Papá en Apuros Capítulo 61 Completo HD

  • 8 months ago
Papá en Apuros Capítulo 61 Completo HD
Transcript
00:00 [Music]
00:15 [Music]
00:42 [Music]
01:09 Well, now that we are alone,
01:13 why don't you take advantage of the moment?
01:15 Natalia, it's a little late, especially for a pregnant person.
01:20 Look, tomorrow I'll help you with the marriage.
01:23 Now rest.
01:24 Good night.
01:27 [Music]
01:56 [Music]
02:12 Look, I...
02:14 I always dreamed of having a big, beautiful, united family.
02:19 And I have it.
02:21 But I also dreamed of having a boyfriend
02:23 who would make me laugh, who would tell me crazy things,
02:27 who would not tell me anything when I was pregnant,
02:30 who... I don't know, who would hug me,
02:33 who would love me because I am what I am,
02:36 with everything I come with, and who would protect me, above all.
02:39 But Vicky, you already have all that.
02:42 Yes?
02:43 Look, you have Jorge, your children and me.
02:47 Because I...
02:49 I will always be by your side, Vicky.
02:52 I will never, never leave you alone.
02:55 Whatever happens, I will always be close to you.
02:58 And I'm going to tell you one more thing.
03:02 Yes?
03:03 Everything worthwhile in this world
03:06 involves a risk.
03:08 And that risk must be taken with courage.
03:12 I have a lot of faith, Vicky.
03:16 Ramón.
03:20 I love you.
03:22 [Music]
03:49 Oh, sorry. Sorry, sorry, sorry, sorry, sorry.
03:52 No, no, no, no. Forgive me, Turek.
03:54 No, no, no, no. What happened? How did this happen? How?
03:58 I don't know, I don't know.
04:00 I guess we love each other a lot and...
04:03 Well, we let ourselves be carried away.
04:04 Yes, and we got confused. This was a lapse, yes?
04:07 Just that. Just that.
04:08 Just a lapse, yes, yes, yes.
04:10 Daughter, what happened? Why do you have that face?
04:14 Oh, mom. I'm a... I'm a fool.
04:17 I'm ashamed of myself because I'm a fool and also naive.
04:21 Cristóbal is with Barbara and I just realized it a while ago.
04:25 Oh, mom.
04:27 But there must be a mistake because Cristóbal would be unable to do that.
04:31 Well, he did it.
04:33 And it was clear how in front of everyone he was sucking my...
04:35 Barbara.
04:38 So, excuse me, Mr. Ramón.
04:40 But it seems that you do not know the real Cristóbal.
04:46 Well, I'm going to get some air.
04:48 See you, Jonathan. Excuse me.
04:51 Bye, brother.
04:52 I don't want to say that I said it,
04:59 but for some reason I didn't want Estefan and Cristóbal to be together.
05:02 I knew something bad was going to happen.
05:05 Well, I think I'm going to bed.
05:15 Yes, and I'm going to see my daughter, okay?
05:17 Go ahead.
05:19 Now things are going to be weird between us.
05:24 Weird?
05:25 Yes, of course, weird.
05:27 For... for...
05:28 for lapses.
05:29 Lapses?
05:31 Yes, look, you know what?
05:33 We have to pretend that this never happened. Never.
05:36 Never?
05:38 Never, never. One, two, three, it's over.
05:40 You too.
05:44 It's over what?
05:45 Julieta, wake up, wake up. Come on, wake up.
06:11 Hey, you naughty girl.
06:14 It seems that she feels better.
06:16 Yes, because you took care of me.
06:19 Are we going to play?
06:20 No, Viva, because you're sick and you have to take care of yourself.
06:23 But I got better and you took care of me. Thank you.
06:28 You're welcome, my love.
06:29 You know, my mom was super happy when she found out you stayed to sleep.
06:33 Really?
06:34 Yes.
06:35 And what else did your mom tell you? Tell me.
06:38 That you are very pretty, nice and she loves you.
06:42 Ah, well, the next time you go with your mom, you're going to tell her that I love her too.
06:46 And that she has a beautiful, beautiful daughter.
06:49 Come in.
06:53 Hi, dad.
06:56 It seems that my daughter is already feeling much better.
06:59 Yes, because Julieta took care of me and I feel much, much better.
