.
00:07:39That's my wife, Laura Lyman.
00:07:42You're welcome to take some time.
00:07:52He's very handsome for a dentist.
00:07:55In Russia, they all look like Herman Munster.
00:07:58Well, this guy's apparently pretty good.
00:08:01How do you use?
00:08:02I don't bother.
00:08:03I do it myself.
00:08:05Much cheaper.
00:08:06You do your own dental work?
00:08:10It's all about mirrors.
00:08:12I don't have a mirror.
00:08:14I don't have a mirror.
00:08:16I don't have a mirror.
00:08:18I don't have a mirror.
00:08:20It's all about mirrors and holding your tongue right.
00:08:23And having access to a high-speed reel.
00:08:26Anyone could do it.
00:08:28Wow.
00:08:29Dana, is there no end to your talents?
00:08:31No.
00:08:37Can we talk?
00:08:40This was found with her.
00:08:45Do you recognize the handwriting?
00:08:47Yes, it's Laura's.
00:08:50Was your wife struggling with depression at all?
00:08:54Not exactly.
00:08:56It says no kids.
00:08:58Yeah, one was never enough.
00:09:01I'm sorry.
00:09:03I'm sorry.
00:09:05I'm sorry.
00:09:07One was never enough.
00:09:10Laura always wanted more.
00:09:12Never happened.
00:09:14It says no husband.
00:09:16Were the two of you planning on separating?
00:09:18Oh, no.
00:09:19No, nothing like that.
00:09:20But it's why I wanted to talk to you.
00:09:22You need to get that lame excuse for a real estate salesperson,
00:09:25Charles Wadsworth, and his crazy wife in here
00:09:27and charge her with manslaughter or something.
00:09:31I'm sorry.
00:09:32I don't follow.
00:09:33His wife, Jules Fahey.
00:09:34Yes, I know who she is.
00:09:35She's been harassing Laura and me for the past six months.
00:09:39Harassing you about what?
00:09:41She thinks I'm in love with her.
00:09:45That she and I are in love.
00:09:49And is there any basis to that?
00:09:51No.
00:09:53She's sick.
00:09:55Seriously unwell.
00:09:57So why does she think that?
00:09:59She was a patient of mine.
00:10:01One day after some treatment,
00:10:02she started behaving completely irrationally.
00:10:04Talking as if we were a couple.
00:10:06Making unwanted visits to the clinic.
00:10:08Mrs. Fahey, you don't have an appointment today.
00:10:11I was hoping Sunny could take a quick look at my jaw
00:10:14just to make sure everything's all right.
00:10:16Toothache?
00:10:17Something is aching, yes.
00:10:19Crazy, weird, weird stuff.
00:10:21And your wife knew about this?
00:10:23Yeah, and was quite rightly furious about it.
00:10:26And then last night...
00:10:29So, we've only just arrived ourselves.
00:10:31What the hell are you doing here?
00:10:33She wanted to show me the house.
00:10:35Christ, Jules!
00:10:36Laura!
00:10:37For God's sake!
00:10:38There you are.
00:10:39I got here as quick as I could.
00:10:40Dad, do something!
00:10:41I love the place!
00:10:43What the hell is going on?
00:10:44Get her out of here.
00:10:45I want you out of my life.
00:10:54So you went to this viewing and you invited Jules Fahey?
00:10:57Of course not.
00:10:58She was making that up.
00:10:59Any excuse to insert herself into our lives.
00:11:02Honey, I'm really sorry this happened.
00:11:04Get away from me.
00:11:05Everyone just needs to get away from me.
00:11:07It's okay.
00:11:08No, it's not!
00:11:10I need some peace from this.
00:11:12I'm so sorry.
00:11:13I had no idea.
00:11:15You think I'm going to buy this home from you now?
00:11:18It's a beautiful house, Mum.
00:11:22It is.
00:11:23That it is.
00:11:24Just take your time, honey.
00:11:26Yeah, just take some breaths.
00:11:28We can buy this house if you want.
00:11:30I mean...
00:11:32Maybe this is the one.
00:11:36You, just...
00:11:37You take all the time that you need.
00:11:39Okay, I'll get Eva home.
00:11:41Come on.
00:11:45It's a new blanket.
00:11:46I didn't know she was coming, I swear.
00:11:51Please.
00:11:52Please, just take your time.
00:11:55Yeah.
00:12:01And you left with...?
00:12:03My daughter, Eva.
00:12:04Oh.
00:12:05Charles Wadsworth stayed behind?
00:12:07Uh, he left shortly after to take his crazy wife home.
00:12:11Charles, I'm drenched.
00:12:13I mean it.
00:12:14Get in the car, now.
00:12:18No!
00:12:20I'm not going to tell Eva about this.
00:12:23Uh, well, that's entirely up to you, of course, but...
00:12:26That's entirely up to you, of course, but...
00:12:28Often those left behind want something to hold on to.
00:12:31It won't make any sense.
00:12:35Jules Fahey.
00:12:37Get that woman off the streets.
00:12:39Uh, could you show Mr Lyman out?
00:12:42This way.
00:12:47Gina.
00:12:48Mike, there are signs of a struggle on the victim.
00:12:51What exactly?
00:12:52Something not consistent with suicide.
00:12:55Come for me now, Mike.
00:12:58Uh, we need to talk about Jules Fahey.
00:13:01Jules Fahey?
00:13:03Yeah, bring her in.
00:13:04I'll call you on the way.
00:13:13Unbelievable.
00:13:15Svetlana Platts was a real poet,
00:13:18most famous for ripping off the bell jar.
00:13:21Russian appropriation, who would have thought?
00:13:26Todd.
00:13:27Oh, detectives.
00:13:28Didn't know you worked here.
00:13:30Well, in the traditional sense of exchanging physical excursion
00:13:33for usable currency.
00:13:35Not sure I do.
00:13:37Uh, Jules Fahey, is she around?
00:13:40I, uh, back that way.
00:13:41Thank you.
00:13:45Charles, stop.
00:13:46I need you to stop this.
00:13:48All I'm saying is there are going to be questions.
00:13:52Sorry to interrupt.
00:13:54Interrupt?
00:13:55Detectives, not at all.
00:13:57Pop plants for the office, is it?
00:13:59Last night you were at a viewing at 416 Tullamore Drive?
00:14:05Uh, yes, I did pop in.
00:14:07It's one of Charles' listings, a lovely place.
00:14:10We understand you were there the same time
00:14:12Laura Lyman was viewing the property?
00:14:14I did see her, yes.
00:14:17Mrs. Lyman was found deceased there this morning.
00:14:20I know, Charles said.
00:14:24Oh, poor Sonny.
00:14:26I'll drop a casserole round later.
00:14:27No, you won't.
00:14:28Oh, Charles, have a heart.
00:14:31You know what?
00:14:32Why don't we go back to the office and make sense of all this there?
00:14:36Why?
00:14:37A woman has died.
00:14:41By suicide?
00:14:44What's that got to do with me?
00:14:46Well, the conclusion of suicide is yet to be confirmed.
00:14:50Shall we?
00:14:52Perhaps you should come too.
00:14:57There are traces of her own skin beneath her fingernails.
00:15:01These marks were self-inflicted?
00:15:03She fought back, but unsuccessfully.
00:15:05Then someone placed her in the oven.
00:15:07Yes, or...
00:15:08Or?
00:15:09The attacker left, the victim was disorientated.
00:15:12She opened the oven, thinking it was a window.
00:15:16She attempted to climb through, but was poisoned by the fumes.
00:15:21But first she turned the oven on.
00:15:24Why would she do that?
00:15:26I don't know, but it would have had to have been on for her to succumb to the gas.
00:15:30Maybe she thought the knob was the window latch.
00:15:35That's a very interesting theory, Gina.
00:15:38Thank you, Mike.
00:15:39You know, I have hidden depths.
00:15:45Take a seat.
00:15:46Mike won't be long and then we'll get underway.
00:15:48Do you think I might make a call while I wait?
00:15:51To your lawyer?
00:15:52No, to Sonny, Dr Lyman.
00:15:54I do want to send my condolences.
00:15:58I'm not sure that's appropriate, given the situation.
00:16:03I see.
00:16:05That's a shame, he'll think I'm so rude.
00:16:09GENTLE MUSIC
00:16:15Jules Fahey is waiting, but she's in a weird space.
00:16:19Yeah, it's like she's disassociated from the whole situation.
00:16:22Should we get a psychic?
00:16:25Let's see what she has to say first.
00:16:30Jules, hello again.
00:16:32Detective, nice to see you.
00:16:34And firstly, thank you for letting me speak to you without Charles.
00:16:37Oh, well, we generally interview people separately,
00:16:40just as a matter of policy.
00:16:42Unless they require a support person.
00:16:44You don't need anyone, do you, Jules?
00:16:47No.
00:16:48What I'm saying is, all this...
