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00:30♪♪
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01:10Whoo!
01:11Well, here we are.
01:13You know, Uncle Harry, from what you told me,
01:15this must be one of the most difficult cases you've ever had.
01:19Yes, Bob.
01:20Matching witch with a clever criminal is a tough job.
01:23In this case, all the criminal leaves behind
01:26to mark his vicious trail is a knife and his victim.
01:30How do you expect to find this man
01:31when you don't even know what he looks like?
01:33There's an accomplice.
01:34A woman.
01:36A striking woman.
01:37In other words, Bob, it's a case of chaise le femme.
01:42Meaning what?
01:44Find the woman and you'll find the man.
01:47Fortunately, I know who she is.
01:51You know, trailing these criminals the way you do,
01:53without them getting wise,
01:55must take a lot of smart thinking.
01:57Oh, not so much smart thinking, Bob,
02:00as years of hard practice.
02:02That's why I wanted you to come with me on this case.
02:05It would have given you some valuable experience,
02:07helped you over the hurdles,
02:08and besides, it would have advanced you
02:11right off to the bat.
02:14I understand.
02:17I'll see you later, Bob.
02:26Did you think over all the things
02:27I told you last night, Bob?
02:29I sure did, Uncle Harry, every word of it.
02:31And I appreciate you recommending me to the U.S. Marshal.
02:34Also, his offer to put me in office right away.
02:36It would have been the beginning of a fine career.
02:39I know that.
02:40And no doubt someday I'm going to join up.
02:43But not right now, Uncle Harry.
02:45I'd like to be free for a while,
02:47a chance to roam a bit and see things.
02:50I think I understand.
02:52Although I will admit I'm disappointed.
02:55Kind of figured on killing two birds with one stone.
02:58I sort of counted on you coming with me on this trip.
03:02I could use you, you know.
03:05Here she comes, right on time.
03:16Hello, Uncle Harry.
03:17Good luck.
03:18You behave yourself, young man.
03:20I'll do that.
04:16How dare you?
04:17What's the meaning of this?
04:18So the alias this time was Mary Conway, eh?
04:22You're through, Blanche.
04:23I don't know what you're talking about.
04:25Come on.
04:26I caught up with you sooner than I expected.
04:46Stagecoach's ready to leave.
04:47Get on it, quick.
05:00If you'd have stayed in the mountains as we planned,
05:02we would have avoided all this.
05:03Well, I stood the silence and the loneliness
05:05of that forsaken spot as long as I could.
05:07It was driving me out of my mind.
05:08You'd have known a different kind of silence and loneliness
05:10if I hadn't left things flat in Logan to come up here
05:12to get you out of trouble.
05:14Well, that's all over with, isn't it?
05:16Perhaps.
05:18Oh, well, Stevens is the only one that knew
05:20what she looked like.
05:21Stop that truck.
05:51Come back here, lady.
05:52Come back here.
05:56All right, get on your way.
05:57You can't leave that young lady out here like this.
05:59Hyah!
06:21Hyah!
06:27Hyah!
07:42Whoa.
07:44Bill.
07:46Felt up again.
07:47Yeah, who was it this time?
07:49a way we couldn't get their faces and that's not our sheriff there was another
07:53traveler a young woman and the hell is up she got hysterical and ran away from us
07:57out into the brush she's out there now you got to do something to help you
08:00sheriff what she looked like I didn't get a real good look at it she she wore
08:05glasses and read all the time or girl she must have been a school mom don't you
08:10worry about it mr. Slade we'll find her and meet up with that gang to Jim get
08:14the horses in the rest of you men want to go along I'm with you sheriff I'll go
08:19to bill how about you much late oh sure I'll go sheriff but well I guess I've
08:24had enough for one day besides you know I'm not much of a horseman oh I should
08:28remember come on and if these bones I'm keep up none of us will be safe anymore
08:38but we can't allow this lawlessness to go on we've got to do something to put a
08:43stop to it with all due respect to our sheriff we need somebody to take matters
08:48in hand now if I had my way about it that first thing I do my deepest sympathy
09:01for a great loss I hope you will now reconsider my offer to join this
09:08department and immediately John C Henderson US Marshal first your father
09:16now his brother what do you mean son just as soon as I can get ready mother
09:23oh no you don't you're not leaving without me I get the horses
09:31goodbye mom come back don't you worry I will
10:16for a minute you had me fool they'll get up is great perfect and Denver you buying
10:25this ranch was a touch of genius maybe passing off as Blanche's brother may
10:31have inspired you but from now on you can drop all that understand yes I
10:37understand who's a p.m. I leave how about the geologist I mean the fellows
10:43been looking around for oil I curled him to the Mannix ranch there he went over to
10:47the creek to put a match to the surface the oil caught fire you should have seen
10:53that grin on that bird's pen when they all fired up sure that test shows the
10:59real quality where else did he go to the next ranch and he done it again
11:04scribbling notes all the while
11:13lunch tomorrow morning you're gonna go into town and look up this geologist get
11:30all the information you can about the oil on those ranches be careful don't
11:35arouse a suspicion some riders are headed this way keep your eyes out of
11:39sight keep your eyes open.
