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00:22:10 Going up, please.
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00:22:42 [music]
00:22:44 May I help you?
00:22:46 I'd like to see a copy of the New York Times, January 5th, 1947.
00:22:50 Fill this out, please.
00:22:52 Sure.
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00:24:06 So who told you to ask me?
00:24:08 The pin boy in the bowling alley.
00:24:10 So who told you to ask him?
00:24:12 The fellow that works at the Houston Street auction shop.
00:24:15 So why don't you go to the cops?
00:24:17 Look, 20 bucks if you tell me where I can find Lightning Louie.
00:24:21 Put it on the table.
00:24:23 Tell me.
00:24:24 I'm Lightning Louie.
00:24:36 Then why'd you tell me your name was Godkin?
00:24:38 And what blubber mouths? You give me back my dough or there's gonna be trouble.
00:24:41 Well, um, what's my name?
00:24:46 Uptown or downtown?
00:24:48 My downtown name.
00:24:49 Lightning Louie.
00:24:51 For another 20, I'll give you the name of the stoolie who knows everything about cannons.
00:24:56 I hope you bust.
00:24:58 174 Bowery.
00:25:09 Over at Tattoo Shop.
00:25:14 One flight up, head of the stairs.
00:25:17 Her name is Moe.
00:25:19 A woman?
00:25:21 Tell her I sent you.
00:25:23 Drum, bring me an order of chow fun.
00:25:27 Chow shu bao.
00:25:29 [car engine starts]
00:25:31 [car horn honks]
00:25:41 [knocking]
00:25:52 Who is it?
00:25:54 Lightning Louie sent me.
00:25:58 Who?
00:26:00 Lightning Louie.
00:26:02 You Moe?
00:26:05 Who are you?
00:26:07 You've been recommended as the best pickpocket stoolie in the business.
00:26:11 What kind of talk is that, calling me a stoolie?
00:26:15 I was brought up to report any injustice to the police authorities.
00:26:19 I call that being a solid citizen.
00:26:22 But you get paid for it.
00:26:24 You're gonna knock it?
00:26:26 I'm looking for the pickpocket who lifted my wallet in the subway this morning.
00:26:30 Oh.
00:26:32 So you're the muffin.
00:26:34 What do you mean?
00:26:35 Oh, one cannon talks to another where it gets around.
00:26:38 What was in the wallet?
00:26:40 That's pretty.
00:26:41 Something personal.
00:26:43 How personal?
00:26:45 What difference does it make? He didn't know what was in it when he took it.
00:26:48 How do you know?
00:26:50 You got a boyfriend?
00:26:52 Why?
00:26:53 Like to buy him a tie?
00:26:55 I happen to carry a complete line of personality neckwear.
00:26:59 Bargain prices.
00:27:01 Look, I'll tell you all the facts.
00:27:04 Nothing else.
00:27:05 Now, you want to do business?
00:27:07 You got any happy money on you?
00:27:09 Happy money?
00:27:11 Yeah.
00:27:12 Money that's gonna make me feel happy. What else?
00:27:15 How happy?
00:27:17 Fifty dollars.
00:27:22 [car engine]
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00:28:01 [MUSIC PLAYING]
00:28:04 [MUSIC PLAYING]
00:28:07 [MUSIC PLAYING]
00:28:11 [MUSIC PLAYING]
00:28:14 Hey.
00:28:39 [MUSIC PLAYING]
00:28:43 [MUSIC PLAYING]
00:28:46 [MUSIC PLAYING]
00:28:50 [GLASS SHATTERING]
00:28:57 [MUSIC PLAYING]
00:29:00 [COUGHING]
00:29:12 [MUSIC PLAYING]
00:29:17 [GASPING]
00:29:20 [MUSIC PLAYING]
00:29:24 Take your time looking.
00:29:35 Want a beer?
00:29:36 [MUSIC PLAYING]
00:29:43 I want my wallet.
00:29:47 What wallet?
00:29:48 The one you lifted from my bag today.
00:29:51 Oh.
00:29:52 Do I look like a pickpocket?
00:29:54 You sure do.
00:29:55 Wipe your face off.
00:30:02 How much did Mo get out of you?
00:30:10 I figure you shelled out about $50 to find me, if I know Mo.
00:30:16 Huh?
00:30:17 [MUSIC PLAYING]
00:30:20 Yeah, Mo's all right.
00:30:21 She's got to eat.
00:30:23 Crummy time.
00:30:25 Look, did you throw it away?
00:30:28 Hm?
00:30:29 Mr. McCoy, I got to find that wallet.
00:30:32 Why?
00:30:33 It's no good to you or to anybody else.
00:30:36 No?
00:30:38 Oh.
00:30:39 What's the matter, I bust something?
00:30:41 I think I'm sick.
00:30:42 Sit down, let's see.
00:30:45 Find out the trouble.
00:30:47 Ow!
00:30:50 That's where it hurts.
00:30:52 Let's fix it up.
00:30:53 You just relax.
00:30:54 All right, now, muffin.
00:31:01 Let's have a small dose of straight talk.
00:31:04 There was some film in it.
00:31:06 You mean you ransacked my joint just to find some film?
00:31:10 You got me in an awful mess when you took it.
00:31:13 What kind of mess?
00:31:14 You working for some blackmailer?
00:31:16 Oh, no.
00:31:17 Nothing like that, Mr. McCoy.
00:31:20 They're pictures of my brother Mickey.
