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Short filmTranscript
00:00:00I'm not used to sleeping like this.
00:00:10It looks like we're going to have to wait another day without serving a single meal.
00:00:13Well, don't worry.
00:00:15The notification for Jabramus may arrive at any moment.
00:00:19We'll have to keep waiting.
00:00:23Hey, do you know if anything new has been published about the hooded man in the press?
00:00:28No, it seems that lately they have forgotten about the subject.
00:00:31Well, there is still a lot of police around here.
00:00:33I'm sure they are investigating the case.
00:00:35Normal.
00:00:36Until they catch him, they won't stop.
00:00:39Maybe they already know something and they are closing the fence to deal with him.
00:00:44It could be.
00:00:46What I'm sure of is that that bastard doesn't find it funny
00:00:49that the police are walking around the area where he usually picks up his victims.
00:00:53Well, he's a very smart guy.
00:00:55I'm sure it won't be so easy to deal with him.
00:00:59At least that will keep him away from the gallery.
00:01:03They are making it more difficult for him, yes.
00:01:06Well, but that's not our business.
00:01:08We have a lot going on here.
00:01:14Dude, maybe it's time to change sides.
00:01:21It could be.
00:01:23Maybe this is the end of a stage and I hadn't even thought about it.
00:01:26Well, every minute that passes is more possible.
00:01:31Well, if I'm honest with you, I don't know if I would know how to live without working in the tea room.
00:01:37I've had a very good time between these walls.
00:01:41I understand, but most waiters think that Don Fermín won't be able to get us through.
00:01:47And who said that?
00:01:49Don Fermín is a lynx for business.
00:01:51And he has gone through much worse times than this one.
00:01:53Don't get mad at me, I'm just telling you what I hear.
00:01:56Well, it hurts to hear.
00:01:57You know that rats are the first to leave the boat.
00:02:02You won't believe what I'm going to tell you.
00:02:05A piece of news.
00:02:06You're going back to town?
00:02:08That wouldn't be good news.
00:02:10For whom?
00:02:11Well, tell us.
00:02:13Well, it turns out that in the gallery I met a man who claims to be a journalist.
00:02:17He's a very tall guy.
00:02:19He's got a lot of nerve and he's very polite.
00:02:21And, of course, I figured he was coming for the filming of El Callejón.
00:02:25Well, it turns out that he doesn't.
00:02:26That sometimes he figures things out and then, well, he goes straight to the point.
00:02:29You can't go to the point, Marcelina.
00:02:31Yes, that.
00:02:32That the journalist who asked about me.
00:02:35What have you done? Why is he looking for you?
00:02:37Well, to work here.
00:02:38You can see that he has found out that in La Moderna they have hired a waitress for the first time
00:02:43and that he wants to interview me like the actresses of El Cinematógrafo.
00:02:46Wow.
00:02:47I didn't think this could have so much transcendence.
00:02:50Can I do the interview?
00:02:52I don't know.
00:02:54It's good for me.
00:02:55But first I have to talk to Teresa.
00:02:57And, of course, Don Fermín has the last word.
00:03:00Yes, of course.
00:03:01Well, I hope they let me do it because it makes me excited.
00:03:04Tremendous.
00:03:05I'm so happy that I'm going to clean the warehouse.
00:03:17Of course.
00:03:20That permit should be here by now.
00:03:22The closure was for 48 hours and it has already passed.
00:03:25It is inadmissible.
00:03:27No.
00:03:28No, I don't understand.
00:03:30Very well.
00:03:31Well, okay.
00:03:33And thank you for nothing.
00:03:41Sir, from what I have heard,
00:03:43it is not necessary to ask him to have fallen ill.
00:03:46You don't know to what extent.
00:03:48What reasons have the health department given him to delay the reopening?
00:03:51No reasons.
00:03:52The employee I spoke to says that he doesn't know
00:03:55if the file has not been tested,
00:03:57or if the document has been transcribed,
00:03:59or if it has been sent and not received.
00:04:02Nothing.
00:04:03So, are we going to remain closed until they clarify?
00:04:06I'm very afraid so.
00:04:07What a remedy.
00:04:08Damn the time when that poisoning took place.
00:04:14And Simón, not to be seen.
00:04:16What a disgrace.
00:04:19Yes?
00:04:21Excuse me.
00:04:22Come in, Pietro, come in, come in.
00:04:25Hello, Rodrigo.
00:04:26Tell me, what do you want?
00:04:28Well, Fermín, I've been going around the subject a lot
00:04:31and it hasn't been easy for me to come here to talk to you,
00:04:35but I think it's best for everyone.
00:04:37Pietro, can you get to the point, please?
00:04:39I don't have a good day today.
00:04:40Yes, of course.
00:04:41I wanted to talk to you about what I think happened
00:04:44with the pastry cream and the intoxication.
00:04:47I really think that Simón ...
00:04:50I have to remind you that while Simón is responsible for the worker,
00:04:54he has to be his only interlocutor.
00:04:57This is clear, Mr. Fermín.
00:04:59But I would like you to listen to me.
00:05:01Well, I'm not going to do it, Pietro.
00:05:02All I have to tell you is to be careful,
00:05:04because we may reopen La Moderna today.
00:05:07Well, as you say, Fermín.
00:05:10And what will happen if they don't let us open?
00:05:12I won't allow that.
00:05:13Many jobs depend on whether the doors of La Moderna open or not.
00:05:18And I'm sure we have a loyal client.
00:05:22A junkyard cannot spoil so many years of success and good service.
00:05:27I'm glad to hear it.
00:05:29And ... but I really would like to talk about what happened.
00:05:32Quiet, please.
00:05:33This is not the time.
00:05:34Go back to your worker and be warned.
00:05:38Okay.
00:05:39Excuse me.
00:05:40See you later.
00:05:50Are you okay, Mr. Fermín?
00:05:52As good as you can be in these circumstances.
00:05:55Did you like Pietro's visit?
00:05:56Disgusted? No.
00:05:58He just got me out of bed.
00:06:00Until a few weeks ago.
00:06:02I thought his good doing in the worker was the soul of this business.
00:06:07And it was true.
00:06:08I remember that when I arrived in Madrid, everyone told me wonderful things about the sweets of La Moderna.
00:06:12Yes, yes. I was very proud of it.
00:06:14But everything that has happened lately has made me distrust him.
00:06:21It seems that hiring Simon has solved the problem.
00:06:25Well, maybe I acted a little impulsively.
00:06:31But I couldn't risk Pietro leaving us overnight.
00:06:35However, the one who has not left us without prior notice has been Simon.
00:06:40And that still annoys me more.
00:06:42Because if we manage to reopen and Simon does not appear, I will have to continue trusting Pietro.
00:06:49Sir, if you allow me to tell you, maybe you should rethink who is who in that worker.
00:07:05Come with me, Rodrigo. We are going to talk to the people from Sanidad.
00:07:08We are going to protest, we are going to claim and tie ourselves to a streetlight at the door if necessary.
00:07:13But I don't come back here without that permission.
00:07:18Come with me.
00:07:26And I'll take care of Pietro. You go ahead.
00:07:30And if you don't get it?
00:07:32I'll get it. I think I'll get it.
00:07:35That Italian devil.
00:07:49And you say that Cañete thought it was good?
00:07:51Yes. Think that it may be good for La Moderna to publish an interview with the first waitress of the establishment.
00:07:58In other words, be a waitress.
00:08:01What do you think?
00:08:03Well, look, I think it's great that the press is proud that women can perfectly perform any job.
00:08:10So, can I say yes to the journalist who surrounds me in the gallery?
00:08:14Well, calm down, calm down, first we'll have to ask Mr. Fermin.
00:08:17Yes, well, look, it seems that he has not heard us, because he is coming.
00:08:20I'm going to open it.
00:08:25Good afternoon, Mr. Fermin.
00:08:26Good afternoon.
00:08:27Do you have a second?
00:08:28I would like to talk to you about an issue that I was discussing with Marcelina.
00:08:32At another time, Teresa, at another time, because now the important thing is to focus on the reopening of La Moderna.
00:08:40Oh, don't tell me you got the document.
00:08:42It was not easy to get it, but tomorrow we will be able to open normally.
00:08:46Oh, what a relief, what a great joy, for God's sake.
00:08:49Well, this is just the first step.
00:08:51We don't launch the bells on the fly.
00:08:53Now, the important thing is that we give our best to regain the trust of the customers.
00:08:59Of course.
00:09:00You can count on the whole team.
00:09:02I'm completely sure of that.
00:09:04I have already seen how everyone has followed here, even Marcelina and Kiko, who had no obligation to do so.
00:09:10By the way, has Simon appeared?