07:05 [Phone ringing]
07:09 Hi, Mati.
07:11 And how did you sleep today, my love?
07:13 I'm fine and Marina is feeling better.
07:15 Obviously she's better because you took care of her. How can she not get better?
07:19 Don't say that. Hey, I'm going home. We'll talk there.
07:23 Do you want me to pick you up?
07:24 No, don't worry.
07:25 Well, love, I love you.
07:27 Me too.
07:28 Bye.
07:29 Well, I have to go now.
07:33 No, Julieta, I don't want you to go.
07:36 Little girl, Julieta has things to do, but I'm going to stay with you.
07:39 Well, but didn't you tell Julieta that I teach you to sing? She sings super nice.
07:45 Well, I haven't heard it yet, but surely at some point it will be.
07:49 Now she has things to do.
07:51 Give me a kiss.
07:52 Bye.
07:53 Wee!
07:59 Wee!
08:00 Dad, why can't Julieta stay to live? I would love to. Not you?
08:09 Yes, I would like that too, but it can't be done.
08:12 Look, what do you think if we go for a great breakfast?
08:17 Yeah, but if Julieta stops taking care of me, I'm going to get sick again.
08:21 Oh yeah? And you're going to get this itch attack?
08:24 I don't think so. No. Let's have breakfast. Let's have breakfast.
08:29 And I was also thinking, and I think the best thing is that Cristobal and you are done.
08:35 Yes, I'm clear about that, but it still hurts me. Well, I trust him like I've never trusted anyone.
08:39 Hello, hello. I'm going to the door. Let's see who it is.
08:42 Hello, is this Steffi?
08:45 Yes, come in.
08:46 Thank you.
08:47 Pedro, what are you doing here?
08:48 Nothing, I came to get you so we could go out.
08:50 I'm warning you that the chances of a nail being successful are very low.
08:54 What?
08:55 The thing is that Cristobal and I are done. Definitely.
08:59 Yeah, so we have to go out so you can get distracted, right?
09:03 Sister, Pedro is right. You're too young to be suffering.
09:07 Go out, share, relax, right?
09:09 Yeah, right.
09:11 Well, I think it might be a good idea. So I'm going to go get my things.
09:16 Go ahead, go ahead, but...
09:17 Pedro.
09:18 You like my sister, right?
09:27 Since I met her.
09:29 Well, I'm warning you to be very careful because she's suffered enough.
09:33 And if that's something that hurts her, you're going to see her with the two of us, okay?
09:37 And no, it's not a warning, it's a threat.
09:40 I'm ready.
09:41 Let's go?
09:43 Let's go.
09:44 Yes, yes, see you.
09:45 Take care. Nice to see you.
09:47 Have fun.
09:48 Bye.
09:49 Let's see, Barbara, it's obvious that I like you a little bit and I already told you that you are a very pretty girl.
10:04 But we live in the same house and we have to be calm.
10:07 But it's very difficult for me.
10:09 No, no, no, no, Barbie, it's not that difficult.
10:11 Don't make any trouble and remember that nothing can happen here.
10:15 And on the street, yes?
10:17 Oh, sorry, Cristóbal, I know you told me not to make so much drama, but...
10:20 For me it is very difficult to live with you in the same house and not kiss you on the day.
10:26 Oh, sorry, sorry, sorry, what's going on here?
10:33 The big one is set up.
10:35 He was kissing!
10:37 I told you it had nothing to do with it.
10:38 Of course it has nothing to do with it.
10:39 Cristóbal, this is not right.
10:40 No, no, it was nothing important, dad.
10:42 Without importance, right?
10:44 What are you all doing here?
10:46 Well, I have to go to the debate, does anyone want to accompany me?
10:48 No, no, no, mother-in-law, we have an important family issue here that we want to solve.
10:52 What happened, my love?
10:53 It happens that we are going to have a very important and very serious conversation with Cristóbal and Barbara.
10:58 Come on, please.
10:59 [Music]
11:18 I'm glad you arrived, I missed you a lot.
11:20 Oh, yes, I was happy to go because Marina already feels much better.
11:23 Oh yeah? And? Did you sleep well?
11:24 Yes, as soon as I got with Marina, the TV turned off.
11:27 Oh, I had to hang the pillow because I didn't sleep at all.
11:29 Hey, don't be exaggerated.