11:44Those lips be careful.
11:59Who is there. Come in. How it is this year to be
12:06sorry about you man but the stage was held up young old man you got scared out
12:10of her wits and run off to the right and we've been trying to find her as we've
12:14searched all the ranches thought maybe she might have wandered in here Oh no
12:17Michelle Michelle if I have not seen her she has not come here with a poor thing
12:22that is a shame yes I reckon we'll go my heart but it seems how she's a school
12:26mom from the city she's from the city.
12:30That is terrible she will be so afraid for me I would not be afraid Oh no I come
12:34from Montreal with the open country is much wilder than this place but this is
12:38not helping her the poor woman you go to find out right away and if I see her I
12:43will come to tell you I sure hope you do ma'am anyhow when you come to town to
12:47visit my look me up I'd be mighty glad to see you again thank you I will.
12:52Good night.
12:53Most.
13:00You are absolutely right I'm going to be an actress my chance that was perfect
13:05home Jim let's give up all this let's leave for San Francisco right away and I'll
13:09get
13:09a job in a theater there and soon we'll have all the money we need but give up the
13:13oil deal. Now Blanche we put this over and you can have anything you want.
13:23What makes you so sure the number that murdered your uncle's in Logan I'm not
13:27sure who the depot agent here told me that a woman left for Logan right after it
13:31happened from his description it sounds just like the one we're looking for
13:36besides that it's exactly the way those two were Uncle Harry explain the whole set
13:40up to me.
13:44You mean the man we're after goes ahead in the town gets everything set later the
13:48woman joined him they pull the deal that's right they've got
13:52a clever act and she's the bait. After they get what they want he finishes off
13:58whoever falls for the game and they disappear start the same thing all over again
14:02someplace else pretty slick and mighty clever too. And we can't go in
14:09a log and pack on
14:09a badge it'll be just too bad. Let's go in the way we originally planned.
14:18And.
14:19We.
14:44May I help you oh yes all these lines in his marks that so difficult
14:49I cannot find my ranch what is the number of your ranch. Three twenty four three
14:54twenty four three twenty four here it is. It is so easy when one knows how to do
15:01this that's an excellent location. But I am selling my property I'm returning to
15:07Montreal Oh but you shouldn't sell you should stay here. But why well if you
15:14step over to my hotel I'll explain the reason why you shouldn't sell your property
15:18and of course if there's
15:20a reason oh there is. Now this is all oil and your property is right on the rim
15:27how wonderful. You know I'd be more than willing to advise you
15:34well that is if you'd let me how you are so very kind. Perhaps I could call it
15:39the ranch some evening. That might be better than here. For supper perhaps
15:46all fine. I must be going now.
15:55Well you're going to say.
16:02Oh allow me lady how you are very kind. Everything you want is on the map in his
16:08room two or four. Messages here you see highly welcome.
16:16The.
16:46The.
17:09My entire nation didn't you can't put the edge of town instead of getting me out
17:12of my bed at this hour I think too much of
17:15a horse come on open up I'm going to hurry it's getting so that a man can't have
17:19a decent night's sleep these days.
17:43The.
17:53While you're. Having. Your coffee. You don't know what you're
18:00paying if you want coffee they're closed and you're open nature.
18:12The.
18:42The.
18:55Did you ever see him before now and I never saw
18:59a drifter like that that didn't meet up with trouble.
19:01I. Think that we have
19:11a long ride ahead of us allow me to introduce myself my name is Cornelius Wadsworth
19:18Parker. Pleased to meet you Mr Parker I'm Mrs Bradley this is my husband Hank we
19:25own the general store in Logan and Mr Parker I'm president of the church club
19:32where he'll well well president of the church club. And what is your line of
19:37business Mr Parker building communities which reminds me of Belle junction why do
19:43you know when I got through there that was no more a junction it was Bell City
19:49course they said that I become mayor but I declined you see I'm not interested in
19:55politics no sir I want to help communities forge ahead that's my
20:01reason for going to Logan I've heard things about that town. I'm sure you'll be
20:08more than welcome Mr Franklin thank you.
