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00:00:00♪
00:00:12♪ You don't get it, that's how I feel, I'm getting so old, it's true.
00:00:19♪ You don't get it, forget my year, no matter what I'm in.
00:00:26♪ Sometimes I have to have my way, and I am old and young today.
00:00:33♪ But don't take it your way, no, no, no, no, no, no, no.
00:00:38♪
00:01:01♪
00:01:23♪
00:01:41♪
00:02:08Pauline, what's this?
00:02:09Bacon.
00:02:10I know, but...
00:02:11We've already had our allowance for the month.
00:02:12You mean...
00:02:13Not another slice the next Wednesday.
00:02:14Morning, darling.
00:02:15Morning, darling.
00:02:16Never seen such a man for bacon.
00:02:17Never seen such bacon for a man.
00:02:19Pauline.
00:02:20Where's Nanette?
00:02:21She already had her breakfast, what there was of it.
00:02:23Red pudding and milk, not my idea of a breakfast.
00:02:25♪
00:02:32Good morning, Miss Nanette.
00:02:35Good morning, Stiles.
00:02:37Good morning.
00:02:38Say, Miss Nanette, I don't want to seem inquisitive,
00:02:43but how are they feeding you up at the house?
00:02:47Oh, how do they feed me?
00:02:50Oh, well, this morning I had orange juice, strawberries and cream,
00:02:55poached eggs on toast.
00:02:58Poached eggs?
00:02:59Mm-hmm, poached eggs.
00:03:02Do you know what they gave Pauline and Hammington this morning for breakfast?
00:03:06Bread pudding with milk.
00:03:09Oh, that sounds horrible.
00:03:12Sounds horrible?
00:03:13It'd be all right if you only had to listen to it, but you've got to eat it.
00:03:17Your horoscope says beware of 1940.
00:03:22Sun and Taurus, moon and Capricorn.
00:03:25You are externally a materialist, but this is a libel.
00:03:28In reality, an idealist with a tendency to dissipate cash.
00:03:32And that's where I come in.
00:03:34Darling, we have a million in the bank.
00:03:37My darling, always looking on the bright side.
00:03:40Even in 29, when everyone's business was crashing right and left, you were optimistic.
00:03:45Are they eating apples?
00:03:47Oh, they're delicious.
00:03:48But she don't eat them, she counts them.
00:03:55Just imagine a little stalk like this holding up a great big apple like that.
00:04:02Yeah.
00:04:03She calls that one Taurus.
00:04:05And this one she calls Sagittarius.
00:04:07Sagittarius.
00:04:09This one is called Plato.
00:04:11And this one is called...
00:04:13It came off in my hand.
00:04:14It came off in my hand.
00:04:16No, that's silly.
00:04:18She calls...
00:04:21What did you do?
00:04:23What did you do?
00:04:25Where's the paste?
00:04:26You got your stinking bag on you.
00:04:28What are we going to do?
00:04:29Keep calm, Star.
00:04:32We can't put Taurus back, can we?
00:04:35Would you like half?
00:04:36Yes.
00:04:37No, no, no, no, no, no.
00:04:39Come on, you have half.
00:04:41All right, I know.
00:04:43I got a wife and four kids.
00:04:55It came to life.
00:04:57Send it back, Collette.
00:04:58Give it back to the boy.
00:04:59Oh, a mistake.
00:05:00Maybe it's for me.
00:05:01No, no, no, no, it's my mistake.
00:05:04You got to swallow the course
00:05:06so there won't be no fingerprints.
00:05:09Oh, my little lamb.
00:05:12Some deal went wrong?
00:05:13No, not a deal at all.
00:05:15I never thought it would.
00:05:19Here she comes.
00:05:20Wait.
00:05:30Uncle!
00:05:33Uncle!
00:05:36I don't mind measuring the macaroni.
00:05:38I don't even mind sending the paper napkins out to be dry cleaned.
00:05:43But when she asks me to put yellow salt instead of cheese in the mousetraps,
00:05:48I'm leaving, and so are the mines.
00:05:52What is the matter, Uncle?
00:05:54Collette, I'm in a mess.
00:05:56Oh, business?
00:05:58No.
00:05:59Uncle!
00:06:01It's not Auntie.
00:06:03No.
00:06:04What is it?
00:06:05Oh, I don't think I mean...
00:06:06Well, I don't mean that anyway.
00:06:08You see, the poor girl has lost her purse.
00:06:11Poor girl.
00:06:12The lovely Russian girl I met on the Albany night boat.
00:06:16Uncle!
00:06:18Oh, no, no, Nannette.
00:06:19It's not what you're thinking at all.
00:06:22Don't you see, Nannette,
00:06:23she was terribly anxious to go on the stage,
00:06:25and her family, some kind of nobility,
00:06:26objected and cut her off.
00:06:28Without a penny?
00:06:29Without a penny.
00:06:30So I lent her some money for acting lessons.
00:06:32Uncle, that girl didn't need any lessons.
00:06:34So?
00:06:36Oh, Uncle.
00:06:53Uncle, why?
00:06:54Well, you see,
00:06:56I'm a very ordinary man
00:06:59trying to work out life's happy plan,
00:07:03doing unto others what I'd like them to do unto me.
00:07:07When I find a very lonely soul
00:07:09to be kind becomes my only goal.
00:07:12I feel so much better
00:07:14when I tell them my philosophy.
00:07:17I want to be happy
00:07:20but I won't be happy
00:07:23until I make them happy too.
00:07:28Life's really worth living
00:07:30when we all must give in.
00:07:33Why can't I give some to you?
00:07:36Uncle, I've got an idea.
00:07:38Pay off this Russian bull pound.
00:07:40He'll go back to Syracuse for the right amount.
00:07:42The right amount out of my miserable allowance?
00:07:44Oh, no bonds.
00:07:46Well, no, only on Susan's name.
00:07:48You know, in her head's respect.
00:07:50And no jewelry?
00:07:51No.
00:07:54No jewelry.
00:07:59A Mr. William Traynor, sir,
00:08:00calling from the Albee Theater.
00:08:02I'm busy, Remington.
00:08:03I can't talk to anyone.
00:08:04Very good, sir.
00:08:05And stop bothering me, Remington.
00:08:07Yes, sir.
00:08:08Remington, what did you say?
00:08:10A Mr. Traynor, miss.
00:08:12Uncle, not William Traynor,
00:08:14the theatrical producer?
00:08:15Yes.
00:08:16Oh, well, Remington, right.
00:08:18Yes, miss.
00:08:19Uncle, talk to him.
00:08:20What are you thinking about?
00:08:21It's a miracle.
00:08:22Is it?
00:08:23And now you can leave it all to me.
00:08:25Say, it's great to hear your voice, Bill.
00:08:27Say, it's great to hear your voice, Bill.
00:08:30Jimmy, how are you?
00:08:32Say, when can we cry and disappear together?
00:08:34I haven't seen you since...
00:08:38Say, can't you afford a paper?
00:08:40I'm breaking in a new musical comedy.
00:08:42Breaking in a new musical comedy?
00:08:45Opening in two weeks.
00:08:47Called So Long, Sister.
00:08:49How do you like the title?
00:08:50We'll change it to So Long, Sonia.
00:08:52We'll change it to So Long, Sonia.
00:08:55Huh?
00:08:58Hello, Bill.
00:09:00Oh, hello.
00:09:01Be with you in a minute.
00:09:03Aunty's birthday party.
00:09:04Aunty's birthday party?
00:09:07Oh, no, it's just my little niece, Nanette.
00:09:09Ask him to a party.
00:09:11What?
00:09:12Oh, yes.
00:09:13Look, will you come to my wife's birthday party?
00:09:18Right, I'll be there.
00:09:19So long, Jimmy.
00:09:21Jimmy Smith?
00:09:22Mm-hmm.
00:09:23Of North Shore?
00:09:24Mm-hmm.
00:09:25Dave, let's have the first number.
00:09:27All right, girl.
00:09:28Well, what about me, Bill?
00:09:30If you'd been here just one day earlier, I had just the spot for you.
00:09:33When you get into the house, you'll shine with hospitality.
00:09:36Hospitality? With what?
00:09:38We've got an Apricot Brandy in the cellar.
00:09:40That's true, yes.
00:09:41You'll reminisce while you sip your breath.
00:09:43You'll enjoy the music and the night breezes.
00:09:46You'll take Sonia for his new show.
00:09:48Oh, Uncle, all your troubles are over.
00:09:50Oh, honey.
00:09:51When skies are gray and you say you're blue,
00:09:56I'll send the sun smiling through.
