C.O.M.O. L.A. V.I.D.A. M.I.S.M.A. -Capitulo 246 - LAT Channel
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00:00 I was looking at the chat of my schoolmates,
00:03 from the 7th grade.
00:05 We all have the same age, obviously,
00:07 and we're going through the same thing as our dads.
00:10 They're all like, "Oh, diabetes, hypertension,
00:13 "the cataract, the cramp, almost everything."
00:17 It's coming, man, it's coming.
00:19 But patience, patience.
00:21 Your friend will always be there to take care of you,
00:24 to support you, when you have any problem.
00:26 Now, with your dad's problem,
00:28 he's going to be helping you,
00:30 pulling you up, man.
00:32 What do you think?
00:33 Without disrespect, I appreciate your help,
00:36 but I don't know if you're the person
00:39 I'd like to have by my side right now.
00:42 I'm sorry.
00:43 I'm the one who should be thanking you.
00:45 If you want someone to give you a kiss,
00:48 a little hug, I'll give you a kiss.
00:50 No, if I had the chance,
00:53 I'd have it with me.
00:55 And not just for your affection, but also for your words,
00:58 your laughter, your smile.
01:01 I miss you so much.
01:03 So much.
01:04 I'd love to hold your hand right now.
01:07 A toast to Bea, then.
01:09 To Bea.
01:10 And to think that my baby, Katy,
01:12 thought your relationship was a passing thing.
01:15 That's it.
01:16 That's what she always said to me, "It won't last."
01:18 And why?
01:19 Why does the comadre always have to be out of the text?
01:22 I mean, my thing with Bea wasn't a whim,
01:25 it was love for the good.
01:27 And I'm going to confess something,
01:28 I'll take care of my words.
01:30 Sole has always been someone important to me,
01:33 she always has a place in my heart.
01:36 But now I feel like
01:39 Bea is the love of my life.
01:41 What a cutie!
01:45 Hey.
01:50 I won't be embarrassing you.
01:52 Maybe I should give you the pleasure,
01:54 give you the pleasure,
01:55 throw you in the pool, just do it.
01:57 No, no, no, get out of there.
01:59 Get out of there, run, run, run.
02:01 Get out of there, get out of there, compadre, no, no.
02:04 Listen to me, no.
02:05 What, do you want to end up like Al Pacino?
02:07 No, compadre.
02:09 Look, imagine you going to the children's empowerment meeting,
02:12 on Kindle,
02:13 and you sit in one of those little chairs,
02:15 little, 60 years old.
02:17 Who wants to be your brain?
02:18 Me, me.
02:19 And you?
02:20 The moral grandfather, the moral grandfather.
02:22 No, no, if that's not what you want, obviously not, but...
02:26 But my dad was right too.
02:28 When there is love,
02:29 you have to play with it too.
02:32 Compadre, are you really considering it?
02:35 What does it mean?
02:38 No, I don't know, I don't know.
02:40 No, no, no, no, no, no.
02:41 It doesn't have...
02:43 Why do you always give her the pleasure, compadre?
02:46 I mean, if she wants you to go with a wig,
02:48 you're going to put on a wig.
02:49 If she wants you to put on a boot, you're going to put on a boot.
02:51 No, well, not because she owns the land and wants to have a little tree,
02:55 you're going to give her the seed.
02:57 No, no, no, no, no, no.
02:58 You're going to the point with the arguments, compadre.
03:01 I mean, forgive me,
03:02 but you can't put at the same height
03:04 the genuine wishes of the Bea to be a mother
03:06 with a silly girl like you,
03:08 wanting to change images,
03:09 I don't know, to get your nose painted.
03:10 What a silly girl.
03:11 It's not the same.
03:12 But you can't do it for her,
03:14 because she has to do it for you.
03:15 Let's see, if I really
03:17 see you wanting to have a child,
03:19 look, I support you,
03:20 because I know you,
03:21 and I know you would do anything to keep that child
03:24 and to get energy everywhere.
03:26 But if you're doing it
03:28 so that she doesn't leave,
03:30 no, compadre.
03:31 There I'm going to say it, as a friend,
03:33 as an almost relative, compadre,
03:36 that you are sweeping her half and half.
03:39 [Music]
03:48 Don't play dumb, Alonso.