00:31:23 He's a war hero in Korea, and my mother's waiting to see them.
00:31:28 Why didn't you go with the cops, honey?
00:31:31 I got in a little trouble with them.
00:31:35 They'd kill my mother if she--
00:31:38 you know what I mean?
00:31:39 Yeah, sure.
00:31:42 You bet.
00:31:45 Does the beer always do this to you?
00:31:48 What kind of trouble did you get into with the cops, muffin?
00:31:52 Oh, a girl makes mistakes.
00:31:54 Mm-hmm.
00:31:57 I was only asking because--
00:31:59 Because why?
00:32:01 [MUSIC PLAYING]
00:32:04 You look for oil sometimes, you hit it, gush.
00:32:28 Am I talking too much?
00:32:32 Why talk?
00:32:35 How much is your brother worth?
00:32:36 What do you want?
00:32:41 What?
00:32:42 I just want to make your old lady happy, that's all.
00:32:44 Then you do have it.
00:32:52 What you see, muffin?
00:32:54 There might be another little old lady looking
00:32:56 for pictures of her boy.
00:33:00 I got to make sure it's your brother Mickey.
00:33:01 I'll tell my mother.
00:33:06 You do that.
00:33:07 [MUSIC PLAYING]
00:33:11 [MUSIC PLAYING]
00:33:14 That's the girl.
00:33:39 [MUSIC PLAYING]
00:33:42 I'll check with you later.
00:33:45 Hello, tiger.
00:33:57 You're waking up half the waterfront
00:33:59 with those clodhoppers.
00:34:00 You're not losing any time.
00:34:02 Neither are you.
00:34:03 Did you make a deal?
00:34:04 Go on, drum up a charge.
00:34:05 Throw me in.
00:34:06 You've done it before.
00:34:08 Locking you up isn't going to help.
00:34:11 You're sitting on a hot rock, ain't you?
00:34:14 I like to see you jump.
00:34:16 I promised to drop the pickpocket charge
00:34:18 if you played ball.
00:34:19 All right, so it's Bush league to you.
00:34:21 Now I'm going to give you big league stuff.
00:34:24 I'd rather chop my leg off than say what I came to say,
00:34:26 but I got to push personal feelings aside.
00:34:29 I'm going to the commissioner himself,
00:34:30 and I'm going to ask him to whitewash you.
00:34:32 Me, personally, I'm going to beg him
00:34:34 to give you a clean slate.
00:34:35 No more three-time loser for you, Skip.
00:34:38 A nice fat bill of health for that strip of film.
00:34:41 That's what I'm going to ask him to do.
00:34:44 You're going to ask him?
00:34:45 Who are you kidding?
00:34:47 You guys sat yourselves down at a long table,
00:34:49 tried to figure out an angle.
00:34:51 Your idea, huh?
00:34:53 You mean the commissioner's idea and all the big wheels
00:34:56 in the department.
00:34:57 All right, Skip, I won't push it.
00:34:59 Just remember, if it's the last thing I do,
00:35:01 no matter what happens about this commie setup,
00:35:03 I'm going to see that you get it.
00:35:04 Hey, Tiger, save the taxpayers some money.
00:35:08 Don't plant a wire in here, because I'll tear it out.
00:35:11 Goodbye.
00:35:12 [DOOR SLAMS]
00:35:13 [CHUCKLES]
00:35:14 [FOOTSTEPS]
00:35:17 Did you find him?
00:35:18 Has he got it?
00:35:19 Yeah, but he knows what's on it.
00:35:21 Oh, and I had to go through to run that guy down.
00:35:26 Professional stool pigeon clipped me for $50.
00:35:29 He calls himself Mo, operates at 174 Bowery.
00:35:34 Sells ties as a front.
00:35:36 What do you mean he knows what's on it?
00:35:39 The way he hung on to it.
00:35:42 He's been around.
00:35:43 Did he say what's on the film?
00:35:45 He's shaking you down.
00:35:47 That tells the story.
00:35:49 Did you-- did you mention my name?
00:35:52 No.
00:35:53 Does he know where I live?
00:35:54 What are you getting so excited about?
00:35:55 You should be celebrating.
00:35:57 I found him for you, didn't I?
00:36:00 He's got what you want.
00:36:04 I'll give you his address, and you go over and make a deal.
00:36:06 No.
00:36:09 No, I-- I can't take a chance.
00:36:11 Oh, I like that.
00:36:12 You can't take a chance, but you send me over there.
00:36:15 It's different with you, Candy.
00:36:17 In what way?
00:36:18 Well, he-- he might have been hired for the job.
00:36:23 You think he knew what he was stealing?
00:36:24 Could be.
00:36:26 Well, then why didn't he contact you?
00:36:28 It makes no sense to me.
00:36:30 Well, he might be playing both ends against the middle,
00:36:32 don't you see?
00:36:33 No, I don't see.
00:36:36 But then maybe there's something about that film
00:36:39 that you haven't told me.
00:36:41 What do you mean by that?
00:36:42 You tell me.
00:36:43 There's nothing very complicated about it, Candy.
00:36:47 It's just that if he knew I was after the film,
00:36:48 it'd increase the price.
00:36:49 That's all.
00:36:51 I told you I was in a cutthroat business.
00:36:54 These manufacturers would do anything
00:36:55 to eliminate each other.
00:36:57 That's the reason I've got to keep out of it.
00:37:00 And that's the reason you've got to go back to him.
00:37:01 Well, I'm not going back to that guy.