00:10:00Cause I want to be happy,
00:10:03but I won't be happy
00:10:05till I make you happy too.
00:10:16Everything ready, Uncle?
00:10:18Fine.
00:10:19You might try a new fish before you catch him.
00:10:22Well, first we celebrate our reunion.
00:10:24Yes.
00:10:25Then we reminisce.
00:10:26Reminisce.
00:10:27Then I remind you that I bat his first play.
00:10:30Yes.
00:10:31Bella, old pal, I only knew you'd succeed.
00:10:33Then we...
00:10:34You cry.
00:10:35We cry into our glasses.
00:10:36Bill hires his dancing star
00:10:38and Uncle kicks his Sonia.
00:10:40Goodbye.
00:10:41And your digestion.
00:10:42Come on, darling.
00:10:43He may be here.
00:10:44Oh, there he is.
00:10:46Oh, darling.
00:10:47Going to all this trouble just because I'm a year older.
00:10:50Oh, well.
00:10:51That's such exquisite perfume.
00:10:52You like it?
00:10:53It's called Extravagant Life.
00:10:54Oh, it's such a lovely bottle.
00:10:55When it's empty, I can use it for a savings bank.
00:10:57Could be the love of cake Maggie made me.
00:11:00Leave him to me.
00:11:01Maggie, that Gillespie's coming to the party.
00:11:04Who's Gillespie?
00:11:05He's that roué who draws those pictures
00:11:07of girls when they're new.
00:11:08You know.
00:11:09Do you mean he makes a living doing that?
00:11:12Bill.
00:11:13Bill.
00:11:23The Smith House?
00:11:24Yes.
00:11:26I'm Mr. Gillespie.
00:11:27Why, Mr. Gillespie, we were just talking about you.
00:11:30Really?
00:11:31You know, speak of the devil.
00:11:34At the Albee Theater.
00:11:36There he is, the great man.
00:11:41Hello.
00:11:43Hello.
00:11:44I'm Nanette.
00:11:45Nanette Smith.
00:11:46Uncle asked me to meet you.
00:11:47He's with Auntie looking at the cake.
00:11:49That was kind of him.
00:11:51And charming of you, Mrs. Smith.
00:11:54Oh, you know, Uncle talks so much about you
00:11:57and what great pals you are.
00:11:59Really?
00:12:00I'm flattered.
00:12:01At least I hope I should be.
00:12:03Well, you certainly should.
00:12:04If you only knew what Uncle thinks about you.
00:12:07He surprised me.
00:12:08Well, he was only just saying to me.
00:12:10He said there wasn't anything that she wouldn't do for you.
00:12:14That is if you wanted anything done.
00:12:16Come on, let's find him.
00:12:21I think the cake's been looking for Nanette.
00:12:24Nanette?
00:12:26Oh, hello, Tom.
00:12:27Oh, Bill.
00:12:28I see you met Auntie.
00:12:30Tom.
00:12:31Uh, Gillespie.
00:12:33Oh, how do you do, Mr. Gillespie?
00:12:35Of course we've met before.
00:12:36I thought you was...
00:12:38I'm sorry.
00:12:39I thought you were someone else.
00:12:41Oh, not half so sorry as I am.
00:12:43Tom, everyone's dying to meet you.
00:12:45Just because you're the man that draws the girls without the, uh, you know...
00:12:48I thought you...
00:12:49Bill, no.
00:12:50Well, are you sure?
00:12:51Yes.
00:12:54That's him.
00:12:55Yes, Bill.
00:12:57You're late.
00:12:59Thanks for reminding me.
00:13:00You're welcome.
00:13:02He looks the easy type.
00:13:03Oh, happy-go-lucky Bill.
00:13:07Sonia.
00:13:09Sonia?
00:13:10From Syracuse?
00:13:11Yes.
00:13:12Oh, my God, you're joking.
00:13:13Of my own execution.
00:13:15But, but, but...
00:13:16Nanette, what am I going to do?
00:13:18Uncle, you hide yourself in the conservatory.
00:13:20I'll get rid of her and I'll bring him in to you.
00:13:22Now, give yourself a drink because you need it.
00:13:33Call up Mr. Stillwater.
00:13:34Stillwater, Stillwater, Stillwater,
00:13:36I intend to come over here right away, it's urgent.
00:13:37What, what?
00:13:38At this hour?
00:13:39N-n-n-n-nobody's house.
00:13:40Come on, get up.
00:13:44My, it's nice to see you.
00:13:45Susie.
00:13:46The same old...
00:13:47Oh, you haven't changed a bit.
00:13:51Meet Sonia Sonjavich.
00:13:58Auntie, did you see that?
00:14:02Why, Mr. Trigg, how do you do?
00:14:05How do you do?
00:14:08How do you do?
00:14:09Well, actually, I prefer portrait work,
00:14:11but my bankers prefer Gillespie girls.
00:14:16Excuse me, ma'am.
00:14:18You know, I think we're going to be in the way.
00:14:20May I?
00:14:22Excuse me.
00:14:24How are you, Tom?
00:14:25Hello, Bill, nice seeing you.
00:14:27Yes, nice seeing you.
00:14:28Nice seeing you.
00:14:30You know, I'm always being mistaken for someone else.
00:14:33Oh, are you?
00:14:35Yes, it used to annoy me, but now I'm rather glad.
00:14:39I'm through with the chorus.
00:14:40I have another place in the theater.
00:14:42Maybe, but your muscles aren't in the right place for pushing scenery.
00:14:46Very funny.
00:14:48Mr. Gillespie, would you like to do something for me?
00:14:52Why, I certainly would.
00:14:54Well, would you mind cutting in and dancing that girl over there, the one in gold?
00:15:03Uh, may I?
00:15:04Sure.
00:15:09Bill, I've been looking for you.
00:15:10Come on, let's dance.
00:15:11Oh, yes, I've been looking for you, too.
00:15:13Now, what foot do we start with?
00:15:15Oh, just let nature take its course.
00:15:24¶¶
00:15:53Excuse me.
00:15:59Is he on his way?
00:16:00Yes, sir.
00:16:01You know, there are three Mr. Stillwaters in the firm.
00:16:02No, I don't.
00:16:03I told Mr. Stillwater Jr.
00:16:04Jimmy!
00:16:05Why have you been hiding?
00:16:07Hiding?
00:16:08Well, whatever gave you that idea?
00:16:09All that love, I cannot resist it.
00:16:12Well, I mean, that's all.
00:16:14You may go.
00:16:16Quite, sir.
00:16:17I want only you.
00:16:32Oh, excuse me.
00:16:37Auntie, may I take Mr. Traynor to see the picture of Grandpa?
00:16:41You know, the one with the boy.
00:16:43What now?
00:16:44That's the horror grandpa won't get any older.
00:16:46Now, I was interested in your theatrical ambitions,
00:16:48but friendship is one thing, and the other thing is another thing entirely.
00:16:53Oh, Jimmy, is this some cruel joke?
00:16:55With your own lips you said,
00:16:57I say that to everybody because I want everybody to be happy.
00:17:00That doesn't mean...
00:17:01It does to me, Jimmy.
00:17:03With that twinkle in your eye, it could only mean one thing.
00:17:06There wasn't any twinkle in my eye.
00:17:08It's not the twinkle you mean.
00:17:10It was this guy's...
00:17:11Oh, Jimmy, that's it.
00:17:12Nichevo.
00:17:13Nichevo.
00:17:18Oh, Jimmy.
00:17:19Oh, Jimmy.
00:17:20Oh, Jimmy.
00:17:21Oh, Jimmy.
00:17:22Oh, Jimmy.
00:17:23Oh, Jimmy.
00:17:24Oh, Jimmy.
00:17:26Well, where's grandpa?
00:17:28Oh, grandpa.
00:17:30Oh, he's in the cellar where we keep the apricot brandy.
00:17:36You like apricot brandy, don't you?
00:17:39Yes, but just now.
00:17:42You see, I'm on the waterway.
00:17:45Oh, on the water wagon.
00:17:49I've got your career all cut out for you.
00:17:51A famous producer and a big, juicy past.
00:17:53But why?
00:17:54Yeah, the dancing part.
00:17:55I can't tell you all the details now,
00:17:56but I'm going to settle everything, you see.
00:17:58Oh, Jimmy.
00:18:00No, no, but keep them on you, dear,
00:18:01because it's a draft.
00:18:03Well, we'll show those other producers.
00:18:05They think I'm no good.
00:18:06They think I stink.
00:18:07But we'll show them, darling.