03:49 We all know you're messing with your ex.
03:51 So please stop lying
03:53 and stop playing with my mom's feelings.
03:55 Carol, please.
03:57 Admit it, Alonso.
03:58 We saw you in a video singing happy with your ex,
04:01 with your perfect family,
04:02 and then come here to cry.
04:03 For what? With what face?
04:04 Carol, please, I'm asking you.
04:06 Assume it.
04:07 Assume you're playing two sides
04:08 between your ex and my mom.
04:09 Carol, enough, enough, enough.
04:11 Come on, wait.
04:13 Let me talk to Alonso.
04:15 [Sighs]
04:16 I'm not going back with Octavia.
04:20 Everything Carol said is a lie.
04:22 Alonso, I don't care.
04:23 I don't need to talk about this.
04:24 Please, no.
04:25 I need to talk about this and I need you to leave.
04:27 I'm not going to leave
04:28 until you understand that I'm not going back with Octavia.
04:30 How can I want to go back with her
04:31 if the only person I care about is you?
04:33 [Music]
04:40 Romy, I swear I tried, I tried,
04:42 I put effort to get this family through,
04:43 but I couldn't.
04:44 You deserved something better.
04:45 You were a tremendous person, a tremendous woman.
04:47 But please let me explain.
04:48 I don't want to hear you.
04:49 I don't want your explanations.
04:50 I don't want your pity.
04:51 No, it's not pity, Romina.
04:52 So what is it?
04:53 I don't want to hear you anymore.
04:54 Caco, I don't want to hear it anymore.
04:55 I've heard it a thousand times.
04:56 What?
04:57 Are you sure I don't deserve it?
04:58 That you want this?
04:59 I've heard it a thousand times.
05:00 That you want this family?
05:01 That you're sure this is what you want?
05:03 Do you know what's going on?
05:04 I don't understand you.
05:05 You're an unconscious and you're a selfish.
05:06 You think of yourself and no one else but yourself.
05:08 How can't you realize?
05:09 I'm very clear that this is all my fault.
05:10 No, it's my fault, you know?
05:11 For not realizing, for believing you,
05:12 the lies you tell me.
05:13 But you know what?
05:14 The only thing I'm asking you, Caco,
05:15 is that you please leave me alone
05:16 to take care of my daughter.
05:17 Of what's going to happen to her
05:18 now that this castle of naipes
05:19 you built in her head is collapsing.
05:20 It's a fantasy.
05:21 No, that wasn't what I said.
05:22 What do you mean it wasn't what you said?
05:23 Let's see, so what was it?
05:24 Why are you fighting?
05:25 I don't want to hear it anymore.
05:26 I don't want to hear it anymore.
05:27 I don't want to hear it anymore.
05:28 I don't want to hear it anymore.
05:29 I don't want to hear it anymore.
05:30 I don't want to hear it anymore.
05:45 I don't want to hear it anymore.
06:06 I don't want to hear it anymore.
06:26 I don't want to hear it anymore.
06:48 I don't want to hear it anymore.
07:16 I don't want to hear it anymore.
07:17 I don't want to hear it anymore.
07:18 I don't want to hear it anymore.
07:19 I don't want to hear it anymore.
07:20 I don't want to hear it anymore.
07:21 I don't want to hear it anymore.
07:22 I don't want to hear it anymore.
07:23 I don't want to hear it anymore.
07:24 I don't want to hear it anymore.
07:25 I don't want to hear it anymore.
07:26 I don't want to hear it anymore.
07:27 I don't want to hear it anymore.
07:28 I don't want to hear it anymore.
07:29 I don't want to hear it anymore.
07:30 I don't want to hear it anymore.
07:31 I don't want to hear it anymore.
07:32 I don't want to hear it anymore.
07:33 I don't want to hear it anymore.
07:34 I don't want to hear it anymore.
07:35 I don't want to hear it anymore.
07:37 I don't want to hear it anymore.
07:38 I don't want to hear it anymore.
07:39 I don't want to hear it anymore.
07:40 I don't want to hear it anymore.
07:41 I don't want to hear it anymore.
07:42 I don't want to hear it anymore.
07:43 I don't want to hear it anymore.
07:44 I don't want to hear it anymore.
07:45 I don't want to hear it anymore.
