The Perfect Tenant Episode 6
Mona is a young woman who grew up in an orphanage. She works for an Internet newspaper and has been reporting on the house arson cases that happened in different parts of Istanbul recently. Mona sees that the landlord with whom she was already fighting has put her belongings on the doorstep, and she is now homeless. She is forced to accept the offer of Yakup, whom she has just met, to become a tenant in her house, which was later divided into two by a strange architecture, as a temporary solution. However, on the first day Mona moved into the apartment, she noticed that there were strange things going on in the Yuva Apartment.
Cast: Dilan Çiçek Deniz, Serkay Tütüncü, Bennu Yıldırımlar, Melisa Döngel, Özlem Tokaslan, Ruhi Sarı, Rüçhan Çalışkur,
Beyti Engin, Ümmü Putgül, Umut Kurt, Deniz Cengiz, Hasan Şahintürk
Credits:
Screenplay: Nermin Yildirim
Director: Yusuf Pirhasan
Production Company: MF Yapım
Producer: Asena Bülbüloğlu
#theperfecttenant #DilanÇiçekDeniz #SerkanTütüncü
Mona is a young woman who grew up in an orphanage. She works for an Internet newspaper and has been reporting on the house arson cases that happened in different parts of Istanbul recently. Mona sees that the landlord with whom she was already fighting has put her belongings on the doorstep, and she is now homeless. She is forced to accept the offer of Yakup, whom she has just met, to become a tenant in her house, which was later divided into two by a strange architecture, as a temporary solution. However, on the first day Mona moved into the apartment, she noticed that there were strange things going on in the Yuva Apartment.
Cast: Dilan Çiçek Deniz, Serkay Tütüncü, Bennu Yıldırımlar, Melisa Döngel, Özlem Tokaslan, Ruhi Sarı, Rüçhan Çalışkur,
Beyti Engin, Ümmü Putgül, Umut Kurt, Deniz Cengiz, Hasan Şahintürk
Credits:
Screenplay: Nermin Yildirim
Director: Yusuf Pirhasan
Production Company: MF Yapım
Producer: Asena Bülbüloğlu
#theperfecttenant #DilanÇiçekDeniz #SerkanTütüncü
Category
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TVTranscript
00:00 We talked a little bit with your son.
00:05 He had a very nice mask, but it's gone.
00:22 What a pity.
00:27 I put your coffee like this. Would you like to drink?
00:32 You said documents, Sabahattin.
00:43 Mom, bring me a fruit juice.
00:46 Shall we talk inside?
00:51 Of course.
00:53 I'm sorry.
00:55 You know why I'm here, right?
01:14 I think so.
01:16 What if I say I know who did it?
01:20 Okay, if you want to play a game.
01:23 Don't you wonder how I found it?
01:27 I'm trying to understand what you're talking about.
01:30 I was surprised you didn't go to Mr. Muzaffer's house that morning.
01:34 If someone like you is a control maniac, he won't leave anyone else.
01:39 He'll go in and look.
01:41 But you knew Muzaffer wasn't home, didn't you?
01:44 You didn't have to look.
01:46 But I didn't doubt it at first.
01:49 Do you know where I was suspicious?
01:50 I was suspicious of the police first.
01:53 I started to get out of there.
01:55 You know, you have a police friend.
01:57 Gürbüz Amir.
01:59 Hello, Gürbüz Amir.
02:01 How are you?
02:03 Bad news.
02:05 There's no such person.
02:07 So at least there's no one in the murder department named that.
02:11 How do you know that?
02:13 I didn't know.
02:15 I asked someone who knew.
02:18 But we couldn't find anyone.
02:19 That's what journalism is.
02:21 It's not about knowing everything.
02:23 It's about knowing what to ask who.
02:26 Is that all?
02:29 As a journalist, I'm sorry to say this.
02:32 But there's no newspaper in the country.
02:34 Everyone is on the internet now.
02:36 And they hire a bunch of inquisitive people like you.
02:44 But because of your curiosity about order,
02:49 your wife drew everything with a ruler.
02:53 What a shame.
02:55 But look what I found while I was fixing it.
