Oliver Twist (1948)
Category
🎥
Short filmTranscript
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00:12:20For this abounding provision, O Lord, we thank thee.
00:12:23Amen.
00:12:40Thank you.
00:13:10Thank you.
00:13:40Thank you.
00:14:10Thank you.
00:14:40Thank you.
00:14:52Please, sir, I want some more.
00:14:56What?
00:14:57What?
00:14:58I want some more.
00:15:01I want some more.
00:15:19Ah, good morning, Mr. Bumble, sir.
00:15:21Good morning.
00:15:23I've just taken the measure of the two women that died last night.
00:15:26Coffins are looking up, Mr. Sarver.
00:15:29Ah, thank you.
00:15:31You'll make your fortune, Mr. Sarver.
00:15:33The prices allowed by the board are very small, Mr. Bumble.
00:15:36So are the coffins.
00:15:38Well, well, Mr. Bumble, there's no denying that.
00:15:41But we must have some profit, Mr. Bumble.
00:15:43Oh, just so.
00:15:44By the way, you don't know anybody who wants a boy, do you?
00:15:47We parochial plenties.
00:15:49Liberal terms, Mr. Sarver.
00:15:51Liberal terms.
00:15:53I'll take him.
00:16:00All of them.
00:16:02Yes, sir.
00:16:04Pull that cap off your eyes.
00:16:07And hold your head up, sir.
00:16:13Be good enough to tell Mr. Sarvery that the beadle is here.
00:16:16Oh, pleased to come in, sir.
00:16:21Is that Mr. Sarvery?
00:16:23Yes, sir.
00:16:26Is that you, Mr. Bumble?
00:16:28No one else, Mr. Sarvery.
00:16:30Here, I brought the boy.
00:16:32Ah.
00:16:37So this is the boy, is it?
00:16:39Yes, sir.
00:16:42Who's that?
00:16:44My dear, this is the boy from the workhouse I told you of.
00:16:50He's very small.
00:16:52He is rather small, isn't he?
00:16:54He is small, there's no denying it.
00:16:56But he'll grow, Mr. Sarvery.
00:16:58I daresay he will, on our food and our drink.
00:17:01There, get downstairs, little bag of bones.
00:17:06Charlotte!
00:17:08Yes, ma'am?
00:17:10Give the boy some of the coal bits put by for trip.
00:17:13Yes, ma'am.
00:17:16I suppose you're the new boy, aren't you?
00:17:18Yes, sir.
00:17:22There you are.
00:17:23Oh, thank you, ma'am.
00:17:25On the box, workhouse, on the box.
00:17:37Workers, do you know who I am?
00:17:40Yes, sir.
00:17:42Workers, do you know who I am?
00:17:45No, sir.
00:17:47I'm Mr. Noah Claypole, and you're under me, so don't you forget it.
00:17:52No, sir.
00:17:59Have you done?
00:18:01Yes, ma'am.
00:18:02Then come with me.
00:18:04Come on, get up.
00:18:06Your bed's under the counter. You don't mind, I suppose?
00:18:09No, ma'am.
00:18:10Doesn't much matter whether you do or you don't, for you can't sleep anywhere else.
00:18:15Here, take this.
00:18:19Get in here.
00:18:40Get in here.
00:19:10Get in here.
00:19:29A very good-looking boy, that, my dear.
00:19:32He need be. He eats enough.
00:19:35There's an expression of melancholy in his face, my dear, which is very interesting.
00:19:41Well?
00:19:42He'd make a delightful mute, my love.
00:19:44I don't mean a regular mute to attend grown-up people, my dear, but only for children's practice.
00:19:50Depend upon it. It would have a most superb effect.
00:20:34Come on.
00:20:54Do you want a coffin?
00:20:56I'll fetch the missus.
00:20:58No, no.
00:21:05I want to see the boy.
00:21:09Oh, were this? Is that a job?
00:21:12Who are you?
00:21:14I knew his mother.
00:21:17Nursed her when she died.
00:21:19Died in the workhouse, eh?
00:21:21I haven't got much time.
00:21:23I've got to see him.
00:21:29Missus! Charlotte! Missus!
00:21:34Come in.
00:21:44Come in.
00:21:50How is she this evening?
00:21:52There's much strength left in her.
00:21:54She's troubled in her mind.
00:21:56And when the fits aren't on, and that's not often, she keeps saying she's got something to tell.
00:22:03She wants to see the matron.
00:22:06You'd better fetch her.
00:22:15Come in.
00:22:19Yes?
00:22:21If you please, mistress. Oh, Sally's a-going fast.
00:22:24What's that to me? I can't keep her alive, can I?
00:22:27She says she's got something to tell that you must hear.
00:22:30She'll never die quiet until you come, mistress.
00:22:38Did she say any more, Marta dear?
00:22:40Not a word.
00:22:42Cold tonight, Mrs. Corny.
00:22:44Very cold indeed, sir.
00:22:46If you have to wait long, I shall be surprised.
00:22:49Put the light on the floor. She won't see it there.
00:22:52Good night, sir. Good night.
00:23:00Good night.
00:23:31It won't be long, mistress. None of us have to wait long.
00:23:35It'll come soon enough for us all.
00:23:51Who's that?
00:23:53Who's that?
00:23:55Lie down, dear. Lie down.
00:23:57Who's that? Lie down, dear. Lie down.
00:24:02Come here.
00:24:04Come here.
00:24:11Listen. Yes?
00:24:14In this very room, in this very bed...
00:24:19once must a pretty young creature...
00:24:23she gave birth to a boy...
00:24:26and died.
00:24:28Go on. Yes.
00:24:30They would have treated him better if they'd known it all.
00:24:35Known what?
00:24:37I think...
00:24:39it was the year...
00:24:41Never mind about the year. What about him?
00:24:44Aye, what about him?
00:24:47What about...
00:24:51I know.
00:24:56Turn him away.
00:24:58This is anything.
00:25:00Get out. Get out. Go on. Both of you.
00:25:02Get out. Hurry.
00:25:06Get out.
00:25:11Right. Go on.
00:25:22What?
00:25:27What?
00:25:39Stone dead.
00:25:41What was it, mistress?
00:25:43Nothing. Nothing to tell after all. Nothing.
00:25:46Come on.
00:25:56Can't miss it by the fire, Noah dear.
00:25:58Oliver, shut that door behind Mr. Noah's back.
00:26:04I saved a nice bit of bacon from the master's breakfast for you, Noah dear.