00:18:08Yeah, we'll show them, darling, but quietly.
00:18:11Yes, Jimmy, very quietly.
00:18:13You make me so happy.
00:18:15Ne'er court you this justice,
00:18:17Ne'er court you this justice,
00:18:18till I make you happy too.
00:18:22Why is someone singing?
00:18:23Singing, madam?
00:18:24Yes.
00:18:25Sounds as though it's coming from the conservatory.
00:18:27Conservatory?
00:18:29Oh, madam, it just reminds me.
00:18:31A little bird got in there today,
00:18:33and we haven't been able to catch it.
00:18:34Oh.
00:18:39Hello, Bill.
00:18:40Hi, Tom.
00:18:41You don't mind if I'm in a little hurry, do you?
00:18:42I've got something to get back to.
00:18:44Oh, since me.
00:18:45Cigarette?
00:18:46Oh, thanks.
00:18:47Which three?
00:18:48Take your pick.
00:18:49Same old curves, this one's modern.
00:18:50Mary, Sally, and Mona.
00:18:53Amusing little party last night.
00:18:54Yes, wasn't she?
00:18:56I mean, wasn't it?
00:18:57Rather attractive.
00:18:58Yes, Mary.
00:19:00If you like the type.
00:19:02Yes, if you like the type.
00:19:10Mr. Treanor.
00:19:11Over at the table, ma'am.
00:19:18Hello.
00:19:20Hello.
00:19:21I'm not late, am I?
00:19:22Late?
00:19:23Oh, no, it's eleven o'clock, just on time.
00:19:28Ichigo.
00:19:30Oh, Nippo.
00:19:33Mi, mi, mi.
00:19:34Oh!
00:19:40Oh, Dave, give him a break.
00:19:42OK, girl, take ten minutes.
00:19:44Max will be needing you.
00:19:47No, Mr. Treanor, I think you're going to have a very great surprise.
00:19:50Yes, and so are you.
00:20:01Now, my friend.
00:20:02The name's Max.
00:20:03What are you going to do?
00:20:04Allegro.
00:20:05The first part, allegro.
00:20:06That is where I'm the dove.
00:20:07Second part, andante and pianissimo.
00:20:10Yeah, I know that, but what is...
00:20:11Watch the move.
00:20:12Here's where I'm the wind.
00:20:14Slow on the turn.
00:20:15And the third part, I'm the swan.
00:20:17The same music as in the dove.
00:20:19Oh, yeah, I get it.
00:20:20You want to kill two boys with one stone.
00:20:29Sto dzieciak muzika Mendelssohn.
00:20:49Sto dzieciak muzika Mendelssohn.
00:21:10Oh, what an artist.
00:21:13Yes, what an artist.
00:21:19Sto dzieciak muzika Mendelssohn.
00:21:24You realize, don't you, that this is only a sideline to Miss Onyavich.
00:21:28You should see her act.
00:21:30Thanks.
00:21:31I have.
00:21:38It's the yell.
00:21:40Yes, isn't it marvelous?
00:21:41Terrible.
00:21:43Oh, my bag, I'm sorry.
00:21:45I dropped my bag.
00:21:46Allow me.
00:21:50Sto dzieciak muzika Mendelssohn.
00:22:03My coat is still missing.
00:22:08You can fix that while we're going for lunch.
00:22:10Lunch?
00:22:11Yes, you know that little thing between breakfast and dinner?
00:22:15Oh, yes, lunch.
00:22:18Oh, I'd just love to.
00:22:19Oh, that's great.
00:22:20Well, of course she's great.
00:22:22What did I tell you?
00:22:23She'll simply make your show.
00:22:24Oh, she'd be a riot.
00:22:26She gets the part.
00:22:28Oh, Bill!
00:22:31That's enough, girl.
00:22:33That's from Uncle.
00:22:37I get the part!
00:22:39You get the bird.
00:22:41Hey!
00:22:42Oh.
00:22:47Oh.
00:23:18Oh.
00:23:43Oh, I'll take it.
00:23:48Say, this must be the wrong house.
00:23:51You sure this is the Smith house?
00:23:53Mm-hmm.
00:23:54Oh.
00:23:55Isn't this a mistake?
00:23:57No.
00:23:58Well, she died or something wrong with her?
00:24:01Good evening, miss.
00:24:02Hello, Remington.
00:24:03Where's Uncle?
00:24:04He's in the library, miss.
00:24:06And I'm afraid bathed in glue.
00:24:08Not dissimilar in character is the case of Hovermeyer, plaintiff,
00:24:11and Crenshaw defendant in the Utah District Courts, 1917.
00:24:14Crenshaw defendant in the Utah District Courts, 1917.
00:24:17Plaintiff charged with...
00:24:19Nanette!
00:24:20Thank goodness you're safe.
00:24:21Where have you been?
00:24:22Why, it's almost...
00:24:23Oh, never mind that, Uncle.
00:24:24Thank goodness you're safe.
00:24:26She didn't get the part.
00:24:29She got the part.
00:24:31She got the part!
00:24:32What part?
00:24:33What part?
00:24:34She got the part, Stillwater.
00:24:35It's all settled.
00:24:36Settled?
00:24:37Nanette!
00:24:39How did you ever do it?
00:24:41Oh, it's a long story, Uncle.
00:24:43Oh, my feet.
00:24:44Yeah, I was just on the point of sending out an overdose of sleeping powder,
00:24:47and now everything's settled.
00:24:49My plate is wiped clean and never again.
00:24:52Oh, Uncle, I forgot.
00:24:54All right.
00:25:00Nanette.
00:25:03Uncle!
00:25:08What on earth is this?
00:25:10Look.
00:25:11My father insists I marry Elmer tomorrow.
00:25:15Don't forget you promised you'd help me.
00:25:18I'm in Boston.
00:25:19Love, Betty.
00:25:23Uncle.
00:25:24From Bridgeport.
00:25:26Not another.
00:25:27No, no, no.
00:25:28It's not another, no.
00:25:29This one wanted to try to make both ends meet, that's all.
00:25:33See, she was waiting on the table, and we got into conversation,
00:25:36and she was very unhappy about her father.
00:25:40She wanted to be an interior decorator.
00:25:42He wanted to marry a man three times, so naturally.
00:25:45Oh, is that you, senior?
00:25:47Hmm.
00:25:48The Smith affair.
00:25:49It's broken out in another place.
00:25:52Pauline, did you get everything of Mr. Smith?
00:25:54Sure, ma'am.
00:25:55Shirt, suit, woman underwear, woman socks.
00:25:58Don't wear them in New York.
00:25:59It's too hot.
00:26:00Do you mind if Mr. Smith has cold feet?
00:26:02Not if you don't.
00:26:04Jimmy, you do pick the oddest time for your business trip.
00:26:08Auntie, there's a taxi.
00:26:10Oh, I'm sorry.
00:26:12Oh, I must answer the phone.
00:26:13Let me, let me.
00:26:14You can answer it.
00:26:15Oh, I'm sorry.
00:26:16I'm sorry.
00:26:17I'm sorry.
00:26:18Well, hurry, Jimmy.
00:26:19We've plenty of time.
00:26:20It's daylight savings time.
00:26:21That means we're game tonight.
00:26:22No, it doesn't.
00:26:23It means we've lost.
00:26:24Oh, it's not lost now, dear.
00:26:25Please.
00:26:26No.
00:26:28Mr. Smith home?
00:26:30Yes, madam.
00:26:32From Bridgeport?
00:26:34Mr. Smith has left.
00:26:35He's going around the world twice, and he won't be back for five years.
00:26:40No, madam.
00:26:41He's going around the world.
00:26:44I really don't care where you're from.
00:26:49Madam, you are no lady.
00:26:58Here we are, practically at the door.
00:27:01Yes, we're at the door.
00:27:03Pauline, isn't New York wonderful?
00:27:05It's a bit small, but it's much bigger than the movies.
00:27:08The man never wanted to lose himself in it.
00:27:11Just the seven million souls in one city.
00:27:14Yes, and didn't us know it was happening in New York?
00:27:17No, we didn't.
00:27:18We didn't.
00:27:19We didn't.
00:27:20We didn't.
00:27:21We didn't.
00:27:22We didn't.
00:27:23We didn't.
00:27:24We didn't.
00:27:25Yes, and didn't us know it was happening in New York?
00:27:28Oh, Pauline.
00:27:29Allow me, madam.
00:27:30No, thank you.
00:27:31We can manage.
00:27:32Thank you very much.
00:27:41You know, Jimmy, this looks awfully expensive.