20:25Well it's going to be might
20:26a rough first fell folks but don't worry I'll get you there thanks alive I hope so
20:31now Rosie don't get excited now don't you worry everything is going to be all right
20:38if that gang they're going to hold up the coach this time I'm going to fool them.
20:57It was that city feller they found him dead in his room with
21:01a knife stuck in his back it's like a way of going to have
21:04a new election things have got to be different in this town.
21:11That's a brief drifted into town last night it looks mighty suspicious.
21:16Here it comes now.
21:21I've lost a leader they've been held up again.
21:26Whoa. Another hold up Jim.
21:32But I lost one of my leaders fell broke his leg.
21:36I'm going to have to get you a new coach.
21:38I'm going to have to get you a new coach.
21:40I'm going to have to get you a new coach.
21:41You're going to have to get me a new coach.
21:43I'm going to have to get you a new coach.
21:44One of my leaders fell and broke his leg.
21:46Rosie glad you're back I've got news of plenty.
21:49You've done right Jim.
21:50More than that he did a masterful job of driving.
21:53Everything happens since you went away.
21:55Everything even that murder of a man found with a knife in his back and that's not all.
22:01But wait a minute I don't want to miss a word of this but in the meantime I want you to meet a man that's gonna do wonders for Logan.
22:07Lizzie Morgan I want you to meet Cornelius Huxley.
22:11Pleased to meet you.
22:13It would be a pleasure, Mrs. Morgan.
22:15Mr. Parkland, I want you to meet our sheriff.
22:17Sheriff, Mr. Parkland.
22:18How do you do, sir?
22:19Glad to know you, sheriff.
22:21May I join you?
22:22You're welcome, Mr. Parkland.
22:23My name is Slade.
22:24Well, how do you do, Mr. Slade?
22:25I'd like to meet you, Mr. Parkland.
22:28I own the livery stable.
22:29They call me Whipple Tree.
22:30How do you do, Mr. Whipple Tree?
22:32Say, you folks are certainly giving me a mighty warm welcome in this town.
22:35And now to make things just straight, I'm going to set them up at the Golden Eagle.
22:39Come on, Jerry.
22:40I'll join you later.
22:41Set them up, Joe.
22:48Gentlemen, this is a real pleasure.
23:05It will be a comfort, I'm sure, for the citizens of this charming little community to realize
23:11from now on that they have in me a man who will fight tooth and nail to preserve law
23:16and order.
23:17I'll drink to that.
23:18Me, too.
23:19To Mr. Parkland.
23:20Just a minute.
23:21That's what I say, too.
23:22I'm doing the dealing.
23:23And I said I was cutting him.
23:24I like this game, but I don't like double dealing.
23:25As far as you're concerned, this game's closed.
23:26Get out.
23:27Keep your hands easy, mister.
23:46Come on, I'll set one up.
24:05Now that is exactly the kind of lawlessness I'm talking about.
24:10You know, these men of the least provocation resort to their guns.
24:14I'm not a real menace to this community.
24:17I don't like the sound of your lingo, mister.
24:19I wonder if you can wag your toes as fancy as you wag that tongue of yours.
24:24Start dancing.
24:25I said dance, bug hat.
24:26Come on, give him a tune.
24:27Where's that gun?
24:28Don't make any false moves while you're talking, Sheriff.
24:29I'm not a real menace to this community.
24:30I don't like the sound of your lingo, mister.
24:31I wonder if you can wag your toes as fancy as you wag that tongue of yours.
24:32Start dancing.
24:33I said dance, bug hat.
24:34Come on, give him a tune.
24:35Where's that gun?
24:36Don't make any false moves while you're talking, Sheriff.
24:37That's what I'm warning you not to do.
24:48Now get going.
24:49This town ain't got no room for your kind, and don't let the sun sit on you here.
24:53That'll depend on me.
24:56If I reckon to stay, I'll be meeting up with you.
25:09You know, Sheriff, if my memory serves me correctly, that man's known as Cheyenne.
25:17He's the same one Sheriff Connors of Hamlin, Texas described to me when I arrived there.
25:22He's lightning fast and a dangerous outlaw.
25:25Why?
25:27He's wanted in a dozen communities, and I have never been subjected to such embarrassment
25:30in all my life.
25:31Well, I'm very sorry, Mr. Parkwood.
25:33Mr. Parkwood, you've seen enough in your brief stay here to know just what we're up against.