00:16:51It's hard on Charles, the poor thing.
00:16:54And by all this, you mean your affection for Dr Lyman?
00:17:00Affection? How sweet.
00:17:03I think it's best to name it for what it is.
00:17:06And what's that?
00:17:08Love.
00:17:10You're in love with Sonny Lyman?
00:17:13And he with me, very much.
00:17:17Even though you're married to Charles Wadsworth?
00:17:22Charles is an absolute sweetie.
00:17:27And Dr Lyman was married to his wife?
00:17:33Yes.
00:17:35Oh, what he must be going through.
00:17:37How did this love come about?
00:17:41Wisdom teeth.
00:17:42Sonny, Jules Fahey here for your 11 o'clock.
00:17:45Jules, come in.
00:17:47Take a seat.
00:17:49So, today we're going to talk about these wisdom teeth.
00:17:53So I had surrendered to him,
00:17:57and he did his thing,
00:17:59and his work was immaculate.
00:18:01I didn't feel any pain.
00:18:03And then...
00:18:04Jules.
00:18:06Jules.
00:18:15Hello, beautiful.
00:18:20Nice to have you back.
00:18:22I thought I'd lost you for good there.
00:18:25I'm not going anywhere.
00:18:34Averitts.
00:18:36Hello, beautiful.
00:18:38He said that.
00:18:40He's a very charming man.
00:18:45Oh, I'm not oblivious to the irony.
00:18:48What irony is that?
00:18:51We take wisdom teeth out,
00:18:53and in turn make room for a new wisdom?
00:18:57Feelings?
00:18:59A new wisdom?
00:19:01Feelings?
00:19:02They were obviously always there but never mentioned.
00:19:05Now laid bare.
00:19:07Quite naked.
00:19:10Did you hurt yourself recently?
00:19:13Hm?
00:19:15Is that a bruise on your cheek?
00:19:19Oh.
00:19:21Silly work thing.
00:19:22Moving a pot.
00:19:23A potted bamboo.
00:19:26Last night, what happened when you left 416 Tullamore Drive?
00:19:32Charles escorted me home.
00:19:34He insisted.
00:19:43Drive home.
00:19:44Do not stop.
00:19:45Do not think about coming back here.
00:19:47I will follow.
00:19:48Charles, I've been humiliated.
00:19:51Go home, Jules.
00:19:53I need to close this deal.
00:19:54You are ruining everything.
00:19:57I escorted her home.
00:19:59She didn't want me to, but I insisted.
00:20:02Your wife's mental health.
00:20:05How would you describe it?
00:20:08She has openly said that she's in love with another man,
00:20:12so that must be distressing.
00:20:17It's not real.
00:20:19A woman is dead.
00:20:21I have reason to believe not by her own hand.
00:20:24It would be helpful to know whether her mental state is dangerous.
00:20:30Perhaps you should talk to her psychiatrist.
00:20:34Their name?
00:20:36Roger Plummer.
00:20:38Dr Plummer, it's Kristen Sims.
00:20:40Detective, how can I help?
00:20:42Jules Fahey.
00:20:43I understand that she's a patient of yours?
00:20:46Yes, of course.
00:20:47I'm not at liberty to discuss.
00:20:49Charles Wadsworth specifically requested that we contact you.
00:20:53We have written consent.
00:20:55Can I ask what this is about?
00:20:57It's in relation to a suspected homicide.
00:21:02Would you mind popping down to the station for a chat at your earliest?
00:21:06Lucas and I are just finishing a coffee.
00:21:08I'll see you shortly.
00:21:10I need to call into the police station.
00:21:12What have you done?
00:21:13Nothing, not me.
00:21:15A client, possibly.
00:21:17I should get back to the parish.
00:21:19It didn't drop me on the way.
00:21:20It's on the opposite side of town.
00:21:22Lucas, please.
00:21:24This wretched bike, it's like a push-me-pull-you.
00:21:28You're welcome to borrow my unicycle.
00:21:30You'd still get the hang of it, but it's fun.
00:21:34I'll come with you.
00:21:38When Charles Wadsworth returned at 9.45, the house was empty, so he locked it.
00:21:44But we only have his word for that.
00:21:46Regardless, somewhere between then and this morning,
00:21:49Laura was attacked and then found dead in the kitchen.
00:21:52So how did she get back into the locked house?
00:21:55Someone else had a key card.
00:21:57Yeah, Charles is this old agent.
00:21:59Well, we have Jules Fahey openly in love with the victim's husband, so clear motive.
00:22:06Right, with her husband Charles holding a key to the scene of the crime, that fits.
00:22:10But if the suicide was staged, then how do we account for the note written in the victim's handwriting?
00:22:20I've been treating Jules Fahey for Declarembeau syndrome.
00:22:24Declarembeau?
00:22:25Declarembeau syndrome, a condition where the brain is in a heightened state of arousal about another person,
00:22:31usually someone of a higher social status.
00:22:34And what triggers this condition?
00:22:36In Jules Fahey's situation, it was coming out of anaesthetic, a state of acute vulnerability,
00:22:41and there was Dr Lyman standing before her like her saviour, and this unique bond was formed.
00:22:48And how common is this syndrome?
00:22:52Well, well documented, but extremely rare.
00:22:56And how is it cured?
00:22:59I have tried various therapies recommended by the Royal College of Psychiatry.
00:23:03I had high hopes for hypnotherapy, but so far to no avail.
00:23:08How did you know Dr Lyman had fallen in love with you?
00:23:11I could see it in his eyes.
00:23:14Would you describe the attraction as sexual?
00:23:18If it becomes possible for us to be together, of course.
00:23:23If the physical side doesn't happen, it wouldn't matter.
00:23:26It's much purer than that.
00:23:29If it becomes possible for us to be together,
00:23:32surely the main obstacle to that was the presence of Sonny's wife, Laura.
00:23:37How often do you see Ms Fahey?
00:23:39That's a little awkward. Her husband, Charles, has had to tighten his belt.
00:23:43He can no longer afford my fees.
00:23:47Jules Fahey is currently without medical supervision.
00:23:53Yes.
00:23:56Mr Wadsworth. Jack of all trades.
00:24:01Help out on occasion. Is this some new business?
00:24:05Is Jules here?
00:24:07No.
00:24:09You mentioned to my boss that when you left the viewing,
00:24:12Mrs Lyman seemed her usual self.
00:24:15Yes.
00:24:17So you have met on more than one occasion?
00:24:20She's looked at other properties, yes.
00:24:23But to be fair, she wasn't her usual self.
00:24:26She pushed your wife into the pool. She was upset.
00:24:30Yeah, that was unfortunate.
00:24:35Last night you said that you went back to the property and locked up.
00:24:39That's right.
00:24:42And Mrs Lyman wasn't there?
00:24:44No, the place was empty, so I locked up and left.
00:24:48Any chance Mrs Lyman was still there?
00:24:50She wasn't.
00:24:52Yes, there wouldn't be anyone to say otherwise, correct?
00:24:55I don't like what you're implying.
00:24:58Your relationship with Mrs Lyman.
00:25:00Is it anything more than client, real estate salesperson?
00:25:03Property broker, and no, there was nothing more.
00:25:08Were you angry about the way Mrs Lyman treated your wife?
00:25:11Like I said, it was unfortunate, and that's all.
00:25:16How long would you say it took you to lock up?
00:25:21A few minutes.
00:25:23And how long is the drive between the Tullamore property and your place?
00:25:2615 minutes, give or take.
00:25:29Okay.
00:25:31I'll let you get back to it.
00:25:37Dr Lyman hopes to be back in a week.
00:25:39Thanks, Mrs Marlowe.
00:25:42Kia ora.
00:25:43Hi, again.
00:25:45Harper.
00:25:46Yes.
00:25:48We've actually met before, haven't we?
00:25:52Kind of.
00:25:53Innit? You used to work with the Wilbury brothers.
00:25:56In a past life, yeah.
00:25:59When that all fell apart, I wanted a fresh start.
00:26:03About a year ago, I wound up here.
00:26:06With a new name.
00:26:08I needed to leave everything behind.
00:26:12Ah, Jules Fahey, she's a patient here?
00:26:16Uh-huh.
00:26:18Well, we understand that she's formed an unusual attachment to Dr Lyman.
00:26:25Sure.
00:26:26If that's a euphemism for batshit crazy.
00:26:30Weirdest thing I've ever seen.
00:26:32Mrs Fahey, Dr Lyman is with a patient.
00:26:35I'm not here to interrupt.
00:26:36Yes, but...
00:26:37I just thought this might brighten up the place.
00:26:39A butterfly pet.
00:26:40Clitoria turnatea.
00:26:42Such an inviting flower.
00:26:43Perhaps in the corner.
00:26:45Well, you...
00:26:51Nothing we said made any difference.
00:26:54A kachoe pepe, not too spicy.
00:26:56Well, a little bit of heat, but...
