The Perfect Tenant Episode 4
Mona is a young woman who grew up in an orphanage. She works for an Internet newspaper and has been reporting on the house arson cases that happened in different parts of Istanbul recently. Mona sees that the landlord with whom she was already fighting has put her belongings on the doorstep, and she is now homeless. She is forced to accept the offer of Yakup, whom she has just met, to become a tenant in her house, which was later divided into two by a strange architecture, as a temporary solution. However, on the first day Mona moved into the apartment, she noticed that there were strange things going on in the Yuva Apartment.
Cast: Dilan Çiçek Deniz, Serkay Tütüncü, Bennu Yıldırımlar, Melisa Döngel, Özlem Tokaslan, Ruhi Sarı, Rüçhan Çalışkur,
Beyti Engin, Ümmü Putgül, Umut Kurt, Deniz Cengiz, Hasan Şahintürk
Credits:
Screenplay: Nermin Yildirim
Director: Yusuf Pirhasan
Production Company: MF Yapım
Producer: Asena Bülbüloğlu
#theperfecttenant #DilanÇiçekDeniz #SerkanTütüncü
Mona is a young woman who grew up in an orphanage. She works for an Internet newspaper and has been reporting on the house arson cases that happened in different parts of Istanbul recently. Mona sees that the landlord with whom she was already fighting has put her belongings on the doorstep, and she is now homeless. She is forced to accept the offer of Yakup, whom she has just met, to become a tenant in her house, which was later divided into two by a strange architecture, as a temporary solution. However, on the first day Mona moved into the apartment, she noticed that there were strange things going on in the Yuva Apartment.
Cast: Dilan Çiçek Deniz, Serkay Tütüncü, Bennu Yıldırımlar, Melisa Döngel, Özlem Tokaslan, Ruhi Sarı, Rüçhan Çalışkur,
Beyti Engin, Ümmü Putgül, Umut Kurt, Deniz Cengiz, Hasan Şahintürk
Credits:
Screenplay: Nermin Yildirim
Director: Yusuf Pirhasan
Production Company: MF Yapım
Producer: Asena Bülbüloğlu
#theperfecttenant #DilanÇiçekDeniz #SerkanTütüncü
Category
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TVTranscript
00:00 Sami!
00:01 You've turned this apartment into a sea of debris!
00:05 -What? -What do you mean?
00:07 I'm telling you, it's like a hand in the water.
00:09 It's like a hair in the water.
00:10 Are we going down to the rocks like this?
00:12 I can go wherever I want.
00:13 Sami! Sami!
00:16 Sami, can you open the door?
00:19 Oh my God, please!
00:28 Aunt Hafize, let me kiss your hand.
00:32 Yes.
00:34 Sami!
00:36 Sami, did you cut the water again?
00:37 What? What?
00:39 I didn't cut anything.
00:40 I'm just cutting bread. Bread.
00:42 What's going on?
00:44 You took something on you and went to the door in the morning.
00:48 This is a family home, brother. A young girl lives here.
00:50 What is this?
00:52 Don't be sad, Nihat.
00:53 You're a man like a door. You shouldn't fall into the beds.
00:58 Sami, look.
01:00 If you shut the bathroom again, we're going to break up.
01:03 Look at me.
01:05 Oh my God!
01:06 You should know better than me who you're talking to.
01:09 I didn't shut anything.
01:10 I shut it.
01:11 Here you go.
01:13 You know everything about Sami.
01:15 But I stepped out once.
01:17 What happened? Did you get up in the apartment?
01:19 Enough, Mr. Cüneyt.
01:20 Adnan and Nihat are in a fight.
01:22 And my mother is in there.
01:24 You shut the bathrooms. Why don't you tell me?
01:28 He's like a cake with cream.
01:30 We're going to work.
01:32 How can I go to work like this?
01:33 Look at me.
01:36 How can I go?
01:37 I'll think about it.
01:39 What was I going to do?
01:40 I was going to call everyone and say I'm closing.
01:43 I was going to say the apartment was going to be an aquarium.
01:46 Thank you.
01:49 Anyway.
01:50 Yakup.
01:51 Let's go to your uncle and ask about the technician.
01:54 Come on. Rasim, let's go.
01:56 Don't make it longer.
01:58 We're going to work.
01:59 What do you mean?
02:01 How can I go to work?
02:02 How can I go to work?
02:04 Was it worth it, Nihat?
02:05 Was it worth it to stand at the door like this?
02:08 They made me throw my blankets again.
02:12 Look.
02:14 He's running like a cat.
02:26 I don't think he's home.
02:27 Where did he go?
02:28 I don't know.
02:29 Who?
02:32 He went wherever he went.
02:34 He saved himself from this mess.
02:35 Let's go.
02:38 Do you want me to drop you off at work?
02:39 No, I'll go by myself.
02:42 What am I going to do, Leyla?
02:53 Do what you always do.
02:55 Go to work, go home.
02:56 You have to stay calm.
02:57 As if nothing happened.
02:59 Can you make it longer?
03:02 Excuse me.
03:04 One person.
03:06 Someone knows, Leyla.
03:10 Someone knows, Ceze.
03:12 Uncle, it's obvious that the one who wrote the fake note is the same person.
03:15 He came home twice.
03:17 If he's calm, he shouldn't call you from afar.
03:20 Do you think Yakup can find him?
03:22 Don't be ridiculous.