00:37:05 He cut me on the job.
00:37:07 Look, this is all part of your last delivery.
00:37:10 You started this job.
00:37:11 Now finish it.
00:37:14 There.
00:37:16 Here's 500.
00:37:19 Offer him 50.
00:37:21 He holds out for more, give him another 50.
00:37:24 Whatever's left is yours.
00:37:30 You can buy a lot of dresses with $400.
00:37:35 You've got to come back with it, Candy.
00:37:38 I'll wait for you in the office.
00:37:39 Hey.
00:37:49 I'm down here.
00:37:51 Stairs are behind the hammock.
00:37:53 [MUSIC PLAYING]
00:37:56 Where's your old lady?
00:38:07 She couldn't come.
00:38:08 Oh, it's too bad.
00:38:10 Got the cabbage?
00:38:11 Uh-huh.
00:38:14 I just can't figure you out.
00:38:16 Don't try.
00:38:17 Let your old lady do all the figuring.
00:38:18 How much did she give you?
00:38:20 How come a nice guy like you goes around picking handbags
00:38:22 in the subway?
00:38:24 Muffin, the last time I worked the subway,
00:38:26 I was in short pants.
00:38:29 The last time was this morning, unless you got a couple
00:38:32 extra licks in between.
00:38:33 Oh, don't be that way.
00:38:35 How many times you've been caught with your hand
00:38:40 where it doesn't belong?
00:38:41 Well, I tell you, baby, whenever I'm caught,
00:38:44 it's always an accident.
00:38:46 Like maybe I don't feel so good, you know?
00:38:48 Or maybe I'm not concentrating.
00:38:51 I've been tapped a couple, three times.
00:38:54 Three times?
00:38:55 Yeah, that's part of the business, red side
00:38:56 of the ledger.
00:38:57 Want to smoke?
00:38:58 Sure.
00:39:00 I once knew a--
00:39:02 I mean, I once heard of a fellow who was in--
00:39:04 who was in jail three times.
00:39:10 The next time they arrested him, they locked him up for good.
00:39:12 Yeah, that's the way it goes.
00:39:13 There's a law about three-time losers, you know.
00:39:15 Fourth conviction means life.
00:39:17 You mean, if they caught you this morning picking my purse,
00:39:21 you could be sent up for life?
00:39:24 Nothing happens when I'm concentrating.
00:39:26 You're a dope taking chances like that.
00:39:33 How much money do you think people carry around?
00:39:35 How's the chin?
00:39:37 Fine.
00:39:38 Good.
00:39:39 You got fingers like an artist.
00:39:46 Soft and smooth.
00:39:47 In my business, I got to keep them that way.
00:39:49 When they stay empty, they get nervous.
00:39:51 Come on, come on, come on.
00:39:55 How'd you get to be a pickpocket?
00:39:56 [MUSIC PLAYING]
00:39:59 How did I get to be a pickpocket?
00:40:01 How'd you get to be what you are?
00:40:03 Things happen, that's all.
00:40:06 Don't get sore.
00:40:07 Don't ask stupid questions.
00:40:09 I only ask 'cause I'm interested.
00:40:14 Interested?
00:40:15 [MUSIC PLAYING]
00:40:19 How much is it worth to you?
00:40:22 What are you pushing me for?
00:40:24 You came here to buy, didn't you?
00:40:26 [MUSIC PLAYING]
00:40:29 You're not going to raise the ante by smearing my lipstick.
00:40:39 Then why the pitch?
00:40:40 'Cause I really like you.
00:40:44 Yeah, why?
00:40:46 Everybody likes everybody when they're kissing.
00:40:49 And everybody's always different.
00:40:50 Samara, you're like somebody else.
00:40:52 I kissed a lot of guys.
00:40:57 But honest, Skip, I never felt like this.
00:41:01 You're talking like you got a fever.
00:41:03 [MUSIC PLAYING]
00:41:06 I know what you mean now.
00:41:14 You look for oil and you hit a gusher.
00:41:15 [MUSIC PLAYING]
00:41:19 How much did you bring?
00:41:27 I don't want to talk about it.
00:41:30 How much?
00:41:33 500.
00:41:35 [MUSIC PLAYING]
00:41:38 You tell that commie I want a big score for that film
00:41:41 and I want it in cash tonight.
00:41:43 What are you talking about?
00:41:45 You tell me.
00:41:45 You people are supposed to have all the answers.
00:41:47 Tell you what?
00:41:48 I don't--
00:41:49 Come on, drop the act.
00:41:50 So you're a red.
00:41:51 Who cares?
00:41:52 Your money's as good as anybody else's.
00:41:55 Now get your stern up those stairs
00:41:57 and tell your old lady what I want.
00:41:58 A red?
00:41:59 Take off.
00:42:00 You think I'm a red, me?
00:42:01 I don't think anything.
00:42:02 I know.
00:42:03 I know what you're after.
00:42:04 I know what it's worth.
00:42:04 Don't help me.
00:42:06 I don't know what you're talking about.
00:42:07 You know, all right.
00:42:07 But what you don't know is that when I grifted your wallet,
00:42:09 I was pulled in by the cops.
00:42:11 You know how hard it is to spot my fingers in action?
00:42:13 Can't be done.
00:42:14 But a guy did it.
00:42:16 You know how he did it?
00:42:17 He was watching you.
00:42:18 And that guy you were supposed to pass the film to,
00:42:20 you don't know anything about him either, huh?