00:26:10Oliver, here's your tea. And take them bits.
00:26:13I want you to mind shop.
00:26:16Julia?
00:26:18Julia, workers.
00:26:28What now? That's your mother.
00:26:32She's dead.
00:26:34What did she die of, workers?
00:26:36They said she died of a broken heart.
00:26:40What's so serious, Neville?
00:26:42Not you.
00:26:44Oh, not me, eh?
00:26:46No, not you. You'd better stop saying things about my mother.
00:26:49Better stop.
00:26:51Workers, don't be impudent.
00:26:55You know, workers,
00:26:57your mother must have been a regular right down badden.
00:27:02What did you say?
00:27:04A regular right down badden.
00:27:09A badden, workers.
00:27:11And it's a great deal better, workers, that she died when she did.
00:27:15Or else she'd have been doing hard labour in Bridewell.
00:27:18Or transported.
00:27:20Or armed, which is more likely than either, isn't it?
00:27:27Oliver!
00:27:29Oliver!
00:27:31He'll murder!
00:27:33He'll murder!
00:27:35He'll murder!
00:27:37He'll murder!
00:27:51No!
00:27:58You little villain, you! I'll kill you!
00:28:08No!
00:28:10Now what?
00:28:14Yes, Mum.
00:28:16Fetch the badle.
00:28:18Fetch the badle.
00:28:35Well, then.
00:28:42Where is this audacious young savage?
00:28:45Let me out! Let me out!
00:28:47Let me out! Let me out!
00:28:53Oliver.
00:28:55Yes?
00:28:57Do you know this here voice, sir?
00:28:59Yes.
00:29:01Ain't you afraid of it, sir?
00:29:03Ain't you a-trembling while I speak, sir?
00:29:06No.
00:29:09Let me out! Let me out!
00:29:11The boy must be mad!
00:29:14It's not madness, ma'am. It's meat.
00:29:17What?
00:29:19Meat, ma'am. Meat.
00:29:21If you'd kept the boy on gruel, this would never have happened.
00:29:24What's the meaning of this?
00:29:26Young Twist has turned vicious, sir.
00:29:29He nearly killed the missus!
00:29:37You're a nice young fella, ain't you?
00:29:39He said things about my mother.
00:29:41By all accounts, she deserved them.
00:29:43That's a lie!
00:29:46Don't spare him, ma'am. Don't spare him.
00:30:05Get up to bed.
00:30:14Get up.
00:30:22He comes from a bad family, sir.
00:30:24Excitable natures, Mrs. Sarvery.
00:30:27That mother of his made her way here against difficulties and pain
00:30:31that would have killed any well-disposed woman weeks before.
00:30:34My parochial apologies, sir.
00:30:43Oh, no.
00:31:13Oh, no.
00:31:43Oh, no.
00:32:13Oh, no.
00:32:4350 kilos, sir. 50 kilos.
00:32:45All right, thank you. Any advance on 50 kilos?
00:32:4720 kilos, sir. 20 kilos did I hear.
00:32:4922. 22 kilos, sir.
00:32:51Any advance on 22? The pass is running out, gentlemen.
00:32:5425 kilos.
00:32:56Too far now.
00:33:13Hey!
00:33:44Come on.
00:33:53Staying in London?
00:33:55Yes.
00:33:57Got any lodgings?
00:33:59No.
00:34:00Money?
00:34:01No.
00:34:02Hungry?
00:34:03Yes.
00:34:05Follow me.
00:34:13Come on.
00:34:43Come on.
00:35:14Come here.
00:35:22Who's the other one?
00:35:24A new pal.
00:35:26Come in.
00:35:30Wait here.
00:35:44Do you want him?
00:35:48Come on in.
00:35:54Here he is, Fagin.
00:35:56My friend Oliver Twist.
00:35:59They're glad to see you, are they?
00:36:01Aren't we, my dears?
00:36:03Yeah.
00:36:05How far have you come?
00:36:07I've been walking for seven days.
00:36:09Walking for seven days?
00:36:11Walking for seven days?
00:36:13Beak's all right.
00:36:15Do you know what a beak is, my dear?
00:36:17A bird's muscle.
00:36:20Sit down, all of you.
00:36:22A beak is a magistrate, my dear.
00:36:25Dodger, take off the sausages.
00:36:27Sit down, Oliver.
00:36:33There are a great many of them, ain't there, my dear?
00:36:36Yes, sir.
00:36:38Get ready for the wash.
00:36:41I hope you've been at work, Dodger.
00:36:43Odd.
00:36:50Good boy. Good boy.
00:36:52And free warps.
00:36:55Ingenious worker, ain't he, Oliver?
00:36:58Very indeed, sir.
00:37:02You'd like to make pocket handkerchiefs as easily as the artful, Dodger, wouldn't you, my dear?
00:37:07Yes, if you teach me, sir.
00:37:09We will, my dear. We will.
00:37:12To work. Terry, Fred.
00:37:37All right.
00:38:08Sit down.
00:38:11Charlie, Dodger.
00:38:37Ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha
00:39:07Oliver... Oliver...
00:39:37Oliver...
00:40:08Oliver...
00:40:25Clever dogs...
00:40:27Clever dogs...
00:40:30Never blow, don't hold fake in...
00:40:41Why are you awake?
00:40:44Speak up, boy, quick!
00:40:46I couldn't sleep any longer, sir.
00:40:48What have you seen?
00:40:49Nothing, sir.
00:40:50You were not awake an hour ago.
00:40:53No, no, indeed, sir.
00:40:55Are you sure?
00:40:56Yes, sir.
00:41:00Churchill, my dear...
00:41:03I only tried to frighten you.
00:41:07Did you see any of those pretty things, dear?
00:41:11Yes, sir.
00:41:14They... they're mine, Oliver.
00:41:18All I have to live on in my old age.
00:41:22They call me a miser.
00:41:26May I get up now, sir?
00:41:28Certainly, dear, certainly.
00:41:37They've gone to work, Oliver.
00:41:39Make them your models.
00:41:41Do everything they bid you do.
00:41:43Take their advice in all things.
00:41:45Especially the artful dodgers.
00:41:47He'll be a great man himself one day and will make you one too.
00:41:51Is my handkerchief hanging out of my pocket, dear?
00:41:54Yes, sir.
00:41:55See if you can take it without my feeling it.
00:42:03Is it gone?
00:42:04Yes.
00:42:05Here it is.
00:42:07Ah, you clever boy.