00:27:43Do you think we should use our right name, Smith?
00:27:45Why not, darling?
00:27:46Well, you know, a big publisher like you, they might recognize you and charge us extra.
00:27:51How about adding another H, hmm?
00:27:53Oh, dear.
00:27:58You're quite safe here.
00:27:59She'll never find you in New York.
00:28:01No.
00:28:04Oh, pardon.
00:28:05Pardon.
00:28:06Pardon.
00:28:07How's that for you, Betty?
00:28:08Betty?
00:28:09Bridgeport.
00:28:10Kitty from Kansas.
00:28:13Kitty from Kansas?
00:28:15She's an artist.
00:28:16Paints, you know.
00:28:17Hello.
00:28:18Come in.
00:28:24No madam.
00:28:26Merci.
00:28:27Come, Pepple.
00:28:28Come to bed.
00:28:29Come.
00:28:30Come.
00:28:32Jimmy.
00:28:33Jimmy.
00:28:34Oh.
00:28:35You always disappeared as if you were trying to hide from someone or something.
00:28:39Hide?
00:28:40Me?
00:28:41Oh, this is not a laughing matter.
00:28:42You know, this is a very bad day for Torrance people.
00:28:45Have you had to know Detroit arrived?
00:28:47Not yet, madam.
00:28:48Oh.
00:28:50Look, my dear, I don't think we ought to stay here.
00:28:53Oh, I like it.
00:28:54They've given us a special rate.
00:28:55Uncle thinks it isn't safe.
00:28:57Huh?
00:28:58Turmite.
00:29:00In California.
00:29:01Someone might have brought some in a suitcase.
00:29:04Oh, nonsense.
00:29:05How could anyone make a living doing that?
00:29:07Come on.
00:29:08Let's look at the room.
00:29:09When he does arrive, will you kindly tell him that Miss Revere is not in the habit of being kept waiting?
00:29:18No, ma'am.
00:29:19What's that for?
00:29:20Come to daddy.
00:29:21Woo!
00:29:23Woo!
00:29:24Woo!
00:29:25Woo!
00:29:26Woo!
00:29:27Woo!
00:29:28Woo!
00:29:34Floors, please.
00:29:3510th.
00:29:3613th.
00:29:3713th.
00:29:3813th.
00:29:39Kansas.
00:29:40How nice.
00:29:41We'll be neighbors.
00:29:43Oh, for sure, ma'am.
00:29:45Ah.
00:29:50Why, Mr. Furtleworth.
00:29:53Why, Miss Revere.
00:29:55Mr. Furtleworth.
00:29:57The charming Miss Revere.
00:30:00Don't hurt me, please.
00:30:01What a lovely surprise.
00:30:03Oh, how terribly, terribly good to see you.
00:30:06Are you exhibiting?
00:30:07Oh, me no.
00:30:08I don't feel I'm ready.
00:30:09Ah, take me.
00:30:11In art, if the soul is ready, the hand is ready.
00:30:14You need only turns for truth.
00:30:16The fingers will respond.
00:30:18How true.
00:30:20And, my dear, stick to bright colors.
00:30:23Don't you ever develop a taste for pastels.
00:30:26I know.
00:30:27I took a whole bottle last week, and my cough was just as bad.
00:30:30Oh, dress me down, Miss Revere.
00:30:32Please, dress me down, Miss Revere.
00:30:37Pauline.
00:30:42Pauline, how'd you know Mr. Furtleworth's friend was from Kansas?
00:30:46The accent.
00:30:49Oh, three of them.
00:30:50Yes.
00:30:51And four of them.
00:30:52Oh, but Kitty's in theater.
00:30:53Oh, you're wrong to think so.
00:30:55You're right.
00:30:56I certainly would not.
00:30:58I suppose she lost her purse, too.
00:31:00No, she was wasting her time with a manicurist,
00:31:03all the time she had to make me into a great portrait painter.
00:31:07I see.
00:31:08Well, I felt so natural.
00:31:09Wouldn't you have done the same if Rembrandt had come to you?
00:31:12Not if he moved his hips like Kansas Kitty.
00:31:16Oh.
00:31:19Jimmy, you look faint.
00:31:21Darling, you're working too hard.
00:31:23Many things at once.
00:31:24Auntie, I was just telling Uncle exactly the same thing.
00:31:28Oh, it makes me dizzy.
00:31:30You know, I hear there's been a lot of suicides here.
00:31:32Really?
00:31:33Open the window wide, darling, will you?
00:31:36Just open one.
00:31:38Good.
00:31:41Uncle, we've got to think this out.
00:31:43I should have jumped with the other boys in 29.
00:31:47I've got an idea.
00:31:49Just how badly does your little friend want to paint?
00:31:52Well, she'd rather paint than eat.
00:31:57She would?
00:31:58Good.
00:32:00See, I've been a sort of fairy godmother to her.
00:32:04Information, please.
00:32:06Uncle, you can leave it all to me.
00:32:14I suppose you thought it was pretty mean of me to go off and leave you flat as I did.
00:32:17Well, it was a long walk.
00:32:19And yet you asked me to show you the town.
00:32:21That was very forgiving.
00:32:23I'm glad you think that.
00:32:25Can I do anything to square accounts?
00:32:27Oh, yes, you can.
00:32:29Oh, that is, if I can think of anything.
00:32:32Please try.
00:32:34Oh, strangely enough, an idea is just coming into my mind.
00:32:39Good, good.
00:32:40Oh, it isn't quite there yet.
00:32:42Well, maybe a whiff of the Hudson would help it along.
00:32:44Come on.
00:32:45Yes, maybe it would.
00:32:49Oh, this makes me wish I were an artist.
00:32:51Have you ever tried your hand?
00:32:53No, I haven't.
00:32:54You should.
00:32:55Maybe you'd find it fun.
00:32:57Oh, yes, I suppose if the soul is ready,
00:33:00one only needs to search for truth and the fingers will respond.
00:33:03Yes, I see what you mean.
00:33:05Well, I have a friend who is a...
00:33:07Would you like to see where I painted my first picture and sold it?
00:33:11I'd love to.
00:33:15John.
00:33:16Good afternoon.
00:33:17Good afternoon.
00:33:19Oh, I like this.
00:33:21It's great.
00:33:22Oh, John, may we have some tea?
00:33:24I mean, I'm cozy.
00:33:27Oh, Anne.
00:33:29Anne.
00:33:33A view.
00:33:34Yes, quite a view.
00:33:37You mean my masterpieces.
00:33:39Well, they're a little...
00:33:41Shocking.
00:33:42No, just a little startling when you see them all together.
00:33:45Let's just say they're commercial.
00:33:49Tom, I really must tell you that I noticed...
00:33:52Look, that view with the sunlight just so.
00:33:54For eight years I've been trying to paint that
00:33:56and I've never gotten it just the way I wanted.
00:33:58You can almost feel that glow.
00:34:02Oh, but...
00:34:03I'm sorry, you were saying...
00:34:05Oh, no, what was I saying?
00:34:07I'm afraid I put it out of your mind.
00:34:09Yes, I'm afraid you have.
00:34:13Oh, Washington Square.
00:34:15Oh, yes.
00:34:16Oh, who did that?
00:34:18Gillespie.
00:34:19No, not you.
00:34:21You're surprised?
00:34:22Well, what I mean is it's not much like your usual style.
00:34:26It has no legs in it, throws everyone.
00:34:29You like it?
00:34:30Oh, I love it.
00:34:32It's yours.
00:34:33For me?
00:34:34For you.
00:34:35Oh, Tom, that's wonderful.
00:34:38Oh, come, come, now, it's not that good.
00:34:40John, that's exactly what we need, a nice cup of tea.
00:34:43Shall I brew it, sir?
00:34:44No, no, I'll do it, I'll do it.
00:34:46Oh, I'll do it.
00:34:49Oh, you'd be surprised what a good cup of tea I can make.
00:34:52Oh!
00:34:54I think you'd better let me do it.
00:34:56Maybe I am a little out of practice.
00:34:58Well, this helps.
00:35:00Mr. Gillespie, I don't believe you ever made a cup of tea.
00:35:03Miss Smith, you're very difficult to deceive.
00:35:06Oh, you're not so easy.
00:35:09Now, go sit down, the kettle isn't boiling yet.
00:35:18I really must be going, and I just have to talk to you about someone who'd rather paint than eat.
00:35:41Oh, oh, hold it.
00:35:44Ah, that's good.
00:35:49Ah, who wouldn't rather paint than eat?
00:35:54Tom, I must go.