25:37You can readily see how the Sheriff here needs all of us to back him up.
25:41That's what I meant on the stage.
25:42Now I can see why we need a man like you and Logan.
25:46Let's have a drink, boys.
25:47Set them up, bartender.
25:48Give me a steak, too.
25:59Make it rap.
26:00Say, it's none of my business, but that Gabby Amber sure spread you out to the Sheriff after
26:07you left.
26:08Yeah?
26:09She said your name was Cheyenne.
26:14She was looked for in Texas and a lot of other places, too.
26:20He needs to have his lip buttoned.
26:24What about the Sheriff?
26:25Are you staying or are you getting?
26:29I sort of like it here.
26:30As that Sheriff starts gunning for me, this town will be needing a new star packer.
26:38I can let you in on a good thing, Cheyenne.
26:41What is?
26:42Unless you're figuring to work alone.
26:46That depends.
26:53Can't talk here.
26:54But if you're interested, catch up with me right after sundown, six miles west where
26:59the road splits at the Big Oak.
27:01You see, Mr. Slade, finding a man with a knife stuck in his back, lying dead in his own room,
27:10with a door locked on the inside, ain't the sort of thing that belongs in this territory.
27:14I quite agree with you, Sheriff.
27:16I can't understand it.
27:17Neither can I, Jim.
27:19Things are going from bad to worse.
27:20What are you going to do about it?
27:21Do about it?
27:22Get more cooperation, less criticism.
27:23That might help.
27:24I'm no detective, Hank.
27:25Well, why don't you wire the U.S. Marshal's office and get some help?
27:26Now, there you go again, Hank.
27:27I did just that an hour ago.
27:28And Pat locked the door, too.
27:29That's all I can do till the Marshal gets here.
27:37And that same Umbry that did the shooting at the Golden Eagle, came to the stable just
27:42now, got his horse and rode away as if he was scared of nothing.
27:46I ordered him out of town before sundown, didn't I?
27:49Ain't a-telling you your business, Sheriff.
27:52But I am a-telling you that he stopped at my barn last night, and he's the only stranger
27:57in town when the murder took place.
27:59You men ought to go right out and bring the stranger in.
28:01We ought to find out what he was doing here in Logan.
28:04I'm the same mind, Lizzie.
28:05It's due time for necktie party.
28:06Put a stop to it.
28:07Now, hold on, folks.
28:11You're all wrong.
28:13That's no way to carry out the law.
28:15What you're trying to do is criticize the law with one breath.
28:18With the next, you're ready to take it into your own hands.
28:21Maybe, but we ain't taking no chances.
28:24Shut up.
28:25Hold your tongue.
28:26Right, Lizzie.
28:27Let Mr. Parkford talk.
28:28Here's what I mean.
28:34If the stranger attempts to return to Logan, it's your duty to the community.
28:39Turn him over to the law.
28:40Then we'll question him.
28:41Give him a fair trial.
28:42If he's found guilty, well, Sheriff here knows what to do.
28:49That's the way to carry out the law, folks, and the only way we can hope to drive all
28:53instances out of Logan.
28:54We've been waiting for a leader.
28:56Here he is.
28:57Our new mayor, Cornelius Parkford.
28:58Congratulations.
28:59Isn't that what we've been waiting for?
29:00You bet we have.
29:01Where to now?
29:14Follow me, Cheyenne.
29:15It ain't far.
29:16Here comes Jed with a stranger.
29:42This is Cheyenne, the man the boss wanted to have join up with us.
29:46This is Denver, Tex, Chuck, Blackie, Shorty, and Red.
29:53Charlie, who's the boss?
29:57That's something that ain't your affairs right now.
30:00Well, it ain't, huh?
30:02Well, I ain't joining up in no outfit unless I know who heads it.
30:05Hold on, Cheyenne.
30:07Denver here ain't telling it right.
30:09You'll get to meet up with the boss later, after you worked around a while.
30:14Well, that's different.
30:15What's the setup?
30:18Tell him, Denver.
30:19Right.
30:20Just forget I cut into your rough.
30:22You're asking what's the setup?
30:24It's oil.
30:26Oil?
30:27Yeah, oil and plenty of it.
30:29Enough to make all of us sit easy.
30:31When the boss puts this over, we'll all be sitting in easy chairs,
30:35wearing silk shirts and drinking plenty of liquor,
30:38and won't have no star packers to fret about neither.
30:41If anything, we'll use them to watch our bankrolls.
30:47Takes a lot of money to drill for oil.
30:49Can the boss handle it?