11:31 Will you accompany me to see the house?
11:33 Of course, I am a willing matter.
11:34 Oh, don't sing so short, I don't want to know.
11:37 They are important data, mom.
11:39 After a debate, most voters choose their candidate.
11:42 But don't talk to her like that, you make her nervous.
11:44 Uh-huh, thanks Ramón.
11:46 I'm leaving, who comes with me?
11:48 Good luck, old lady, crush with that guy, huh?
11:50 That, good luck, aunt Vicky.
11:51 She comes with nails and teeth, the nail.
11:53 Oh, who told me to get into this?
11:55 [Music]
12:19 [Music]
12:48 Hello.
12:49 [Music]
12:58 Vicky.
12:59 I came to ask you if maybe ...
13:03 No, no, no, no, no.
13:05 I don't want you to ask me anything.
13:07 If you come to ask me about what happened ...
13:09 No, no, no, no, I didn't come to ...
13:10 We have a total amnesia.
13:11 Vicky, I didn't come to ask you that.
13:14 I wanted to ask you if you want me to stay or if it bothers you.
13:18 If you want, I can go.
13:19 That.
13:20 No longer, yes, yes, better stay.
13:22 Because my children have had to do a lot of things and they have not been able to be.
13:25 Are you sure?
13:26 I need someone from the family.
13:27 There comes Mr. Emilia, there comes Mr. Emilia.
13:29 Good afternoon, I want to thank you all for your presence.
13:33 I see that there are many media too, how good.
13:35 I know that this paper will change the face of the pier.
13:38 And that is very important for our city.
13:40 Because we want to be a reference ...
13:42 There are many things.
13:44 Did you notice? They left me talking to myself.
13:48 Well, they didn't even ask me anything.
13:50 Good afternoon.
13:51 Good afternoon.
13:52 I want to introduce my wife, Maria Cecilia, and my four children.
13:56 Your children?
13:57 I don't know how he did it.
13:58 I'll explain how he did it.
13:59 He didn't have television at home.
14:01 Juan Jose, the mischievous.
14:02 We finally meet in person.
14:07 And your grandchildren?
14:09 And your children?
14:11 What a pity.
14:12 I thought they had the support of their families.
14:15 Look, in these campaigns it is not necessary to involve our children or our grandchildren.
14:20 Because it is not our children or our grandchildren who are going to solve the real problems of the people of the pier.
14:26 That's right, that's right.
14:27 And I will have the total disposition to work for all my colleagues.
14:31 Because, yes, because I'm going to do everything alone.
14:34 Because I raised my children alone.
14:35 And they are well educated.
14:36 Because I can give them many things.
14:38 Excuse me, excuse me.
14:39 Vicky, I'm late, but this is good, the fastest I can.
14:42 How are you?
14:43 We are ready.
14:44 Who is it?
14:46 Costa and Costa.
14:47 How are you?
14:48 I am Jorge, I am Vicky's boyfriend.
14:49 Soon we are going to get married.
14:50 Welcome.
14:52 Now, let the debate begin.
14:53 And?
14:59 Are you not going to say anything?
15:00 Because I'm still waiting for an explanation.
15:01 I really find this situation unusual.
15:04 I would never have imagined it.
15:06 I mean, I knew there was an affinity between you.
15:08 But nothing else.
15:09 But you can't imagine things either.
15:11 We were alone, sad, and we kissed and that's it.
15:14 It's true.
15:15 No, Cristobal.
15:16 This is not good and it is uncomfortable for everyone.
15:18 We live in the same house and it is not correct that things are confused.
15:22 This is not good for your brothers or for you.
15:24 But why?
15:25 I really like Cristobal.
15:27 Because we are part of the same family.
15:29 You have to have a brother-sister relationship.
15:31 Not a romance relationship.
15:32 But we are not brothers.
15:33 Barbara Andrea, please.
15:34 Martin is right.
15:35 It was a mistake.
15:37 Now only friends.
15:38 Nothing else.
15:39 Yes?
15:40 OK.
15:41 OK.
15:42 There is no problem with Barbara.
15:43 Apart from the fact that we are good friends.
15:44 There is nothing else.
15:45 Dad.
15:46 The Cliterin are waiting for you outside.
15:48 What do I tell them?
15:49 The Cliterin?
15:50 Yes, yes, yes.