03:23 This poor thing doesn't know anything.
03:25 He's been trying to trick me since yesterday.
03:27 Okay, but everyone would have already given you if they were going to give you a hand.
03:31 Then?
03:33 I mean, he's going to blackmail you.
03:35 We'll wait and see.
03:36 No, I can't stand this situation, Leyla.
03:42 I can't stand it, I'm going to move out of this apartment.
03:44 Okay, I'll find a place. I'll move.
03:46 I can't explain it.
03:47 It's not a place anymore.
03:48 You can't move if you want.
03:50 Will he run away from someone who has no identity?
03:54 First, let's understand what they want from me.
03:56 Then we'll see.
03:58 I have to hang up now.
04:23 Rafet, there's no incident here.
04:25 What are we going to write?
04:27 Young madman caught with alcohol.
04:28 He's alcoholic every night.
04:30 He doesn't take these.
04:31 He kisses his wife.
04:32 He does this every night.
04:34 He's single, he won't kiss.
04:35 Don't you kiss?
04:37 I want an incident.
04:38 What kind of incident?
04:39 I don't know, go to the man, ask a cold question.
04:41 Let the man dive into you.
04:42 Let there be a move.
04:44 Can you explain? -I understand.
04:46 Mona, your hospital photos are nice, but...
04:49 Mona.
04:50 Mona.
04:53 Mona.
04:54 Focus on this meeting.
04:56 You don't come.
04:58 Or you leave your soul somewhere else.
05:00 You're walking around like a doll.
05:02 I say photos, photos.
05:03 It was fine, but no news.
05:05 What did people write?
05:09 Look, look.
05:10 Did his wife burn for revenge?
05:12 What are we doing? We sleep on our feet.
05:14 The police questioned the woman, but nothing came out.
05:16 It came out or not.
05:17 Go ask a woman for an interview.
05:19 At least let's be honest.
05:21 Master, don't exaggerate this fire.
05:23 It burned a few days ago, it's over, it's ashes.
05:26 Why do we care so much?
05:28 Look, these fires are not over yet.
05:30 There will be more.
05:31 But if you were a visionary journalist,
05:33 that nose, that nose,
05:34 that burning smell would be gone.
05:36 Where is it?
05:37 Then I'll keep it at the end of my business.
05:43 Obviously, Mona can't catch up.
05:45 Everyone should mind their own business, friend.
05:46 Those who can't catch up after that,
05:48 find themselves in front of the door.
05:50 No one can catch up.
05:51 Come on, the meeting is over.
05:53 Mona.
06:05 It's definitely a fire.
06:16 So it's not an accident.
06:19 Yeah, they say so.
06:21 Who do you think did it?
06:23 The police questioned you.
06:27 Did you make the fire?
06:29 But they backed out.
06:31 I mean, I was here all night.
06:32 My uncles are witnesses.
06:34 So why do you think they were suspicious of you?
06:38 They know I deserve it if I do.
06:41 After all the torture Ismail has put us through for years.
06:46 [soft music]
06:50 But you didn't.
06:51 He beat you up when you were pregnant.
06:54 That's why they say the kid can't talk.
06:57 Well, Zöhre,
07:01 you said they know I deserve it if I do.
07:04 What does that mean?
07:06 Let's say...
07:12 someone came,
07:16 and shot the roof of the mansion.
07:18 For example,
07:21 to not die,
07:25 sometimes they take it,
07:28 and the other one turns to the side.
07:32 Doesn't he turn?
07:33 He can.
07:36 Not to kill the other one,
07:41 but to not die himself.
07:45 They say fear is useless in death.
07:48 Whose fear is it?
07:50 Whose death is it?
07:51 That's the point.
07:53 What you fear the most can be your death.
07:56 Do you understand?
07:59 Do you think it's right to kill to not die, Zöhre?
08:04 I don't know.
08:10 It's not my business.
08:14 I was here all night.
08:16 I didn't hurt anyone.
08:18 Ismail is not dead anyway.
08:20 I'll ask you something.
08:22 I'm just asking out of curiosity.
08:24 I won't write it.
08:25 Would you be sorry if he died?
08:28 He's the father of my child.
08:38 [music]
08:40 [music]
08:42 Do it.
08:46 You'll get hurt.
08:48 Good evening.
09:10 Good evening.
09:11 What's that?
09:28 Are you going back and forth from the first week?
09:31 Come on, he won't eat you.
09:33 -Who? -I don't know.
09:35 I mean, you're looking at someone like a rabbit.
09:40 -Good evening, Peri. -Good evening.
09:42 Mert.
09:44 Well...
09:46 You took my homework last week.
09:49 Yes.
09:50 I'm sorry.
09:53 I couldn't thank you at all.
09:55 No, it's okay.
09:57 There's another one.
09:59 But I'm so busy right now.
10:03 If I send it to you...
10:07 Of course, send it to me.
10:09 I'll take care of it tonight.
10:10 You're the best. Thank you.
10:12 Is it from the apartment?
10:33 Yes, the brother of number three.
10:35 Are you in the same class?
10:37 No, we're not even in the same class.
10:39 Then?
10:40 I'd hit him if I said so.
10:46 What's the job?
10:49 Welcome, angel of his mother.
10:54 Good evening.
10:58 Good evening.
11:01 (THANK YOU FOR WATCHING)
11:03 (THANK YOU FOR WATCHING)
11:05 (upbeat music)