07:46 I don't want to hear it anymore.
07:47 I don't want to hear it anymore.
07:48 I don't want to hear it anymore.
07:49 I don't want to hear it anymore.
07:50 I don't want to hear it anymore.
07:51 I don't want to hear it anymore.
07:52 I don't want to hear it anymore.
07:53 I don't want to hear it anymore.
07:54 I don't want to hear it anymore.
07:55 I don't want to hear it anymore.
07:56 I don't want to hear it anymore.
07:58 No.
07:59 No.
08:00 No.
08:01 I'm going to call the doctor now.
08:07 Tiago, please answer the phone.
08:16 I know I communicated badly.
08:18 I had to communicate.
08:20 It wasn't the way.
08:23 But please.
08:24 I love you.
08:26 Let's talk.
08:27 It's no use choosing.
08:29 Yes, come in.
08:35 Chuta, shouldn't you be sleeping?
08:38 Yes, I should.
08:39 So what happened?
08:40 Esperanza doesn't let you sleep?
08:41 No, Esperanza is fine.
08:42 Alonso, José.
08:43 Alonso is downstairs and to make matters worse,
08:44 he's making my mom go through it like a whore.
08:46 Alonso?
08:48 Hey, honey.
08:51 What are you doing awake at this time?
08:55 Because they were arguing and yelling.
09:00 No, no, honey.
09:01 We were talking about big things,
09:02 not just with mom.
09:03 Look, let's do one thing.
09:05 Why don't you go to bed on your bed
09:06 and I'll go to bed with you?
09:08 Okay?
09:09 That's it.
09:10 Go to bed with her.
09:11 Come on.
09:12 Maybe I can sleep with her
09:16 and we'll continue tomorrow with the conversation.
09:18 What conversation, Taco?
09:20 What conversation?
09:21 We have nothing else to talk about.
09:22 I'm going to sleep with Sofia now
09:23 and tomorrow, first thing in the morning,
09:24 we're going to my mom's house.
09:25 No, but how are you going to go?
09:26 This is your house and Sofia's.
09:28 Oh, yes, it's my house.
09:29 I told you a thousand times, Taco,
09:30 that I can't pay for this house.
09:31 What do you want me to do?
09:32 No, but...
09:33 Do you want me to stay here?
09:34 No, I promised my daughter that this was her home
09:35 and I'm going to be responsible.
09:36 Yes, yes.
09:37 How have you taken care of all the promises
09:38 you've made lately?
09:39 Because you're good at promising,
09:40 promising, promising things
09:41 and never keep them.
09:42 And that makes you a little unreliable,
09:44 unimpos...
09:45 You know what, Coco?
09:46 I don't want to keep talking.
09:47 It doesn't make any sense.
09:48 I know that we had agreed to keep some distance
09:51 and that you don't want to know anything about me,
09:54 but I can't let you believe things that aren't true.
09:57 Carol is telling you things that aren't true.
10:00 For me, nothing has changed, Sole.
10:03 For me, you're still the only woman
10:05 I've ever loved.
10:06 And I'm not going to let you do that.
10:08 I'm going to let you do that.
10:09 I'm going to let you do that.
10:10 I'm going to let you do that.
10:11 I'm going to let you do that.
10:12 I'm going to let you do that.
10:13 I'm going to let you do that.
10:14 I'm going to let you do that.
10:15 I'm going to let you do that.
10:16 I'm going to let you do that.
10:17 I'm going to let you do that.
10:18 I'm going to let you do that.
10:19 I'm going to let you do that.
10:20 I'm going to let you do that.
10:21 I'm going to let you do that.
10:22 I'm going to let you do that.
10:23 I'm going to let you do that.
10:24 I'm going to let you do that.
10:25 I'm going to let you do that.
10:26 I'm going to let you do that.
10:27 I'm going to let you do that.
10:28 I'm going to let you do that.
10:29 I'm going to let you do that.
10:30 I'm going to let you do that.
10:31 I'm going to let you do that.
10:32 I'm going to let you do that.
10:33 I'm going to let you do that.
10:34 I'm going to let you do that.
10:35 I'm going to let you do that.
10:36 I'm going to let you do that.
10:38 I'm going to let you do that.
10:39 I'm going to let you do that.
10:40 I'm going to let you do that.