00:26:58Mrs Fahey, Dr Lyman has asked me to tell you
00:27:03he cannot accept gifts like this.
00:27:07But what we say isn't always what we mean, is it?
00:27:11Tell him I said ciao.
00:27:13Relentless, I'll give her that.
00:27:15Did you ever get any sense that Dr Lyman encouraged her?
00:27:19Like, is he hot for her?
00:27:21For want of a better term.
00:27:24If hiding in the back room whenever she comes around is hot for her, sure.
00:27:27So you never noticed any reciprocation?
00:27:30Nope.
00:27:33Oh, my God.
00:27:35Poor thing.
00:27:38It sucks.
00:27:41It's gonna be okay.
00:27:43All right?
00:27:46Um, this is Detective Sims.
00:27:49Sonny's daughter, Eva.
00:27:51Hello.
00:27:52Hi.
00:27:55Um, Dad asked me to pick up his laptop.
00:27:58You know where it is?
00:28:00Miss?
00:28:07Uh, Dr Lyman has a dental assistant.
00:28:10Yeah, Lisa.
00:28:12But she's away.
00:28:14Okay, can I get her address?
00:28:18Thanks.
00:28:21I found high traces of nitrous oxide in the victim.
00:28:25Nitrous oxide is a relaxant.
00:28:27It travels through the neural system.
00:28:29But it's not lethal.
00:28:31No.
00:28:32The oven killed this woman.
00:28:34You're suggesting that this was used to overpower the victim first?
00:28:39If the apparatus encapsulated the nose and mouth,
00:28:42she could have been breathing in more than 70% recommended dose.
00:28:46In seconds, she would have been seeing dancing Cossacks wearing pink tattoos.
00:28:52So she faints or loses consciousness?
00:28:55Rendering her physically and mentally useless.
00:28:58So relaxed that when she's placed in the appliance,
00:29:01she would have had no way to resist.
00:29:03Until she succumbs to the gas from the oven itself.
00:29:07In a perversely happy frame of mind.
00:29:10It's a disturbing way to go.
00:29:12If only Svetlana had been happy when she died.
00:29:15I should read you a passage.
00:29:17Yeah, great.
00:29:19Not tonight, thanks, Gina.
00:29:21It was a brutal sulfuric winter.
00:29:23I was near the end, peering into a black hole.
00:29:27The pit of despair was calling my name.
00:29:30Svetlana.
00:29:32The idea of being poisoned makes me feel anxious.
00:29:44I'd like a thing to do.
00:29:46You're too good to me.
00:29:47If there's anything, you call me.
00:29:50Patient of mine.
00:29:52Made us a lasagna.
00:29:54People are so thoughtful.
00:30:02How are you holding up?
00:30:04We've had better days, haven't we?
00:30:06The vultures are circling.
00:30:07Eva, she was being kind.
00:30:09For God's sake, Dad.
00:30:10Mum died in an oven and she brings you something she baked?
00:30:15Do you want to get that?
00:30:17All my friends are reaching out.
00:30:20Mum kills herself and suddenly I'm so popular.
00:30:23Eva, come on.
00:30:24It's not like that.
00:30:25They care about you.
00:30:32You have new information?
00:30:34We need to talk to you both about events leading up to your wife's passing.
00:30:38I don't know.
00:30:41We need to talk to you both about events leading up to your wife's passing.
00:30:45It might be best if we talk separately.
00:30:49Yeah, of course.
00:30:51I'll show you around the place.
00:30:52Laura's pride and joy.
00:30:54Nitrous oxide's no longer our go-to.
00:30:56Dental associations worldwide have recommended we don't use it.
00:30:59Diazepam's preferred now.
00:31:00So you don't use it?
00:31:02I don't offer it, no.
00:31:03So what did you use on Jules Fahey?
00:31:06That was a deep sedation.
00:31:09Lateral wisdom tooth extraction.
00:31:10She was very anxious so I thought it best to put her under.
00:31:14Ms Fahey talks about your chair-side manner, that it's very intimate.
00:31:20I'm a dentist and an oral surgeon.
00:31:2380% of our skill is putting people at ease.
00:31:25Friendly, sure, but intimate's not an appropriate word.
00:31:29Hello beautiful could be construed as intimate.
00:31:33Is that what she told you?
00:31:35When she came to?
00:31:37No, I never said that.
00:31:38Jules?
00:31:39Jules?
00:31:46Hello Jules.
00:31:48Nice to have you back.
00:31:50For a moment we thought we'd lost you for good.
00:31:55Now, labyrinth.
00:32:00Hello Jules, hello beautiful.
00:32:02In her state she may well have heard something other than what I actually said.
00:32:07Next thing I know she's calling the clinic two, three times a day.
00:32:10Mrs Fahey, please listen.
00:32:13Dr Lyman is simply not available to talk to you right now.
00:32:17Okay?
00:32:19Thanks, bye.
00:32:22Thank you, thank you, thank you, thank you Harper.
00:32:25Just hang up next time, okay?
00:32:27A few days later she bailed me up outside the clinic.
00:32:31Sonny.
00:32:32Jules, please, okay, this is not appropriate.
00:32:35I know, you need more time, these feelings are so big.
00:32:38There are no feelings.
00:32:40You'll come to accept that this is real and we'll both be very happy.
00:32:43So very happy.
00:32:52I called her GP.
00:32:53He contacted her husband but the harassment continued.
00:32:56Yet you didn't contact the police.
00:32:59Because I recognise that she's ill.
00:33:01Jules Fahey is a very sick person to detect it.
00:33:04That's very tolerant of you.
00:33:06Perhaps.
00:33:08But believe me, Laura was not so understanding.
00:33:12That's a lot of money, Laura.
00:33:14The tailors paid 3.2 for their new home and this place is next level.
00:33:18And the neighbourhood is very...
00:33:21What?
00:33:22Clean.
00:33:24It's at the right end of town, just take a look, that's all I ask.
00:33:29Oh my God, no.
00:33:32Don't look at her.
00:33:34It's okay, thanks, Trudy.
00:33:42Screw this.
00:33:44Laura, don't.
00:33:46Look, I don't know what your problem is but it's a big problem for me.
00:33:51So if you don't leave my husband, my family and me alone,
00:33:55I will call the police.
00:33:58I'm simply enjoying a drink.
00:34:00What are you going to do about this?
00:34:02She's just having a glass of wine.
00:34:04Oh no, she's not.
00:34:05Laura, come on.
00:34:06Death by a thousand cuts, is that the plan?
00:34:08She's killing me.
00:34:09I mean you no harm, Laura.
00:34:11Enjoy your drink.
00:34:12Okay, you've got to leave.
00:34:14No, I wouldn't want to stay here if you paid me.
00:34:16I've got tennis shoes that taste better than your calamari.
00:34:19Come on, Sonny.
00:34:21I'm so sorry about this.
00:34:23I'm so sorry about this.
00:34:25Sorry your wife likes eating tennis shoes.
00:34:27Come on, Sonny, now.
00:34:30That's right, Sonny.
00:34:32It's hard on her, what we have.
00:34:37We don't have anything.
00:34:40Laura was in the right.
00:34:42Jules Fahey pushed her over the edge.
00:34:45Sonny, we have reason to believe that your wife's death was not by her own hands.
00:34:50I don't understand.
00:34:52There are signs of a struggle preceding her asphyxiation in the oven.
00:34:59You mean someone put her in there?
00:35:01Potentially.
00:35:03Jules Fahey?
00:35:05We're making inquiries.
00:35:06Well, who else could it be? She was at the house.
00:35:09What more do you need?
00:35:10Actual evidence.
00:35:11You get that woman off the streets.
00:35:15Sonny Lyman says that nitrous oxide is no longer part of his treatment plan.
00:35:20What about nangs?
00:35:22Whippets?
00:35:24Yeah.
00:35:25What?
00:35:26Small nitrous cylinders used to whip cream, among other things,
00:35:29but some people choose to huff them to get high.
00:35:32Nangs, whippets, hippy crack.
00:35:35What, so the offender grabs the victim by the throat and says,
00:35:39here, try these, but the effects are really short,
00:35:43maybe less than a minute, so then what?
00:35:46Offers another one.
00:35:48And another one.
00:35:49Yeah, sounds a little clumsy.
00:35:51Anything from the daughter?
00:35:53Yeah, one or two things of interest.
00:35:55What do you want to know?
00:35:57What happened after you left the house at Tullamore Drive.
00:36:01After crazy Jules Fahey showed up?
00:36:03Yeah, after that.
00:36:06Dad drove me home.
00:36:08He went to the pub.
00:36:10I watched TV.
00:36:13Dad came home.
00:36:16Mum didn't.
00:36:21Your dad went to the pub?
00:36:23Harper's birthday.
00:36:25He wanted to give her a present.
00:36:27You didn't go?
00:36:29I'm 17.