00:35:56I have to get back to Uncle.
00:35:58Oh? Well, he'll probably be napping.
00:36:01Yes, that's what I'm afraid of.
00:36:03Goodbye.
00:36:07There are two million Smiths in the telephone book, but if anyone calls me, I'm not here.
00:36:12Remember, my name is Smith with two H's.
00:36:15Smith.
00:36:16Very good, sir.
00:36:19You must meet Mr. Smith, you know he loves dogs.
00:36:21Yes, I'm sure Mr. Smith and I will get along delightfully.
00:36:29Pauline, let those dogs go.
00:36:30Don't worry, they're going.
00:36:35Guess who?
00:36:37Jimmy!
00:36:38How do you do?
00:36:39You meant to surprise me.
00:36:41Oh, how sweet, how terribly sweet.
00:36:44Jimmy Monage.
00:36:47My wife handles all my financial affairs now.
00:36:50Jimmy.
00:36:54Remember the old Kitty Revere?
00:36:57Just a simple naive girl clipping your cuticles.
00:37:02Oh, but that's all behind us.
00:37:04To the future, Jimmy.
00:37:07And then, when the Metropolitan Museum is asking for a first from the brush of Catherine Revere,
00:37:14you, Jimmy, will be the happiest man at the hanging.
00:37:18I certainly will.
00:37:21Hello, Pauline.
00:37:22Hello.
00:37:23Uncle Lintz?
00:37:24He's in there with Kansas.
00:37:26Kansas?
00:37:27Oh, Jerry, that twinkle in your eye.
00:37:29No, no, no, I haven't got a twinkle in my eye.
00:37:31Not the twinkle you mean, it's this one.
00:37:33Oh, that's it, Jimmy!
00:37:36You want to be held, but you can't be held.
00:37:41That's all right, Pauline.
00:37:43All right, sounds sour to me.
00:37:50Uncle!
00:37:55Miss Revere, my niece, Miss Smith.
00:37:58Oh, little Nan!
00:37:59Jimmy told me so many things about you.
00:38:02Mr. James Smith.
00:38:04Mr. James Smith is not staying at this hotel, madam.
00:38:06Oh, yes, I know.
00:38:07I'm Mrs. James Smith.
00:38:08Will you wait?
00:38:09But Mr. James Smith is not staying at this hotel.
00:38:11Those were his instructions, madam.
00:38:13Well, when Mr. James Smith does stay at this hotel,
00:38:15will you tell him that Mrs. James Smith will be back in a few minutes?
00:38:18Miss Nanette Smith, please.
00:38:19What's the name?
00:38:20Miss Nanette Smith is staying with Mr. James Smith.
00:38:22Hello, Tom.
00:38:23Oh, Susan.
00:38:24Slight case of amnesia.
00:38:25Jimmy doesn't know he's staying here.
00:38:27Oh, well, it must run in the family.
00:38:28I gave this to Nanette, and she left it in my studio.
00:38:32It's been so nice meeting you, little Nan.
00:38:34I think I'll stay and meet Mrs. Smith soon.
00:38:37Oh, Jimmy!
00:38:38What a divine picture of you.
00:38:41And very nicely framed.
00:38:45Nanette was born in April.
00:38:46Her planetary influences were excellent.
00:38:48April 19th.
00:38:49I don't know whether it was the planets or not,
00:38:51but someone deserves a lot of credit.
00:38:53Of course it was the planets.
00:38:55Your parents have nothing to do with it.
00:38:57But nothing.
00:38:58Really?
00:38:59Now, look here.
00:39:00Will you get out of here?
00:39:01Get off me, darling!
00:39:07Poor Jimmy.
00:39:09Oh, you, you wolf in chicken feathers!
00:39:12Don't, Nanette.
00:39:13You just make her desperate.
00:39:14Nanette, this is the end.
00:39:20This is what comes of lying awake at night
00:39:22worrying about your career
00:39:23and seeing that you can be taken under the wing of an artist,
00:39:26a great artist.
00:39:28What great artist?
00:39:30Gillespie.
00:39:31Gillespie?
00:39:33Not the Gillespie?
00:39:35Oh, Jimmy, you darling, you darling!
00:39:39Why didn't you tell me you were putting me under the wing of Gillespie?
00:39:43Gillespie!
00:39:45At last I will paint.
00:39:47Astrologically, Ares and Leo are mad about each other.
00:39:51But a special effort must be made to like each other's friend.
00:39:54Then everything will run smoothly.
00:39:56I'll remember that.
00:39:57Sir, won't you marry me, you hero?
00:39:59We shall paint together, you darling.
00:40:02Oh, ho, ho, ho.
00:40:07How are you, Pauline?
00:40:08Oh, Mr. Gillespie.
00:40:10Mrs. Smith said I might deliver this personally to Miss Nanette.
00:40:12Oh, did you do that?
00:40:14Mm.
00:40:15Nice.
00:40:16Well, you'll find her in there.
00:40:17Oh, thank you.
00:40:19Oh, hello.
00:40:21Hello.
00:40:22You left this.
00:40:23I thought I'd bring it around.
00:40:25I'm sorry.
00:40:26Am I intruding?
00:40:28Oh, no, not at all.
00:40:30Mr. Gillespie.
00:40:32Mr. Gillespie?
00:40:34Mr. Gillespie.
00:40:39Oh, Tom.
00:40:41Oh, Mr. Gillespie.
00:40:43Oh, Mr. Gillespie.
00:40:46Oh, Tom.
00:40:48This is a very old friend of mine.
00:40:51Old friend?
00:40:52This is the biggest moment of my life.
00:40:54Absolutely.
00:40:55Well, any friend of Nanette's is a friend of mine.
00:40:57When do we begin?
00:40:58I'm ready.
00:40:59Do with me what you will.
00:41:03Tom, you don't know what this means to me.
00:41:05What?
00:41:06What means?
00:41:07Oh, uncle means that this is the girl that I, that is,
00:41:10we were telling you so interested in art.
00:41:13Mr. Gillespie, I want to paint horribly.
00:41:16That's easy, particularly if you're a friend of Nanette's.
00:41:20Oh, a very dear friend of little Nan.
00:41:24I'm sorry you have to leave so soon.
00:41:26Oh, yes.
00:41:27Goodbye.
00:41:28What a day this has been.
00:41:30And you made it all come true.
00:41:32Oh, dear me, dear me.
00:41:34Oh, here you are.
00:41:38Allow me.
00:41:39If you hurry, you can catch the next elevator.
00:41:41Don't you worry.
00:41:42I'll take good care of it.
00:41:43And don't be surprised if the teacher should learn
00:41:45something from the pupil.
00:41:47I won't be a bit surprised.
00:41:50Mr. Gillespie, if only I had a successful attack.
00:41:53Oh, but then you can mold me.
00:41:55I promise you one thing.
00:41:56I'll work hard for you.
00:41:58Oh, I'll be glad to look over anything you've got.
00:42:00I'll even mix your paint.
00:42:02I may not look it, but I can do the messiest thing.
00:42:06My city's wiped clean once more and never again.
00:42:10Goodbye, Uncle.
00:42:11Never again.
00:42:13Excuse me, sir, but would you like me to fix the flowers
00:42:16in Mrs. Smith's bedroom?
00:42:17Yes.
00:42:18Wish you would.
00:42:23Uncle.
00:42:24Oh, yes.
00:42:26Never again.
00:42:33I can't seem to get the right expression on the fish.
00:42:37Uh, this is the fish.
00:42:39Oh, but still, I feel I'm blooming
00:42:41under the touch of the master.
00:42:43Morning, miss.
00:42:44Good morning, John.
00:42:46Hello.
00:42:47Oh, hello.
00:42:49Oh, all right, all right.
00:42:51I know.
00:42:52That's all for today.
00:42:53Little Nan, what's the matter today?
00:42:56Oh, Tom, don't ruin my pitch.
00:43:00I think it'll need a little pressing today.
00:43:02All right, miss.
00:43:03I'll see to it.
00:43:05Here, little Nan.
00:43:07You know, I should be very happy to paint you
00:43:09when I finish my fish.
00:43:11That will be nice.
00:43:12Tom is such a great master.
00:43:14I feel I should be able to tackle anything by then.
00:43:18Au revoir, maestro.
00:43:19Au revoir, little Nan.
00:43:21Things I do for Uncle.
00:43:26Oh, Tom, you don't know how much I appreciate
00:43:28what you've done for Uncle.
00:43:29I mean for, um, Kitty and me.
00:43:32Not at all, not at all.