10:41 I'm going to let you do that.
10:42 I'm going to let you do that.
10:43 I'm going to let you do that.
10:44 I'm going to let you do that.
10:45 I'm going to let you do that.
10:46 I'm going to let you do that.
10:47 I'm going to let you do that.
10:48 I'm going to let you do that.
10:49 I'm going to let you do that.
10:50 I'm going to let you do that.
10:51 I'm going to let you do that.
10:52 I'm going to let you do that.
10:53 I'm going to let you do that.
10:54 I'm going to let you do that.
10:55 I'm going to let you do that.
10:56 I'm going to let you do that.
10:57 I'm going to let you do that.
10:58 I'm going to let you do that.
10:59 I'm going to let you do that.
11:00 I'm going to let you do that.
11:01 I'm going to let you do that.
11:02 I'm going to let you do that.
11:03 I'm going to let you do that.
11:04 I'm going to let you do that.
11:05 I'm going to let you do that.
11:06 I'm going to let you do that.
11:07 I'm going to let you do that.
11:08 I'm going to let you do that.
11:09 I'm going to let you do that.
11:10 I'm going to let you do that.
11:11 I'm going to let you do that.
11:12 I'm going to let you do that.
11:13 I'm going to let you do that.
11:14 I'm going to let you do that.
11:15 I'm going to let you do that.
11:16 I'm going to let you do that.
11:17 I'm going to let you do that.
11:19 I'm going to let you do that.
11:20 I'm going to let you do that.
11:21 I'm going to let you do that.
11:22 I'm going to let you do that.
11:23 I'm going to let you do that.
11:24 I'm going to let you do that.
11:25 I'm going to let you do that.
11:26 I'm going to let you do that.
11:27 I'm going to let you do that.
11:28 I'm going to let you do that.
11:29 I'm going to let you do that.
11:30 I'm going to let you do that.
11:31 I'm going to let you do that.
11:32 I'm going to let you do that.
11:33 I'm going to let you do that.
11:34 I'm going to let you do that.
11:35 I'm going to let you do that.
11:36 I'm going to let you do that.
11:37 I'm going to let you do that.
11:38 I'm going to let you do that.
11:40 Alonso.
11:41 Wait.
11:43 Alonso, how long?
11:49 How long what?
11:51 How long is this?
11:52 How long are we going to do this?
11:54 Look, I know things are a little weird.
11:58 And I, like you, we are worried about your mother, but...
12:02 But nothing Alonso.
12:03 Nothing.
12:05 The time of concern is over.
12:07 Now what we want is to see my mother well.
12:10 And that, Alonso, is being very difficult.
12:13 And do you know why it's being difficult?
12:15 Because every time she manages to be a little better and manages to smile, you appear.
12:19 And when you appear, you throw away all the work she has done to be better.
12:24 My mother is a strong woman, Alonso.
12:28 I know you know it.
12:30 A strong woman who has stood up a thousand times and will continue to do so.
12:33 But let's cut her down too.
12:35 Every time, every time you appear here, you make her suffer again.
12:39 If I want to make her suffer...
12:41 But you do it.
12:42 You make her suffer.
12:44 Every time you come here, you make her suffer.
12:46 Every time you want to talk about your relationship with her, you make her suffer.
12:49 I know you love my mother, Alonso.
12:55 I know, I'm clear about it, but I love her too.
12:58 And I'm going to tell you something.
13:00 You are not looking for what is best for her right now.
13:03 You are thinking about what is best for you right now.
13:05 About what you need.
13:07 And that is very selfish, Alonso.
13:09 Puché, I think you're wrong, but you know...
13:13 Well, anyway.
13:14 This is a discussion between your mother and me.
13:17 And I think...
13:18 I don't know, that you get involved, or the face.
13:21 I think it's not healthy.
13:22 Do you know what is the healthiest thing, Alonso?
13:24 That they cut ties.
13:26 That's the healthiest thing.
13:29 And I tell you with a lot of pain, because...
13:32 Paquito, I'm going to tell you that I love you, Alonso.
13:35 But if at this moment, the relationship you have is not healthy.
13:39 Then let's cut it with the confusions.
13:41 Let's cut it with reopening the wounds.
13:43 Let's cut it with this situation in the middle of the night.