00:42:22 He's still waiting.
00:42:22 He's itching for it.
00:42:23 Look, Skip, the way I feel about you, I wouldn't lie to you.
00:42:27 You gotta believe me.
00:42:28 I gotta believe nobody.
00:42:30 I'll do business with a red, but I don't have to believe one.
00:42:33 [SLAP]
00:42:34 [GASP]
00:42:35 I'm sorry, Skip.
00:42:37 I--
00:42:38 [GRUNTING]
00:42:40 Get out of here!
00:42:41 Now, tell your old lady I'm shaking down
00:42:43 you reds for 25 grand.
00:42:45 Get going!
00:42:46 [MUSIC PLAYING]
00:42:49 Slapped me all over the place.
00:43:04 What a line he gave me.
00:43:06 And me falling for it.
00:43:10 Took the 500 right out of my bag.
00:43:12 You know what's crazy about the whole thing?
00:43:18 You know what he wants?
00:43:20 $25,000.
00:43:25 $25,000 for that film.
00:43:30 Did you ever hear such a crazy thing?
00:43:33 You know why?
00:43:35 You know what he said?
00:43:38 He's crazy.
00:43:39 He said I was a commie.
00:43:45 Did you ever hear such a thing?
00:43:48 What makes people like that?
00:43:50 Where do they get such ideas?
00:43:53 All right, he wants to shake us down,
00:43:56 but to start calling us commies.
00:43:58 Sit down.
00:43:59 You know what else he told me?
00:44:00 Sit down.
00:44:01 You should have taken care of him yourself.
00:44:10 You know I couldn't take a chance.
00:44:12 I know you're getting paid to take them.
00:44:13 Security isn't interested in all this confusion.
00:44:29 [DOORBELL RINGS]
00:44:32 Delivery must be made tomorrow night.
00:44:42 [DOOR CLOSES]
00:44:44 Get that film.
00:45:01 [DOOR CLOSES]
00:45:10 [MUSIC PLAYING]
00:45:14 Joey!
00:45:17 You can't do it.
00:45:18 Where does he live?
00:45:20 I know what kind of a guy he is.
00:45:21 He'll kill you.
00:45:22 Where does he live?
00:45:23 If you kill him, you'll get the chair.
00:45:26 Joey, I know we're all washed up,
00:45:28 but I still owe you something for the break you gave me.
00:45:33 I don't want to see you end up on a slab.
00:45:37 All right, I'll find him myself.
00:45:39 I'll find him the way you did.
00:45:41 OK, Joey.
00:45:43 I'll tell you.
00:45:46 He lives at 704 West 47th Street near 10th Avenue
00:45:54 in the basement.
00:45:55 I'm going crazy.
00:45:57 I-- I didn't know where to go.
00:45:59 I-- I didn't know who to talk to.
00:46:01 Why don't you go to the cop?
00:46:04 Who'd believe I didn't know what I was passing?
00:46:06 Who'd believe me?
00:46:08 Who'd believe me?
00:46:09 Would you believe me?
00:46:11 Do you know what they do to people
00:46:12 who hand out government secrets?
00:46:14 Mo, you've got to promise me, Mo.
00:46:18 When Joey asks you, you don't know where Skip lives.
00:46:21 He won't find me.
00:46:22 He knows where you live.
00:46:23 Well, why ain't he here?
00:46:25 I gave him a phony address for Skip.
00:46:27 He's looking for him now.
00:46:29 So why don't you tell Skip?
00:46:30 He won't believe a word I tell him.
00:46:37 Oh.
00:46:39 So he crawled under your skin too, huh?
00:46:43 He's as shifty as smoke, but I love him.
00:46:46 You sold him out for $50.
00:46:48 Oh, look.
00:46:49 Some people peddle apples, lamb chops, lumber.
00:46:51 I peddle information.
00:46:54 Skip ain't sorry.
00:46:55 He understands.
00:46:56 We live in a different kind of a world.
00:46:59 Oh, once in a while, he gets hot under the collar
00:47:02 if I sell him short.
00:47:04 But you wouldn't sell him to a commie.
00:47:08 What do you think I am, an informer?
00:47:09 Mo.
00:47:15 [SOBBING]
00:47:18 [MUSIC PLAYING]
00:47:22 [KNOCKING]
00:47:27 Coffee.
00:47:42 Stay away from your shack, Skip.
00:47:45 There's a guy gunning for you.
00:47:47 Well, he won't have any trouble finding me.
00:47:50 Everybody in town knows where I live.
00:47:53 I didn't pinpoint you, honest.
00:47:56 I give Tiger the name of eight cannons,
00:47:58 but that creep that was with him,
00:48:00 he fingered your picture like a shot.
00:48:02 Oh.
00:48:05 Confidentially, it sounded like your kind of an act.
00:48:09 You think so, huh?
00:48:11 How much did you raise on me for your stoning plot?
00:48:15 Oh, don't be sore.
00:48:16 They'd have caught up with you in a couple of hours anyways.
00:48:20 I just chopped down on the time a little.
00:48:24 That's mighty nice of you.
00:48:26 Who's gunning for me?
00:48:30 What's the matter with you?
00:48:32 Playing footsies with the commies.
00:48:35 You waving a flag, too?
00:48:37 Listen, I knew you since you was a little kid.
00:48:39 You was always a regular kind of crook.
00:48:41 Yeah.
00:48:42 I never figured you for a louse.
00:48:44 Stop.