00:09:14Well, no, we still don't know anything about him.
00:09:17What do you mean, no?
00:09:18Well, if he doesn't show up tomorrow, we'll have to take some measures.
00:09:24Of course, whatever you consider.
00:09:26And now, please, get going so that the reopening is perfect.
00:09:30And now, please, get going so that the reopening is perfect.
00:09:34This depends on the future of the establishment and the jobs of all those who work here.
00:09:39Oh, you'll see how everything will go very well.
00:09:41Okay.
00:09:45Teresa, one more thing.
00:09:47Please, when the employees return home, let them do it in a group, as Captain Dávila said,
00:09:52or accompanied by a man.
00:09:55Until they come with the hood of the door of the sun, you have to be careful.
00:10:00Count on it.
00:10:02Mr. Fermín.
00:10:03Shh, shh, shh.
00:10:07Woman, you see how the patio is, we'll ask you later about the interview.
00:10:11Yes, of course, of course.
00:10:16For another perfect shooting day.
00:10:18Cheers.
00:10:24The truth is that today I felt especially good.
00:10:27The team worked like a clock and the sequences came out alone.
00:10:30The truth is that everything has gone wonderfully.
00:10:32Well, and Laurita is great.
00:10:34Yesterday she was rehearsing with the other protagonist and she nailed the scene.
00:10:38She has a fantastic chemistry, yes.
00:10:42I don't expect anyone.
00:10:45I'll open it.
00:10:48Okay.
00:11:08But what is this?
00:11:14Agustín.
00:11:16Well.
00:11:19First of all,
00:11:22your name, please.
00:11:28And now,
00:11:31this has to be assembled.
00:11:33I can't believe it.
00:11:36Could you put the back up with its function, please?
00:11:40Of course.
00:11:46And...
00:11:49That's it.
00:11:51I love it.
00:11:53It makes me so excited.
00:11:55You deserve it.
00:11:57Oh, I love it!
00:12:03I also have something for you.
00:12:05Really?
00:12:07Please.
00:12:08But first...
00:12:09Sit down.
00:12:13I have
00:12:15something fantastic for you.
00:12:20Wow!
00:12:22I was expecting anything but this.
00:12:24What is this list?
00:12:25Well, it's everything I need for the new scene I want to shoot.
00:12:31What new scene?
00:12:33Agustín,
00:12:34this scene is the key to the movie.
00:12:37It's a chase around a shopping mall
00:12:40that will help us to show the bravery of Laurita's character.
00:12:43I see.
00:12:45And it's not clear how brave Laurita's character is
00:12:48with all the scenes we've already shot.
00:12:50Well, not enough.
00:12:52We need to see how far our protagonist can go.
00:12:56Very far, from what I see.
00:12:59200 extras.
00:13:00Do you really need 200 extras?
00:13:03Well, a shopping mall can't be empty.
00:13:08Inés,
00:13:10we don't have the budget for this.
00:13:12Agustín, please.
00:13:13But the movie is for both of us.
00:13:16It has to be perfect.
00:13:18We've put all our hope in it.
00:13:21Please, Agustín.
00:13:24There's something you're wrong about.
00:13:26I like the story.
00:13:27Especially because it's always repeated.
00:13:29When a producer gets involved with an actress,
00:13:31he stops thinking with his head.
00:13:33I advise you to watch your words, Ballesteros.
00:13:35I'm not involved with Inés.
00:13:37I'm engaged to her, which is a very different thing.
00:13:40No, it's not, because the problem is still the same.
00:13:42Trees don't let you see the forest.
00:13:46Please.
00:13:50You know this is crazy, right?
00:13:54If I ask you,
00:13:55it's because I think it's essential
00:13:58for the movie to be a success.
00:14:06Okay, I'll trust your instinct.
00:14:12What?
00:14:22You're kidding!
00:14:26I expected to see Mr. Fermín happier
00:14:28when he told us we could open again.
00:14:30Now we need to see the path ahead
00:14:32to become what we were before.
00:14:34I don't know.
00:14:35I'm afraid that the intoxication
00:14:37has damaged the business too much.
00:14:39What more harm would it do us to remain closed?
00:14:41I know, but...
00:14:42I don't know.
00:14:43It's understandable that Mr. Fermín is worried,
00:14:45just like us.
00:14:47Even if we pretend not to be.
00:14:52Hey.
00:14:55If you need help with the move,
00:14:58you can count on Miguel and me.
00:15:01Thank you very much.
00:15:03We'll prepare everything in a moment.
00:15:05I only have two things to move.
00:15:08I guess it's good to be poor.
00:15:10Moves are made out of nothing.
00:15:12And it's not like you're going very far.
00:15:16Does it bother you?
00:15:17No.
00:15:19I like being close to you.
00:15:22A few days ago you didn't think the same.
00:15:26It's true.
00:15:28A few days ago I wanted you as far away as possible.
00:15:33But now things have changed.
00:15:36I guess there's still a bit of pain
00:15:38when you look at the past.
00:15:41Of course there is.
00:15:43I guess it's normal.
00:15:46But now I have things much clearer.
00:15:50And only then can the wounds close.
00:15:53And that's what both you and I need.
00:15:56And now I can see my mother with different eyes.
00:16:00So...
00:16:02Marcelina, you can count on me for anything.
00:16:05Always. Really.
00:16:09I'm very sorry about what happened to you.
00:16:13You can count on my friendship.
00:16:15Okay?
00:16:17Can I give you a hug?
00:16:20I don't know.
00:16:25What are you celebrating with so many hugs?
00:16:27Haven't you heard that we're about to lose our jobs?
00:16:33Yes, yes. Laugh, laugh.
00:16:35That when we're all begging at the church door,
00:16:38you'll see how clear the soup is
00:16:40that the nuns give to the poor.
00:16:42Unconsciously.
00:16:43Haven't you heard yet?
00:16:46About what?
00:16:47That we're reopening tomorrow.
00:16:49That Mr. Fermin has obtained permission.
00:16:52That everyone is very happy.
00:16:55Aren't you happy?
00:16:57Yes, of course I'm happy.
00:17:00But I'm afraid to be the last one to find out.
00:17:02Come on, girl. What's the big deal?
00:17:04The important thing is that we're still working.
00:17:07Let's see how long it lasts.
00:17:08Oh, really, I don't know. I go to parties.
00:17:10Can't you be happy even a little bit?
00:17:12A little bit.
00:17:13Yes, I'm happy a little bit.
00:17:15But very little.
00:17:16Let's see.
00:17:17That we're reopening doesn't mean that people will come
00:17:19as if nothing had happened.
00:17:20But we already know that.
00:17:22And we'll think about it tomorrow.
00:17:24Why today?
00:17:25We have to be happy for the good news
00:17:27that we're reopening.
00:17:30Well, you're right.
00:17:31You convinced me.
00:17:33I'm so happy that we're reopening tomorrow.
00:17:35Well, I can finally see her smile.
00:17:37We have to make her smile.
00:17:43Well, goodbye.
00:17:46See you tomorrow.
00:17:55Very good.
00:17:56I need you to stick those posters all over the neighborhood.
00:17:58People have to know that there's a Madrid Cabaret party
00:18:00almost every day.
00:18:07Good evening.
00:18:09I was waiting for you.
00:18:12Why? Has something happened?
00:18:15Yes, the truth is that yes.
00:18:16Your father has come back here.
00:18:19What?
00:18:21I don't want you to talk to him.
00:18:23I don't want you to talk to him.
00:18:24I can defend myself.
00:18:26I don't doubt it, Mercedes.
00:18:27But I would like to repeat four things to him.
00:18:30What for?
00:18:31It's obvious that he doesn't listen to you.
00:18:33You want to control him, but you can't.
00:18:35Isn't that so?
00:18:36Anyway, I have to keep trying.
00:18:38Not only do I do it for you, but also for me.
00:18:41That's your war.
00:18:42And it won't be easy for you to win it.
00:18:45But I wasn't waiting for you to talk about this.
00:18:48Well, then what's going on?
00:18:49There's something I've been thinking about
00:18:51since you told me that your father wanted to eliminate Don Fermin.
00:18:55You shouldn't worry about that.
00:18:58I already told you that I convinced him to back out.
00:19:01Yes, but what you told me has given me a lot to think about.
00:19:07It seems that your father is looking for help
00:19:10to eliminate the obstacles he faces without taking any risks.
00:19:14Where are you taking me?
00:19:15What did he do to my brother?
00:19:18Don't you think that he was the one who ordered his murder
00:19:21and then hid behind Mrs. Lázara?
00:19:24He used her as a spy.
00:19:28I don't know what to tell you, Mercedes.