00:36:31I wasn't invited.
00:36:35She came to this house, you know.
00:36:37Harper?
00:36:39Jules Fahey.
00:36:41Mum and I were out of town,
00:36:43and Dad comes home and she's cooking him dinner.
00:36:49Excuse me, what are you doing?
00:36:51Beef bourguignon, your favourite,
00:36:53and there's a lovely Bordeaux open.
00:36:55How was your day?
00:36:59And what did your dad do?
00:37:01What do you think?
00:37:03She was right here, cooking bloody beef bourguignon.
00:37:06Did you call the cops?
00:37:08No, I asked her to leave.
00:37:11She's sick, Eva.
00:37:13She's a very sick woman.
00:37:15I've mentioned this to your mother.
00:37:17Since you left school, she doesn't need this stress.
00:37:20Okay?
00:37:22Okay.
00:37:26Okay.
00:37:28Well, if there's anything else that comes up,
00:37:31give me a call.
00:37:33Thanks.
00:37:35Well, surely that behaviour makes Jules Fahey certifiable.
00:37:39It's only Lyman needed to lay a complaint.
00:37:41He didn't.
00:37:42And the fact that he went to the pub.
00:37:44Odd, after what happened at Tullamore Drive.
00:37:47And he never mentioned that.
00:37:49Oh, maybe he thought you didn't need stress.
00:37:52I'll make coffee.
00:37:54Oh, you don't have to.
00:37:56I'll do it.
00:37:57It's alright, it's my turn.
00:38:00And we are out of beans.
00:38:02Bummer. Oh well.
00:38:04It's alright, I'll go to Frodo's and get around.
00:38:10Phew.
00:38:12Morning, Todd.
00:38:14Just a usual thanks, Frodo.
00:38:18Everything okay with you guys?
00:38:20Yeah, you know, sweet as.
00:38:24But, you know, tough news about Mrs Lyman.
00:38:27Yeah, real punch in the gut, that one.
00:38:29You knew her?
00:38:31Well, no, but Mr Lyman, for sure.
00:38:33His greatest dentist in all of Broganwood.
00:38:35Yep, I'll find her, Euston.
00:38:37Heart goes out, you know.
00:38:39It's usually the dentist who, um, you know.
00:38:43It's the highest rate of all the professions.
00:38:46It's usually not the wives.
00:38:48Hope it doesn't affect her sense of humour.
00:38:50He's a funny guy.
00:38:52Always puts you at ease, even when the drill's spinning.
00:38:55Yeah, the only one who can make you laugh while pulling out your wisdom teeth.
00:38:59Oh, yeah? Got a bit of a stand-up routine, does he?
00:39:02Oh, nah, it's just the gas.
00:39:04Helps take the edge off.
00:39:06Probably the most fun I've had in ages.
00:39:08I thought that dentists don't use laughing gas anymore.
00:39:11Well, no, but if you see the code, he'll bring it out.
00:39:15What's the code?
00:39:20Um...
00:39:22Hey, I'm completely freaking out here.
00:39:24Give me some gas.
00:39:26Yeah, that usually does it.
00:39:29When did you have your wisdom teeth out?
00:39:32Just last week, yeah.
00:39:34Pretty quick.
00:39:36Top dentist, eh? Dr Lyman.
00:39:38Thanks, Todd. You, uh, have a good day.
00:39:43Hey, Mike, sorry, coffee's off.
00:39:45I'm heading to the dentist clinic.
00:39:47Sonny Lyman's been telling porkies.
00:39:50It's in here.
00:39:52You turn the tank on, it comes through there, and your times.
00:39:58And does it get used often?
00:40:00I reorder when Sonny tells me to.
00:40:03How long ago was that?
00:40:05A while ago. Why?
00:40:07Wait.
00:40:09Is that what...
00:40:11Oh, no way, that stuff can't kill you.
00:40:13It's just part of our inquiries.
00:40:16The night that Mrs Lyman died, you were having drinks at the Croc and Panther?
00:40:20Uh, yeah. Couple of mates. Pretty low-key.
00:40:23And Sonny Lyman came to wish you a happy birthday?
00:40:27Yeah.
00:40:29Dedicated boss.
00:40:30Best boss I ever had.
00:40:31Nothing more than that.
00:40:33What do you mean?
00:40:35A stalker interrupted their house viewing.
00:40:38His wife was upset, yet he still found time to spend with you.
00:40:43Wow.
00:40:45OK.
00:40:47You know, I turned up here in Brokenwood one level up from a homeless person.
00:40:52Sonny Lyman gave me a shot.
00:40:54He... he believed in me.
00:40:57He said I had promise.
00:40:59And...
00:41:01I was so grateful to get out of that crappy life,
00:41:04coconut shards and ghost trains,
00:41:06and I did everything I could to live up to that promise.
00:41:09I made this place cool, you know?
00:41:11People like coming here, like coming to the dentist.
00:41:13And Sonny is a really good guy,
00:41:15so don't come here digging for dirt that doesn't exist.
00:41:20Please.
00:41:30I'm through. We're just discussing funeral arrangements.
00:41:33I'm sorry to interrupt.
00:41:35Reverence.
00:41:36Detective.
00:41:38Eva.
00:41:39Hi.
00:41:40Well, I think I have everything that we need, anyhow.
00:41:44Psalm 51, 3 to 19.
00:41:47Some of my favourites.
00:41:48Oh, and Eva's going to sing, which will be very special.
00:41:51If she feels up to it.
00:41:52Dad, I can handle it.
00:41:55Voice of an angel, this one.
00:41:56Well, I'll, um...
00:41:59I'll leave you to it.
00:42:01Thank you, Reverend.
00:42:03Thank you.
00:42:07He married us,
00:42:09christened Eva,
00:42:11and he starts allowing us to rest.
00:42:13You're here to tell us Jules Fahey's been arrested?
00:42:16Uh, without actual evidence, not yet.
00:42:18That's disappointing to hear.
00:42:20Dad, I'm going to go and practice.
00:42:22Okay, love.
00:42:27You know, I feel like I've...
00:42:30I've let her down.
00:42:31I'm sure that's not the case.
00:42:33You have kids, Detective?
00:42:35I don't, no.
00:42:39Sonny, earlier today, when I asked you about nitrous oxide,
00:42:42you said you didn't have any.
00:42:45My colleague checked your clinic,
00:42:47and there is a supply there.
00:42:50I said I didn't offer it. That's not the same thing.
00:42:52We believe that your wife was overpowered by nitrous oxide
00:42:55and then was left to die by propane inhalation.
00:42:58Are you suggesting someone took gas from my surgery?
00:43:02No.
00:43:04Who had access?
00:43:06Only Harper. She wouldn't do that.
00:43:08Anyone else?
00:43:10Well, my assistant Lisa,
00:43:12but she's been on leave this week in Fiji,
00:43:14and it's not like I have the only supply in town.
00:43:16I'm aware of that.
00:43:18So surely you should be making inquiries elsewhere.
00:43:20And we are.
00:43:25When the team first arrived,
00:43:27there were several windows and doors open.
00:43:29In an effort to expel the gas, yes.
00:43:32Are you sure it was fully locked
00:43:34when you left the previous night?
00:43:36Oh, yes.
00:43:38That's real estate 101.
00:43:40Laura?
00:43:44Laura?
00:43:56Make sure it says you found it.
00:43:59It was locked.
00:44:01I have no idea how Mrs Lyman made her way back in.
00:44:04You took Jules home after the altercation?
00:44:07Yes.
00:44:09Yet you both had cars.
00:44:11I followed her home.
00:44:14Jules, this has to stop!
00:44:16Charles, what's got into you?
00:44:18I am out there trying to make an honest go of work,
00:44:21of our marriage,
00:44:23and I have no intent on destroying it all!
00:44:25Charles, I love you, I do,
00:44:27but Sonny invited me to look at the house.
00:44:30No, he didn't!
00:44:32Why would he?
00:44:34Because he loves me.
00:44:36Oh, please.
00:44:38I left her there,
00:44:40came back here, locked up,
00:44:42and then I returned home.
00:44:44And Jules was at home when you got back?
00:44:48No.
00:44:51Where was she?
00:44:54What do you think?
00:44:56When she finally got back, I asked her.
00:44:59I went to visit Sonny to make sure he was all right.
00:45:03You went to his house?
00:45:05Oh, Charles, don't make a thing.
00:45:07And was Laura there?
00:45:10No, and neither was Sonny.
00:45:12I'll try calling him tomorrow.
00:45:15No amount of rational discussion
00:45:17can make her alter her behaviour.
00:45:20This is very critical information
00:45:22you've been sitting on, Charles.
00:45:24Look, I know my wife is unwell, okay?
00:45:27But...
00:45:29I'm certain that she didn't do this.
00:45:34So between 9.30pm and 10.15pm,
00:45:38Jules was alone.