00:43:33But she is a bit of a strain on Leo for Aries.
00:43:37Leo for Aries?
00:43:38Yes, I'm Leo.
00:43:39I'm a bit of an astrologer.
00:43:41Oh, that's funny.
00:43:42So is Auntie.
00:43:43Is she?
00:43:44Mm-hmm.
00:43:45Well, uh, Kitty could have been worse.
00:43:47Uh, could she?
00:43:48Oh, yes.
00:43:49You remember that Sonia something or other that was
00:43:51auditioning for Bill Traynor up in Boston?
00:43:53Uh, yes.
00:43:54I believe I do recollect.
00:43:56Um, didn't she do something with a bottle?
00:43:58That's the one.
00:43:59That's the one.
00:44:00That's the one.
00:44:01That's the one.
00:44:02Well, she got the job, bubble and all.
00:44:04Someone landed him with her.
00:44:05No.
00:44:06Yes.
00:44:07She's sure to kill the show.
00:44:08She's simply awful.
00:44:09To find Bill Traynor around rehearsals now,
00:44:11you have to look in dark corners.
00:44:31Marvellous, Traynor.
00:44:32Wonderful.
00:44:33Traynor, everything is fine.
00:44:34Yes, Bill.
00:44:35Where did you dig her up?
00:44:36That's a long story.
00:44:37Oh, can I hear all about it after the show?
00:44:39Sorry.
00:44:40Can you make it tomorrow?
00:44:41I have a subpoena to see.
00:44:42Oh.
00:44:43Oh.
00:44:44Oh.
00:44:45Oh.
00:44:46Oh.
00:44:47Oh.
00:44:48Oh.
00:44:49Oh.
00:44:50Oh.
00:44:51Oh.
00:44:52Oh.
00:44:53Oh.
00:44:54Oh.
00:44:55Oh.
00:44:56Oh.
00:44:57Oh.
00:44:58Oh.
00:44:59Oh.
00:45:00Oh.
00:45:01Oh.
00:45:02Oh.
00:45:03Oh.
00:45:04Oh.
00:45:05Oh.
00:45:06Oh.
00:45:07Oh.
00:45:08Oh.
00:45:09Oh.
00:45:10Oh.
00:45:11Oh.
00:45:12Oh.
00:45:13Oh.
00:45:14Oh.
00:45:15Oh.
00:45:16Oh.
00:45:17Oh.
00:45:18Oh.
00:45:19Oh.
00:45:20Oh.
00:45:21Oh.
00:45:22Oh.
00:45:23Oh.
00:45:24Oh.
00:45:25Oh.
00:45:26Oh.
00:45:27Oh.
00:45:28Oh.
00:45:29Oh.
00:45:30Oh.
00:45:31Oh.
00:45:32Oh.
00:45:33Oh.
00:45:34Oh.
00:45:35Oh.
00:45:36Oh.
00:45:37Oh.
00:45:38Oh.
00:45:39Oh.
00:45:40Oh.
00:45:41Oh.
00:45:42Oh.
00:45:43Oh.
00:45:44Oh.
00:45:45Oh.
00:45:46Oh.
00:45:47Oh.
00:45:48Oh.
00:45:49Oh.
00:45:50Oh.
00:45:51Oh.
00:45:52Oh.
00:45:53Oh.
00:45:54Oh.
00:45:55Oh.
00:45:56Oh.
00:45:57Oh, uncle, you promised me this dance.
00:46:01Oh, did I?
00:46:03Your favorite tune, don't you remember?
00:46:11When did I ever promise you a dance?
00:46:13Well, you didn't, but I had to get you away.
00:46:16Why, did I say something?
00:46:17Oh, just about enough to hang yourself.
00:46:20Auntie's right there.
00:46:22Oh, don't you worry about Auntie.
00:46:23Auntie and I understand each other perfectly.
00:46:27Dear, what is all this Sonia mystery?
00:46:29I suppose she was a Romanoff.
00:46:31Why, of course.
00:46:32Of course.
00:46:40Well, Mr. Stillwater.
00:46:43Oh, my dear Mrs. Smith.
00:46:45How are you?
00:46:46This is Mr. Gillespie.
00:46:47This is Miss Traylor.
00:46:48This is Mr. Stillwater Sr.
00:46:49How do you do?
00:46:50Pleasure.
00:46:51Well, Junior proved himself a chip off the old block, eh?
00:46:54Really?
00:46:55Particularly when it comes to getting a Smith out of a jam.
00:46:59Jam?
00:47:05The Stillwaters have been getting Smiths out of jams
00:47:07ever since the Boston Tea Party.
00:47:09Is that so?
00:47:11Mr. Smith's great-grandfather threw the first case overboard,
00:47:14if you remember.
00:47:15If I remember.
00:47:22You know, Jimmy,
00:47:23it looks as if Nanette will be able to take her choice.
00:47:25Well, it's a bothy race, isn't it?
00:47:27Yeah.
00:47:29I think it'll be Bill.
00:47:31Why?
00:47:33Can you see with a light like that?
00:47:35Much, much better than I think.
00:47:38Because didn't you hear Bill say that Nanette was responsible
00:47:41for Sonia Sonievich's...
00:47:43Oh, it was them.
00:47:44Happened to it.
00:47:46Right in your eye, darling.
00:47:48I thought it was right in my eye.
00:47:54Did you know that Mr. Fertle-Wurtle's friend
00:47:56was studying with Tom Gillespie?
00:47:59I don't think...
00:48:00Oh, darling, can I have a glass of water?
00:48:02She seems to know where quite a lot of bodies are buried.
00:48:05It's awfully bright, do you mind?
00:48:07Oh, I'm sorry, darling.
00:48:09One would think I was giving you the third degree.
00:48:16Good night, sweetie.
00:48:19Are you tired?
00:48:20Oh, no.
00:48:21Oh, no, just a little numb.
00:48:23Ah, that's perfect.
00:48:25That's perfect.
00:48:26Go just after this.
00:48:51Good night, darling.
00:49:21Good night, darling.
00:49:51Good night, darling.
00:50:21Good night, darling.
00:50:51Good night, darling.
00:51:21Good night, darling.
00:51:51THE END
00:52:21© BF-WATCH TV 2021
00:52:51© BF-WATCH TV 2021
00:53:21© BF-WATCH TV 2021
00:53:51© BF-WATCH TV 2021
00:54:21© BF-WATCH TV 2021
00:54:26© BF-WATCH TV 2021
00:54:31© BF-WATCH TV 2021
00:54:36© BF-WATCH TV 2021
00:54:41© BF-WATCH TV 2021
00:54:47Miss, he's proposed!
00:54:49No, Gordon, but he's painted the most beautiful picture you ever saw.
00:54:52Not him, Miss. You know.
00:54:54Oh, leave.
00:54:55I'm going out to get him.
00:54:56Yes, there I am.
00:55:02Hello.
00:55:06Oh, Lynette, will you meet Betty Bennett from Bridgeport?
00:55:09Betty from Bridgeport?
00:55:13She's a great friend of Mr. Stillwater's.
00:55:16Oh, Mr. Stillwater.
00:55:18How do you do?
00:55:20How do you do?
00:55:21We've been having some very dirty weather lately in Boston.
00:55:24Dirty weather, Mr.
00:55:28Another storm?
00:55:29I'm afraid so.
00:55:31That reminds me, did you boys ever settle that trouble with Syracuse?
00:55:35Oh, yes.
00:55:36A very satisfactory and unexpected settlement.
00:55:39Oh.
00:55:40Oh.
00:55:41Oh.
00:55:42Oh.
00:55:43Oh.
00:55:44Looks as though she's out of Syracuse.
00:55:47Get a glass of water, quick. I'll show you where it is.
00:55:49I'll get it, dear.
00:55:50Oh, will you, dear?
00:55:53You idiot, she doesn't know anything about it.
00:55:55About what?
00:55:56About what you've come to see me about.
00:55:57About me?
00:55:59Have you finished with my curling iron?
00:56:01What's up?
00:56:02Go get some headache pills.
00:56:03Headache?
00:56:04Yes.
00:56:05Senior thought it best for me to bring Betty here and settle the matter once and for all.
00:56:08How much can they sue for?
00:56:10$200,000.
00:56:12$200,000?
00:56:14Current cash for 48 hours.
00:56:16I believe his objection has always helped me.
00:56:18Try, darling.
00:56:21Here on page 72, it says, elevate the lady.
00:56:24Elevate the lady.
00:56:27She's very cute, isn't she?
00:56:30The feet should be higher. Get some pillows.