00:19:30Then tell me the truth.
00:19:32The truth.
00:19:34And if you don't, I'll take justice into my own hands.
00:19:38Now, tell me the truth.
00:19:40I'll take justice into my own hands.
00:19:42Even though you admitted that you have nothing to support that accusation.
00:19:45Not a single proof.
00:19:47I didn't have it until you just gave it to me.
00:19:49When you told me that your father asked you to eliminate Don Fermin,
00:19:52you sensed that he could have done the same with my brother.
00:19:55That's all I'm asking.
00:19:56Wait, Mercedes. Maybe...
00:19:57I always suspected him, Iván.
00:19:59You always know.
00:20:01When I showed up at your house, I told him face to face.
00:20:04I told him he was a murderer.
00:20:05Can you let me finish, please?
00:20:08My father is very upset with Fermin
00:20:10because of his refusal to sell him the shares he so desperately needs.
00:20:13Maybe he should have given up.
00:20:15You're going back on your word, aren't you?
00:20:18That's not what you told me at the beginning.
00:20:19It's the complete opposite.
00:20:21Intuition never fails.
00:20:24And you're not going to deny that you've also been thinking about
00:20:27the possibility that your father was the one who ordered my brother's murder.
00:20:30And now he was planning to do the same with Don Fermin.
00:20:32It's okay, Mercedes. It's okay.
00:20:35If you're so sure, how are you going to do justice?
00:20:38Are you going to shoot him or hire someone else?
00:20:42You're still not taking me seriously, aren't you?
00:20:44No, I'm taking you too seriously. That's the problem.
00:20:46But I'm worried that you...
00:20:48I'll end up like César.
00:20:50Do you admit that you would also eliminate me if necessary?
00:20:57I'm going to stop until the end.
00:20:59No matter what happens, Iván.
00:21:01If you really care...
00:21:02I care, Mercedes. I care a lot.
00:21:05Then you have the opportunity to redeem yourself
00:21:08and prove your guilt.
00:21:14Mercedes, how am I going to do that? We're talking about my father.
00:21:16We're talking about my brother.
00:21:18About the only thing he had.
00:21:25It's okay.
00:21:27I'll be fine on my own.
00:21:30Mercedes.
00:21:32You don't know who you're facing.
00:21:35Neither does your father.
00:21:38There's no one more dangerous than the one who has nothing to lose.
00:21:43And that's me.
00:21:50Good evening.
00:21:51Good evening.
00:21:58Here, Pepita.
00:22:00He wants me to send a telegram to Argentina.
00:22:04May I ask who is it for?
00:22:06It's for the Faculty of Medicine of Buenos Aires.
00:22:09I want you to send me the academic history of Raimundo Panco.
00:22:12He has a honorary degree
00:22:14and is working as a doctor in a hospital.
00:22:17So I can't think of a better example than this
00:22:19to show what the Patronato can do with its funds.
00:22:26Why are you looking at me like that?
00:22:28I'm glad you've recovered.
00:22:30That you've taken over from the Foundation.
00:22:32Thank you very much, ma'am.
00:22:35We need the possible donors
00:22:37to see that their money is useful
00:22:39and that a peasant like Raimundo
00:22:41can go as far as he can.
00:22:43And that's wonderful.
00:22:45But what makes me happiest
00:22:47is being able to see you like this after so long.
00:22:49With so much drive, so much enthusiasm.
00:22:52Well...
00:22:53Sometimes that's how things happen.
00:22:56Taking over the activities of the Foundation
00:22:59makes me have a busy mind.
00:23:02And although it hasn't given me back the desire to live,
00:23:05it has made me remember that not long ago
00:23:08I was someone.
00:23:10Someone very valuable.
00:23:11And you still are.
00:23:13Thank you, Pepita.
00:23:15Let's see, let's see, let's see...
00:23:19Blimey!
00:23:20Happy eyes!
00:23:22I see that my dear wife has decided
00:23:24to regain some dignity
00:23:26and to get ready as God commands.
00:23:29It was starting to be a little unpleasant
00:23:31to always see you in your pajamas.
00:23:33Thank you, Emiliano.
00:23:34You don't know how much I missed your accomplishments.
00:23:38You'll agree with me, won't you, Pepita?
00:23:40This house was starting to look like
00:23:42a mental sanatorium instead of a family home.
00:23:45I have a lot to do, gentlemen, if you'll excuse me.
00:23:47No, no, no, stay, stay.
00:23:50But ultimately, I'm your flesh and blood.
00:23:52Whatever she says is up to you.
00:23:54What's this?
00:23:56Let's see, let's see...
00:24:01This...
00:24:06Raimundo Apanco.
00:24:08That's an indigenous last name.
00:24:10He's a young man
00:24:11who, thanks to his wife's patronage,
00:24:13has been able to finish his medical degree
00:24:14and now he's working as a doctor.
00:24:16Patronage?
00:24:18Does this mean you're going to regain
00:24:20your philanthropic activity?
00:24:22Are you going to stop wandering around the house like a ghost?
00:24:25Well, yes.
00:24:26It will be good for me to go out and resume my social life.
00:24:32Excuse me, did you say go out?
00:24:34Of course.
00:24:35If the lady has to raise funds,
00:24:37she won't be able to do it here,
00:24:39because these four walls are closed.
00:24:41Yes.
00:24:43Yes, dear, but remember what happened
00:24:45the last time you enjoyed a little social life.
00:24:49You dumped a lover.
00:24:52And here we are.
00:24:54That's why we had to reach an agreement
00:24:56according to which you renounce the privileges
00:24:58of entering and leaving your free albedro.
00:25:01And I leave Paula and Rodrigo alone.
00:25:03Have you forgotten?
00:25:04No, I haven't forgotten.
00:25:06I'll only go out when it's strictly necessary
00:25:09and whenever it has to do with the Foundation.
00:25:12And I don't think any man will look at me.
00:25:16But above all,
00:25:17I'm not going to look at any man.
00:25:20So don't worry.
00:25:22You're so dramatic, Maruja.
00:25:23I think you're still a very attractive woman.
00:25:26Oh, yeah?
00:25:27Dressed in mourning?
00:25:28What do you mean, dressed in mourning?
00:25:31Are you making fun of me?
00:25:32Or do you want to humiliate me directly?
00:25:34Do you want everyone to think you're mourning César Morel?
00:25:37I don't care what the world thinks, Emiliano.
00:25:40I'm sorry, but you didn't include it in your agreement.
00:25:43I'm including it now.
00:25:44Too late.
00:25:45Maruja.
00:25:47Don't forget to send that telegram.
00:25:48Maruja! Damn it!
00:25:51Where are you going?
00:25:52You're making a serious mistake encouraging her.
00:25:56She has her own criteria.
00:25:58And in this case, I agree with her.
00:26:00Oh, yeah?
00:26:01Well, everything she does affects you directly.
00:26:04I'm saying this because of Rodrigo.
00:26:05So, let's see if you advise your wife better.
00:26:31Let's go.
00:26:42I was convinced that on the day of the reopening,
00:26:45our most loyal clients would respond in a different way.
00:26:48But...
00:26:50But it's obvious that I was wrong.
00:26:53I was expecting the same thing, Mr. Fermin.
00:26:55I had never seen the hall so restless.
00:26:58An intoxication is a serious matter, Cañete.
00:27:00It can even scare you.
00:27:02We have to wait until we regain our reputation, little by little.
00:27:06It's been many years offering quality and good service,
00:27:09and that can't disappear.
00:27:12As it is.
00:27:13With what it has cost us to win it,
00:27:15I hope you're right.
00:27:17At this time, we should be on our toes,
00:27:19not cross-armed.
00:27:20Of course.
00:27:21By the way, do you know anything about Simón?
00:27:23Has he come?
00:27:24I haven't seen him arrive.
00:27:26Well, this is going too far.
00:27:30Let him stay a little longer.
00:27:31I'm sure he'll be at the door soon.
00:27:35Good morning, Mr. Fermin.
00:27:36Good morning.
00:27:37Good morning, Cañete.
00:27:38Good morning. A coffee?
00:27:39Yes, please.
00:27:43Sir.
00:27:44It's soon.
00:27:46You'll see how your client continues to be faithful to you.
00:27:48I am convinced that you will know how to separate
00:27:50a punctual error from an immaculate trajectory.
00:27:52I am too, or at least...
00:27:55I wish I were.
00:27:56Anyway, Rodrigo,
00:27:58I wanted to talk to you about something else.
00:28:01It was about...
00:28:03about the policy my wife hired.
00:28:06You know that all I have are two initials
00:28:08and a postcard.
00:28:10Point by point, the supposed beneficiary of that policy, yes?