00:45:40And Sonny Lyman?
00:45:42Sonny Lyman?
00:45:43Ah, well, we know that Sonny took Eva home.
00:45:48And then headed to the pub?
00:45:50Yeah, Harper's Birthday drinks.
00:45:52I stayed for one,
00:45:54came home, checked in on Eva,
00:45:56and went to bed.
00:45:58And Laura hadn't returned home at that point either?
00:46:01No, and Eva hadn't seen her.
00:46:04I get it.
00:46:05I'm not home yet?
00:46:07No.
00:46:08I tried calling her.
00:46:10Didn't answer.
00:46:12Maybe she's putting an offer in on that new place.
00:46:15Signing her life away.
00:46:17So he goes to bed,
00:46:19his wife didn't come home,
00:46:21and he never thought to report it.
00:46:24Several bedrooms.
00:46:26Laura struggled with insomnia.
00:46:28She worried a lot.
00:46:29Especially about Eva.
00:46:31Wanted so much for her.
00:46:34It's the only child thing, you know.
00:46:37He wakes up, goes to work,
00:46:39thinks she's still sleeping.
00:46:41PHONE VIBRATES
00:46:45DC Charmers?
00:46:47Um, could we talk?
00:46:49There's something you should know.
00:46:51Oh, that is so thoughtful.
00:46:53Eva, absolutely.
00:46:55Dad asked me to check if mum's plot at the cemetery was the right one.
00:46:59We could meet there.
00:47:01Broken Woods Cemetery, sure thing.
00:47:03I'll see you there.
00:47:05See how you come about, eh?
00:47:08If there's anything I can do, please.
00:47:10Sure.
00:47:13So, uh,
00:47:15what is it you wanted to share?
00:47:20You asked if there's anything you should know?
00:47:22Yeah.
00:47:24Well, there's this one client of my dad's.
00:47:27Her name is Nancy Jax.
00:47:29Her husband got killed last year.
00:47:31Uh, yeah, the motel shooting.
00:47:33We worked the case.
00:47:35Yeah, that's her.
00:47:38She's struggling.
00:47:40And her kids need a bunch of work done.
00:47:42They come in a lot.
00:47:47Well done, Travis. You're very brave.
00:47:50No charge, Harper.
00:47:51Sonny, you don't have to do that.
00:47:53It's a statement, not a question.
00:47:55Thank you.
00:47:57See you next week.
00:48:06So, you're saying that your father is a very generous man
00:48:11who's helping, uh...
00:48:13The damsel in distress.
00:48:18Even in the movies, that always ends in a kiss.
00:48:23Are you suggesting that your father is having an affair?
00:48:26No.
00:48:28He wouldn't do that.
00:48:30He's way too straight.
00:48:32So, you're suggesting that Nancy Jax got so desperate
00:48:36that she did something to your mum?
00:48:40We haven't even had the funeral yet, and it's like...
00:48:44She's already moving in on my dad.
00:48:48OK, uh, we'll look into it.
00:48:51When your father dropped you home the other night...
00:48:54Yeah?
00:48:55Did Jules Fahey pay a visit?
00:48:57No.
00:48:59Oh, my God, is she creeping about again?
00:49:02Probably not.
00:49:04Don't worry about it.
00:49:06Thanks for your help.
00:49:08Next stop, Nancy Jax.
00:49:10Need a wingman?
00:49:12I think I'll be fine.
00:49:23Yes?
00:49:24Hi, Nancy. I'm Detective Sim.
00:49:26Yeah, I remember.
00:49:28Uh, do you mind if we have a chat?
00:49:31Sure.
00:49:34Sonny introduced us, and Laura and I became kind of friends.
00:49:39They even babysat the kids on occasion when I needed a break.
00:49:43She was very, uh, generous and open.
00:49:47Constantly giving me parental advice.
00:49:49The thing with kids is you have to be firm sometimes.
00:49:52I know. They need boundaries.
00:49:54They do.
00:49:55I try, I swear. It's just when you're on your own...
00:49:58Get them in line now, my friend.
00:50:00Because as they get older, the problems just get more complex.
00:50:03Oh, really? Do I want to know?
00:50:06Experimentation.
00:50:08Don't get me started.
00:50:11What did she mean by that?
00:50:15Drug, sex, the usual pitfalls, I guess.
00:50:19Things I have to look forward to, eh?
00:50:22Mm.
00:50:24She was a... She was a very good person.
00:50:27I'm not gonna move in there.
00:50:30Even though Sonny's quite cute, don't you think?
00:50:35That's not for me to comment on.
00:50:38But you obviously find him attractive?
00:50:40Well, even if I did, I'm not ready for that kind of change, nor are the kids.
00:50:47Where were you night before last?
00:50:49You still have to ask.
00:50:51I do.
00:50:52Here, where I am every night with the kids.
00:50:56OK. Well, thank you for your help, Nancy.
00:51:01Sonny Lyman is a really, really good man.
00:51:05You need to know that.
00:51:08So everyone keep saying.
00:51:12I need to understand more about the treatments that you offered Jules Fahey.
00:51:17Oh, Jules Fahey.
00:51:18Oh, yeah, pretty sad, eh?
00:51:20Another imaginary friend?
00:51:21Ah, thanks, Frodo.
00:51:22This is a private meeting.
00:51:23Yeah, well, that's what she says.
00:51:25Like, every Friday.
00:51:27The usual, Frodo.
00:51:29Mind if we take this table over here?
00:51:31Always nice to have a bit of privacy.
00:51:33Sure. Take a seat.
00:51:42Your coffee.
00:51:43And for your friend.
00:51:46Thank you.
00:51:52Oh, it feels nice and warm.
00:51:54Oh, isn't that lovely?
00:51:57Whoever it is never comes, but she acts like she does.
00:52:00It's weird.
00:52:01Can I say that?
00:52:02It's not like she's hurt anyone.
00:52:04She hasn't hurt anyone, has she?
00:52:06Thanks, Frodo.
00:52:08Thanks.
00:52:13Um, you mentioned that you'd tried hypnotherapy.
00:52:16Yes.
00:52:17Roger's very good at it.
00:52:19Puts me under on occasion.
00:52:21Lucas, please.
00:52:24She was very conducive to it.
00:52:26And from there we moved into role playing.
00:52:28Another thing he's very good at.
00:52:29Lucas, I'm trying to...
00:52:30I'm talking about your work with the local operatic.
00:52:33Oh, well, yes.
00:52:34I remember well.
00:52:36Captain Cook's song's pants.
00:52:38Oh, well, we don't mention the war.
00:52:40But it is something of a passion.
00:52:42We're looking at doing hair next year.
00:52:45So no trousers again?
00:52:46Lucas!
00:52:49You were saying?
00:52:50Ah, role playing.
00:52:52I assume the role of Dr Lyman, her dentist.
00:52:54Under hypnosis, she accepts that I am he.
00:52:57I then assert that I do not have feelings for her.
00:53:00It's usually highly effective, but...
00:53:02nothing.
00:53:03When you put someone under,
00:53:04do they still possess the ability to lie?
00:53:06Not if they're truly under.
00:53:10Would it be possible for me to have a chat with Jules in that state?
00:53:14Like a polygraph.
00:53:15Dolly good?
00:53:16No, not quite.
00:53:17Is that legal?
00:53:18We'll keep it informal.
00:53:30Hello again, Harper.
00:53:32I've locked up.
00:53:34I just have a few follow-up questions.
00:53:36I've already set the alarm.
00:53:38Won't take long.
00:53:40How about you buy me a drink then?
00:53:45Okay.
00:53:49So, what do you want to know?
00:53:53Well, basically, we're still trying to establish
00:53:56who might have had an issue with Laura Lyman.
00:54:00I thought you were focusing on Jules Fahey.
00:54:02Aside from Jules Fahey.
00:54:04I see.
00:54:07Okay, well...
00:54:09Me.
00:54:11You.
00:54:12Well, that's what this is about, isn't it?
00:54:16I don't follow.
00:54:17Sonny hasn't told you?
00:54:19Told me what?
00:54:22It's hardly a secret.
00:54:24Mrs Lyman did not like me.
00:54:27Because?
00:54:28Because...
00:54:30Okay.
00:54:31Gee, where do I start?
00:54:35My background?
00:54:37The colour of my skin?
00:54:40I didn't go to the right school.
00:54:43Hardly went to school at all, to be honest.
00:54:48And...
00:54:51Because I got on well with her husband.
00:54:54And...
00:54:58Where did this come from?
00:55:01Oh, it's kind of a...
00:55:02Victoria Turnatea, is this some kind of joke?
00:55:04Honestly, I didn't...
00:55:05You people, I thought I made myself very clear.
00:55:08Your sexuality is not something I want on display around my family.
00:55:14And you never told her that Jules delivered it?
00:55:18Sonny would have copped it.
00:55:19And the comment about your sexuality?