00:42:09Here's a shilling for you.
00:42:12Oh, thank you, sir.
00:42:14If you go on this way, you'll be the greatest man of the time.
00:42:25He'll do.
00:42:55Stop, thief!
00:43:13Stop, thief!
00:43:26Stop, thief!
00:43:27Stop, thief!
00:43:28Stop, thief!
00:43:29Stop, thief!
00:43:30Stop, thief!
00:43:31Stop, thief!
00:43:32Stop, thief!
00:43:33Stop, thief!
00:43:34Stop, thief!
00:43:35Stop, thief!
00:43:36Stop, thief!
00:43:37Stop, thief!
00:43:38Stop, thief!
00:43:39Stop, thief!
00:43:40Stop, thief!
00:43:41Stop, thief!
00:43:42Stop, thief!
00:43:43Stop, thief!
00:43:44Stop, thief!
00:43:45Stop, thief!
00:43:46Stop, thief!
00:43:47Stop, thief!
00:43:48Stop, thief!
00:43:49Stop, thief!
00:43:50Stop, thief!
00:43:51Stop, thief!
00:43:52Stop, thief!
00:43:53Stop, thief!
00:43:54Stop, thief!
00:43:58Stop, thief!
00:44:18Stop, thief!
00:44:24Stop, thief!
00:44:27Stop, thief!
00:44:47He don't deserve it.
00:44:48That's right.
00:44:49Is this the boy, sir?
00:44:51Yes, I'm afraid it is.
00:44:53Afraid?
00:44:54That's a good one.
00:44:56Poor little fellow.
00:44:57He's hurt himself.
00:44:58I did that, sir.
00:44:59I stopped him.
00:45:00I cut my knuckles against his mouth.
00:45:03Come on, get up.
00:45:05Make way there.
00:45:06Make way.
00:45:09Come on.
00:45:10Don't hurt him, officer.
00:45:11Oh, no, I won't.
00:45:16Hold your noise.
00:45:17Do you want to get grabbed?
00:45:19I can't help it.
00:45:20I can't help it.
00:45:23What a vague insight.
00:45:38Where's Ivor?
00:45:43Where's the boy?
00:45:47What will become of the boy?
00:45:50Speak or I'll throttle you!
00:45:52Let go of me!
00:45:56The traps have got him.
00:45:57And that's all about it.
00:46:09Come on!
00:46:13What's it all about, Fagin?
00:46:15It's lucky the pot didn't hit me or I might have settled someone.
00:46:19Come in, Mr. Sykes.
00:46:21Come in.
00:46:22None of your mistering.
00:46:23You know my name.
00:46:25Come in, you sneaking cur.
00:46:26What are you hanging about there for?
00:46:28Go on, get in, will you?
00:46:32Will you take a drink, Bill?
00:46:34See you don't poison it, neither.
00:46:37Here.
00:46:38What's he been up to?
00:46:41Ill-treated.
00:46:42What's he been up to?
00:46:45Ill-treating the boys again, eh?
00:46:47You avaricious old fence.
00:46:49You seem out of humour, Bill.
00:46:51Yeah, maybe I am.
00:46:54And you seem kind of out of sorts, too.
00:46:57What's in the wind, Fagin?
00:46:58It's a new boy.
00:46:59The traps have got him.
00:47:00Well, what of it?
00:47:01I'm afraid, you see, he may say something that'll get us into trouble.
00:47:05That's very likely.
00:47:07You're blowed upon, Fagin.
00:47:09I'm afraid, you see.
00:47:10If the game was up with us, it might be up with the good many more.
00:47:15And it would come out rather worse for you than it would for me,
00:47:19wouldn't it, my dear?
00:47:25Look here.
00:47:28Somebody ought to go and find out what's going on at the police court.
00:47:35Somebody ought to go there, Fagin.
00:47:41Told you.
00:47:44Surely.
00:48:06At about time, Bill.
00:48:08At about time, too.
00:48:10Ah, Nancy.
00:48:12The very thing.
00:48:13She's a clever girl.
00:48:15Here's to her.
00:48:16Nancy will go, won't you, my dear?
00:48:19Where's?
00:48:20Only just to the police court, my dear.
00:48:22What do you say?
00:48:23But it won't do, Fagin, so it's no use you trying it on.
00:48:26What do you mean by that?
00:48:27Well, what'd I say, Bill?
00:48:28Well, you'd have anyone for it.
00:48:30No one around here knows anything about you.
00:48:32And as I don't want them to neither, it's rather more no than yes with me, Bill.
00:48:36She'll go, Fagin.
00:48:37Oh, no, she won't, Fagin.
00:48:40Oh, yes, she will, Fagin.
00:48:52Yes?
00:48:53Is there a little boy here?
00:48:55Who are you?
00:48:56His sister.
00:48:58You'll have to wait. The case is on now.
00:49:01Now, what is the charge against this boy?
00:49:04Stealing a handkerchief, Your Worship.
00:49:06I'd rather not press the case.
00:49:08Hold your tongue, sir.
00:49:10Are there any witnesses?
00:49:11None, Your Worship.
00:49:14What is your name?
00:49:17What is your name?
00:49:21He's been hurt, and I fear, I really fear he's very ill.
00:49:25Oh, yes, I do.
00:49:27I really fear he's very ill.
00:49:29Oh, yes, I dare say.
00:49:31Come now. None of your tricks here, you young vagabond.
00:49:34What is your name?
00:49:39What's your name?
00:49:47He says his name's Tom White, Your Worship.
00:49:50Very well.
00:49:52Where does he live?
00:49:55Where do you live?
00:49:57Where he can, Your Worship.
00:50:00Please, sir, would I have some water?
00:50:03Stop that nonsense! Don't try and make a fool of me!
00:50:10I'm afraid he really is ill, Your Worship.
00:50:13I know better. Take care he's not gone.
00:50:16Stand away!
00:50:18Thank you very much, sir.
00:50:21How do you propose to deal with the case, sir?
00:50:23Quiet! What's this? Who is this?
00:50:25I keep the bookstore. I saw it all.
00:50:28It was another boy.
00:50:29Why didn't you come before?
00:50:31Couldn't get a soul to mind the shop.
00:50:33Swear the man.
00:50:51They bring him out of the court fainting.
00:50:53He gets in a carriage with this gentleman and they drive off.
00:50:56He'll blow on us, Fagin, for certain!
00:50:59Whistle!
00:51:01Whistle!
00:51:03Whistle!