15:51 Tell them that we are in a family meeting and that we are leaving.
15:53 Well, then we can leave this here.
15:56 We already have a clear idea of what they think.
15:58 Isn't that so?
15:59 Yes.
16:01 Yes, but it seems unfair to me.
16:03 But hey.
16:04 Excuse me.
16:06 Excuse me.
16:07 Well, let's see about the Cliterin.
16:12 Although if you don't want to, I'll go alone.
16:14 No problem.
16:15 But Natalia, didn't we agree that it was going to be something simple?
16:18 Nothing else?
16:19 But of course.
16:20 Yes.
16:21 I'm doing it as simple as I can.
16:22 I'm coming.
16:24 Let's see, let's see, let's see.
16:34 Silence, please.
16:36 Silence, ladies and gentlemen, boys and girls.
16:38 We are going to start the debate.
16:40 I will be the moderator.
16:41 Thank you very much.
16:42 Excuse me, one moment, one moment.
16:44 I do not agree that you be the moderator of the debate.
16:46 Because in a few days he is going to marry Mrs. Vicky.
16:48 You are not going to be very impartial, what do you say?
16:50 The Constant has nothing to do with that.
16:52 Silence, silence.
16:53 Silence, guys.
16:54 Let's see, let's see, one moment, Mr. Costa and Costa.
16:56 I think there is no problem with Jorge being the moderator.
16:59 Because the Cliterin do not get involved in politics.
17:02 And I also think that impartiality is guaranteed, gentlemen.
17:05 Also, last time Reggio did it.
17:11 I've known him for a long time and his name is Intachal.
17:13 Yes, yes.
17:14 Thank you very much, Vicky.
17:17 Thank you very much, Mrs. Emilia.
17:18 I will be the moderator and no more talk.
17:20 We will move on to the next question.
17:22 Yes?
17:24 Yes?
17:25 Someone?
17:26 You?
17:27 Let's see, your name, please, I ask you.
17:28 Mrs. Emilia, tell us why a water park would be important in a pier.
17:32 That jumps to the eye, right?
17:35 The answer is in my person.
17:37 My proposal is that the family is the main axis of this pier.
17:40 Mother, father and children united in fun next to nature.
17:45 Next to the sea and the sky, which is for everyone and everyone.
17:49 No, no, no, no.
17:51 How is that going to be?
17:52 Crazy.
17:53 No, no, no, wait a minute.
17:54 Silence, boys, silence.
17:55 Look, Mr. Costa and Costa, I disagree with you because not all families are made up of father and mother.
18:01 No, I wish they were, but not all of us have the same luck.
18:05 I, for example, wanted my children alone.
18:07 I am the mother, I am the house, I am the front.
18:09 We are not here to talk about personal things, please.
18:11 We came to talk about proposals.
18:12 My proposal is that the family is the main axis of this pier and society.
18:18 And that it remains united as a marriage for life.
18:21 And remember, please remember that a family that has fun together remains united.
18:25 No, no, no.
18:26 Please, please, please.
18:28 Sorry, sorry, sorry.
18:30 But that's all because people die, right?
18:34 Right?
18:35 And widows don't have to be less worthy people.
18:39 Please, I agree with Mrs. Vicky that women can say and do a lot for this.
18:46 Bravo, bravo, bravo, bravo.
18:53 We must work together and united to improve this pier, which is for everyone.
19:00 All men alone, women alone, widows, widows, all the same.
19:05 Bravo, bravo, bravo.
19:08 It is really unusual for me that you agree on all those things.
19:13 You were not political rivals.
19:15 Well, we have some points of disagreement.
19:17 Ah, well, let's get to the point because I don't have much time.
19:19 For example, Mrs. Emilia's proposal is to take out the restaurant and all the neighboring businesses,
19:25 put a boulevard of the arts with shops, with high-end restaurants.
19:30 And Mrs. Vicky proposes that the pier stays as it is.
19:33 Yes.
19:34 As if it were fabulous.
19:36 No, no, no, no, no, no, no, no, no, no.
19:38 The nonsense is over here.
19:39 Damn, I've never said something like that.
19:41 What's wrong with you? What's wrong with you?
19:42 If you don't put words in our mouth, huh?
19:44 Let's see, let's see.
19:45 You have not said that you are going to take out the restaurant and all the businesses of the pier?