00:55:21Yeah, you were way off the mark about me and Sonny.
00:55:25He's not my style.
00:55:31Oh.
00:55:32And then Laura felt uncomfortable about that?
00:55:35Laura was a stuck-up prude.
00:55:37But to make matters worse, for my sins,
00:55:40Eva got a little hung up on me.
00:55:43It's how I feel.
00:55:46I can't help how I feel about you.
00:55:48That's sweet, and...
00:55:51I get it.
00:55:52I get it.
00:55:54But I can't be that person for you.
00:55:58It's not appropriate.
00:56:00On a whole bunch of levels.
00:56:03Okay?
00:56:08But she doubled down and declared her love for me to her parents.
00:56:13Papa!
00:56:14No. No, no, no, no, no.
00:56:15I will not have that.
00:56:17I like girls, Mum.
00:56:18No, you don't.
00:56:23Of course, Laura wanted me fired.
00:56:25I want that mink's gone, Sonny.
00:56:27Her influence over Eva is destructive and disgusting.
00:56:31She's the best thing that ever happened to our clinic.
00:56:33People love her.
00:56:34Don't you be weak, Sonny Lyman.
00:56:41To his credit, he stuck by me.
00:56:45I kept my job.
00:56:46So, it would be fair to say
00:56:49Laura Lyman had it in for you.
00:56:55But nothing happened between you and Eva.
00:56:58Oh, please.
00:57:00She's 17.
00:57:02And I'm only interested in women my own age.
00:57:06One, two, three.
00:57:10And you're with me.
00:57:13Jules, how are you feeling?
00:57:15Quite pleasant. How are you?
00:57:17Fine. I'm fine.
00:57:20Now, Mr Shepherd has some questions for you.
00:57:23Are you still comfortable with that?
00:57:25Of course.
00:57:27I'm not sure I'm comfortable with it.
00:57:30I'm not sure I'm comfortable with it.
00:57:32Mr Shepherd has some questions for you.
00:57:34Are you still comfortable with that?
00:57:36Of course. Anything I can do to help.
00:57:43Jules, we need to know a bit more about your relationship with Sonny Lyman.
00:57:48Yes.
00:57:50A couple of months ago, he discovered you at his house, cooking dinner.
00:57:55Beef bourguignon, your favourite.
00:57:57And there's a lovely Bordeaux open.
00:57:59How was your day?
00:58:00And he asked you to leave?
00:58:01He did.
00:58:03And how did that make you feel?
00:58:07Would have been nice to spend some more quality time together, but it wasn't to be.
00:58:13He was angry with you? He accused you of trespassing?
00:58:17Yes, but he was pretending, of course, for his wife's sake.
00:58:22Really, in his heart, he wanted me to be there.
00:58:26How did you know that his wife and daughter were out of town?
00:58:30I happened to hear about it.
00:58:31Laura.
00:58:33No, please, Laura, please don't.
00:58:37Laura.
00:58:38That woman.
00:58:39What is it, love?
00:58:41No one.
00:58:46It's about to close on the Richmond place.
00:58:48And now, oh, my daughter and I need to head away on a girls weekend.
00:58:53And can I see some more places when I get back?
00:58:56Because it still doesn't feel quite right.
00:58:59Nothing ever feels right with her.
00:59:02When you arrived at the Lyman house to cook sunny Lyman dinner, was the house locked?
00:59:08There's a spare key under a pot plant.
00:59:11How do you know about that?
00:59:13He sent me a picture.
00:59:15I knew what it meant right away.
00:59:18Would you mind if Detective Sims took a look at your phone?
00:59:22Not at all, please. It's in my handbag.
00:59:30It's 5683, the letters of love.
00:59:40This number, it's from Sonny.
00:59:45And the night before last, you went to his place again?
00:59:49Yes.
00:59:51Why?
00:59:52Oh, I wanted to make sure he was okay. His wife seemed very upset.
00:59:56Well, after you turned up at a viewing unannounced.
00:59:59I was invited.
01:00:01By Sonny?
01:00:02Sonny wanted to show me the house.
01:00:04He says that's not true.
01:00:05What the hell is going on?
01:00:08What we say isn't always what we mean.
01:00:10He sent me a text.
01:00:12He values my opinion.
01:00:17Yeah.
01:00:21After Charles followed you home, you went to the Lyman's?
01:00:25Yes.
01:00:29And what did you do?
01:00:30I took a little time to look around.
01:00:37That's all.
01:00:38Then I left. I was home by 10.30.
01:00:42And on your way home, did you go via 416 Tullamore Drive?
01:00:47No, I did not. I went home.
01:00:51Charles was there.
01:00:55Yeah.
01:01:01She touched her cheek when she mentioned Charles.
01:01:03Mm.
01:01:04What are you thinking?
01:01:06I just... I don't think that she should be at large.
01:01:11But it wasn't a formal interview, right?
01:01:13Uh, correct. We have no grounds to hold her.
01:01:16Yeah, unless Sonny lays a trespass complaint.
01:01:19Mm. Which he seems reluctant to do so.
01:01:26Well, that's ridiculous. I would never text that woman.
01:01:29I barely text anyone. I hate the bloody teens.
01:01:32Would you mind if I took a look at your phone?
01:01:37I have my wife's funeral to go to.
01:01:40And I don't want to hold you up?
01:01:45No pen?
01:01:46No, I can't be bothered.
01:01:49I understand that Eva had feelings for your employee.
01:01:55Harper Kerr?
01:01:58It was a crush. Nothing serious.
01:02:00How did you feel about it?
01:02:02We both put it down to teenage curiosity.
01:02:06Did leave Harper in a pretty awkward position, though.
01:02:08But she remained a valued member of your team,
01:02:11despite your wife's request to fire her.
01:02:14I imagine that Harper felt resentful about that.
01:02:18Harper is an excellent employee.
01:02:22Hence you went to see her at the Croc and Panzer for her birthday?
01:02:27Yes.
01:02:29But I didn't actually see her.
01:02:32You didn't see her at the pub?
01:02:34No.
01:02:38Oh, is your wife not with you?
01:02:40No.
01:02:42Oh, is your wife not with you?
01:02:44No.
01:02:45Sorry again about the other night.
01:02:48What can I get you?
01:02:50I thought Harper Kerr was here.
01:02:52No.
01:02:53She was in here.
01:02:55Can't see her now.
01:02:58An old fashion, isn't it?
01:03:00You look like you need it.
01:03:02So you never saw her at all?
01:03:04No.
01:03:05I had a drink and I went home.
01:03:12Hey, Mike.
01:03:13Sonny Lyman's phone has no evidence of those texts to Jules Fahey,
01:03:16but that could have been deleted.
01:03:18Are you bringing it in for forensics?
01:03:20He told me to get a warrant.
01:03:22Huh.
01:03:23He's hiding something, you think?
01:03:25It's hard to say, but I did learn that he never saw Harper Kerr
01:03:29at the pub when he went to visit her.
01:03:31Where was she?
01:03:33That's what I'd like to know.
01:03:42Todd.
01:03:44Working hard, I see.
01:03:46Yep.
01:03:48Trying not to.
01:03:49Is Charles around?
01:03:50Nah, he's at the bank.
01:03:52My wages didn't come through, hence I've downed tools until it's sorted.
01:03:56Bank area, you reckon?
01:03:57He would want you to believe that, yeah.
01:03:59The truth is, he's having credit problems all around town.
01:04:03Oh, gosh.
01:04:04Apologies.
01:04:05Not sure what happened there.
01:04:07You didn't pay your bill?
01:04:08Try this one.
01:04:12Stroke two.
01:04:13Okay.
01:04:14Uh, as it happens...
01:04:16Hey, Charlie boy, your credit's closed.
01:04:18Till your tab is cleared.
01:04:19Trudy, please.
01:04:21I'm about to close a deal.
01:04:22I need to show a little love.
01:04:24Yes.
01:04:25She ain't buying, buddy.
01:04:26How many times has she had you at contract stage?
01:04:29Well, this will be lucky number six,
01:04:31but I have a very good feeling.
01:04:33Oh, well, I've seen her type before.
01:04:36She's all about the journey, not the destination.
01:04:38So...
01:04:42And sure enough...
01:04:47Okay, Laura.
01:04:50Shall we do this?
01:04:53Charles, I'm 98% there,
01:04:56but something just doesn't feel quite right.
01:05:00Let's keep looking.
01:05:05You're describing a desperate man.
01:05:07The thing about selling real estate is
01:05:09you actually have to sell real estate.
01:05:11His scorecard is zero.
01:05:14Well, when you see him, tell him to call me.
01:05:18Well, um...
01:05:19If I wanted to buy some bamboo,
01:05:22could you sell it to me?
01:05:23Oh, you don't want bamboo, bro.
01:05:25It's a weed.
01:05:26So jewels doesn't stock it?
01:05:28Nah.
01:05:31That's what I thought.