00:51:05Whistle!
00:51:07Whistle!
00:51:09Whistle!
00:51:11Whistle!
00:51:13Whistle!
00:51:15Whistle!
00:51:17Whistle!
00:51:19Whistle!
00:51:49Whistle!
00:52:19That's the boy, isn't it?
00:52:47That's the boy, is it?
00:52:49It's a boy.
00:52:53Nice-looking boy, isn't he?
00:52:55I don't know.
00:52:57I only know two sorts of boys.
00:53:00Mealy boys and beef-faced boys.
00:53:04And which is he?
00:53:06Mealy.
00:53:08Shh.
00:53:13Good night, Mr. Bedwin.
00:53:15Good night, sir.
00:53:20Is Bedwin in the habit of counting the plate at night?
00:53:27Because if she doesn't find a tablespoon or two missing one sunny morning,
00:53:31I'll be content to eat my head, sir.
00:53:35Don't move.
00:53:37Where does he come from? Who is he? What is he?
00:53:40If that boy doesn't deceive you, my good friend,
00:53:43I'll eat my head and yours, too.
00:53:46We shall see.
00:53:48We will. We will.
00:54:08Where am I?
00:54:10Hush, my dear. You must be very quiet, or you'll be ill again.
00:54:13You've been very, very bad. As bad as bad can be, pretty lie.
00:54:16Lie down again. That's it, dear.
00:54:27There.
00:54:29Oh.
00:54:31Oh.
00:54:38Don't mind me, my dear.
00:54:43It's all over now.
00:54:45I was rather hoarse this morning, Bedwin.
00:54:48I'm afraid I caught cold.
00:54:50Now, how do you feel, my dear?
00:54:53Very happy, sir.
00:54:55Good. Have you given him any nourishment, Bedwin?
00:54:58He's going to have a basin of beautiful, strong broth, sir.
00:55:01A couple of glasses of port wine will do him far more good.
00:55:04Wouldn't they, Tom White?
00:55:06My name's Oliver, sir.
00:55:09Oliver.
00:55:11Oliver White, hm?
00:55:14No, sir. Twist. Oliver Twist.
00:55:18Oh, that's a queer name.
00:55:21What made you tell the magistrate your name was White?
00:55:25I never told him, sir.
00:55:28Some mistake, some mistake, hm?
00:55:33Ah, have your broth, young man.
00:55:36We must get you strong again.
00:55:38And as soon as you're well enough, we must have a little chat.
00:55:42Oh, thank you very much, sir.
00:55:49Fool. Buggler. Liar.
00:55:53Fool. Buggler. Liar.
00:55:56I paid you good money to make an end of the business.
00:55:59One snivelling boy, and you have to lose him.
00:56:03I'm worse off now than if I never set eyes on you.
00:56:06I'm farther still from what should be mine.
00:56:08What do I get? My money back?
00:56:11No, no, my dear. Not that.
00:56:13I'll give you hope.
00:56:15Do you know the workhouse where the boy was born?
00:56:18Of course. I traced him from there.
00:56:20Then you must go back, my dear.
00:56:22You must go back. Listen.
00:56:39Tomorrow, two months, it was done.
00:56:43It seems a age.
00:56:47Are you going to sit there snoring all day?
00:56:50I shall sit here as long as I think proper, ma'am.
00:56:53And though I was not snoring,
00:56:55I shall snore, gape, sneeze, laugh or cry as the humor strikes me,
00:57:00such being my prerogative.
00:57:02Your prerogative.
00:57:04I said the word, ma'am.
00:57:06The prerogative of a man is to command.
00:57:08And what's the prerogative of a woman, in the name of goodness?
00:57:12To obey, ma'am.
00:57:14As your late unfortunate husband should have taught you.
00:57:17And then perhaps he might have been alive now.
00:57:20I wish he were, poor man.
00:57:22Your blood!
00:57:28Cry your hardest, ma'am.
00:57:30It opens the lungs, washes the countenance,
00:57:33exercises the eyes and softens down the temper.
00:57:37So cry away.
00:57:45Out!
00:57:51You screamer!
00:57:56Talk about your prerogative again, if you dare.
00:58:01Get up! Get away from here!
00:58:03Or I might do something desperate.
00:58:06Certainly, my dear. Certainly.
00:58:14Let's go.
00:58:41You were the beadle here once, were you not?
00:58:43I was, Peruvian beadle.
00:58:45What are you now?
00:58:47Boss of the workhouse.
00:58:49Good.
00:58:51Now listen to me.
00:58:53I want some information.
00:59:00Carry your memory back ten years, last winter.
00:59:04The scene, the workhouse, and the time, night.
00:59:07The place, the line, inn.
00:59:11A boy was born.
00:59:13Many boys.
00:59:15He was apprenticed down here to a coffin maker.
00:59:17You mean young Twist? There wasn't a obstinate...
00:59:20It's not of him I want to hear. It's of a woman.
00:59:23The hag that nursed his mother.
00:59:25Where is she?
00:59:27She died last winter.
00:59:32One moment.
00:59:34Yes?
00:59:36There was a woman with her when she died.
00:59:39How can I find her?
00:59:43Only through me.
00:59:45It will be worth her while.
00:59:59What if I've paid you for nothing?
01:00:01You can easily take it away again.
01:00:03I'm a woman here, alone and unprotected.
01:00:05You're not alone, my dear.
01:00:07Nor unprotected, neither.
01:00:09You're a fool. You'd better hold your tongue.
01:00:11He'd better have it cut out if he can't speak in a lower tone.
01:00:17Now, let's hear your story.
01:00:24You were with this hag the night she died?
01:00:26Yes.
01:00:27There was no one by?
01:00:29No. She asked that we should be alone.
01:00:31Get out!
01:00:32Go on.
01:00:33She spoke of a young mother.
01:00:35Aye.
01:00:36Whom she nursed in that same bed.
01:00:38Yes.
01:00:39What of her?
01:00:41I robbed her.
01:00:44She wasn't cold when I stole it.
01:00:47Stole what?
01:00:49It.
01:00:50The only thing she had.
01:00:53Gold.
01:00:54Gold?
01:00:55Go on. What of it?
01:00:57She charged me to keep it safe.
01:01:00Yes?
01:01:01The boy's name?
01:01:03Called him Oliver.
01:01:06Yes.
01:01:07I haven't told you all, have I?
01:01:10No, no. Be quick.
01:01:12She'd run away.
01:01:15Her father.