00:48:44 You're breaking my heart.
00:48:46 Even in our crummy kind of business,
00:48:48 you got to draw the line somewhere.
00:48:52 That muffin you grifted, she's OK.
00:48:57 Stuck her chin way out for you.
00:48:59 She's--
00:49:03 Hey, you look tired, Ma.
00:49:04 You better go home.
00:49:07 Go on.
00:49:07 [SIGHS]
00:49:10 Stop using your hands, Skip, and start using your head.
00:49:22 My kid loves you.
00:49:24 Bye, Skip.
00:49:30 See you, Ma.
00:49:31 [DOOR OPENS]
00:49:34 [DOOR CLOSES]
00:49:38 Hi, mister.
00:49:44 One by a tie, mister.
00:49:47 Latest fifth avenue creation.
00:49:50 By a tie.
00:49:51 [DOOR OPENS]
00:49:54 [DOOR CLOSES]
00:50:05, [MUSIC PLAYING]
00:50:28 A small cafe, mademoiselle.
00:50:34 A rendez-vous, mademoiselle.
00:50:40 A bayonet, a bourbon, a suit, and silver ring, mademoiselle.
00:50:51 And as the night danced by, a kiss became a sigh.
00:51:01 Your lovely eyes seem to sparkle just like binders.
00:51:09 No half-look and the way that mine does for you.
00:51:18 One yet I know to wear.
00:51:24 Someday you'll say goodbye.
00:51:30 What are you buying, mister?
00:51:32 The name and address of the pickpocket
00:51:34 you sold to a girl tonight.
00:51:37 Maybe I forgot.
00:51:40 Here's $100 to remember.
00:51:43 You pant like a dog.
00:51:47 $500.
00:51:49 What's this guy made out of, diamonds?
00:51:52 Just give me the answer.
00:51:53 Maybe it'll come to me in a couple of days.
00:52:01 Maybe you won't be around here in a couple of days.
00:52:02 You threatening to blow my head off?
00:52:14 Ask a silly question, you get a dopey look.
00:52:18 Why are you holding back on me?
00:52:20 You'd sell anybody for buttons.
00:52:23 Yeah, but not to you, mister.
00:52:26 Look, I haven't got a lot of time.
00:52:29 You haven't got a lot of time.
00:52:31 Listen, mister, when I come in here tonight,
00:52:40 you've seen an old clock running down.
00:52:42 [MUSIC PLAYING]
00:52:45 I'm tired.
00:52:46 I'm through.
00:52:52 Happens to everybody sometime.
00:52:56 Will happen to you too someday.
00:52:58 With me, it's a little bit of everything.
00:53:05 Back aches and headaches.
00:53:09 I can't sleep nights.
00:53:10 [MUSIC PLAYING]
00:53:13 It's so hard to get up in the morning and get dressed
00:53:17 and walk the streets, climb the stairs.
00:53:22 I go right on doing it.
00:53:26 Well, what am I going to do, knock it?
00:53:31 I have to go on making a living so I can die.
00:53:37 [MUSIC PLAYING]
00:53:41 But even a fancy funeral ain't worth
00:53:43 waiting for if I've got to do business with crumbs like you.
00:53:48 And I know what you're after.
00:53:51 What do you know?
00:53:53 I know you commies are looking for some film
00:53:55 that don't belong to you.
00:53:56 [MUSIC PLAYING]
00:54:02 You just talked yourself into an early grave.
00:54:06 What else do you know?
00:54:07 What do I know about commies?
00:54:10 Nothing.
00:54:12 I know one thing.
00:54:14 I just don't like them.
00:54:15 [MUSIC PLAYING]
00:54:29 So I don't get to have the fancy funeral after all.
00:54:36 Anyway, I tried.
00:54:37 Look, mister, I'm so tired.
00:54:47 You'd be doing me a big favor if you'd blow my head off.
00:54:50 [GUNSHOT]
00:54:55 [APPLAUSE]
00:55:06 All right, on your feet.
00:55:07 Come on.
00:55:07 Stick up.
00:55:08 Put your hands up against that wall.
00:55:09 Oh, cops.
00:55:11 Sure.
00:55:12 For a minute there, I thought it was a stick up.
00:55:13 No weapon.
00:55:17 Of course not.
00:55:18 I never used a gun in my life.
00:55:20 Turn around.
00:55:21 Sure.
00:55:22 Hey, wait a minute. What is this?
00:55:24 A homicide, Rob. Come on, let's go.
00:55:25 Homicide?
00:55:26 Look, you got the wrong guy.
00:55:27 Take it easy, will you?
00:55:29 You can't pull me in like this.
00:55:30 What's the charge?
00:55:31 We're pulling in every pickpocket in Mo's book.
00:55:34 When did you see her last?
00:55:36 You mean Mo gut her?
00:55:37 Somebody shot her head off.
00:55:39 What?
00:55:40 Lieutenant?
00:55:41 Hey, Eddie?
00:55:44 Hang on to it.
00:55:48 Yeah?
00:56:02 Lieutenant Campion?
00:56:04 Yes?
00:56:05 My name is Enyart.
00:56:07 Yes, sir.
00:56:08 Your driver just told me what time it happened.
00:56:10 McCoy's not your man.
00:56:11 I'm sorry, Mr. Enyart, but my orders are to bring him in.
00:56:14 I've been here the whole time, Lieutenant, watching him.
00:56:16 Have the captain of your homicide squad
00:56:18 check with Mr. Zorro.