30:51That's where we come in.
30:52We hold up the stage until we get enough jack.
30:55Can't get enough that way, we blow the bank in town.
30:59Pretty, ain't it, Cheyenne?
31:00It lessens good.
31:02Feel even better.
31:03Come on over, I'll show you our hotel.
31:11Hey, this isn't bad.
31:20You can have the big feather bed over here or the little one over there.
31:27You got a razor, Jed?
31:29I think I'll freshen up a bit.
31:30Sure.
31:30You don't have to fix up for us.
31:33I ain't fixing up for you.
31:34I'm going visiting.
31:35Why don't you come along with me, Jed?
31:37I think you'll like my kind of fun.
31:39You betcha.
31:53I've been doing some thinking, Jed.
31:54You know, there's an old saying.
31:56Yeah, I know what you're thinking.
31:58Don't worry, Cheyenne.
31:59I ain't gonna crowd your pasture.
32:01I'm going into Logan.
32:02You're all right.
32:03What time will I meet you?
32:04Well, we ought to get back to camp by midnight.
32:07That's just time enough.
32:09I'll be seeing you then.
32:11Someone I'd give a heap to be visiting, too.
32:15Adios.
32:32Adios.
33:02Adios.
33:32Sheriff!
34:01Sheriff!
34:02Sheriff!
34:32Sheriff!
34:39There was a light in that window and I saw it!
34:52Well, what happened?
35:14I don't see nothing.
35:23Hey, Whipple-Tree.
35:24Huh?
35:24Get over there and light that lamp.
35:26Who, me?
35:27Yes, you.
35:42Is something wrong, Sheriff?
35:43Why, uh, Whipple-Tree said he saw a light burning in this room.
35:47I sure did.
35:48Sure as shootin'.
35:51Say.
35:52Huh?
35:52This is a dead man's room.
35:54Maybe it's a ghost.
35:56Ghost?
35:58It could be.
36:00Let's get out of here.
36:03Maybe, uh, maybe we'd better get out of here, too.
36:06Oh.
36:06Oh, yeah.
36:06Yeah.
36:08Well, I guess Whipple-Tree's been drinking again.
36:10Maybe you're right.
36:11Well, good night, Sheriff.
36:12Good night, Mr. Parker.
36:19Come on out, Bob.
36:23Now.
36:23Now, Mr. Parker.
36:25Now, what's the matter?
36:28What's the matter?
36:32Come on out, Bob.
36:37Phew.
36:38That was close.
36:41Yeah, I took a chance and got in the geologist's room.
36:48He must have seen your life.
36:51And that's the motive.
36:52Hmm.
36:53The name print of a man.
36:54Whoever murdered that engineer was after oil.
36:55Oil?
36:57Booth, you're finding this ties in with everything.
36:58I think we're on the right trail, all right.
36:59If I could just find out who the leader of this gang is, we'd be sure.
37:00But I'm afraid that's going to take a little time.
37:01So far, no one will talk.
37:02You see, they're not quite sure of me yet.
37:03Yeah, but they're cagey.
37:04Plenty.
37:05What about the woman?
37:06Have you found any trace of her?
37:07Not yet.
37:08If there's a good-looking young ranch woman,
37:09I'll be sure to find her.
37:10I'll be sure to find her.
37:11I'll be sure to find her.
37:12I'll be sure to find her.
37:13I'll be sure to find her.
37:14I'll be sure to find her.
37:15I'll be sure to find her.
37:16I'll be sure to find her.
37:17They're a little dizzy.
37:18Like you.
37:19Likely.
37:20Well, can I see her?
37:21Well, you have no right.
37:22Sure, we can?
37:23I don't want to run for it.
37:24Well, do you know a place that I don't know of?
37:25No.
37:26Martin.
37:27Listen.
37:28Mind if I join you?
37:29Well, just in right now.
37:30All right.
37:31Listen up, mister.
37:32Don't make a sound.
37:33Absolutely not.
37:34But I'll try.
37:35Just leave me alone.
37:36Go Hero.
37:37Never come back here again, okay?
37:38Bone, I swear.
37:39He realized he was sitting here for years.
37:40Did you see your wife?
37:41She went down right here looking for something.
37:42Down?
37:43You don't believe me?
37:44Huh?
37:45I'll get rid of him.
37:47Go ahead.
37:54Still looking for that ghost?
37:55Got me, too.
37:56I can't sleep.
38:16That was right.
38:18Max, don't go sneaking down that stairway.
38:20Come on.
38:27Oh, here.
38:27I'll help you.