01:01:16Yes?
01:01:18I was to tell him.
01:01:21To tell him.
01:01:23What were you to tell him?
01:01:26What?
01:01:29What?
01:01:34She said more.
01:01:37You're lying.
01:01:39She never uttered another word.
01:01:42But it was then that it happened.
01:01:45What?
01:01:56A scrap of paper.
01:01:59What was it?
01:02:01What was it?
01:02:03A pawnbroker's ticket.
01:02:05Yes.
01:02:06The time was out in two days, so I redeemed the pledge.
01:02:09Where is it now?
01:02:15There.
01:02:19And this is all?
01:02:21All.
01:02:23And what you expected to get from it?
01:02:27It is.
01:02:31Bless us and save us.
01:02:34Come in and wash your hands and let me do your hair nicely for you, child.
01:02:37Why? What's the matter?
01:02:39Mr. Brown, no one wants to see you, dear.
01:02:41We must make you as smart as sixpence.
01:03:01Come in.
01:03:08Oh, come in, Oliver, come in.
01:03:16Yes, there are a good many books, are there not, my boy?
01:03:20I never saw so many, sir.
01:03:22How would you like to grow up a clever man and write books, eh?
01:03:26I think I'd rather read them, sir.
01:03:29What? Don't you want to be a book writer?
01:03:32I think I'd rather be a bookseller, sir.
01:03:37Well said, my boy, very well said.
01:03:42Now, now, Oliver, I want you to pay great attention to what I'm going to say.
01:03:49You're not going to send me away, sir?
01:03:51No, my dear, I'm not going to send you away unless you give me cause.
01:03:56I'll never do that, sir, never.
01:03:58Good.
01:04:00Somehow I feel that you and I are going to be good friends.
01:04:05Oh, thank you, sir.
01:04:07I trust you, Oliver.
01:04:09And I find myself more interested in your behalf than I can well account for.
01:04:14Even to myself.
01:04:17Are you fond of pictures, Oliver?
01:04:20I don't quite know, sir.
01:04:27Now that is a portrait, a likeness.
01:04:33She's very pretty, sir.
01:04:36Yes, she is.
01:04:39Any muffins for tea?
01:04:42Hello. What's that?
01:04:44It's a young Oliver Twist.
01:04:46You don't mean to say that's the boy who had the fever, I hope?
01:04:49That's all over now. Come and speak to my young friend.
01:04:53How are you, boy?
01:04:55A great deal better, thank you, sir.
01:04:58I'm fine, thank you.
01:05:00I'm fine, thank you.
01:05:02I'm fine, thank you.
01:05:04I'm fine, thank you.
01:05:06How are you, boy?
01:05:07A great deal better, thank you, sir.
01:05:10And when are we going to hear an account of his history, eh, my friend?
01:05:15I think we'll have our tea first, eh, Oliver?
01:05:17Oh, is that the bookseller?
01:05:18Yes, sir.
01:05:19Well, stop the boy. There are some to go back.
01:05:21He's gone, sir.
01:05:22Oh, dear me. I particularly wanted to return some tonight.
01:05:25Send Oliver with them.
01:05:27He'll be sure to deliver them safely, you know.
01:05:30Yes, do let me go, sir. I'll run all the way.
01:05:36You shall go, my boy.
01:05:37The books are on the chair by my table.
01:05:39Fetch them down.
01:05:45Let me see here.
01:05:47He'll be back in 20 minutes at the longest.
01:05:50Ah, so you really expect him to come back, do you?
01:05:53Why, don't you?
01:05:54No, I do not.
01:05:56The boy has a new suit of clothes on his back,
01:05:58a set of valuable books under his arm,
01:06:00and a five-pound note in his pocket.
01:06:02If ever that boy returns to this house, sir, I'll eat my head.
01:06:06Oh.
01:06:15There.
01:06:19Good night, dear.
01:06:33Oliver!
01:06:36Oliver, Oliver, oh, you naughty boy!
01:06:39Oh!
01:06:40Oh, my dear little brother, I found him.
01:06:42Thank goodness, gracious heavens, I found him.
01:06:44Let go of me.
01:06:45You cruel boy. Come home directly.
01:06:47What's the matter, ma'am?
01:06:48He ran away near a month ago from his parents.
01:06:50Hard-working, respectable people.
01:06:52Why didn't you?
01:06:53He went and joined a set of thieves and bad characters
01:06:55and nearly broke his mother's heart.
01:06:57You little rat.
01:06:58I'll get you for this.
01:07:00He nearly broke his mother's heart.
01:07:01You little wretch.
01:07:02I'm not. I haven't got a mother.
01:07:04Go home, you little brute.
01:07:05I live in Fentonville.
01:07:07Oh, listen how he braves it out.
01:07:09Come home to your mother, will you, you young dog?
01:07:11I don't know them. I don't belong to them.
01:07:13What's this? He's been stealing again.
01:07:16Oh, no, Bill. Come on.
01:07:18That's the only way to bring him to his senses.
01:07:20You're right. You and good.
01:07:22Yeah, you get it, too.
01:07:24Come on, you young villain.
01:07:30Come on.
01:08:01Dog! Dog! Dog! Dog!
01:08:08Frankie! Georgia! Look!
01:08:30All right. Let's have a glimpse.
01:09:01Delighted to see you looking so well, my dear.
01:09:08Why didn't you write and say you was coming?
01:09:11We'd have got something hot for supper.
01:09:18What's that?
01:09:20That's mine.
01:09:22It's yours.
01:09:24It's mine.
01:09:26It's mine.
01:09:29That's mine, Fagin.
01:09:31No, no, my dear. Mine, Bill. Mine.
01:09:33You shall have the books.
01:09:35If that ain't mine, mine and Nancy, that is,
01:09:37I'll take the boy back again.
01:09:39Now, come on. Hand over, will you?
01:09:41Where is it?
01:09:43This is hardly fair, Bill. Hardly fair, is it, Nancy?
01:09:45Fair or not fair, give it here, you avaricious old skeleton.
01:09:49Give it.
01:09:52Take the books, if you're fond of reading,
01:09:54and if you ain't, sell them.
01:09:57Help! Help!
01:09:59Bull's-eye!
01:10:01Leave him in that, Bill. He'll tear the boy to pieces.
01:10:03I'll be right.
01:10:05No, you won't.
01:10:07You'll stand off of me, or I'll split your head in two.
01:10:09I don't care! I don't care!
01:10:11Shit!
01:10:13What's the matter here?