00:56:32Pillows?
00:56:33Yes, pillows.
00:56:35But they'd settle out of cork for $5,250.
00:56:38$5,250? I haven't even got the 50.
00:56:43$5,250?
00:56:46$5,500?
00:56:49Uncle, you can leave it to me.
00:56:51Your troubles have all gone up in smoke.
00:56:53Come along, darling.
00:56:56Gillespie, it's a fine piece of work.
00:56:58Thank you very much.
00:56:59You don't think there's too much...
00:57:00Oh, no, no, no.
00:57:01This is something you don't have to be modest about.
00:57:03Do you think the owner will allow us to show it in London?
00:57:05I'll underwrite a great reception.
00:57:07New York, Philadelphia, Boston.
00:57:12John, Mr. Gillespie not in?
00:57:14He'll be back for tea.
00:57:16All right, I'll wait.
00:57:17He'll be staying for tea?
00:57:18Mm-hmm.
00:57:19Yes, thank you.
00:57:20Good-bye.
00:57:21Good-bye.
00:57:22I'll wait.
00:57:23He'll be staying for tea?
00:57:24Mm-hmm.
00:57:25Yes, thank you.
00:57:28Betty from Bridgeport.
00:57:36I'm discontented with homes that are rented
00:57:40So I have invented my own
00:57:44Somewhere secluded are troubles deluded
00:57:48And life's weary chase is unknown
00:57:52Far from the cry of the city
00:58:00Comfy to hide in, to live side by side in
00:58:04Don't let it abide in my dreams
00:58:11Tip your knees upon your knees
00:58:15Just tea for two and food for three
00:58:19Just me for you and you for me alone
00:58:27Nobody near to see us or hear
00:58:31No friends or relations on weekend vacations
00:58:35We won't have it known, dear
00:58:37We own a terrible fear
00:58:43Day will break and I'll awake
00:58:47And start to bake a sugar cake
00:58:51For you to take, for all the boys to see
00:58:59We will raise a family
00:59:03A girl for you, a boy for me
00:59:08Can't you see how happy we would be?
00:59:17Can't you see how happy we would be?
00:59:24Oh dear, I've got good news.
00:59:26Have I got good news?
00:59:28Your poor country has got the most wonderful things.
00:59:30What have you here?
00:59:31I've really got great news.
00:59:32Oh no, me first.
00:59:33Who's the head of this family?
00:59:34Oh well, you are.
00:59:37You've heard of Gottlieb and Leiden?
00:59:40Well anyway, they're big art dealers.
00:59:42They're crazy about it.
00:59:43They want to exhibit it everywhere.
00:59:45in Boston Philadelphia. Your portrait of course don't you see darling it means the
00:59:51Gillespie girl is dead and all her world of legs lingerie mouthwash I can think what
00:59:56I want. And that you did it.
01:00:00To. Be
01:00:10very careful with. What's going on here. But I'm going to check five thousand two
01:00:17hundred and fifty congratulations what is this one of your impractical jokes put
01:00:22that back Tom Tom I told you that I didn't know if there's been
01:00:28a fake you can't have it. Yes if you take it back oh I couldn't take
01:00:35it back but I've already started to build up the whole campaign around it. It was
01:00:39worse to sell. Oh yes. Yes the portrait belong to Miss Smith.
01:00:46Who bought it very little perfect I'll get you in
01:00:50a cigarette dangling from her lips for nothing. You better leave it alone all right
01:00:56let's take it away. Don't worry it won't be lost to posterity you'll see it next
01:01:02month on the back cover of college humor if I really didn't want to.
01:01:26I'll tell her you're here.
01:01:35I don't like to look she's all worked up in the other fellows here Pauline will you
01:01:39tend to your own business I will but don't say I didn't warn you. You know they
01:01:46should be settled with diamonds it looks as if so long sister is good for
01:01:49a year's run you don't mean I mean after all what did I tell you and so you
01:01:56so this evening we're going to celebrate.
01:02:01Say what's happened to that lab guess I used it all up on me to go what do you say
01:02:06we go out and try to find it again. All right I'll be with you in ten minutes.
01:02:13Oriental Cafe on sixty six three.
01:02:15Well that was just about right.
01:02:22She jumped at
01:02:23a dinner and gave him some bill as if she hadn't had anything to eat in
01:02:25a month. And then. One of it well my guess is she's been trying to help someone out
01:02:31of
01:02:31a jam and gotten a jam so. You're going to spoil me purple passion
01:02:38yes. Excuse me I just remember something. Purple passion
01:02:46in that kind of a movie in that kind of
01:02:49a movie that's the law let's go out someplace wicked tonight what about the fire
01:02:53stand. In the worst way well you get yourself.
01:03:03Something. You'll find the gin on the table.
01:03:06I'm with him so double with him so. Jim.
01:03:13Yes whiskey and soda.
01:03:16What happened between you. She knew I put everything I thought about her into that
01:03:21thing what made her portrait sold how much does it matter.
01:03:28Five thousand two hundred and fifty. You knew. No no I.
01:03:35I haven't any pen. To save I was
01:03:40a tell you that I've been leading
01:03:40a double life. But inside you'd be so surprised I've just been trying to put
01:03:46a little sunshine. This you know. I
01:03:53want to be happy but I won't be happy till I make you happy too.
01:04:00That's understandable my husband likes to spread a little happiness he promised me
01:04:04the moon. You sure you're talking about mine. I'm the only steady one of the
01:04:11family you don't mean it I don't mean it precious pie your drink is getting flat.
01:04:18You know. Where's the net now they're starting with Oriental dinner someplace
01:04:23on forty six feet Oh you mean that restaurant where you sit in booths private Oh
01:04:27that's where Bill always starts you must never out of your sight for a minute don't
01:04:30worry good luck.
01:04:34Darling do you like Oriental food. We're going to. These are our entire.
01:04:42The trainer evening son you use your dinner sir right and you use your boot right.
01:04:50You're
01:04:50a regular customer Oh yes very regular. What's this no
01:04:57Balinese custom. I have to do it of course. It's going to be fun.
01:05:04It's.
01:05:12All. Just as you described it you take team of the trainer.
01:05:19People to and so I haven't prepared some of that you know your special day with
01:05:24pleasure. Say say will you please come back to Bali I'm sorry though.
01:05:30Well. Right there with your feet up and.
01:05:37Oh right right.
01:05:43Oh yes and I have that vote you're the boss sir. Oh what's your shoe sir.
01:05:54Very amusing. Nice and private.
01:06:01But I do eat it no just take it and crack it like that keep it to sir no no
01:06:07anything with me make my vodka with the dash of gin with pleasure.
01:06:15It might. Think I'd better crack my.
01:06:22I think we'd better change places you're in the draft Oh you do make the silliest
01:06:28excuse.
01:06:32Well we've got company I'm sorry I was.
01:06:38Unexpected that's what comes of not watching what you're doing. Oh I feel how are
01:06:44you nice seeing you. Nice seeing you you must think we're perfectly all. Just
01:06:50preoccupied I'm sorry I really don't know how it happened you do to me do you
01:06:55believe me over much. Well. See you again yeah glad you dropped in.
01:07:04What do you say we go somewhere else where the traffic's
01:07:07a bit thinner. Fresh air. The unexpected things that make life.
01:07:17Come on. I just got. Tonight.
01:07:22Little man was surprised when we dropped in.
01:07:27Mr.
01:07:27Fertile way.
01:07:33It's.
01:07:36Really. My dear you have a lot I have.
01:07:44You really. Feel proud of it.
01:07:52Very OK. Now we.
01:07:58Can't.
01:08:06Have a part yes.
01:08:12You know. Of course there's only five thousand restaurants in New York City and
01:08:18you had to pick the oriental. I think it's
01:08:21a conspiracy. Of course it's
01:08:23a conspiracy.
01:08:36Any point in this mess and she's expecting you to go and.
01:08:40Go. And. Come in darling have
01:08:45a nice walk you know you didn't tell me about little Betty she's not up to your
01:08:50usual standard darling you must lose your touch on Susan I. You mean you know
01:08:56about him all the time but of course why it is
01:08:59a nice it's disgusting you you twerp you.
01:09:03Are. She's sweet you should have told me.
01:09:11Oh to think I have such
01:09:13a dear understanding why. I never meant any harm
01:09:20I just want to spread a little sunshine. But I told her it was all so in you know
01:09:26I'm pure as a lily. Yes I hear. Sonia Sonia that.