38:28Oh, get it.
38:39God's service.
38:46So you see, Cheyenne, that's how I happened
38:48to join up with this outfit.
38:50They got a pretty good setup, Jed.
38:52Yeah, but after we pull this deal, I'm taking my cut,
38:56getting her and the kid and hitting the trail.
39:01You better be careful cutting back.
39:03The law has a habit of catching up with you.
39:06I guess you know that.
39:08But I figure if we can get to California, we'll be all right.
39:11You know, there's one thing about this setup
39:14that gets under my hide.
39:16What's that?
39:18Who's the boss?
39:23What's the matter?
39:24You afraid to talk to me?
39:25Oh, now, take it easy, Cheyenne.
39:27You know I wouldn't double cross you.
39:30Well, neither can I double cross the boss
39:32and tell you who he is.
39:42Come on, I got something to tell you.
39:49I got some news, boys.
39:52The stage pulled out of Tracy with a shipment of gold.
39:55They're coming into Logan by the old trail.
39:58Trying to pull a fast one on the boss.
40:00He knows all about it.
40:01So we'll surprise him.
40:03About time.
40:04I'm getting fed up sitting around here doing nothing.
40:07Oh, yeah?
40:08Well, we was right about that.
40:10Well, we was right congenial until you joined up with us.
40:12And all you've been doing ever since is beefing.
40:14You got anything to say?
40:16You can talk to me.
40:18We'll talk to you if we want to.
40:19Don't get off my case.
40:20I'm in jail.
40:22I've gotn't time for it.
40:24You talk about jail?
40:25You've got nothing to do with me.
40:26I'm not going to let you talk to me about jail.
40:28I told you.
40:29I'm not going to let you talk to me about jail.
40:31Well, you're hurting me.
40:32You're hurting me.
40:33Well, you are.
40:34I'll get you out of jail.
40:35You go.
40:36Don't touch me for that.
40:37I'll get you out of jail.
40:38I'll get you out of jail.
40:40Don't touch me, you little mutts.
40:43You can tell that bird when he wakes up if he ever tries to pull anything on me like that again, I'll drop him for good.
41:13Good day, madam.
41:34Hello.
41:35Allow me to introduce myself.
41:37My name is Camillus Parkford.
41:39I've come to visit you and your husband.
41:41Good day, monsieur.
41:42But let me tell you something confidentially.
41:44I am not married.
41:46Oh, well, that's all right.
41:48You see, I'm visiting the neighboring ranches on behalf of my campaign.
41:53And if you'll pardon me for saying so, I ain't...
41:56That is, I've never seen such a charming and more good-looking woman than you are,
42:02who is trying single-handed to wrest a living out of this wild and dangerous territory.
42:07Monsieur, you speak so beautiful.
42:10Thank you, madam.
42:13But you're the one who deserves the compliments.
42:15You're a right brave woman.
42:17You're the sort of woman this community should be mighty proud of.
42:21Oh, monsieur, you are a flatterer.
42:23If I listened to you, I would get spoiled.
42:25But come inside and have a little glass of milk, mister...
42:28Ah, Parkford's the name, Parkford.
42:30Oh, of course, Parkford.
42:31Well, if there isn't too much trouble, a glass of milk would be splendid.
42:34Oh, pardon, no.
42:35Come inside.
42:37Say, you have a nice place here.
42:39It's as homey.
42:40I'll be back in a minute.
42:48I see dressmaking is also one of your accomplishments.
42:51Oh, yes.
42:52Mama, she teaches me to do everything, even to raise the silkworms.
42:55But don't stand up.
42:56Sit down, mister.
42:57Ah, Parkford.
42:58Oh, Parkford, of course.
43:00And it's such a pretty name.
43:02Thank you, but I'll bet it ain't half as pretty as yours.
43:05Oh, but it is.
43:06It's better.
43:07That's it.
43:08My name is Susanna Girod, and I hate the name Susanna.
43:13That's where you're wrong.
43:15Susanna?
43:16Susanna's a great name.
43:18A fine song was written from Susanna.
43:20It goes like...
43:21Oh, Susanna, won't you wait for me?
43:25I've come from Alabama with a banjo on my knee.
43:29Come on, you sing it now.
43:30Oh, Susanna, won't you wait for me?
43:34I've come from Alabama with a banjo on my knee.
43:41That's the woman, all right, Bob.
43:43Though she's mighty clever.
43:45I caught up with her weak strands.
43:47She and her partner have been scattering around.
43:49Get acquainted with her, play up to her, and the strand'll snap.