19:49 Take out, take out, no.
19:51 What I have said is a fair price for the compositions, for the progress, gentlemen.
19:57 Oh, please, please, what progress.
20:00 What progress.
20:01 If all he wants is to take out the pier.
20:03 Yes.
20:04 He wants money, money, money, money.
20:06 If he wants, he lives in the district and comes to give his opinion.
20:09 Yes, yes.
20:10 Please, please, please.
20:13 Please, we don't have to live in the hole to see the world.
20:17 We live in the hole.
20:19 We live in the hole.
20:20 That's what your father says.
20:21 Did you hear what he said?
20:23 Yes.
20:24 What did he say?
20:25 Hole.
20:26 Yes.
20:27 Hey, hey, what did you say?
20:28 I don't know, look, you are not going to tell me that this is a hole.
20:31 This is a cultural heritage that will have been believed in the old pituca.
20:35 Oh, oh, oh.
20:37 Oh, no, no, no, let's see.
20:38 I thought that this debate was going to be upheld and with respect, but with that language, Victoria, again, no.
20:45 Well, I thought that Adolfo Lucho was going to take out the pituca, the old pituca.
20:50 Well, look, to begin with, right?
20:52 This, the pituca can be taken out, but the old one, who?
20:54 Oh, oh, oh.
20:56 You are very young.
20:58 Can someone explain to this lady that she looks ridiculous dressing like a little girl?
21:03 He's not going to explain.
21:04 He's not going to explain.
21:05 He's not going to explain.
21:06 Silence, please.
21:07 Silence.
21:08 Gentlemen, please, silence.
21:09 Tell him from the inside.
21:10 Silence, please, silence.
21:11 I think this debate is over.
21:12 Or do you want to continue listening to these ladies who have nothing of emotional stability?
21:18 What?
21:19 [People talking]
21:39 Well, then you understood that with these events of the day we are going to earn good money, right?
21:44 Yes, but I can't miss the academy anymore.
21:46 If I'm saving money to enter the academy, I can't continue to miss my studies.
21:49 Yes, I think it's fine.
21:51 Well, maybe now that you're single, you have more time to work.
21:54 I don't know how much.
21:56 I almost never saw Cristobal.
21:57 Oh, we stopped together every weekend.
21:59 But it doesn't matter anymore.
22:01 The important thing is to earn money.
22:03 And I'll tell you that today, again, I have an event at night, huh?
22:06 Shall we go?
22:07 It can be.
22:08 Hey, Tefi.
22:14 Hmm?
22:16 Someone pretty.
22:18 You are more beautiful than before.
22:20 No, Pedro.
22:23 Don't get your hopes up with me, okay?
22:26 I'm not like Cristobal.
22:27 I don't give up love overnight.
22:30 I still feel it.
22:32 It's present.
22:33 Yes.
22:35 Come on.
22:37 Please stay so we can talk well.
22:52 No, thanks. I just came for my notebook.
22:54 Oh, I ... I remembered that I have things to do.
22:58 Bye.
23:00 Take.
23:02 You saved me, friend. Really.
23:06 I'm very glad.
23:08 You and I are no longer friends, huh?
23:09 Don't tell me that.
23:10 Hey, but ...
23:12 Elvis, forgive me. Seriously.
23:14 I don't know what else to do.
23:15 You're out of your mind, aren't you?
23:19 What makes me angrier than Cristobal is that you don't like Barbara.
23:23 And you didn't care.
23:25 And it doesn't matter to me if you were sad or depressed.
23:28 She kissed you first because she likes you.
23:29 It doesn't matter to me.
23:31 What makes me angrier is that you listened to her.
23:34 And you didn't do anything to avoid it.
23:36 I already told you, Elvis, that I didn't react.
23:38 I don't care.
23:40 Do whatever you want, okay?
23:42 If you want to get her back, I'm not going to get involved.
23:45 Do you think I would be with a whore like that?
23:48 No, Cristobal.
23:50 I leave the way open for you.
23:52 Take advantage of you.
23:53 But don't go like that.
23:54 You and I are brothers.
23:55 No.
23:58 Not anymore.
24:00 And I don't want anything to do with you.
24:03 So don't say that again.
24:05 Oh, we still have to buy a lot of things.
24:20 We don't have a living room, we don't have a dining room.