00:28:13Exactly.
00:28:15I want you to find out who they are.
00:28:17Yes.
00:28:18And...
00:28:19And it won't be easy for you.
00:28:21Postcards enjoy the anonymity of their headlines
00:28:24and the combination of those two letters
00:28:26can lead to hundreds of possible combinations.
00:28:31Rodrigo,
00:28:32I'm very sorry to make you this kind of task.
00:28:35I know I hired you for something else, to...
00:28:37To be useful.
00:28:39And, Mr. Fermin, I will do it in the way that is necessary.
00:28:43Working for Emiliano means facing certain tasks,
00:28:45let's say,
00:28:47unusual,
00:28:48which, however, for you, I will face with pleasure.
00:28:52I won't be able to sleep peacefully until I know who they are.
00:28:56I understand.
00:28:57And I assure you that I will do everything in my power to deal with him.
00:29:00Your coffee.
00:29:01Mr. Fermin, Manolo just gave me a message from Pietro.
00:29:04He was asking about you.
00:29:05Did he say what he wanted?
00:29:06No, just that it was personal and very important.
00:29:12Okay.
00:29:21Agustín, honey, I'm leaving, I'm going to be late for the shoot.
00:29:25Are we really in such a hurry to have to do without the service we had hired?
00:29:31Inés,
00:29:32if we want to shoot the Mercadillo sequence,
00:29:35everything saves little.
00:29:37I have to hurry from anywhere.
00:29:38Okay, you trust me.
00:29:39It's the pinnacle scene of the film.
00:29:41Of course.
00:29:43We will shoot it exactly as you have it in your head.
00:29:48I'm coming.
00:29:51Ramallo.
00:29:52Good morning.
00:29:53Come in.
00:29:56It smells like mortadella.
00:29:59If I do badly in the film, Ramallo, I'm going to set up a kiosk.
00:30:02Will you help me?
00:30:06Take it.
00:30:08Is it today's plan?
00:30:09Yes, with the new adjustments.
00:30:11Your sister?
00:30:12In the alley.
00:30:13In fact, I'm leaving now that I'm late.
00:30:15Are you coming?
00:30:16No, no, I'll be later.
00:30:17And please,
00:30:18don't tell anyone that the producer is making the sandwiches for the team.
00:30:22I have to keep my prestige intact.
00:30:25You are the best producer in the world.
00:30:30Goodbye.
00:30:31See you later.
00:30:39Are you telling me that you have to see these sandwiches for the sake of the film?
00:30:45Oh, I haven't told you anything.
00:30:46No?
00:30:48Sit down, please.
00:30:50Sit down.
00:30:58Inés.
00:31:00You have written another scene that you consider crucial for the success of the project.
00:31:06What kind of scene?
00:31:08Well, it's like...
00:31:11a chase in a market, I think.
00:31:16Comas.
00:31:18In the time I've spent with you,
00:31:19I've learned that a chase in a market is not going to be a cheap scene.
00:31:23Well, even if it was,
00:31:25we don't have the money to shoot anything that is out of the plan.
00:31:28But nothing of nothing.
00:31:31You're not making these sandwiches to save money, are you?
00:31:35It's not much.
00:31:36Please.
00:31:37But stop making a fool of yourself and take off that cloak.
00:31:40Right now, you're going to come with me to the shoot
00:31:42and you're going to tell Inés to forget about that whim.
00:31:44No, it's not a whim.
00:31:45Well, it seems so.
00:31:46I'm going to make it clearer.
00:31:49Comas, if Inés wasn't your fiancée,
00:31:51would you have admitted to that proposal, knowing the circumstances we have?
00:31:54I'll answer that.
00:31:56Would you have told her not to talk?
00:31:58Because before you lost your dignity by getting your hands dirty with mortadella,
00:32:01you were a responsible producer, a judicious producer.
00:32:04And I still am.
00:32:05But I've given her my word.
00:32:06Then take it off, for God's sake.
00:32:07No, now you're going to listen to me.
00:32:08Sit down, please.
00:32:10Sit down.
00:32:12Look, Ramallo.
00:32:13I really believe that Inés is right.
00:32:16It would be the pinnacle of the film,
00:32:18the scene where the protagonist shines.
00:32:20And if you think about it,
00:32:21all the great films have a scene like this.
00:32:24And we didn't have it.
00:32:26And I tell you, from the experience I have,
00:32:29such an effort is the difference
00:32:31between a successful film and an absolute failure.
00:32:35You never have enough, do you, Comas?
00:32:39How much would the new scene cost?
00:32:43I can't tell you right now,
00:32:45but I can give you an approximate estimate, if you want.
00:32:51All right.
00:32:52I'm going to try to get that money, but on one condition.
00:32:56Whatever you say.
00:32:58I don't want you to ever ask me where that money comes from, okay?
00:33:02But then that money wouldn't be legal.
00:33:05I'm telling you not to ask me.
00:33:10I'll wait for you at the shoot.
00:33:11Take off that apron, for God's sake.
00:33:20I found the envelope.
00:33:22It was on the nurse.
00:33:24So I have as much right as you do
00:33:26to know what's inside.
00:33:29Do you know what's inside, Esperanza?
00:33:31It's a letter from Simon to the operator's attention.
00:33:34That means my attention.
00:33:36Please, give it back to me.
00:33:38I'm sorry to interrupt you,
00:33:39but if we're being so formal,
00:33:41I'm also in the operator's office right now.
00:33:43So it's also coming to my attention.
00:33:45And after everything I've done for you,
00:33:48I want to know what it says.
00:33:50I'm sorry, but I can't tell you.
00:33:52Does it say anything about me?
00:33:53About you?
00:33:54Is this what worries you?
00:33:57You can't be so meticulous.
00:33:59Maybe she's in love with me
00:34:01and I've broken her heart by not listening to her.
00:34:04Good morning.
00:34:05Good morning.
00:34:06Good morning, Mr. Fermin.
00:34:07Really?
00:34:08Pietro, I was told you wanted to talk to me.
00:34:10Yes, in private.
00:34:12Esperanza, could you leave us alone, please?
00:34:14Look, Mr. Fermin,
00:34:15it's just that Pietro and I are in this together.
00:34:18Not in this.
00:34:21Well, I'm leaving.
00:34:22Thank you, Esperanza.
00:34:26Well, I suppose you didn't call me
00:34:28to give me any good news, did you?
00:34:30Does it have to do with Simon?
00:34:32Yes, Mr. Fermin, I'm sorry,
00:34:34but when I entered the lab,
00:34:37I saw this resignation letter.
00:34:49Indeed, he presents his irrevocable resignation.
00:34:56He hasn't even had the nerve to say it to my face.
00:35:00Although after having disappeared,
00:35:02this is more than a resignation,
00:35:04it's a runaway in every way,
00:35:06with nocturnality and allegosy.
00:35:13What do you think?
00:35:15About his behavior?
00:35:16About the intoxication.
00:35:19Because that's what he wanted to talk about
00:35:21when he came to my office
00:35:22and I didn't even want to listen to him, right?
00:35:26But before he tells me anything,
00:35:29I'm going to tell you what I think.
00:35:31What happened in this lab
00:35:35with the cream cakes
00:35:37was an accident.
00:35:40It was a sabotage.
00:35:45For our most distinguished client.
00:35:47Thank you, and from what I see, also the only one.
00:35:50Take advantage of it while you can.
00:35:52All the staff at La Moderna is waiting for you
00:35:54as if you were a Marquis.
00:35:56Something that has never happened to you.
00:35:58I feel slightly observed.
00:36:01Oh, snails, I haven't put the milk on you.
00:36:10And well, are you happy with the job?
00:36:13A lot, yes, I'm very happy.
00:36:15Although, well, I would be more
00:36:17if more clients came in, really.
00:36:19I don't know if I'm going to last
00:36:21less than a candy at the door of a school.
00:36:24Hey, snails again.
00:36:26What's up?
00:36:27Well, I haven't told you about the journalist
00:36:28who wants to interview me.
00:36:29Interview you?
00:36:30Yes.
00:36:31And what has he done?
00:36:32Well, she's the first woman
00:36:33who works as a waitress in a tea salon.
00:36:35It looks like a historical event, I don't know.
00:36:37Well, of course it's historical.
00:36:39It's just that you've managed to get Don Fermín
00:36:41to break one of those old rules.
00:36:43By the way, have you gotten him to give you permission?
00:36:46Not yet.
00:36:47He says he has to think about it.
00:36:49I'm sure he'll tell you yes.
00:36:51You know what you're doing for our rights.
00:36:54What rights?
00:36:56Women's rights.
00:36:57Ah.
