Aired (January 20, 2023): Moira's (Pinky Amador) secrets are gradually coming out. Will RJ (Richard Yap) and Giselle (Dina Bonnevie) prove the crime that the former did to Pepe (Leo Martinez)? #GMANetwork #GMADrama #Kapuso
Highlights from Episode 426 - 428
Highlights from Episode 426 - 428
Category
😹
FunTranscript
00:00 [MUSIC]
00:05 [FOREIGN]
00:07 [MUSIC]
00:10 >> Hey, Moira, what are you doing here?
00:13 [FOREIGN]
00:19 >> [FOREIGN]
00:24 >> What?
00:25 >> [FOREIGN]
00:35 >> Wait a minute.
00:39 I believe I saw this brown tone you can even.
00:43 It was here in your suit.
00:45 >> [FOREIGN]
00:53 >> [FOREIGN]
01:03 >> First of all, that is not my approach.
01:09 Second of all, I never even went to ICU.
01:12 >> [FOREIGN]
01:17 >> [FOREIGN]
01:27 >> Exactly.
01:43 >> [FOREIGN]
01:53 >> Come on.
02:02 You are making Lolo Pepe the reason for
02:05 [FOREIGN]
02:11 >> [FOREIGN]
02:21 >> Get out, Moira.
02:35 Get out.
02:36 [MUSIC]
02:46 >> I'm sure that Jusel's ex has a hidden agenda.
02:58 >> So, do you think you can use him?
03:01 >> Hopefully.
03:03 I still have eyes and ears within the halls of Apex.
03:07 [FOREIGN]
03:13 >> Which means we are still in the clear.
03:18 >> We?
03:19 [FOREIGN]
03:25 >> That makes you an accomplice.
03:27 If we go down, [FOREIGN]
03:30 >> Come on, Moira.
03:33 [FOREIGN]
03:37 >> Then you better pray that I won't wake up from this nightmare.
03:40 I have to go.
03:42 [MUSIC]
03:46 >> Why did I have a friend who is as crazy as Moira?
03:50 [MUSIC]
03:54 >> Hello?
03:55 Who is this?
03:56 [FOREIGN]
04:06 >> You don't even need to do that.
04:14 I am hanging up right now.
04:16 [FOREIGN]
04:20 >> Do not call me again ever.
04:22 Bye.
04:23 [MUSIC]
04:33 >> Where are you going?
04:46 Are you running away?
04:47 [MUSIC]
04:57 >> Ma'am Nerissa?
05:03 >> Nerissa!
05:04 >> Giselle!
05:05 What are you doing here?
05:09 If you're looking for Moira, I-
05:10 >> You're the one we're looking for, Nerissa.
05:12 >> Good day, Ma'am.
05:14 [FOREIGN]
05:24 >> On what grounds?
05:30 >> You know the grounds, Nerissa.
05:32 [FOREIGN]
05:36 >> That's not true!
05:37 [FOREIGN]
05:42 >> No!
05:43 >> Nerissa!
05:44 >> Ma'am.
05:45 >> Damn you, Nerissa.
05:47 I'm going to make sure you rot in jail.
05:50 [FOREIGN]
05:55 >> That's enough grounds for a-
05:57 [FOREIGN]
05:58 >> Goodbye to your freedom.
06:00 [FOREIGN]
06:07 >> Say that to the court.
06:09 [FOREIGN]
06:15 >> This wasn't me.
06:17 [FOREIGN]
06:22 [MUSIC]
06:25 [FOREIGN]
06:32 [MUSIC]
06:42 [FOREIGN]
06:52 [FOREIGN]
07:02 [MUSIC]
07:12 [FOREIGN]
07:22 [MUSIC]
07:32 [PHONE RINGING]
07:37 >> [FOREIGN]
07:42 >> Hello, Mrs. Taniag.
07:44 [FOREIGN]
07:48 [MUSIC]
07:50 [FOREIGN]
07:58 [MUSIC]
08:08 [FOREIGN]
08:18 [MUSIC]
08:28 [MUSIC]
08:38 [FOREIGN]
08:48 [FOREIGN]
08:52 >> She made those statements under duress.
08:55 That's not true.
08:57 [FOREIGN]
09:03 >> Sir, I repeat, my client made no such statements earlier.
09:08 [MUSIC]
09:11 [FOREIGN]
09:21 >> Excuse me, sir, but if you do not stop talking to my client that way,
09:25 I will sue you for harassment.
09:27 >> Marisa, please.
09:29 >> Sergeant, do you have any other questions for my client?
09:32 [MUSIC]
09:34 >> Then we should leave.
09:36 [MUSIC]
09:38 >> What?
09:39 [MUSIC]
09:42 What is that?
09:43 That's it?
09:44 >> I'm so sorry, ma'am, but we have nothing to do there.
09:47 >> But you heard what she said in front of us.
09:50 >> Yes, but I'm so sorry.
09:52 >> That's so annoying.
09:55 [PHONE RINGING]
09:59 >> Hello?
10:00 >> RJ, this is Eric.
10:02 >> Eric?
10:04 >> Speak up.
10:05 [MUSIC]
10:08 >> I'm sorry if I called.
10:10 I'm here in the precinct.
10:11 My car was hit by a motorcycle.
10:13 >> Are you okay?
10:15 Do you need help?
10:17 >> No, no, no, I'm good, I'm good.
10:19 But I heard something from the precinct.
10:22 It seems like she knows Moira.