00:56:20 All right.
00:56:21 Come on.
00:56:23 Yeah, I know, but I thought they were supposed to hold
00:56:25 on to her till somebody claims her.
00:56:27 Nobody will claim her.
00:56:28 She'll complete the morning's work.
00:56:30 Nobody will claim her.
00:56:31 She'll complete the morning load to Potter's Field.
00:56:33 All right, Captain.
00:56:38 Yeah.
00:56:40 Yeah, I understand.
00:56:41 OK.
00:56:42 Hey, Eddie.
00:56:46 Take them off.
00:56:48 Take them off.
00:56:49 Let's go.
00:56:59 Something wrong?
00:57:00 I got a clearance to pick up number 11.
00:57:04 The name's Moe, Moe Williams.
00:57:06 Steve, 11 goes back.
00:57:18 Give him a lift.
00:57:19 [HORN BLOWING]
00:57:22 [HORN BLOWING]
00:57:26 [HORN BLOWING]
00:57:29 Relative?
00:57:55 Nope.
00:57:56 What are you going to do with him?
00:57:58 I'm going to bury him.
00:57:59 [ENGINE RUMBLING]
00:58:03 [MUSIC PLAYING]
00:58:06 [ENGINE RUMBLING]
00:58:10,
00:58:21 [ENGINE RUMBLING]
00:58:25 [ENGINE RUMBLING]
00:58:29 [ENGINE RUMBLING]
00:58:33 [ENGINE RUMBLING]
00:58:36 [ENGINE RUMBLING]
00:58:39 [ENGINE RUMBLING]
00:58:42 [ENGINE RUMBLING]
00:58:45 [ENGINE RUMBLING]
00:58:48 [ENGINE RUMBLING]
00:58:51 [ENGINE RUMBLING]
00:58:54 [ENGINE RUMBLING]
00:58:57 [ENGINE RUMBLING]
00:59:00 [MUSIC PLAYING]
00:59:03 Poe's dead, Skip.
00:59:08 She was shot in the head last night.
00:59:10 It's in the papers.
00:59:12 What are you doing here without the dough?
00:59:16 I went to her last night.
00:59:19 I begged her not to tell Joey where you lived.
00:59:23 She wouldn't tell you, Skip.
00:59:26 She really loved you.
00:59:27 Who's Joey?
00:59:28 Your old lady?
00:59:31 You're not listening.
00:59:32 Is Joey your old lady?
00:59:33 Yes.
00:59:36 But I-- I told her all about it.
00:59:39 I knew he'd find her.
00:59:42 You think he did it?
00:59:44 I'm sure of it.
00:59:46 He was ordered to find you.
00:59:48 I was there.
00:59:49 I saw him take the gun.
00:59:52 But honest, Skip, I didn't think he'd kill her.
00:59:55 Oh, shut up.
00:59:56 [SOBBING]
00:59:58 I didn't mean it.
00:59:59 I didn't mean it.
01:00:00 I was thinking about Moe.
01:00:01 I didn't mean it.
01:00:02 I just didn't figure to go that way.
01:00:05 It's all right.
01:00:06 It's OK.
01:00:07 It's my fault. I've been up all night walking the streets.
01:00:12 I didn't know where to go.
01:00:15 When I read about it in the papers, I had to see you, Skip.
01:00:18 I had to tell you how it happened.
01:00:21 You've been so wrong about me, Skip.
01:00:23 I had nothing to do with it.
01:00:25 It's all right.
01:00:26 Oh.
01:00:27 I see the whole picture now.
01:00:29 Where does he live?
01:00:33 He's got a gun.
01:00:38 I'll let the cops handle him.
01:00:40 Where does he live?
01:00:42 340 West 96th Street.
01:00:45 You better have that 25 grand ready.
01:00:52 [MUSIC PLAYING]
01:00:56 [MUSIC PLAYING]
01:00:59 That's it.
01:01:18 Skip!
01:01:19 Skip!
01:01:24 I didn't see you there.
01:01:25 Skip!
01:01:29 Skip!
01:01:30 [PHONE RINGING]
01:01:53 OK, lady.
01:01:54 You the head of the pickpocket squad?
01:02:02 Yep.
01:02:03 There's the film you've been looking for.
01:02:05 The film the commies want.
01:02:06 Skip told me to bring it right to you.
01:02:08 Skip told you?
01:02:09 Yeah.
01:02:10 Hey, I was followed here, and not by friends.
01:02:13 I followed you.
01:02:15 This film's marked, all right.
01:02:17 Would you sit down over here, please?
01:02:22 Now, just relax and answer a few questions.
01:02:25 How did you contact Skip McCoy?
01:02:27 A lady called Mo.
01:02:31 Your friends have anything to do with the murder?
01:02:33 Yes.
01:02:34 You say that on oath?
01:02:36 I'll tell you everything I know under oath.
01:02:38 Do you know what was on that film when Skip lifted it from your purse?
01:02:41 Look, mister.
01:02:45 I didn't say anything about anybody lifting anything from my purse.
01:02:50 I came here to help you out.
01:02:51 That's the way Skip wanted it.
01:02:53 He's been fighting something inside him.
01:02:56 Something decent, trying to crawl out.
01:03:00 Well, what's the difference why he sent me?
01:03:02 I'm here with the film.
01:03:04 That's enough.
01:03:05 How long have you known Joy was a communist agent?
01:03:07 I didn't know till Skip told me.