01:09:32Can't. Have
01:09:34a number right under my nose you thought I was blind you best pocket Romeo but
01:09:39darling was never on
01:09:40an emotional base it was a purely intellectual I suppose you just got the classic
01:09:45if that trio ever curled up in bed with
01:09:47a good book the book would curl up first darling couldn't we discuss this in
01:09:51the morning when we pulled off by then I'll be sizzling at the Grand Hotel Reno.
01:10:01I. Drive
01:10:13a seat and have. All of. All of it.
01:10:21And they think I am Barney you'll feel.
01:10:24Good. I believe that's
01:10:31still following us Oh no no no they're not come on and that why don't you forget
01:10:37him. You know it was nice of you to give me
01:10:44a good day and even. Thank you. For coming to the heart right to do it you're
01:10:49likely going to get it over
01:10:50a hurry. To get married just like that. You
01:11:05don't have to wait for the license and in the forty five minutes you're in California
01:11:09on your honeymoon. I think so. Did you hear anything rather in my
01:11:17profession it's unethical to eavesdrop thank you you're welcome.
01:11:30When the skies are gray. And you are blue. I'll send the sun shining through.
01:11:39The. I can't get
01:11:44a wink of sleep what's all the noise. I want to do more I did but I said
01:11:51that I had Pauline. Who is speaking.
01:11:58This is Smith is this thing you're doing you're speaking. Oh no no you're going to
01:12:03have seen your headless unfortunately seniors out with
01:12:06an important client and we are unable to locate him but you must find it I'm
01:12:11leaving for Reno tonight and seeing you must make that play.
01:12:18Just the family cracking up cracking up blow me down long distance please.
01:12:24If. Mr Smith if I could be
01:12:33a servant writing. Hello Remington or twelve cases of champagne
01:12:40not have they are and have them and double the servant's wages if that's right I
01:12:45said double the servant's wages. I mean you know everything.
01:12:51That is. Very sad Oh Mr Smith is it too late I've got everything worked out I'm
01:12:59going to
01:12:59a little island in the Pacific. And forget it all very
01:13:06bad no no Mr Smith will not be returning never.
01:13:13Very.
01:13:21Very.
01:13:29You hurry and get back now pick up in fifteen minutes I'll be ready. Back to.
01:13:36Say we're going to be following each other around as we do don't say that reminds.
01:13:51What is this a hold up now I think kidnapping on
01:13:54a lucky guy you look here or you don't tell them that yes no.
01:14:13I mean I'm going to be.
01:14:15A. Lot of what I'm going to be too late no I won't
01:14:21think that's funny in their own platter when you help me back up when you got
01:14:24a few minutes I guess. All the crazy night.
01:14:39Of what I would have some reason California California that's better Niagara Falls
01:14:45for me I'm so glad you didn't pick that fellow with
01:14:48a girl my father said the girls were always
01:14:50a sign of weakness but then he was as bald as
01:14:52a. Yes
01:15:02he didn't see you know I got it out of my neck.
01:15:04That. I'm going to get in there.
01:15:12You know not now not till I've gone but it's too late.
01:15:20For me.
01:15:21To. That's
01:15:28a missus Smith not now wait last I've got. Too late.
01:15:34Oh Mr. Smith.
01:15:46Hello yes he's here do you wish to speak to us. All right I got it.
01:15:55Yes the minute I did you say your name was.
01:16:04Which one did you pick the right one for me the right one said he can't come back
01:16:09and that you're to go to the airport straight in the plane and then he'll bring
01:16:12the ticket and he's using the name of Brown to avoid publicity. Thank you for
01:16:17the phone don't thank me I think you're making a mistake. Well you see that there's
01:16:22no reason to let you but not until I'm gone and it's I know it's too late.
01:16:33I. Want to work like that when I was
01:16:38a guy he's got to work fine but you get your name in your home or.
01:16:46This is Susan Smith a good evening you're going to me now I just don't want to see
01:16:50you look on the plane yes he is he's
01:16:52a boy.
01:17:05This man it's. About and I'm not. Mr Brown.
01:17:22You don't wish to retire it wasn't me.
01:17:29But you said. Change planes about that.
01:18:22You.
01:18:28Are you sure Mr Brown is a boy. In his. Little afraid of being sick
01:18:36quite calm under the anticipation nothing ever really happened.
01:18:45Now that you take your seat I'll have to fasten
01:18:47a safety belt.
01:19:02But you can't get.
01:19:17It. What are you doing what are you doing I'm
01:19:25not good I'm getting divorced before yes your uncle turned out to be quite
01:19:31a blue bear. I'm already cold three out of his beard so I'm going to Reno and get
01:19:37him shaved.
01:19:42Never mind about me. You're going in and I'm going out.
01:19:47And I got. Congratulations where to go. In bed he's not
01:19:54feeling very well probably
01:19:56a little nervous for you that's meant to you Mr Smith.
01:20:11For you Mr Smith.
01:20:35How is this. Is there anything. I don't think so.
01:20:44Mr Brown would like to see you thank you.
01:20:47Brown. So.
01:20:53Oh he's in his bed he's still scared of being asked. If you picked
01:20:59a lemon to. This will be in just a moment.
01:21:07What's the matter I don't know I feel hot cold all the same time and my feet are
01:21:13like. What can I do. I have a hot water bottle by the hot water bottle.
01:21:23I'm going to have your hot water bottle hot water and he's got cold feet how
01:21:29romantic oh well you think that may be complication. Try to hold.
01:21:34It down.
01:21:40Low. What are you doing here well it's rather a long story you see it's
01:21:45a complication. Practically. I know but I couldn't leave Tom behind you see he
01:21:52loves you too and I made him admit it. You made him admit it but it was easy.
01:21:59Oh well let me tell you something I'm getting right out of the plane this very
01:22:02minute you can't do that. Then. Don't worry aren't you leave it to me
01:22:08everything will be settled settled. And I've lost my Jim. Don't cry like that
01:22:15aren't you. The only way I know how. I'm divorcing him divorcing him or most do
01:22:22you can't do that of course you can't you've got to forgive him forgive him and
01:22:26he's hundreds of miles away. After all that's all my fault I just didn't
01:22:31understand he just wanted to spread a little happiness oh that's right aren't you
01:22:36must forgive him if he were here right now I feel my heart is not going to ask him
01:22:41to forgive me.
01:22:48You we don't following me but darling I don't darling me Mr Stillwater.
01:22:56I've been calling keeping you scared away over three hundred with your rack. Still
01:23:01water still Mrs Smith I'm afraid you're disturbing the other passengers I'm sorry
01:23:05darling I'm looking for Mr Stillwater Oh darling we must save Uncle what again.
01:23:14Oh aren't you must forgive him I wouldn't forgive him if he came crawling to me on
01:23:18his hands and knees but still think of his virtue he doesn't smoke he doesn't drink
01:23:22no he saved himself for the big thing. Bill I was only trying to spread a little
01:23:27fun. Yes I know Jimmy but you laid it on a bit too thick. Mr Stillwater will you
01:23:32serve the paper. My dear Mrs Smith you have no grounds for divorce. No ground.
01:23:38To marry you your husband had a surplus of happiness so he disposed of his surplus
01:23:42happiness to less happy children. Children did you ever meet Sonia. Yes the sweet
01:23:47child who tonight advocated as comedy queen of Broadway to win the eminent Greek
01:23:51professor. And what about Kitty from Kansas. At this moment being joined in holy
01:23:56matrimony to the curator of many museums. Tomorrow she will be hung at the
01:24:01Metropolitan Museum. Good. Nine seventy four nine seventy five nine seventy six
01:24:06nine seventy seven. And I suppose Betty from Bridgeport is a sweet little soul who
01:24:10longs. Mrs Smith I must ask you to speak with respect of the wife of one of the
01:24:14most eminent members of the legal profession. My foot. No my wife. Your wife.
01:24:21Oh.
01:24:41Why don't you go to bed.
01:24:51Good night.
01:24:57Good night.
01:25:02You've been wonderful. Thank you Tom and you particularly feel you know he.
01:25:11Radio for Mr Smith. Radio for you darling.
01:25:15I. Want to be happy but I can't be happy till I make you happy too.
01:25:24Life really was living when we are not giving. Why can't I give some to you.
01:25:32When times are gray.
01:25:34When times are gray.
01:25:36When times are gray.
01:25:38When times are gray.
01:25:40When times are gray.
01:25:41When times are gray.
01:25:43When times are gray.
01:25:45And you say you are blue.
01:25:47You send the sun smiling through.
01:25:51I want to be happy but I can't be happy till I make you happy too.
01:26:11You.