01:10:15The girl's gone mad.
01:10:17No, she ain't, Fagin. No, she ain't.
01:10:19Don't think it.
01:10:21Then keep quiet, will you?
01:10:23No. I won't do that, neither.
01:10:25What do you think of that?
01:10:35So you wanted to get away, my dear.
01:10:37Did you, eh?
01:10:39Yes.
01:10:41Wanted to get assistance?
01:10:43Called for the police?
01:10:45Did you?
01:10:47We'll soon cure you of that, my young master.
01:10:49Don't say it! Don't say it!
01:10:51You've got the boy. What more do you want?
01:10:53Let him be!
01:10:55Let him be, or I'll put that mark on some of you
01:10:57that'll send me to the gallows before me time.
01:10:59Why, Nancy, you're more clever than ever tonight.
01:11:01Ha-ha! You're acting beautiful, dear.
01:11:03Am I?
01:11:05Then take care I don't overdo it.
01:11:07You'll be the first to know.
01:11:09Take care I don't overdo it.
01:11:11You'll be the worst for it, Fagin, if I do.
01:11:13What do you mean by this?
01:11:15You're a nice one, a pretty subject
01:11:17for the boy to make a friend of.
01:11:19So help me, I am.
01:11:21I wish I'd been struck dead in the street
01:11:23before lending a hand to bring him here.
01:11:25He's a thief, a liar, a devil,
01:11:27and all that's bad from this night on.
01:11:29Isn't that enough of the old rich without blows?
01:11:31Come, come, Sykes. We must have civil words.
01:11:33Civil words, Bill.
01:11:35Civil words, civil words, you villain.
01:11:37Yes, you deserve them from me.
01:11:39I thief for you when I was a child,
01:11:41not half his age.
01:11:43And I thief for you ever since.
01:11:45Don't you know it?
01:11:47And if you have, it is your living.
01:11:49Aye, it is.
01:11:51It is my living.
01:11:53And the cold, wet,
01:11:55dirty streets are my own.
01:11:57And you're the wretch
01:11:59that drove me to them long ago.
01:12:01And that'll keep me there
01:12:03day and night.
01:12:05And that's enough of you.
01:12:07Say much more.
01:12:09No.
01:12:11No.
01:12:13No.
01:12:15No.
01:12:17No.
01:12:19No.
01:12:21Bill?
01:12:51That's the worst of having to deal with women, my dears,
01:12:53but they're clever, and we can't get on in our line without them.
01:12:55Dodger, show her over to bed.
01:12:57He hadn't better wear his best suit tomorrow, had he, Faye?
01:12:59Certainly not.
01:13:01The Dodger shall give you another suit, my dear,
01:13:03for fear that Sunday one shall get stolen.
01:13:05Ha, ha, ha!
01:13:21Well, Mrs. Bedwin?
01:13:23I'm afraid he's lost his way, sir.
01:13:25You mean he never went there, eh?
01:13:27There you are.
01:13:29The boy's an imposter.
01:13:31It can't be. It can't be.
01:13:33What do you mean, it can't be?
01:13:35You old women never believe anything
01:13:37but quack doctors and lying storybooks.
01:13:39He was a dear,
01:13:41grateful, gentle child, sir.
01:13:43I know what children are, and have done these 40 years.
01:13:45And people who come to me
01:13:47and say,
01:13:49I've done these 40 years,
01:13:51and people who can't say the same
01:13:53shouldn't say anything about them.
01:13:55That's my opinion.
01:13:57That'll be all, Bedwin.
01:14:11Well?
01:14:13I'll take the liberty, if you'll allow me,
01:14:15of helping us both to a glass of sherry.
01:14:43Songs.
01:15:01Truly warned of the truth of wise say
01:15:09And we shall prove it in any way
01:15:12In this delta great of night
01:15:17On Camberwell green are the sunlit eyes
01:15:22On Camberwell green are the sunlit eyes
01:15:28Now in the dark you're sure to meet
01:15:31With gnarly girls from all over the world
01:15:34And once you're real close, close we'll steer
01:15:37And whisper softly
01:15:40Good night my dear
01:15:42They'll call you dear, they'll call you love
01:15:45They'll treat you too like a turtle dove
01:15:49But they'll diddle you out of your casual robe
01:15:53On Camberwell green are the sunlit eyes
01:16:01Lie down will you, you stupid brute
01:16:04Don't you know the devil when he's got a great coat on
01:16:09Ah, Nancy
01:16:11Well?
01:16:12Well my dear, it's about the crib at Chertsey
01:16:16Well what about it?
01:16:17You know what I mean my dear, he knows what I mean Nancy, don't he?
01:16:20No we don't
01:16:22And don't stand there talking to me and Ince
01:16:25As though you weren't the first one thought about the robbery
01:16:28Shh, somebody will hear us
01:16:30Well let them hear, I don't care
01:16:32There there my dear, it was only my caution, nothing more
01:16:36Now Bill, I've got the boy, you can...
01:16:41What's the matter?
01:16:42I didn't know whether she might be out of sorts as she was before
01:16:46Go on Fagin, tell him it's Oliver
01:16:48You're a clever one my dear, the sharpest girl I ever saw
01:16:52It was about Oliver I was going to speak
01:16:55Him?
01:16:56Yes Bill, it's time he began to earn his bread
01:16:58Besides the others are all too big
01:17:01He's about the size I want
01:17:03And will do everything you want if you frighten him enough
01:17:06When's it to be done?
01:17:08Ah, to be sure
01:17:10When is it to be done eh?
01:17:19Tomorrow night
01:17:20Good, it's all arranged about bringing off the swag
01:17:24It's all planned, now you hold your tongue and keep your melting pot ready
01:17:28That's all you have to do
01:17:30Now leave us alone will you?
01:17:33We're down to do what I say
01:17:37And we shall prove it in any way
01:17:42You know yourself to take a side
01:17:47Or there would be no outstanding right
01:17:52Or there would be no outstanding right
01:18:03Hooray!
01:18:14What's the news?