13:45 In which I came to make my mother suffer because you couldn't sleep.
13:48 And do you know what else would be healthy, Alonso?
13:52 That Damián and Benja stop talking for a while.
13:56 Yes.
14:00 Yes, Alonso, seriously.
14:02 Because what I want is to see my mother well.
14:05 And with you close...
14:06 That's impossible.
14:09 Good night, Alonso.
14:14 Good night.
14:15 In addition to being a more informed child,
14:38 it keeps you young and active.
14:40 Because it's the best excuse to be funny and enjoy yourself as a child.
14:45 Without being criticized so much for that.
14:47 Sorry, Laura Marquerique, but I need to talk to you.
14:54 I'm outside your house, can you open it?
14:59 [The door opens]
15:00 And this surprise, come on in.
15:12 Excuse me.
15:13 Yes?
15:14 Sorry to come at this time, but I had to talk to you about something very important.
15:18 And it had to be in person, so sorry I came like this.
15:23 Did something happen?
15:27 Yes, I mean, I don't know how to tell you this, Marquerique, I...
15:30 Yes, something happened.
15:33 What's so funny?
15:37 Nothing.
15:39 Sorry, sorry, I can't help but have a déjà vu of a dream I had.
15:46 It was the same, it was super similar.
15:48 At night you came and opened the door and told me that you were going to have a baby.
15:53 And, Jevi, because my dad and Malu appeared and they shouted at me, "Papito, Marco!"
15:59 Okay, okay, okay, now I'm serious, sorry, sorry.
16:01 Well, I, Jevi, I dream because...
16:05 I don't know if they're going to have a baby, but...
16:09 But I am pregnant.
16:12 And I know this is a bucket of cold water for you.
16:17 I know it's the worst news they could give you.
16:21 I just want to tell you not to worry because...
16:23 Because you don't have to take responsibility, I mean...
16:26 I can be responsible for everything because...
16:29 Because I'm going to have a baby.
16:32 Don't worry about this, because...
16:36 Oh, my daughter, tell me something.
16:42 Marquerique.
16:46 [Music]
16:52 A little Marco...
16:54 Or a little Bea?
16:58 [Music]
17:05 A little Marco...
17:07 Or a little Bea?
17:14 A little Marco...
17:16 Or a little Bea?
17:21 Hey.
17:23 [Music]
17:30 [Music]
17:40 [Music]
18:00 I imagine you woke up sweating and crying and...
18:03 With a desire to run, like that, a terrible desire to run...
18:06 To the airport, he's going to send you to change.
18:09 No, you know, that's the weird thing.
18:11 No.
18:12 No, like it wasn't like a nightmare.
18:15 Oh, no?
18:16 No.
18:17 No.
18:18 You know, I had a dream a while ago, I don't know if you remember.
18:22 I don't think so.
18:23 Well, the Bea told me we were going to have a baby.
18:27 And just like you say, I woke up like this, with anguish, like that, but I won't tell you.
18:33 But not now, look, now I woke up...
18:36 I even got the idea of having a little Bea, a little Marco in my arms.
18:42 I don't know, is what I'm saying very crazy?
18:45 No, it seems super natural to me.
18:47 I was remembering a phrase from, how was it, a scientist, Sigmund Freud, right?
18:52 Ah, yes, yes.
18:53 He said something like, like the unconscious was the deposit of thoughts and repressed desires.
19:05 I don't think the unconscious is so literal either.
19:10 The other time I dreamed that the memo would get into my candy.
19:15 No, no, no.
19:16 And honestly, the last thing I wanted in life.
19:18 No, yes, look, I think the unconscious is sending me like an encrypted message.
19:23 Of course, because maybe, indeed, I miss the Bea, I want to be with her.
19:28 And you, you woke up like this, and you fix things with her.
19:32 Look, the only thing you can do sitting there is to get more depressed.
19:35 And force everyone to listen to your whining.
19:38 Yes, well, they will have to keep listening to my whining.
19:42 Because I miss her, N, Caleta, ridiculously much, but...
19:46 But I'm still a 50-year-old veteran with three children, with a granddaughter.
19:51 I can't raise another bastard, I can't.
19:53 You'd better be right, because you end up failing as a father at this age.
19:56 But I'm going to tell you one thing, there is something worse than failure.