00:36:58You'll see how good it's going to be for us
00:36:59that you do this interview.
00:37:01Besides, it's very important
00:37:02that we talk about modernity again, because...
00:37:04Yes, but...
00:37:06You see, I'm not very good at expressing myself.
00:37:09I'm afraid of meddling.
00:37:11Couldn't I have someone close
00:37:13to give me a hand?
00:37:17Well, Elías was the one with the golden beak.
00:37:20Although I know of one
00:37:21who doesn't have a bad verb either.
00:37:23Who?
00:37:24You.
00:37:25Me?
00:37:26Yes.
00:37:27You just have to make sure
00:37:28that I don't say anything stupid
00:37:30and help me find the right words.
00:37:34Oh, thank you, Miguel.
00:37:36Well, now I'm going to shine the glasses,
00:37:38because I don't know what to do without doing anything.
00:37:40And then I think I'll tidy up the warehouse
00:37:42and if I have time, I'll fix the cistern.
00:37:46Don't you think it's admirable?
00:37:48Admirable?
00:37:50Is there something I've missed?
00:37:52Why do you seem delighted with her now?
00:37:55Because I am.
00:37:57It makes me very happy to see her so excited
00:37:59and I don't know,
00:38:00that they're going to do this interview
00:38:02and that she's our partner.
00:38:04The truth is that she deserves everything good
00:38:06that can happen to her.
00:38:09I don't understand this drastic change.
00:38:12Where is that girl
00:38:14who allegedly ruined your childhood?
00:38:17Well, one thing doesn't take away the other.
00:38:19But hey, it's not the place
00:38:20or the moment to tell you.
00:38:22What I do tell you
00:38:24is that I've learned a lesson.
00:38:26A lesson of what?
00:38:28Of life, love, of life.
00:38:31Hello, client.
00:38:32We'll talk later.
00:38:33Hello.
00:38:34Come in, come in.
00:38:35You're lucky today
00:38:36because you can take the table you want.
00:38:39You have that opportunity,
00:38:41so take advantage of it.
00:38:44What an interview.
00:38:46So you had nothing to do
00:38:48with the preparation
00:38:49of that second batch of tartlets,
00:38:51which means
00:38:53that the contamination
00:38:55comes directly
00:38:57from the pastry cream.
00:38:59Yes, Mr. Fermin.
00:39:00And the cream was made by Simon.
00:39:03That morning,
00:39:04Simon arrived very early,
00:39:06much earlier than usual.
00:39:08And he prepared the pastry cream, yes.
00:39:10And it wasn't his custom?
00:39:11No, Mr. Fermin.
00:39:12I've never seen him take care of these tasks.
00:39:15Really, I've never seen him get his hands dirty.
00:39:18It was...
00:39:19His thing was more command.
00:39:21And you say he was more nervous that morning.
00:39:25Yes, but I can't be sure of that
00:39:27because our relationship has always been very tense.
00:39:30Look, Pietro, whatever it is,
00:39:33what is clear is that
00:39:35it will be impossible to prove his guilt.
00:39:39What we do know with absolute certainty
00:39:42is that while you have been in charge of this worker,
00:39:45nothing like this has ever happened to us.
00:39:47Never has a client complained
00:39:49about the quality of the product.
00:39:51And much less
00:39:53has he gotten sick because of us.
00:39:58But we will always be in doubt, Mr. Fermin.
00:40:01I have no doubt.
00:40:03After listening to him,
00:40:04I reaffirm my suspicions or my certainties.
00:40:09I know that Simon wanted to hurt us
00:40:11and of course he did.
00:40:13What I don't understand is why.
00:40:16What did he have against us?
00:40:18What did he have against La Moderna?
00:40:21Or what did he have against me?
00:40:24I don't know.
00:40:25I'm sorry, but I don't know.
00:40:29Well, now we just have to overcome ourselves
00:40:32and look ahead.
00:40:34Mr. Fermin, we may be against the ropes,
00:40:37but we need much more
00:40:39than an intoxication to lie down.
00:40:43And we can always return the blows.
00:40:46Yes, but this time they have hit us hard, Pietro.
00:40:56Pietro, I will never get tired of apologizing to you.
00:41:02Yesterday he came to my office to talk to me
00:41:06and I didn't even let him.
00:41:09It's not important, Mr. Fermin.
00:41:10Yes, it is. And a lot. A lot.
00:41:13No.
00:41:15We were all wrong, Mr. Fermin.
00:41:17I was the first.
00:41:19If I hadn't done the stupid thing
00:41:21of wanting to hurt the competition,
00:41:23you would never have had to hire him, right?
00:41:26It's my fault for wanting to punish you.
00:41:29No, it's my fault for wanting to hurt me.
00:41:32You should have understood your grandson.
00:41:34I should have just explained it better.
00:41:39It's funny.
00:41:40Here we are, both of us,
00:41:41wanting to claim the dubious merit
00:41:43of seeing who makes it worse.
00:41:46Why don't we leave it at that?
00:41:49Okay.
00:41:52What is clear is that we are in a tight spot
00:41:56and I need your magic to be able to reverse the situation.
00:42:00Do you think you can recover it?
00:42:02I'm looking forward to it.
00:42:04Excellent, because we have to make
00:42:06La Moderna become the best tea salon in the city again.
00:42:09And we already did it once.
00:42:11Excellent, that's what I wanted to hear.
00:42:16The worker is yours again.
00:42:18Thank you, Mr. Fermin, thank you.
00:42:20But...
00:42:23what I would like to recover is your friendship, Mr. Fermin,
00:42:27and your trust.
00:42:30I'll do it.
00:42:37And this...
00:42:38to Lorca.
00:42:52Nice chair.
00:42:54Well, I have a wonderful boyfriend who grants me all my wishes.
00:42:58Well, you could do him a favor and tell him that
00:43:01mortadella sandwiches are not the most advisable thing to endure all day.
00:43:05But, well, we have to set an example, so here's yours.
00:43:08Thank you, but I'm not hungry.
00:43:10Look, what do you think of this new scene?
00:43:13New scene? But we have to lengthen the duration of the film.
00:43:16No, it's to give more action to the film.
00:43:20I see, a persecution in a shopping mall.
00:43:24Nothing more and nothing less.
00:43:25Don't you think it's fantastic?
00:43:27It's the climax of the film, the audience will love it.
00:43:30Yes, it seems so.
00:43:32Besides, I already wanted to give it its due to Steiner's miscarriage.
00:43:35And I haven't even added the shooting or the motorcycle in which he has to escape.
00:43:41But if I remember correctly, we had to do without a similar scene due to lack of budget, right?
00:43:45Yes, well, but this scene is necessary for the film
00:43:48and Agustín will do everything possible to be able to shoot it.
00:43:51And Romayo agrees?
00:43:54It's our film, so it has to be.
00:43:58Great.
00:43:59Well, I'm very glad.
00:44:01Come on, now you eat sandwiches.
00:44:04At least the filling is from La Moderna.
00:44:07The doubt offends.
00:44:09By the way, uncle, thank you for letting us shoot here.
00:44:13You know that I am proud to contribute my little grain of sand.
00:44:18And I don't want to distract you anymore, I'm leaving.
00:44:20No, no, don't distract us.
00:44:21Look, Inés was showing me a new scene in which there is a persecution on paper.
00:44:26It's wonderful.
00:44:28I wish life could be written and rewritten like the script of a movie.
00:44:33It would look more like what one wants and not what it really is.
00:44:38And what scene would you like to see?
00:44:40What scene?
00:44:41A scene in which La Moderna would be full of audience and joy again.
00:44:45That scene.
00:44:46But that's not a scene, that's the future.
00:44:49What will happen in a few days, you'll see.
00:44:51As soon as they realize that the competition does not even reach the sole of the shoes.
00:44:55That's what I was looking for.
00:44:56A good dose of your enthusiasm.
00:44:59Well, that's what we're here for.
00:45:00By the way, I've seen Captain Davila before.
00:45:03Do you know anything else about Lazaro's disappearance?
00:45:05Or was his visit just because of the hooded case?
00:45:08No, just because of the hooded case.
00:45:10But well, I don't want you to worry about me anymore.
00:45:12I've already told you.
00:45:13With seeing everything you're getting, I'm the happiest person in the world.
00:45:17And by the way, if you're hungry, talk to Pietro.
00:45:21You have carte blanche.
00:45:22Well, how tempting.
00:45:25Well, let's see, that scene, that scene of the chase you were talking about, here it is.
00:45:30Do you want me to explain it to you?
00:45:31Yes, please, yes.
00:45:32Well, look, here I want to add a runaway with a motorcycle.
00:45:37Motorcycle?