01:03:12 Honest.
01:03:18 You want to help us fight communism, don't you?
01:03:21 That's why Skip sent me, to help you.
01:03:23 What I'm going to ask you to do might be dangerous.
01:03:26 I'm here.
01:03:28 All right.
01:03:29 Go back to Joy with this film.
01:03:33 Carry through with the original plan.
01:03:35 Now, whether you make delivery or Joy, it doesn't matter.
01:03:38 We'll jump when this film passes to the man we want.
01:03:41 Are you ready?
01:03:45 Sure.
01:03:49 Call on Joy.
01:03:50 Tell him you've got the film.
01:03:51 I told you there was a big difference between a traitor and a pickpocket.
01:03:59 Hello?
01:04:00 Joy?
01:04:01 This is Candy.
01:04:03 Candy.
01:04:05 (HELICOPTER WHIRRING)
01:04:08 (HELICOPTER WHIRRING)
01:04:10 (ALARM BUZZING)
01:04:34 (ALARM BUZZING)
01:04:36 Candy?
01:04:48 Candy!
01:04:49 -Joy? -Where are you?
01:04:52 I'm in the tub.
01:04:54 That's why I left the door unlocked.
01:04:56 Pour yourself a cup of coffee.
01:05:00 Come on out here.
01:05:03 Did you hear me? I said come on out here.
01:05:05 Come on, quit stalling.
01:05:06 Did you hear me? I said come out.
01:05:11 Candy!
01:05:14 Why did you give me a phony address?
01:05:30 -I had to. -Why?
01:05:32 'Cause I didn't want you to kill him. I didn't want you to go to the chair.
01:05:35 Where you been all night?
01:05:36 With him.
01:05:38 I'm gonna beat the twit out of you. What are you up to? What are you trying to...
01:05:40 Go ahead, beat up on me, if you don't believe me.
01:05:44 But I got the film.
01:05:45 How'd you get it?
01:05:50 You wanted 25,000. How did you do it?
01:05:53 How do you think?
01:05:54 I wasn't lying to you, Joey.
01:05:59 I just didn't want to see you get the chair.
01:06:01 You know how I feel about you. I'd do anything for you, Joey.
01:06:06 -I'd give you anything... -There's a frame missing.
01:06:08 You'd do anything for me, huh?
01:06:12 Where does he live?
01:06:15 He's moved.
01:06:17 Where does he live?
01:06:19 He's gone!
01:06:21 -Joey! -Where does he live?
01:06:23 I don't...
01:06:24 Where does he live?
01:06:28 I...
01:06:29 No!
01:06:32 Where does he live?
01:06:33 Where does he live?
01:06:35 Where does he live?
01:06:37 Where does he live?
01:06:39 Where does he live?
01:06:40 Where does he live?
01:06:41 Where does he live?
01:06:42 Where does he live?
01:06:44 Where does he live?
01:06:46 Ah!
01:06:47 Ah!
01:06:49 Oh!
01:06:51 (WHISTLING)
01:06:53 (WHISTLING)
01:06:54 (DOOR OPENS)
01:06:55 (DOOR CLOSES)
01:06:59 (DOOR CLOSES)
01:07:24 (DOOR OPENS)
01:07:25 (WHISTLING)
01:07:30 (WHISTLING)
01:07:48 (DOOR OPENS)
01:07:49 She's still alive.
01:08:09 Get an ambulance, quick.
01:08:10 Give me headquarters, police headquarters.
01:08:16 He's in the building somewhere. Try every floor, every stairway.
01:08:19 Send an ambulance.
01:08:20 A woman's been shot at 607 West 74th Street, apartment 302.
01:08:24 And notify homicide.
01:08:25 He's not on the roof.
01:08:33 Throw some more men at the entrance.
01:08:34 Ray, check the janitor's closet.
01:08:36 All floors.
01:08:37 (DOOR OPENS)
01:08:45 Gibbs?
01:08:46 Gibbs.
01:08:47 Gibbs!
01:08:48 He's not down there.
01:08:51 Well, he's in the building somewhere.
01:08:54 Check everything.
01:08:55 Check the elevator.
01:08:56 Check the elevator.
01:08:58 (FOOTSTEPS APPROACHING)
01:09:01 (FOOTSTEPS APPROACHING)
01:09:03 (DOOR CLOSES)
01:09:13 (FOOTSTEPS APPROACHING)
01:09:21 (DOOR CLOSES)
01:09:28 (DOG BARKING)
01:09:29 No, Gibbs didn't make it. He died a few minutes ago.
01:09:54 No, she's got a 50-50 chance.
01:09:58 Yes, general alarm is in effect right now.
01:10:00 Every man in the police department's cooperating with us.
01:10:02 Yes, sir. Hundreds of prints of his face have been distributed.
01:10:06 I want you men to keep reminding the officers
01:10:13 that just as soon as Joey is recognized,
01:10:15 he's to be followed, no matter what happens.
01:10:18 I want an arrest when he passes that film.
01:10:20 (SOBBING)
01:10:21 Look, why are they taking so long?
01:10:24 Are you sure they went to get him?
01:10:26 Why are they taking so long?
01:10:28 You'd better calm down if you want to get better.
01:10:30 Look, phone the cops.
01:10:32 Go look outside, see if he's coming.
01:10:34 Why are they taking so...
01:10:36 There's a door. Go answer it. Answer it!
01:10:39 Answer it!
01:10:40 You all right?