24:22 And my dad says we don't need anything.
24:24 Hey, do you still think we live together there?
24:27 Sure, right?
24:29 Your mom has Steffi, Jonathan, Jorge.
24:32 And another son.
24:34 And my dad is alone, I can't leave him alone.
24:36 True.
24:38 Hey, can I tell you something?
24:39 Already.
24:40 My mom and your dad kissed last night.
24:42 What?
24:43 Finally it was done.
24:44 But don't say anything, please.
24:46 Suddenly Jorge comes out of nowhere and your dad is the one who comes in with my mom.
24:49 Oh, that would be so cute.
24:51 Yes, right?
24:54 Hey, Mati.
24:56 I have to tell you something.
24:59 Well, tell me.
25:01 We've talked all day, right?
25:03 It's just that...
25:05 Mrs. Natalia invited me to her wedding with Mr. Martin.
25:09 It's the other week.
25:11 Do you think we should go?
25:14 And you want to go?
25:16 I don't know.
25:17 On the one hand, I feel like I have nothing to do there.
25:19 On the other hand, there are the children, my dad.
25:23 Would you go with me?
25:25 But do you really want to go or not?
25:27 I already told you I don't know.
25:29 The only way I can go is for the children.
25:32 It's a big change for them.
25:34 They're going to have a new mom, don't you think?
25:36 Yes, it's a drastic change.
25:38 Well, my love, regardless of what you decide, I'm going to support you and I'm going to accompany you.
25:43 Yes?
25:44 Yes.
25:45 [Music]
26:06 Bye Vicky, bye.
26:07 Take care.
26:08 Let us know when you get home, okay?
26:10 Okay.
26:11 You're a little weird, Vicky.
26:13 Weird?
26:14 How weird?
26:15 I mean, what do you mean by weird?
26:17 Weird, well, weird, strange, I don't know.
26:19 It must be because of the debate, right Vicky?
26:21 The debate, yes.
26:22 Oh, don't even talk to me about that debate.
26:23 I'm sick of the debate.
26:24 I always have to get a big package.
26:26 When is Ramón going to fall?
26:27 I mean, since he's your close friend, right?
26:29 Close?
26:30 No.
26:31 I mean, we're friends, but not that close.
26:34 Vicky, a little massage with your miraculous hand, please.
26:37 Yes, yes, of course.
26:38 I hate, I hate.
26:39 Well, I think I'd better go to bed.
26:41 I have to get up early so I can get there late.
26:44 I know why you're so weird.
26:46 You know?
26:47 Oh, sorry, sorry, sorry.
26:49 Yes, I know why.
26:51 Because of the money, right?
26:54 Because you don't trust me.
26:56 The money, yes.
26:57 Yes.
26:58 I mean, yes, you never made it clear and ...
27:01 Vicky, it hurts me that you don't trust your future husband.
27:03 Really, it hurts me, you offend me.
27:05 No, but I don't want to offend you.
27:07 I don't want us to fight either.
27:09 But what happens is that it was a very difficult day.
27:12 So what I least want is to fight, okay?
27:15 Then I'm going to tell you something good.
27:17 I'm going to make you an invitation.
27:19 Yes?
27:20 Yes.
27:21 Are you going to invite me like that to cheer me up?
27:23 Yes.
27:24 It's an invitation that will make you very happy.
27:26 You have to find yourself a nice dress.
27:29 I'm going to invite you to my best friend's wedding.
27:32 And who would be your best friend?
27:34 Who?
27:35 Commander Martin?
27:36 Martin, of course, Martin.
27:37 Yes, do you want to go?
27:38 When is it?
27:39 Next Saturday.
27:40 It's going to be amazing.
27:41 Vicky, it's going to be really amazing.
27:43 I got him a notary.
27:44 To make it something like that, simple, but it's going to be good.
27:47 We have to save hunger.
27:48 It's more than anything for the admiral to see it with different eyes.
27:51 Mr. Martin.
27:52 Already.
27:53 Look, besides putting on a nice dress, you have to carry a wallet.
27:56 But the biggest you have.
27:57 Yes?
27:58 If you can, you carry two wallets.
27:59 I hide them in my bag.
28:00 Yes, you can.
28:01 Because there will be a lot of food and we have to bring it for the boys.
28:04 Do you see how I think of them?
28:05 How?