00:45:38Yes.
00:45:39Do you know what a motorcycle is?
00:45:40No, but there will be a specialist.
00:45:42Okay.
00:45:43And here I also want to add a shooting.
00:45:45Shooting?
00:45:46Yes, but it's fiction.
00:45:48Laurita, please.
00:45:55Okay.
00:46:13Any news?
00:46:14Mother, why do you never call before entering?
00:46:17I would have done it, but the door was open.
00:46:19Very well, in that case, and from now on, it will be mandatory to close it first.
00:46:23And then call.
00:46:24That's the novelty.
00:46:27What did you want?
00:46:28Do you know anything about the hooded man?
00:46:31You're very interested in that individual, aren't you?
00:46:33Yes, of course, I'm very interested in the case,
00:46:36even if they stop it as soon as possible.
00:46:39Can I take a look at the newspapers?
00:46:41The room is very still.
00:46:42Partly because of him.
00:46:44No, that's because of the intoxication.
00:46:46But he has nothing against the modern.
00:46:48And what do you know?
00:46:49Did he tell you himself?
00:46:50No, of course not.
00:46:51Being an expert like you in this case,
00:46:54I'm sure you'll know him better than anyone.
00:46:58Don't bother, I've read them all.
00:47:01And, for one day, there is no news of him.
00:47:04Which, paradoxically, could be considered good news.
00:47:08Good news?
00:47:10Why?
00:47:11Well, because when he felt the police's breath,
00:47:14he probably set foot in Pulverosa.
00:47:17That's what the most cowards do.
00:47:18Or the most cunning.
00:47:20Maybe he's taking time to come back stronger.
00:47:25Of course.
00:47:26I forgot he told you himself.
00:47:29You know what I think?
00:47:31I think he's fooling Captain Davila and his men.
00:47:34Because when they leave, he's already back.
00:47:36Yes, yes, yes.
00:47:37Whatever you want, but I don't want to talk about this mess.
00:47:40There are many more important things,
00:47:42such as political news, which is the most convulsive.
00:47:45No one is interested in political news.
00:47:48On the other hand...
00:47:49Did I tell you I don't want to talk about the hooded man?
00:47:52I wasn't going to talk about the hooded man,
00:47:54I was going to talk about Marcelina.
00:47:55She found out they were going to interview her.
00:47:57But who's going to pay a single cent to read such nonsense?
00:48:01Me, and many more people.
00:48:03Do you know why?
00:48:05Because Marcelina is not just any waitress,
00:48:07but the first woman to be viral in a salon in the modern category.
00:48:12And that in itself is already news.
00:48:14No, that's a mistake.
00:48:16And I'm going to tell you why.
00:48:18Because as soon as that girl is seen in a newspaper,
00:48:21she's going to smoke.
00:48:23But come on, I'm not going to tolerate it.
00:48:26Don't you think that...
00:48:30you want to stop spitting on her mouth?
00:48:32Much less against that girl, because I'm the one who's not going to tolerate it.
00:48:36You're going to learn to work with her elbow to elbow, Kiko.
00:48:38Civil or criminal.
00:48:40We were kidding.
00:48:42Right, Don Miguel? We were kidding.
00:48:44You'd better.
00:48:45And that there are no clients in the modern category,
00:48:47doesn't mean that you can cheat.
00:48:49Take the opportunity to clean the cafeteria.
00:48:51Let's go.
00:48:57I don't know what's wrong with my niece.
00:48:59I don't like her attitude at all.
00:49:01Well, don't take it to heart.
00:49:02We're all very nervous.
00:49:04And now the intoxication thing has been added to you.
00:49:06No.
00:49:07The thing is still very loose in the salon.
00:49:09Although Don Fermin is convinced that the clients will return.
00:49:13But what if they don't come back, Miguel?
00:49:15What if they've made us cross forever?
00:49:17Don't be pessimistic.
00:49:19It's very easy for you to say.
00:49:21Or is your job in danger?
00:49:24No, but Trin's is.
00:49:34What time are these coming?
00:49:36I was in the lab, reviewing the whole genre.
00:49:39I don't want any more disgust or more intoxication.
00:49:43No.
00:49:44In my worker.
00:49:46In your worker, did you say?
00:49:50Yes, yes.
00:49:53I've talked a lot with Don Fermin.
00:49:55I can tell you that I was wrong.
00:49:59Our relationship had not broken.
00:50:02My love.
00:50:03Thank God.
00:50:04I was looking forward to hearing those words.
00:50:06That is, he has already realized that this man is a dog from Malacasta, right?
00:50:09A fraud.
00:50:10A traitor.
00:50:12And he will also have realized that he was the one who spoiled the pastry cream.
00:50:16I guess so.
00:50:18What we don't understand are the reasons, Antonia.
00:50:20What led this man to commit such madness.
00:50:23I have it very clear.
00:50:25The nasty envy, honey.
00:50:27Because as much as he was the boss of the worker,
00:50:29there the only teacher there was you.
00:50:33But this is going to be something more than a point and followed.
00:50:37I have many ideas, Antonia.
00:50:38Many.
00:50:40I have to create new things.
00:50:41I have ...
00:50:42In my head I have new products that will surprise.
00:50:45Don Fermin and customers.
00:50:48Oh, honey.
00:50:50Listening to you, I know that everything will go well.
00:50:52Because if you go back to the worker, the clientele will also return.
00:50:57Do you think?
00:50:58I think.
00:50:59I think.
00:51:07Very good.
00:51:08Sing it, sing it.
00:51:20But you sing very well.
00:51:21Yes, very good.
00:51:27Thank you very much for coming.
00:51:37And the room is empty again.
00:51:41A while ago he made the box and if I tell you what we have taken, come on.
00:51:44To start crying.
00:51:46I can not imagine.
00:51:48Hey, what do you think if those who have come today we invite them again tomorrow?
00:51:52To reward their loyalty.
00:51:54Well, that was counting on them coming back.
00:51:56Well, we can not go worse, Teresa.
00:51:59Well, and all this that we talk about, I respect the tables, but the showmen?
00:52:02What is going to be wasted on a degenerate?
00:52:04Nothing is done here, Teresa.
00:52:06Call the hospices and the houses of mercy right now.
00:52:10And everything that we have not been able to sell and can not be preserved, we will take it.
00:52:15Ah, but that's a very good idea.
00:52:16And from now on, I want it to become a habit.
00:52:20So we will never forget that we are all susceptible to fall into the hole.
00:52:27Hole from which we will come out stronger than ever.
00:52:31Seeing you two at the foot of the canyon and Pietro again at the command of the worker,
00:52:36this is going to be sewing and singing.
00:52:39He has said that Pietro again ...
00:52:40Yes, yes, yes.
00:52:41Simon is already history, thank God.
00:52:44And another reason for optimism is that young Marcelina.
00:52:49I've been watching her and she has a joy that infects, don't you think?
00:52:53That's right.
00:52:54By the way, do you want to interview her? Did you know?
00:52:59Yes, yes, well, we were aware, but we wanted to ask for permission first,
00:53:03to know if you agreed.
00:53:05Yeah, I don't think so.
00:53:07On the one hand, it seems that we want to cover up what happened with a gesture that distracts attention,
00:53:12but ... but well thought out.
00:53:15She is the first waitress woman and that will speak well of us.
00:53:19And right now, any help is little.
00:53:21Yes, Trini has also told me that Miguel can help her prepare the interview.
00:53:25I see.
00:53:26I would like them to take pictures outside with the living room full of customers,
00:53:30and I know that right now that's like asking for a stone to Salomó, but ...
00:53:34Anyway, maybe better if we delay it.
00:53:37I'm going to take a walk.
00:53:40Very well.
00:53:41Can we help you with anything else, nurse?
00:53:42No, no.
00:53:43Keep being as you are and please keep the morale of the troop very high.
00:53:46If they see us strong, they will be too.
00:54:02Apanko. Raimundo Apanko.
00:54:06It is an indigenous last name because the boy is also.
00:54:10And thanks to the help of the patronage, he was able to access the university
00:54:14and now the community has a new doctor.
00:54:18As you hear it.
00:54:22Well, I thank you, Sofía.
00:54:24I guarantee you that this money will help many more Raimundos.
00:54:31To you always.
00:54:32Goodbye.
00:54:35And to you, I will reconcile you with Alda Brito.
00:54:41Daughter?
00:54:42How long have you been there?
00:54:44Enough time to realize that you have finally returned.
00:54:49And well, what can you say?
00:54:52Since he got up, he has stopped working and making calls.
00:54:55It is unknown.
00:54:56And also great.
00:54:58Well, after what we talked about, I promised you that I would not be carried away by bitterness.