43:54Partner'll fall for the trap, come right out in the open.
43:57It's dynamite, Bob, but you gotta do it.
44:01Playin' a woman.
44:03That's gonna be mighty tough for me to do, Hoot,
44:05but I guess I'll have to go through with it.
44:08Gee, I know what you're up against.
44:11There's another thing that goes against my grain,
44:13and that's pullin' that hold out.
44:15Yeah, but there's no other way out.
44:18Hey, wait a minute.
44:20I've got it.
44:21I know what I'm gonna do when I start out with that gang.
44:34Whoa!
44:36I'll be hanged.
44:38Drop that box.
44:41Whoa!
44:43I'll be hanged.
44:45Drop that box.
45:00Get out and open that box.
45:02I'll be hanged.
45:04I'll be hanged.
45:06I'll be hanged.
45:09Get out and open that box.
45:14That hombre's sure reckless.
45:16He's local.
45:17Now the law'll know one of us for sure.
45:19He's callin' for a showdown.
45:21Not out here.
45:22I'll fix that hombre when we get back to camp.
45:25Now get up there and start rollin'.
45:30Get up.
45:39It's plain local, Cheyenne, for you to show your face.
45:43It's against the boss's orders.
45:45I know what I'm doin'.
45:46I've had dummy boxes before.
45:48And listen, Denver, if the boss doesn't like what I do,
45:51let him tell me, not you.
45:55I think we've had about enough of you, Cheyenne.
45:58It's time you started getting it into your head
46:00that you're not runnin' this outfit.
46:02Hold on!
46:04You'll pay for this.
46:06Hold on!
46:07You're plain rattle-wheated to start somethin'
46:09that's gonna end as short-handed.
46:12You're all haywire too, Cheyenne.
46:14You better get out and cool your heels.
46:16We'll talk to you later.
46:19What do you say, Denver?
46:20I reckon you're right.
46:22No use fightin' among ourselves.
46:30Better come over here, Tex, and I'll fix that hand up.
46:34Cheyenne sure made a mistake doin' what he did.
46:36And I'm agreein' with you, Denver.
46:38But you talked wrong.
46:40Maybe.
46:41But it's gonna be me or him sooner or later.
46:46Yeah, that's him with the black outfit on
46:49and the two fancy guns.
46:51I've been tellin' you right along,
46:52that's the umbrella we're after.
46:54What are you waitin' for?
46:55I ain't waitin', I'm leadin'.
46:57Come on, boys.
46:59Thanks to you, now we're getting somewhere,
47:01and if we don't succeed in riddin' Logan of this lawlessness,
47:04we're gonna have to appeal to the federal government.
47:06I quite agree with you, Mr. Parkford.
47:08I had an idea last night that if we could...
47:24That looks like him!
47:31Come on!
47:32Come on!
47:33Come on!
47:35Come on!
48:01Lady, the sheriff's hot on my trail.
48:03I'm gonna take cover in your barn.
48:05Will you give a stranger a chance?
48:33Sorry to bother you again, ma'am,
48:34but one of them outlaws has been holdin' up the stagecoach
48:36and he's headed this way, and he's been recognized.
48:38A young fellow with a black outfit on and two fancy guns.
48:41See anything of him?
48:42Oh, yes, Miss Shirley, Sheriff.
48:43I seen him about a minute ago.
48:45Yeah, where?
48:46Over there, riding like the very devil.
48:48Oh, thank you.
48:50Come on, now.
48:57Lady, you sure did me a favor, and I ain't forgettin' it.
49:01You look much too nice to be such a bad man.
49:04That is why I have helped you.
49:06But you had better go now.
49:08I'll see you later.
49:09Good-bye.
49:10Good-bye.
49:11Good-bye.
49:12Good-bye.
49:13Good-bye.
49:14Good-bye.
49:15Good-bye.
49:16Good-bye.
49:17Good-bye.
49:18You had better go now.
49:20Yeah, I reckon I had better go.
49:23But if I stand here much longer lookin' at you,
49:25I might break trail and come back.
49:28No, you had better go.
49:32Adios.
49:49Did I hear you say you were a miss?
49:51You did not hear it, but I am.
49:54If I'd come back here tonight, would you see me?
49:57I'd hide my horse in the barn.
49:59But you must not come back, monsieur.
50:01It's too dangerous.
50:05It'll take more than a star tracker to keep me away.
50:08No, no, no.
50:09No, you must go.
50:11Don't come back.
50:18Don't come back.
50:48He's been gone when he drifts away from camp every night.
50:51Thanks, Denver.