01:10:59 (SOBBING)
01:11:00 Joey found a frame missing.
01:11:12 I had to tell you before he got to you.
01:11:15 I play everything smart.
01:11:17 But you...
01:11:19 Clubbing me and taking that film.
01:11:23 Look, get rid of it, Skip. Get rid of it.
01:11:26 You're clean now.
01:11:27 (SCOFFS)
01:11:28 I'm sorry I spoiled your big score.
01:11:33 I know it sounds corny to you, but...
01:11:38 I'd rather have a live pickpocket than a dead traitor.
01:11:42 And I'd rather have you talk without a twist.
01:11:47 I told you before, Skip.
01:11:49 I wouldn't lie to you.
01:11:56 Does Joey know where I live?
01:11:58 Your address was in my purse.
01:12:01 That's why I wanted the cops to get to you before he did.
01:12:05 Now, don't go back to the shack, Skip.
01:12:07 Did Joey kick your face in?
01:12:10 Yeah.
01:12:14 Why?
01:12:25 I wouldn't tell him where you live.
01:12:28 (SOMBER MUSIC PLAYING)
01:12:30 (SOMBER MUSIC CONTINUES)
01:12:33 (SOMBER MUSIC CONTINUES)
01:12:36 (SOMBER MUSIC CONTINUES)
01:12:38 (SOMBER MUSIC CONTINUES)
01:12:55 (SOMBER MUSIC CONTINUES)
01:12:57 (DOOR OPENS)
01:13:12 (SOMBER MUSIC CONTINUES)
01:13:18 (SOMBER MUSIC CONTINUES)
01:13:20 (KNOCKING)
01:13:46 (DOOR OPENS)
01:13:47 Not down here.
01:13:55 That's funny. The light's on.
01:13:58 He'll probably be back in a minute.
01:14:00 Why didn't you get in touch with me earlier?
01:14:02 I couldn't take a chance until they were off my back.
01:14:05 You sure this is the right place?
01:14:07 Yes, this is it. 60...
01:14:09 66 South Street.
01:14:11 How much time have we got?
01:14:13 Thirty minutes.
01:14:14 You better deliver what you've got.
01:14:16 Maybe it might be better if you turned it over.
01:14:21 I'll wait here for McCoy.
01:14:24 You haven't got much time.
01:14:26 Joey!
01:14:34 Yes?
01:14:35 Tell him I'll meet him at the airport with the other frame,
01:14:37 but not to wait.
01:14:39 (SUSPENSEFUL MUSIC PLAYING)
01:14:42 (SUSPENSEFUL MUSIC PLAYING)
01:14:44 (ENGINE RUMBLING)
01:15:09 (ENGINE RUMBLING)
01:15:12 (SUSPENSEFUL MUSIC PLAYING)
01:15:14 (ENGINE RUMBLING)
01:15:27 (ENGINE RUMBLING)
01:15:29 (TIRES SCREECHING)
01:15:53 (ENGINE RUMBLING)
01:15:56 (ENGINE RUMBLING)
01:15:58 (ENGINE RUMBLING)
01:16:00 (ENGINE RUMBLING)
01:16:25 (ENGINE RUMBLING)
01:16:27 (TIRES SCREECHING)
01:16:40 (TIRES SCREECHING)
01:16:53 (ENGINE RUMBLING)
01:16:56 (ENGINE RUMBLING)
01:16:59 (ENGINE RUMBLING)
01:17:01 (ENGINE RUMBLING)
01:17:03 (ENGINE RUMBLING)
01:17:06 (ENGINE RUMBLING)
01:17:08 (ENGINE RUMBLING)
01:17:11 (ENGINE RUMBLING)
01:17:13 (ENGINE RUMBLING)
01:17:41 There's a frame missing, bustard.
01:17:43 (GRUNTS)
01:17:45 (WHISTLES)
01:18:07 (GRUNTS)
01:18:09 (WHISTLES)
01:18:26 (GRUNTS)
01:18:33 (WHISTLES)
01:18:35 (GRUNTS)
01:18:44 (GRUNTS)
01:19:02 (ENGINE RUMBLING)
01:19:04 Hello, Tiger. How's the whip?
01:19:10 Still cracking, huh?
01:19:12 You know, I didn't need an escort from the clink back to this rat trap.
01:19:16 It's too bad you couldn't make that charge stick.
01:19:19 Let's have my release papers.
01:19:23 Thanks a lot.
01:19:31 (PAPER RUSTLING)
01:19:33 Honey, you look as good as new.
01:19:37 Did you miss me, muffin?
01:19:39 Come on, let's get out of here.
01:19:42 Well, ain't you even gonna say goodbye, Tiger?
01:19:50 Wait a minute!
01:19:57 I had you right where I wanted you.
01:19:59 A gun in your pocket, a cinch for a three-time loser.
01:20:02 That's right. What are you gonna do about it?
01:20:04 You'll always be a two-bit person, aren't you?
01:20:06 I'd give you 30 days before I pick you up with your hand in somebody else's pocket.
01:20:10 You want to bet?
01:20:13 (SIREN WAILING)
01:20:15 (SIREN WAILING)
01:20:18 (SIREN WAILING)
01:20:20 (SIREN WAILING)
01:20:22 (SIREN WAILING)
01:20:24 (SIREN WAILING)
01:20:26 (SIREN WAILING)
01:20:29 (SIREN WAILING)
01:20:31 (upbeat music)
01:20:34 [BLANK_AUDIO]