00:55:03And here I am.
00:55:05And who is that Raimundo?
00:55:07He is the son of a peasant.
00:55:09From Santiago de los Esteros.
00:55:11And the lady has decided to take care of them again.
00:55:15That place is part of our life.
00:55:18And it is fair that we do not forget it.
00:55:23Locking myself in my room was the simplest solution.
00:55:27But also the most selfish.
00:55:29And you were right, daughter.
00:55:31I'm still your mother.
00:55:33And I want to be fine for when you need me.
00:55:36I need you.
00:55:37And I am very proud of you.
00:55:40And Pepita has been the real culprit that I resume my activity.
00:55:45That cheers me up.
00:55:47Yes, because she insisted that I return to the patronage.
00:55:50Because those families could not stay without the scholarship.
00:55:52Of course.
00:55:53Ma'am, of course.
00:55:55You had every right to feel bad and to feel your pain.
00:55:59But we could not let that end with you.
00:56:01It is too valuable for us.
00:56:03And for those peasants.
00:56:06By the way, Rodrigo sends you a hug.
00:56:08How are you?
00:56:09Has it gone well with Don Fermín?
00:56:11A lot.
00:56:12It seems that they have fit like a glove.
00:56:14Don Fermín has entrusted you with a matter of maximum confidence.
00:56:18I just hope he does not use it as a weapon against Emiliano.
00:56:21Don Fermín does not seem that kind of man to me.
00:56:24I forgot.
00:56:25I have to go see the Duchess of Morán.
00:56:27I can't tell the Duchess on the phone.
00:56:30Besides, she wants to see me in person.
00:56:32Of course.
00:56:33And so she can boast of the latest reforms that her palace has made.
00:56:36But everything is for the cause.
00:56:39Goodbye, daughter.
00:56:40Goodbye.
00:56:42Iva, Paula, and goodbye.
00:56:47Paula, I need to talk to you.
00:56:49With me?
00:56:50Yes.
00:56:51You'll talk to her, Pepita.
00:56:52Of course.
00:56:56Well, the stars must have aligned.
00:56:58Because we have had a round day and there have been a few.
00:57:01Yes, the truth is that all the scenes have come out perfect.
00:57:04And we have fulfilled the plan to Rajat, Paula.
00:57:07It is strange that Ramallo was not there.
00:57:09And a shame.
00:57:10I assure you that he would be very proud of the team.
00:57:13Did he tell you where he was going?
00:57:16Yes, well, he told me it was a private matter,
00:57:20but that he would come later when he finished.
00:57:23Here?
00:57:25I'm very tired.
00:57:26I was thinking about not having dinner and going straight to bed.
00:57:29You?
00:57:30No, I just couldn't sleep.
00:57:32I can't stop thinking about the market scene.
00:57:35Even my uncle got excited when he told him.
00:57:38And Ramallo has authorized it.
00:57:41Yes, of course.
00:57:43Or is it not?
00:57:46Agustín.
00:57:48Well, I was waiting for...
00:57:52For what?
00:57:54You're right, he's not coming anymore.
00:57:58So it's better to take the bull by the horns.
00:58:03Inés, about your scene.
00:58:06What?
00:58:08The reality of this makes the numbers sweat even more.
00:58:13I'm going to open.
00:58:22Hello.
00:58:23Miss Valbuena.
00:58:24Come in.
00:58:32Sit down.
00:58:36Very kind.
00:58:37You're welcome.
00:58:41Ramallo.
00:58:43Agustín was about to tell me something about the new sequence.
00:58:47Is there a problem to shoot it?
00:58:51Yes.
00:58:53That a movie like ours
00:58:55deserves something much better than this scene that is written.
00:59:00I don't think I understand you.
00:59:03Instead of a stampede of corral birds,
00:59:06what would a horse stampede look like?
00:59:10And instead of the German soldier escaping on a motorcycle,
00:59:13what would a plane look like?
00:59:18Are you kidding me?
00:59:20On the contrary.
00:59:22It's the climax of the movie.
00:59:24We're not going to waste money.
00:59:25So eat, forget about those damn sandwiches
00:59:28and hire the food service again.
00:59:33Well, let's celebrate.
00:59:35I'm going to get some drinks.
00:59:37Let's go.
00:59:42A plane?
00:59:43Yes, and horses too.
00:59:48How did you get it?
00:59:49Where did you get the money from?
00:59:52We had agreed that there would be no questions,
00:59:54but I have to know.
00:59:55You do your part, I'll do mine.
01:00:02And that's why I'm still on his side.
01:00:06Very well, then.
01:00:07You've already explained to me the reasons
01:00:09why you're still on Father's side.
01:00:11I've listened to you patiently,
01:00:13but my opinion of you won't change.
01:00:16That's all.
01:00:19No.
01:00:21I need you to help me with something.
01:00:23Help you.
01:00:25I'm sorry, but no.
01:00:27But you don't even know what I'm going to ask you.
01:00:29Whatever it is, take care of it yourself.
01:00:31Now I can't stay any longer.
01:00:33Wait, Paula.
01:00:36The favor isn't for me, it's for Mercedes.
01:00:39What about Mercedes?
01:00:42Well, she's still determined
01:00:43that our father is behind his brother's death.
01:00:45To the point of telling me that...
01:00:49Of telling you what?
01:00:53That if there's no other way,
01:00:55justice will be served by his hand.
01:00:58Ivan would be a way of speaking.
01:01:01Paula, you don't know her as well as I do.
01:01:04She carries her brother's blood in her veins.
01:01:07She can be as determined as he is.
01:01:08It would be better to take her seriously.
01:01:11And what do you want me to do?
01:01:13Talk to her.
01:01:15And make sure she won't do anything crazy.
01:01:18I've already tried, but she doesn't trust me.
01:01:20And what did you expect?
01:01:21You've become the trusted man of her greatest enemy.
01:01:27Paula, now I'm asking you.
01:01:29Please.
01:01:33A moment ago, you told me that you're still by your father's side
01:01:36to be able to control him and thus avoid greater evil.
01:01:42If he wasn't against us all, it would be much more dangerous.
01:01:45Who are you trying to fool, Ivan?
01:01:48If your words were true,
01:01:50you wouldn't have become a rebellious father
01:01:53spying on him or threatening people.
01:01:55What are you talking about?
01:01:56Your visit to the guest house
01:01:58and your pathetic attempt to buy the owner.
01:02:02It's useless for you to deny it.
01:02:05I'm not going to deny it.
01:02:07Dad told me to do it.
01:02:08And while I work for him, I must follow his orders,
01:02:10whether I like them or not.
01:02:11You see?
01:02:12It's very difficult to take you seriously.
01:02:15Paula, I won't ask you for anything again.
01:02:18But I beg you to talk to Mercedes.
01:02:21I don't want her to end up like her brother.
01:02:23I don't want her to end up like her brother.
01:02:26And you?
01:02:54I'm sorry, sir, but we're closing.
01:02:58So soon?
01:03:00Well, it's a shame,
01:03:01because I had the intention of collaborating in some way
01:03:04by buying the pastries.
01:03:06No, seriously.
01:03:08I've heard that you've had a very bad day.
01:03:12I'm sorry, sir, but we're closing.
01:03:16So soon?
01:03:18Well, it's a shame,
01:03:19because I had the intention of collaborating in some way
01:03:22by buying the pastries.
01:03:23Bad?
01:03:24Bad is short.
01:03:26It's been a bad day.
01:03:29You don't know how sorry I am.
01:03:31Tomorrow will be better.
01:03:32You'll see.
01:03:34I don't want to be the devil's lawyer,
01:03:36but getting rid of the stigma of an intoxication is very difficult.
01:03:40You know how fearful the public is with these things.
01:03:43It's fearful, but not resentful.
01:03:45It's the first mistake we've made
01:03:47since this place was inaugurated.
01:03:50They'll know how to forgive us.
01:03:51I'm sure they will.
01:03:52The question is,
01:03:53how long will it take to do it,
01:03:55and if you'll be able to resist until then.
01:03:59What do you want, Emiliano?
01:04:00I've already told you.
01:04:01I came for some pastries.
01:04:04And to take an interest in my friend.
01:04:06Well, your friend is touched, but he's not united.
01:04:09And I applaud your optimism.
01:04:12But Fermín,
01:04:13there's no reason to be in a hurry.
01:04:16If you see yourself with water on your neck,
01:04:19I'm still willing to buy you my shares
01:04:21at a more than generous price.
01:04:23Your shares?
01:04:26I remind you that from the moment you gave them to me,
01:04:28they stopped being your shares.
01:04:31Yes, yes, you're right.
01:04:32Of course.