20:00 You know what? He hasn't even tried it.
20:04 Drink this.
20:10 Hello, princess.
20:20 Dad, the photographer is here, he's almost all set up.
20:23 I'm not waiting for anyone, friend. I'll let you know.
20:25 Let's see.
20:26 No, dad.
20:27 Hurry up.
20:29 Dad, hurry up, please.
20:30 Bye.
20:32 Damn, my little Conchita won't be there.
20:38 My little Conchita won't be there.
20:39 Oh, no, but in the next photo session we do,
20:42 we can take a thousand photos of Damiano, right Beto?
20:44 Of course.
20:45 Okay, are you going to steal the whole movie?
20:48 Hello.
20:49 Damn, friend.
20:52 I swear that the day the uncle wasn't here,
20:55 I would have taken the most beautiful picture in the world.
20:57 Yes.
20:58 Mom, help me choose, because I like this one,
21:02 I found it too cute, but this one would look so cute on my poor aunt.
21:07 Oh, how beautiful.
21:08 No, but you.
21:09 Let anyone put it on, because with anyone she will look beautiful.
21:12 Look at those socks, please dress them.
21:14 Look at those socks.
21:15 Oh, no.
21:16 Daughter, I'll give you back this baby,
21:18 because grandma has to go do a live with the friends.
21:23 Already.
21:24 But I'll be back, it's short.
21:25 If you need anything, let me know, I'm right in front, Beto, yes?
21:28 Already.
21:29 I'm going and coming back, Bruno, and I'll give you permission.
21:31 See you.
21:32 Oh, hello.
21:35 How are you?
21:36 Fine, come in.
21:37 Excuse me.
21:38 Yes, come in, come in, come in.
21:39 I'm going and coming back.
21:40 Hello.
21:41 Hello.
21:42 Have you seen all this?
21:43 How are you, little girl?
21:45 Little girl, little girl.
21:48 Hey, and is this video going to be recorded by something?
21:50 Almost, almost.
21:52 No, Beto, who is a colleague of the faculty of Marcelo,
21:55 is going to take some family photos with Esperanza, with my grandma,
21:58 so that my grandma has memories with her granddaughter.
22:01 Because of her illness, right?
22:02 Yes.
22:04 And well, taking advantage of the flight, we are going to take like all family photos.
22:07 How good.
22:09 Hey, Caroly, do you think I can stay and take some photos with my little girl?
22:18 Hey, I don't know, it's just that really...
22:22 I mean, without much problem, really, no.
22:24 I can come back later or another time.
22:27 No, okay, obviously, yes, stay.
22:32 Is it hard?
22:33 Yes, I mean, you're still part of the family.
22:36 Thank you.
22:38 Yeah, cool.
22:39 Can I help you with anything?
22:40 In the kitchen there are some sandwiches if you want to bring them.
22:45 Already?
22:46 Yes.
22:47 I'll bring them then.
22:48 I think it's the...
22:51 Did you sleep something?
23:01 Sofia has already woken up, so let's think well what we are going to tell her.
23:08 Robin, please forgive me, forgive me.
23:11 I don't want to hear you, really, I don't want to hear you.
23:15 It's late, late, it's always late.
23:18 I'm interested in doing this as easy as possible for Sofia.
23:22 Are you going on a trip again?
23:29 No, my love, let's see, come.
23:33 Dad is not going on a trip, but there is an important thing that...
23:39 that with dad we want to talk to you.
23:42 What?
23:43 I don't want you to go on a trip.
23:50 My love,
23:55 mom and dad
24:00 have to talk to you because
24:04 there is something very important that we have to tell you.
24:07 What?
24:09 We have to tell you that we are going to be together.
24:12 We are going to be together.
24:15 We are going to be together.
24:18 We are going to be together.
24:21 We are going to be together.
24:24 We are going to be together.
24:27 We are going to be together.
24:30 We are going to be together.
24:33 We are going to be together.
24:37 What's going on, you jacket girl?
24:39 What?
24:41 I have a kiss on my lips.
24:44 Oh, I'm so happy.
24:50 And how are you? How are you, my friend?
24:53 Weird, weird, I feel weird.
24:56 The undeniable Saez is in a relationship again.