28:06 Yes, yes.
28:07 Enough food, we bring it, we take it to the boys or we send it to the police with that.
28:11 What do you say?
28:13 [Music]
28:41 Oh, what elegance.
28:43 And this is nothing compared to what I'm going to wear in our wedding, Vicky.
28:46 You'll see.
28:47 Cute.
28:48 And how about me?
28:49 Look.
28:50 You'll see.
28:51 You'll see.
28:52 Beautiful.
28:53 Oh, thank you.
28:54 Beautiful.
28:55 Look, I don't want the old mummy to be telling me later that I'm a whore, all critical.
28:56 But that's still going to happen, Vicky, because you are the most beautiful in the world, the most beautiful at the party.
28:59 But you have to ignore it.
29:00 Do you promise?
29:01 No.
29:02 Promise, right?
29:03 With a kiss.
29:04 A kiss.
29:05 No, the boys can come down at any time.
29:06 But, Vicky, nothing happens.
29:07 You'll see.
29:08 [Music]
29:11 Since I know that I only do this for love, I don't want to be close to the old mummy or Laura Anastasia.
29:18 Now, let's go.
29:19 Yes, let's go.
29:20 I'm going to save this.
29:21 Hey, what did you buy for the boyfriends?
29:22 Did you buy something?
29:23 Yes, yes, what happens is that Martin didn't put ballers, so I bought him a nonsense.
29:27 What?
29:28 What nonsense?
29:29 What's wrong with you?
29:30 Martin is your best friend.
29:31 You can't buy a nonsense for his wedding.
29:33 Yes, he is my best friend, but he has everything, he doesn't need anything.
29:35 So, something simple.
29:37 Nothing else.
29:38 But how simple?
29:39 Something simple, Vicky.
29:40 Let's go.
29:41 Rather, for our list, I wanted to increase a double door refrigerator that fills you up in like five minutes.
29:45 Oh, no, you're going to get married.
29:46 No, it's amazing.
29:47 If you like to drink your coffee, feel free.
29:48 [Music]
29:56 I can't believe the amount of flowers this woman has put.
29:58 My God, it looks like a veil instead of a wedding.
30:01 Oh, I can't believe Martin is going to get married.
30:03 Me neither.
30:04 Hey, hey, hey, stop playing with that, the rings are going to fall.
30:08 Let him, let him, let him.
30:09 My mom is a little sad, but she says she likes my dress.
30:12 Because you look beautiful.
30:14 Yes.
30:15 And me?
30:17 You look very different, pretty.
30:22 Really?
30:24 Oh, almost everything is ready.
30:27 Today is the happiest day of my life.
30:30 Hey mom, and when am I born?
30:32 You are fine.
30:34 Oh, excuse me, mom.
30:35 Hey mom, I like your dress.
30:37 Please, don't make me nervous.
30:39 It's a little ring.
30:41 Hello.
30:42 Julieta.
30:43 Hello my love.
30:44 Thank you for the invitation.
30:45 Hello Julieta.
30:46 Hello.
30:47 Hello, how are you Emilia?
30:48 How are you?
30:49 Let's see, miss, come here, I want to see you.
30:52 Oh, how beautiful.
30:55 And you are also beautiful.
30:56 Thank you my love.
30:57 Is there anything I can help you with?
30:59 Oh no, please, Ramon.
31:00 You are our special guest.
31:02 Let's have a good time.
31:04 Oh, Julieta came.
31:06 Yes, yes, yes.
31:07 How nice.
31:08 And you brought your boyfriend, I love it.
31:10 Yes, at least a little while to accompany the children.
31:12 And Mr. Martin?
31:13 He is in his room.
31:14 In addition to having him in Morocco to marry him,
31:17 now he has him locked up so that he does not escape.
31:20 Oh, Mr. Emilia, how nice.
31:23 No, what happens is that the boyfriend cannot see the girlfriend
31:25 because he is unlucky.
31:26 Maybe they are superstitions, nothing more.
31:28 Oh, Luna, please.
31:30 Just in case, I want everything to be perfect today.
31:34 Barbarita, come with me to fix me.
31:36 You can already tell Martin that you can go out,
31:39 but don't let him see me.
31:40 [Screams]
31:42 [Screams]
31:44 [Screams]
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37:20 (upbeat music)
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37:29 (glass shattering)