01:18:15Great, so is mine
01:18:17May I introduce to you a charming young singer
01:18:20Who's never appeared in public before
01:18:23Miss Lucy Willow
01:18:27This morning early, my melody was such
01:18:33I in my tea took brandy
01:18:37And I took a drop too much
01:18:49But stop, I must not wag my head
01:18:52I must not wag my head
01:18:54My head aches if you please
01:18:57A pinch of Irish flagon
01:19:01I'll take to give me ease
01:19:07This is the only proof of the boy's identity
01:19:10So I've got the young devil's money at last
01:19:13Now you can do what you like with him
01:19:15Get him hauled up for some felony
01:19:17Drag him through every jail in town
01:19:19It's not easy to train him to the business
01:19:21That's your affair
01:19:22If it's not likely mine
01:19:25But if the worst should come to the worst
01:19:28It's no fault of mine, mind that, Fagin
01:19:30I had no hand in this
01:19:47In a mood for crying
01:19:50Care's a silly car
01:19:53If to get past you're trying
01:19:57Then my way's to lie
01:20:07Get out!
01:20:09Get out!
01:20:16My old pal and me goes inviting
01:20:20Like all the neighbourhood fans
01:20:25Oh yes, one with him
01:20:27Then yes, one with me
01:20:29Then we comes to play
01:20:35He ain't got nowhere to stop
01:20:39He likes his bra up to the block
01:20:44But if you hear him all over the shop
01:20:48Cause he don't know where he's gone
01:20:53Look at the drunkards of London
01:20:57Flying all over the place
01:21:02There isn't a doubt
01:21:04It's a lovely look out for the human race
01:21:11He ain't got nowhere to stop
01:21:17He likes his bra up to the block
01:21:22But if you hear him all over the shop
01:21:26Cause he don't know where he's gone
01:21:40Are you awake?
01:21:43What's the matter?
01:21:44Listen carefully, my dear
01:21:46I want you to do a piece of work for me that needs great care and caution
01:21:50What is it?
01:21:51I want you to dodge a woman
01:21:53I won't do that, I won't
01:21:56What do you want me to dodge her for?
01:21:58Not to do anything
01:22:01But to tell me where she goes
01:22:03Who she sees
01:22:05And what she says
01:22:06And to bring back all the information you can
01:22:10Who is she?
01:22:12One of us
01:22:18What will you give me?
01:22:21If you do it well, my dear
01:22:23A guinea
01:22:26One guinea
01:22:28And that's what I never gave you for such a pleasant piece of work
01:22:51Barclays for me, Bill
01:22:54Here
01:22:55The perswider
01:22:57I got it
01:22:58Ciscrite, keys, centre bits, darlings
01:23:01Nothing forgotten
01:23:03You take the crowbar
01:23:15Take heed, he's a rough man
01:23:19Mind
01:23:23What's that?
01:23:24The boy
01:23:25Oh
01:23:26What a mess to fake it's, lads
01:23:32It's cold, Nancy dear
01:23:34It seems to go right through one
01:23:36It must be a piercer to find its way through your heart
01:23:40Come here, young'un
01:23:43Come here
01:23:45Do you know what this is?
01:23:47Yes, sir
01:23:48Well, if you speak a word when we're outside
01:23:51You'll get a bullet through your head without warning
01:23:54So if you do make up your mind to talk
01:23:57You'd better say your prayers first
01:24:01Now then, look sharp
01:24:03We're late as it is
01:24:07Come on
01:24:14Come on
01:24:44Come on
01:25:14Come on
01:25:45Come on
01:25:47Come on
01:26:13Sir
01:26:14You come in consequence of having seen my advertisement?
01:26:17Not here, sir. I'm afraid to speak
01:26:20Down the steps
01:26:31Why do you bring me to this dark and dismal place?
01:26:34Because there are those who would surely murder me if they knew I was here tonight
01:26:38Young woman, if you have any intelligence of this poor child
01:26:42In heaven's name, put me in possession of it
01:26:47Do you know a man named Monks?
01:26:49Monks? What do you know of this man?
01:26:53Oh, before I tell you, sir
01:26:55Have I your promise that my secret will be strictly kept?
01:26:58I'll not turn on the others because, bad as they are, they never turn on me
01:27:02Have I your promise for that?
01:27:04You have
01:27:06And nobody will ever learn how you know what you do?
01:27:09Never
01:27:13Some time ago, soon after Oliver was taken from your house in Pentonville
01:27:18I saw this man, Monks, for the first time
01:27:21And the other day, I saw him again
01:27:23He came to a place I never called
01:27:42There, take care of that, and do the most you can with it
01:27:45It's been trouble enough to get
01:28:13What are you looking at me like that for?
01:28:19He's gone mad
01:28:21I've got that to tell you will make you worse than me
01:28:25Aye?
01:28:26A look sharp or Nance will think I'm lost
01:28:28Lost?
01:28:29She's pretty well settled that in her own mind already
01:28:33Open your mouth and say what you've got to say in plain words
01:28:37Suppose that lad that's lying there
01:28:39Suppose that lad that's lying there
01:28:41Well?
01:28:42Suppose that lad was to peach, to blow upon us all
01:28:45First stealing out at night to find the right folks for the purpose
01:28:49Then having a meeting with them in the streets
01:28:51Not grabbed, trapped, tried and brought to it on bread and water
01:28:56But if his own fancy do you hear me, suppose he did this, what then?
01:28:59What then? I'd smash his head in
01:29:01What if I did it, I that know so much and could hang so many besides meself?
01:29:06I'd beat your brains out
01:29:08You would?
01:29:09Charley
01:29:10If it was Charley or the Dodger or...
01:29:13No matter who, I'd do the same
01:29:25Dodger, Dodger
01:29:29Poor lad, he's tired
01:29:34Tired with watching for her so long
01:29:38With watching for her, Bill
01:29:44What do you mean?
01:29:46Dodger, Dodger
01:29:49Tell me that again, once again, just for him to hear
01:29:53Tell you what?
01:29:54That about Nancy
01:29:59What about her?
01:30:00You followed her?
01:30:01Yes
01:30:02To London Bridge?
01:30:04Yes
01:30:05Where she met a gentleman?
01:30:06So she did
01:30:07A gentleman she'd gone to of her own accord who asked her to give up her pals, which she did
01:30:12Well, she...
01:30:13She did all this
01:30:14She told it all, every word, without a threat, without a murmur
01:30:18She did, did she not?
01:30:20All right, that's just about what it was
01:30:23What did she say about the boy?
01:30:25I told you that before
01:30:26Again, tell it again
01:30:28Well, he asked her why she hadn't brought Nolly with her
01:30:33Why, why, tell him that
01:30:36Because he'd got her on a job, with him
01:30:39More of him, tell him that, tell him that
01:30:42Why, that she'd bring him to London Bridge tomorrow, midday
01:30:47Yes, why?