01:05:39Okay.
01:06:10I could be what you want me to be
01:06:14But that wouldn't mean that much to me
01:06:17I'm aware of my own importance
01:06:20You close your eyes to see
01:06:23The fire that burns in you is
01:06:26The desire that isn't mine to free
01:06:29Great opportunity to pull out the notebook
01:06:31and ask some questions.
01:06:33See you tomorrow.
01:06:34See you tomorrow.
01:07:04And I think of us
01:07:07And the moon turns iodine red
01:07:25Thank you, Eva.
01:07:27That was very personal.
01:07:31It's times like these
01:07:33when the voice of an angel
01:07:35can bring comfort to those in grief.
01:07:37When a life passes,
01:07:39we should think not of loss
01:07:41but of giving.
01:07:43Laura has been given back to the Lord.
01:07:47For I'm reminded of the conversation
01:07:49God had with Saint Peter
01:07:51at the pearly gates.
01:07:53The Lord said,
01:07:54Welcome, Peter.
01:07:55Welcome home.
01:07:56And Peter said,
01:07:58God, it's good to be back.
01:08:00And then the Lord said,
01:08:05Oh, no.
01:08:12Oh, no.
01:08:13Oh, no.
01:08:14Shall we eat?
01:08:16Funerals are public events.
01:08:18Public events or public display?
01:08:23No, no, no, no.
01:08:29No, no, no, no, no.
01:08:33Could you control your wife, please?
01:08:35I didn't know she was coming, I swear.
01:08:37Yeah, where have I heard that before?
01:08:39I didn't know.
01:08:40You have to do better than that.
01:08:42I can't sell houses.
01:08:46What do you want me to do?
01:08:47You want me to lock her in the basement?
01:08:49Yeah, it would be great.
01:08:51Yeah, it would be a bloody start.
01:08:53Charles, please.
01:08:54Sonny is grieving.
01:08:55Just shut your mouth.
01:08:56Just shut your stupid mouth.
01:09:00I think this is working.
01:09:01Yeah, yeah, yeah.
01:09:03Get out of my way.
01:09:04I swear to God I'll kill you.
01:09:21Um, let's take five, shall we?
01:09:32I say this is an unusual case.
01:09:34A man, my client,
01:09:36who should have taken a restraining order out
01:09:38on a woman of questionable mental health,
01:09:40restrains that said woman at his own wife's funeral.
01:09:43Attacks.
01:09:45Sorry?
01:09:46Attacks.
01:09:48Funeral.
01:09:49Attacks.
01:09:50Sorry?
01:09:51Mr Lyman attacked Ms Fahey,
01:09:54witnessed by the entire congregation.
01:09:56Well, as the saying goes,
01:09:57one man's attacks, another man's restraint.
01:09:59Threatened to kill in public.
01:10:01Threatened to kill?
01:10:02It's often a preamble to self-defeats.
01:10:04You saw what she did.
01:10:05That woman has taken nearly everything from me,
01:10:08my wife, my sanity.
01:10:11I can't practice dentistry like this.
01:10:14Detective, this is a man on the verge.
01:10:17You know, I think all that is needed here
01:10:19is for a large blind eye to be turned upon
01:10:21the statue of Lady Justice,
01:10:23who we all know is blind already.
01:10:25Well, the good news is,
01:10:27Jules Fahey is not laying a complaint.
01:10:29Good. Job done.
01:10:30But her husband Charles is.
01:10:33What? Why?
01:10:34Wants to seek damages to his reputation.
01:10:37His reputation?
01:10:39Oh, for God's sake.
01:10:42Detective, as you know,
01:10:44I never joke about mental health.
01:10:47But Jules Fahey, she's clearly troubled.
01:10:50And she was always a little intense.
01:10:52And this I know from personal experience,
01:10:54because as you know,
01:10:55her and I had a brief dally on some years ago.
01:10:57And when we parted ways,
01:10:59I was relieved, to be honest.
01:11:01Not to mention physically exhausted.
01:11:03Because when she embarks on something,
01:11:04it's 110%,
01:11:05including and not limited to this fiasco,
01:11:07which begs the question,
01:11:08Why the hell isn't she behind bars?
01:11:09Because Jules Fahey didn't murder Laura Lyman.
01:11:13How can you be so certain?
01:11:15She wasn't at the house when your wife was killed.
01:11:18Then who was?
01:11:21That's what we're working on.
01:11:24Harper Kerr had birthday drinks here the other night.
01:11:27What time did she leave?
01:11:29The party dispersed early.
01:11:30About 9.30.
01:11:31They were heading over to Riverstone.
01:11:339.30.
01:11:35Riverstone.
01:11:379.30.
01:11:38Okay, thanks.
01:11:40But Harper didn't go.
01:11:42She stayed here.
01:11:45Well, that's interesting,
01:11:46because I happen to know that Sonny Lyman
01:11:48was here at 9.35
01:11:50and Harper wasn't.
01:11:52Or so he thought.
01:11:54Hey, Trudy.
01:11:56My taxi still hasn't come.
01:11:58Do you want another gin?
01:11:59Oh.
01:12:03Do you have somewhere I could wait?
01:12:09Yeah.
01:12:10Come with me.
01:12:12Turns out she just needed a bit of a cry.
01:12:15I love my job, man.
01:12:19I love my boss.
01:12:22That witch.
01:12:24She has it in for me.
01:12:27Sonny Lyman's wife had put the fear of God up her.
01:12:30This is a public space, so let's not make a scene.
01:12:33It's a simple message.
01:12:35You will not corrupt my daughter.
01:12:37Do you understand?
01:12:39Sonny might not have had the balls to fire you,
01:12:41but you are a cat on a hot tin roof
01:12:44staring down at your ninth life.
01:12:47If you see any of my family outside of work hours,
01:12:50the hammer comes down,
01:12:52and I'll tell Sonny it's either you or me,
01:12:55and he'll choose me,
01:12:57my happiness over yours.
01:13:00In a heartbeat.
01:13:01Make no mistake.
01:13:03And you'll be out of your pathetic, precious job.
01:13:10You're all good here.
01:13:12I'll get him a drink and send him on his way.
01:13:15And then I'll organise a hit on that haughty Lyman bitch.
01:13:24Okay, that last bit was a joke.
01:13:27Pretty poor text in hindsight.
01:13:29But then that Lyman woman, she was a nasty piece of work.
01:13:34And how long was Harper here with you?
01:13:37About an hour.
01:13:38She pulled herself together and went home.
01:13:41She's a good kid.
01:13:43Okay.
01:13:44Thanks, Trudy.
01:13:45For what?
01:13:46I didn't tell you anything.
01:13:53Some developments from my chat with Sonny Lyman.
01:13:56After the beef bourguignon incident,
01:13:59Sonny removed the spare key from under the pot plant.
01:14:03So, Jill's lied to us after all.
01:14:05Otherwise, how did she get in?
01:14:07Worth asking the question.
01:14:10Yeah, well, she's probably gone to ground
01:14:11after the carnage at the church.
01:14:13Then again, it's Friday.
01:14:16It's Friday.
01:14:17Try the coffee cart.
01:14:24Thing is, Charles, you told us...
01:14:30You told us that you escorted Jill's home
01:14:33and then returned to 416 Tullamore Drive
01:14:35to find it was empty.
01:14:37You said, quote,
01:14:38I stayed there a few minutes, tops.
01:14:40But in fact, 20 minutes went by before you returned home.
01:14:45What were you doing, Charles?
01:14:47Were you taking your frustrations out on Laura Lyman?
01:14:51No.
01:14:53You've been under a lot of pressure.
01:14:55Did it get the better of you?
01:14:57No.
01:15:01I was in my car.
01:15:05Just sitting in your car?
01:15:08Drinking.
01:15:11Drinking.
01:15:16I was at the end of my rope.
01:15:19I was re-evaluating.
01:15:23I mean,
01:15:25what does it take to make a sale in this town, huh?
01:15:30And then you drove home.
01:15:32I shouldn't have done that, I know.
01:15:34Well, you confronted Jill's about being at Sonny Lyman's.
01:15:37I went to visit Sonny to make sure he was all right.
01:15:39You went to his house?
01:15:40Oh, Charles, don't make a thing.
01:15:45Yes.
01:15:48Then what happened?
01:15:51Charles, what happened next?
01:16:03I, um,
01:16:07I snapped.
01:16:22Charles.
01:16:24I'm sorry.
01:16:26I'm so sorry.
01:16:34We both agreed that it wasn't something that needed to be mentioned again.
01:16:39Especially when a woman was found dead the next day.
01:16:42That had nothing to do with me.
01:16:47Hi, Jules.
01:16:48How are you?
01:16:51Um.
01:16:55Kristen.
01:16:57I know who you are.
01:16:59If this is about the church.
01:17:01No, actually this is about something else.