50:53I'm glad you told me.
50:55I know how to take care of that.
50:58I want you to send Tex into Blanche the first thing in the morning.
51:01Tell her I can't see her tomorrow night.
51:03I get it, boss.
51:04And one more thing.
51:07I want you to take care of Parkford.
51:10You're gonna button up that loud trap for good.
51:14Understand?
51:15I'll get it done.
51:17Keep moving.
51:19Brother will go back to off.
51:34Howdy.
51:36Your name's Parkford, isn't it?
51:37That's right, my good man.
51:39Well, I've been wanting to meet you.
51:41My name's Smith.
51:42Well, Mr. Smith, I like to meet everybody.
51:47I like to meet everybody.
51:48I like to meet everybody.
51:49I like to meet everybody.
51:50I like to meet everybody.
51:51I like to meet everybody.
51:52I like to meet everybody.
51:53I like to meet everybody.
51:54I like to meet everybody.
51:55I like to meet everybody.
51:56I like to meet everybody.
51:57I like to meet everybody.
51:58I like to meet everybody.
51:59I like to meet everybody.
52:00I like to meet everybody.
52:01I like to meet everybody.
52:02I like to meet everybody.
52:03I like to meet everybody.
52:04I like to meet everybody.
52:05I like to meet everybody.
52:06I like to meet everybody.
52:07I like to meet everybody.
52:08I like to meet everybody.
52:09I like to meet everybody.
52:10I like to meet everybody.
52:11I like to meet everybody.
52:12I like to meet everybody.
52:13I like to meet everybody.
52:15Mr. Parkford.
52:25How is he, Rosie?
52:26Oh, I'm worried, Hank.
52:28Well, Parkford's a mighty fine man,
52:30but he stopped us from doing what we were going to do,
52:32and that's the reason he's in there now.
52:34Law, no law.
52:35We ought to go out and round him up and string him up.
52:38That's for my sentiments.
52:39That's the first time I'll ever agree with you, Whipple Tree.
52:42And we should do it?
52:43And we should do it right now.
52:45I've been saying that right now.
52:46Here, here, here.
52:47Don't you men know there's a man lying in there
52:49at the point of death?
52:50The doctor wants you to be quiet.
52:52Rosie, get in there and give the doctor a hand
52:54and tell Liz to get that water hot.
52:56I will.
52:57And hurry it up, will you, please?
52:58Now, come on, men.
52:59Break it up.
53:00Move out of here.
53:01Come on.
53:08Boss might slip up on this tricky hombre tonight,
53:10and I ain't taking any chances.
53:12I'm going in there and start a fight with him right now.
53:14When I start swinging on him, you drop him.
53:22Cheyenne, the boss wants you to know that from now on,
53:26I'm giving the orders.
53:28Yeah?
53:29Yeah.
53:30You're not drifting away from the path no more,
53:32unless I'm a talent.
53:33I'll drift whenever I feel like drifting,
53:35and if you don't like it, that's just too bad.
53:38I don't like it.
53:40Maybe I'll play snake too, Tex.
53:46I'm leaving this outfit.
53:48And listen, Denver, I want my split at sunup,
53:50or I'll come back here and take it.
53:58I threw that hombre yet.
54:10You said you were leaving, Cheyenne.
54:12I'm leaving with you.
54:13What do you say?
54:14Sure, Jed.
54:15Nothing I'd like better.
54:16I might lead you to that wife and kid
54:18you've been wanting to see.
54:20What are you driving at?
54:21A clear, straight trail.
54:23Say, you ain't preaching to me, are you?
54:26No.
54:27I just happen to like you.
54:29I don't like you.
54:30I don't like you.
54:31I don't like you.
54:32I don't like you.
54:33I don't like you.
54:34I don't like you.
54:35I don't like you.
54:36I don't like you.
54:37I don't like you.
54:38That's why I'm giving you a fresh start.
54:41What do you mean?
54:48I'm going where you're going, Cheyenne.
54:51All right.
54:52Trail me.
55:08Come on, honey.
55:37What's keeping you?
56:07I'll get over there and do exactly as I tell you call shorty Chuck and Tex in here and
56:23call him like you mean it shorty takes Chuck come in here
56:33I've got those guns now get over there come on Chuck start moving
56:42Thanks Jeff now get him out of here shorty get him up
56:59come on out of here get going keep him covered Jeff
57:22it might interest you to know that detective Stevens was my uncle
57:29may I have a light please
57:34Mark Tavis as long as you make apple pie like this I'm always gonna be sick
58:02that's really got it