01:04:33Emiliano, stop insisting on this subject, please.
01:04:36Hey, have you ever wondered
01:04:37if Rodrigo could be the cause of your misfortune?
01:04:41Rodrigo?
01:04:42Yes.
01:04:44He could be the bearer of all this bad luck
01:04:47and he seems to have taken advantage of your place
01:04:49as if fate wanted to take revenge on his betrayal.
01:04:51I didn't betray him.
01:04:53Yes, you may be right.
01:04:55Because to betray someone,
01:04:57first you have to have been loyal to them.
01:04:59And you haven't been loyal to me.
01:05:01Or do I have to remind you that you seduced my daughter behind my back?
01:05:04That's enough, Emiliano.
01:05:05It's become very clear to me
01:05:06what your intentions were when you came to see me.
01:05:08And now, if you don't mind,
01:05:09I have to take care of some matters with Rodrigo.
01:05:12Of course.
01:05:13I'll leave you to it.
01:05:16But, Fermin, I'd like to invite you to my house tomorrow
01:05:19to discuss these matters more calmly.
01:05:22I'll call you to confirm the time.
01:05:24Of course.
01:05:31Sir, I didn't seduce your daughter.
01:05:33You don't have to justify yourself with me, Rodrigo.
01:05:36I'm getting to know you.
01:05:37Thank you, Don Fermin.
01:05:39Have you found out anything about those initials?
01:05:42I thought it would be more complicated,
01:05:44but, as I told you,
01:05:45I'm good with those researches.
01:05:49So?
01:05:50I know who belongs to those initials, sir.
01:05:53I know who the person is
01:05:55to whom your wife made the insurance policy profitable.
01:05:58Period. Period.
01:06:11Good evening, Paula.
01:06:13Hi, Mercedes.
01:06:14I wasn't expecting you.
01:06:15I'll make you a table right now.
01:06:16How many are you going to make?
01:06:17No, I didn't come to drink anything.
01:06:18I was hoping I could talk to you.
01:06:20Although I don't think I've come at the best time.
01:06:23No, of course not.
01:06:25But don't worry.
01:06:26Being in charge has its advantages
01:06:28and I can delegate right now.
01:06:30Sit at that table over there.
01:06:31We'll be quiet.
01:06:33Okay.
01:06:34Martín, I'll put you on the ice.
01:06:44It must be very important what you have to tell me
01:06:47to let you fall for the cabaret.
01:06:49Yes, because if I don't hurry up,
01:06:52they'll give me a stay at the pension.
01:06:54But that's not a reason to put aside the good manners.
01:06:59How are you?
01:07:01I haven't seen you since the day your brother died.
01:07:06Since the day my brother was murdered.
01:07:09Cesar didn't die.
01:07:11He was killed.
01:07:12I'm sorry.
01:07:15And I'm going little by little.
01:07:18The cabaret is helping me, you know?
01:07:21Being here keeps me busy
01:07:23and it's also a way to continue his legacy.
01:07:26I'm sure he'd be proud of everything I'm doing.
01:07:29And not just him.
01:07:31Seeing a woman take charge of a business like this
01:07:34arouses the admiration of many.
01:07:36What you're doing has a lot of merit, Mercedes.
01:07:43Although I'd rather not be in charge of this business.
01:07:46That would mean that Cesar is still alive.
01:07:52Well, I guess you didn't just come to ask about me.
01:07:56No?
01:07:57No.
01:07:58And it wasn't my idea to come and talk to you either.
01:08:03It was Ivan.
01:08:06He's very worried about you.
01:08:08He's afraid you'll want to confront my father.
01:08:13It took you a while to tell the story.
01:08:16What did he tell you exactly?
01:08:19That he was very worried about the last conversation you had.
01:08:23And that you want to avenge your brother's death
01:08:26by doing justice to the man who killed him.
01:08:29My father.
01:08:32And you don't believe him?
01:08:34You really don't think it was your father who had my brother killed?
01:08:37I'm not sure, Mercedes.
01:08:41But you don't think he's capable, do you?
01:08:51Whoever's quiet, gives in.
01:08:54And don't worry.
01:08:56This silence is worth more to me than any word you can say to me.
01:09:02You know I could do it.
01:09:04And you know your father is a murderer.
01:09:06Mercedes, what I think, stop thinking.
01:09:09It's not important.
01:09:11I just came to warn you to avoid any confrontation with him.
01:09:17Because you think he's capable of anything.
01:09:19And you know he could do anything to me.
01:09:22Because I know that any confrontation with him would be a tragic mistake.
01:09:26So think it over very well.
01:09:29Very well every step you take.
01:09:32Okay?
01:09:37Okay.
01:09:39Now I have to go.
01:09:43Thank you, Paula.
01:09:45You're welcome.
01:09:53I found out that the head of the email section that came to the insurance police
01:09:57is a law firm in the neighborhood of Salamanca.
01:09:59A law firm?
01:10:01That's right, sir.
01:10:03As you can imagine, I called to try to get some information.
01:10:06And did you get it?
01:10:08No, sir. That's why I had no choice but to show up there.
01:10:11At first they almost kicked me out.
01:10:13Normal, normal.
01:10:15In those places they have a very closed agenda
01:10:17and they don't find it funny that someone shows up there without prior notice.
01:10:21I'm Don Fermín, but I had to try.
01:10:23I told them it was a family matter
01:10:25and that I had to locate the beneficiary of an insurance policy.
01:10:28It wasn't easy, but I managed to get a passerby to help me.
01:10:31It seems that everywhere there is always a good person.
01:10:34Not so much, Don Fermín.
01:10:36It cost me a good tip to accept to lend a hand.
01:10:38Well, we'll give for the money well invested
01:10:41if with all this we manage to shed light on the matter.
01:10:44You can give for the money well invested, sir.
01:10:47The acronyms C.E.C. correspond to a woman.
01:10:51Slavic quality.
01:10:53Tell me.
01:10:55Lázaro hasn't escaped.
01:10:57There's a reason why he's not here with me where he planned to go.
01:11:01Because she's dead.
01:11:03Karida Slava.
01:11:06Does the name ring a bell, sir?
01:11:08Not the name, but the last name.
01:11:11It's the same as my wife's.
01:11:16And yes, yes.
01:11:18It could be the person who made the phone call.
01:11:21It was a woman's voice, Don Leon.
01:11:23It could be her, yes.
01:11:25I wouldn't want to be indiscreet, sir.
01:11:28But exactly what did that woman tell you?
01:11:31She told me that...
01:11:33that Lázaro was dead.
01:11:35Or he should be, because they had agreed to meet
01:11:38and he never showed up.
01:11:42It has to be a relative, I'm sure.
01:11:45Not his mother, because I know he died years ago.
01:11:48I don't know, maybe an aunt, a cousin, or...
01:11:51And a sister, Don Fermín?
01:11:52A sister?
01:11:53Lázaro never told me about any sister.
01:11:55It's the first news I have.
01:11:58Well, in any case,
01:12:00your job would be to talk to that woman, but...
01:12:03I don't know if we can talk to her.
01:12:05We can, sir.
01:12:07In fact, I've already located her.
01:12:10The passenger of the lawyers' office
01:12:12gave me a address where Karida Slava supposedly lives.
01:12:16Really?
01:12:17As I told you, sir,
01:12:19I was very generous with the donation.
01:12:21Apparently, the last thing I know about that woman
01:12:24is that she lives in a convent north of Guadalajara.
01:12:27Here in Sigüenza?
01:12:29It seems so.
01:12:32Well...
01:12:33It's...
01:12:34It's a thread to be pulled
01:12:36and I'm going to start doing it tomorrow.
01:12:39And the meeting with Emiliano?
01:12:41He just met with him.
01:12:42The meetings, just as they are convened, are disconvened.
01:12:46So...
01:12:47So Emiliano will have to wait
01:12:50After reopening the Moderna,
01:12:52my priority is to know what happened to my husband.
01:12:55So call Pedraza or a supplier.
01:12:57As I told you, they'll have to wait.
01:12:59At your command, sir.
01:13:00And don't worry about anything.
01:13:02I'll cancel all your appointments tomorrow
01:13:04and attend to the suppliers who can't wait.
01:13:06Count on Cañete and Teresa for all that.
01:13:09Rodrigo,
01:13:10you're being of great help to me.
01:13:13And not just professionally.
01:13:16I appreciate it, Mr. Fermin.
01:13:18I do it because I have a sincere price.
01:13:20That price is mutual, I assure you.
01:13:22Another thing I want to ask you, please.
01:13:26Don't tell anyone about what you've discovered.
01:13:30Only to my nieces.
01:13:32And only if they ask you.