01:30:50Because he'd be asleep
01:30:52She made me laugh when she said it
01:30:54Said what?
01:30:56That she was going to give him a drink loaded
01:31:01Let me out of here
01:31:06Bill, Bill
01:31:16Bill
01:31:17Don't speak to me, it's not safe
01:31:19You won't be
01:31:20Let me out
01:31:21You won't be too violent, Bill
01:31:23I mean not too violent for safety
01:31:35Get up
01:31:57Get up
01:32:02How it's you, Bill
01:32:05Get up
01:32:10There's light enough for what I've got to do
01:32:13Why are you looking at me like that?
01:32:20Oh no, no, no
01:32:23Bill, Bill, Bill
01:32:26Speak to me, what have I done?
01:32:29You were watched tonight
01:32:31Every single word you said was heard
01:32:38Oh, I've been true to you, upon my soul I have
01:32:42Give me time, a little
01:32:58Bill
01:33:28Oh, oh, oh
01:33:58Bill
01:34:28Bill
01:34:58Bill
01:35:29Bill
01:35:31Bill
01:35:33You lied, Bill
01:35:35I didn't tell
01:35:38He deceived you
01:35:40He deceived you
01:35:42He deceived you
01:35:45She told on all her pals
01:35:48Not brought to it on bread and water
01:35:52But of her own fancy
01:35:54She did, she did, she did
01:35:58She did
01:36:08My Bill
01:36:22My Bill
01:36:28My Bill
01:36:58Bill
01:37:00Bill
01:37:02Bill
01:37:03Bill
01:37:04Bill
01:37:28Bill
01:37:46Murder, brutal murder
01:37:49Murder, brutal murder
01:37:52In the early hours of this morning
01:37:55A young woman was brutally beaten to death
01:37:58By one William Sykes
01:38:02If any person or persons
01:38:26I first met this girl at London Bridge
01:38:29I went there in response to an anonymous letter
01:38:33I promised not to reveal the names of her associates
01:38:37But in face of this terrible crime
01:38:39I no longer consider that promise binding
01:38:56My Bill
01:39:17Lock the door on the outside and come when I ring
01:39:20Yes, sir
01:39:22Where is my grandson?
01:39:24I warn you that every word
01:39:26That passed between you and your criminal associates
01:39:29Is known to me
01:39:30Is this a trick to deprive me of my inheritance?
01:39:32You have no inheritance
01:39:34For as you know my daughter had a child
01:39:36And it was you who for your own gain
01:39:38Surpassed the only proofs of his birth and parentage
01:39:41You can prove nothing
01:39:42Your daughter ran away and was never heard of again
01:39:44Coward, liar
01:39:46Where is Oliver Trish?
01:39:48I know nothing of him
01:39:50We shall see
01:39:55Sit down
01:40:11How do you do, sir?
01:40:13I hope you are well
01:40:18Take him away
01:40:19Idiot
01:40:24It only remains for me to tell you
01:40:26That neither of you will ever be employed
01:40:28In a position of trust again
01:40:30You may go
01:40:32Fool
01:40:38I hope, sir
01:40:39That this unfortunate little circumstance
01:40:41Will not deprive me of my parochial office
01:40:44Indeed it will
01:40:45And think yourself well off besides
01:40:48It was all Mrs. Bumble
01:40:50She would do it
01:40:51That is no excuse
01:40:52You were present at the sale of the locket
01:40:54And indeed are the more guilty of the two
01:40:56In the eye of the law
01:40:57For the law supposes that your wife
01:40:59Acts under your direction
01:41:01If the law supposes that
01:41:03Then the law is a ass
01:41:05A idiot
01:41:10If that's the eye of the law
01:41:12Then the law is a bachelor
01:41:14And the worst I wish the law is
01:41:16That his eye may be opened by experience
01:41:19By experience
01:41:22Come on
01:41:42It's Charlie
01:41:48It's all up
01:41:49What's the matter?
01:41:50They've got scouts out everywhere
01:41:55Now, what's the news?
01:41:57They've nabbed Monks
01:42:00And Sykes?
01:42:01What about him?
01:42:02They say he'll be took tonight
01:42:04They're looking for his dog
01:42:08Fool
01:42:20Come here, will ya?
01:42:50What's the matter?
01:43:21There
01:43:34Take him away
01:43:44The dog
01:43:45Follow the dog
01:43:50Follow the dog
01:44:11What's happened?
01:44:12It's the dog
01:44:13They've got his dog
01:44:14Yes
01:44:21Come on
01:44:33Don't leave us in the dark
01:44:50Who is it?
01:45:21What are you going to do?
01:45:23Sell me or let me lie here till the hunt's over?
01:45:26We're in this together, Fagin
01:45:29Lock up
01:45:50Come on
01:46:21Get me a drink
01:46:30Get me a drink, will ya?
01:46:34Wagon
01:46:50Blast you, can't you say something?
01:47:21Don't you know me, Dodger?
01:47:26Don't come near me
01:47:29I'm not afraid of him
01:47:31If they come here, I'll give him up
01:47:33I will
01:47:34You what?
01:47:51Come here
01:47:52Get back
01:48:21What?
01:48:22They're here
01:48:37Get that table, will ya?
01:48:50Help! Help! He's here! Help!
01:49:12In the king's name!
01:49:20They've gone out over the roof
01:49:24I'll teach you yet!
01:49:38Darren
01:49:39You're coming with me
01:49:41Get me a rope
01:49:42Come here
01:49:51Leave!
01:49:52Leave!
01:50:12Don't go without me!
01:50:20What right have you to butcher me?
01:50:50Get close to me, young'un.
01:50:58He's a vagabond.
01:51:02He's a vagabond.
01:51:05He's got vague hair.
01:51:07He's got vague hair.
01:51:09You're on the stick!
01:51:40You're on!
01:51:42Hooray!
01:51:45Hooray!
01:52:08Strike!
01:52:12Hooray!
01:52:14Hooray!
01:52:16Hooray!
01:52:18Hooray!
01:52:20Get it around!
01:52:23Get that rubber on!
01:52:29Fifty pounds from a man who rescues the boy!
01:52:35Get it around!
01:52:42Get it around!
01:52:48Help!
01:52:50Help!
01:53:13We've got the boy, sir.
01:53:15I've got the boy!
01:53:42He's come back, sir.
01:54:09I knew he would.
01:54:40Hooray!
01:54:42Hooray!
01:54:44Hooray!
01:55:09Hooray!