02:58 By the way, the idea of hiding the handwritten letter is very good.
03:01 It's a good idea.
03:03 But cutting and making a blackmail letter with newspaper foam
03:08 is not very bright for this era.
03:11 And you couldn't think of publishing it in the newspaper.
03:15 I know who did it.
03:26 What do you say?
03:28 I say I didn't do it.
03:32 I know.
03:34 My dear, you have a gun.
03:36 How are you going to carry a big man?
03:39 You'll carry him.
03:40 But is your husband like that?
03:48 He has the power to carry wooden bags.
03:53 Praise be.
03:55 Right, Miss Sabahat?
04:07 If I had known you a little, it would have been like this.
04:09 You came to see Uncle Muzaffer.
04:12 Then of course you didn't neglect to listen to us.
04:15 Yakup was inviting me to the party at that time.
04:17 So where did you get the message that I was invited to the party?
04:20 There's a video of evidence in a meeting room.
04:24 I have to confess, I was sure it was one of the people at the table.
04:27 But it wasn't someone at the table.
04:29 It was someone in the room.
04:31 Or it was someone who was just in the room.
04:36 Please see this as a compliment, not an insult.
04:40 You were the last person I would suspect.
04:44 You may have sent the real message.
04:48 You work together.
04:50 I know who did it.
04:56 What do you say?
04:58 Hmm?
04:59 I know what you did.
05:16 I won't ask what you're doing at Muzaffer's house.
05:22 Unfortunately, I know that too.
05:24 I know that too.
05:25 You were looking for the corpse of your deceased.
05:32 I was right, you took it.
05:39 You're so happy to find it.
05:43 Actually, I don't even bother to say that I'm not hiding much.
05:47 You haven't found it yet, because you don't suspect me at all.
05:54 Because you didn't take me seriously enough to be afraid.
05:58 So no, not a compliment, an insult.
06:04 Anyway.
06:06 Since you were able to shoot that video, you were with him that night.
06:11 But why?
06:13 It wasn't to hurt you.
06:15 But Muzaffer didn't deserve to die.
06:21 He didn't deserve to die.
06:22 So what do you want from me now?
06:28 I wrote my last message clearly.
06:30 Come on, little lady, pick up your stuff and get out of this apartment.
06:45 Why?
06:48 If he finds the body, he will hand over the evidence to the police as a citizen responsible for Sabahat.
06:53 But no, it's a shame for Yakup, isn't it?
06:56 You killed Yakup's uncle.
07:00 Who knows how sad he will be.
07:02 You take the girl to your house, let her come and kill your uncle.
07:07 Why does it hurt me?
07:10 Muzaffer.
07:15 I'm sorry.
07:16 Madam, we are people who try to live in happiness and peace in this apartment.
07:23 We don't have a place for people like you.
07:25 Get out of here.
07:27 Get out of here right now.
07:29 Get out.
07:31 So why didn't you report me then?
07:34 He doesn't care about you at all.
07:37 How can I go and find a place now?
07:40 He doesn't care about me either.
07:43 I can't just say "I'm sorry" and leave.
07:45 We'll send someone.
07:47 I'll send the furniture and everything. Don't worry.
07:50 I won't let you die in the neighborhood.
07:52 He's gone.
08:01 I'm sorry.
08:03 Thank you.
08:05 [Door opens]
08:06 [Door closes]
08:09 [Laughs]
08:12 [Laughs]
08:14 [Laughs]
08:16 [Laughs]
08:18 [Knocks on door]
08:33 [Knocks on door]
08:34 Hi.
08:40 I'm Yakup Ortaç, a journalist.
08:42 Maybe you remember me from the hospital.
08:44 If you don't mind, can I ask you a few questions?
08:46 I'll say it, grandpa.
08:48 What's going on?
08:56 [Music]
09:10 Zöhre Saralı, we're coming too.
09:12 Zöhre?
09:18 What's going on here?
09:20 Leave it, sister.
09:22 There's no point in being afraid.
09:24 There's no point in being afraid.
09:25 Where are you taking my brother?
09:32 [Camera clicks]
09:37 [Camera clicks]
09:40 [Music]
09:59 [Music]