01:17:05When you went to visit Sonny's house the night that Laura Lyman died,
01:17:09how did you get in?
01:17:16This is important, Jules, I promise.
01:17:19Well.
01:17:23If it helps, we know that the spare key was no longer under the pot plant.
01:17:28No, it wasn't.
01:17:32But there was a window open.
01:17:34Which window?
01:17:46The house was empty.
01:17:48Of course.
01:17:50I wouldn't have done what I'd done with people there.
01:17:52That'd be rather odd.
01:18:03The other day you mentioned Laura Lyman had an issue with experimentation in relation to Eva.
01:18:09It was just a passing comment.
01:18:10She made gossip, really.
01:18:11I shouldn't have said anything.
01:18:13In relation to Sonny's receptionist, Harper?
01:18:17It was a full-on crush by all accounts, but nothing happened.
01:18:20Laura just felt like she needed to shut it down.
01:18:23And I said to her, in no uncertain terms,
01:18:26this whole girl thing, it's just a phase, Eva.
01:18:30You'll grow out of it.
01:18:31I'm a lesbian, Mum.
01:18:32Can't you just accept that?
01:18:34You can't be a lesbian.
01:18:36You're only 17.
01:18:39Here are the reasons why.
01:18:40She really laid it on the line that being a lesbian meant no husband, no home, no kids, no hope.
01:18:46I mean, she really laid it on thick.
01:18:54She wrote a list.
01:18:55Yeah.
01:18:56It's a bit over the top, if you ask me.
01:18:58Um, thanks.
01:18:59Nancy, I'll be in touch if I need anything else.
01:19:11Hey, can you track down Harper Kerr and bring her in for questioning?
01:19:15I also get fingerprints onto that nitro cylinder.
01:19:18Copy that.
01:19:20Thanks.
01:19:46Cheek, mate.
01:20:12Hello, Eva?
01:20:14Eva?
01:20:21Hello?
01:20:23Eva, it's Detective Kristen Sims.
01:20:27I just thought we could have a little chat.
01:20:33Eva?
01:20:44Eva?
01:21:03Need a lift?
01:21:15My heart was raised for such hell
01:21:23But a day didn't come, hell got its fill
01:21:31And my fate keeps screaming like a howling bear
01:21:36My fate keeps screaming like a howling bear
01:21:42It seems that in your haste to leave town, you forgot to pack your favourite book.
01:21:52It's quite a book.
01:21:59Ahead of its time.
01:22:01Putting voice to themes of depression, female sexual liberation.
01:22:08Oh, and not forgetting hatred of one's mother.
01:22:15Those bits get highlights, no less, but do you know what I really wanted to find in here?
01:22:22No.
01:22:25This.
01:22:29Do you recognise your mother's handwriting?
01:22:33I'm not sure.
01:22:34Well, you should.
01:22:35She gave it to you when she gave you a lecture about your sexuality.
01:22:41A truly misguided lecture, to be clear.
01:22:46It's not ringing any bells?
01:22:53Well, someone remembers you got it.
01:23:02She gave it to Eva, one of her many tirades.
01:23:05My mother is such a bitch, right?
01:23:07She shouldn't say this kind of stuff.
01:23:09This is so wrong.
01:23:10It's like she can't hear what I'm saying.
01:23:16Can you talk to her?
01:23:18I can't.
01:23:19It would make things worse, I promise you.
01:23:22She hates who I am.
01:23:25What am I supposed to do?
01:23:28Leave home.
01:23:30Find a place to be yourself.
01:23:35But what about you?
01:23:37Eva.
01:23:43I don't believe this.
01:23:46Your mother is one of those people who will never change their attitude.
01:23:58I had no idea it would go like this.
01:24:06Can you believe Josephine?
01:24:09Yeah.
01:24:14I guess we have her to thank, though.
01:24:19What?
01:24:22Now that mum's gone, there's no one standing in our way.
01:24:29We can be us again, right?
01:24:31I've told you.
01:24:34There is not us.
01:24:37There never was.
01:24:44Deep down, she doesn't mean any of that stuff.
01:24:51Eva, we know a lot of things regarding how you went about it.
01:24:58We know that after you dropped Eva at home, she returned to 416 Tullamore Drive.
01:25:04How do you know?
01:25:05Because Jules Fahey visited your place at the time and states that no one was home.
01:25:10Jules Fahey.
01:25:12Jules Fahey's crazy.
01:25:13Surely you know that by now.
01:25:15But honest to a fault.
01:25:18She was there for half an hour.
01:25:21What if she's mistaken?
01:25:24Don't you think that if Eva was home and she'd seen Jules, she would have said something?
01:25:30Eva didn't see Jules because Eva wasn't there.
01:25:34Half an hour was long enough for Eva to do what she planned.
01:25:38Your father's phone was an easy hack.
01:25:41And don't go ordering pizza for both nights that we're away.
01:25:44Dream of it, love.
01:25:47Using it to manipulate the very vulnerable Jules Fahey.
01:25:52You knew you had limited time before Charles Wadsworth returned to desperately try to seal the deal.
01:26:00And you parked down the road so your car would be unseen by Charles when he returned to lock up.
01:26:08We found Eva's fingerprints on the nitrous bottle.
01:26:12Can you think of any reason that she would have cause to touch that apparatus?
01:26:20No.
01:26:21The apparatus that you so calmly returned the following day.
01:26:26Dad asked me to pick up his laptop.
01:26:29You know where it is?
01:26:31For a while we wondered how you re-entered the house after Charles had locked up, but you didn't need to.
01:26:39Eva, you came back.
01:26:42Yeah.
01:26:44I just wanted to make sure you were okay.
01:26:47It was so weird before.
01:26:49I am. Thank you.
01:26:52God, that woman.
01:26:54So crazy.
01:26:57Poor Eva.
01:26:59You know I hate that outfit.
01:27:02I know.
01:27:03Anyway.
01:27:05You like this place?
01:27:07Yeah.
01:27:10I think this is it, Mum.
01:27:12Isn't it lovely?
01:27:14Yeah.
01:27:17Can you hear that hissing sound?
01:27:20Yeah.
01:27:22Oh.
01:27:23Oh, cool.
01:27:34Hello?
01:27:38Laura?
01:27:42I'm back.
01:27:46How are we feeling?
01:27:53Hello, this is Lyman.
01:27:57Still thinking this is the one?
01:28:04Damn it.
01:28:08Oh, Jules.
01:28:10Jules, Jules, Jules.
01:28:37And from there, it became a case of setting up a suicide.
01:29:07So, when I returned home and Eva was in bed...
01:29:28Your wife was already dead.
01:29:31How was the pub?
01:29:32It was fine.
01:29:33Just stayed for one.
01:29:35Nice.
01:29:41No.
01:29:43Nice.
01:29:57Do you believe that there's one person in this world that is perfect for you?
01:30:02I don't.
01:30:04Well, I found that person.
01:30:10And then my mother.
01:30:12She just had to ruin it.
01:30:16The most amazing thing I had in my life.
01:30:20She had no right.
01:30:22She had no right to do that.
01:30:26So you killed her?
01:30:29Did you kill your mother, Eva?
01:30:31Eva?
01:30:35Eva, I really need you to say it.
01:30:42I'm only 17.
01:30:46I'm only 17, you can't judge me.
01:30:48Is that what you were counting on?
01:30:50Youth court?
01:30:52A family group conference pleading,
01:30:55poor little rich girl read too much Sylvia Plath.
01:30:59Mummy was mean to me and I just had a bad day.
01:31:02Three years out in two.
01:31:04And then I'll be a little older.
01:31:08And Harper will be ready for me.
01:31:15Would you like to go in and be with her?
01:31:19I think that's the hardest question I've ever been asked.
01:31:24As I said, this is highly experimental.
01:31:27If it works well, I'll submit a paper to the Royal College, I suppose.
01:31:32Hardly anything to lose, is there?
01:31:35Don't be like that.
01:31:37Sonny Lyman has left town.
01:31:39Jules is devoid of that distraction.
01:31:42She'll be back in your loving arms as soon as this...
01:31:44this exorcism is complete.
01:31:46I hope for your sake it works.
01:31:48So do I.
01:31:50And if it does, the defamation charges will be dropped.
01:31:53Charles has agreed to do so.
01:31:56Yes, I'll be happy to let that go.
01:31:59It's time to bring her out.
01:32:01All the best, fella.
01:32:05Jules.
01:32:07Jules, hi.
01:32:09Hi, it's me, it's Charles.
01:32:12I'm sorry, I can't talk right now.
01:32:20Is that you, Dennis?
01:32:23Dennis, it's so nice to see you.
01:32:30No way.
01:32:32Oh, dear.
01:32:34Oh, dear.
01:32:36Oh, dear.
01:32:38Oh, dear.
01:32:40Oh, dear.
01:32:41Oh, no.
01:33:10Sweet flesh, honey, tasty and sweet.