24:59 The undeniable Saez is in a relationship after having left her ex on the altar.
25:05 He is very determined.
25:07 If Paula Saez can, we can all do it.
25:10 No, if I call you Soledad, no.
25:13 It's true. Well, I'm optimistic, very optimistic,
25:16 because I also have to tell you that
25:19 I was the one who declared myself.
25:22 I was the one who ... Yes, seriously.
25:25 So I feel like the very owner of my life.
25:28 It's just that you're very big.
25:31 I mean, it's like you graduated.
25:34 One, two, three, four, ninety.
25:36 One, for example, how does it correspond?
25:39 I don't know him. Introduce him to society.
25:41 I have an idea. Look, let's go out and you invite your churrito,
25:46 well, after I stop infecting, of course.
25:48 Invite your churrito, I invite my little meme, and you invite your little doctor.
25:52 Oh, I have it.
25:54 No, you don't have to see it, locate yourself.
25:56 I just need to make money to be able to pay the debt.
26:01 You're a clown.
26:02 It's the only thing.
26:04 And for that we are going to do the sale.
26:06 Work, work, work hard.
26:08 And you have to let people know, because otherwise they won't know.
26:11 So, live, okay?
26:13 Are you ready for that?
26:15 Yes, let's go.
26:17 Let's put a fake happy face.
26:20 Three, two, one.
26:23 Hello!
26:26 But she didn't even let me explain to her that nothing was wrong with Octavia.
26:30 And she came to the store and said, "No, I don't want to know anything, you do with your life what you want."
26:33 Then Carol got in, José did it and it got worse.
26:38 Even José told me that the best thing was that Benja and Damián didn't see each other.
26:42 So as not to make things worse.
26:44 Oh, please, seriously, what did he tell you?
26:46 I can't stop Benja from seeing his friend.
26:50 The children can't be paying for broken dishes because of us.
26:53 I'm the one who has to move away, Mom.
26:55 Nothing else.
26:58 How dare they involve the children in something like this?
27:01 For God's sake!
27:03 Oh, my love, I'm so sorry to see you like this.
27:08 You don't deserve this.
27:10 Mom, I don't give you so much pity, yes, I deserve it.
27:13 I was the one who reacted badly when Benja had that accident.
27:16 I did bad with Sole.
27:18 Bad.
27:20 Not only with her, I abandoned her, I abandoned her family.
27:26 Yes, well, it was such a difficult moment.
27:29 Now it is also a difficult moment.
27:31 Would you like me to talk to her?
27:34 No, Mom, no, no, for no reason, no, Mom.
27:37 But look, my love, I just want to help you, right?
27:40 You know that by listening to me you are already helping me a lot.
27:44 Mom, Sole is right.
27:48 I am the one who left all the mess here.
27:51 And I am alone, I am deserving of everything that is happening to me.
27:55 And I am the only one who can pave the way a little.
27:57 And not only for me, but also for Sole.
28:03 Sometimes, the adult person, my love, we have to take distance.
28:20 I know. And that can be a little complicated for the children.
28:30 Do you understand what I'm saying?
28:33 What Dad is trying to say, Sophie, is that Dad and I are not going to live together anymore.
28:39 That's what he's trying to say.
28:41 Is it because of your job?
28:49 No, my love, it's not because of my job.
28:53 Don't you love each other?
28:58 Yes, of course we love each other.
29:02 But we made the decision to live again as before, my love.
29:10 You in one house and Dad in another.
29:15 You promised me that we would live together.
29:18 Yes, my love, but we will still see each other every day.
29:22 Don't you want to live with me anymore?
29:25 Of course, my love, of course.
29:28 You are the most important thing in my life and I love you with all my heart.
29:32 Mom, tell him not to go.
29:35 Do you know what's going on, my love?
29:37 Listen to me, look at me, we already decided with Dad.
29:40 We are going to live again as we were before.
29:44 We are going to live as we were before and we are going to be fine, you and me, alone.
29:47 But I'm going to drop you off at school every day and I'm going to pick you up, my love, so we can continue our walks.
29:54 You are a liar.
29:56 No, my love, hey, hey, hey.
29:58 Sophie, Sophie.
30:00 [Music]
30:16 Everything I asked you not to do, I did, Kako.
30:20 [Music]
30:35 (dramatic music)