10:24 [MUSIC]
10:27 >> Eric, what do you mean she knows Moira?
10:30 >> Giselle, I heard she called Ma'am Moira Taniag,
10:34 the person she was talking to on the phone.
10:35 And she helped her to get a hold of what happened to her.
10:39 >> Oh my gosh.
10:40 It seems like Moira is the person you're talking to.
10:43 Let's keep him there.
10:44 >> Eric, can you keep him there?
10:45 >> I'll try, but it's better if you go here.
10:48 >> Okay, text me the address.
10:50 Sir, you'll keep me posted.
10:52 >> Okay, let's go.
10:53 >> If you want, I'll just leave my motorcycle with you.
10:57 I'll just come back when I have money.
10:59 >> Wait.
11:01 What if your motorcycle is stolen?
11:03 >> No, sir.
11:04 >> I'm not the one who gave you the problem.
11:06 >> No, sir, it's legit.
11:08 It's a complete paper.
11:10 It has an ORCR.
11:11 It's a new registration.
11:12 >> Sir, the motorcycle is nice.
11:15 If she doesn't come back, you'll just give her the money.
11:17 >> Okay, you're making money.
11:19 >> Yes, sir.
11:20 >> Wait, I'll just put that motorcycle somewhere.
11:23 I don't need a motorcycle.
11:25 Wait.
11:27 Can't you call your friend to bring money here?
11:32 >> No, boss.
11:34 My friend is a thief.
11:36 He doesn't want to give me money.
11:38 >> Here's what we'll do.
11:41 We won't leave until you pay me.
11:47 >> Eric, is that him?
11:52 Did you find out anything about the kidnapping of Papa Ho?
11:55 Huh?
11:57 >> So, Zoe, did you get a good night's sleep?
12:16 >> Yes, auntie.
12:18 Why?
12:20 >> Well, because guilt is a very heavy burden to bear.
12:29 Ate, please.
12:32 >> Auntie, there's a saying that everyone is innocent until proven guilty.
12:44 I don't have any evidence against me, but you're already sentencing me.
12:51 >> Zoe, auntie, please stop.
12:55 We'll know the truth soon enough.
12:58 >> How much is the cost?
13:13 >> Here.
13:15 >> Attorney, is your client ready to speak?
13:28 >> Yes, he's ready to speak.
13:33 >> I'll speak, but you won't let me speak.
13:41 >> No, no, no, we can't do that.
13:45 >> It's up to you. I won't speak.
13:50 >> Sir, can we make him a state witness?
13:59 >> We can do something if you'll allow it.
14:10 >> Okay, we'll allow it.
14:13 >> You're not that bad. You're easy to talk to.
14:17 >> Yes, I'm one of your father's convicts.
14:23 >> Who ordered you?
14:26 Who ordered you?
14:36 [dramatic music]
14:39 >> Your good wife, Moira Taniag.
14:49 >> Moira, what happened?
14:56 >> Sir, we now have a case against Moira.
15:03 >> No, no, no, wait, wait, wait. I have another question.
15:07 Is Moira Taniag your mastermind?
15:11 Is there no other witness?
15:13 [dramatic music]
15:32 >> I told you, boy.
15:34 >> Miba!
15:35 >> Miba!
15:36 >> Miba!
15:37 >> Why are you stopping me?
15:40 >> Why did you hurt Zoe?
15:42 >> I know she's involved. We saw them looking at each other.
15:46 >> Why? Did I say she's a spy?
15:50 >> Why were you looking at each other?
15:52 >> Does she look bad?
15:54 Our boss is just Ma'am Moira, nothing else.
15:59 >> Zoe, apologize to Sister Giselle. She's getting too emotional.
16:03 >> You're crazy.
16:05 There's a medical paraphernalia found in the possession of my father.
16:09 Who is that?
16:11 >> That's mine. It came from the Shotacon nurse.
16:15 >> It's your word against hers.
16:17 Do you have evidence against Moira?
16:19 >> Boss Balahadia ordered me to dispatch his burner phone.
16:25 But I didn't do it so I could have insurance in case it falls.
16:29 You'll see the evidence that Ma'am Moira just ordered us to do.
16:34 That she's the mastermind behind all of this.
16:38 [dramatic music]
16:42 >> What are you looking at?
16:54 >> Sister, please.
16:55 >> I know you're involved in this.
16:58 >> Aunt, it's because of you or world that I'm always in trouble.
17:03 You get meaning to everything.
17:05 Just to satisfy you, I'm guilty, right?
17:08 You know what? I demand an apology from you.
17:13 >> I'm not apologizing.
17:15 The investigation is not yet over. That means you're not yet off the hook.
17:20 [dramatic music]
17:22 >> Hey, that's mine.
17:25 >> Why do you need your phone?
17:27 >> So you can warn your mother? So you can call Rob?
17:30 >> Dad, please.
17:32 >> No.
17:33 >> Zoe, it's better if you don't know anything about this.
17:36 >> How can you lie to me that this is a man?
17:39 How can you really believe that this is Mommy?
17:41 >> I know that this is a lie.
17:43 But not about your mother being the mastermind.
17:47 But about the fact that there's someone else behind this.
17:50 This is it!
17:52 [dramatic music]
17:54 [upbeat music]
17:58 [upbeat music]
18:00 [soft music]
18:12 [soft music]
18:14 [soft music]
18:16 [soft music]
18:22 [soft music]
18:25 [soft music]
18:28 (upbeat music)